Dodge Truck Quotes

We've searched our database for all the quotes and captions related to Dodge Truck. Here they are! All 18 of them:

How can even the idea of rebellion against corporate culture stay meaningful when Chrysler Inc. advertises trucks by invoking “The Dodge Rebellion”? How is one to be bona fide iconoclast when Burger King sells onion rings with “Sometimes You Gotta Break the Rules”? How can an Image-Fiction writer hope to make people more critical of televisual culture by parodying television as a self-serving commercial enterprise when Pepsi and Subaru and FedEx parodies of self-serving commercials are already doing big business? It’s almost a history lesson: I’m starting to see just why turn-of-the-century Americans’ biggest fear was of anarchist and anarchy. For if anarchy actually wins, if rulelessness become the rule, then protest and change become not just impossible but incoherent. It’d be like casting a ballot for Stalin: you are voting for an end to all voting.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
The Gedalists were nearly run down by a Dodge truck on which two grand pianos had been loaded: two uniformed officers were playing, in unison, with gravity and commitment, the 1812 Overture of Tchaikowsky, while the driver wove among the wagons with brusque swerves, pressing the siren at full volume, heedless of the pedestrians in his way.
Primo Levi (If Not Now, When?)
So," Benji says when Chloe finds Georgia next to him, "I know things have been crazy, but I just wanted to say, oh my god! Shara Wheeler is in love with you, and Georgia has been secretly dating a member of the Homecoming Court. Like, what is going on?? Also, when do I get a hot person??" "I saw you flirting with Ace," Chloe counters. "Yeah, he's, like, Dodge Truck Month level straight. I'm not wasting my time.
Casey McQuiston (I Kissed Shara Wheeler)
I've seen men ruined by drink, drugs and dodge pickup trucks, but this is the first time I've seen someone ruined by softcore porn...
Craig Johnson
He kept trading up. By the end of the night, when Rich came home, he didn’t have a dime or a mattress, a Ping-Pong table or an elk head, or the five other things he traded up. Richard drove home in a pickup truck. No lie. He started with a dime and ended up with a Dodge. I remember reading this quote from C. S. Lewis where he says, “It would seem that Our Lord finds our desires not too strong, but too weak. We are half-hearted creatures, fooling about with drink and sex and ambition when infinite joy is offered us, like an ignorant child who wants to go on making mud pies in a slum because he cannot imagine what is meant by the offer of a holiday at the sea. We are far too easily pleased.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
A starling sits on a wire on the busy street, and I watch him as I wait at a red light. He flies down to a spot in the middle of the road, walks around with that curious, potbellied strut, neck craned at something that lies in the road. Food? The traffic thickens and roars up, and the bird rises back up to the wire, only to drop down again, walking tight circles around the object. My car nears, and my heart sinks to see that the bundle in the road is another starling, just killed. Fearless, the starling dodges trucks and cars to be near the lifeless mess that was its mate. An hour later, the bird still sits on the wire, watching the little spot of feathers. I wonder whether anyone else passing noticed this small tragedy, and I remember a fragment of verse about swatting a mosquito: a life so small, but to itself, so dear.
Julie Zickefoose (Letters From Eden: A Year at Home, in the Woods)
As she lifted her own backpack over the side of the black, heavy-duty dodge pickup, Owen took it out of her hands and set it beside the one-man tent and sleeping bag the FBI had provided for him. “I could have done that,” she said. “Sure you could. But my daddy taught me a gentleman always helps a lady.” Bay was so startled at what he’d said, and the chagrined way he’s said it, that she laughed. “Oh, my god. Chauvinism is alive and well—” “We call it chivalry, or Southern courtesy, ma’am,” he said. She realized he was heading around the truck to open the door for her. She stepped in front of him and said, “It’s going to be a long trip if you refuse to let me pull my weight. I can get my own door, Mr. Blackthorne.” For a minute, she thought he was going to make an issue of it. Then he touched the brim of his hat, shot her a rakish grin that turned her insides to mush, and said, “Whatever you say, Mizz Creed.” She was so flustered, she took a half step backward, slid into the seat when he opened the door for her after all, and said, “My friends call me Bay.” Bay flushed as she realized what she’d said. As he came around the hood and got in, she said, “That is—I mean—you know what I mean!” He belted himself into the driver’s seat and started the engine, before he turned to her and said, “My friends call me Owe. You can call me Owen.” She stared at him disbelief. “Oh. You. Blackthorne, you.
Joan Johnston (The Texan (Bitter Creek, #2))
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
a moment later the second of Sverdlov’s men leapt out from behind the truck with his automatic raised. He was about take the shot at Maria, but Cris snapped off two rounds. Both buried themselves in his chest, and he collapsed to the sidewalk in a welter of blood. Bystanders were running, and a woman was screaming. He ignored them, reached the table, and stuck his gun in Sverdlov’s face. "Keep your hands in view, and don't move. Maria, we're leaving. You’ve seen the deal they were about to make with you. All they wanted was to get you here to kill you. Isn't that right, Major?" The Russian didn't reply, but his silence was eloquent. They raced across the street back to the Dodge and leapt inside. Sirens were starting to wail, and they had to get out of the city. He drove away fast and out of town, heading north. “Use your phone. Call March, and tell him we’re heading his way. You’ll be able to ask him about Alexander, and see if he can fix us up somewhere remote to stay. Like before, but not his place, an address with no connection to him, and nowhere near Alexander. They could use him again to reach you.” She made the call. It was brief, and she relayed it to him when she’d finished the call. “March said he’d do what he can to find us a place. Cris, what are you planning?” Her voice sounded different, not frightened, but hollow, empty of hope. He spoke as he weaved through the traffic to get away before someone came after them. The Russians, Chicago PD, U.S. Immigration, and maybe a couple more agencies he wasn’t yet aware of. "We need to go back to where it all started, where these bastards first picked us up. I’ll drive to the floatplane base, and if Warner is still there, I'll get him to fly us back to Vermont. It’s time to get ahead of them and make preparations for when they try again." "Why Vermont?" He frowned; annoyed he’d got it so wrong before. "I made a mistake coming here. I thought we could lose ourselves in the city, but the Russians have the same technical resources as U.S. Law Enforcement. Which means wherever we go, they'll find us. We have to go back to somewhere remote. Where there are no cameras.” “And what then? More shooting, more killing?” It didn’t sound like Maria. More like a frightened girl, frightened for the safety of her son.
Eric Meyer (The Kremlin Assassins (Black Operator #2))
oaks, the forest opened up and we flew in an oval pattern around the scene. The grille of a blue Mustang was nosed up against an earthen barrier, the vehicle’s doors open. Two bodies, both male, were sprawled nearby in the grass. Between the long drying sheds, three gray, refrigerated semitrailers were lined nose to tail like elephants on parade. The truck windows and windshields were shot through and spiderwebbed. Behind the last semi was a black Dodge Viper with two dead men in the front seat. The pilot landed out by the highway, where a perimeter had been established. After checking in with the Virginia State Police lieutenant and the county sheriff, we went to the crime scene on foot. It was hot. Insects buzzed and drummed in the forest around the tobacco facility. Truck engines idling swallowed the sound of blowflies gathering around the Viper. “They’ve swept their way out again,” Mahoney said when we were ten yards from the Dodge. I looked at the glistening dirt road between the Viper and us. I saw faint grooves in the moist dirt and said, “Or raked.” The door to the muscle car was ajar. The window was down. The driver had taken a slug through the back of the skull, left occipital. Blood spattered the windshield and almost covered two bullet holes, one exiting, and one entering. The passenger in the Viper had been rocked back, his left eye a bloody socket and a spray of carnage behind him.
James Patterson (Cross the Line (Alex Cross, #24))
A weathered black and silver Dodge pickup towing a small motorboat pulled up behind us, and Alex circled back to greet the driver. I couldn’t see who sat behind the crusted and dirty windshield, but Alex stood at the driver’s window and pointed down the block where the boulevard disappeared into floodwater. The truck pulled ahead, maneuvered a deft U-turn, and backed toward the water. Alex motioned for me to follow. By the time I lurched my way to the truck, he and the pickup driver were sliding the boat down the trailer ramp. Sweat trickled down my neck, and if I hadn’t been afraid of being poisoned by toxic sludge, I’d have made like a pig and wallowed in the mud to cool off. I kicked at a fire hydrant, trying to jolt some of the heaviest sludge off my boots, and heard a soft laugh behind me. With a final kick that sent a spray of brown gunk flying, I turned to see what was so funny. I needed a laugh. A man leaned against the side of the pickup with his arms crossed. He was a few inches shorter than Alex, maybe just shy of six feet, with sun-streaked blond hair that reached his collar and a sleeveless blue T-shirt and khaki shorts. His tanned legs between the bottom of the shorts and the top of sturdy black shrimp boots were scored with scars, bad ones, as if whatever made them meant to do serious damage. He’d been grinning when I turned around, flashing a heart-stopping set of dimples, but when he saw my eyes linger on his legs, the grin eased into something more wary.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
I’m not spending the whole weekend with you two sniping at each other,” Tommy said. “Erin, we’re going to solve this the way we settle things at the stable when your grandmother isn’t looking.” He nodded at Hunter. “Hit him.” “Don’t make her do that,” Hunter told Tommy. “She’ll break her hand.” “Ha! You think awfully well of your chiseled chin,” I said, but Tommy drowned me out, yelling, “Let her hit you or I will hit you myself.” “This is excellent parenting.” Hunter emphasized his words with an okay sign of his thick fingers. His Rolex flashed in the sunlight before he put his hand down. “Here, Erin.” He closed his eyes and lifted his chin. I edged toward him, balling my fist, feeling better already. “Open your eyes,” I said. “I want you to see it coming.” “If I open my eyes, I’ll dodge you,” he said matter-of-factly, as if he was used to settling his differences this way with the other stable hands. He closed his eyes again. I struck while I had the opportunity. Didn’t pause to think about technique or the proper position for my fist, thumb in or thumb out, just hauled back and hit him. But in the split second before my hand connected with his face, I saw a flash of one of my family’s apartments in Los Angeles, an early one, because I glimpsed the ocean through the window across the room, and as the years went on we’d had less and less money and we’d move farther and farther from the sea. I saw my dad hitting my mom. I redirected my fist, only grazing Hunter’s chin, and stumbled into the side of the truck. A strong arm hooked in mine and kept me from falling. Hunter drew me to him, chuckling. “Are you okay?” I shoved him away from me, slid back into the truck, and slammed the door. He wasn’t even sorry and I couldn’t even get revenge. There was no good in this. With a final sniffle I opened my history book, wishing I hadn’t come.
Jennifer Echols (Love Story)
I started telling him about how when we first got to America, we had to live in Old Man Jimmy’s garage. Old Man Jimmy was an out-of-work truck driver who rented half his garage to us for $200 a month. I would go to sleep curled up next to his Dodge Charger, Shelby, and wake up every morning to the jingle of his keys. Even when we moved out, my parents’ jobs were barely enough to pay for a small one-bedroom apartment. That’s when we applied for a job working and living at the Calivista Motel. But of course the owner, Jason’s dad, turned out to be a real miser.
Kelly Yang (Room to Dream (Front Desk #3))
A red light stopped the Subaru at a three-pronged intersection where a McDonald’s sat opposite a KFC which sat across from a Taco Bell and waiting behind the Subaru on her way to a robbery Alabama watched as a monstrously fat woman marched out of the McDonald’s while guzzling from a box of fries and continued right on into the KFC and Alabama noticed now a billboard high above the KFC upon which a skinny blonde with perky tits wrapped in the Stars and Stripes stood on top of an aggressively masculine pickup truck like a white-trash Wonder Woman beside giant text which read “PICKUP A HOT CHICK IN THE NEW DODGE RAM” and for one revelatory moment that passed just as quick Alabama had never in her life felt so American.
Philip Elliott (Porno Valley)
At sea, the darker the night the closer you will get to your past. The music you decide to play is the radio dial of your history. Van Morrison’s “Have I Told You Lately” played as I stared at the setting moon. This is a song that always transports me to a New Hampshire backroad of my youth. Her name was Katie. She was tall, blond, and wore the girl next door look like an angel. She was smart, funny, and kind. She infatuated me from the moment I met her at Wentworth Marina. She was the daughter of two well-to-do doctors from upstate New York. It was her plan to sail around the world, and she wanted me to join her. “Just to mate” she would always say with a wink. She told me, “Pull over, pull over. I love this song. We have to dance.” So I found myself with goosebumps despite dancing in the warmth of the summer air. The sky around us filled with the flashing luminance of fireflies, and it seemed like we were dancing in the heavens above. You could almost touch the music as it drifted out of my truck windows. I will never forget the look in those crystal-blue eyes as we danced to that song alongside my Dodge Ram pickup. Little did I know it would be the last night I would ever get to look into them again.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
Ducks and Skunks A baby duck and a baby skunk raced across the highway, dodging cars and narrowly escaping death. Their families, however, were all killed by a truck barreling down the highway. Upon reaching the other side, the little duck tells the baby skunk, "My parents both died and didn't tell me what I am." "Well," says the baby skunk, "You are yellow and you have a bill and webbed feet. You must be a duck." The duck thanked him. The baby skunk then tells the duck, "My parents didn't tell me what I am, either." "Well," says the baby duck, "You're not quite black and you're not quite white and you smell bad. You must be Mexican.
mad comedy (World's Greatest Truly Offensive Jokes 2018 (World's Greatest Jokes Book 3))
Twenty-three seconds. In this fleeting stretch of time, you can sprint down a New York City block, weave through the moving mass of people, and feel the concrete pulse beneath your feet. If you’re standing still, you can down a few shots of tequila with a coworker at a local bar and feel the world spin a little faster. Maybe, if you’re bored, you can scroll through the meaningless social media posts of people you never really liked, wondering if anyone else feels as alone as you do. You can text a meme to your friend and make him laugh about some stupid inside joke. You can read the first line of Dune. You can buy a bagel and a schmear from a food truck with no line. Or, you can call that shitty Chinese restaurant on West 17th Street to order an egg roll at midnight. In twenty-three seconds, you can also dodge an approaching subway car. But my dad didn’t.
F.F. Mormanni (Mind the Gap)
The truck was my dad’s; it’s a ’93 box style Dodge Ram that’s seen a few too many winters. The black paint isn’t shiny anymore, and there’s some rust over the wheel hubs, but it’s reliable and handles the Washington winter roads well.
Danielle Baker (Honor (Sky Ridge Hotshots, #3))