Do You Italic Quotes

This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.

I'm not really putting this very well. My point is this: This book contains precisely zero Important Life Lessons, or Little-Known Facts About Love, or sappy tear-jerking Moments When We Knew We Had Left Our Childhood Behind for Good, or whatever. And, unlike most books in which a girl gets cancer, there are definitely no sugary paradoxical single-sentence-paragraphs that you're supposed to think are deep because they're in italics. Do you know what I'm talking about? I'm talking about sentences like this: The cancer had taken her eyeballs, yet she saw the world with more clarity than ever before. Barf. Forget it. For me personally, things are in no way more meaningful because I got to know Rachel before she died. If anything, things are less meaningful. All right?

When I am a writer, I shall do parenthetical asides. And footnotes. There will be footnotes. I wonder how you do them? And italics. How do you make italics happen?

Oh, good,” he muttered. “We’re going to discuss it now.” “No discussion,” she said. Her mind was quite clear now, as though a fire had blazed through it, burning away all confusion. “It’s perfectly simple. No One Must Ever Know.” He came up onto one elbow and looked at her. “Do you know,” he said, “I can hear those five words in italics. Capitalized.

Could you try not aiming so much?" he asked me, still standing there. "If you hit him when you aim, it'll just be luck." He was speaking, communicating, and yet not breaking the spell. I then broke it. Quite deliberately. "How can it be luck if I aim?" I said back to him, not loud (despite the italics) but with rather more irritation in my voice than I was actually feeling. He didn't say anything for a moment but simply stood balanced on the curb, looking at me, I knew imperfectly, with love. "Because it will be," he said. "You'll be glad if you hit his marble — Ira's marble — won't you? Won't you be glad? And if you're glad when you hit somebody's marble, then you sort of secretly didn't expect too much to do it. So there'd have to be some luck in it, there'd have to be slightly quite a lot of accident in it.

People were wired to hell. He wanted to growl like a rabid mastiff when he heard someone say, "The body is a machine." What asshole thought of that? Screwed up and angry and wanting love, fucking desperate to get it and not knowing how to get it, and willing to do anything just to get a taste of it. Or worse, striking out because you couldn't get it-all that love you wanted. The body was not a machine. Machines and computers, he could deal with. There was always a solution for the problem. What was the solution for him?

She closed her eyes briefly, feeling sick. Olivia had experienced strangulation before. Having to look directly into the face of the person who was killing you made the experience beyond awful. But there were worse things than that. Staring into the void of unresolved memory, living an eternal mystery, waking up night after night seeing the face of someone you desperately wanted to save but having not the slightest clue how to do it—all that was worse. If going through with this experience gave her the answers she needed, if it gave her peace, it would be well worth one-hundred-and-thirty seconds of fear and pain.

Clicking on "send" has its limitations as a system of subtle communication. Which is why, of course, people use so many dashes and italics and capitals ("I AM joking!") to compensate. That's why they came up with the emoticon, too—the emoticon being the greatest (or most desperate, depending how you look at it) advance in punctuation since the question mark in the reign of Charlemagne. You will know all about emoticons. Emoticons are the proper name for smileys. And a smiley is, famously, this: :—) Forget the idea of selecting the right words in the right order and channelling the reader's attention by means of artful pointing. Just add the right emoticon to your email and everyone will know what self-expressive effect you thought you kind-of had in mind. Anyone interested in punctuation has a dual reason to feel aggrieved about smileys, because not only are they a paltry substitute for expressing oneself properly; they are also designed by people who evidently thought the punctuation marks on the standard keyboard cried out for an ornamental function. What's this dot-on-top-of-a-dot thing for? What earthly good is it? Well, if you look at it sideways, it could be a pair of eyes. What's this curvy thing for? It's a mouth, look! Hey, I think we're on to something. :—( Now it's sad! ;—) It looks like it's winking! :—r It looks like it's sticking its tongue out! The permutations may be endless: :~/ mixed up! <:—) dunce! :—[ pouting! :—O surprise! Well, that's enough. I've just spotted a third reason to loathe emoticons, which is that when they pass from fashion (and I do hope they already have), future generations will associate punctuation marks with an outmoded and rather primitive graphic pastime and despise them all the more. "Why do they still have all these keys with things like dots and spots and eyes and mouths and things?" they will grumble. "Nobody does smileys any more.

Your grandparents are English?" "Grandfather is,but Grandmere is French. And my other grandparents are American,of course." "Wow.You really are a mutt." St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent." "I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too." "I do?" He surprised. I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly." "Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum." "And how was it? I bet the girls don't tease you about your accent anymore." He laughs. "No,they don't.But I can't help my height.I'll always be short." "And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me." He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him." "How would you know?" "Well,for one thing,he looks like a Ken doll.And you're beautiful." I trip and fall down on the sidewalk. "Are you all right?" His eyes fill with worry. I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak. "You've seen the way men look at you,right?" he continues. "If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands. "That guy over there is checking you out right now." "Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?" "I expect he likes what he sees." I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?" St. Clair thinks I'm attractive. He called me beautiful. "Um,no," I say. "I hadn't noticed." "Well.Open your eyes." But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?" "You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail. This time I can't help it.All day long, I've thought about it.Him.Our secret. I wish St. Clair would spend the night again.

But this story ends when you open the door. It doesn’t matter if you managed to guess which room is mine, which door I closed behind me. You put your hand on the door handle, you knock, it’s all over. End of story. By choosing one, you chose the other, too. Do you understand why? Those two consequences are joined at the hip, they’re Siamese twins. Even if you picked the door with the lady behind it—all questions answered, all explanations given, your life solved for you—it’s still true that you gave the tiger permission to jump. You gave your assent to catastrophe, you invited tragedy and horror to walk right in. You got lucky, that’s all. Mallon

I now warn the reader not to mock me and my mental daze. It is easy for him and me to decipher now a past destiny; but a destiny in the making is, believe me, not one of those honest mystery stories where all you have to do is keep an eye on the clues. In my youth I once read a French detective tale where the clues were actually in italics; but that is not McFate's way—even if one does learn to recognize certain obscure indications.

By the way, I should like to make it clear here and now that the story will not be a story of South Africa. I guarantee no genuine local colour -- you know the sort of thing -- half a dozen words in italic on every page. I admire it very much, but I can't do it.

a destiny in the making is, believe me, not one of those honest mystery stories where all you have to do is keep an eye on the clues. In my youth I once read a French detective tale where the clues were actually in italics; but that is not McFate’s way — even if one does learn to recognize certain obscure indications.

Had she been able to listen to her body, the true Virginia would certainly have spoken up. In order to do so, however, she needed someone to say to her: “Open your eyes! They didn’t protect you when you were in danger of losing your health and your mind, and now they refuse to see what has been done to you. How can you love them so much after all that?” No one offered that kind of support. Nor can anyone stand up to that kind of abuse alone, not even Virginia Woolf. Malcolm Ingram, the noted lecturer in psychological medicine, believed that Woolf’s “mental illness” had nothing to do with her childhood experiences, and her illness was genetically inherited from her family. Here is his opinion as quoted on the Virginia Woolf Web site: As a child she was sexually abused, but the extent and duration is difficult to establish. At worst she may have been sexually harassed and abused from the age of twelve to twenty-one by her [half-]brother George Duckworth, [fourteen] years her senior, and sexually exploited as early as six by her other [half-] brother… It is unlikely that the sexual abuse and her manic-depressive illness are related. However tempting it may be to relate the two, it must be more likely that, whatever her upbringing, her family history and genetic makeup were the determining factors in her mood swings rather than her unhappy childhood [italics added]. More relevant in her childhood experience is the long history of bereavements that punctuated her adolescence and precipitated her first depressions.3 Ingram’s text goes against my own interpretation and ignores a large volume of literature that deals with trauma and the effects of childhood abuse. Here we see how people minimize the importance of information that might cause pain or discomfort—such as childhood abuse—and blame psychiatric disorders on family history instead. Woolf must have felt keen frustration when seemingly intelligent and well-educated people attributed her condition to her mental history, denying the effects of significant childhood experiences. In the eyes of many she remained a woman possessed by “madness.” Nevertheless, the key to her condition lay tantalizingly close to the surface, so easily attainable, and yet neglected. I think that Woolf’s suicide could have been prevented if she had had an enlightened witness with whom she could have shared her feelings about the horrors inflicted on her at such an early age. But there was no one to turn to, and she considered Freud to be the expert on psychic disorders. Here she made a tragic mistake. His writings cast her into a state of severe uncertainty, and she preferred to despair of her own self rather than doubt the great father figure Sigmund Freud, who represented, as did her family, the system of values upheld by society, especially at the time.   UNFORTUNATELY,

CORE MEDITATION: Breathing This classic meditation can deepen concentration by teaching us to focus on the “in breath” and the “out breath.” Sit comfortably on a cushion or chair and keep your back upright, without straining or overarching. If you can’t sit, then lie on your back on a yoga mat or folded blanket with your arms at your sides. Just be at ease and close your eyes, or gaze gently a few feet in front of you and aim for a state of alert relaxation. Take three or four deep breaths, feeling the air as it enters your nostrils, fills your chest and abdomen, and flows out again. Then let your breathing settle into a natural rhythm, and just feel the breath as it happens, without trying to change it or improve it—all you have to do is feel it. Notice where you sense your breath most intensely. Perhaps it’s at the nostrils, or at the chest or abdomen. Then rest your attention as lightly as a butterfly rests on a flower—only on that area—and become aware of the sensations there. For example, if you’re focusing on the breath at the nostrils, you may experience tingling, vibration, or pulsing, or you may observe that the breath is cooler when it comes in and warmer when it goes out. If you’re focusing on the breath at the abdomen, you may feel movement, pressure, stretching, or release. You don’t need to name these feelings—simply let your attention rest on them, one breath at a time. (Notice how often the word rest comes up in this instruction. This is a very restful practice). You don’t need to make the inhalation deeper or longer or different from the way it is. Just be aware of it, one breath at a time. Whenever you notice your attention has wandered and your mind has jumped to the past or the future, to judgment or speculation, don’t worry about it. Seeing your attention has wandered is the signal to gently let go of whatever has distracted you and return your attention to the feeling of the breath. If you have to let go over and over again, that’s fine—being able to more gracefully start over when we’ve become distracted or disconnected is one of the biggest benefits of meditation practice.

Loving People to Life People do not grow at a steady upward rate. We grow, hit plateaus, fall back, surge again, plateau and fall back again. Guess who, other than ourselves, suffers and hurts during these times? Whomever the Lord uses to love us back to life—someone who will grieve and be on his or her knees constantly in intercession. Paul addressed the Galatians as “my children, with whom I am again in labor until Christ is formed in you” (4:19, italics mine). Plus, when we don’t really want to come alive, we tend to attack and criticize whoever is committed to trying to love us to life. How many times do we intercede? As often and as long as it takes for the other to mature and grab hold of his own life, so that he, too, becomes a father in Christ rather than a child.

I’m having a baby.” Cue the pregnant pause––pun intended. On the other side of the pond, my brother’s confused expression says it all. “With who?” “I don’t know.” “Jesus, you don’t know who the father is? How many people are you dating?” “Shut up. I’m not pregnant yet. I’m searching for a man to share parental responsibility.” “What?” “Co-parenting. We legally share a child.” “Like a sperm donor?” He looks unhappy with this turn of events. As much as I love my brother, and I do, he’s a total caveman when it suits him. “I’ll volunteer my sperm,” a deep voice shouts in the background. Alex turns in the direction of the voice. “Not if I stuff your nuts down your throat first, Hayes. That’s my baby sister you’re talking about.” “By a minute,” I feel the need to clarify. “You’re still my baby sister.” 

The CRT is really hard. But here’s the strange thing. Do you know the easiest way to raise people’s scores on the test? Make it just a little bit harder. The psychologists Adam Alter and Daniel Oppenheimer tried this a few years ago with a group of undergraduates at Princeton University. First they gave the CRT the normal way, and the students averaged 1.9 correct answers out of three. That’s pretty good, though it is well short of the 2.18 that MIT students averaged. Then Alter and Oppenheimer printed out the test questions in a font that was really hard to read—a 10 percent gray, 10-point italics Myriad Pro font—so that it looked like this: 1. A bat and a ball cost $1.10 in total. The bat costs $1.00 more than the ball. How much does the ball cost? The average score this time around? 2.45. Suddenly, the students were doing much better than their counterparts at MIT.

Back when I was in the emergency room, the attending had said, “I don’t know what exactly will happen next, but you know that metastases put you at stage four. This is clearly an aggressive cancer. It recurred before we even finished treating it. It’s probably time to put your affairs in order and make a bucket list, as hard as that is to hear.” I had been stumped by the bucket list. It depressed me: “Oh my God I am so lame I can’t even come up with an interesting bucket list,” I whined in the hospital. “How about a ‘fuck-it’ list?” John suggested at some point. “Sort of the opposite. What can we just say ‘fuck it’ to and send splashing off into some sewer and not bother ourselves with anymore?” The catch is: it turns out not many things. I want all of it—all the things to do with living—and I want them to keep feeling messy and confusing and even sometimes boring. The carpool line and the backpacks and light that fills the room in the building where I wait while the kids take piano lessons. Dr. Cavanaugh sitting on my bedside looking me in the eyes and admitting she’s scared. The sound of my extended family laughing downstairs. My chemo hair growing in suddenly in thick, wild chunks. Light sabers cracking Christmas ornaments. A science fair project taking shape in some distant room. The drenched backyard full of runoff, and tiny, slimy, uncertain yard critters who had expected to remain buried in months of hard mud, peeking their heads out into the balmy New Year’s air, asking, Wait, what?

to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the

when He tells Moses, “When you go to Pharaoh, I will be with you” (italics added). For me, that is God’s name, the essence of what He is about. God is the one who is with us when we have to do something hard. He is the one who is with us when we are tempted to feel that the world has abandoned us. He is the one who is with us when we feel alone in the valley of the shadow.

Be particularly careful in speaking of yourself: You may not, indeed, deny the work of God; but speak of it, when you are called thereto, in the most inoffensive manner possible. Avoid all magnificent, pompous words; indeed, you need give it no general name; neither perfection, sanctification, the second blessing, nor the having attained. Rather speak of the particulars which God has wrought for you. You may say, “At such a time I felt a change which I am not able to express; and since that time, I have not felt pride, or self-will, or anger, or unbelief; nor anything but a fullness of love to God and to all mankind.” And answer any other plain question that is asked with modesty and simplicity. And if any of you should at any time fall from what you now are, if you should again feel pride or unbelief, or any temper from which you are now delivered; do not deny, do not hide, do not disguise it at all, at the peril of your soul. At all events go to one in whom you can confide, and speak just what you feel. God will enable him to speak a word in season, which shall be health to your soul. (Works, XI, 434-35, italics mine)

Translators with catholic background changed the meaning of Colossians 2:17 by adding the word “is” that we see in italics. Without the ”is” it could read…  Don’t let any man judge how you keep those holy days which are a shadow of things to come. The body of Christ [the local church] can decide how they will observe them. A shadow of things to come implies they are prophetic of events that could happen on those times. This is confirmed by Christ as He ended the parable of 10 virgins. He told His disciples they didn’t understand. That’s a better meaning than “know” that people understand as nobody will know, in spite of God saying He won’t do anything without revealing it in Amos 3:7. Christ said to watch. The Greek word is gregoreo, it means to be awake. Passover was the only time it was commanded

Chris Argyris, professor emeritus at Harvard Business School, wrote a lovely article in 1977,191 in which he looked at the performance of Harvard Business School graduates ten years after graduation. By and large, they got stuck in middle management, when they had all hoped to become CEOs and captains of industry. What happened? Argyris found that when they inevitably hit a roadblock, their ability to learn collapsed: What’s more, those members of the organization that many assume to be the best at learning are, in fact, not very good at it. I am talking about the well-educated, high-powered, high-commitment professionals who occupy key leadership positions in the modern corporation.… Put simply, because many professionals are almost always successful at what they do, they rarely experience failure. And because they have rarely failed, they have never learned how to learn from failure.… [T]hey become defensive, screen out criticism, and put the “blame” on anyone and everyone but themselves. In short, their ability to learn shuts down precisely at the moment they need it the most.192 [italics mine] A year or two after Wave, Jeff Huber was running our Ads engineering team. He had a policy that any notable bug or mistake would be discussed at his team meeting in a “What did we learn?” session. He wanted to make sure that bad news was shared as openly as good news, so that he and his leaders were never blind to what was really happening and to reinforce the importance of learning from mistakes. In one session, a mortified engineer confessed, “Jeff, I screwed up a line of code and it cost us a million dollars in revenue.” After leading the team through the postmortem and fixes, Jeff concluded, “Did we get more than a million dollars in learning out of this?” “Yes.” “Then get back to work.”193 And it works in other settings too. A Bay Area public school, the Bullis Charter School in Los Altos, takes this approach to middle school math. If a child misses a question on a math test, they can try the question again for half credit. As their principal, Wanny Hersey, told me, “These are smart kids, but in life they are going to hit walls once in a while. It’s vital they master geometry, algebra one, and algebra two, but it’s just as important that they respond to failure by trying again instead of giving up.” In the 2012–2013 academic year, Bullis was the third-highest-ranked middle school in California.194

DENIAL OF SECONDARY CAUSALITY One of the most insidious and toxically shaming distortions of many religions is the denial of secondary causality. What this means is that according to some church doctrines, the human will is inept. There is nothing man can do that is of any value. Of himself, man is a worm. Only when God works through him does man become restored to dignity. But it’s never anything that man does of himself. The theology here is abortive of any true doctrine of Judeo/Christianity. Most mainline interpretations see man as having true secondary causality. Thomas Aquinas, in the prologue to the second part of his Summa Theologia, writes, “After our treatise on God, we turn to man, who is God’s Image, insofar as man, too, like God, has the power over his works” [italics mine]. This is a strong statement of human causality. Man’s will is effective. In order to receive grace, man must be willing to accept the gift of faith. After acceptance, man’s will plays a major role in the sanctification process. The abortive interpretation sees man as totally flawed and defective. Of himself, he can only sin. Man is shame-based to the core.

Frederick Hertzberg begins his famous article “One More Time: How Do You Motivate Employees?” as follows: “How many articles, books, speeches, and workshops have pleaded plaintively, ‘How do I get an employee to do what I want him to do?’” (italics added). Read it again. Is Hertzberg speaking about motivation or manipulation? In

—but not to you. That makes me the only person here who can talk to everybody. How . . . nice. Do tell me about the drains, dear Pym. Don’t tell me they backed up again.” Ekaterin slipped the envelope into the inside pocket of her bolero, leaned her elbow on her chair arm and her chin on her hand, and sat listening with her dark eyebrows crinkling. Pym nodded. “I’m afraid so, Miss Martya. Late last night, Dr. Borgos”—Pym’s lips compressed at the name—“being in a great hurry to return to the search for his missing queen, took two days’ harvest of bug butter—about forty or fifty kilos, we estimated later—which was starting to overflow the hutches on account of Miss Kareen not being there to take care of things properly, and flushed it all down the laboratory drain. Where it encountered some chemical conditions which caused it to . . . set. Like soft plaster. Entirely blocking the main drain, which, in a household with over fifty people in it—all the Viceroy and Vicereine’s staff having arrived yesterday, and my fellow armsmen and their families—caused a pretty immediate and pressing crisis.” Martya had the bad taste to giggle. Pym merely looked prim.

Guideline #6: Be sure the résumé is well organized and reader-friendly. It won’t help much if you have extraordinary skills and qualifications but a hiring manager is unable to access the information. Take care not to use many different fonts or bullets. Balance your information with white space so the document is pleasant to read. You might want to limit the use of italics, as information presented in italics is normally difficult to read. The presentation should be crisp, exciting, and inviting. If you can’t get totally jazzed about your résumé, how do you expect a potential employer to?

you can't buy love and you can't sell it,all u can do is feel it,embrace it,and share it

He goes very still, the way you do when you see a fox at dusk and don’t want it to disappear just yet. His lips fall open. His eyes are wide and black, and God help me but I know that look. I’ve gone hungry too many times not to recognize a starving man when he kneels in the dirt before me. I’m not pretty—I’ve got crooked teeth and a chin like a switchblade, and I’m wearing one of Bev’s old T-shirts with the sleeves ripped off and swipes of Antique Eggshell across the front—but Arthur doesn’t seem to know that. He looks at me just long enough for me to think, in desperate italics: Fuck.

So I grab her by the chin and make her see it—all of it. “There’s never going to be anyone else for us. Do you understand that?

Before listening: In the IELTS test, you will have 30 seconds at the beginning of each section to look at the Question Booklet before listening. During these 30 seconds, there are three main things you should do to improve your score: 1. Read the instructions carefully. The instructions are usually in italics and sometimes in BOLD CAPITAL LETTERS. Read the instructions carefully so that you know what to do and predict what you will hear. Think about who is talking, where they are and what the topic is. In the exam you will only have a short time for this, so do it as quickly as possible.

I don’t like this—she calls it freedom—an affair, a love-affair, secrecy, nothing ever to count on—” “That is her freedom. She’s no fool. If she married you then you’d be free and she’d be the one trapped! Love’s the game where there are only losers. Listen, Itale, I won’t bring this up again, it’s none of my business, I know that. I’ve known Luisa for years, I might have fallen in love with her if I hadn’t met the other one first. She’s like me. She tries to take and choose. She sees you and she can’t let you be—if she can’t own you she will destroy you—you do not know, I hope you never know the envy that eats her, when she looks at you. But I know it. Look out for her, look out for me. We will destroy you if we can, Itale.” His tone was cold and playful.

Because there is nothing left of that life. It’s finished—gone, scattered. Overnight. There never was anything to it.” She walked on beside him. “Dreams of youth,” he said. “All that has given my life any meaning for five years has been my belief that you were free—that you were working for freedom, doing what I couldn’t do, for me—even when you were in jail—then most of all, Itale!