Doc Love Quotes

Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky." "She's drunk," Joe Bell informed me. "Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.

How do we forgive ourselves for all the things we did not become?

Ian didn't come. He just sat here with you--he said he didn't care what you looked like. He wouldn't let anyone else put a finger on your tank at all, not even me or Mel. But Doc let me watch this time. It was way cool, Wanda. I don't know why you wouldn't let me watch before. They wouldn't let me help, though. Ian wouldn't let anyone touch you but him.' Ian squeezed my hand and leaned in to whisper through all the hair. His voice was so low that I was the only one who could hear. 'I held you in my hand, Wanderer. And you were so beautiful.

How can something be there, and then not be there? How do we forgive ourselves for all the things we did not become?

How do we forgive ourselves for all of the things we did not become?

Doc,” Jack Torrance said. “Run away. Quick. And remember how much I love you.” “No,” Danny said. “Oh Danny, for God’s sake—” “No,” Danny said. He took one of his father’s bloody hands and kissed it. “It’s almost over.

A moth goes into a podiatrist’s office, and the podiatrist’s office says, “What seems to be the problem, moth?” The moth says “What’s the problem? Where do I begin, man? I go to work for Gregory Illinivich, and all day long I work. Honestly doc, I don’t even know what I’m doing anymore. I don’t even know if Gregory Illinivich knows. He only knows that he has power over me, and that seems to bring him happiness. But I don’t know, I wake up in a malaise, and I walk here and there… at night I…I sometimes wake up and I turn to some old lady in my bed that’s on my arm. A lady that I once loved, doc. I don’t know where to turn to. My youngest, Alexendria, she fell in the…in the cold of last year. The cold took her down, as it did many of us. And my other boy, and this is the hardest pill to swallow, doc. My other boy, Gregarro Ivinalititavitch… I no longer love him. As much as it pains me to say, when I look in his eyes, all I see is the same cowardice that I… that I catch when I take a glimpse of my own face in the mirror. If only I wasn’t such a coward, then perhaps…perhaps I could bring myself to reach over to that cocked and loaded gun that lays on the bedside behind me and end this hellish facade once and for all…Doc, sometimes I feel like a spider, even though I’m a moth, just barely hanging on to my web with an everlasting fire underneath me. I’m not feeling good. And so the doctor says, “Moth, man, you’re troubled. But you should be seeing a psychiatrist. Why on earth did you come here?” And the moth says, “‘Cause the light was on.

Too many good docs are getting out of the business. Too many OB/GYN's aren't able to practice their love with women all across the country." (Poplar Bluff, Missouri, 6 September, 2004)

Never love a wild thing, Mr. Bell,’ Holly advised him. ‘That was Doc’s mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can’t give your heart to a wild thing; the more you do, the stronger they get. Until they’re strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That’s how you’ll end up Mr. Bell. If you let yourself love a wild thing. You’ll end up looking at the sky.

No matter what you tell me—” his lips curved into a sexy smile “—I’ll still want you.” “But you’ll at least understand why it’s a bad idea.” He tipped his head back under the water. “Oh, Doc…” He ran his hands through his hair and met her eyes again. “I’m the king of bad ideas.

Doc still loved true things but he knew that it was not a general love and it could be a very dangerous mistress.

It was great seeing Annie again. I realised what a terrific person she was and how fun it was just knowing her. And I thought of that old joke, you know. The guy goes to a psychiatrist and says, "Doc, my brother's crazy. He thinks he's a chicken." and the doctor says, "well, why don't you turn him in?" and the guy says, "I would, but o need the eggs."  Well, I guess that's pretty much now how I feel about relationships. You know, they're totally irrational and crazy and absurd and, but, err, I guess we keep going through it because most of us need the eggs.

Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?' I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book. The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.' I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.

You need to find true love, Doc." Actually, he thought, I'll settle for finding my way through this. His fingers, with a mind of their own, began to creep toward the plastic hedge. Maybe if he searched through it long enough, late enough into the night, he'd find something that might help --- some tiny forgotten scrap of his life he didn't even know was missing, something that would make all the difference now.

The seat of human emotion should be the liver," Doc Homer said. "That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers." I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.

When the gap between the world of the city and the world my grandfather had presented to me as right and good became too wide and depressing to tolerate, I'd turn to my other great love, which was pulp adventure fiction. Despite the fact that [he] would have had nothing but scorn and loathing for all of those violent and garish magazines, there was a sort of prevailing morality in them that I'm sure he would have responded to. The world of Doc Savage and The Shadow was one of absolute values, where what was good was never in the slightest doubt and where what was evil inevitably suffered some fitting punishment. The notion of good and justice espoused by Lamont Cranston with his slouch hat and blazing automatics seemed a long way from that of the fierce and taciturn old man I remembered sitting up alone into the Montana night with no company save his bible, but I can't help feeling that if the two had ever met they'd have found something to talk about. For my part, all those brilliant and resourceful sleuths and heroes offered a glimpse of a perfect world where morality worked the way it was meant to. Nobody in Doc Savage's world ever killed themselves except thwarted kamikaze assassins or enemy spies with cyanide capsules. Which world would you rather live in, if you had the choice?

Because this isn’t the movies, Doc. In the real world, when a seventeen-year-old guy gets a love letter from his best friend, he doesn’t suddenly decide to love her back. He runs screaming.

How long ago did she die, Wyatt?" Morgan pressed. "Is it nine years now?" "Eight," Wyatt said, halfway between stubborn and sad. "I promised to love her all my life, Morg. I meant to keep my word." That shut Morgan up, but Doc's eyes opened and he gazed at Wyatt for a long time. "What?" Wyatt asked. "That is your ghost life, Wyatt," Doc told him, and closed his eyes again. "That is the life you might have had. This is the life you've got.

But suddenly his daddy was there, looking at him in mortal agony, and a sorrow so great that Danny’s heart flamed within his chest. The mouth drew down in a quivering bow. “Doc,” Jack Torrance said. “Run away. Quick. And remember how much I love you.” “No,” Danny said. “Oh Danny, for God’s sake—” “No,” Danny said. He took one of his father’s bloody hands and kissed it. “It’s almost over.

It has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.

This seemed to be happening more and more lately out in Greater Los Angeles, among gatherings of carefree youth and happy dopers, where Doc had begun to notice older men, there and not there, rigid, unsmiling, that he knew he'd seen before, not the faces necessarily but a defiant posture, an unwillingness to blur out, like everyone else at the psychedelic events of those days, beyond official envelopes of skin. Like the operatives who'd dragged away Coy Harlingen the other night at that rally at the Century Plaza. Doc Knew these people, he'd seen enough of them in the course of business. They went out to collect cash debts, they broke rib cages, they got people fired, they kept an unforgiving eye on anything that might become a threat. If everything in this dream of prerevolution was in fact doomed to end and the faithless money-driven world to reassert its control over all the lives it felt entitled to touch, fondle, and molest, it would be agents like these, dutiful and silent, out doing the shitwork, who'd make it happen. Was it possible, that at every gathering--concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever--those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear? 'Gee,' he said to himself out loud, 'I dunno...

You're just jealous," I said. "You can believe what you want," Aaron said. "But somebody's stealing from the Grimm Collection. They're either taking the objects or somehow sucking out their magic. Doc and theh librarians are going to find out who, and if Marc is in on it, you're going to be sorry you were helping him." "Marc isn't in on it. And I love this place too! We're all on the same side!" "I hope that's true," Aaron said.

ALBA from “Langue d’Oc” When the nightingale to his mate Sings day-long and night late My love and I keep state In bower, In flower, ‘Till the watchman on the tower Cry: “Up! Thou rascal, Rise, I see the white Light And the night Flies.

It has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.” “Who wants to be good if he has to be hungry too?” said Richard Frost. “Oh, it isn’t a matter of hunger. It’s something quite different. The sale of souls to gain the whole world is completely voluntary and almost unanimous—but not quite. Everywhere in the world there are Mack and the boys….

but I was now proud that Doc had achieved what he wanted to do. And we would always be bound together, he was very much a part of me. He had found a small, frightened and confused little boy and had given him confidence and music and learning and a love for Africa and taught me not to fear things.

Blaisedell, the poet, had said to him, 'You love beer so much. I'll bet some day you'll go in and order a beer milk shake.' It was a simple piece of foolery but it had bothered Doc ever since. He wondered what a beer milk shake would taste like. The idea gagged him but he couldn't let it alone. It cropped up every time he had a glass of beer. Would it curdle the milk? Would you add sugar? It was like a shrimp ice cream. Once the thing got into your head you couldn't forget it...If a man ordered a beer milk shake, he thought, he'd better do it in a town where he wasn't known. But then, a man with a beard, ordering a beer milk shake in a town where he wasn't known--they might call the police.

It is true, she speaks but few words; but the few words she docs speak are genuine hieroglyphs of the inner world of Love and of the higher cognition of the intellectual life revealed in the intuition of the Eternal beyond the grave.

Therin narrowed his eyes at Doc. "Tell me you're not impersonating Qoran." "Okay, I'm not impersonating Qoran. Any other lies you'd like to her? I've got plenty. Here's a fun one: our sons are absolutely, definitely not in love with each other.

Wife of Brain don't say you weren't expecting a volcano those red wings that not even bad love can tame must signify something's somewhere about to go up in flame or (as Proust says) be eternalized in pleasure like the men in a Pompeian house of ill fate yet fame is not ill for all

I was always alone, Doc, solitary whether I wished to be or not, ever since I could remember I wished to be lost in another, thought that somehow I could disappear into that heart of yours, take walks within your veins, wander through the bones of you. You had friends, Satan said, you loved and were loved, you must not forget that, at least not that. But did I allow anyone in, I asked Satan, and he said, Did you, does anyone?

Doctor Wilde. Explain how someone got my DNA without my knowledge." "Um, you know what I'd like to do right now?" Even at seventy-five years old, Doc's voice still got higher-pitched when he was nervous. He tried to give me a sexy look. Little did he know, he always looked sexy to me. "I'd like to suck that fat cock of yours. Let's go to the bedroom." " You sound like a porn star. It's not as sexy when I know your knee is acting up," I muttered, sliding my arm around his waist and kissing his cheek. "But I'm still going to take you up on it. Later. We'll put some pillows down.

There were days when his adventurous streak got the better of him and made him throw caution to the wind and commit some ungentlemanly act or another. Then Alice Jane would reprimand him and call him to repentance, her sweet voice tinged with the suffering of a loving parent: "John Henry, dearest, I am so very disappointed.

True Films On TrueFilms.com, Kevin has reviewed the best documentaries he’s seen over decades. The counterpart book series, True Films 3.0, contains the 200 documentaries he feels you should see before you die, and it is available as a PDF on kk.org. Three docs we both love are The King of Kong, Man on Wire, and A State of Mind.

gyms would run out of business.. if love-making did more for your fitness than just the moans, groans, huffing and puffing...

I met a girl, Doc.” He let out a light laugh. “You meet girls every day, Connor; this is nothing new.

Do most gay women love each other?” Doc asked. “A lot of them love closeted movie stars.

The opposite of love is not hate is indifference.

Fear, embarrassment and love are the three emotions that get us to change.

It takes a bit of getting used to,” Doc Twilight finished, grinning from ear to ear. “I think I might be in love.

Why should his sexual preference preclude his being voted into Hall of Fame?" "You don't know much about baseball, do you, doc?

As the warrant says, I’ll be taking all patient files and billing records.” She crossed her arms. “I’ll help you with the files, but billing records aren’t kept here. Doc had a local gal do all the billing electronically,

You achieve the best results from FREEZE-FRAME when you focus in the area of the heart; take a few slow, full breaths; sincerely feel emotions such as love, care, or appreciation; and then forget about breathing while maintaining that feeling state.

Samuel Clearwater, I promise I’ll never leave you,” I whispered, my voice as shaky as my limbs. “I love you.” Preppy closed his eyes. A lazy, satisfied smile appeared on his face. He dropped his head back onto my chest. “Love doesn’t even begin to cover it, Doc.

Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.

The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")

Throughout his life, he was the opposite of all show business clichés. His marriage endured: by all accounts, he dearly loved his wife. Words most often used by those who knew him were “decent,” “genial,” “gentle,” and “generous.” He was a constant target of panhandlers and always had a roll of money in his pockets for handouts. He was not, apparently, a chummy man. His few real intimates, old friends like Doc Rockwell and Uncle Jim Harkins, had been with him in vaudeville and appeared occasionally on his show. He and Portland avoided crowds, lived simply in a New York apartment, and never owned a car. “I don’t want to own anything,” he once told a reporter, “that won’t fit in my coffin.

Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.

It didn’t occur to him to think that better is not the same as well. Was he fooling himself? He would not have said so. Even at twenty-two, when his diagnosis was confirmed, he was realistic. Most suffer. Everyone dies. He knew how, if not when. Now more than ever, he was determined to cheat the Fates of entertainment, but naturally, his time would come. When it did, he believed he would accept death as Socrates had: with cool philosophical distance. He would say something funny, or profound, or loving. Then he would let life fall gracefully from his hands. Horseshit, as James Earp would say, of the highest order. The truth is this. On the morning of August 14, 1878, Doc Holliday believed in his own death exactly as you do—today, at this very moment. He knew that he was mortal, just as you do. Of course, you know you’ll die someday, but … not quite the same way you know that the sun will rise tomorrow or that dropped objects fall. The great bitch-goddess Hope sees to that. Sit in a physician’s office. Listen to a diagnosis as bad as Doc’s. Beyond the first few words, you won’t hear a thing. The voice of Hope is soft but impossible to ignore. This isn’t happening, she assures you. There’s been a mix-up with the tests. Hope swears, You’re different. You matter. She whispers, Miracles happen. She says, often quite reasonably, New treatments are being developed all the time! She promises, You’ll beat the odds. A hundred to one? A thousand to one? A million to one? Eight to five, Hope lies. Odds are, when your time comes, you won’t even ask, “For or against?” You’ll swing up on that horse, and ride.

I'm not sure who started it, but we have taken up the habit of signaling our arrival with a woot woot call. When everyone is present, we take a group photo of the Moving Village: Overdrive, Big Foot, Downhill, Soho, Halfway, the Kid, Jolly 3-0, Doc, Trudger, Kevin (now Tower, named for his childlike love of fire towers and his tall frame), and a hiker who has finally accepted his trail name, Mr. Fabulous.

He’s liable to wanna whip that ass of yours. Hell, you’re fuckin’ his twenty year old daughter. Trashy assed biker fucking his rich daughter. Yep, I see a fight comin’ out of this,” he jokingly clenched his fists and punched them in the air. “Twenty-two, she’s twenty-two,” I corrected him. “Oh hell, my bad, Doc. He’ll be fine with it then. That’ll make all the difference in the world,” he said as he nodded his head.

The little girl he loved was gone and in her place stood a stranger with Mattie's eyes and a woman's body, her long auburn hair pulled up from her neck, her small shoulders squared against the world...She didn't see the blush rise up in his face when he spoke his name. She didn't hear his young voice crack when he stammered an answer to her questions. And she didn't know that, for the first time in his life, John Henry Holliday was falling in love.

Never love a wild thing, Mr. Bell," Holly advised him. "That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky.

The pump was connected to nothing. And sadly, neither was the man. For his wife did not love him. His children did not miss him. The town did not erect a statue in his honor. All the myths he believed in would crystallize into even greater mythology in future years and become weapons of war used by politicians and evildoers to kill defenseless schoolchildren by the dozens so that a few rich men spouting the same mythology that Doc spouted could buy islands that held more riches than the town of Pottstown had or would ever have. Gigantic yachts that would sail the world and pollute the waters and skies, owned by men creating great companies that made weapons of great power in factories that employed the poor, weapons that were sold cheaply enough so that the poor could purchase them and kill one another. Any man could buy one and walk into schools and bring death to dozens of children and teachers and anyone else stupid enough to believe in all that American mythology of hope, freedom, equality, and justice.

...[W]hen's it all going to f***ing stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even… I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have s*** for brains. I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like "Let's Get it On" sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.

Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.

Not long before my heart was shredded by “Ryan,” I saw the superb, painful, and infuriating documentary God Loves Uganda, a film by the astounding Roger Ross Williams. The doc examined the role of American evangelicalism in Uganda, its ties to a recently introduced bill, the Uganda Anti-Homosexuality Act—which then suggested the death penalty for LGBTQ+ people—as it gained serious momentum. It follows missionaries, evangelical leaders, and the LGBTQ+ people of Uganda who fight for their right to exist. These activists were standing up against vicious oppression, rhetoric, and ideas originally introduced and continuously perpetuated by the West. Concealed in “good deeds,” American missionaries created infrastructure for access to indoctrinate the populace, which fueled anti-LGBTQ+ violence and hate.

Jack coughed slightly and offered his hand. “Hi, uh. I’m Jack.” Kim took it. “Jack what?” “Huh?” “Your last name, silly.” “Jackson.” She blinked at him. “Your name is Jack Jackson?” He blushed. “No, uh, my first name’s Rhett, but I hate it, so…” He gestured to the chair and she sat. Her dress rode up several inches, exposing pleasing long lines of creamy skin. “Well, Jack, what’s your field of study?” “Biological Engineering, Genetics, and Microbiology. Post-doc. I’m working on a research project at the institute.” “Really? Oh, uh, my apple martini’s getting a little low.” “I’ve got that, one second.” He scurried to the bar and bought her a fresh one. She sipped and managed to make it look not only seductive but graceful as well. “What do you want to do after you’re done with the project?” Kim continued. “Depends on what I find.” She sent him a simmering smile. “What are you looking for?” Immediately, Jack’s eyes lit up and his posture straightened. “I started the project with the intention of learning how to increase the reproduction of certain endangered species. I had interest in the idea of cloning, but it proved too difficult based on the research I compiled, so I went into animal genetics and cellular biology. It turns out the animals with the best potential to combine genes were reptiles because their ability to lay eggs was a smoother transition into combining the cells to create a new species, or one with a similar ancestry that could hopefully lead to rebuilding extinct animals via surrogate birth or in-vitro fertilization. We’re on the edge of breaking that code, and if we do, it would mean that we could engineer all kinds of life and reverse what damage we’ve done to the planet’s ecosystem.” Kim stared. “Right. Would you excuse me for a second?” She wiggled off back to her pack of friends by the bar. Judging by the sniggering and the disgusted glances he was getting, she wasn’t coming back. Jack sighed and finished off his beer, massaging his forehead. “Yes, brilliant move. You blinded her with science. Genius, Jack.” He ordered a second one and finished it before he felt smallish hands on his shoulders and a pair of soft lips on his cheek. He turned to find Kamala had returned, her smile unnaturally bright in the black lights glowing over the room. “So…how did it go with Kim?” He shot her a flat look. “You notice the chair is empty.” Kamala groaned. “You talked about the research project, didn’t you?” “No!” She glared at him. “…maybe…” “You’re so useless, Jack.” She paused and then tousled his hair a bit. “Cheer up. The night’s still young. I’m not giving up on you.” He smiled in spite of himself. “Yet.” Her brown eyes flashed. “Never.

Think you can last eight seconds?” Joss was one hundred percent, absolutely, positively certain that she would not. She was even more certain that she’d break something. Unfortunately, nerves made her mouthy. “Eight seconds, huh? I heard you rodeo guys had a short fuse. We have pills for that now you know?” He laughed and his lips were suddenly close to her ear again. “I can go longer than eight seconds as you well know. But even if that were true, I promise you, doc, it’d be the best eight seconds of your life.” Great. Now all she was going to think about while a piece of machinery spun and bucked beneath her was riding Troy in exactly the same way. Was it possible to have a mechanical-bull-induced orgasm? That would be seriously embarrassing. Certainly more than the good folk of Plainview would have expected from an innocent night out at the Bull Bar. There were children watching for the love of Mike.

Hunter filled the opening in the privacy curtains. He wore green scrubs like the doctors and nurses who had scraped me off the pavement. For a split second I mistook him for an adorable doctor who looked a lot like Hunter. I knew it was Hunter when he gaped at me with a mixture of outrage and horror, his face pale, and demanded, “What did you do?” “Crossed the street,” I said. “Badly.” Wincing, I eased up from the gurney, putting my weight on my hand and my good hip. Only a few minutes had passed since they had brought me in, ascertained I wasn’t dying, and dumped me here. I still felt very shaky from the shock of being hit. But I didn’t want to face Hunter lying down. In two steps he bent over me and wrapped his arms around me. He was careful not to press on my hospital gown low against my back where the road rash was, but his touch on my shoulders radiated pain to the raw parts. I winced again. “Oh, God. I’m sorry.” He let me go but hovered over me, placing his big hands on my shoulder blades. He was so close that the air felt hot between us. “What did you hurt?” “This is just where I skidded across the road.” I gestured behind my back and then flinched at the sting in my skin as I moved my arm. “How far down does it go?” My back felt cold as he lifted on flap of my paper gown and looked. I kept my head down, my red cheeks hidden. He was peering at my back where my skin was missing. What could be sexier? Even if the circumstances had been happier, I was wearing no makeup and I was sure my hair was matted from my scarf. There was no reason for my blood to heat as if we were on a date instead of a gurney. But my body did not listen to logic when it came to Hunter. He was no examining my wound. He was captivated by the sight of my lovely and unblemished bottom. I was a novelist. I could dream, couldn’t I? Lightly I asked, “Are you asking whether I have gravel embedded in my ass? By the grace of God, no.” Hunter let my gown go and stood up “The doc said the car hit your hip,” he insisted. “Is it broken?” I rolled on my side to face him. “It really hurts,” I said. “If it were broken, I think it would hurt worse.” He nodded. “When I broke my ribs, I couldn’t breathe.” “That’s because your ribs punctured your lung.” He pointed at me. “True.” Then he cocked his head to one side, blond hair falling into his eyes. “I’m surprised you remember that.

Jack renovated the cabin without being asked, while I stayed at Doc’s house,” Mel said. “About the time I was going to make a break for it, he showed it to me. I said I’d give it a few more days. Then my first delivery occurred and I realized I should give the place a chance. There’s something about a successful delivery in a place like Virgin River where there’s no backup, no anesthesia… Just me and Mom… It’s indescribable.” “Then there’s Jack,” Brie said. “Jack,” Mel repeated. “I don’t know when I’ve met a kinder, stronger, more generous man. Your brother is wonderful, Brie. He’s amazing. Everyone in Virgin River loves him.” “My brother is in love with you,” Brie said. Mel shouldn’t have been shocked. Although he hadn’t said the words, she already knew it. Felt it. At first she thought he was just a remarkable lover, but soon she realized that he couldn’t touch her that way without an emotional investment, as well as a physical one. He gave her everything he had—and not just in the bedroom. It was in her mind to tell Brie—I’m a recent widow! I need time to digest this! I don’t feel free yet—free to accept another man’s love! Her cheeks grew warm and she said nothing. “I realize I’m biased, but when a man like Jack loves a woman, it’s a great honor.” “I agree,” Mel said quietly. *

But, after all, he knows I’m preggers. Well, I am, darling. Six weeks gone. I don’t see why that should surprise you. It didn’t me. Not un peu bit. I’m delighted. I want to have at least nine. I’m sure some of them will be rather dark—José has a touch of le nègre, I suppose you guessed that? Which is fine by me: what could be prettier than a quite coony baby with bright green beautiful eyes? I wish, please don’t laugh—but I wish I’d been a virgin for him, for José. Not that I’ve warmed the multitudes some people say: I don’t blame the bastards for saying it, I’ve always thrown out such a jazzy line. Really, though, I toted up the other night, and I’ve only had eleven lovers—not counting anything that happened before I was thirteen because, after all, that just doesn’t count. Eleven. Does that make me a whore? Look at Mag Wildwood. Or Honey Tucker. Or Rose Ellen Ward. They’ve had the old clap-yo’-hands so many times it amounts to applause. Of course I haven’t anything against whores. Except this: some of them may have an honest tongue but they all have dishonest hearts. I mean, you can’t bang the guy and cash his checks and at least not try to believe you love him. I never have. Even Benny Shacklett and all those rodents. I sort of hypnotized myself into thinking their sheer rattiness had a certain allure. Actually, except for Doc, if you want to count Doc, José is my first non-rat romance.

24. The Rutles, “Cheese and Onions” (1978) A legend to last a lunchtime. The Rutles were the perfect Beatle parody, starring Monty Python’s Eric Idle and the Bonzos’ Neil Innes in their classic mock-doc All You Need Is Cash, with scene-stealing turns by George Harrison, Mick Jagger, and Paul Simon. (Interviewer: “Did the Rutles influence you at all?” Simon: “No.” Interviewer: “Did they influence Art Garfunkel?” Simon: “Who?”) “Cheese and Onions” is a psychedelic ersatz Lennon piano ballad so gorgeous, it eventually got bootlegged as a purported Beatle rarity. Innes captures that tone of benignly befuddled pomposity—“I have always thought in the back of my mind / Cheese and onions”—along with the boyish vulnerability that makes it moving. Hell, he even chews gum exactly like John. The Beatles’ psychedelic phase has always been ripe for parody. Witness the 1967 single “The L.S. Bumble Bee,” by the genius Brit comedy duo Peter Cook and Dudley Moore, from Beyond the Fringe and the BBC series Not Only . . . ​But Also, starring John Lennon in a cameo as a men’s room attendant. “The L.S. Bumble Bee” sounds like the ultimate Pepper parody—“Freak out, baby, the Bee is coming!”—but it came out months before Pepper, as if the comedy team was reeling from Pet Sounds and wondering how the Beatles might respond. Cook and Moore are a secret presence in Pepper—when the audience laughs in the theme song, it’s taken from a live recording of Beyond the Fringe, produced by George Martin.

It was true what Doc had said, that Christmas succeeds Christmas rather than the days it follows. That had become apparent to Smoky in the last few days. Not because of the repeated ritual, the tree sledded home, the antique ornaments lovingly brought out, the Druid greenery hung on the lintels. It was only since last Christmas that all that had become imbued for him with dense emotion, an emotion having nothing to do with Yuletide, a day which for him as a child had nothing like the fascination of Hallowe'en, when he went masked and recognizable (pirate, clown) in the burnt and smoky night. Yet he saw that it was an emotion that would cover him now, as with snow, each time the season came. She was the cause, not he to whom he wrote. "Any," he began again, "my desires this year are a little clouded. I would like one of those instruments you use to sharpen the blades of an old-fashioned lawn mower. I would like the missing volume of Gibbon (Vol. II) which somebody's apparently taken out to use as a doorstop or something and lost." He thought of listing publisher and date, but a feeling of futility and silence came over him, drifting deep. "Santa," he wrote, "I would like to be one person only, not a whole crowd of them, half of them always trying to turn their backs and run whenever somebody" - Sophie, he meant, Alice, Cloud, Doc, Mother; Alice most of all - "looks at me. I want to be brave and honest and shoulder my burdens. I don't want to leave myself out while a bunch of slyboots figments do my living for me." He stopped, seeing he was growing unintelligible. He hesitated over the complimentary close; he thought of using "Yours as ever," but thought that might sound ironic or sneering, and at last wrote only "Yours &c.," as his father always had, which then seemed ambiguous and cool; what the hell anyway; and he signed it: Evan. S. Barnable.

Catty and Vanessa were vamping it up on the corner of Fairfax and Beverly, in bell-bottoms with exaggerated lacy bells that they must have pulled from Catty's mother's closet. Vanessa gave them the peace sign. "Feeling' groovy." She winked. She had gorgeous skin, movie-star blue eyes, and flawless blond hair. She was wearing a headband and blue-tinted glasses. Catty was forever getting Vanessa into trouble, but they remained best friends. "Love and peace," Catty greeted them. Catty was stylish in an artsy sort of way. Right now, she wore a hand-knit cap with pom-pom ties that hung down to her waist, and her puddle-jumping Doc Martens were so wrong with the bell-bottoms that they looked totally right. Her curly brown hair poked from beneath the fuchsia cap and her brown eyes were framed by granny glasses, probably another steal from her mother. "You like our retro look?" Vanessa giggled at all the cars honking at them.

Then for the first time you grabbed me and kissed me. Tears came to your eyes, Doc, and you said you’d love me forever and ever. Remember? You said … if I didn’t marry you, you wanted to die … I remember ’cause it scared me for anyone to say a thing like that. DOC (In a repressed tone) Yes, Baby. LOLA    And when the evening came on, we stretched out on the cool grass and you kissed me all night long. DOC    (Opens doors) Baby, you’ve got to forget those things. That was twenty years ago. LOLA    I’ll soon be forty. Those years have just vanished—vanished into thin air.

Compassion, on the other hand, is regenerative, and it offers intuitive understanding and potential solutions. It lets us feel what another is feeling while holding on to our own authenticity. We can embrace our suffering friend without falling into over-responsibility and despair. Caring about the problems and concerns of those we love is a natural part of friendship. We just need to make sure that our feelings of care lead to higher-heart compassion rather than lower-heart sympathy.

when subjects focus in the heart area and activate a core heart feeling such as love, appreciation, or care, this focus immediately shifts their heart rhythms. When the rhythms become more coherent, a cascade of neural and biochemical events begins that affects virtually every organ in the body.

Positive emotions such as happiness, appreciation, compassion, care, and love not only change patterns of activity in the nervous system; they also reduce the production of the stress hormone cortisol.

Doc and Charlie had run this place as a clinic for the Org’s magical children for a long time. When Jill came to live here, she took up a place as nursemaid as well. Burns, bumps, bruises, or sickness, this place provided solace to her and all of those magical children for years. So why then did the thought of staying here give her an uneasy feeling?

But soon the characters underwent a strange metamorphosis, a process that always happens as props become flesh and blood. Chester became more humorous, Dillon more understanding, Doc less bloodthirsty, and Kitty emerged as the quietly understood love interest. She and Dillon had their understanding: “There was no forgiveness to be given,” said Ellis, “because I don’t think Kitty was available to anybody but Matt.” The relationship between Chester and Dillon moved from tolerance to open affection. Chester drove him crazy: Dillon cringed when Chester put sugar in his rye whiskey, and he always wondered what Chester was looking for, rummaging through the desk drawers. But as the show matured, a special bond grew between them. Once,

If Doc Homer found out, he would construct some punishment to cure us of superstition. We agreed with him in principle—we were little scientists, born and bred. But children robbed of love will dwell on magic.

Who didn’t love a good old-fashioned 69? “Fuck, I like how you think, Doc.” A big hand slapped her ass.

has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.

It has always seemed strange to me," said Doc. "The things we admire in men, kindness and generosity, opennesss, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second." (pp107)

I’ll let you in on a little secret,” Hawk told him. “We never save the girl. The girl always saves us.

Isaiah tucks a rogue strand behind my ear, running his palm over my hair until he wraps my ponytail around his fist once. Twice. He tugs, ensuring I’m looking up and making eye contact with him. “Make sure you keep your eyes on me tonight, wifey. I have a feeling I’m going to have a good night at bat, and I want you to watch.”  “You always want me to watch.”  “Mmm, and I like to watch too, you know.”  My mouth goes dry at his insinuation.  “But yes, I do love your attention.”  “Because you’re obsessed with me.”  He chuckles close to my ear. “I think that’s the perfect word to describe how I feel about you, Doc.” Isaiah nips my earlobe before soothing it with a soft kiss on my neck.

By the fourteenth century, Romance dialects belonged to two broad categories. Those in which “yes” was pronounced oc—mostly south of the Loire River—were called langues d’oc (oc languages). Those in which speakers said oïl for “yes”—in the north—were called langues d’oïl, a term which came to be used interchangeably with Françoys. Oïl and oc are both derivatives of the Latin hoc (this, that), which at the time was used to say yes. In the south they simply chopped off the h. In the north, for some reason, hoc was reduced to a simple o, and qualifiers were added—o-je, o-nos, o-vos for “yes for me,” “yes for us” and “yes for you.” This was complicated, so speakers eventually settled for the neutral o-il—“yes for that.” The term was used in the dialects of Picardy, Normandy, Champagne and Orléans. Other important langues d’oïl were Angevin, Poitevin and Bourguignon, spoken in Anjou, Poitiers and Burgundy, which were considerably farther south of Paris. Scholars debate who created the designations langues d’oïl and langues d’oc. The poet Dante Alighieri, in his De vulgari eloquentia of 1304, was one of the first to introduce the term langue d’oc, opposing it to the langue d’oïl and the langue de si (Romance from Italy). A fifth important langue d’oïl was Walloon, the dialect of the future Belgium. The langues d’oc attained their golden age in the eleventh and twelfth centuries, when groups of wandering musicians, or troubadours, travelled from city to city spreading a new form of sung poem that extolled the ideal of courtly love, or fin’amor. This new poetry was very different from the cruder epic poems of the north, the chansons de geste, and it enjoyed great literary prestige that boosted the influence of two southern rulers, the Count of Toulouse and the Duke of Aquitaine. Even many Italian courts adopted the langue d’oc, which is also known today as Occitan. Wandering poets of the north, the trouvères of Champagne, also borrowed and popularized the song-poems of the south.

A tall woman strode over to them, shouldering her rifle. Her helmet hid her hair, but her goggles were up, showing blazing blue eyes. “I’m Valkyrie, the team leader.” She waved a hand at the dark-skinned soldier holding him up. “Doc’s our medic, he’ll see to your leg.” Rhys didn’t move and the woman’s face turned harsher than the mountains surrounding them. “Do you have a problem, sailor?” She knew they were SEALs, even without identifying insignia. “No, sir,” Rhys said. “I mean, ma’am.” She rolled her eyes before facing Jake. “My team can handle this from here. Get on the bird.” Jake shook his head in confusion, pain making his thinking slow. “You’re a woman.” Her voice hardened. “I’m a captain, and you’re done here. This is now my mission.” “You’re not spec ops.” Jake’s leg might be screaming at him, but no American woman was allowed in special operations. “We’re better than spec ops,” she said. “We’re E.D.G.E. operators. Now get your ass onboard.” She walked away. “I think I’m in love,” Rhys said, staring after her.

Scowling, the parson said, “I find that mighty disrespectful, Miss MacGregor. Shameful, even.” Rylan stepped between Parson Alden and Maizy. “She saved this ranch and she will continue to do so until I’m well. She’s given selflessly in the finest kind of Christian service, and she’s done it wearing those britches. I won’t stand by while someone calls that kind of love and generosity shameful. You’d best apologize to her and get on with speaking those vows.” When he left, Maizy said, “My ears are still ringing from all his terrible predictions if you don’t take care.” Rylan pulled her close. “I’ll be careful. I promise. But did you notice all his talk was about work?” “Well, of course. What else would he talk about?” Rylan pulled his wife close. He kissed her soundly. As she was clinging to him, he raised his head just enough to say, “The doc didn’t say a word about overdoing a honeymoon.” Maizy’s eyes grew round. “Why, no, he didn’t.” They both laughed and began their married life finally, fully, and passionately.

Even though it’s pleasing to boast about achievements I have earned in my generation, nothing makes me more content in the world than just having the exciting opportunity to share my passion of work with the public. What is even more exhilarating, is being able (having the capability) to spend quality time with my loving wife, (Gloria) and family doing what I love most in the world -- writing. Their total well-being and health, along with my health too means everything to me. I have had my fair share of narrow escapes in my life to know how important my family, and health are to me. I will never take that for granted again – ever.

Of an entirely different order is Brennan’s magnificent performance as Pop Gruber, an aging grifter in Nobody Lives Forever (November 1, 1946), starring John Garfield as a con man, Nick Blake, who eventually goes straight after falling in love with Gladys Halvorsen (Geraldine Fitzgerald, in the prime of her beauty). The script by W. R. Burnett, one of masters of film noir, provides not just Brennan, but also George Coulouris (Doc Ganson) with more dimension than is usually accorded heavies in crime dramas.

Hey, Doc, we better back up. We don’t have enough road to get up to eighty-eight,” I quoted as I slid into the passenger seat. “‘Roads?’” he replied in an excellent impression of Christopher Lloyd’s eccentric scientist. “‘Where we’re going, we don’t need roads!’” The call-and-response rituals of geeks were a thing of beauty, and allowed said geeks to identify each other across time and space.

He can be a mystery. There’s more to Preacher than... You really care about him?” “I do.” “Then you be patient. He’ll come around. Paige, it’s obvious—he cares about you, too. You and Christopher. I’ve never seen him like this with anybody.” “Maybe he wants to be sure I’m not just—” Mike was shaking his head. “He wants to be sure of himself, Paige. Preacher’s real cautious. I think the man could be terrified of disappointing you. That’s my bet.” “He couldn’t possibly,” she said, and a tear fell again. Mike wiped it away. “You just have to trust me on this—he’s a bundle of nerves. He’s really good in a fight, really good in a war, and who’da guessed how good a cook he turned out to be, huh? But with women? Paige—he’s never been a hustler. I don’t know of any women. He’s never been that kind of guy. Just not a tomcat like some of the rest of us.” “That’s one of the things I love most,” she whispered. Mike smiled. “You give him some time, huh?” She nodded. She smiled weakly. Mike dropped a brotherly kiss on her forehead. “It’s going to be all right.” “You think so?” “Oh, yeah. Just hang in there. Don’t give up on him.” Mike thought, that lucky son of a bitch. This woman adored him. Wanted nothing so much as to make him happy all night long. “Go wash your face. I’m gonna get myself a beer.” He gave her shoulders a final squeeze, and as she turned away from him, Preacher was standing in the back door with his catch. Paige skittered past Preacher, keeping her head down so that he wouldn’t see her tears. Preacher scowled at Mike. “Need something?” he asked. “I need a beer before I walk over to Doc’s and let Mel torture me. Want me to get it myself?” “Help yourself,” he said, throwing his fish in the big sink. Jack

She eyed him. “What does that mean?” “You know exactly what it means, McKenna. Women who take on the world and never back down. Women whose hearts have so much love, they give even when that love isn’t returned.” He was reminded of what he had in his vest pocket for her—the thank-you gift for his saddle. The gift had since turned into the peace offering for missing dinner that night, and now represented so much more . . . Now that he knew how much she cared for him. Even though she might not be able to voice it, or even want to admit it to herself. But he would forever remember the moment she looked up outside the doc’s office, thinking he was dead, and found him alive. The timing hadn’t felt right to give it to her then, but it did now. He reached into his pocket. “I’m talking about a woman who faces life with a courage and a persistence that astounds me. Who has endured so much difficulty in her life and yet keeps pushing on with stubborn grace, step-after-step, day-after-day.” He softened his voice. “A woman who, at first, didn’t trust me.” He touched the side of her face. “But a woman who might just be beginning to trust.” Tears glistened in her eyes. “And who makes this man want to spend the rest of his life proving to her that she can.” He held out the box. “Not to mention a woman who makes the best saddles in all the western territory.” Her eyes widened. “You know?” Oh how he wanted to kiss her. And if he was reading her right, she was more than open to the idea. “What did I tell you about looking at a man that way when he couldn’t do anything about it?” She grinned, and he pulled her to him and kissed her. He’d meant for their first kiss to be more tender, slow and gentle, but the way her arms came around him, pulling him closer, the way she responded, deepening the kiss, drove the desire inside him. Their bodies touching, he memorized the curves of her waist, the small of her back, how she felt pressed up against him. The warmth of her hand as she cradled the back of his neck encouraged him further— Remembering where they were, Wyatt drew back. “McKenna!” he whispered. Her eyes were still closed, her lips parted. She was wearing a purple dress today, one he hadn’t seen before. But he liked it, very much. Especially on her. It buttoned up the front, and the lacey curve of the bodice revealed her neckline. The dress wasn’t at all improper, but the thoughts he was having about her right now bordered on being just that. She blinked. “Y-yes?” He smiled and ran a finger over her mouth, and put more distance between them. “You need to open your gift.” She gave him an intimate look. “I thought I already had.” Oh this woman . . . It was a good thing they were in church. She opened the box in her hand, and giggled. He didn’t mind in the least. He’d had about the same reaction when he’d first seen it. The woman in the store in Denver had called it a charm bracelet. But it was the tiny saddle hanging off it—among other miniature trinkets—that had gained his attention. She held up the bracelet and fingered each tiny charm. “I love it! Thank you, Wyatt.

He felt of Emma’s forehead. “She’s still a mite warm.” He turned. “I’ll ride for Doc Foster.” At that moment, a peal of thunder cracked overhead. Emma jerked but didn’t waken. McKenna hastily soothed her back to sleep and caught Wyatt at the front door. Already in his duster again, she grabbed his arm. “She doesn’t need Dr. Foster, Wyatt. Her fever’s breaking.” He reached for the door, not seeming to hear her. She reached up and took his face in her hands. He stilled. “Emma’s going to be okay. Her fever’s breaking.” His face was a mixture of pain and fear, and suddenly his actions made more sense to her. “Did your Bethany die of fever?” she whispered, already seeing the answer in his eyes. “I can’t—” His voice caught. “I can’t lose another child that way.” She hugged him to her as tight as she could, wanting him to feel every part of her loving him. “You won’t. You won’t lose Emma.” He lifted her face to his, and McKenna met his kiss and returned it. “You’re sure she’s all right?” he said. McKenna nodded. “Yes, but . . .” She looked down and away. “I did something I shouldn’t have done.” “What? What did you do?” Shame poured through her. “Emma kept crying for Janie, asking for her mama.” She shrugged. “I couldn’t console her, her fever was high.” She closed her eyes. “I told her that . . . I was her mama. I know it was wrong. I don’t want her to forget Janie, it’s just that—” “You remember that night, McKenna,” he said, his voice soft, “when Janie asked you to take care of her?” She nodded. “I’ll never forget it.” “Janie asked you to take her . . . and make her your own. Those were her exact words.

Doc,” Jack Torrance said. “Run away. Quick. And remember how much I love you.

Joey,” she said quietly, in almost a whisper. “I think I have a man in my life.” “You found a man in that place?” “Uh-huh. I think so.” “Why do you sound so…strange?” “I have to know something. Is it okay? Because I’m not even close to being over Mark. I still love Mark more than anything. Anyone.” Joey let out her breath slowly. “Mel, it’s all right to get on with your life. Maybe you’ll never love anyone as much as you loved Mark—but then maybe there will be someone else. Someone next. You don’t have to compare them, honey, because Mark is gone and we can’t get him back.” “Love,” she corrected. “Not past tense. I still love Mark.” “It’s all right, Mel,” Joey said. “You can go on living. You might as well have someone to pass the time with. Who is he?” “The man who owns the bar across from Doc’s clinic—the one who fixed up the cabin, bought me the fishing pole, got my phone installed. Jack. He’s a good man, Joey. And he cares about me.” “Mel… Have you…? Are you…?” There was no answer. “Mel? Are you sleeping with him?” “No. But I let him kiss me.” Joey laughed sadly. “It’s okay, Mel. Can you really think otherwise? Would Mark want you to wither away, lonely? Mark was one of the finest men I’ve ever known—generous, kind, loving, genuine. He’d want you to remember him sweetly, but to get on with your life and be happy.” Melinda started to cry. “He would,” she said through her tears. “But what if I can’t be happy with anyone except Mark?” “Baby sis, after what you’ve been through, would you settle for some marginal happiness? And a few good kisses?” “I don’t know. I just don’t know.” “Give it a go. Worst case—it takes your mind off your loneliness.” “Is

This crowd of men, each one of them what would be called a man’s man, so driven in the masculine pursuits of soldiering, hunting, fishing and the like, loved women, pregnant women especially, and the babies they brought. It was uncanny. And tremendous fun. Doc

Caleb had taken his son out of the room to be bathed, and when he returned carrying the squalling bundle his face glowed with delight. “He’s mad as hell, isn’t he?” Lily smiled despite her weariness. “You would be, too, if you’d just been through a birthing.” Caleb kissed her forehead and laid the baby beside her on the bed. “I love you, Mrs. Halliday,” he said, “but I think maybe we’d better stop with Joss here.” Lily shook her head resolutely. “Oh, no. I want more children, and I’ll have them. Doc Lindsay may be an old sawbones, but I think he could handle the task of delivering me of a few more babies like this one.” Little Joss was still howling, so Lily picked him up and put him to her breast. Even though her milk wasn’t in yet, he seemed to be comforted just by suckling, and Lily smiled at that. He was just like his father. As

how their sons were being mistreated, and they always were very sincere. Mom believed her son unquestioningly despite his past performances and was hell-bent to take up his cause. I can appreciate a mother’s love for her offspring, but nearly always she’s been taken in by his one-sided spin. She’s so used to his lies that a few more don’t make much difference. Fortunately for me, I didn’t have to talk to Mom very often. Usually the administration fielded these calls unless there was a real medical issue at stake. Like my ulcerative colitis patient, Scott. Scott’s mom wanted to know why her son wasn’t on his UC medication. “Scott didn’t mention taking any medication for his UC. He said it hasn’t flared up in over a year.” “That’s not true. I give him money for his medication every month. He’s regular with it.

Another aspect of the scope involves TLC. TLC is not “tender, loving care,” but “tightness, lubrication, and cleanliness.” Terry Wireman (1996) points out that not operating at design speeds and not maintaining the basic conditions of cleanliness, lubrication, and tightness contributes to 50% of all breakdowns. That means that if a plant had a backlog of 400 serious equipment deficiencies, a large number could have been eliminated through proper PM in this area.

Oh my God, I get a hold of some monster dick and lose my mind being careless and shit! Dr. Barringer, are you sure? Can you take the test again?” She asked him. It was the monster dick and the look on the doctor’s face, for me. My good sis was losing her shit behind this tea the good ole doc was giving.

You were kind to help her out,” Doc said. “It wasn’t kindness. It was pure selfishness.” Hank snorted a laugh. Jack ignored it. “Because it was love at first sight.

I’m thankful to be here. I’m thankful for the tire swing. I’m thankful for the Brazos river. I’m thankful for that turkey bow tie Doc’s wearing. I’m thankful for the time I’ve spent in this garden. I’m thankful for the honeybees. For the Stapleton record collection. For Clipper. I’m thankful for all the bougainvillea everywhere. I’m thankful to have seen what a real, loving family actually looks like. And I think… I think just because you can’t keep something doesn’t mean it wasn’t worth it. Nothing lasts forever. What matters is what we take with us. I’ve spent a lot of my life trying to escape. I’ve spent too much time on the run from hard things. But now I wonder if escape is overrated. I think, now, I’m going to try thinking about what I can carry forward. What I can hold onto. Not just only always what I have to leave behind.

For only as we ourselves, as adults, actually move and have our being in the state of love, can we be appropriate models and guides for our children. What we are teaches the child far more than what we say, so we must be what we want our children to become. —JOSEPH CHILTON PEARCE, INTRODUCTION TO Teaching Children to Love BY DOC LEW CHILDRE

I've seen a lot of men on the south side of twenty die for no reason at all. Shot or mortared out of a clear blue sky, some times by their own side. I've heard them screaming in the back of my chopper with no hope of getting to a field hospital in time. And they don't scream to God, Doc. They don't scream to Daddy, either. They scream to Mama. Because they know Mama loved them more than anyone else ever could. More than even God, if there is one.

It has always seemed strange to me,' said Doc. 'The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second.

Usually we define ourselves by loving things, Doc Martens or Shakespeare or music or whatever. But if the things we love are other people, those people define us. And then they’re part of you, and they change what you know about yourself.

The opposite of love is not hate, it is indifference.

There was nothing Doc loved more than being drawn into the working world of his family and neighbors.