Doc Rivers Quotes

We've searched our database for all the quotes and captions related to Doc Rivers. Here they are! All 34 of them:

Never underestimate the heart of a champion!
Doc Rivers
Did we have some understanding? That I was going to follow your nonmedical orders? Because I don't recall that in my personal life, I'm obligated to do everything you tell me." "Guess you're not obligated to use your brain in your personal life, either." "I filled your truck up with gas, you old pain in the ass." "I didn't get caught in that piece of shit foreign job of yours, you obstinate little strumpet." And she laughed at him so hard, tears came to her eyes and she had to leave, laughing all the way back to her cabin. -Mel and Doc
Robyn Carr (Virgin River (Virgin River, #1))
Racism requires lots and lots of dumb emotion, plus a dose of stupidity.
Randy Wayne White (Shark River (Doc Ford #8))
When you have wholeheartedly accepted one vision of reality, it is very difficult to have that reality challenged, then replaced by another.
Randy Wayne White (Shark River (Doc Ford #8))
Solitude is much preferred to the more disturbing isolation of sharing loneliness with a stranger. I
Randy Wayne White (Shark River (Doc Ford #8))
It’s the days that pass by unnoticed that are probably the best days of our lives.
Randy Wayne White (Salt River (Doc Ford #26))
When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits. They went down again and soon the smell of the river spread over the woods, cool and secret. Every step they took among the great walls of vines and among the passion-flowers started up a little life, a little flight. 'We’re walking along in the changing-time,' said Doc. 'Any day now the change will come. It’s going to turn from hot to cold, and we can kill the hog that’s ripe and have fresh meat to eat. Come one of these nights and we can wander down here and tree a nice possum. Old Jack Frost will be pinching things up. Old Mr. Winter will be standing in the door. Hickory tree there will be yellow. Sweet-gum red, hickory yellow, dogwood red, sycamore yellow.' He went along rapping the tree trunks with his knuckle. 'Magnolia and live-oak never die. Remember that. Persimmons will all get fit to eat, and the nuts will be dropping like rain all through the woods here. And run, little quail, run, for we’ll be after you too.' They went on and suddenly the woods opened upon light, and they had reached the river. Everyone stopped, but Doc talked on ahead as though nothing had happened. 'Only today,' he said, 'today, in October sun, it’s all gold—sky and tree and water. Everything just before it changes looks to be made of gold.' ("The Wide Net")
Eudora Welty (The Collected Stories)
When I come home from school, I take my Doc Martens off and put on fake satin mules with the marabou trim, slip into my dressing gown and my movie, and I feel serene. I hold a glass of Coke to my cheek and pretend it is a glass of bourbon and I am in New Orleans. My bedroom door is the doorway onto the street and at night I can't sleep because of the heat and the commotion in this town. So I go down to the river and dance as a man with scars on his face plays an accordion. People clap along and wolf-whistle and I whip my skirt around my thighs, which are long and lean because I barely get a chance to eat, what with all my bourbon and afternoon baths. I dance until my mules get muddy, then I tiptoe home, followed by sailors and men who have hundreds and thousands of dollars playing stud poker. Steve McQueen might be there. I can't remember. I get confused at this point. Too much drink. I'm sure Karl Malden is lurking in the background, gazing at me longingly. I am kind to him because his mother is dying.
Emma Forrest (Namedropper)
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.
John Steinbeck
Jack renovated the cabin without being asked, while I stayed at Doc’s house,” Mel said. “About the time I was going to make a break for it, he showed it to me. I said I’d give it a few more days. Then my first delivery occurred and I realized I should give the place a chance. There’s something about a successful delivery in a place like Virgin River where there’s no backup, no anesthesia… Just me and Mom… It’s indescribable.” “Then there’s Jack,” Brie said. “Jack,” Mel repeated. “I don’t know when I’ve met a kinder, stronger, more generous man. Your brother is wonderful, Brie. He’s amazing. Everyone in Virgin River loves him.” “My brother is in love with you,” Brie said. Mel shouldn’t have been shocked. Although he hadn’t said the words, she already knew it. Felt it. At first she thought he was just a remarkable lover, but soon she realized that he couldn’t touch her that way without an emotional investment, as well as a physical one. He gave her everything he had—and not just in the bedroom. It was in her mind to tell Brie—I’m a recent widow! I need time to digest this! I don’t feel free yet—free to accept another man’s love! Her cheeks grew warm and she said nothing. “I realize I’m biased, but when a man like Jack loves a woman, it’s a great honor.” “I agree,” Mel said quietly. *
Robyn Carr (Virgin River (Virgin River, #1))
Here’s another thing—I can’t get any cell phone reception here. I should let my family know I’m here safely. More or less.” “The pines are too tall, the mountains too steep. Use the land line—and don’t worry about the long distance cost. You have to be in touch with your family. Who is your family?” “Just an older married sister in Colorado Springs. She and her husband put up a collective and huge fuss about this—as if I was going into the Peace Corps or something. I should’ve listened.” “There will be a lot of people around here glad you didn’t,” he said. “I’m stubborn that way.” He smiled appreciatively. It made her instantly think, Don’t get any ideas, buster. I’m married to someone. Just because he isn’t here, doesn’t mean it’s over. However, there was something about a guy—at least six foot two and two hundred pounds of rock-hard muscle—holding a newborn with gentle deftness and skill. Then she saw him lower his lips to the baby’s head and inhale her scent, and some of the ice around Mel’s broken heart started to melt. “I’m going into Eureka today for supplies,” he said. “Need anything?” “Disposable diapers. Newborn. And since you know everyone, could you ask around if anyone can help out with the baby? Either full-time, part-time, whatever. It would be better for her to be in a family home than here at Doc’s with me.” “Besides,” he said, “you want to get out of here.” “I’ll help out with the baby for a couple of days, but I don’t want to stretch it out. I can’t stay here, Jack.” “I’ll ask around,” he said. And decided he might just forget to do that. Because, yes, she could. *
Robyn Carr (Virgin River (Virgin River, #1))
He said... John said I could stay a couple of days. But he’s...” “He’s what?” Mel asked, frowning. “He’s a little scary.” Mel chuckled. “No, he’s a lot scary. Looking. First time I saw him, I was afraid to move. But he’s been my husband’s best friend for something like fifteen years now, his partner in that bar for more than two. He’s gentle as a lamb. He takes a little getting used to.... But he’s so good,” she added softly. “His heart... It’s so big. As big as he is.” “I don’t know...” “You could come out to our place,” Mel offered. “We could find another bed. Or stay here in the clinic. We have two hospital beds upstairs for patients. But Preacher can protect you better than Doc or I can, I guarantee that. Whatever you decide—just so you’re comfortable.
Robyn Carr (Shelter Mountain (Virgin River, #2))
He moved behind her and slipped his arms around her. His hands went under her jacket, under her sweater to where the jeans she could no longer close were gaping open. He put his large hands over her tummy and she put her hands over his, leaning back against him. They stood and looked out across the beautiful land, and then there was a little movement within her. These tiny flutters had just begun. “I’m sorry you can’t feel that yet,” she whispered. “The baby just fluttered.” He bent to kiss her neck. “She likes it.” “How can you not? Oh, Jack, you shouldn’t have shown it to me. Now if you can’t get Fish and Carrie Bristol to part with it, my heart will break.” She pressed down on his hands. “Think positive,” he said. He gently massaged her tummy. “I thought men were supposed to get all freaked out when their wives were pregnant. Not want to touch them. Not want to have sex.” “Not all men,” she said. “God, I want you more than ever,” he said, kissing her neck again. “That—” she laughed “—is simply impossible.” “Want to christen the new home site?” She laughed at him. “I’m not going back to Doc’s with grass stains on my butt. Control yourself.” “I’m
Robyn Carr (Shelter Mountain (Virgin River, #2))
He can be a mystery. There’s more to Preacher than... You really care about him?” “I do.” “Then you be patient. He’ll come around. Paige, it’s obvious—he cares about you, too. You and Christopher. I’ve never seen him like this with anybody.” “Maybe he wants to be sure I’m not just—” Mike was shaking his head. “He wants to be sure of himself, Paige. Preacher’s real cautious. I think the man could be terrified of disappointing you. That’s my bet.” “He couldn’t possibly,” she said, and a tear fell again. Mike wiped it away. “You just have to trust me on this—he’s a bundle of nerves. He’s really good in a fight, really good in a war, and who’da guessed how good a cook he turned out to be, huh? But with women? Paige—he’s never been a hustler. I don’t know of any women. He’s never been that kind of guy. Just not a tomcat like some of the rest of us.” “That’s one of the things I love most,” she whispered. Mike smiled. “You give him some time, huh?” She nodded. She smiled weakly. Mike dropped a brotherly kiss on her forehead. “It’s going to be all right.” “You think so?” “Oh, yeah. Just hang in there. Don’t give up on him.” Mike thought, that lucky son of a bitch. This woman adored him. Wanted nothing so much as to make him happy all night long. “Go wash your face. I’m gonna get myself a beer.” He gave her shoulders a final squeeze, and as she turned away from him, Preacher was standing in the back door with his catch. Paige skittered past Preacher, keeping her head down so that he wouldn’t see her tears. Preacher scowled at Mike. “Need something?” he asked. “I need a beer before I walk over to Doc’s and let Mel torture me. Want me to get it myself?” “Help yourself,” he said, throwing his fish in the big sink. Jack
Robyn Carr (Shelter Mountain (Virgin River, #2))
He leaned toward her, bracing hands on the bar. Rich brown eyes glowed warm under serious hooded brows. “I can get that cabin put right for you in no time,” he said. “Yeah, I’ve heard that before.” She put out a hand and he took it. She felt his calluses as he gently squeezed her hand; he was a man who did hard, physical work. “Thanks, Jack. Your bar was the only part of this experiment I enjoyed.” She stood and began fishing for her wallet in her purse. “What do I owe you?” “On the house. The least I could do.” “Come on, Jack—none of this was your doing.” “Fine. I’ll send Hope a bill.” At that moment Preacher came out of the kitchen with a covered dish wrapped in a towel. He handed it to Jack. “Doc’s breakfast. I’ll walk out with you.” “All right,” she said. At her car, he said, “No kidding. I wish you’d think about it.” “Sorry, Jack. This isn’t for me.” “Well, damn. There’s a real dearth of beautiful young women around here. Have a safe drive.” He gave her elbow a little squeeze, balancing the covered dish in his other hand. And all she could think was, what a peach of a guy. Lots of sex appeal in his dark eyes, strong jaw, small cleft in his chin and the gracious, laid-back manner that suggested he didn’t know he was good-looking. Someone should snap him up before he figured it out. Probably someone had. Mel
Robyn Carr (Virgin River (Virgin River, #1))
She took a deep breath and, lifting the baby from the sink, laid her in the towel being held by Jack. She cocked her head in appreciation as Jack took the infant confidently, wrapping her snugly and cuddling her close. “You’re pretty good at that,” she said. “The nieces,” he said, jiggling the baby against his broad chest. “I’ve held a baby or two. You going to stay on a bit?” he asked. “Well, there are problems with that idea. I have nowhere to stay. That cabin is not only unacceptable for me, it’s more unacceptable for this infant. The porch collapsed, remember? And there are no steps to the back door. The only way in is to literally crawl.” “There’s a room upstairs,” Doc said. “If you stay and help out, you’ll be paid.” Then he looked at her over the rims of his reading glasses and sternly added, “Don’t get attached to her. Her mother will turn up and want her back.” *
Robyn Carr (Virgin River (Virgin River, #1))
John,” she said, “please make sure Christopher is all right. That he doesn’t see his father. That he knows Mama is okay. Please.” “Mel and Jack can—” “No, John. Please. Take care of Chris. I’ll be all right, but I don’t want him scared and I don’t want him to see his father. Please?” “Anything you want,” he said. “Paige...” “No, no more apologies,” she said. “Take care of Chris.” Preacher assisted Mel in sliding Paige from the exam table to the gurney, and the bright red puddle of blood left behind as she was moved caused his own blood to roar in his ears. As he pushed the gurney out of Doc’s office, Rick ran to help him lift it down the porch stairs to the waiting Hummer. His vision blurred as his eyes clouded with unshed tears. “Everything will be all right, Paige,” he said. “I’ll take care of Chris.” *
Robyn Carr (Shelter Mountain (Virgin River, #2))
Joey,” she said quietly, in almost a whisper. “I think I have a man in my life.” “You found a man in that place?” “Uh-huh. I think so.” “Why do you sound so…strange?” “I have to know something. Is it okay? Because I’m not even close to being over Mark. I still love Mark more than anything. Anyone.” Joey let out her breath slowly. “Mel, it’s all right to get on with your life. Maybe you’ll never love anyone as much as you loved Mark—but then maybe there will be someone else. Someone next. You don’t have to compare them, honey, because Mark is gone and we can’t get him back.” “Love,” she corrected. “Not past tense. I still love Mark.” “It’s all right, Mel,” Joey said. “You can go on living. You might as well have someone to pass the time with. Who is he?” “The man who owns the bar across from Doc’s clinic—the one who fixed up the cabin, bought me the fishing pole, got my phone installed. Jack. He’s a good man, Joey. And he cares about me.” “Mel… Have you…? Are you…?” There was no answer. “Mel? Are you sleeping with him?” “No. But I let him kiss me.” Joey laughed sadly. “It’s okay, Mel. Can you really think otherwise? Would Mark want you to wither away, lonely? Mark was one of the finest men I’ve ever known—generous, kind, loving, genuine. He’d want you to remember him sweetly, but to get on with your life and be happy.” Melinda started to cry. “He would,” she said through her tears. “But what if I can’t be happy with anyone except Mark?” “Baby sis, after what you’ve been through, would you settle for some marginal happiness? And a few good kisses?” “I don’t know. I just don’t know.” “Give it a go. Worst case—it takes your mind off your loneliness.” “Is
Robyn Carr (Virgin River (Virgin River, #1))
You could’ve offered the girl a warm place to sleep,” Jack said. “It’s pretty clear Hope didn’t get that old cabin straight for her.” “Don’t feel up to company,” he said. Then Doc lifted his gaze to Jack’s face. “Seems you’re more interested than me, anyway.” “Didn’t really look like she’d trust anyone around here at the moment,” Jack said. “Cute little thing, though, huh?” “Can’t say I noticed,” he said. He took a sip and then said, “Didn’t look like she had the muscle for the job, anyway.” Jack laughed. “Thought you didn’t notice?” But he had noticed. She was maybe five-three. Hundred and ten pounds. Soft, curling blond hair that, when damp, curled even more. Eyes that could go from kind of sad to feisty in an instant. He enjoyed that little spark when she had snapped at him that she didn’t feel particularly humorous. And when she took on Doc, there was a light that suggested she could handle all kinds of things just fine. But the best part was that mouth—that little pink heart-shaped mouth. Or maybe it was the fanny. “Yeah,” Jack said. “You could’ve cut a guy a break and been a little friendlier. Improve the scenery around here.
Robyn Carr (Virgin River (Virgin River, #1))
The cabin in Virgin River might be ready, but Mel sure wasn’t. The baby at Doc’s was keeping her in town for now, but it was impractical to think of her caring for Chloe out at the cabin—there was only the one Plexiglas incubator, no car seat for traveling back and forth, no phone. Of course, it was no punishment to have her living right across the street. But he wanted her in the cabin he’d renovated, he wanted that real bad. Charmaine was so right—he had needs. But somehow when he looked at this young Mel, he knew it would never be like this—an arrangement for sex every couple of weeks. Jack had absolutely no idea what it might become, but he already knew it was going to be more than that. He had a very long history of not getting hooked up, so this disturbed him. The chances were real good he was casting adrift in a sea of sheer loneliness. Because Mel had complications. He had no idea what they were, but that occasional sadness in her eyes came out of the past, something she was trying to get over. But he wanted her. He wanted all of her; he wanted everything with her. “That’s
Robyn Carr (Virgin River (Virgin River, #1))
The vulnerability in her eyes warned him he’d better be very, very careful. One wrong move and she’d jump in that little BMW and shake the dust of Virgin River off the soles of her shoes, the town’s medical needs notwithstanding. He reminded himself constantly that this was one reason he hadn’t sprung the cabin on her yet. Walking away from her last week after Joy’s party had been one of the hardest things he’d ever done. He had wanted nothing so much as to crush her to him and say, It’s going to be all right—I can make it all right, all good. Give me a chance. Doc
Robyn Carr (Virgin River (Virgin River, #1))
Shame on you,” she said to Jack. “I’m sorry, Melinda. But someone had to knock the shit out of this asshole at least once, and if Preacher had done that, this idiot would never walk again.” “Well, if you get into trouble, don’t come crying to me,” she said, and turned to follow Paige and Preacher into Doc’s. *
Robyn Carr (Shelter Mountain (Virgin River, #2))
Tell us about your man,” Susan said. “Oh, Jack’s not my man,” she said automatically. “He is the first friend I made in Virgin River, however. He runs a little bar and grill across the street from Doc’s—as much a meeting place as a restaurant. They don’t even have a menu—his partner, a big scary-looking guy named Preacher who turns out to be an angel—cooks up one breakfast item, one lunch item and one dinner item every day. On an ambitious day, they might have two items—maybe something left from the day before. They run it on the cheap, fish a lot, and help out around town wherever needed. He fixed up the cabin I was given to stay in while I’m there.” The women didn’t say anything for a moment. Then Susan said, “Honey, I have a feeling he doesn’t think of you as a friend. Have you seen the way he looks at you?” She glanced at him and as if he could feel her gaze, he turned his eyes on her. Soft and hard all at once. “Yeah,” Mel said. “He promised to stop doing that.” “Girl, I’d never make a man stop doing that to me! You can’t possibly not know how much he—” “Susan,” June said. “We don’t mean to pry, Mel.” “June doesn’t mean to pry, but I do. You mean to say he hasn’t…?” Mel felt her cheeks flame. “Well, it isn’t what you think,” she said. June and Susan burst out laughing, loud enough to cause the men to turn away from their conversation and look up at the porch. Mel laughed in spite of herself. Ah, she had missed this—girlfriends. Talking about the secret stuff, the private stuff. Laughing at their weaknesses and strengths. “That’s what I thought,” Susan said. “He looks like he can’t wait to get you alone. And do unspeakable things to you.” Mel
Robyn Carr (Virgin River (Virgin River, #1))
Paige lay on the examining table in Doc’s clinic and Preacher held her hand in both of his. “I let you down,” he was saying, so softly Mel barely heard. “No,” she whispered. “No.” “Paige, were you afraid I was going to hurt him?” Her eyes shifted away from his face and he brushed a soft hand against the hair at her temples. “Paige, I could’ve hit him—but I don’t lose control. Paige,” he said, putting a finger and thumb on her chin, turning her eyes back to his face. “Paige, I don’t lose control. Okay?” She nodded weakly.
Robyn Carr (Shelter Mountain (Virgin River, #2))
Here’s to your recovery, bud. It’s going to be quick and powerful.” “Hope God heard that,” Mike said, and took a long, refreshing pull. “The doc said I’d need three months to start feeling better and I’ve only given it six weeks, but...” And then she came out from the kitchen. Mike almost choked on his words. She smiled at him and said, “Hello. You must be Mike.” She went to stand next to Preacher, and he, with his eyes focused on the shine in Mike’s, dropped an arm around her shoulders, claiming her. God, Mike thought. Preacher has a woman. And what a woman. “Yeah,” Mike said slowly. She was gorgeous. Soft, light brown hair fell in silky curves to her shoulders. She had skin like creamy satin and peach-colored lips, a little line, a scar in her lower lip. He knew what that was about, he remembered better now. And warm, sexy green eyes surrounded by a lot of dark lashes and perfectly arched brows. With Preacher’s arm around her, she leaned against him. “I just don’t get it,” Mike said with a laugh. “You two somehow found the most beautiful, sexiest women in the state right here in the backwoods. Shouldn’t there be at least one of you in Los Angeles?” “Actually, we were both from Los Angeles,” Mel said. “And fortunately, both found our way to the backwoods.” No way Preacher knows what he’s holding, Mike thought. And Preacher, knowing Mike’s careless ways with women, just about anyone’s woman, might feel a little threatened at the moment, even given the crippled hand and cane. Little did he know... “Well, damn,” Mike said, lifting his glass. “To your good fortune. All of you.
Robyn Carr (Shelter Mountain (Virgin River, #2))
Like Drums Across the River, Bad Day at Black Rock (January 7, 1955), is a revisionist work—this time examining the seamy side, the racism and thuggery—of postwar America. Brennan, looking much slimmer than in his previous pictures, plays a western town’s veterinarian and mortician. This taut drama, featuring menacing performances by a trio of villains (Robert Ryan, Ernest Borgnine, and Lee Marvin), ultimately centers on Brennan’s character (Doc Velle), who collaborates with John J. Macreedy (Spencer Tracy) to uncover the truth about Komoko, a Japanese American settler killed during the war. Doc Velle, like the rest of the town, has been cowed by the xenophobic Robert Ryan-led conspiracy to thwart and ultimately murder Macreedy after he refuses to relinquish his quest for the truth—even though he is outnumbered and apparently incapacitated because of a paralyzed arm (presumably a war wound). Brennan’s Velle is no hero, but he is a man who can no longer abide his association with evil—any more than can Tim Horn (Dean Jagger), the town’s sheriff. Shorn of his sidekick status and of any mannerism reminiscent of his more comic roles, Brennan emerges as the common man’s powerful and utterly believable voice of conscience.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
I’m so bad at surprises,” she said. “Yeah. I know. You should work on that. Where’s Doc?” “He’s around here somewhere.” “Well, find him and tell him you’re stepping out. I’ll get David. Let’s take a ride. I think you’re going to like this.” “Jack,” she said, standing up, “I hate when you do this.” “I haven’t given you one bad surprise yet,” he said, lifting his son out of the playpen. When she glared at him he said, “I haven’t! I make excellent babies and if you’re surprised, I think that’s your fault!” “Yeah, you don’t have to rub my nose in it.” It
Robyn Carr (Whispering Rock (Virgin River, #3))
Zach leaned over the bar and looked past Mike and Mel to Doc. “Dr. Mullins?” he questioned hopefully. Doc lifted his one whiskey of the day along with a bushy white eyebrow. He sipped, put the whiskey down and said, “In your dreams, young man.” Zach picked up his beer and said, very good-naturedly, “That went well.” “You know what you got yourself here, young man,” Jack said. “You got yourself an excellent place to have a beer.” “How about you, Jack? You’d do it, right?” “Sure, Zach. I’ll go tell the kids all the advantages of owning your very own bar. Right after that, Mel can teach them sexual responsibility. Kind of a little family business.” “That’s it,” Zach said. “An excellent place to have a beer.
Robyn Carr (Whispering Rock (Virgin River, #3))
I’m going to go see if I can get you some medicine. There’s an old doc in Virgin River—he might have some stuff on hand for cold and flu. It’ll take me almost a half hour to get there, the same coming back.” “Virgin River,” she said dreamily, eyes closed. “Ian, they have the most beautiful Christmas tree… You should see it…” “Yeah, right. I’ll be an hour or so. The fire should more than last, but will you try to keep the blanket on? Till I get back?” “I’m just too warm for it…” “You won’t be in a half hour, when that aspirin kicks in and drops your temperature. Can you just do this for me?” Her eyes fluttered open. “I bet you’re really pissed at me right now, huh? I just wanted to find you, not make so much trouble for you.” He brushed that wild red hair off her brow where a couple of curly red tendrils stuck to the dampness on her face. “I’m not pissed anymore, Marcie,” he said softly. “When you’re all over this flu, I’ll give you what for. How’s that?” “Whatever. You can howl at me with that big, mean animal roar if you want to. I have a feeling you like doing that.” He grinned in spite of himself. “I do,” he said. “I do like it.” Then he stood and said, “Stay covered and I’ll get back as soon as I can.” *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Good players want to be coached. Great players want to be told the truth.
Doc Rivers
You have to be willing to get your heartbroken to be a champion, and you have to do it over and over again.
Doc Rivers
Moyock. There was a long list compiled
Randy Wayne White (Salt River (Doc Ford #26))
Ah. Methylsulphonymethane. People around here use it for damn near everything. It’s famous for cell repair. I guess Doc’s right—you’re in good hands.
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
By the fourteenth century, Romance dialects belonged to two broad categories. Those in which “yes” was pronounced oc—mostly south of the Loire River—were called langues d’oc (oc languages). Those in which speakers said oïl for “yes”—in the north—were called langues d’oïl, a term which came to be used interchangeably with Françoys. Oïl and oc are both derivatives of the Latin hoc (this, that), which at the time was used to say yes. In the south they simply chopped off the h. In the north, for some reason, hoc was reduced to a simple o, and qualifiers were added—o-je, o-nos, o-vos for “yes for me,” “yes for us” and “yes for you.” This was complicated, so speakers eventually settled for the neutral o-il—“yes for that.” The term was used in the dialects of Picardy, Normandy, Champagne and Orléans. Other important langues d’oïl were Angevin, Poitevin and Bourguignon, spoken in Anjou, Poitiers and Burgundy, which were considerably farther south of Paris. Scholars debate who created the designations langues d’oïl and langues d’oc. The poet Dante Alighieri, in his De vulgari eloquentia of 1304, was one of the first to introduce the term langue d’oc, opposing it to the langue d’oïl and the langue de si (Romance from Italy). A fifth important langue d’oïl was Walloon, the dialect of the future Belgium. The langues d’oc attained their golden age in the eleventh and twelfth centuries, when groups of wandering musicians, or troubadours, travelled from city to city spreading a new form of sung poem that extolled the ideal of courtly love, or fin’amor. This new poetry was very different from the cruder epic poems of the north, the chansons de geste, and it enjoyed great literary prestige that boosted the influence of two southern rulers, the Count of Toulouse and the Duke of Aquitaine. Even many Italian courts adopted the langue d’oc, which is also known today as Occitan. Wandering poets of the north, the trouvères of Champagne, also borrowed and popularized the song-poems of the south.
Jean-Benoît Nadeau (The Story of French)