Divorce Poems And Quotes

The sun still lives his silent vows to the moon, by bowing to kiss her feet whenever she walks in the room.

The actuality that the heart does not want to feel, doesn't negate the certitude that it once felt and will still feel.

No matter the disappointment, you simply cannot divorce your favorite team.

He remembers which sister I like least and asks how she is doing. (lines 9-11 of the poem 'Divorce')

You are the remedy of intensity i need in my life, to spin me out of the miserable monotony of working on life's daily assembly lines.

You play me with your jazz & leave me with the blues.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

It burns, I know. It burns now, now that the story is over, now that the daybreak is liquid, now that my knees don't creak anymore and the leaves are blowing and the highway is humming, and a few extra pounds is not a terminal diagnosis. It burns in me too healing me but the ache is not for you. It's for my passion. That used to be your name. And it's sad, really. The sting of too little too late.

The decision to be together should be unconditional. It should not be only if you love me, if you are sweet to me, if you are this and that to me – no. It is to be together whatsoever – sometimes sweet and sometimes very salty; sometimes very beautiful and sometimes a monster. Once you understand that, you have come to a mature love, otherwise love is only baby love. Small school children fall in love. They think in poetry and romance, and write poems and beautiful letters, but that’s all childish. They don’t know what life is going to be. It is a hard struggle. Because love is one of the most precious jewels, the struggle is very very hard. Only very few people achieve it.

My surname for a mask to pretend! I have no stand to protest, but I will find it" (in the poem 'Tatiana Naturova at Time's End' in the collection 'The Green Divorce')

They’d apparently decided to end a dedicated, seven-year relationship over honey walnut shrimp.

I had no cause to be awake, My best was gone to sleep, And morn a new politeness took And failed to wake them up, But called the others clear, 5 And passed their curtains by. Sweet morning, when I over-sleep, Knock, recollect, for me! I looked at sunrise once, And then I looked at them, 10 And wishfulness in me arose For circumstance the same. ’T was such an ample peace, It could not hold a sigh,— ’T was Sabbath with the bells divorced, ’T was sunset all the day. So choosing but a gown And taking but a prayer, The only raiment I should need, I struggled, and was there.

I can’t divorce Kent and his art from what causes pain in Kent’s life. This is true in the lives of many individuals labeled ADHD. Their greatest gifts are interwoven with their greatest weaknesses. This might be true for all of us. But we can make something beautiful from this paradox. Our lives can sometimes be a sort of poem—part genetics, part individual adaptation.

In order to understand how engineers endeavor to insure against such structural, mechanical, and systems failures, and thereby also to understand how mistakes can be made and accidents with far-reaching consequences can occur, it is necessary to understand, at least partly, the nature of engineering design. It is the process of design, in which diverse parts of the 'given-world' of the scientist and the 'made-world' of the engineer are reformed and assembled into something the likes of which Nature had not dreamed, that divorces engineering from science and marries it to art. While the practice of engineering may involve as much technical experience as the poet brings to the blank page, the painter to the empty canvas, or the composer to the silent keyboard, the understanding and appreciation of the process and products of engineering are no less accessible than a poem, a painting, or a piece of music. Indeed, just as we all have experienced the rudiments of artistic creativity in the childhood masterpieces our parents were so proud of, so we have all experienced the essence of structual engineering in our learning to balance first our bodies and later our blocks in ever more ambitious positions. We have learned to endure the most boring of cocktail parties without the social accident of either our bodies or our glasses succumbing to the force of gravity, having long ago learned to crawl, sit up, and toddle among our tottering towers of blocks. If we could remember those early efforts of ours to raise ourselves up among the towers of legs of our parents and their friends, then we can begin to appreciate the task and the achievements of engineers, whether they be called builders in Babylon or scientists in Los Alamos. For all of their efforts are to one end: to make something stand that has not stood before, to reassemble Nature into something new, and above all to obviate failure in the effort.

At our wedding, our college creative writing professor read a poem—John Ciardi’s “Most Like an Arch This Marriage.” It’s a poem about imperfection, about being more together than we can be on our own: “Most like an arch—two weaknesses that lean / into a strength. Two fallings become firm.” Being married isn’t being two columns, standing so straight and tall on their own, they never touch. Being married is leaning and being caught, and catching the one who leans toward you.

And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat. Hadn't my own mother told me that as soon as she and my father left Reno on their honeymoon—my father had been married before, so he needed a divorce—my father said to her, "Whew, that's a relief, now we can stop pretending and be ourselves?"—and from that day on my mother never had a minute's peace. I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.

On the other side of that big-ass mirror, a video camera was watching us. In about ten seconds, it was going to start spitting static at itself, and everything it saw was going to break up into a fuzzy, gray-white wash, rolling up and down, that wouldn’t be admissible as evidence on Judge Judy. Those missing frames would last a little less than a quarter of a minute, consolidate themselves back into a semblance of reality, and then I would theoretically go walking right back out of here. Between now and that moment, there stretched an infinite ocean of potential time. Time enough to walk around the world. Time enough to fall in love, get married on a white beach under purple stars, write a book of poems about truest passion, have a few good and bloody screaming matches, get divorced in a court of autumn elves and gypsy moths, then set the ink-stained, tear-streaked pages of your text ablaze.

When my mother dies, I will lead her like a dog into the space between our walls, which is just like the space between here and always, the king and the kingdom. I will lead her by the hand if she be blind, and I will wag my tail against her knees if she be afraid, and I will leave her at the gate. Life on earth will, in some ways, be easier. I will not have to return her phone calls. I will not have to feel guilty when I want to hear no more, no more about the divorce. I won’t cry though I will want to cry though I will hate myself for not crying. When my mother dies, if I am still alive, I will slouch on my knees as though in prayer, I will write one or two poems, and I will no longer think of her.

In today’s world it’s easy to lose track of time & otherwise get caught up in what’s going on. So many families split up, so many loved ones Lose track of who they are. Why they came together. Divorcing a memory they can never truly run away from. In today’s world it’s a blessing to know you. To get facial recognition & assurance with your every smile. Not every moment can be as perfect as we expect it, Yet we are appreciative and try not to take the moment For granted. Just as the saying goes, “Not everyone knows what They have.” It’s those refreshing moments that remind us Of God’s praise. Not at all excusing us for the times we become Absentees when we’re needed most, or simply lose track Of time, there are so many things that factor into who we are,Our upbringing, things we experience, The shapeless void Of a missing father. While that effect is monumental, we respond without responding. Silence sometimes the most powerful form of toxicity In response to communication. In today’s world it’s not that uncommon, placing something else Instead as priority, forgetting the bigger if not biggest issue. For better or worse, the most memorable part of any union. We take it at face value forgetting that we’re all kids at some point Or another. It’s not impossible to revert back as we’re all human At the end of the day. That doesn’t at all excuse us for the times we aren’t present, not just for ourselves. But for our partners, our friends, our families the priority of accepting love as a walking and breathing testimony. Our hands the door of faith, as we journey to the alter our lips Have formed.In today’s world it’s a blessing to know you & to get facial recognition As well as reassurance every time I look at you. No matter how much we mumble or grumble. I am forever grateful to have met the love of my life. Everything I’ll ever need no matter how much time passes. You’re all I’ll ever need

The Last Time I Hit My Daughter Little Wind was 5 and I was a broken man ruined by divorce and barely alive in one tiny room of a boarding house, hating what I had become. One day I swatted Little Wind on her belly And ordered her into the hall; dumb with old sorrows, I closed the door. Horror instantly vanquished rage. I opened the door and she stood there straight and unflinching, old in her age, she was the noblest human being I ever saw. On my knees there my life changed, ceased falling, raised good bread from damaged yeast.

The first time I fell in love The first time I fell in love is when you read my poetry in front of me in an Upper West Side coffee shop. I watched your facial expressions change by the second and loved your smile of anticipation as you turned the page to read my next poem. The clincher was when you said, "You should do nothing but write. I will support you." As it turned out, I put down my writing for 16 years to support you and build a family. You're gone. I'm justanother American 55% divorce casuality. But thanks for that sweet sentiment, the coffee and the two kids.

Holy Sonnet XIV Batter my heart, three-person’d God; for, you As yet but knock, breathe, shine, and seek to mend; That I may rise, and stand, o‘erthrow me, and bend Your force, to break, blow, burn and make me new. I, like an usurp’d town, t’another due, Labour to admit you, but oh, to no end, Reason your viceroy in me, me should defend, But is captiv’d, and proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betroth’d unto your enemy: Divorce me, untie, or break that knot again, Take me to you, imprison me, for I Except you enthrall me, never shall be free, Nor ever chaste, except you ravish me.

This poem we’re going to read is called ‘The Empress of Nowhere,

5 voices: Handel's harpsichord pieces + T (thought) + D (drama) + S (story) + P (poem) T: And it is possible in imagination/// to divorce speech of all graphic elements,/// to let it become a movement of sounds. D: I came thru there (points finger downward, moves his head negatively from side to side) My mother hit her mother?/// (falls to the floor in a fit)/// (rises, limp,) S: This story was a story of our time./// And a writer's attempts not to fathom his time/// amount but to sounding his mind in it. P: Blest / infinite things / /// So many / Which /// confuse imagination / Thru its weakness,

Some "hello" are themselves goodbye. You hear, you see, you feel. But still... Hello, you say. Welcome. Even knowing it's going to end. Besides, endings are better than beginnings. You know the beginnings. What you don't know... I am the poet in this story, the poem is you. I'll make you up in a minute. And you will become flesh and blood again. You will come as you are, and you will go with the version in me.

We prayed for seven days. But, by the last day, we still needed more days to pray. On the first day we prayed well by the well. We prayed for strength and to be saved from hell. Strength to carry and bear the weight of the bear. The furless bear that was living rent-free within. On the second day we prayed for union and companionship. In that unionship, some told us to alter ourselves to benefit from their gold. Some told us to worship at their alter, and to their forbidden gods. Some gave us bands, while some gave us rose stems. But they all promised us a life full of bliss, and concerts to see bands like Kiss. On the third day we prayed for courage and strength. We thought that we needed to lean on to some friends. We begged to rest our lean bodies on their shoulders. We said that we needed a match in which we could meet our match. We asked for a cover to cover up and shield us; providing a shield from the storms of life. On the fourth day we prayed for assertiveness and self-esteem. But, like a bow without its own direction, we jumped as high as they told us. And gave a bow after each and every performance. We skipped and hopped for everyone despite their lies. In fact, we also skipped all the steps necessary to living full lives. On the fifth day we prayed for security and protection. But some betrayed and beat us because we intimidated their situation. And some became deadbeats to the children that we bore for each. We were left beat, with no fun. Missing the beat to the sound of our own drum. On the sixth day we prayed for solitude; some space from an alliance. But we went on to perform for this and that audience. Some were fair skinned; some were dark skinned. Some were fair to us, while some were cruel too much. But we remained amongst them because we chose to be one with copendence. On the seventh day we prayed for bravery. But our conduct had changed gravely because, for six days, we'd invited others to conduct our song. We'd geared up for them and shot arms at ourselves for so long. Meanwhile they'd raised their arms up, cheering for our self-destruction. And, once we were doomed in their mission, they bounced like a wave; vanishing without a wave.

When my mother dies, I will lead her like a dog into the space between our walls which is just like the space between here and always, the king and the kingdom. I will lead her by the hand if she be blind and I will wag my tail against her knees if she be afraid. And I will leave her at the gate. Life on earth will in some ways be easier. I will not have to return her phone calls. I will not have to feel guilty when I want to hear no more, no more about the divorce. I won't cry though I will want to cry, though I will hate myself for not crying. When my mother dies if I am still alive, I will slouch on my knees as though in prayer. I will write one or two poems. Then I will no longer think of her.

ANNA LÆTITIA BARBAULD. 3. Life. Animula, vagula, blandula. Life! I know not what thou art, But know that thou and I must part; And when, or how, or where we met, I own to me's a secret yet. But this I know, when thou art fled, Where'er they lay these limbs, this head, No clod so valueless shall be, As all that then remains of me. O whither, whither dost thou fly, Where bend unseen thy trackless course, And in this strange divorce, Ah tell where I must seek this compound I? To the vast ocean of empyreal flame, From whence thy essence came, Dost thou thy flight pursue, when freed From matter's base encumbering weed? Or dost thou, hid from sight, Wait, like some spell-bound knight, Through blank oblivious years the appointed hour, To break thy trance and reassume thy power? Yet canst thou without thought or feeling be? O say what art thou, when no more thou'rt thee? Life! we've been long together, Through pleasant and through cloudy weather; 'Tis hard to part when friends are dear; Perhaps 'twill cost a sigh, a tear; Then steal away, give little warning, Choose thine own time; Say not Good night, but in some brighter clime Bid me Good morning. 1825 Edition.

Don't be afraid to explore your creative space!

Life Cycles by Stewart Stafford From fair youth’s day, To dark-spotted age, The blooms of May, Usher out winter’s sullen maze. When the bars of the juvenile cage are splayed, And our stars have run their course, The debt of carefree times gets repaid, As we from this earthly plain divorce. We crawl to walk and stoop alone, As the dead remain uncured, Until Time grants us further loans, Immortality is a bloodline secured. © Stewart Stafford, 2021. All rights reserved.

Then the drawing on the label of our favorite red wine looks like my husband, casting himself off a cliff in his fervor to get free of me.

I feel like a landscape, a ground without a figure.