Disturbed Band Quotes

We've searched our database for all the quotes and captions related to Disturbed Band. Here they are! All 36 of them:

Michael leaned in, his voice turning low and heavy. “And how about me?” I swallowed, still studying my drink. What song described him? What band? That was like trying to pick one food to eat for the rest of your life. “Disturbed,” I said, naming the band and still looking down at the glass. He said nothing. Only remained still before finally sitting back and tipping his drink up to his lips. Butterflies swarmed in my stomach, and I kept my breathing even. “Drowning Pool, Three Days Grace, Five Finger Death Punch,” I continued, “Thousand Foot Krutch, 10 Years, Nothing More, Breaking Benjamin, Papa Roach, Bush…” I paused, exhaling nice and slow despite the way my heart drummed. “Chevelle, Skillet, Garbage, Korn, Trivium, In This Moment…” I drifted off, peace settling over me as I looked up at him. “You’re in everything.
Penelope Douglas (Corrupt (Devil's Night, #1))
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
Frederick Douglass (Narrative of the Life of Frederick Douglass)
The fact is, the primary way that Ottawa and Washington deal with Native people is to ignore us. They know that the court system favors the powerful and the wealthy and the influential, and that, if we buy into the notion of an impartial justice system, tribes and bands can be forced through a long, convoluted, and expensive process designed to wear us down and bankrupt our economies. Be good. Play by our rules. Don't cause a disturbance.
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
One thing late or early can disrupt everything around it, and the disturbance runs outward in bands like the waves from a dropped stone in a quiet pool.
John Steinbeck (East of Eden)
Isabel's infamous tweets ranged from the cartoonish and impossible: Im going to pull ur tongue out of ur mouth wrap it around ur neck n strangle u w it so hard ur eyes will pop out. i will pee in the sockets. To the quaint: Get ur fcking hands off him bitch i will cut u. #RupertLIsMine To the cryptically disturbing: I watch u in your sleep. I would never condone Isabel's scary tweets, but you had to give the girl credit for managing to stay under 140 characters every time.
Goldy Moldavsky (Kill the Boy Band)
Publicity in itself, of whatever nature, connotes a disturbance of the natural equilibrium of a man. Under normal circumstances, the name a human being bears is no more than the band is to a cigar: a means of identification, a superficial, almost unimportant thing that is only loosely related to the real subject, the true ego. In the event of a success the name begins to swell, so to say. It loosens itself from the human being that bears it and becomes a power in itself, a force, an independent thing, an article of commerce, a capital asset; and psychologically again with strong reaction it becomes a force which tends to influence, to dominate, to transform the person who bears it.
Stefan Zweig (The World of Yesterday)
In our twenty-first century world, the terms "genocide" and "ethnic cleansing" sit uneasily in the mind, associated with some of our darkest and most disturbing thoughts about human nature. They conjure Darfur, Serbia, Cambodia, and Pol Pot, and, most vividly of all for many of us, the horrors in Europe before and during World War II. "Species cleansing," on the other hand, is not a term that falls readily to hand, although we have engaged in it without much remorse for at least 10,000 years and probably more. Be it North American mammoths, driven to annihilation ten millennia ago by bands of a near-professional hunting culture known as Clovis ... to passenger pigeons and ivory-billed woodpeckers ... in twentieth century America, humans are ancient veterans of the art of species cleansing, ...
Dan Flores (Coyote America: A Natural and Supernatural History)
At This Moment Of Time Some who are uncertain compel me. They fear The Ace of Spades. They fear Loves offered suddenly, turning from the mantelpiece, Sweet with decision. And they distrust The fireworks by the lakeside, first the spuft, Then the colored lights, rising. Tentative, hesitant, doubtful, they consume Greedily Caesar at the prow returning, Locked in the stone of his act and office. While the brass band brightly bursts over the water They stand in the crowd lining the shore Aware of the water beneath Him. They know it. Their eyes Are haunted by water Disturb me, compel me. It is not true That "no man is happy," but that is not The sense which guides you. If we are Unfinished (we are, unless hope is a bad dream), You are exact. You tug my sleeve Before I speak, with a shadow's friendship, And I remember that we who move Are moved by clouds that darken midnight
Delmore Schwartz
Not that he was a fool. No, the book was full of insight. Disturbing insight. The Lord Mistborn advocated gathering the Metalborn who were elderly or terminally ill, then asking them to sacrifice themselves to make these … spikes, which could in turn be used to create individuals of great power.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Toward the end of our sessions, Daniel and Peter spotted an undertaker polishing an old hearse while visiting the nearby village of Monmouth. It was love at first sight, and we ended up buying the poor old jalopy. After celebrating the purchase of this new Bauhausmobile, Peter decided to take the studio owner's daughter and her girlfriend for a spin down the unlit winding country roads of the Wye Valley. Drunk to the gills, he ended up driving the crate into a ditch. Despite this incident, and much to the chagrin of our manager, Harry Isles, this clapped-out crate became the band's official touring vehicle. It was constantly breaking down, and over time, many motorists would be entertained and possibly quite disturbed by the sight of four black-clad, corpse-like figures pushing their funereal conveyance down the highways and byways of Great Britain.
David J. Haskins (Who Killed Mister Moonlight?: Bauhaus, Black Magick and Benediction)
There was pride in it, and relief too. The split second has been growing more and more important to us. And as human activities become more and more intermeshed and integrated, the split tenth of a second will emerge, and then a new name must be made for the split hundredth, until one day, although I don’t believe it, we’ll say, “Oh, the hell with it. What’s wrong with an hour?” But it isn’t silly, this preoccupation with small time units. One thing late or early can disrupt everything around it, and the disturbance runs outward in bands like the waves from a dropped stone in a quiet pool.
John Steinbeck (East of Eden)
Through a gap in the trees he could see the valley far below him where the river ran, a cauldron in the mountain's shadow where smoke and spume seethed like the old disturbance of the earth erupting once again, black mist languid in the cuts and trenches as flowing lava and the palisades of rock rising in the high-shored rim beyond the valley-and beyond the valley, circling the distant hoary cupolas now standing into morning, the sun, reaching to the slope where the old man rested, speared mist motes emblematic as snowflakes and broke them down in spangled and regimental disorder, reached the trees and banded them in light, struck weftwork in the slow uncurling ferns-the sun in its long lightfall recoined again in leafwater.
Cormac McCarthy (The Orchard Keeper)
So what's going on with you and your boyfriend?" Eli asked me right before he shoved a forkful of eggs into his mouth during breakfast the next morning. I made a face in the direction of my plate before shooting a glance upward to find Gordo’s eyes on me, a smirk on his face. "Mason?" I asked, going back to my food. Eli made a gagging noise, elbowing me hard in the ribs. "I'm not gonna go into details on how disturbing it is that I say ‘your boyfriend’ and you automatically think of fucking Mase." "He's always calling me his wife, or telling people I don't know that we're getting married," I replied, elbowing him back as hard as he got me. It was partially the truth… but mostly, I didn’t want to talk about the man who had been kissing my shoulder hours ago. "I love Mase, but it'll be a sunny day in my asshole before you and him get together," he mumbled. I snorted, biting into my biscuit. "Who the heck else would you be talking about?" I asked, but I knew. Oh, I knew damn well he was referring to Sacha. Freaking Gordo snickered from across the table before putting his hands up in surrender when I glared at him. "I didn’t say anything." "Sacha, Flabby. Sacha. Your boyfriend. Your snuggle bug." Eliza finally answered. Suddenly the half-eaten biscuit on my plate needed to be eaten immediately. I shoved the entire piece into my mouth to avoid the conversation my brother was trying to edge into. I'd had talks about boys with Eli in the past, and they never ended—or started—well. "There's nothing going on between us. We're just friends." Because we were. Eli made a noise that sounded like “hmmph” deep in his throat. It was incredulous and disbelieving. Then he asked the question to prove it, his attention back on his band mate. "Gordo, do you think I'm blind?" Gordo shook his head. "Gaby, do you think I'm blind?" he asked. "Not blind, just dumb.” I smiled. He shot me a frown. A moment later, he threw his arm over my shoulders and started shoving his plate away with his free hand. "Flabby Gaby, that kid is in love with you." In love. With me? I leaned forward and tried to sniff his breath. “Are you still drunk?” But my brother kept talking before I could keep going. "Anyone with eyes and ears knows that guy thinks you shit out Lucky Charms." Gordo and I burst out laughing. "Is that a good thing?" I asked him. Eliza shoved my face away with his palm, ignoring my commentary again. "And I think that you love him, too." The noise that came out of my mouth sounded like a hybrid “moo” and squawk at the same time. "I—,” I slammed my mouth shut before opening it again with a sputter. “What?
Mariana Zapata (Rhythm, Chord & Malykhin)
The Fable of the Comet and the Moon I have betrothed the O so inconstant moon, with a band of six of Saturn's seven rings, leaving the gas giant's last ring unpilfered as a cosmic lagniappe. The astrological charts cautioned me against such a star-crossed marriage, but I, being a headstrong comet hung with an enormous tail, and impetuous Luna, being a headlong stellar slut (satellites known to be as submissive as Asians for the right price), well, we both threw caution to the solar winds. Our wedding proceeded on cycle, with Luna luminescent and draped in silvery white (the craters of her complexion conveniently masked behind a veil of clouds). It was downhill from day one, Luna losing a sliver of herself every night and bit by bit revealing to me her dark side. Luna and I went our separate elliptical ways after a domestic disturbance where I called her a professional tailgater. and she called me a dirty snowball.
Beryl Dov
A new legend swept Oregon, from Roseburg all the way north to the Columbia, from the mountains to the sea. It traveled by letter and by word of mouth, growing with each telling. It was a sadder story than the two that had come before it--those speaking of a wise, benevolent machine and of a reborn nation. It was more disturbing than those. And yet this new fable had one important element its predecessors lacked. It was true. The story told of a band of forty women--crazy women, many contended--who had shared among themselves a secret vow; to do anything and everything to end a terrible war, and end it before all the good men died trying to save them. They acted out of love, some explained. Others said they did it for their country. There was even a rumor that the women had looked on their odyssey to Hell as a form of penance, in order to make up for some past failing of womankind. Interpretations varied, but the overall moral was always the same, whether spread by word of mouth or by U.S. Mail. From hamlet to village to farmstead, mothers and daughter and wives read the letters and listened to the words--and passed them on.
David Brin (The Postman)
In itself all publicity disturbs a man’s natural equilibrium. In normal circumstances your name means no more than the band on a cigar—a means of recognition, an outward object of little importance that is only loosely linked to the real subject, the Self. But in the case of success that name, so to speak, swells to a larger dimension. It frees itself from the man who bears it and becomes a power, a force, something independent, a commodity, capital. And then, with a violent backlash, it turns in on its bearer as a force that begins to influence, dominate and change him. Happy, self-confident natures unconsciously start identifying themselves with the influence they exert. A title, a position, a medal or decoration, and the publicity that now goes with their names can enhance their self-confidence, tempting them to feel that special recognition is their right in contemporary society and their country, and they instinctively puff themselves up to make themselves personally influential in the outside world. However, a man who naturally distrusts himself tends to feel that outward success of any kind makes it his duty, in what to him is a difficult situation, to change as little as possible.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
The future of the world no longer disturbs me; I do not try still to calculate, with anguish, how long or how short a time the Roman peace will endure; I leave that to the gods. Not that I have acquired more confidence in their justice, which is not our justice, or more faith in human wisdom; the contrary is true. Life is atrocious, we know. But precisely because I expect little of the human condition, man’s periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. Peace will again establish itself between two periods of war; the words humanity, liberty, and justice will here and there regain the meaning which we have tried to give them. Not all our books will perish, nor our statues, if broken, lie unrepaired; other domes and other pediments will arise from our domes and pediments; some few men will think and work and feel as we have done, and I venture to count upon such continuators, placed irregularly throughout the centuries, and upon this kind of intermittent immortality. If ever the barbarians gain possession of the world they will be forced to adopt some of our methods; they will end by resembling us. Chabrias fears that the pastophor of Mithra or the bishop of Christ may implant himself one day in Rome, replacing the high pontiff. If by ill fate that day should come, my successor officiating in the vatical fields along the Tiber will already have ceased to be merely the chief of a gang, or of a band of sectarians, and will have become in his turn one of the universal figures of authority. He will inherit our palaces and our archives, and will differ from rulers like us less than one might suppose. I accept with calm these vicissitudes of Rome eternal.
Marguerite Yourcenar (Memoirs of Hadrian)
I will ask here and there. Perhaps some other bands have some captives. Samuel was silent when he heard this translated. The silence lay between them like a delicate invisible structure that no one wanted to disturb. And finally Samuel said that he would withhold all rations until they were brought in, and if not, he had the soldiers at his orders. Jiles, Paulette. The Color of Lightning: A Novel (p. 293). HarperCollins e-books. Kindle Edition.
Paulette Jiles (The Colour Of Lightning)
Joan felt that she would always be haunted and would always suffer that pang for Kells. She would never lie down in the peace and quiet of her home, wherever that might be, without picturing Kells, dark and forbidding and burdened, pacing some lonely cabin or riding a lonely trail or lying with his brooding face upturned to the lonely stars. Sooner or later he would meet his doom. It was inevitable. She pictured over that sinister scene of the dangling forms; but no — Kells would never end that way. Terrible as he was, he had not been born to be hanged. He might be murdered in his sleep, by one of that band of traitors who were traitors because in the nature of evil they had to be. But more likely some gambling-hell, with gold and life at stake, would see his last fight. These bandits stole gold and gambled among themselves and fought. And that fight which finished Kells must necessarily be a terrible one. She seemed to see into a lonely cabin where a log fire burned low and lamps flickered and blue smoke floated in veils and men lay prone on the floor — Kells, stark and bloody, and the giant Gulden, dead at last and more terrible in death, and on the rude table bags of gold and dull, shining heaps of gold, and scattered on the floor, like streams of sand and useless as sand, dust of gold — the Destroyer. ZANE GREY. THE BORDER LEGION (Kindle Locations 4367-4376).
Zane Grey (The Border Legion)
Regardless of how low a person stoops, it is never too late to uncover a redemptive epiphany. Can I mine an inspirational ray of motivation from my darkest thoughts that allows me to confront the commonplace disorders and tragic interruptions of life? What physical, mental, and emotional strumming make up the tinderbox that produces the moral tension that gives meaning to the life of an ordinary person? Amongst the chaos, confusion, and compromises that mark existence, how do we go about understanding ourselves? How do we become in touch with our personal band of raw emotions? Does self-transformation commence by admitting illicit impulses, irrational thoughts, disturbing habits, mythic misgivings, and stinted worldview? Do we learn through deconstructing our maverick experiences or through intellectual abstraction? In order to move forward in life, is it sometimes necessary to dissect ourselves? Would it prove helpful systematically to take apart nightmarish experiences that seemly never let go of a person?
Kilroy J. Oldster (Dead Toad Scrolls)
Risk and mistakes go together, but the general public has limited knowledge of the disturbing facts: •     Medical errors are estimated to cause 440,000 deaths per year in U.S. hospitals alone. It is widely believed that this figure could be grossly inaccurate, because countless mistakes go unreported—death reports offer only the immediate cause, and many doctors band together to protect the reputation of their profession. •     The total direct expense of “adverse events,” as medical mistakes are known, is estimated at hundreds of billions of dollars annually. •     Indirect expenses such as lost economic productivity from premature death and unnecessary illness exceed $1 trillion per year.
Deepak Chopra (The Healing Self: Supercharge your immune system and stay well for life)
The split second has been growing more and more important to us. And as human activities become more and more intermeshed and integrated, the split tenth of a second will emerge, and then a new name must be made for the split hundredth, until one day, although I don’t believe it, we’ll say, “Oh, the hell with it. What’s wrong with an hour?” But it isn’t silly, this preoccupation with small time units. One thing late or early can disrupt everything around it, and the disturbance runs outward in bands like the waves from a dropped stone in a quiet pool.
John Steinbeck
Train schedules are a matter of pride and of apprehension to nearly everyone. When, far up the track, the block signal snapped from red to green and the long, stabbing probe of the headlight sheered the bend and blared on the station, men looked at their watches and said, “On time.” There was pride in it, and relief too. The split second has been growing more and more important to us. And as human activities become more and more intermeshed and integrated, the split tenth of a second will emerge, and then a new name must be made for the split hundredth, until one day, although I don’t believe it, we’ll say, “Oh, the hell with it. What’s wrong with an hour?” But it isn’t silly, this preoccupation with small time units. One thing late or early can disrupt everything around it, and the disturbance runs outward in bands like the waves from a dropped stone in a quiet pool.
John Steinbeck (East of Eden)
If Pulcheria were able to pose as the human embodiment of the Theotokos, in so doing she would be blurring the line between Christianity and the rituals of imperial cult, which had existed since pagan times. This would also raise the disturbing question, whether it was the bishop or the imperial family who had the right to define the nature of Christian piety and liturgical practice. A law of Theodosius II promulgated in 425, for example, reassures those who fail to participate in some public ceremony related to civic cult in order to attend a church service because 'due reverence is paid to the emperor when God is worshipped'. This law reveals that Christian liturgy had now taken precedence over the old civic cult, but it also shows a blurring between the person of the emperor and the person of Christ. One can see why a bishop of Constantinople might have resisted this. Nestorius may have suspected that Theodosius was using Pulcheria to draw the Church even more tightly under the control of the imperial family.
Kate Cooper (Band of Angels: The Forgotten World of Early Christian Women)
At times the Christian scene is more dangerous. Sometimes, we have this Disneyland existence where we all have to pretend to be squeaky clean, yet reality’s not like that. Sometimes things are happening in secret that are not healthy: alcohol problems, pornography, people travelling too much or getting into trouble, but it all gets covered up even though it exists, behind closed doors with the “Do Not Disturb” signs dangling on the outside. If I was hanging out at a mainstream party, I might not agree with what a certain singer of a certain secular band was up to, but at least what you saw was what you got. This sort of honesty was endearing.
Martin Smith (Delirious: My Journey with the Band, a Growing Family, and an Army of Historymakers)
His voice was of a lower pitch and somewhat gravely, very much like the lead singer in a band that called themselves ‘Disturbed’, which made some pretty awesome music about twenty years ago.
Anonymous
I didn’t think you were coming back until later,” he says. He eyes me up and down but not in a creepy way. “Who’s your friend?” he asks. He sticks out a hand to shake, and I take it. “I’m Paul,” he says. He’s huge, and he has even more tattoos than Pete does. There’s another guy behind him. He’s thin and has long, blond hair, and it’s held back with a rubber band at the nape of his neck. “Matt,” he says as he sticks out his hand to shake. Then I notice a guy and a girl sitting on the couch. She’s the blonde I saw at the prison, and she eyes me with the gaze of an antiques dealer, as if she’s looking for all my imperfections. “Emily,” she says with a little wave. “Logan,” she says, as she pats Logan on the chest. He extends his hand, and I take it. But there’s one more, and my breath catches in my throat when he steps out from behind Logan. He looks so much like Pete. He has to be Sam. I look from Pete to Sam and back. “I’m the pretty one,” Sam says. He reaches out like he wants to hug me, but I recoil. I can’t help it. I’ve come a long way, but not that far. “It’s nice to meet you,” he says with a nod. I extend my hand, and instead of shaking it, he lifts it to his lips. His short little moustache tickles the back of my hand. I twist my fingers out of his grip, and Pete glares at him. “Keep your fucking hands off my girl,” he growls. But then he opens his arms, and Sam falls into them. They hug the way men do, with lots of backslapping and murmured words. “I’m glad you’re here,” Pete says. “You called. I came. Like a good big brother.” “Eight minutes,” Pete growls playfully. He drops an arm around my shoulders. “He was born eight minutes before me and he thinks he’s the shit because he’s older.” He coughs into his fist. “Excuse me. I am the shit.” He grins. He looks so much like Pete that it’s almost disturbing. “I think you’re both shits,” Paul says as he goes to fridge and gets a beer.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
This feeling of being isolated from Mick was compounded by him spending most of his time, when he was home, in John and Chris’s kitchen talking band-talk, while I quietly stayed on our side of the house with a baby that might cry and disturb their already shattered nerves.
Jenny Boyd (Jennifer Juniper)
The future of the world no longer disturbs me; I do not try still to calculate, with anguish, how long or how short a time the Roman peace will endure; I leave that to the gods. Not that I have acquired more confidence in their justice, which is not our justice, or more faith in human wisdom; the contrary is true. Life is atrocious, we know. But precisely because I expect little of the human condition, man’s periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. Peace will again establish itself between two periods of war; the words humanity, liberty, and justice will here and there regain the meaning which we have tried to give them. Not all our books will perish, nor our statues, if broken, lie unrepaired; other domes and other pediments will arise from our domes and pediments; some few men will think and work and feel as we have done, and I venture to count upon such continuators, placed irregularly throughout the centuries, and upon this kind of intermittent immortality. If ever the barbarians gain possession of the world they will be forced to adopt some of our methods; they will end by resembling us. Chabrias fears that the pastophor of Mithra or the bishop of Christ may implant himself one day in Rome, replacing the high pontiff. If by ill fate that day should come, my successor officiating in the vatical fields along the Tiber will already have ceased to be merely the chief of a gang, or of a band of sectarians, and will have become in his turn one of the universal figures of authority. He will inherit our palaces and our archives, and will differ from rulers like us less than one might suppose. I accept with calm these vicissitudes of Rome eternal.
Margeurite Yourcenar (Las Caridades de Alcipo y otros Poemas (Coleccion Visor de Poesia, 148))
She drove to San Francisco for them and picked out two simple wedding bands, hers gold and Richard’s platinum. When later asked why Richard told Doreen not to buy a gold ring for him, he said, “Because Satanists don’t wear gold.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
It deeply saddens & disturbs me when I start to see poetry open mics only open to academics & students rather than a poetry mic that is open to the public, welcomes all & everyone, human beings, people of all ages to read their work. It smacks of a bizarre "primitive form of elitism" let alone it degrades the human spirit and sends the false message to kids that to be a professional writer or poet that you have to attend an over-priced college and have some sort of degree. That's like telling a punk rock musician that in order to join or form a band he needs a degree from Julliard. What completely ridiculous & arrogant nonsense. POETRY is for EVERYONE. As it should be.
R.M. Engelhardt (R A W POEMS R.M. ENGELHARDT)
Stay, piccola, I will be home soon, and I will bring Joshua with me. Tell Marie and Stefan all is well. He struggled to keep his voice even so that she would not be afraid for him. Her soft laughter warmed his heart. I'm in your mind, my love. You can't hide your wounds from me. There was the merest disturbance in the air, just a flutter, no other warning. A large raptor landed on the branch above Aidan's head and slowly folded its wings. Aidan should have known another of his kind was close by, yet he hadn't. As it hopped easily from the perch, the bird's form changed, and it was Gregori who landed lightly on his feet. He glided past Aidan to survey the grotesque sight on the ground. "He was good, was he not?" he asked softly. His voice was beautiful, a soothing sound that seemed to seep into Aidan's tired body and renew his strength. Despite his darkness, Gregori brought purity and light with him; it clung to him like the aura of power. "Diego studied with the most evil of the vampires. They began banding together in our homeland, thinking to defeat Mikhail with their numbers. When that did not work, they enlisted the aid of human butchers. Now they are turning to travel and trickery. They use many methods to try to defeat us, Aidan. You have done well this day." "With your aid." 
Christine Feehan (Dark Gold (Dark, #3))
[The double-slit experiment] has in it the heart of quantum mechanics. In reality, it contains the only mystery. —Richard Feynman296 The mystery Feynman was referring to in the preceding quote is the curious fact that a quantum object behaves like a particle when it is observed, but it behaves like a wave when it’s not observed. This can be easily demonstrated in a double-slit interferometer, which is a simple device in which one sends particles of light (or electrons, or any elementary particle) through two tiny slits and then records the pattern of light that emerges onto a screen, or a camera. One might expect that if particles of light (called photons) behaved like separate hunks of stuff, like tiny marbles, then the pattern of light emerging from two slits would always be two bright bands of light. And indeed, if you track each photon as it passes through the slits, then that is what you will see on the screen. However, if you do not trace the photons’ paths, then you will see an alternating sequence of light and dark bands, called an “interference pattern.” This then is the mystery of the dual nature of light—whether you see a wavelike or particle pattern on the screen depends on how you’re looking at it. It’s as though all matter—photons, electrons, molecules, and so on297—“knows” that it is being watched. This exquisitely sensitive bashfulness, known in physics jargon as wave-particle complementarity, lies at the heart of quantum mechanics. It is also known as the quantum measurement problem, or QMP. It’s a problem because it violates the commonsense assumption that we live in an objective reality that is completely independent of observers. The founders of quantum theory, including Neils Bohr, Max Planck, Louis de Broglie, Werner Heisenberg, Erwin Schrödinger, and Albert Einstein, knew that introducing the notion of the observer into quantum theory was a radical change in how physics had been practiced, and they all wrote about the consequences of this change. A few physicists, like Wolfgang Pauli, Pascual Jordan, and Eugene Wigner, believed that consciousness was not merely important but was fundamentally responsible for the formation of reality. Jordan wrote, “Observations not only disturb what has to be measured, they produce it.… We compel [the electron] to assume a definite position.… We ourselves produce the results of measurement
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
The Bonnot Gang (La Bande à Bonnot) was a French criminal anarchist group that operated in France and Belgium during the Belle Époque, from 1911 to 1912. The gang used cutting-edge technology (including automobiles and repeating rifles) not yet available to the French police
Nayden Kostov (323 Disturbing Facts about Our World)
But it isn’t silly, this preoccupation with small time units. One thing late or early can disrupt everything around it, and the disturbance tuns outward in bands like the waves from a dropped stone in a quiet pool.
John Steinbeck (East of Eden)
That was like trying to pick one food to eat for the rest of your life. “Disturbed,” I said, naming the band and still looking down at the glass. He said nothing. Only remained still before finally sitting back and tipping his drink up to his lips. Butterflies swarmed in my stomach, and I kept my breathing even. “Drowning Pool, Three Days Grace, Five Finger Death Punch,” I continued. “Thousand Foot Krutch, 10 Years, Nothing More, Breaking Benjamin, Papa Roach, Bush . . .” I paused, exhaling nice and slow despite the way my heart drummed. “Chevelle, Skillet, Garbage, Korn, Trivium, In This Moment . . .” I drifted off, peace settling over me as I looked up at him. “You’re in everything.
Penelope Douglas (Corrupt (Devil's Night, #1))