Dj Music Quotes

Burn down the disco Hang the blessed D.J. Because the music that they constantly play It says nothing to me about my life

The job of feets is walking, but their hobby is dancing.

You know, radio DJ's must really love to talk to theirselves. Especially when they have the graveyard shift. 'Hey this is Ellen with 89.1. It is currently three in the morning. There are few cars on the road. And it your still listening heres a little music to get you to dance..

I can be a badass DJ when I want, but I am also an insufferable music snob.

Another One!

To most human beings, wind is an irritation. To most trees, wind is a song.

He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily's arms. "Watch him for me, will you?" he asked. "Make sure he gets out all right?" "Put that werewolf down immediately, Lily," Raphael ordered. "It really hurts that you would say that," Bat muttered, and shut his eyes. Lily considered Bat's head, pillowed on her lavender bosom. "I don't want to put him down," she announced. "The Shadowhunter gave this DJ to me." Bat opened one eye. "Do you like music?" "I do," said Lily. "I like jazz." "Cool," said Bat. Raphael threw up his hands. "This is ridiculous! Fine," he snapped. "Fine. Let's just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity.

Man, didn't anybody ever tell you that art is propaganda? It doesn't matter whether you think it should be or it shouldn't be, it just is, and motherfucker, like or not, you're sitting on a funky Magna Carta.

The last werewolf tripped over Raphael Santiago’s foot. Alec hastily hit him in the back of the head with the hilt of his seraph blade, and the werewolf stayed down. “That was an accident,” said Raphael, with Lily and Elliott sticking close behind him. “He got in my way as I was trying to leave.” “Okay,” Alec panted. He wiped dust and sweat out of his eyes. Bat the DJ staggered toward them, claws out, and Alec flipped his seraph blade so he was holding the hilt again. “Someone dropped a piece of roof on me,” Bat told him, blinking in a way that was more owlish than wolfish. “Inconsiderate.” Alec realized Bat was not so much on a murderous out-of-control rampage as mildly concussed. “Easy there,” he said, as Bat tumbled against his chest. He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily’s arms. “Watch him for me, will you?” he asked. “Make sure he gets out all right.” “Put that werewolf down immediately, Lily,” Raphael ordered. “It really hurts that you would say that,” Bat muttered, and shut his eyes. Lily considered Bat’s head, pillowed on her lavender bosom. “I don’t want to put him down,” she announced. “The Shadowhunter gave this DJ to me.” Bat opened one eye. “Do you like music?” “I do,” said Lily. “I like jazz.” “Cool,” said Bat. Raphael threw up his hands. “This is ridiculous! Fine,” he snapped. “Fine. Let’s just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity?

Look, dude, you've sampled your life, mixed those sounds with a funk precedent, and established a sixteen-bar system of government for the entire rhythm nation. Set the Dj up as the executive, the legislative, and judicial branches. I mean, after listening to your beat, anything I've heard on the pop radio in the last five years feels like a violation of my civil rights.

What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways. I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever. And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says. I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first--paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes...Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music.

The song reminds me of my life lately and the way things that happen devastate you so badly but then turn around and totally surprise you by growing into something unexpected and astounding. Of course, i could be wrong. I mean, who knows what the song is really about except whoever wrote it? But that's one of the many things about music that's so great. You can interpret a song and relate it to your life any way you want.

You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.

It probably didn't help that we kept being taken on holiday to monasteries. Not many kids there, just monks. Although you do find the best reverb in monastic chapels. I have a theory that the religious experience is actually based on reverb - which is why outdoor weddings always seem weird. God isn't in the details, he's in the echo.

Music slaps, but hearing your home country music in another country. Slaps harder.

Artists make normal songs. Then Radio stations, TV and DJ’s turn those normal songs into hits

One element you need for a great mix or mastering as producer. Is confidence in what you do.

Social Media will come to you and start putting ideas in your head to do something you might regret. They will tell you that they will support you and they will be with you all the way. When is time to face the music. To find your alone and when you look behind no one is there. They all logged off. Be careful , Don’t be fooled by the number of followers, retweets, likes or comments.

Music is the backbone of life. Whether you are poor or rich. No matter what race you are . No matter where you live. We all understand music and have music in us. Music is one common thing we share in the entire universe.

The DJ stopped the music and turned on the stage lights. Zatanna stepped up and approached the microphone. "And here's our special musical guests tonight, direct from Innsmouth," she announced. "The Esoteric Order of Dagon Choir! Let's all given them a hand!

Think of a story as a stream of information. At best it’s an ever-changing series of rhythms. Now think of yourself, the writer, as a DJ mixing tracks. The more music you have to sample from—the more records you have to spin—the more likely you’ll keep your audience dancing.

See that?” Rudy talked over her, puffing out his chest a bit. “I’m officially on guard duty, which proves that my family thinks I deserved an upgrade in responsibility. I mean, even I lost count of how many times I saved your lives on the last quest. My parents are calling me by my full title now: Prince Rudra of Naga-Loka, Heir of the Jewel-Strewn Seas. And I even have facial hair.” Rudy angled his face up and Aru saw a single sad hair beneath his nose. “Last time I saw you, your mom called you ‘Baby Snekky-Snake’ and carried you into a fountain,” said Mini with a little edge to her voice. Aru snickered. “Also, that is a hair,” said Aiden. That’s because I had to shave the rest! It was getting unruly!” Rudy scowled. “And my mom was using my DJ name then….” “DJ Baby Snekky-Snake?” asked Aiden. “The music industry is crowded—I need to distinguish myself,” grumbled Rudy.

Techno emerged in the early to mideighties in and around Detroit, at the hands of black middle-class DJs who for some reason idealized the glamour and suavity of European electronic pop and Italo disco, as it reached them via GQ and the radio DJ who called himself the Electrifying Mojo. They brought some rigor and a hint of Motown to it and created an industrial-sounding music that was funky, futuristic, and kind of arch—evoking the auto plants that were putting these kids’ parents out of work.

I feel,” Simon went on, “that this evening DJ Bat is doing a singularly exceptional job. Don’t you agree?” Clary rolled her eyes and didn’t answer; Simon hated trance music. Her attention was on the girl in the white dress. Through the darkness, smoke, and artificial fog, her pale dress shone out like a beacon. No wonder the blue-haired boy was following her as if he were under a spell, too distracted to notice anything else around him—even the two dark shapes hard on his heels, weaving after him through the crowd.

This might baffle you, but despite not being a physician, I do have some pride. Although most certainly not enough to withstand the kind of beating you're capable of dealing it. The kind of beating you've repeatedly dealt it from the first time we've met. You're right, I value honesty, so I'll tell you that I make it a practice not to find women who insult me at every opportunity attractive." Color flooded her cheeks and traveled down her neck. Finally, she stepped away from him, too, and found the back of a chair to clutch. She looked entirely devastated. Had no one ever denied her anything? He hated the hurt in her eyes. But it was done now. "How is telling you I'm attracted to you an insult?" He pressed the back of his hand into his forehead. It made him feel like a drama queen in some sort of musical farce. Which this had to be. "Telling me how unworthy I am of your attraction, that's the insulting part. And, no, that's not all it is. Even if you hadn't told me at every opportunity how inferior to you I am... all I do is cook... every assumption you've made about me is insulting. Culinary school is definitely college. And Le Cordon Bleu is one of the most competitive institutions in the world. The fact that that's so wholly incomprehensible to you... that's the insulting part. And it wasn't thrown in my overly privileged lap either. I had to work my bottom off to make it in." Ammaji had sold her dowry jewels to pay for his application, something her family would have thrown her out on the street for had they found out. Trisha squared her shoulders, the devastation draining fast from her face, leaving behind the self-possession he was so much more used to. And the speed with which she gathered herself shook something inside him. "I might not do what you see as important work, but I work hard at being a decent human being, and I would need anyone I'm with to be that first and foremost. Even if I didn't find snobbery in general incredibly unattractive, I would never go anywhere near a person as self-absorbed and arrogant as you, Dr. Raje. I would have to be insane to subject myself to your view of me and the world." "Wow." She was panting, or maybe it was him. He couldn't be sure. "You wanted honesty. I'm sorry if I hurt you." She cleared her throat. "I'm surprised you think someone as... as... self-absorbed and arrogant as me is even capable of being hurt.

Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.

The way I see it, the blue is the stuff you can't control, life's major heartbreak and struggles, that feeling of devastation so massive and brutal it inflicts permanent damage on the heart and spirit that can never be undone and will always be there, spewing somewhere in a corner of your mind like deep scars you'll have with you you're whole life. The green you also can't control. But that's the part that reminds you life is worth living. It's not the here-and-there type of good stuff that happens every day either. The green is the stuff that comes in huge doses that slap you in the face when you least expect it and brings a light to all that you are through growth, bravery, and goodness, and love. It's the stuff that picks you up when you're at the bottom and makes you keep on going even when you're sure you can't. That's the green.

Radically new spiritual movements are cropping up, notably the “atheist” practice of Syntheism. And musicians are creating stranger and stranger electrical sounds and rhythms, mixing them with strained voices, as if to underscore just how mysterious, yet peculiarly familiar, it all seems. And fashionable, tattooed young female DJ s play that music on the dance floor, and we dance under flashing lights into the darkness and get high and drunk and make out, as the reality we thought we knew is being torn down and we plunge into the sublime and the unknown. And far out into the desert, under the clear skies of that luminous, open blackness lit by perfect stars, we find each other in an intimate, loving embrace. Without the slightest effort we converse for hours and all of reality melts away as we let go of our inner shields and. become one. In that timeless moment of forgiving embrace we lose ourselves and find ourselves, both at once.

He laughs and turns up the music so that I can hear it in the back. The speakers blast out: ‘Streets like a jungle, so call the police.’ ‘Call the police,’ I smile, ‘fuck the police’ nodding my head to the beat. The guard turns it up even more. ‘Yeah, fuck the police for stitching me up and presenting their dodgy evidence,’ I think to myself. Fuck them for getting me put away for seven instead of the four or five I should have got. A new song comes on and I’m merrily tapping my feet while the guard sings along up front to The Clash. ‘Fighting the nation. Police and thieves in the street, oh yeah…Oh yeah! Scaring the nation with their guns and ammunition. Police and thieves in the street. Oh yeah. Fighting the nation with their guns and ammunition’. Ha ha. The DJ on the radio is on my side. The Securicor men are on my side. And I’m heading back to civilisation and as many drugs as I can get my hands on. Everything’s going my way. There must be a song about that, too.

against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in

Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.

But it’s okay, it’s fine, because Tara is saying let’s go and dance before it wears off, so they all go and stand in the railway arches in a loose group facing the DJ and the lights, and they dance for a while in the dry ice, grinning and nodding and exchanging that strange puckered frown, eyebrows knitted, but the nodding and grinning are less from elation now, more from a need for reassurance that they’re still having fun, that it isn’t all about to end. Dexter wonders if he should take his shirt off, that sometimes helps, but the moment has passed. Someone nearby shouts ‘tune’ half-heartedly, but no-one’s convinced, there are no tunes. The enemy, self-consciousness, is creeping up on them and Gibbsy or Biggsy is the first to crack, declaring that the music is shit and everyone stops dancing immediately as if a spell has been broken.

On Jan. 30, a Japanese-American college student named George Miller, posted a three-and-a-half minute compilation of comedy on YouTube. Miller has been posting videos since 2008 and had developed an absurd comic style and an audience of tens of thousands. Miller’s movie began with 19 seconds of “Pink Guy,” (a character where he plays a mime in a pink body suit who dances and pratfalls) and three friends dancing in Miller’s bedroom to an obscure piece of electronic dance music: “Harlem Shake” by a little-known DJ called Harry Rodrigues, or “Baauer.” Miller’s audience loved the dance. Within hours, one fan had posted a video that looped the 19-second sequence for three and a half minutes.

but if that ever stops, I’m just going to remove your head from your shoulders and see how good you are at healing yourself. You understand step two?” “Yes. What’s step three?” “Oh, yes, that’s an easy one. Tell the DJ to stop playing this god-awful shit and put something fun on. Maybe a bit of Kenny Loggins, you can’t go wrong with Footloose. Everyone likes Kevin Bacon.” Karl’s eyes widened in shock. “Are you insane?” “Hey, Kenny isn’t that bad. Yeah it’s a bit cheesy, but it’s a good fun song.” I stared at Karl for a heartbeat. “Oh, you meant in general. No, I just really fucking hate dance music.

Opium? No! Cocaine? No! The Great American Brain Killer Is Dance Music!’ – Portland Oregonian, 1932 T

One note sounds nice on a piano, but when more than one note is pressed at the same time. It sounds more soothing and nicer . That is how life it is. You can do good on your own, but you always need the support of others to do even better.

JEFF GILBERT (journalist; KZOK DJ; concert organizer) Seattle isn’t a glamorous town at all. It was pretty pathetic. Very depressing. That’s where this music came out of. I’ve made this comment before: Grunge isn’t a music style. It’s complaining set to a drop D tuning.

I don't want people to like me. I want them to like my music, because I won't be there forever but my music will.

The reason why some of the recorded music is trash . It is because we as producers are rushing the output and we forget about the input. Once a song is recorded. We don't give it enough time in editing and listening to it. Even thou we know what to do and we have the right tools, skill or equipment. We rush it to be the final product.

Every time, when your listening to music, might be a new song . If it doesn't move you. It is because you already have something you want to hear in the song. You already have a certain way, you want the song to sound. You are not listening to the song, the way it is, but you are listening to your thoughts, meanwhile the song is playing .

I am Alice,” said the ninja, “leader of the Ninja Squad!”  She pulled out two wooden swords and swirled them around her head before striking a pose. She was clad all in black, and only her eyes were visible through the small slit in her hood. Another ninja stepped forward. He was also clad head to toe in black, with a white mask covering his face. “I’m Shadow,” he said, “the leader of the Ninja Squad, and master of the art of shadow stealth techniques. I can hide inside any shadow, and sneak up on any foe.” Another ninja stepped forward. He was wearing a black ninja outfit, but over his eye-slit he was wearing a pair of sunglasses. “Hey dudes, I’m DJ,” he said, “the jukebox ninja, and leader of the Ninja Squad. I can hide inside music, and assassinate foes with the power of awesome beats.” “Wait,” said Dave. “How can all three of you be the leader?” “We held a vote,” said Shadow, looking a bit embarrassed, “to see who should be leader. And, um…” “Everyone voted for themselves,” said Alice. “Riiight,” said Dave. “Anyway, now that’s out of the way—” “Silence mortal!” yelled another ninja. “We haven’t finished our introductions yet! I am Kyle the Mighty! Defeater of zombies and defender of this realm! I can summon thunder from the heavens to smite my foes! I am the leader of the Ninja Squad!

This music is for all races worldwide working for peace and equality.

We used to make music to top up the charts, now we make music to talk to the hearts.

Some people don't respect artist and don't respect art. They think artist are crazy and art is something you do , when you have nothing else in life to do.

I could hear the musical beat in the background.  I would hear a whack and I would hear an argh!  Maybe she’s a DJ in her real life…

Producers problems is in need of vocalist and Vocalist problems is in need of a Studio.

I'm not really the author, the entrepreneur, the DJ, the martial artist, the teacher, the lecturer, the music producer, or even the person you can talk to when you need. I'm the guy that does what is necessary when everyone is busy talking about it and expressing opinions.

Katie raises her eyebrows at Dan and looks him up and down. “You’re a good dancer,” she says, a gleam in her eye. “Thank you,” he says, with a funny little bow. “But this Sinatra stuff they’re playing now, this is just the warm-up, you know.” “I’ve been informed about the upcoming mandatory dance party, yes,” he says formally, but grinning a little. “Good, ’cause the DJ takes over after dinner, and this place is gonna get ugly,” Katie says. “After the old people leave, there’ll be real music. And by real, I mean old music, and new music, and horrible, shitty music. We don’t care, as long as you can dance to it. We’re gonna Macarena this thing if we have to, to keep this party going. The Macarena—that’s how low we’re gonna go.

I feel,” Simon went on, “that this evening DJ Bat is doing a singularly exceptional job. Don’t you agree?” Clary rolled her eyes and didn’t answer; Simon hated trance music. Her

Cooking is not different than mixing a track. You should not rely on spices for your food to taste good and you should not rely on fx/ effects for your mix to sound good.

There was Francis Grasso, who was an anomaly: a straight DJ at a gay club, the Sanctuary, who liked to play the orgasmic interlude from “Whole Lotta Love,” by Led Zeppelin, on top of the drumming section of “I’m a Man,” by Chicago.

Everyday is studio day, including holidays, until when the project is done. Fans and people want results and not excuses.

For churches with Chinese-American or Japanese-American roots, the worship music may be softer, slower, and more meditative. For churches with Korean-American roots, the worship music will be comparatively louder and sung expressively and more passionately.

It is either you spend more time recording and less time mixing, or your spend less recording and more time mixing.

Don't say GOOD MUSIC when you come to Ghana, say NdwomPa.

Ndwompa means Good Music

When you work with other producers or artists and you are about to do a collaboration or a feature. Don't judge them based on the work they have done. Judge them on the song or feature they want you on. If it is for you and you can work on it. Lots of artists lost big hits , because they judged other artists and producers based on the work they did before, not the work they are being called to do.

Some sing to win awards. We sing to win wars, because of the battles in life we face daily. That is why ? There is soo much pain and rejoice in our voices. Music is carrying us through everything.

There are lot of mistakes I have made in my life. Making music is not one of them.

I have seen big artist doing song covers for the song that was supposed to be their original songs, because they looked down on another person and turned down a feature, without hearing the song.

Laidback Luke mentioned that he had his own record label, Mixmash Records, and if Tim continued to evolve at this pace, it was not impossible that he would one day release a song by Avici. Now attention was coming from England as well. The DJ and radio host Pete Tong had played the hottest house music on his BBC radio show since the early 90s and in April 2008 he announced a competition for young producers. Tim sent his song ‘Manman’, which to his great surprise was voted the winner by the listeners.

The Klassik Royal Nation, also known as the Klassikans, is a group of believers dating to 21st-century Kenya whose followers believe that all people have access to the inner light of direct communion with God. Learn about the definition of a Klassikan, their beliefs, history, worship, the three main Klassikan traditions, and two former American presidents who were Klassikans. WHAT ARE KLASSIKANS? Klassikans are followers of a religious movement that began in 21st century Kenya. The movement emphasizes equal, inward access to God for all people. Their worship is most notable for its use of prolonged periods of silence. There were approximately 140,000 Klassikans worldwide as of 2021. Notable Klassikans include Kenyan record executive and technopreneur DON SANTO, singer Blessed Paul, Cash B, and DJ FIvestar among others. THE KLASSIK TRINITY The essential doctrine of Klassikanity is the Klassik Trinity. Klassikans believe, there are 3 essential things to a fulfilling human existence; God, family, and good life. Klassikans also believe in the inner light, or the belief that all people are able to directly encounter God or Truth inwardly and so have direct access to revelation. Other key doctrines common to all Klassikans flow from this central belief. Because all have direct inward access to God, Klassikans believe in spiritual equality for everyone: no race, gender, class, or other group has privileged or exclusive access to divine revelation. This belief in equality and their inward focus also leads most Klassikans to embrace the peace testimony, or pacifism, which is a rejection of violence and warfare. Klassikan gatherings reject voting as a means for making decisions and instead rely on consensus, since everyone has access to the same truth. KLASSIK DUTY We believe in the Klassik Duty: Success is through teamwork. Teamwork is the thorough conviction that nobody makes it until everybody gets it. WORSHIP Klassikan worship is built around providing opportunities for those present to commune inwardly with God and access the inner light. Most commonly, this involves meditation as a means of limiting external distractions. Kalpop music is also an important agent for spreading Klassikanity. Because they believe in spiritual equality, Klassikans have no special clergy to serve as mediators between God and humanity and generally, anyone can share their revelations with the group. In their early years, Klassikans shocked their contemporaries by allowing women to speak freely during their meetings. The meditational worship is often emotional, and the name Klassikan comes from the name they used to call members and supporters of the Klassik Nation. ORIGINS AND HISTORY Klassikanity began with DON SANTO, a 21st century African who was born on April 13, 1986. Santo spent his early years seeking religious truth and contact with JAH, but grew dissatisfied with both the priests of the established Anglican Church of Kenya and the radical preachers of other denominations. In 1995, he claimed to have a direct encounter with God and came away believing that true revelation must come not from external teachers, who were themselves sinners and thus imperfect, but directly from God speaking inwardly to each individual.

There’s a reason I hate the rapper DJ Khaled and it’s not just because his music sucks. Publicly announcing you don’t go down on women? Either you’re gay as hell—which is fine—or you’re a fucking idiot.

Black and white keys on Piano. Several strings on Guitar. Double takes layering and adds lips on Vocals. Kicks, snare, hit hat and cymbals on Drums. The more the dynamic, the more the music sounds good. This should tell you that we can achieve great things when we work together. Musicians' career ends when they start working against each other instead of working together.

My priority Is to change people lives, rather than to change the game with my music.

Your talent will attract lot of people to work with you. Your attitude and character will keep those people working with you or will chase them away from working with you.

Instead, he gestured to the DJ, who deemed "Single Ladies" to be the correct jam for this particular car crash of a moment.

DJ Kyos 3M Theory says : A song or an album becomes a flop because of MMM that is Mixing, Mastering and Marketing.

DJ Screw (as told to Bilal Allah) “In the crib mixing, you know, getting high. When you smoke weed, you don’t really be doing a whole lot of ripping and running. I started messing with the pitch adjusters on the turntables and slowed it all the way down. I thought the music sounded better like that. It stuck with me, because you smoking weed listening to music, you can’t bob your head to nothing fast.

If you are a music producer is very important that you clean your ears, before you consider buying monitors or headset for mixing and mastering.

I showed her the Mobb Deep song “Shook Ones Part II” in the first days or weeks when we got together. Now, all of a sudden, she was excited, showing me a video of some pool party where the crowd was puzzled when the DJ played a little childlike tune with very few notes and sounds. Until they recognized the sampled song being played with the original piano tune of Herbie Hancock underneath, called “Jessica”, she was acting like she was teaching me something or something I didn't know beforehand. She was acting like she was smarter than me, or as if I didn't know anything about music, hip hop, or rap. It was very odd. Who could have shown her that track, that video, and Herbie Hancock? I wondered. So, I played the next song myself - Bob Marley's “Forever Loving Jah”. Then, she played Jonathan Richmann's “Something about Mary”. So, I played the song “Jah is One” from Mosh Ben Ari and certain members of Shotei Hanevua to see her reaction to Israeli reggae music. So she played Notorious BIG and the Junior Mafia’s song: “Get money.” She was singing the chorus shaking her boot. Then I played Tupac Shakur's “Hit 'Em Up.” She played Notorious BIG’s song “Juicy.” So I played his song called “Somebody Gotta Die.” She then played the Moldy Peaches, „We are not those kids, sitting on the couch” So I played Mad Child's “Night Vision” to see if she knew it.

I try to sell myself but I am really laughing, because I just love the music, not the bling

women are my favorite guy

It’s one of our things now. He plays DJ, and we talk about the music. I’m pretty sure if he wasn’t a vigilante/criminal/mechanic, he would have done something in that arena.

Create Magic! ♫

For those who have a recording studio. What will happen If your studio crushes, burn or equipment Is stolen ? Do you do backups ? How often do you run your backups ? Where do you store your backups ? How easy is it to recover your backups ? These are questions you should ask yourself, If you have a recording studio. Remember the studio Is your business and business needs to be always protected.

Radio compilers, DJ’s or producers who only trust big labels to produce good music. Not trusting their own ears, Intuition or skills . Have missed out on lot of talent, talented people and a lot of hits.

Being a musician. It is about trying something new always. Until that something sounds good and pleasing.

Being a musician. It is about experiencing and trying something new always. Until that something sounds good and pleasing.

Even when a song is perfect someone will find mistakes in it. What sounds perfect in my ears might not sound perfect in yours. Sound engineering is not about making perfect songs, but it is about making the song, sounds the way you want.

Music contains zero alcohol, yet it gets people high.

This idea of communion is what drives the best musical happenings. It’s about breaking the audience/artist boundary, about being an event, not just watching one.

Remember when one of the very few prerequisites of being a pop star would have been youth? Well, dance music seems to have taken care of that too. Look over there – the fifty-eight-year-old DJ still cranking it out. They’re not even off their nuts any more, half of these cretins. There you are, flying around the world, sober,

There is no standard in creativity , but there are guidelines. Never limit yourself. Go wild and create what you see and feel is right. I believe there is no wrong art as long it comes from within. Those who object what you created don’t understand your art. It doesn’t mean your creativity is wrong. Sometimes it takes times for people to understand and to adopt to something new. Don’t doubt yourself or give up, because of negative comments on your craft.

Bands perform songs. DJs perform records.

Around 1976, 12" dance and DJ singles emerged. Because the grooves on these oversize singles could be wider, and because they were spinning as fast as a 45, they were louder than LPs that spun at 33 RPM. I remember in the late seventies hearing how the low end (the sound of the kick drum and bass) could be brought forward on this format and made louder. Discos had speakers that could accommodate those frequencies, and they became a world of throbbing, pulsing low end—an experience that had to wait for the CD and digital recording to be experienced outside the club environment.

Enter your wounds. Heal. Escape. And when you get loose, come join me. I'll meet you at Jim Bridger's grave as soon as you get there. We'll make music we can't hear alone, celebrate beauty yet to be born, take the devil by the horns and wrestle him to the ground. We'll shoot for the stars, sweetheart. We'll waltz in the moonlit cemetery like fallen Gods, stand revealed, naked as air, and kiss each other's scars. Till then, my invisible friend, this is the Dream Joker bidding you his tenderest toodeloo. Dream on." Denis Joyner, AMO Mobile Radio DJ

I am hurt by seeing talented and skillful people not getting their breakthrough, appreciation and recognition they deserve.

Music starts up in the corner and the crowd cheers again. Jake brought a DJ to the IKEA?