Doc Love Quotes

We've searched our database for all the quotes and captions related to Doc Love. Here they are! All 100 of them:

Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky." "She's drunk," Joe Bell informed me. "Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
How do we forgive ourselves for all the things we did not become?
David "Doc" Luben
Ian didn't come. He just sat here with you--he said he didn't care what you looked like. He wouldn't let anyone else put a finger on your tank at all, not even me or Mel. But Doc let me watch this time. It was way cool, Wanda. I don't know why you wouldn't let me watch before. They wouldn't let me help, though. Ian wouldn't let anyone touch you but him.' Ian squeezed my hand and leaned in to whisper through all the hair. His voice was so low that I was the only one who could hear. 'I held you in my hand, Wanderer. And you were so beautiful.
Stephenie Meyer (The Host (The Host, #1))
Doc,” Jack Torrance said. “Run away. Quick. And remember how much I love you.” “No,” Danny said. “Oh Danny, for God’s sake—” “No,” Danny said. He took one of his father’s bloody hands and kissed it. “It’s almost over.
Stephen King (The Shining (The Shining, #1))
How can something be there, and then not be there? How do we forgive ourselves for all the things we did not become?
Doc Luben (Love Letters or Suicide Notes)
How do we forgive ourselves for all of the things we did not become?
Doc Luben (Love Letters or Suicide Notes)
A moth goes into a podiatrist’s office, and the podiatrist’s office says, “What seems to be the problem, moth?” The moth says “What’s the problem? Where do I begin, man? I go to work for Gregory Illinivich, and all day long I work. Honestly doc, I don’t even know what I’m doing anymore. I don’t even know if Gregory Illinivich knows. He only knows that he has power over me, and that seems to bring him happiness. But I don’t know, I wake up in a malaise, and I walk here and there… at night I…I sometimes wake up and I turn to some old lady in my bed that’s on my arm. A lady that I once loved, doc. I don’t know where to turn to. My youngest, Alexendria, she fell in the…in the cold of last year. The cold took her down, as it did many of us. And my other boy, and this is the hardest pill to swallow, doc. My other boy, Gregarro Ivinalititavitch… I no longer love him. As much as it pains me to say, when I look in his eyes, all I see is the same cowardice that I… that I catch when I take a glimpse of my own face in the mirror. If only I wasn’t such a coward, then perhaps…perhaps I could bring myself to reach over to that cocked and loaded gun that lays on the bedside behind me and end this hellish facade once and for all…Doc, sometimes I feel like a spider, even though I’m a moth, just barely hanging on to my web with an everlasting fire underneath me. I’m not feeling good. And so the doctor says, “Moth, man, you’re troubled. But you should be seeing a psychiatrist. Why on earth did you come here?” And the moth says, “‘Cause the light was on.
Norm Macdonald
Too many good docs are getting out of the business. Too many OB/GYN's aren't able to practice their love with women all across the country." (Poplar Bluff, Missouri, 6 September, 2004)
George W. Bush
Never love a wild thing, Mr. Bell,’ Holly advised him. ‘That was Doc’s mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can’t give your heart to a wild thing; the more you do, the stronger they get. Until they’re strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That’s how you’ll end up Mr. Bell. If you let yourself love a wild thing. You’ll end up looking at the sky.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
No matter what you tell me—” his lips curved into a sexy smile “—I’ll still want you.” “But you’ll at least understand why it’s a bad idea.” He tipped his head back under the water. “Oh, Doc…” He ran his hands through his hair and met her eyes again. “I’m the king of bad ideas.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
Doc still loved true things but he knew that it was not a general love and it could be a very dangerous mistress.
John Steinbeck (Cannery Row (Cannery Row, #1))
It was great seeing Annie again. I realised what a terrific person she was and how fun it was just knowing her. And I thought of that old joke, you know. The guy goes to a psychiatrist and says, "Doc, my brother's crazy. He thinks he's a chicken." and the doctor says, "well, why don't you turn him in?" and the guy says, "I would, but o need the eggs."  Well, I guess that's pretty much now how I feel about relationships. You know, they're totally irrational and crazy and absurd and, but, err, I guess we keep going through it because most of us need the eggs.
Woody Allen (Annie Hall: Screenplay)
Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?' I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book. The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.' I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.
Barbara Kingsolver
You need to find true love, Doc." Actually, he thought, I'll settle for finding my way through this. His fingers, with a mind of their own, began to creep toward the plastic hedge. Maybe if he searched through it long enough, late enough into the night, he'd find something that might help --- some tiny forgotten scrap of his life he didn't even know was missing, something that would make all the difference now.
Thomas Pynchon (Inherent Vice)
The seat of human emotion should be the liver," Doc Homer said. "That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers." I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.
Barbara Kingsolver (Animal Dreams)
Because this isn’t the movies, Doc. In the real world, when a seventeen-year-old guy gets a love letter from his best friend, he doesn’t suddenly decide to love her back. He runs screaming.
Aimee L. Salter (Every Ugly Word)
But suddenly his daddy was there, looking at him in mortal agony, and a sorrow so great that Danny’s heart flamed within his chest. The mouth drew down in a quivering bow. “Doc,” Jack Torrance said. “Run away. Quick. And remember how much I love you.” “No,” Danny said. “Oh Danny, for God’s sake—” “No,” Danny said. He took one of his father’s bloody hands and kissed it. “It’s almost over.
Stephen King (The Shining (The Shining, #1))
When the gap between the world of the city and the world my grandfather had presented to me as right and good became too wide and depressing to tolerate, I'd turn to my other great love, which was pulp adventure fiction. Despite the fact that [he] would have had nothing but scorn and loathing for all of those violent and garish magazines, there was a sort of prevailing morality in them that I'm sure he would have responded to. The world of Doc Savage and The Shadow was one of absolute values, where what was good was never in the slightest doubt and where what was evil inevitably suffered some fitting punishment. The notion of good and justice espoused by Lamont Cranston with his slouch hat and blazing automatics seemed a long way from that of the fierce and taciturn old man I remembered sitting up alone into the Montana night with no company save his bible, but I can't help feeling that if the two had ever met they'd have found something to talk about. For my part, all those brilliant and resourceful sleuths and heroes offered a glimpse of a perfect world where morality worked the way it was meant to. Nobody in Doc Savage's world ever killed themselves except thwarted kamikaze assassins or enemy spies with cyanide capsules. Which world would you rather live in, if you had the choice?
Alan Moore (Watchmen)
It has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.
John Steinbeck (The Short Novels of John Steinbeck)
You're just jealous," I said. "You can believe what you want," Aaron said. "But somebody's stealing from the Grimm Collection. They're either taking the objects or somehow sucking out their magic. Doc and theh librarians are going to find out who, and if Marc is in on it, you're going to be sorry you were helping him." "Marc isn't in on it. And I love this place too! We're all on the same side!" "I hope that's true," Aaron said.
Polly Shulman (The Grimm Legacy (The Grimm Legacy, #1))
ALBA from “Langue d’Oc” When the nightingale to his mate Sings day-long and night late My love and I keep state In bower, In flower, ‘Till the watchman on the tower Cry: “Up! Thou rascal, Rise, I see the white Light And the night Flies.
Ezra Pound (Selected Poems of Ezra Pound)
This seemed to be happening more and more lately out in Greater Los Angeles, among gatherings of carefree youth and happy dopers, where Doc had begun to notice older men, there and not there, rigid, unsmiling, that he knew he'd seen before, not the faces necessarily but a defiant posture, an unwillingness to blur out, like everyone else at the psychedelic events of those days, beyond official envelopes of skin. Like the operatives who'd dragged away Coy Harlingen the other night at that rally at the Century Plaza. Doc Knew these people, he'd seen enough of them in the course of business. They went out to collect cash debts, they broke rib cages, they got people fired, they kept an unforgiving eye on anything that might become a threat. If everything in this dream of prerevolution was in fact doomed to end and the faithless money-driven world to reassert its control over all the lives it felt entitled to touch, fondle, and molest, it would be agents like these, dutiful and silent, out doing the shitwork, who'd make it happen. Was it possible, that at every gathering--concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever--those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear? 'Gee,' he said to himself out loud, 'I dunno...
Thomas Pynchon (Inherent Vice)
It has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.” “Who wants to be good if he has to be hungry too?” said Richard Frost. “Oh, it isn’t a matter of hunger. It’s something quite different. The sale of souls to gain the whole world is completely voluntary and almost unanimous—but not quite. Everywhere in the world there are Mack and the boys….
John Steinbeck (Cannery Row (Cannery Row, #1))
How long ago did she die, Wyatt?" Morgan pressed. "Is it nine years now?" "Eight," Wyatt said, halfway between stubborn and sad. "I promised to love her all my life, Morg. I meant to keep my word." That shut Morgan up, but Doc's eyes opened and he gazed at Wyatt for a long time. "What?" Wyatt asked. "That is your ghost life, Wyatt," Doc told him, and closed his eyes again. "That is the life you might have had. This is the life you've got.
Mary Doria Russell (Doc)
Blaisedell, the poet, had said to him, 'You love beer so much. I'll bet some day you'll go in and order a beer milk shake.' It was a simple piece of foolery but it had bothered Doc ever since. He wondered what a beer milk shake would taste like. The idea gagged him but he couldn't let it alone. It cropped up every time he had a glass of beer. Would it curdle the milk? Would you add sugar? It was like a shrimp ice cream. Once the thing got into your head you couldn't forget it...If a man ordered a beer milk shake, he thought, he'd better do it in a town where he wasn't known. But then, a man with a beard, ordering a beer milk shake in a town where he wasn't known--they might call the police.
John Steinbeck (Cannery Row (Cannery Row, #1))
Therin narrowed his eyes at Doc. "Tell me you're not impersonating Qoran." "Okay, I'm not impersonating Qoran. Any other lies you'd like to her? I've got plenty. Here's a fun one: our sons are absolutely, definitely not in love with each other.
Jenn Lyons (The Memory of Souls (A Chorus of Dragons, #3))
Wife of Brain don't say you weren't expecting a volcano those red wings that not even bad love can tame must signify something's somewhere about to go up in flame or (as Proust says) be eternalized in pleasure like the men in a Pompeian house of ill fate yet fame is not ill for all
Anne Carson (Red Doc>)
I was always alone, Doc, solitary whether I wished to be or not, ever since I could remember I wished to be lost in another, thought that somehow I could disappear into that heart of yours, take walks within your veins, wander through the bones of you. You had friends, Satan said, you loved and were loved, you must not forget that, at least not that. But did I allow anyone in, I asked Satan, and he said, Did you, does anyone?
Rabih Alameddine (The Angel of History)
Doctor Wilde. Explain how someone got my DNA without my knowledge." "Um, you know what I'd like to do right now?" Even at seventy-five years old, Doc's voice still got higher-pitched when he was nervous. He tried to give me a sexy look. Little did he know, he always looked sexy to me. "I'd like to suck that fat cock of yours. Let's go to the bedroom." " You sound like a porn star. It's not as sexy when I know your knee is acting up," I muttered, sliding my arm around his waist and kissing his cheek. "But I'm still going to take you up on it. Later. We'll put some pillows down.
Lucy Lennox (Wilde Love (Forever Wilde #6))
There were days when his adventurous streak got the better of him and made him throw caution to the wind and commit some ungentlemanly act or another. Then Alice Jane would reprimand him and call him to repentance, her sweet voice tinged with the suffering of a loving parent: "John Henry, dearest, I am so very disappointed.
Victoria Wilcox (Inheritance (Southern Son: The Saga of Doc Holliday, #1))
True Films On TrueFilms.com, Kevin has reviewed the best documentaries he’s seen over decades. The counterpart book series, True Films 3.0, contains the 200 documentaries he feels you should see before you die, and it is available as a PDF on kk.org. Three docs we both love are The King of Kong, Man on Wire, and A State of Mind.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Do most gay women love each other?” Doc asked. “A lot of them love closeted movie stars.
Sarah Schulman (Empathy)
Why should his sexual preference preclude his being voted into Hall of Fame?" "You don't know much about baseball, do you, doc?
Peter Lefcourt (The Dreyfus Affair: A Love Story)
I met a girl, Doc.” He let out a light laugh. “You meet girls every day, Connor; this is nothing new.
Sandi Lynn (Forever You (Forever, #2))
It takes a bit of getting used to,” Doc Twilight finished, grinning from ear to ear. “I think I might be in love.
James Riley (Secret Origins (Story Thieves #3))
The opposite of love is not hate is indifference.
Myron Doc Downing, PhD
Fear, embarrassment and love are the three emotions that get us to change.
Myron Doc Downing, PhD
gyms would run out of business.. if love-making did more for your fitness than just the moans, groans, huffing and puffing...
The Fitness Doc
As the warrant says, I’ll be taking all patient files and billing records.” She crossed her arms. “I’ll help you with the files, but billing records aren’t kept here. Doc had a local gal do all the billing electronically,
Lynette Eason (Harlequin Love Inspired Suspense December 2017 - Box Set 2 of 2: An Anthology)
It is true, she speaks but few words; but the few words she docs speak are genuine hieroglyphs of the inner world of Love and of the higher cognition of the intellectual life revealed in the intuition of the Eternal beyond the grave.
E.T.A. Hoffmann (Der Sandmann)
You achieve the best results from FREEZE-FRAME when you focus in the area of the heart; take a few slow, full breaths; sincerely feel emotions such as love, care, or appreciation; and then forget about breathing while maintaining that feeling state.
Doc Childre (The HeartMath Solution: The Institute of HeartMath's Revolutionary Program for Engaging the Power of the Heart's Intelligence)
Samuel Clearwater, I promise I’ll never leave you,” I whispered, my voice as shaky as my limbs. “I love you.” Preppy closed his eyes. A lazy, satisfied smile appeared on his face. He dropped his head back onto my chest. “Love doesn’t even begin to cover it, Doc.
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part Three (King, #7))
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))
The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")
David J. Schow (Seeing Red)
Throughout his life, he was the opposite of all show business clichés. His marriage endured: by all accounts, he dearly loved his wife. Words most often used by those who knew him were “decent,” “genial,” “gentle,” and “generous.” He was a constant target of panhandlers and always had a roll of money in his pockets for handouts. He was not, apparently, a chummy man. His few real intimates, old friends like Doc Rockwell and Uncle Jim Harkins, had been with him in vaudeville and appeared occasionally on his show. He and Portland avoided crowds, lived simply in a New York apartment, and never owned a car. “I don’t want to own anything,” he once told a reporter, “that won’t fit in my coffin.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I'm not sure who started it, but we have taken up the habit of signaling our arrival with a woot woot call. When everyone is present, we take a group photo of the Moving Village: Overdrive, Big Foot, Downhill, Soho, Halfway, the Kid, Jolly 3-0, Doc, Trudger, Kevin (now Tower, named for his childlike love of fire towers and his tall frame), and a hiker who has finally accepted his trail name, Mr. Fabulous.
Derick Lugo (The Unlikely Thru-Hiker: An Appalachian Trail Journey)
He’s liable to wanna whip that ass of yours. Hell, you’re fuckin’ his twenty year old daughter. Trashy assed biker fucking his rich daughter. Yep, I see a fight comin’ out of this,” he jokingly clenched his fists and punched them in the air. “Twenty-two, she’s twenty-two,” I corrected him. “Oh hell, my bad, Doc. He’ll be fine with it then. That’ll make all the difference in the world,” he said as he nodded his head.
Scott Hildreth (For the Ones We Love (Erik Ead Trilogy, #2))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
The little girl he loved was gone and in her place stood a stranger with Mattie's eyes and a woman's body, her long auburn hair pulled up from her neck, her small shoulders squared against the world...She didn't see the blush rise up in his face when he spoke his name. She didn't hear his young voice crack when he stammered an answer to her questions. And she didn't know that, for the first time in his life, John Henry Holliday was falling in love.
Victoria Wilcox (Inheritance (Southern Son: The Saga of Doc Holliday, #1))
Never love a wild thing, Mr. Bell," Holly advised him. "That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
...[W]hen's it all going to f***ing stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even… I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have s*** for brains. I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like "Let's Get it On" sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
Nick Hornby (High Fidelity)
It didn’t occur to him to think that better is not the same as well. Was he fooling himself? He would not have said so. Even at twenty-two, when his diagnosis was confirmed, he was realistic. Most suffer. Everyone dies. He knew how, if not when. Now more than ever, he was determined to cheat the Fates of entertainment, but naturally, his time would come. When it did, he believed he would accept death as Socrates had: with cool philosophical distance. He would say something funny, or profound, or loving. Then he would let life fall gracefully from his hands. Horseshit, as James Earp would say, of the highest order. The truth is this. On the morning of August 14, 1878, Doc Holliday believed in his own death exactly as you do—today, at this very moment. He knew that he was mortal, just as you do. Of course, you know you’ll die someday, but … not quite the same way you know that the sun will rise tomorrow or that dropped objects fall. The great bitch-goddess Hope sees to that. Sit in a physician’s office. Listen to a diagnosis as bad as Doc’s. Beyond the first few words, you won’t hear a thing. The voice of Hope is soft but impossible to ignore. This isn’t happening, she assures you. There’s been a mix-up with the tests. Hope swears, You’re different. You matter. She whispers, Miracles happen. She says, often quite reasonably, New treatments are being developed all the time! She promises, You’ll beat the odds. A hundred to one? A thousand to one? A million to one? Eight to five, Hope lies. Odds are, when your time comes, you won’t even ask, “For or against?” You’ll swing up on that horse, and ride.
Mary Doria Russell (Doc)
Jack coughed slightly and offered his hand. “Hi, uh. I’m Jack.” Kim took it. “Jack what?” “Huh?” “Your last name, silly.” “Jackson.” She blinked at him. “Your name is Jack Jackson?” He blushed. “No, uh, my first name’s Rhett, but I hate it, so…” He gestured to the chair and she sat. Her dress rode up several inches, exposing pleasing long lines of creamy skin. “Well, Jack, what’s your field of study?” “Biological Engineering, Genetics, and Microbiology. Post-doc. I’m working on a research project at the institute.” “Really? Oh, uh, my apple martini’s getting a little low.” “I’ve got that, one second.” He scurried to the bar and bought her a fresh one. She sipped and managed to make it look not only seductive but graceful as well. “What do you want to do after you’re done with the project?” Kim continued. “Depends on what I find.” She sent him a simmering smile. “What are you looking for?” Immediately, Jack’s eyes lit up and his posture straightened. “I started the project with the intention of learning how to increase the reproduction of certain endangered species. I had interest in the idea of cloning, but it proved too difficult based on the research I compiled, so I went into animal genetics and cellular biology. It turns out the animals with the best potential to combine genes were reptiles because their ability to lay eggs was a smoother transition into combining the cells to create a new species, or one with a similar ancestry that could hopefully lead to rebuilding extinct animals via surrogate birth or in-vitro fertilization. We’re on the edge of breaking that code, and if we do, it would mean that we could engineer all kinds of life and reverse what damage we’ve done to the planet’s ecosystem.” Kim stared. “Right. Would you excuse me for a second?” She wiggled off back to her pack of friends by the bar. Judging by the sniggering and the disgusted glances he was getting, she wasn’t coming back. Jack sighed and finished off his beer, massaging his forehead. “Yes, brilliant move. You blinded her with science. Genius, Jack.” He ordered a second one and finished it before he felt smallish hands on his shoulders and a pair of soft lips on his cheek. He turned to find Kamala had returned, her smile unnaturally bright in the black lights glowing over the room. “So…how did it go with Kim?” He shot her a flat look. “You notice the chair is empty.” Kamala groaned. “You talked about the research project, didn’t you?” “No!” She glared at him. “…maybe…” “You’re so useless, Jack.” She paused and then tousled his hair a bit. “Cheer up. The night’s still young. I’m not giving up on you.” He smiled in spite of himself. “Yet.” Her brown eyes flashed. “Never.
Kyoko M. (Of Cinder and Bone (Of Cinder and Bone, #1))
Think you can last eight seconds?” Joss was one hundred percent, absolutely, positively certain that she would not. She was even more certain that she’d break something. Unfortunately, nerves made her mouthy. “Eight seconds, huh? I heard you rodeo guys had a short fuse. We have pills for that now you know?” He laughed and his lips were suddenly close to her ear again. “I can go longer than eight seconds as you well know. But even if that were true, I promise you, doc, it’d be the best eight seconds of your life.” Great. Now all she was going to think about while a piece of machinery spun and bucked beneath her was riding Troy in exactly the same way. Was it possible to have a mechanical-bull-induced orgasm? That would be seriously embarrassing. Certainly more than the good folk of Plainview would have expected from an innocent night out at the Bull Bar. There were children watching for the love of Mike.
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.
Louis Sachar (Holes)
Hunter filled the opening in the privacy curtains. He wore green scrubs like the doctors and nurses who had scraped me off the pavement. For a split second I mistook him for an adorable doctor who looked a lot like Hunter. I knew it was Hunter when he gaped at me with a mixture of outrage and horror, his face pale, and demanded, “What did you do?” “Crossed the street,” I said. “Badly.” Wincing, I eased up from the gurney, putting my weight on my hand and my good hip. Only a few minutes had passed since they had brought me in, ascertained I wasn’t dying, and dumped me here. I still felt very shaky from the shock of being hit. But I didn’t want to face Hunter lying down. In two steps he bent over me and wrapped his arms around me. He was careful not to press on my hospital gown low against my back where the road rash was, but his touch on my shoulders radiated pain to the raw parts. I winced again. “Oh, God. I’m sorry.” He let me go but hovered over me, placing his big hands on my shoulder blades. He was so close that the air felt hot between us. “What did you hurt?” “This is just where I skidded across the road.” I gestured behind my back and then flinched at the sting in my skin as I moved my arm. “How far down does it go?” My back felt cold as he lifted on flap of my paper gown and looked. I kept my head down, my red cheeks hidden. He was peering at my back where my skin was missing. What could be sexier? Even if the circumstances had been happier, I was wearing no makeup and I was sure my hair was matted from my scarf. There was no reason for my blood to heat as if we were on a date instead of a gurney. But my body did not listen to logic when it came to Hunter. He was no examining my wound. He was captivated by the sight of my lovely and unblemished bottom. I was a novelist. I could dream, couldn’t I? Lightly I asked, “Are you asking whether I have gravel embedded in my ass? By the grace of God, no.” Hunter let my gown go and stood up “The doc said the car hit your hip,” he insisted. “Is it broken?” I rolled on my side to face him. “It really hurts,” I said. “If it were broken, I think it would hurt worse.” He nodded. “When I broke my ribs, I couldn’t breathe.” “That’s because your ribs punctured your lung.” He pointed at me. “True.” Then he cocked his head to one side, blond hair falling into his eyes. “I’m surprised you remember that.
Jennifer Echols (Love Story)
Jack renovated the cabin without being asked, while I stayed at Doc’s house,” Mel said. “About the time I was going to make a break for it, he showed it to me. I said I’d give it a few more days. Then my first delivery occurred and I realized I should give the place a chance. There’s something about a successful delivery in a place like Virgin River where there’s no backup, no anesthesia… Just me and Mom… It’s indescribable.” “Then there’s Jack,” Brie said. “Jack,” Mel repeated. “I don’t know when I’ve met a kinder, stronger, more generous man. Your brother is wonderful, Brie. He’s amazing. Everyone in Virgin River loves him.” “My brother is in love with you,” Brie said. Mel shouldn’t have been shocked. Although he hadn’t said the words, she already knew it. Felt it. At first she thought he was just a remarkable lover, but soon she realized that he couldn’t touch her that way without an emotional investment, as well as a physical one. He gave her everything he had—and not just in the bedroom. It was in her mind to tell Brie—I’m a recent widow! I need time to digest this! I don’t feel free yet—free to accept another man’s love! Her cheeks grew warm and she said nothing. “I realize I’m biased, but when a man like Jack loves a woman, it’s a great honor.” “I agree,” Mel said quietly. *
Robyn Carr (Virgin River (Virgin River, #1))
But, after all, he knows I’m preggers. Well, I am, darling. Six weeks gone. I don’t see why that should surprise you. It didn’t me. Not un peu bit. I’m delighted. I want to have at least nine. I’m sure some of them will be rather dark—José has a touch of le nègre, I suppose you guessed that? Which is fine by me: what could be prettier than a quite coony baby with bright green beautiful eyes? I wish, please don’t laugh—but I wish I’d been a virgin for him, for José. Not that I’ve warmed the multitudes some people say: I don’t blame the bastards for saying it, I’ve always thrown out such a jazzy line. Really, though, I toted up the other night, and I’ve only had eleven lovers—not counting anything that happened before I was thirteen because, after all, that just doesn’t count. Eleven. Does that make me a whore? Look at Mag Wildwood. Or Honey Tucker. Or Rose Ellen Ward. They’ve had the old clap-yo’-hands so many times it amounts to applause. Of course I haven’t anything against whores. Except this: some of them may have an honest tongue but they all have dishonest hearts. I mean, you can’t bang the guy and cash his checks and at least not try to believe you love him. I never have. Even Benny Shacklett and all those rodents. I sort of hypnotized myself into thinking their sheer rattiness had a certain allure. Actually, except for Doc, if you want to count Doc, José is my first non-rat romance.
Truman Capote (Breakfast at Tiffany's and Three Stories)
24. The Rutles, “Cheese and Onions” (1978) A legend to last a lunchtime. The Rutles were the perfect Beatle parody, starring Monty Python’s Eric Idle and the Bonzos’ Neil Innes in their classic mock-doc All You Need Is Cash, with scene-stealing turns by George Harrison, Mick Jagger, and Paul Simon. (Interviewer: “Did the Rutles influence you at all?” Simon: “No.” Interviewer: “Did they influence Art Garfunkel?” Simon: “Who?”) “Cheese and Onions” is a psychedelic ersatz Lennon piano ballad so gorgeous, it eventually got bootlegged as a purported Beatle rarity. Innes captures that tone of benignly befuddled pomposity—“I have always thought in the back of my mind / Cheese and onions”—along with the boyish vulnerability that makes it moving. Hell, he even chews gum exactly like John. The Beatles’ psychedelic phase has always been ripe for parody. Witness the 1967 single “The L.S. Bumble Bee,” by the genius Brit comedy duo Peter Cook and Dudley Moore, from Beyond the Fringe and the BBC series Not Only . . . ​But Also, starring John Lennon in a cameo as a men’s room attendant. “The L.S. Bumble Bee” sounds like the ultimate Pepper parody—“Freak out, baby, the Bee is coming!”—but it came out months before Pepper, as if the comedy team was reeling from Pet Sounds and wondering how the Beatles might respond. Cook and Moore are a secret presence in Pepper—when the audience laughs in the theme song, it’s taken from a live recording of Beyond the Fringe, produced by George Martin.
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
It was true what Doc had said, that Christmas succeeds Christmas rather than the days it follows. That had become apparent to Smoky in the last few days. Not because of the repeated ritual, the tree sledded home, the antique ornaments lovingly brought out, the Druid greenery hung on the lintels. It was only since last Christmas that all that had become imbued for him with dense emotion, an emotion having nothing to do with Yuletide, a day which for him as a child had nothing like the fascination of Hallowe'en, when he went masked and recognizable (pirate, clown) in the burnt and smoky night. Yet he saw that it was an emotion that would cover him now, as with snow, each time the season came. She was the cause, not he to whom he wrote. "Any," he began again, "my desires this year are a little clouded. I would like one of those instruments you use to sharpen the blades of an old-fashioned lawn mower. I would like the missing volume of Gibbon (Vol. II) which somebody's apparently taken out to use as a doorstop or something and lost." He thought of listing publisher and date, but a feeling of futility and silence came over him, drifting deep. "Santa," he wrote, "I would like to be one person only, not a whole crowd of them, half of them always trying to turn their backs and run whenever somebody" - Sophie, he meant, Alice, Cloud, Doc, Mother; Alice most of all - "looks at me. I want to be brave and honest and shoulder my burdens. I don't want to leave myself out while a bunch of slyboots figments do my living for me." He stopped, seeing he was growing unintelligible. He hesitated over the complimentary close; he thought of using "Yours as ever," but thought that might sound ironic or sneering, and at last wrote only "Yours &c.," as his father always had, which then seemed ambiguous and cool; what the hell anyway; and he signed it: Evan. S. Barnable.
John Crowley (Little, Big)
EASY FRUIT PIE   Preheat oven to 375 degrees F., rack in the middle position. Note from Delores: I got this recipe from Jenny Hester, a new nurse at Doc Knight’s hospital. Jenny just told me that her great-grandmother used to make it whenever the family came over for Sunday dinner. Hannah said it’s easy so I might actually try to make it some night for Doc. ¼ cup salted butter (½ stick, 2 ounces, pound) 1 cup whole milk 1 cup white (granulated) sugar 1 cup all-purpose flour (pack it down in the cup when you measure it) 1 and ½ teaspoons baking powder ½ teaspoon salt 1 can fruit pie filling (approximately 21 ounces by weight—3 to 3 and ½ cups, the kind that makes an 8-inch pie) Hannah’s 1st Note: This isn’t really a pie, and it isn’t really a cake even though you make it in a cake pan. It’s almost like a cobbler, but not quite. I have the recipe filed under “Dessert”. You can use any canned fruit pie filling you like. I might not bake it for company with blueberry pie filling. It tasted great, but didn’t look all that appetizing. If you love blueberry and want to try it, it might work to cover the top with sweetened whipped cream or Cool Whip before you serve it. I’ve tried this recipe with raspberry and peach . . . so far. I have the feeling that lemon pie filling would be yummy, but I haven’t gotten around to trying it yet. Maybe I’ll try it some night when Mike comes over after work. Even if it doesn’t turn out that well, he’ll eat it. Place the butter in a 9-inch by 13-inch cake pan and put it in the oven to melt. Meanwhile . . . Mix the milk, sugar, flour, baking powder and salt together in a medium-size bowl. This batter will be a little lumpy and that’s okay. Just like brownie batter, don’t over-mix it. Using oven mitts or potholders, remove the pan with the melted butter from the oven. Pour in the batter and tip the pan around to cover the whole bottom. Then set it on a cold stove burner. Spoon the pie filling over the stop of the batter, but DO NOT MIX IN. Just spoon it on as evenly as you can. (The batter will puff up around it in the oven and look gorgeous!) Bake the dessert at 375 degrees F., for 45 minutes to 1 hour, or until it turns golden brown and bubbly on top. To serve, cool slightly, dish into bowls, and top with sweetened whipped cream or vanilla ice cream. It really is yummy. Hannah’s 2nd Note: The dessert is best when it’s baked, cooled slightly, and served right away. Alternatively you can bake it earlier, cut pieces to put in microwave-safe bowls, and reheat it in the microwave before you put on the ice cream or sweetened whipped cream. Yield: Easy Fruit Pie will serve 6 if you don’t invite Mike and Norman for dinner. Note from Jenny: I’ve made this by adding ¼ cup cocoa powder and 1 teaspoon of vanilla to the batter. If I do this, I spoon a can of cherry pie filling over the top.
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))
answers. I took another swig of water, screwed the cap back on and thought about the next place I must look for Doc. I did not like it
Rolland Love (Blue Hole)
It has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.” “Who wants to be good if he has to be hungry too?” said Richard Frost. ==========
Anonymous
I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her, staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like 'Let's Get It On' sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
Nick Hornby
Doc,” Jack Torrance said. “Run away. Quick. And remember how much I love you.
Anonymous
how their sons were being mistreated, and they always were very sincere. Mom believed her son unquestioningly despite his past performances and was hell-bent to take up his cause. I can appreciate a mother’s love for her offspring, but nearly always she’s been taken in by his one-sided spin. She’s so used to his lies that a few more don’t make much difference. Fortunately for me, I didn’t have to talk to Mom very often. Usually the administration fielded these calls unless there was a real medical issue at stake. Like my ulcerative colitis patient, Scott. Scott’s mom wanted to know why her son wasn’t on his UC medication. “Scott didn’t mention taking any medication for his UC. He said it hasn’t flared up in over a year.” “That’s not true. I give him money for his medication every month. He’s regular with it.
William Wright (Jailhouse Doc: A Doctor in the County Jail)
Scowling, the parson said, “I find that mighty disrespectful, Miss MacGregor. Shameful, even.” Rylan stepped between Parson Alden and Maizy. “She saved this ranch and she will continue to do so until I’m well. She’s given selflessly in the finest kind of Christian service, and she’s done it wearing those britches. I won’t stand by while someone calls that kind of love and generosity shameful. You’d best apologize to her and get on with speaking those vows.” When he left, Maizy said, “My ears are still ringing from all his terrible predictions if you don’t take care.” Rylan pulled her close. “I’ll be careful. I promise. But did you notice all his talk was about work?” “Well, of course. What else would he talk about?” Rylan pulled his wife close. He kissed her soundly. As she was clinging to him, he raised his head just enough to say, “The doc didn’t say a word about overdoing a honeymoon.” Maizy’s eyes grew round. “Why, no, he didn’t.” They both laughed and began their married life finally, fully, and passionately.
Mary Connealy (Spitfire Sweetheart (Four Weddings and a Kiss))
He can be a mystery. There’s more to Preacher than... You really care about him?” “I do.” “Then you be patient. He’ll come around. Paige, it’s obvious—he cares about you, too. You and Christopher. I’ve never seen him like this with anybody.” “Maybe he wants to be sure I’m not just—” Mike was shaking his head. “He wants to be sure of himself, Paige. Preacher’s real cautious. I think the man could be terrified of disappointing you. That’s my bet.” “He couldn’t possibly,” she said, and a tear fell again. Mike wiped it away. “You just have to trust me on this—he’s a bundle of nerves. He’s really good in a fight, really good in a war, and who’da guessed how good a cook he turned out to be, huh? But with women? Paige—he’s never been a hustler. I don’t know of any women. He’s never been that kind of guy. Just not a tomcat like some of the rest of us.” “That’s one of the things I love most,” she whispered. Mike smiled. “You give him some time, huh?” She nodded. She smiled weakly. Mike dropped a brotherly kiss on her forehead. “It’s going to be all right.” “You think so?” “Oh, yeah. Just hang in there. Don’t give up on him.” Mike thought, that lucky son of a bitch. This woman adored him. Wanted nothing so much as to make him happy all night long. “Go wash your face. I’m gonna get myself a beer.” He gave her shoulders a final squeeze, and as she turned away from him, Preacher was standing in the back door with his catch. Paige skittered past Preacher, keeping her head down so that he wouldn’t see her tears. Preacher scowled at Mike. “Need something?” he asked. “I need a beer before I walk over to Doc’s and let Mel torture me. Want me to get it myself?” “Help yourself,” he said, throwing his fish in the big sink. Jack
Robyn Carr (Shelter Mountain (Virgin River, #2))
Joey,” she said quietly, in almost a whisper. “I think I have a man in my life.” “You found a man in that place?” “Uh-huh. I think so.” “Why do you sound so…strange?” “I have to know something. Is it okay? Because I’m not even close to being over Mark. I still love Mark more than anything. Anyone.” Joey let out her breath slowly. “Mel, it’s all right to get on with your life. Maybe you’ll never love anyone as much as you loved Mark—but then maybe there will be someone else. Someone next. You don’t have to compare them, honey, because Mark is gone and we can’t get him back.” “Love,” she corrected. “Not past tense. I still love Mark.” “It’s all right, Mel,” Joey said. “You can go on living. You might as well have someone to pass the time with. Who is he?” “The man who owns the bar across from Doc’s clinic—the one who fixed up the cabin, bought me the fishing pole, got my phone installed. Jack. He’s a good man, Joey. And he cares about me.” “Mel… Have you…? Are you…?” There was no answer. “Mel? Are you sleeping with him?” “No. But I let him kiss me.” Joey laughed sadly. “It’s okay, Mel. Can you really think otherwise? Would Mark want you to wither away, lonely? Mark was one of the finest men I’ve ever known—generous, kind, loving, genuine. He’d want you to remember him sweetly, but to get on with your life and be happy.” Melinda started to cry. “He would,” she said through her tears. “But what if I can’t be happy with anyone except Mark?” “Baby sis, after what you’ve been through, would you settle for some marginal happiness? And a few good kisses?” “I don’t know. I just don’t know.” “Give it a go. Worst case—it takes your mind off your loneliness.” “Is
Robyn Carr (Virgin River (Virgin River, #1))
Doc and Charlie had run this place as a clinic for the Org’s magical children for a long time. When Jill came to live here, she took up a place as nursemaid as well. Burns, bumps, bruises, or sickness, this place provided solace to her and all of those magical children for years. So why then did the thought of staying here give her an uneasy feeling?
Olivia Hardin (Sweet Magic Song (For Love of Fae, #1))
Of an entirely different order is Brennan’s magnificent performance as Pop Gruber, an aging grifter in Nobody Lives Forever (November 1, 1946), starring John Garfield as a con man, Nick Blake, who eventually goes straight after falling in love with Gladys Halvorsen (Geraldine Fitzgerald, in the prime of her beauty). The script by W. R. Burnett, one of masters of film noir, provides not just Brennan, but also George Coulouris (Doc Ganson) with more dimension than is usually accorded heavies in crime dramas.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
She eyed him. “What does that mean?” “You know exactly what it means, McKenna. Women who take on the world and never back down. Women whose hearts have so much love, they give even when that love isn’t returned.” He was reminded of what he had in his vest pocket for her—the thank-you gift for his saddle. The gift had since turned into the peace offering for missing dinner that night, and now represented so much more . . . Now that he knew how much she cared for him. Even though she might not be able to voice it, or even want to admit it to herself. But he would forever remember the moment she looked up outside the doc’s office, thinking he was dead, and found him alive. The timing hadn’t felt right to give it to her then, but it did now. He reached into his pocket. “I’m talking about a woman who faces life with a courage and a persistence that astounds me. Who has endured so much difficulty in her life and yet keeps pushing on with stubborn grace, step-after-step, day-after-day.” He softened his voice. “A woman who, at first, didn’t trust me.” He touched the side of her face. “But a woman who might just be beginning to trust.” Tears glistened in her eyes. “And who makes this man want to spend the rest of his life proving to her that she can.” He held out the box. “Not to mention a woman who makes the best saddles in all the western territory.” Her eyes widened. “You know?” Oh how he wanted to kiss her. And if he was reading her right, she was more than open to the idea. “What did I tell you about looking at a man that way when he couldn’t do anything about it?” She grinned, and he pulled her to him and kissed her. He’d meant for their first kiss to be more tender, slow and gentle, but the way her arms came around him, pulling him closer, the way she responded, deepening the kiss, drove the desire inside him. Their bodies touching, he memorized the curves of her waist, the small of her back, how she felt pressed up against him. The warmth of her hand as she cradled the back of his neck encouraged him further— Remembering where they were, Wyatt drew back. “McKenna!” he whispered. Her eyes were still closed, her lips parted. She was wearing a purple dress today, one he hadn’t seen before. But he liked it, very much. Especially on her. It buttoned up the front, and the lacey curve of the bodice revealed her neckline. The dress wasn’t at all improper, but the thoughts he was having about her right now bordered on being just that. She blinked. “Y-yes?” He smiled and ran a finger over her mouth, and put more distance between them. “You need to open your gift.” She gave him an intimate look. “I thought I already had.” Oh this woman . . . It was a good thing they were in church. She opened the box in her hand, and giggled. He didn’t mind in the least. He’d had about the same reaction when he’d first seen it. The woman in the store in Denver had called it a charm bracelet. But it was the tiny saddle hanging off it—among other miniature trinkets—that had gained his attention. She held up the bracelet and fingered each tiny charm. “I love it! Thank you, Wyatt.
Tamera Alexander (The Inheritance)
You love and worship power. Why? To any thinking mind it should be clear that such a lust intrinsically is, and forever must by its very nature be, futile. For, even if any one of you could command the entire material Universe, what good would it do him? None. What would he have? Nothing. Not even the satisfaction of accomplishment, for that lust is in fact insatiable—it would then turn upon itself and feed upon itself.
E.E. "Doc" Smith (Gray Lensman)
It took Doc longer to go places than other people. He didn’t drive fast and he stopped and ate hamburgers very often. Driving up to Lighthouse Avenue he waved at a dog that looked around and smiled at him. In Monterey before he even started, he felt hungry and stopped at Herman’s for a hamburger and beer. While he ate his sandwich and sipped his beer, a bit of conversation came back to him. Blaisedell, the poet, had said to him, “You love beer so much. I’ll bet some day you’ll go in and order a beer milk shake.” It was a simple piece of foolery but it had bothered Doc ever since. He wondered what a beer milk shake would taste like. The idea gagged him but he couldn’t let it alone. It cropped up every time he had a glass of beer. Would it curdle the milk? Would you add sugar? It was like a shrimp ice cream. Once the thing got into your head you couldn’t forget it. He finished his sandwich and paid Herman. He purposely didn’t look at the milk shake machines lined up so shiny against the back wall. If a man ordered a beer milk shake, he thought, he’d better do it in a town where he wasn’t known. But then, a man with a beard, ordering a beer milk shake in a town where he wasn’t known—they might call the police. A man with a beard
John Steinbeck (Cannery Row (Cannery Row, #1))
I left my phone number with her after confirming that she knew how to reach Dr. Curlin. The next day, Dr. Curlin phoned me, and much to my surprise and confusion, I couldn’t contain my emotions upon hearing his voice. The pain that surfaced from deep inside of me when I heard him speak frightened me. I couldn’t seem to stop crying and the emotion was coming from an unfamiliar place inside of me. I told myself that my reaction must be because he removed me from the terrible conditions in that seclusion room. When I was finally able to speak I told him about the lawsuit and about the abuse I had discovered in my VSH records. I asked him simple, direct questions and his responses immediately disturbed me. “How did you know I was in that seclusion room?” “Being Assistant Superintendent has its advantages.” “Did someone tell you that I was there?” “Brooks and Havas were out of town.” “But how did you know I was there?” “Being Assistant Superintendent has its advantages.” “Did you know Robert Hyde?” “Yes. He was always cleaning horse’s stalls and always wore jodhpurs.” “Was that horse you brought for me to see, yours? What was its name?” “Yes. Her name was Beauty. You need to sit across from me and look into my eyes. Let me buy you a plane ticket to California.” “I don’t like to fly.” “Let me buy you a bus ticket.” “Dr. Curlin, I’m not going to leave Vermont. Why did you leave VSH? When I returned from Baird 6, you were gone.” “I was only there for a year. You don’t remember the Kennedy Assassination do you?” “Yes, I remember the assassination.” “You don’t remember the Kennedy Assassination, do you?” “Yes, I told you that I do.” “You don’t remember the Kennedy Assassination, do you?” “Dr. Curlin, yes I do remember it. I was eleven years old. Did you know that VSH was conducting CIA experiments?” “Call me Doc. I love you Karen,” “Are you CIA, Dr. Curlin?” “Not every good Indian is a dead Indian. I do love you.” I took notes during my conversation with Curlin. His responses were strange and made me feel very uncomfortable. I tried to persuade him to come to Vermont and meet with my lawyer. He flatly refused, saying that he didn’t have good memories about Vermont. He tried to portray himself as having been misused in some unexplained fashion while he was in Vermont. I spoke with Curlin again and I tried to stress to him that he needed to answer my questions. He refused. I was suspicious of his involvement in the experiments I was subjected to and when the phone call ended I had decided to name him as a defendant.
Karen Wetmore (Suviving Evil: CIA Mind Control Experiments in Vermont)
While I do not believe the story that once when she has a headache and Doc Kelton puts his thermometer in her mouth, to see if she is running a temperature, the mercury freezes tight, there is no doubt that Beatrice is not the emotional type and to be very frank about the matter many think she is downright frosty. But of course, no one ever mentions this to the late Slats because he is greatly in love and the chances are he maybe thinks Beatrice is hotter than a stove and personally I am in no position to deny it.
Damon Runyon (The Last Stories)
For only as we ourselves, as adults, actually move and have our being in the state of love, can we be appropriate models and guides for our children. What we are teaches the child far more than what we say, so we must be what we want our children to become. —JOSEPH CHILTON PEARCE, INTRODUCTION TO Teaching Children to Love BY DOC LEW CHILDRE
Kristin Neff (Self-Compassion: The Proven Power of Being Kind to Yourself)
This crowd of men, each one of them what would be called a man’s man, so driven in the masculine pursuits of soldiering, hunting, fishing and the like, loved women, pregnant women especially, and the babies they brought. It was uncanny. And tremendous fun. Doc
Robyn Carr (Second Chance Pass)
Caleb had taken his son out of the room to be bathed, and when he returned carrying the squalling bundle his face glowed with delight. “He’s mad as hell, isn’t he?” Lily smiled despite her weariness. “You would be, too, if you’d just been through a birthing.” Caleb kissed her forehead and laid the baby beside her on the bed. “I love you, Mrs. Halliday,” he said, “but I think maybe we’d better stop with Joss here.” Lily shook her head resolutely. “Oh, no. I want more children, and I’ll have them. Doc Lindsay may be an old sawbones, but I think he could handle the task of delivering me of a few more babies like this one.” Little Joss was still howling, so Lily picked him up and put him to her breast. Even though her milk wasn’t in yet, he seemed to be comforted just by suckling, and Lily smiled at that. He was just like his father. As
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
You looked inhuman when you were dying, Doc, your eyes glistened like dimming stars, you were wasting away and life was leaving you piecemeal, your soul no longer fit your body, you hated it and I hated it and I couldn't recognize you and I couldn't see you and I was frightened and I never knew what to do, I looked for the man I love in you and I searched for who I used to be around you and I couldn't find either.
Rabih Alameddine (The Angel of History)
I wish. Seeing a ghost would rock!" I walked up to the doc as he turned and smiled at me. He already had a fishing pole in his hand. "Where's mine?" I glanced around, not seeing another pole. "I didn't think we were staying long. It's a school night and I know how you are about your sleep." He turned and reached for Kitty as the dog whimpered in my arms. "You, silly boy. It's just Zach." Zach smiled and moved back. "It's alright. My mother just got a new dog. It's a pit-bull. Damn thing is vicious. I'm sure Kitty just smells her on me." Zach bent down a little but kept his distance. "Don't you boy? That's what it is." Kitty barked and tried to get out of my arms to get to Zach. "Good grief. One minute you love him, the next you don't." I put him down and held onto his leash as
L.A. Starkey (Darkness Echoes)
Compassion, on the other hand, is regenerative, and it offers intuitive understanding and potential solutions. It lets us feel what another is feeling while holding on to our own authenticity. We can embrace our suffering friend without falling into over-responsibility and despair. Caring about the problems and concerns of those we love is a natural part of friendship. We just need to make sure that our feelings of care lead to higher-heart compassion rather than lower-heart sympathy.
Doc Childre (The HeartMath Solution: The Institute of HeartMath's Revolutionary Program for Engaging the Power of the Heart's Intelligence)
when subjects focus in the heart area and activate a core heart feeling such as love, appreciation, or care, this focus immediately shifts their heart rhythms. When the rhythms become more coherent, a cascade of neural and biochemical events begins that affects virtually every organ in the body.
Doc Childre (The HeartMath Solution: The Institute of HeartMath's Revolutionary Program for Engaging the Power of the Heart's Intelligence)
Positive emotions such as happiness, appreciation, compassion, care, and love not only change patterns of activity in the nervous system; they also reduce the production of the stress hormone cortisol.
Doc Childre (The HeartMath Solution: The Institute of HeartMath's Revolutionary Program for Engaging the Power of the Heart's Intelligence)
At any given moment, everyone walks around with a laundry machine of vocabulary. Words spin and cycle in heads after fresh loads of new people, new ideas, and new encounters. This laundry machine of vocabulary hints at what we’re interested in, learning of, struggling with, and thinking about. It changes every few months. If you stick with a person long enough, while they may not confess to you that their family is dying, you wonder why they always come back to words like, “polka-dots,” “temperature” or phrases like “getting old” or “good morning, doc!
Kristian Ventura (The Goodbye Song)
Who didn’t love a good old-fashioned 69? “Fuck, I like how you think, Doc.” A big hand slapped her ass.
Lexi Blake (Master No (Masters and Mercenaries, #9))
has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.
John Steinbeck (Cannery Row (Cannery Row, #1))
There was nothing Doc loved more than being drawn into the working world of his family and neighbors.
Kent Gustavson (Blind But Now I See: The Biography of Music Legend Doc Watson)
If Doc Homer found out, he would construct some punishment to cure us of superstition. We agreed with him in principle—we were little scientists, born and bred. But children robbed of love will dwell on magic.
Barbara Kingsolver (Animal Dreams)
Usually we define ourselves by loving things, Doc Martens or Shakespeare or music or whatever. But if the things we love are other people, those people define us. And then they’re part of you, and they change what you know about yourself.
Leah Thomas (Wild and Crooked)
The opposite of love is not hate, it is indifference.
Myron Doc Downing
Of love. Grief is a side effect of love. It lasts as long as the love lasts. You get used to the pain until you’re reminded it’s there. That’s how it always works. What you need is a distraction.” “What I need is a cure.” “Cures have side effects, too, doc. And some conditions? Well… they’re incurable.
Parker S. Huntington (Darling Venom)
Not long before my heart was shredded by “Ryan,” I saw the superb, painful, and infuriating documentary God Loves Uganda, a film by the astounding Roger Ross Williams. The doc examined the role of American evangelicalism in Uganda, its ties to a recently introduced bill, the Uganda Anti-Homosexuality Act—which then suggested the death penalty for LGBTQ+ people—as it gained serious momentum. It follows missionaries, evangelical leaders, and the LGBTQ+ people of Uganda who fight for their right to exist. These activists were standing up against vicious oppression, rhetoric, and ideas originally introduced and continuously perpetuated by the West. Concealed in “good deeds,” American missionaries created infrastructure for access to indoctrinate the populace, which fueled anti-LGBTQ+ violence and hate.
Elliot Page (Pageboy: A Memoir)
Doc still loved true things but he knew it was not a general love and it could be a very dangerous mistress.
John Steinbeck (Cannery Row (Cannery Row, #1))
I think that’s what we’re suffering from. The side effects.” “Of?” “Of love. Grief is a side effect of love. It lasts as long as the love lasts. You get used to the pain until you’re reminded it’s there. That’s how it always works. What you need is a distraction.” “What I need is a cure.” “Cures have side effects, too, doc. And some conditions? Well… they’re incurable.” And then she hung up.
Parker S. Huntington (Darling Venom)
Are you telling me to back off?” The weariness in that question made me look up. Fighting with my brothers wasn’t my favorite thing to do. But this wasn’t over just anything. “No,” I said slowly “I would love it if all of you did, but Kel’s got his eye on her. Rome’s nuts for her. That dick Liam keeps sniffing around.” Like he thought I hadn’t noticed how often he’d started popping up now that she was here. Then having Rome take her to his place? Asshole. At least him I got to pummel before Emersyn asked me to not do it anymore. I ground my teeth. “Doc wants her too.” Vaughn chuckled. “I don’t know a red-blooded man alive that wouldn’t want her.” “You’re okay with it?” “With you guys?” Vaughn shrugged. “It’s always been us against the world. Now it can be us with her, against the world.” That…didn’t sound so bad.
Heather Long (Vicious Rebel (82 Street Vandals #2))
You’re a bit of a shit, Kellan Traschel.” His grin grew. “Yes, I am. Except remember—she comes first, Doc. I like you. You’re family. But I love her.” Despite the smile, his expression had gone deadly serious. “Don’t do anything stupid with her again. You made your mistake where she was concerned. You don’t get to do it again.
Heather Long (Reckless Thief (82 Street Vandals, #8))
I’ll let you in on a little secret,” Hawk told him. “We never save the girl. The girl always saves us.
Dahlia West (Doc (Burnout, #5))
It has always seemed strange to me," said Doc. "The things we admire in men, kindness and generosity, opennesss, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second." (pp107)
John Steinbeck (Cannery Row (Cannery Row, #1))
but I was now proud that Doc had achieved what he wanted to do. And we would always be bound together, he was very much a part of me. He had found a small, frightened and confused little boy and had given him confidence and music and learning and a love for Africa and taught me not to fear things.
Bryce Courtenay (The Power of One)