District Quotes

We've searched our database for all the quotes and captions related to District. Here they are! All 200 of them:

District 12: Where you can starve to death in safety.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We could do it, you know." "What?" "Leave the district. Run off. Live in the woods. You and I, we could make it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We star-crossed lovers of District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek our fans' favor, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me........
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I don't want you forgetting how different our circumstaces are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life." Peeta says. "I would never be happy again. It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living." "No one really needs me," he says, and there's no selfpity in his voice. It's true his family doesn't need him. They will mourn him, as will a handfull of friends. But they will get on.... I realise only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Katniss," Gale says softly. I recognize that voice. It's the same one he uses to approach wounded animals before he delivers a deathblow. I Instinctively raise my hand to block his words but he catches it and holds on tightly. Don't," I whisper. But Gale is not one to keep secrets from me. Katniss, There is no District Twelve.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I looked up at the video camera and stared. Then raised my hand and gave it the middle finger. “I thought you were going to give it the District Twelve salute,” Jamie said.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I'm not their slave," the man mutters. "I am," I say. "That's why I killed Cato... and he killed Thresh... and he killed Clove... and she tried to kill me. It just goes around and around, and who wins? Not us. Not the districts. Always the capitol. But I'm tired of being a piece in their games.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You can swim, too." he says. "Where did you learn that in District Twelve?" "We have a very big bathtub.
Suzanne Collins
Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Katniss, there is no District Twelve...
Suzanne Collins (Catching Fire (The Hunger Games, #2))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. There is no District 12. I am the Mockingjay. I brought down the Capitol. President Snow hates me. He killed my sister. Now I will kill him. And then the Hunger Games will be over....
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Yes,” I whisper. The red blinking light on one of the cameras catches my eye. I know I’m being recorded. “Yes,” I say more forcefully. Everyone is drawing away from me—Gale, Cressida, the insects—giving me the stage. But I stay focused on the red light. “I want to tell the rebels that I am alive. That I’m right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.” The shock I’ve been feeling begins to give way to fury. “I want to tell people that if you think for one second the Capitol will treat us fairly if there’s a cease-fire, you’re deluding yourself. Because you know who they are and what they do.” My hands go out automatically, as if to indicate the whole horror around me. “This is what they do! And we must fight back!” I’m moving in toward the camera now, carried forward by my rage. “President Snow says he’s sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?” One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. “Fire is catching!” I am shouting now, determined that he will not miss a word. “And if we burn, you burn with us!
Suzanne Collins (Mockingjay (The Hunger Games, #3))
As we curve around into the loop of the City Circle, I can see that a couple of other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from Distric 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
Suzanne Collins
She could fly around District 12 all she liked, but she and her mockingjays could never harm him again.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta. "Oh, she meant you," I say with a wave of dismissal. "She said, 'She's a survivor, that one.' She is," says Peeta. That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying. Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
They'll be granted immunity!" I feel myself rising from my chair, my voice full of resonant. "You will personally pledge this in front of the entire population of District Thirteen and the remainder of Twelve. Soon. Today. It will be recorded for future generations. You will hold yourself and your government responsible for their safety, or you'll find yourself another Mockingjay!
Suzanne Collins (Mockingjay (The Hunger Games, #3))
One doesn’t become a witch to run around being harmful, or to run around being helpful either, a district visitor on a broomstick. It’s to escape all that - to have a life of one’s own, not an existence doled out to by others.
Sylvia Townsend Warner (Lolly Willowes)
Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female... I am going back into the arena.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Not exactly. You see, Portia and I think that the coal miner thing's very overdone. No one will remember you in that. And we both see it has our job to make District 12 tributes unforgettable,' says Cinna. I'll be naked for sure, I think. 'So rather than focus on the coal mining itself, we're going to focus on the coal,' says Cinna. Naked and covered in black dust, i think. 'And what do we do with coal? We burn it,' says Cinna. 'You're not afraid of fire, are you, Katniss?' He sees my expression and grins.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
And we must fight back! President Snow says he's sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that? Fire is catching! And if we burn, you burn with us!
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Good-bye, District Twelve. Good-bye, hanging tree and Hunger Games and Mayor Lipp. Someday something will kill me, but it won’t be you.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
If it's true, why do they leave us to live like this? With the hunger and the killings and the Games?" And suddenly I hate this imaginary underground city of District 13 and those who sit by, watching us die. They're no better than the Capitol.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I spent 33 years and four months in active military service and during that period I spent most of my time as a high class muscle man for Big Business, for Wall Street and the bankers. In short, I was a racketeer, a gangster for capitalism. I helped make Mexico and especially Tampico safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefit of Wall Street. I helped purify Nicaragua for the International Banking House of Brown Brothers in 1902-1912. I brought light to the Dominican Republic for the American sugar interests in 1916. I helped make Honduras right for the American fruit companies in 1903. In China in 1927 I helped see to it that Standard Oil went on its way unmolested. Looking back on it, I might have given Al Capone a few hints. The best he could do was to operate his racket in three districts. I operated on three continents.
Smedley D. Butler (War Is a Racket)
We could do it, you know," Gale says quietly. "What?" I ask. "Leave the district. Run off. Live in the woods. You and I, we could make it," says Gale. I don't know how to respond. This idea is so preposterous.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Taking the kids from our districts, forcing them to kill one another while we watch – this is the Capitol’s way of reminding us how totally we are at their mercy.
Suzanne Collins
If time be judiciously employed, there is time for everything.
George Head (Home Tour Through the Manufacturing Districts of England in the Summer of 1835)
Life in District 12 isn’t really so different from life in the arena. At some point, you have to stop running and turn around and face whoever wants you dead. The hard thing is finding the courage to do it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Katniss?" He drops my hand and I take a step, as if to catch my balance. "It was all for the Games," Peeta says. "How you acted." "Not all of it," I say, tightly holding onto my flowers. "Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says. "I don't know. The closer we get to District Twelve, the more confused I get," I say. He waits, for further explanation, but none's forthcoming. "Well, let me know when you work it out," he says, and the pain in his voice is palpable.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
James Ed went to his office and sat down at his small, metal desk. He smiled as he considered Penny Jones’ plan to shame him out of her life. Would he let her do that? He shook his head as he thought, No way in hell!
Shafter Bailey
How did I end up in this situation? I'm the district sales manager of a napkin factor. Why is my daughter in space?
Andy Weir (The Martian)
I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I've seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers' guns away from me in District 11. I don't know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don't notice much because they're so blond. But up close, in the sunlight slanting in from the window, they're a light golden color and so long I don't see how they keep from getting all tangled up when he blinks.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The human race had always disgusted me. essentially, what made them disgusting was the family-relationship illness, which included marriage, exchange of power and aid, which neighborhood, your district, your city, your county, your state, your nation-everybody grabbing each other's assholes in the Honeycomb of survival out of a fear-animalistic stupidity.
Charles Bukowski (Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness)
He could have had his choice of any woman in the district. And he chose solitude. Not solitude – that sounds too peaceful. More like solitary confinement.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
Seamus Heaney (District and Circle)
Growing up Black in the South, it’s pretty common to find yourself in old places that just… weren’t made for you. Maybe it’s a building, a historic district, or a street. Some space that was originally built for white people and white people only, and you just have to hold that knowledge while going about your business.
Tracy Deonn (Legendborn (Legendborn, #1))
Within days they'd formed an unholy alliance with a foppish young French vampire in the Garden District who had implausibly golden hair and a streak of ruthlessness as wide as the Mississippi
Deborah Harkness (A Discovery of Witches (All Souls, #1))
If you die and i live there's no life for me back in District 12. You're my whole life. I would never be happy again.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
District 12. Where you can starve to death in safety," I mutter. Then I glance quickly over my shoulder. Even here, in the middle of nowhere, you worry someone might overhear you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Among a large class, there seemed to be a dependence upon the government for every conceivable thing. The members of this class had little ambition to create a position for themselves, but wanted the federal officials to create one for them. How many times I wished then and have often wished since, that by some power of magic, I might remove the great bulk of these people into the country districts and plant them upon the soil – upon the solid and never deceptive foundation of Mother Nature, where all nations and races that have ever succeeded have gotten their start – a start that at first may be slow and toilsome, but one that nevertheless is real.
Booker T. Washington (Up from Slavery)
Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Glimmer, I hear someone call her - ugh, the names the people in District 1 give their children are so ridiculous ...
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
And loneliness. I should say something of loneliness. The panic, the sweeping hysteria that comes not when you are without others, but when you are without yourself, adrift. I should describe the filthy province of mind, the blighted district inside, the place so crowded you cannot raise the lids of your eyes. Your shoulders are drawn and your head has fallen and your chest is bruised by the constant assault of your heart. (p. 37)
Hilary Thayer Hamann (Anthropology of an American Girl)
Zoya placed her hands on her hips. “Is anyone going to thank me—or Genya, for that matter—for this little miracle?” “Thank you for nearly killing and then reviving the most valuable hostage in the world so you could use him for your own gain,” Kaz said. “Now you need to go. The streets are almost empty, and you need to get to the manufacturing district.” Zoya’s beautiful blue eyes slitted. “Show your face in Ravka, Brekker. We’ll teach you some manners.” “I’ll keep that in mind. When they burn me on the Reaper’s Barge, I definitely want to be remembered as polite.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
(Baudelaire) had descended to the bottom of the inexhaustible mine, had picked his way along abandoned or unexplored galleries, and had finally reached those districts of the soul where the monstrous vegetations of the sick mind flourish. There, near the breeding ground of intellectuals aberrations and disease of the mind - the mysterious tetanus, the burning fever of lust, the thyphoids and yellow fevers of crime – he had found, hatching in the dismal forcing-house of ennui, the frightening climacteric of thoughts and emotions.
Joris-Karl Huysmans (Against Nature)
I want to tell the rebels that I am alive. That I'm right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women and children. There will be no survivors." The shock I've been feeling begins to give way to fury. "I want to tell people that if you think for one second the Capitol will treat us fairly if there's a cease-fire, you're deluding yourself. Because you know who they are and what they do." My hands go out automatically, as if to indicate the whole horror around me. "This is what they do and we must fight back!" "President Snow says he's sending a message. Well I have one for him. You can torture us and bomb and burn our districts to the ground, but do you see that?" One of the cameras follows where I point to the planes burning on the roof of a warehouse across from us. "Fire is catching!" I am shouting now, determined he will not miss a word of it, "And if we burn, you burn with us!
Suzanne Collins (Mockingjay (The Hunger Games, #3))
In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren't scraping by like the majority of us. But here is different. Wrinkles aren't desirable. A round belly isn't a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Walking together, matching our footfalls, we exit the lobby like two television district attorneys gunning for justice.
Sally Thorne (The Hating Game)
Where's your boyfriend, District 12? Still hanging on?" She asks. Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!" Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me. "Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The audience must be sick to death of the star-crossed lovers from District 12. I know I am.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I remember watching an episode of The West Wing about education in America, which the majority of people rightfully believe is the key to opportunity. In it, the fictional president debates whether he should push school vouchers (giving public money to schoolchildren so that they escape failing public schools) or instead focus exclusively on fixing those same failing schools. That debate is important, of course—for a long time, much of my failing school district qualified for vouchers—but it was striking that in an entire discussion about why poor kids struggled in school, the emphasis rested entirely on public institutions. As a teacher at my old high school told me recently, “They want us to be shepherds to these kids. But no one wants to talk about the fact that many of them are raised by wolves.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Like so many named places in California it was less an identifiable city than a grouping of concepts--census tracts, special purpose bond-issue districts, shopping nuclei, all overlaid with access roads to its own freeway.
Thomas Pynchon (The Crying of Lot 49)
Taking the kids from our districts, forcing them to kill one another while we watch – this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion. Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one could help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Mr. Ludefance? This is Barnett Hooks. We’re a law firm over here in Tallahassee. I’ve been trying to reach you for over a week as I’m representing a client who is interested in hiring you.” “I’m currently out of the country, Mr. Hooks. Why don’t you tell me about the nature of the problem? Mind you, I don’t take infidelity cases anymore.” “No, it’s not that type of case. This is about the late Judge Russell Hastings. He was an appellate judge with the First District Court of Appeals here in Tallahassee who unfortunately was murdered about a year ago.
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
We control it,” he said quietly. “If the war’s impossible to end, then we have to control it indefinitely. Just as we do now. With the Peacekeepers occupying the districts, with strict laws, and with reminders of who’s in charge, like the Hunger Games. In any scenario, it’s preferable to have the upper hand, to be the victor rather than the defeated.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
It all made sense — terrible sense. The panic she had experienced in the warehouse district because of not knowing what had happened had been superseded at the newsstand by the even greater panic of partial knowledge. And now the torment of partly knowing had yielded to the infinitely greater terror of knowing precisely
Flora Rheta Schreiber (Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities)
In District 12, looking old is something of an achievement since so many people die early. Yous see an elderly person you want to congratulate them on their longevity, ask the secret of survival.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I hear workplace hookups are really in right now.” I laughed. “Something tells me they’ve been in for a long time.” He took the exit for the Arts District. “This chick sounds like she’s got you sprung.” I took a deep breath. “Lust will do that.” “Can’t have love without lust, man.
J.J. Sorel (A Taste of Peace)
One of the expedients of party to acquire influence, within particular districts, is to misrepresent the opinions and aims of other districts.
George Washington (George Washington's Farewell Address (Books of American Wisdom))
Kaz Brekker didn’t need a reason. Those were the words whispered on the streets of Ketterdam, in the taverns and coffeehouses, in the dark and bleeding alleys of the pleasure district known as the Barrel. The boy they called Dirtyhands didn’t need a reason any more than he needed permission – to break a leg, sever an alliance, or change a man’s fortunes with the turn of a card.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Goodbye Darcy, goodbye Jean, goodbye stone cottage, scratchy towels, fields of wildflowers; good bye gorgeous Peak District ... OK English People, for your own good, get off the roads, here we come!
Susan Branch
It's to the Capitol's advantage to have us divided among ourselves. Another tool to cause misery in our district. A way to plant hatred between the starving workers [of the Seam] and those who can generally count on supper and thereby ensure we will never trust one another.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I begin to fully understand the lengths to which people have gone to protect me. What I mean to the rebels. My on going struggle against the Capitol, which has so often felt like a solitary journey, has not been undertaken alone. I have had thousands upon thousands of people from the districts at my side. I was their Mockingjay long before I accepted the role.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
In Louisville, at the corner of Fourth and Walnut, in the center of the shopping district, I was suddenly overwhelmed with the realization that I loved all these people, that they were mine and I theirs, that we could not be alien to one another even though we were total strangers. It was like waking from a dream of separateness, of spurious self-isolation in a special world. . . . This sense of liberation from an illusory difference was such a relief and such a joy to me that I almost laughed out loud. . . . I have the immense joy of being man, a member of a race in which God Himself became incarnate. As if the sorrows and stupidities of the human condition could overwhelm me, now that I realize what we all are. And if only everybody could realize this! But it cannot be explained. There is no way of telling people that they are all walking around shining like the sun. Then it was as if I suddenly saw the secret beauty of their hearts, the depths of their hearts where neither sin nor desire nor self-knowledge can reach, the core of their reality, the person that each one is in God’s eyes. If only they could all see themselves as they really are. If only we could see each other that way all the time. There would be no more war, no more hatred, no more cruelty, no more greed. . . . But this cannot be seen, only believed and ‘understood’ by a peculiar gift.
Thomas Merton (Conjectures of a Guilty Bystander)
Scoring well on tests is the sort of happy thing that gets the school district the greenbacks they crave. Understanding and appreciating the material are secondary.
Libba Bray
It’s Mags, a victor from District 4. She looks at me sadly, knowingly, and then opens up her arms and says, “I’m so sorry about Louella, Haymitch.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
And beyond the timeless meadows and emerald pastures, the rabbit holes and moss-covered oak and rowan trees and the "slippy sloppy" houses of frogs, the woodland-scented wind rushed between the leaves and blew around the gray veil that dipped below the fells, swirling up in a mist, blurring the edges of the distant forest. (View from Windermere in the Lake District)
Susan Branch (A Fine Romance: Falling in Love with the English Countryside)
We’re from District Twelve. The crummiest stinkhole in Panem,” says Maysilee. “We’re wild like our chariot horses. I slugged our escort and Haymitch called out President Snow. Nobody pushes us around.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
We hand the meat over to Greasy Sae in the kitchen. She likes District 13 well enough, even though she thinks the cooks are somewhat lacking in imagination. But a woman who came up with a palatable wild dog and rhubarb stew is bound to feel as if her hands are tied here.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded-up lots and out of neglected rubbish heaps, and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts.... That was the kind of tree it was. It liked poor people.
Betty Smith (A Tree Grows in Brooklyn)
The morphlings from District 6 are in the camouflage station, painting each other's faces with bright pink swirls.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
but you should know that, despite appearances, a desire for freedom is not limited to the districts.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
It's my profession to bring people from various outlying districts of the mind to the normal. There seems to be a general feeling it's the place where they ought to be. Sometimes I don't see the urgency myself.
Rebecca West (The Return of the Soldier)
A mighty porterhouse steak an inch and a half thick, hot and sputtering from the griddle; dusted with fragrant pepper; enriched with little melting bits of butter of the most impeachable freshness and genuineness; the precious juices of the meat trickling out and joining the gravy, archipelagoed with mushrooms; a township or two of tender, yellowish fat gracing an out-lying district of this ample county of beefsteak; the long white bone which divides the sirloin from the tenderloin still in its place.
Mark Twain
They recognize me. Of course they recognize me. My face is uncovered and I'm standing here outside of District 12 pointing an arrow at them. Who else would I be?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Your dress has been a big hit in the Capitol!" "Has it? Well, the Covey love color, and me more than most. But this was my mama's, so it's extra special to me," she said. "She in District Twelve?" Lepidus asked. "Just her bones, darling. Just her pearly white bones.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Shogo looked at Shuya and Noriko. "The winner's forced to transfer to another school where he or she is ordered not to mention the game and is instructed instead to lead a normal life. That's all." Shuya felt his chest well up inside and his face froze. He stared at Shogo and realized that Noriko was holding her breath. Shogo said, "I was a student in Third Year Class C, Second District, Kobe, Hyogo Prefecture." He added, "I survived the Program held in Hyogo Prefecture last year.
Koushun Takami (Battle Royale)
The rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
But just before they cut back to the main newscaster, I see the unmistakable flash of that same mockingjay's wing. The reporter has simply been incorporated into the old footage. She's not in District 13 at all. Which begs the question, What is?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Jerry Laws, former smokejumper and now high school district superintendent: “We’re making changes in this district. Teachers teaching, not proselytizing, preparing students for life. No social promotions. Good order in every classroom. They must earn what they seek.
John M. Vermillion (Pack's Posse (Simon Pack, #8))
There's no district 12 to escape from now, no Peacekeepers to trick, no hungry mouths to feed. The Capitol took away all of that, and I'm on the verge of losing Gale as well. The glue of mutual needs that bonded us so tightly together for all those years is melting away.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
And last but least, District Twelve girl . . . she belongs to Coriolanus Snow.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
And then it happens. Up and down the row, the victors begin to join hands. Some right away, like the morphlings, or Wiress and Beetee. Others unsure but caught up in the demands of those around them, like Brutus and Enobaria. By the time the anthem plays its final strains, all twenty-four of us stand in one unbroken line in what must be the first public show of unity among the districts since the Dark Days. You can see the realization of this as the screens begin to pop into blackness. It's too late, though. In the confusion they didn't cut us off in time. Everyone has seen.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Soft footfalls approach and a small young woman appears. I recognize her immediately. The black-haired girl from District 3 who won last year’s Hunger Games. “Hello, I’m Wiress. One of your mentors.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
I'm afraid, based on my own experience, that fascism will come to America in the name of national security.
Jim Garrison
We now in the United States have more security guards for the rich than we have police services for the poor districts. If you're looking for personal security, far better to move to the suburbs than to pay taxes in New York.
John Kenneth Galbraith
It is only now and then in some very remote and backward agricultural district that an antiquarian may still discover a square house.
Edwin A. Abbott (Flatland (Start Publishing))
I will not deny that there are men in the district better qualified than I to go to Congress, but, gentlemen, these men are not in the race.
Robert A. Caro (The Path to Power (The Years of Lyndon Johnson, #1))
No duties. I don’t have to be profound. I don’t have to be artistically perfect. Or sublime. Or edifying. I just wander. I say: ‘You were running, That’s fine. It was the thing to do.’ And now the music of the worlds transforms me. My planet enters a different house. Trees and lawns become more distinct. Philosophies one after another go out. Everything is lighter yet not less odd. Sauces, wine vintages, dishes of meat. We talk a little of district fairs, Of travels in a covered wagon with a cloud of dust behind, Of how rivers once were, what the scent of calamus is. That’s better than examining one’s private dreams. And meanwhile it has arrived. It’s here, invisible. Who can guess how it got here, everywhere. Let others take care of it. Time for me to play hooky. Buena notte. Ciao. Farewell.
Czesław Miłosz
En quelques jours, ils avaient noué une alliance malsaine avec un jeune et élégant vampire français du Garden District aux cheveux blonds improbables, et totalement dénué de scrupules.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear? I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own. I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
...we're in English class, which for most of us is an excruciating exercise in staying awake through the great classics of literature. These works-- groundbreaking, incendiary, timeless-- have been pureed by the curriculum monsters into a digestible pabulum of themes and factoids we can spew back on a test. Scoring well on tests is the sort of happy thing that gets the school district the greenbacks they crave. Understanding and appreciating the material are secondary.
Libba Bray (Going Bovine)
witness two scenes. In one, an angry, bitter man beats another man to death in an alley in the Gadrobi District. In the other, a man of vast wealth conspires with equally wealthy compatriots to raise yet again the price of grain, making the cost of simple bread so prohibitive that families starve, are led into lives of crime, and die young. Are both acts of violence?
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
Elected officials no longer attempt to win you over, they attempt to rewrite laws and district boundaries so that your vote is irrelevant. Their true constituency is the criminal elite.
Sarah Kendzior (They Knew: How a Culture of Conspiracy Keeps America Complacent)
I kept thinking about how southern Manhattan had always been Ground Zero for us. They auctioned our bodies down there, in that same devastated, and rightly named, financial district. And there was once a burial ground for the auctioned there. They built a department store over part of it and then tried to erect a government building over another part.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
Year after year of dirty snow and bitter winds… houses and whole districts of people who aren’t really unhappy, but worse, who are neither happy nor unhappy; people who are ugly because they’re neither ugly nor beautiful; creatures that are dismally neutral, who long without longings as though they’re unconscious, unconsciously suffering from being alive.
Eugène Ionesco (Rhinoceros / The Chairs / The Lesson)
Yes, everyone in the districts will be watching me to see how I handle this death sentence, this final act of President Snow’s dominance. They will be looking for some sign that their battles have not been in vain. If I can make it clear that I’m still defying the Capitol right up to the end, the Capitol will have killed me…but not my spirit. What better way to give hope to the rebels?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn't go into much more detail, which is surprising, because that was the year District 12's very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places.
O. Henry
It was particularly vexing because the bulk of the Snow family fortune had also been invested in munitions — but in District 13.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
I left a simple district piglet and returned as the murderous beast that they always suspected lay in wait.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
Unless we have the wealth to pay for private education, we are compelled by law to go to public school—and to the public school in our district. Thus the state, by requiring attendance but refusing to require equity, effectively requires inequality. Compulsory inequity, perpetuated by state law, too frequently condemns our children to unequal lives.
Jonathan Kozol (Savage Inequalities: Children in America's Schools)
I have no doubt that you could have flung bricks by the hour in England's most densely populated districts without endangering the safety of a single girl capable of becoming Mrs. Augustus Fink-Nottle without an anaesthetic.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Sometimes little things happen which seem nothing at all, but they hurt.
Ivan Turgenev (The District Doctor)
With man it is different. When he comes many of the larger animals instinctively leave the district entirely, seldom if ever to return; and thus it has always been with the great anthropoids. They flee man as man flees a pestilence.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
You took a walk on a Sunday afternoon and came to a nice neighborhood, very refined. You saw a small one of these trees through the iron gate leading to someone's yard and you knew that soon that section of Brooklyn would get to be a tenement district. The tree knew. It came there first. Afterwards, poor foreigners seeped in and the quiet old brownstone houses were hacked up into flats, feather beds were pushed out on the window sills to air and the Tree of Heaven flourished. That was the kind of tree it was. It liked poor people.
Betty Smith (A Tree Grows in Brooklyn)
No neighbourhood or district, no matter how well established, prestigious or well heeled and no matter how intensely populated for one purpose, can flout the necessity for spreading people through time of day without frustrating its potential for generating diversity.
Jane Jacobs (The Death and Life of Great American Cities)
I have been told by the third grade teacher that my daughter Poppet is reading at middle school level. Yet if I leave Poppet a note in block letters telling her to feed the dogs I will come home to find the dogs have been ... given a swim in the above-ground pool, dressed in tutus, provided with hair weaves. What I will not find is that the dogs have been fed. 'I thought you wanted me to free the dogs,' says Poppet whose school district is not spending quite what D.C.'s is, thanks to voter rejection of the last school bond referendum.
P.J. O'Rourke
Sometimes I'm sad about everything; the way my grilled cheese sandwich tastes, how nice my socks feel, a song John is playing in the kitchen. One time he puts on this goofy Loudon Wainwright song that was on a mix tape I used to listen to during my commute from the boys' school in Bethesda back into the District when we were newly married and everything was about to begin and it makes me burst into tears about the shortness of everything.
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
The city was so big. It lulled you into thinking that there were so many options, but most of the options had to do with buying things: dinner entrées, cocktails, the cover charge to a nightclub. Then there was the shopping, big chain stores open late, up and down the streets, throbbing with bass-heavy music and lighting. In the Garment District, diminished to a limited span of blocks after apparel manufacture moved overseas, wholesale shops sold fabrics and trinkets imported from China, India, Pakistan. In Jonathan’s apartment, we used to
Ling Ma (Severance)
I am trying to teach poetry in school districts that only know how to starve. I am trying to show my students, who don't know how to spell, how to write their lives in anything but blood. I am trying to learn how to give and foster forgiveness in a body that wants none of it.
Sierra DeMulder (Today Means Amen)
The certitude that everything has been written negates us or turns us into phantoms. I know of districts in which the young men prostrate themselves before books and kiss their pages in a barbarous manner, but they do not know how to decipher a single letter. Epidemics, heretical conflicts, peregrinations which inevitably degenerate into banditry, have decimated the population. I believe I have mentioned suicides, more and more frequent with the years. Perhaps my old age and fearfulness deceive me, but I suspect that the human species -- the unique species -- is about to be extinguished, but the Library will endure: illuminated, solitary, infinite, perfectly motionless, equipped with precious volumes, useless, incorruptible, secret.
Jorge Luis Borges (The Library of Babel)
San Narciso lay further south, near L.A. Like many named places in California it was less an identifiable city than a grouping of concepts—census tracts, special purpose bond-issue districts, shopping nuclei, all overlaid with access roads to its own freeway.
Thomas Pynchon (The Crying of Lot 49)
Three years in London had not changed Richard, although it had changed the way he perceived the city. Richard had originally imagined London as a gray city, even a black city, from pictures he had seen, and he was surprised to find it filled with color. It was a city of red brick and white stone, red buses and large black taxis, bright red mailboxes and green grassy parks and cemeteries. It was a city in which the very old and the awkwardly new jostled each other, not uncomfortably, but without respect; a city of shops and offices and restaurants and homes, of parks and churches, of ignored monuments and remarkably unpalatial palaces; a city of hundreds of districts with strange names - Crouch End, Chalk Farm, Earl's Court, Marble Arch - and oddly distinct identities; a noisy, dirty, cheerful, troubled city, which fed on tourists, needed them as it despised them, in which the average speed of transportation through the city had not increased in three hundred years, following five hundred years of fitful road-widening and unskillful compromises between the needs of traffic, whether horse-drawn, or, more recently, motorized, and the need of pedestrians; a city inhabited by and teeming with people of every color and manner and kind.
Neil Gaiman (Neverwhere (London Below, #1))
Katniss...how do you think this will end? What will be left? No one is safe. Not in the Capitol. Not in the districts. And you...in Thirteen..." He inhales sharply, as if fighting for air; his eyes look insane. "Dead by morning!
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You know what my mother said to me when she came to say goodbye, as if to cheer me up, she said maybe District 12 will finally have a winner. Then I realized she didn't mean me, she meant you." -Peeta Mellark in The Hunger Games
Suzanne Collins
The fleeting hour of life of those who love the hills is quickly spent, but the hills are eternal. Always there will be the lonely ridge, the dancing beck, the silent forest; always there will be the exhilaration of the summits. These are for the seeking, and those who seek and find while there is still time will be blessed both in mind and body.
Alfred Wainwright (A Pictorial Guide To The Lakeland Fells: The Western Fells)
To generate exuberant diversity in a city's streets and districts four conditions are indispensable: 1. The district, and indeed as many of its internal parts as possible, must serve more than one primary function; preferably more than two... 2. Most blocks must be short; that is, streets and opportunities to turn corners must be frequent. 3. The district must mingle buildings that vary in age and condition, including a good proportion of old ones so that they vary in the economic yield they must produce. This mingling must be fairly close-grained. 4. There must be a sufficiently dense concentration of people, for whatever purposes they may be there...
Jane Jacobs (The Death and Life of Great American Cities)
I recall how miserable I was, and how one day you brought me to a realization of my miserable state. I was preparing to deliver a eulogy upon the emperor in which I would tell plenty of lies with the object of winning favor with the well-informed by my lying; so my heart was panting with anxiety and seething with feverish, corruptive thoughts. As I passed through a certain district in Milan I noticed a poor beggar, drunk, as I believe, and making merry. I groaned and pointed out to the friends who were with me how many hardships our idiotic enterprises entailed. Goaded by greed, I was dragging my load of unhappiness along, and feeling it all the heavier for being dragged. Yet while all our efforts were directed solely to the attainment of unclouded joy, it appeared that this beggar had already beaten us to the goal, a goal which we would perhaps never reach ourselves. With the help of the few paltry coins he had collected by begging this man was enjoying the temporal happiness for which I strove by so bitter, devious and roundabout a contrivance. His joy was no true joy, to be sure, but what I was seeking in my ambition was a joy far more unreal; and he was undeniably happy while I was full of foreboding; he was carefree, I apprehensive. If anyone had questioned me as to whether I would rather be exhilarated or afraid, I would of course have replied, "Exhilarated"; but if the questioner had pressed me further, asking whether I preferred to be like the beggar, or to be as I was then, I would have chosen to be myself, laden with anxieties and fears. Surely that would have been no right choice, but a perverse one? I could not have preferred my condition to his on the grounds that I was better educated, because that fact was not for me a source of joy but only the means by which I sought to curry favor with human beings: I was not aiming to teach them but only to win their favor.
Augustine of Hippo (Confessions)
How old were you when you started playing?”, she asked. “Five. I was District Champion at seven. I hope to be a World Champion one day.” “When?” “In three years.” “You'll be sixteen in three years”, she said, “If you win, what will you do afterward?”. He looked confused. “I don't understand”, he replied. “If you're a World Champion at sixteen, what will you do with the rest of your life?” He still looked confused. “I don't understand”.
Walter Tevis (The Queen's Gambit)
Corus lay on the southern bank of the Oloron River, towers glinting in the sun. The homes of wealthy men lined the river to the north; tanners, smiths, wainwrights, carpenters, and the poor clustered on the bank to the south. The city was a richly colored tapestry: the Great Gate on Kings-bridge, the maze of the Lower City, the marketplace, the tall houses in the Merchants' and the Gentry's quarters, the gardens of the Temple district, the palace. This last was the city's crown and southern border. Beyond it, the royal forest stretched for leagues. It was not as lovely as Berat nor as colorful as Udayapur, but it was Alanna's place.
Tamora Pierce
I want away to the house of death, to my father under the low, clay roof.
Seamus Heaney (District and Circle)
Here I was! Living in a district that echoed a dead San Francisco. Gay, Cambodian, and not even twenty-six, carrying in my body the aftermath of war, genocide, colonialism. And yet, my task was to teach kids a decade younger, existing across an oceanic difference, what it meant to be human. How absurd, I admitted. How fucking hilarious. I was actually excited.
Anthony Veasna So (Afterparties: Stories)
Unceasing warfare gives rise to its own social conditions which have been similar in all epochs. People enter a permanent state of alertness to ward off attacks. You see the absolute rule of the autocrat. All new things become dangerous frontier districts—new planets, new economic areas to exploit, new ideas or new devices, visitors—everything suspect. Feudalism takes firm hold, sometimes disguised as a politbureau or similar structure, but always present. Hereditary succession follows the lines of power. The blood of the powerful dominates.
Frank Herbert (God Emperor of Dune (Dune, #4))
There is no such source and cause of strife, quarrel, fights, malignant opposition, persecution, and war, and all evil in the state, as religion. Let it once enter into our civil affairs, our government soon would be destroyed. Let it once enter our common schools, they would be destroyed. Those who made our Constitution saw this, and used the most apt and comprehensive language in it to prevent such a catastrophe. [Weiss v. District Board, March 18, 1890]
Supreme Court of Wisconsin
be a girl from the districts, or at least not Capitol. A second-class citizen. Human, but bestial. Smart, perhaps, but not evolved. Part of a shapeless mass of unfortunate, barbaric creatures that hovered on the periphery of his consciousness. Surely, if there had ever been an exception to the rule, it was Lucy Gray Baird.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
You have to look at Jews like Bina Gelbfish, to explain the wide range and persistence of the race. Jews who carry their homes in an old cowhide bag, on the back of a camel, in the bubble of air at the center of their brains. Jews who land on their feet, hit the ground running, ride out the vicissitudes, and make the best of what falls to hand, from Egypt to Babylon, from Minsk Gubernya to the district of Sitka. Methodological, organised, persistent, resourceful, prepared... A mere re-drawing of borders, a change in governments, those things can never faze a Jewess with a good supply of hand wipes in her bag.
Michael Chabon (The Yiddish Policemen's Union)
any one who had listened to Courfeyrac in 1828 would have thought he heard Tholomyes in 1817. Only, Courfeyrac was an honourable fellow. Beneath the apparent similarities of the exterior mind, the difference between him and Tholomyes was very great. The latent man which existed in the two was totally different in the first from what it was in the second. There was in Tholomyes a district attorney, and in Courfeyrac a paladin.
Victor Hugo (Les Misérables)
I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia, and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe.
Bram Stoker (Dracula)
Unfulfilled Wish A woman in Atzbach was murdered by her husband because, in his opinion, she had carried the wrong child with her to safety from their burning house. She had not saved their eight-year old son, for whom the man had special plans, but had saved their daughter, who was not loved by the husband. When the husband was asked, in the District Court in Wels, what plans he had had for his son, who had been completely consumed by the fire, the husband replied that he had intended him to be an anarchist and a mass murderer of dictatorships and thus a destroyer of the state.
Thomas Bernhard (The Voice Imitator)
I become intensely aware of the three of us, huddled around this tree, the last trio of human heartbeats in the arena. Sad, desperate, but also a rare moment of district unity in the Games. You know what would make it even better? I drop a handful of chocolate balls into the night. A startled sound. The sobs soften to sniffles. A candy wrapper crackles. Quiet. Not a bad poster, all in all.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
He loved the smell and feel of old books. To hold them was to touch the past.
Martin Edwards (The Cipher Garden (Lake District Mystery #2))
She does not reply. She would rather hide her face, and he knows why. Because of the disgrace. Because of the shame. That is what their visitors have achieved; that is what they have done to this confidant, modern young woman. Like a stain the story is spreading across the district. Not her story to spread but theirs: they are its owners. How they put her in her place, how they showed her what a woman was for.
J.M. Coetzee (Disgrace)
Before parents accept the wisdeom of a school board to cut school librarians, they should ask: Will my child graduate with a 21st-century resume, or a 19th-century transcript? . . . As the information landscape becomes ever more complex, why does a school district want to abandon its professional guides to it?
Mark Moran
There was always something yet unseen. The ground itself was daily renewed, kicked up and muddled by passing travelers, such that it was impossible to repeat the same journey twice. Alif thought of all the times he had left the duplex in Baqara District bent on some mundane errand: the courtyard gate closing behind him with a rattle, rattling again when he returned the same way; to him, ordinary and frustrating, to the world, a process full of tiny variations, all existing, as Sheikh Bilal had said, simultaneously and without contradiction. He had been given eternity in modest increments, and had thought nothing of it.
G. Willow Wilson (Alif the Unseen)
Look at a plant in the midst of its range! Why does it not double or quadruple its numbers? We know that it can perfectly well withstand a little more heat or cold, dampness or dryness, for elsewhere it ranges into slightly hotter or colder, damper or drier districts. In this case we can clearly see that if we wish in imagination to give the plant the power of increasing in numbers, we should have to give it some advantage
Charles Darwin (On the Origin of Species (Large Print Edition))
Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests. Parts of Texas and Kansas that he had first known as open range had since been made into rich farming districts, and the air had quite lost that lightness, that dry, aromatic odour. The moisture of plowed land, the heaviness of labour and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert.
Willa Cather (Death Comes for the Archbishop)
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong. Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
They also carried on commerce with other nations. All this clearly shows, as Heer has remarked, that they had at this early age progressed considerably in civilisation; and this again implies a long continued previous period of less advanced civilisation, during which the domesticated animals, kept by different tribes in different districts, might have varied and given rise to distinct races.
Charles Darwin (On the Origin of Species (Large Print Edition))
Now I see what the audience saw, how he misled the Careers about me, stayed awake the entire night under the traker jacker tree, fought Cato to let me escape and even while he lay in that mud bank, whispered my name in his sleep. I seem heartless in comparison- dodging fireballs, dropping nests, and blowing up supplies- until I go hunting for Rue. They play her death in full, the spearing, my failed rescue attempt, my arrow through the boy from District 1's throat, Rue drawing her last breath in my arms. And the song. I get to sing every note of the song. Something inside me shuts down and I'm too numb to feel anything. It's like watching complete strangers in another Hunger Games. But I do notice they omit the part where I covered her in flowers. Right. Because even that smacks of rebellion.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
As for me, I feel myself living and thinking in a room where everything is the creation and the language of lives profoundly different from mine, of a taste opposite to mine, where I find nothing of my conscious thought, where my imagination is excited by feeling itself plunged into the depths of the non-ego; I feel happy only when setting foot—on the Avenue de la Gare, on the Port, or on the Place de l'Eglise—in one of those provincial hotels with cold, long corridors where the wind from outside contends successfully with the efforts of the heating system, where the detailed geographic map of the district is still the sole ornament on the walls, where each noise helps only to make the silence appear by displacing it, where the rooms keep a musty perfume which the open air comes to wash, but does not eliminate, and which the nostrils inhale a hundred times in order to bring it to the imagination, which is enchanted with it, which has it pose like a model to try to recreate it with all the thoughts and remembrances that it contains...
Marcel Proust
it’s called socialism. Or, for those who freak out at that word, like Americans or international capitalist success stories reacting allergically to that word, call it public utility districts. They are almost the same thing. Public ownership of the necessities, so that these are provided as human rights and as public goods, in a not-for-profit way. The necessities are food, water, shelter, clothing, electricity, health care, and education. All these are human rights, all are public goods, all are never to be subjected to appropriation, exploitation, and profit. It’s as simple as that.
Kim Stanley Robinson (The Ministry for the Future)
There is no such thing as bad weather, only bad clothes.
James Rebanks (The Shepherd's Life: A People's History of the Lake District)
Everyone is made up of little contradictory pieces and you should never judge another person's decisions because you don't know the pieces they have to choose from.
Nicci Harris (Our Thing (Kids of The District #2))
When the little mouse, which was loved as none other was in the mouse-world, got into a trap one night and with a shrill scream forfeited its life for the sight of the bacon, all the mice in the district, in their holes were overcome by trembling and shaking; with eyes blinking uncontrollably they gazed at each other one by one, while their tails scraped the ground busily and senselessly. Then they came out, hesitantly, pushing one another, all drawn towards the scene of death. There it lay, the dear little mouse, its neck caught in the deadly iron, the little pink legs drawn up, and now stiff the feeble body that would so well have deserved a scrap of bacon. The parents stood beside it and eyed their child's remains.
Franz Kafka (The Blue Octavo Notebooks)
a raped girl is bad for the family: it shows that they can’t protect their women; that they have little social standing; and that they’re not respectable. It’s worse for the victim because once a woman, or a girl—or a boy—is known as the target of a rape she becomes so despised, so shamed, so worthless that she turns into public property. No one is raped only once.
Louise Brown (The Dancing Girls of Lahore: Selling Love and Saving Dreams in Pakistan's Pleasure District)
Hitler had risen as an outside agitator, a cult figure enamored of pageantry and rallies with parades of people carrying torches that an observer said looked like “rivers of fire.” Hitler saw himself as the voice of the Volk, of their grievances and fears, especially those in the rural districts, as a god-chosen savior, running on instinct. He had never held elected office before.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Haymitch isn't thinking of arenas, but something else. "Johanna's back in the hospital." I assumed Johanna was fine, had passed her exam, but simply wasn't assigned to a sharp shooters' unit. She's wicked with a throwing axe but about average with a gun. "Is she hurt? What happened?" "It was while she was on the Block. They try to ferret out a soldier's potential weakness. So they flooded the street, " says Haymitch. This doesn't help. Johanna can swim. At least, I seem to remember her swimming around some in the Quarter Quell. Not like Finnick, of course, but none of us are like Finnick. "So?" "That's how they tortured her in the Capitol. Soaked her then used electric shocks," says Haymitch. "In the Block, she had some kind of flashback. Panicked, didn't know where she was. She's back under sedation." Finnick and I just stand there as if we've lost the ability to respond. I think of the way Johanna never showers. How she forced herself into the rain like it was acid that day. I had attributed her misery to morphling withdrawal. "You two should go see her. You're as close to friends as she's got," says Haymitch. That makes the whole thing worse. I don't really know what's between Johanna and Finnick, but I hardly know her. No family. No friends.Not so much as a token from District 7 to set beside her regulation clothes in her anonymous drawer. Nothing.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
These days, many well-meaning school districts bring together teachers, coaches, curriculum supervisors, and a cast of thousands to determine what skills your child needs to be successful. Once these "standards" have been established, pacing plans are then drawn up to make sure that each particular skill is taught at the same rate and in the same way to all children. This is, of course, absurd. It gets even worse when one considers the very real fact that nothing of value is learned permanently by a child in a day or two.
Rafe Esquith (Lighting Their Fires: Raising Extraordinary Children in a Mixed-up, Muddled-up, Shook-up World)
After the Games comes the fallout from the Games. Spreading out like ripples in a pond when you toss in a rock. Concentric circles of damage, washing over the dead tributes’ families, their friends, their neighbors, to the ends of the district. Those in closest get hit the worst. White liquor and depression, broken families and violence and suicide. We never really recover, just move on the best we can.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
Vote for the ones without voter i.d. In jails or in districts without parity. Vote for the idlers and despairers who wouldn't. Vote for the women and slaves who just couldn't. Vote for your immigrant ancestors all; They're pleading that you hear democracy's call. Bring friends! Cast your ballots! Just get out and vote! Let's keep our two-century-old-country afloat. We all must stand strong, and we all must make clear: "We are here! We are here! We are here! We are here!
Shellen Lubin
Who killed this man [Patrick Sonnier]? Nobody. Everybody can argue that he or she was just doing a job - the governor, the warden, the head of the Department of Corrections, the district attorney, the judge, the jury, the Pardon Board, the witnesses to the execution. Nobody feels personally responsible for the death of this man. (p. 101)
Helen Prejean (Dead Man Walking)
I'll save the sacking for later," he continues. "We can mimic the plays of our conjugal union in the privacy of my backyard. We can roll around on the lawn like animals and invent our own naughty games-Naked Leap Frog-Marshal May I-Hide the Peak-Red Light, Green Light District-Obstacle Intercourse-Hot Lava-Capture the Sector-Skyla Says-the possibilities are endless. Our throbbing loins will rep the victory. The entire scenario is, as you would say-made of win."~ Marshall
Addison Moore (Toxic Part One (Celestra, #7))
God doesn't do terrible things to people, little one. People do terrible things to people.
Nicci Harris (Our Thing (Kids of The District #2))
Hate destroys, love builds: be a creator. Fear closes, love opens: be an advocate for life. Guilt stagnates, love permits: be a peaceful warrior. Anger takes away, love gives: be a foundation for life. A defeatist attitude makes its own bed while love has the power to design its very own house.
Madelaine Standing (Heaven In The Meat Packing District)
It feels strange to be home, as if I am now just a visitor to the land that I love, no longer really a part of it. I understand for the first time that our sense of belonging is all about participation. We belong because we are part of the work of this place.
James Rebanks (The Shepherd's Life: A People's History of the Lake District)
My name is Mila, and this is my journey. There are so many places where I could begin the story. I could start in the town where I grew up, in Kryvicy, on the banks of the Servac River, in the district of Miadziel. I could begin when I was eight years old, on the day my mother died, or when I was twelve, and my father fell beneath the wheels of the neighbour’s truck. But I think I should begin my story here, in the Mexican desert, so far from my home in Belarus. This is where I lost my innocence. This is where my dreams died.
Tess Gerritsen (Vanish (Rizzoli & Isles, #5))
Let’s just call it an adjustment of priorities.” Nick saw no reason to beat around the bush about this next part. Pallas was a good guy, and an excellent agent. “There’s more. You and I both know that Davis has been thinking about retiring. I told him today that when that happens, I’d like to be considered for the special agent in charge position. I wanted you to hear it from me first. Thought you might be eying the job, too.” Jack considered this. “I’ve given it some thought,” he admitted. “But politically, I doubt it would go over well if the special agent in charge of Chicago and the U.S. attorney of the same district were involved in a personal relationship.” His expression was one of pride. “And since Cameron got there first, it looks like I’m adjusting my priorities, too.” He paused. “Plus, I hear that people think I’m cranky.” He rubbed his jaw, musing. “Not sure why that is.” “Maybe it’s all the brooding and glowering.” “No one complains when you break out the don’t-fuck-with-me face.
Julie James (A Lot like Love (FBI/US Attorney, #2))
They’d been told, several times, by colleagues … that the sea was warmer over there [abroad], and the skies bluer, and the food was like nothing you could buy in London no matter how much you spent. But none of those colleagues had done what Tony had wanted to do when he got back: grab people by the lapels and shout at them, wide-eyed, until they agreed to book tickets. Most people in England, he thought, had no idea that within a few hours they could be somewhere that would make them begrudge every single second they’d ever spent in Hastings or Shegness or the Lake District.
Nick Hornby (Funny Girl)
The place is deserted except for my classmate Asterid March, who’s arranging tiny bottles on a shelf behind the counter. A long blond braid falls down her back, but the damp heat has brought out tendrils of hair that frame her perfect face. Asterid’s the town beauty and rich by District 12 standards. I used to hold that against her, but she showed up one night in the Seam, alone, to treat a neighbor woman who’d been whipped for back-talking a Peacekeeper. She brought some ointment she’d concocted herself, then slipped away, never mentioning payment. Since then, she’s who people turn to for help when a loved one goes under the lash. I guess Asterid has more substance than her pack of snooty town friends suggests. Besides, Burdock’s nuts about her, so I try to be nice even though he’s got about as much chance with her as a mockingjay with a swan. Town girls don’t marry Seam boys, not unless something really goes haywire.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
There is a belief advanced today, and in some cases by conservative black authors, that poor children and particularly black children should not be allowed to hear too much about these matters. If they learn how much less they are getting than rich children, we are told, this knowledge may induce them to regard themselves as "victims," and such "victim-thinking," it is argued, may then undermine their capacity to profit from whatever opportunities may actually exist. But this is a matter of psychology-or strategy-and not reality. The matter, in any case, is academic since most adolescents in the poorest neighborhoods learn very soon that they are getting less than children in the wealthier school districts. They see suburban schools on television and they see them when they travel for athletic competitions. It is a waste of time to worry whether we should tell them something they could tell to us. About injustice, most poor children in American cannot be fooled.
Jonathan Kozol (Savage Inequalities: Children in America's Schools)
A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street. I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water. "And under the water? You haven't thought what could be under the water." A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.
Jean-Paul Sartre (Nausea)
In Highland New Guinea, now Popua New Guinea, a British district officer named James Taylor contacted a mountain village, above three thousand feet, whose tribe had never seen any trace of the outside world. It was the 1930s. He described the courage of one villager. One day, on the airstrip hacked from the mountains near his village, this man cut vines and lashed himself to the fuselage of Taylor's airplane shortly before it took off. He explained calmly to his loved ones that, no matter what happened to him, he had to see where it came from.
Annie Dillard
Adam said the other blessing you have to give up in the outside world is darkness. You can close your eyes, and sit in a cupboard, but that’s not the same thing. The darkness at night in the church district colony is complete. The stars are thick above us in this kind of darkness. You can see how the moon is rough with mountain ranges and etched with rivers and smoothed with oceans. On a night without the moon or stars you can’t see a thing, but you can imagine anything.
Chuck Palahniuk (Survivor)
The following quote is from a Ted talk my sister sent to me that blew my mind.... We talk about how many women were raped last year, not about how many MEN raped women... We talk about how many girls in a school district were harassed last year, not about how many BOYS harassed girls... We talk about how many teenage girls got pregnant in the state of VA last year, rather than how many men and teenage boys got girls pregnant... So you can see how the use of this passive voice has a political affect. It shifts the focus (and blame) off men and boys, and onto girls and women.
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
The Commissioner went away, taking three or four of the soldiers with him. In the many years in which he had toiled to bring civilization to different parts of Africa he had learned a number of things. One of them was that a District Commissioner must never attend to such undignified details s cutting a hanged man from a tree. Such attention would give the natives a poor opinion of him. In the book which he planned to write he would stress that point. As he walked back to the court he thought about that book. Every day brought him some new material. The story of the man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter ob him. Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting details. He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger.
Chinua Achebe (Things Fall Apart (The African Trilogy, #1))
The life of reality is confused, disorderly, almost always without apparent purpose, where in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form - to make it true and real to the theme, not to life ... I myself remember with what a shock I heard people say that one of my own books, Winesburg, Ohio, was an exact picture of Ohio village life. The book was written in a crowded tenement district of Chicago. The hint for almost every character was taken from my fellow lodgers in a large rooming house, many of whom had never lived in a village. The confusion arises out of the fact that others besides practicing artists have imaginations. But most people are afraid to trust their imaginations and the artist is not.
Sherwood Anderson
Modern states with democratic forms of government dispense with hereditary leviathans, but they have not found a way to dispense with inequalities of wealth and power backed up by an enormously complex system of criminal justice. Yet for 30,000 years after takeoff, life went on without kings, queens, prime ministers, presidents, parliaments, congresses, cabinets, governors, mayors, police officers, sheriffs, marshals, generals, lawyers, bailiffs, judges, district attorneys, court clerks, patrol cars, paddy wagons, jails, and penitentiaries. How did our ancestors manage to leave home without them?
John Zerzan (Against Civilization: Readings and Reflections)
[Dialogue between Solon and an Egyptian Priest] In the Egyptian Delta, at the head of which the river Nile divides, there is a certain district which is called the district of Sais [...] To this city came Solon, and was received there with great honour; he asked the priests who were most skilful in such matters, about antiquity, and made the discovery that neither he nor any other Hellene knew anything worth mentioning about the times of old. On one occasion, wishing to draw them on to speak of antiquity, he began to tell about the most ancient things in our part of the world-about Phoroneus, who is called "the first man," and about Niobe; and after the Deluge, of the survival of Deucalion and Pyrrha; and he traced the genealogy of their descendants, and reckoning up the dates, tried to compute how many years ago the events of which he was speaking happened. Thereupon one of the priests, who was of a very great age, said: O Solon, Solon, you Hellenes are never anything but children, and there is not an old man among you. Solon in return asked him what he meant. I mean to say, he replied, that in mind you are all young; there is no old opinion handed down among you by ancient tradition, nor any science which is hoary with age.
Plato (Timaeus and Critias)
Strange things began to happen that made Holmes’s claims about being the devil seem almost plausible. Detective Geyer became seriously ill. The warden of Moyamensing prison committed suicide. The jury foreman was electrocuted in a freak accident. The priest who delivered Holmes’s last rites was found dead on the grounds of his church of mysterious causes. The father of Emeline Cigrand was grotesquely burned in a boiler explosion. And a fire destroyed the office of District Attorney George Graham, leaving only a photograph of Holmes unscathed.
Erik Larson (The Devil in the White City)
He asked what I made of the other students, so I told him. They were OK, but they were all very similar; they struggled to have different opinions because they’d never failed at anything or been nobodies, and they thought they would always win. But this isn’t most people’s experience of life. He asked me what could be done about it. I told him the answer was to send them all out for a year to do some dead-end job like working in a chicken-processing plant or spreading muck with a tractor. It would do more good than a gap year in Peru. He laughed and thought this tremendously witty. It wasn’t meant to be funny.
James Rebanks (The Shepherd's Life: A People's History of the Lake District)
We talk about how many women were raped last year, not about how many men raped women. We talk about how many girls in a school district were harassed last year, not about how many boys harassed girls. We talk about how many teenaged girls got pregnant in the state of Vermont last year, rather than how many men and teenaged boys got girls pregnant. So you can see how the use of this passive voice has a political effect. It shifts the focus off men and boys and onto girls and women. Even the term violence against women is problematic. It's a passive construction. There's no active agent in the sentence. It's a bad thing that happens to women. It's a bad thing that happens to women, but when you look at that term violence against women, nobody is doing it to them. It just happens. Men aren't even a part of it! Jackson Katz, Ph.D., from his Ted talk "violence against women: it's a men's issue
Jackson Katz
I have only to go stubbornly on towards my aim, and I shall attain my end", thought Levin; "and it's something to work and take trouble for. This is not a matter of myself individually; the question of the public welfare comes into it. The whole system of culture, the chief element in the condition of people, must be completely transformed. Instead of poverty, general prosperity and content; instead of hostility, harmony and unity of interests. In short, a bloodless revolution, but a revolution of the greatest magnitude, beginning in the little circle of our district, then the province, then Russia, then the whole world. Because a just idea cannot but be fruitful. Yes, it's an aim worth working for.
Leo Tolstoy (Anna Karenina)
Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years? "They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims." "You bought their pianos?" "We may even have bought their pianos. Yes, of course we bought them." Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf. "But when you were deported, what was it for? What was the charge?" "Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary." "And what about your husband? Who was he?" "Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks." “…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.
Aleksandr Solzhenitsyn (Cancer Ward)
I don’t think any other retail company in the world could do what I’m going to propose to you. It’s simple. It won’t cost us anything. And I believe it would just work magic, absolute magic on our customers, and our sales would escalate, and I think we’d just shoot past our Kmart friends in a year or two and probably Sears as well. I want you to take a pledge with me. I want you to promise that whenever you come within ten feet of a customer, you will look him in the eye, greet him, and ask him if you can help him. Now I know some of you are just naturally shy, and maybe don’t want to bother folks. But if you’ll go along with me on this, it would, I’m sure, help you become a leader. It would help your personality develop, you would become more outgoing, and in time you might become manager of that store, you might become a department manager, you might become a district manager, or whatever you choose to be in the company. It will do wonders for you. I guarantee it. Now, I want you to raise your right hand—and remember what we say at Wal-Mart, that a promise we make is a promise we keep—and I want you to repeat after me: From this day forward, I solemnly promise and declare that every time a customer comes within ten feet of me, I will smile, look him in the eye, and greet him. So help me Sam.
Sam Walton (Sam Walton: Made In America)
Suffering the nasty twisting of body parts that should never be twisted, the card soldiers fell, lifeless, and Arch's bodyguards were soon pushing through the tangles of Outerwilderbeastie, cruching twigs and leaves underfoot. Visit the labs?" Blister said, refurring the squate network of building in Wondertropolies' warehouse district, where a consortium of Alyss' scientists and engineers had tried to transform a host of captured Glass Eyes into a benign force. On the lab grounds were the incinerator baths--large pits into which the Glass Eyes were being herded and melted down, sorched into ash. There would be lots of Glasss Eyes to choose from at the labs, bbut Ripkins shook his head. To much security," he said. Find one that roaming?" It'll be easier for us to avoid notcie," Ripkins said. Yeah, but it'd be more fun to hit the labs.
Frank Beddor
It was a city in which the very old and the awkwardly new jostled each other, not uncomfortably, but without respect; a city of shops and offices and restaurants and homes, of parks and churches, of ignored monuments and remarkably unpalatial palaces; a city of hundreds of districts with strange names—Crouch End, Chalk Farm, Earl’s Court, Marble Arch—and oddly distinct identities; a noisy, dirty, cheerful, troubled city, which fed on tourists, needed them as it despised them, in which the average speed of transportation through the city had not increased in three hundred years, following five hundred years of fitful road-widening and unskillful compromises between the needs of traffic, whether horse-drawn, or, more recently, motorized, and the needs of pedestrians; a city inhabited by and teeming with people of every color and manner and kind.
Neil Gaiman (Neverwhere)
In the many years in which he had toiled to bring civilization to different parts of Africa he had learned a number of things. One of them was that a District Commissioner must never attend to such undignified details as cutting a hanged man from a tree. Such attention would give the natives a poor opinion of him. In the book which he planned to write he would stress that point. As he walked back to the court he thought about that book. Every day brought him some new material. The story of the man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting details. He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger.
Chinua Achebe (Things Fall Apart (The African Trilogy, #1))
This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.
David Berman
I don't know for sure what ever became of Hatsumomo. A few years after the war, I heard she was making a living as a prostitute in the Miyagawa-cho district. She couldn't have been there long, because on the night I heard it, a man at the same party swore that if Hatsumomo was a prostitute, he would find her and give her some business of his own. He did go looking for her, but she was nowhere to be found. Over the years, she probably succeeded in drinking herself to death. She certainly wouldn't have been the first geisha to do it. In just the way that a man can grow accustomed to a bad leg, we'd all grown accustomed to having Hatsumomo in our okiya. I don't think we quite understood all the ways her presence had afflicted us until long after she'd left, when things that we hadn't realized were ailing slowly began to heal. Even when Hatsumomo had been doing nothing more than sleeping in her room, the maids had known she was there, and that during the course of the day she would abuse them. They'd lived with the kind of tension you feel if you walk across a frozen pond whose ice might break at any moment. And as for Pumpkin, I think she'd grown to be dependent on her older sister and felt strangely lost without her. I'd already become the okiya's principal asset, but even I took some time to weed out all the peculiar habits that had taken root because of Hatsumomo. Every time a man looked at me strangely, I found myself wondering if he'd heard something unkind about me from her, even long after she was gone. Whenever I climbed the stairs to the second floor of the okiya, I still kept my eyes lowered for fear that Hatsumomo would be waiting there on the landing, eager for someone to abuse. I can't tell you how many times I reached that last step and looked up suddenly with the realization that there was no Hatsumomo, and there never would be again. I knew she was gone, and yet the very emptiness of the hall seemed to suggest something of her presence. Even now, as an older woman, I sometimes lift the brocade cover on the mirror of my makeup stand, and have the briefest flicker of a thought that I may find her there in the glass, smirking at me.
Arthur Golden (Memoirs of a Geisha)
Our living quarters were in the same compound as the Eastern District administration. Government offices were mostly housed in large mansions which had been confiscated from Kuomintang officials and wealthy landlords. All government employees, even senior officials, lived at their office. They were not allowed to cook at home, and all ate in canteens. The canteen was also where everyone got their boiled water, which was fetched in thermos flasks. Saturday was the only day married couples were allowed to spend together. Among officials, the euphemism for making love was 'spending a Saturday." Gradually, this regimented life-style relaxed a bit and married couples were able to spend more time together, but almost all still lived and spent most of their time in their office compounds. My mother's department ran a very broad field of activities, including primary education, health, entertainment, and sounding out public opinion. At the age of twenty-two, my mother was in charge of all these activities for about a quarter of a million people. She was so busy we hardly ever saw her. The government wanted to establish a monopoly (known as 'unified purchasing and marketing') over trade in the basic commodities grain, cotton, edible o'fi, and meat. The idea was to get the peasants to sell these exclusively to the government, which would then ration them out to the urban population and to parts of the country where they were in short supply.
Jung Chang (Wild Swans: Three Daughters of China)
There are two kinds of learning, from the inside and from the outside. The fist is regarded as the best, or even the only kind. And so people learn through distant journeys, watching, reading, universities and lectures — they learn from what is happening outside them. Man is a stupid creature who had to learn. So he tacks knowledge onto himself, he gathers it like a bee, gaining more and more of it, putting it to use and processing it. But the thing inside that is "stupid" and needs learning doesn't change. Cornspike learned by absorbing things from the outside to the inside. Knowledge that is only grown on the outside changes nothing inside a man, or merely changes him on the surface, as one garment is changed for another. But he who learns by taking things inside himself undergoes constant transformation, because he incorporates what he learns into his being. So by taking the stinking, dirty peasants from Primeval and the district into herself, Cornspike became just like them, was drunk just like them, frightened by the war just like them, and aroused just like them. What's more, by taking them into herself in the bushes behind the inn, Cornspike also took in their wives, their children, and their stuffy, stinking wooden cottages around Maybug Hill. In a way she took the entire village into herself, every pain in the village, and every hope.
Olga Tokarczuk (Primeval and Other Times)
R.O.TC. kept me away from sports while the other guys practiced every day. They made the school teams, won their letters and got the girls. My days were spent mostly marching around in the sun. All you ever saw were the backs of some guy's ears and his buttocks. I quickly became disenchanted with military proceedings. The others shined their shoes brightly and seemed to go through maneuvers with relish. I couldn't see any sense in it. They were just getting shaped up in order to get their balls blown off later. On the other hand, I couldn't see myself crouched down in a football helmet, shoulder pads laced on, decked out in Blue and White, #69, trying to move out some brute with tacos on his breath so that the son of the district attorney could slant off left tackle for six yards. The problem was you had to keep choosing between on evil or another, and no matter what you chose, they sliced a little bit more off you, until there was nothing left. At the age of 25, most people were finished. A whole god-damned nation of assholes driving automobiles, eating, having babies, doing everything in the worst way possible, like voting for the presidential candidate who reminded them most of themselves.
Charles Bukowski (Ham on Rye)
My mother believed in God's will for many years. It was af if she had turned on a celestial faucet and goodness kept pouring out. She said it was faith that kept all these good things coming our way, only I thought she said "fate" because she couldn't pronounce the "th" sound in "faith". And later I discovered that maybe it was fate all along, that faith was just an illusion that somehow you're in control. I found out the most I could have was hope, and with that I wasn't denying any possibility, good or bad. I was just saying, If there is a choice, dear God or whatever you are, here's where the odds should be placed. I remember the day I started thinking this, it was such a revelation to me. It was the day my mother lost her faith in God. She found that things of unquestioned certainty could never be trusted again. We had gone to the beach, to a secluded spot south of the city near Devil's Slide. My father had read in Sunset magazine that this was a good place to catch ocean perch. And although my father was not a fisherman but a pharmacist's assistant who had once been a doctor in China, he believed in his nenkan, his ability to do anything he put his mind to. My mother believed she had nenkan to cook anything my father had a mind to catch. It was this belief in their nenkan that had brought my parents to America. It had enabled them to have seven children and buy a house in Sunset district with very little money. It had given them the confidence to believe their luck would never run out, that God was on their side, that house gods had only benevolent things to report and our ancestors were pleased, that lifetime warranties meant our lucky streak would never break, that all the elements were now in balance, the right amount of wind and water.
Amy Tan (The Joy Luck Club)
In the early months of World War II, San Francisco's Fill-more district, or the Western Addition, experienced a visible revolution. On the surface it appeared to be totally peaceful and almost a refutation of the term “revolution.” The Yakamoto Sea Food Market quietly became Sammy's Shoe Shine Parlor and Smoke Shop. Yashigira's Hardware metamorphosed into La Salon de Beauté owned by Miss Clorinda Jackson. The Japanese shops which sold products to Nisei customers were taken over by enterprising Negro businessmen, and in less than a year became permanent homes away from home for the newly arrived Southern Blacks. Where the odors of tempura, raw fish and cha had dominated, the aroma of chitlings, greens and ham hocks now prevailed. The Asian population dwindled before my eyes. I was unable to tell the Japanese from the Chinese and as yet found no real difference in the national origin of such sounds as Ching and Chan or Moto and Kano. As the Japanese disappeared, soundlessly and without protest, the Negroes entered with their loud jukeboxes, their just-released animosities and the relief of escape from Southern bonds. The Japanese area became San Francisco's Harlem in a matter of months. A person unaware of all the factors that make up oppression might have expected sympathy or even support from the Negro newcomers for the dislodged Japanese. Especially in view of the fact that they (the Blacks) had themselves undergone concentration-camp living for centuries in slavery's plantations and later in sharecroppers' cabins. But the sensations of common relationship were missing. The Black newcomer had been recruited on the desiccated farm lands of Georgia and Mississippi by war-plant labor scouts. The chance to live in two-or three-story apartment buildings (which became instant slums), and to earn two-and even three-figured weekly checks, was blinding. For the first time he could think of himself as a Boss, a Spender. He was able to pay other people to work for him, i.e. the dry cleaners, taxi drivers, waitresses, etc. The shipyards and ammunition plants brought to booming life by the war let him know that he was needed and even appreciated. A completely alien yet very pleasant position for him to experience. Who could expect this man to share his new and dizzying importance with concern for a race that he had never known to exist? Another reason for his indifference to the Japanese removal was more subtle but was more profoundly felt. The Japanese were not whitefolks. Their eyes, language and customs belied the white skin and proved to their dark successors that since they didn't have to be feared, neither did they have to be considered. All this was decided unconsciously.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
A mood of constructive criticism being upon me, I propose forthwith that the method of choosing legislators now prevailing in the United States be abandoned and that the method used in choosing juries be substituted. That is to say, I propose that the men who make our laws be chosen by chance and against their will, instead of by fraud and against the will of all the rest of us, as now... ...that the names of all the men eligible in each assembly district be put into a hat (or, if no hat can be found that is large enough, into a bathtub), and that a blind moron, preferably of tender years, be delegated to draw out one... The advantages that this system would offer are so vast and obvious that I hesitate to venture into the banality of rehearsing them. It would in the first place, save the commonwealth the present excessive cost of elections, and make political campaigns unnecessary. It would in the second place, get rid of all the heart-burnings that now flow out of every contest at the polls, and block the reprisals and charges of fraud that now issue from the heart-burnings. It would, in the third place, fill all the State Legislatures with men of a peculiar and unprecedented cast of mind – men actually convinced that public service is a public burden, and not merely a private snap. And it would, in the fourth and most important place, completely dispose of the present degrading knee-bending and trading in votes, for nine-tenths of the legislators, having got into office unwillingly, would be eager only to finish their duties and go home, and even those who acquired a taste for the life would be unable to increase the probability, even by one chance in a million, of their reelection. The disadvantages of the plan are very few, and most of them, I believe, yield readily to analysis. Do I hear argument that a miscellaneous gang of tin-roofers, delicatessen dealers and retired bookkeepers, chosen by hazard, would lack the vast knowledge of public affairs needed by makers of laws? Then I can only answer (a) that no such knowledge is actually necessary, and (b) that few, if any, of the existing legislators possess it... Would that be a disservice to the state? Certainly not. On the contrary, it would be a service of the first magnitude, for the worst curse of democracy, as we suffer under it today, is that it makes public office a monopoly of a palpably inferior and ignoble group of men. They have to abase themselves to get it, and they have to keep on abasing themselves in order to hold it. The fact reflects in their general character, which is obviously low. They are men congenitally capable of cringing and dishonorable acts, else they would not have got into public life at all. There are, of course, exceptions to that rule among them, but how many? What I contend is simply that the number of such exceptions is bound to be smaller in the class of professional job-seekers than it is in any other class, or in the population in general. What I contend, second, is that choosing legislators from that populations, by chance, would reduce immensely the proportion of such slimy men in the halls of legislation, and that the effects would be instantly visible in a great improvement in the justice and reasonableness of the laws.
H.L. Mencken (A Mencken Chrestomathy)
Looking at it though, I remember what my mum had once told me: 'Everyone is made up of little contradictory pieces and you should never judge another person's decisions because you don't know the pieces they have to choose from.' A thief is a criminal until he's stealing to feed his kin. A neglectful mother is a bad mother until she is working two jobs to give her children the best opportunities. A gun is terrifying until it's what's keeping you safe, and then you're terrified without it. Some of us have a lot of contradictory pieces. Some less. My heart vibrates as I turn to watch Max sleep again. I don't know much about his pieces, but I know he has a lot of them. And they all have weight.
Nicci Harris (Our Thing (Kids of The District #2))
5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.
Malay Roy Choudhury (Selected Poems)
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
Jane Jacobs (The Death and Life of Great American Cities)
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner. The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so. Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift your banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
Charles Haddon Spurgeon
The Defendant: I am pleading guilty your honors but I'm doing it because I think it would be a waste of money to have a trial over five dollars worth of crack. What I really need is a drug program because I want to turn my life around and the only reason I was doing what I was doing on the street was to support my habit. The habit has to be fed your honors as you know and I believe in working for my money. I could be out there robbing people but I'm not and I've always worked even though I am disabled. And not always at this your honors, I used to be a mail carrier back in the day but then I started using drugs and that was all I wanted to do. So I'm taking this plea to save the city of New York and the taxpayers money because I can't believe that the DA, who I can see is a very tall man, would take to trial a case involving five dollars worth of crack, especially knowing how much a trial of that nature would cost. But I still think that I should get a chance to do a drug program because I've never been given that chance in any of my cases and the money that will be spent keeping me in jail could be spent addressing my real problem which is that I like, no need, to smoke crack every day and every chance I get, and if I have to point people to somebody who's selling the stuff so I can get one dollar and eventually save up enough to buy a vial then smoke it immediately and start saving up for my next one that I'll gladly do that, and I'll do it even though I know it could land me in jail for years because the only thing that matters at that moment is getting my next vial and I am not a Homo-sapiens-sexual your honors but if I need money to buy crack I will suck. . . .
Sergio de la Pava (A Naked Singularity)
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)