District 12 Quotes

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District 12: Where you can starve to death in safety.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We star-crossed lovers of District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek our fans' favor, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me........
Suzanne Collins (Mockingjay (The Hunger Games, #3))
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. There is no District 12. I am the Mockingjay. I brought down the Capitol. President Snow hates me. He killed my sister. Now I will kill him. And then the Hunger Games will be over....
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female... I am going back into the arena.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Not exactly. You see, Portia and I think that the coal miner thing's very overdone. No one will remember you in that. And we both see it has our job to make District 12 tributes unforgettable,' says Cinna. I'll be naked for sure, I think. 'So rather than focus on the coal mining itself, we're going to focus on the coal,' says Cinna. Naked and covered in black dust, i think. 'And what do we do with coal? We burn it,' says Cinna. 'You're not afraid of fire, are you, Katniss?' He sees my expression and grins.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Life in District 12 isn’t really so different from life in the arena. At some point, you have to stop running and turn around and face whoever wants you dead. The hard thing is finding the courage to do it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
She could fly around District 12 all she liked, but she and her mockingjays could never harm him again.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
If you die and i live there's no life for me back in District 12. You're my whole life. I would never be happy again.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
District 12. Where you can starve to death in safety," I mutter. Then I glance quickly over my shoulder. Even here, in the middle of nowhere, you worry someone might overhear you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren't scraping by like the majority of us. But here is different. Wrinkles aren't desirable. A round belly isn't a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The audience must be sick to death of the star-crossed lovers from District 12. I know I am.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Where's your boyfriend, District 12? Still hanging on?" She asks. Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!" Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me. "Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one could help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In District 12, looking old is something of an achievement since so many people die early. Yous see an elderly person you want to congratulate them on their longevity, ask the secret of survival.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
They recognize me. Of course they recognize me. My face is uncovered and I'm standing here outside of District 12 pointing an arrow at them. Who else would I be?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
There's no district 12 to escape from now, no Peacekeepers to trick, no hungry mouths to feed. The Capitol took away all of that, and I'm on the verge of losing Gale as well. The glue of mutual needs that bonded us so tightly together for all those years is melting away.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn't go into much more detail, which is surprising, because that was the year District 12's very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You know what my mother said to me when she came to say goodbye, as if to cheer me up, she said maybe District 12 will finally have a winner. Then I realized she didn't mean me, she meant you." -Peeta Mellark in The Hunger Games
Suzanne Collins
But in District 12, where the word tribute is pretty much synonymous with the word corpse, volunteers are all but extinct.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
And I’m left staring out the window, watching District 12 disappear, with all my good-byes still hanging on my lips.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We star-crossed lovers from District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek the fans’ favor, grace them with our smiles, or catch their kisses. We are unforgiving.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong. Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead. . . .
Suzanne Collins (Mockingjay (The Hunger Games, #3))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead… “Katniss.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Yes. Now, you had that doctorate in Barrayaran history. Do any really interesting District succession squabbles spring to your memory?” “Lord Midnight the horse,” Galeni replied at once. “Who always voted ‘neigh.’ 
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
One of the few freedoms we have in District 12 is the right to marry who we want or not marry at all. And now even that has been taken away from me. I
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Life in District 12 isn’t really so different from life in the arena. At some point, you have to stop running and turn around and face whoever wants you dead. The
Suzanne Collins (Catching Fire (The Hunger Games, #2))
We star crossed lovers of District 12, who suffered so much and enjoyed so little the rewards of our victory. We are unforgiving.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I have the pearl, though, secured in a parachute with the spile and the medicine at my waist. I hope it makes it back to District 12. Surely my mother and Prim will know to return it to Peeta before they bury my body.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is alive. He is a traitor but alive. I have to keep him alive…
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Cassidy," Flick whispers. "Max is fucking you with his eyes right now.
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
I love you, Max Butcher," I whisper. "I don't deserve you" - he presses his lips to mine - "Cassidy Slater. I'm keeping you anyway.
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
I can’t help catching glimpses of us on the huge screens along the route, and we are not just beautiful, we are dark and powerful. No, more. We star-crossed lovers from District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek the fans’ favor, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and hold it out to me. It is an old and rarely use gesture of our district, occasionally seen a funerals. It means thanks, it means admiration, it means goodbye to someone you love.
Collins Suzan
gives a faint shriek and Prim buries her face in her hands, but I feel more like the people I see in the crowd on television. Slightly baffled. What does it mean? Existing pool of victors? Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female . . . I am going
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I nod, then let the conversation drop. But secretly I'm wondering if Haymitch sobered up long enough to help Peeta and me because he thought we just might have the wits to survive. Maybe he wasn't always a drunk. Maybe, in the beginning, he tried to help the tributes. But then it got unbearable. It must be hell to mentor two kids and then watch them die. Year after year after year. I realize that if I get out of here, that will become my job. To mentor the girl from District 12. The idea is so repellent, I thrust it from my mind.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
To the everlasting credit of the people of District 12, not one person claps.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Life in District 12 isn’t really so different from life in the arena. At some point, you have to stop running and turn around and face whoever wants you dead.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Katniss, there is no district 12
Suzanne Collins (Catching Fire (Hunger Games, #2))
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia.
Suzanne Collins (The Hunger Games Trilogy)
safety of District 12 if trouble arises. “District Twelve. Where
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I knew good and well that my life back in District 12 would be unlivable if I let that boy die.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Then he reads the list of past District 12 victors. In seventy-four years, we have had exactly two. Only one is still alive.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You found me,” she said. In District 12? In Panem? In the world itself? Never mind, it didn’t matter. “You knew I would.” “Hoped you would. Didn’t know. The odds didn’t seem in my favor.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you. When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol. Eventually I understood this would only lead us to more trouble. So I learned to hold my tongue and to turn my features into an indifferent mask so that no one could ever read my thoughts. Do my work quietly in school. Make only polite small talk in the public market. Discuss little more than trades in the Hob, which is the black market where I make most of my money. Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Don't you know, Katniss? Bonnie appears genuinely surprised. They recognize me. Of course they recognize me. My face is uncovered and I'm standing here outside of District 12 pointing an arrow at them. Who else would I be?
Suzanne Collins
Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour. Men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces. But today the black cinder streets are empty. Shutters on the squat gray houses are closed. The reaping isn’t until two. May as well sleep in. If you can. Our
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep. Somehow
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead. .
Suzanne Collins (Mockingjay (The Hunger Games, #3))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. There is no District 12. I am the Mockingjay. I brought down the Capitol. President Snow hates me. He killed my sister. Now I will kill him. And then the Hunger Games will be over.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
speeding in to blow us out of the sky? As we travel over District 12, I watch anxiously for signs of an attack, but nothing pursues us. After several minutes, when I hear an exchange between Plutarch and the pilot confirming that the airspace is clear, I begin to
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I even have a funny notion that if I do die, maybe Peeta will be allowed to live. Not as a free person but as an Avox or something, waiting on the future tributes of District 12. Then maybe he could find some way to escape. My death could, in fact, still save him.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead. . . . “Katniss.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
No, more. We star-crossed lovers from District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek the fans’ favor, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Haymitch Abernathy, a paunchy, middle-aged man, who at this moment appears hollering something unintelligible, staggers onto the stage, and falls into the third chair. He’s drunk. Very. The crowd responds with its token applause, but he’s confused and tries to give Effie Trinket a big hug, which she barely manages to fend off. The mayor looks distressed. Since all of this is being televised, right now District 12 is the laughingstock of Panem, and he knows it. He quickly tries to pull the attention back to the reaping by introducing Effie Trinket. Bright
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Caesar Flickerman, the man who has hosted the interviews for more than forty years, bounces onto the stage. It’s a little scary because his appearance has been virtually unchanged during all that time. Same face under a coating of pure white makeup. Same hairstyle that he dyes a different color for each Hunger Games. Same ceremonial suit, midnight blue dotted with a thousand tiny electric bulbs that twinkle like stars. They do surgery in the Capitol, to make people appear younger and thinner. In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren’t scraping by like the majority of us. But here it is different. Wrinkles aren’t desirable. A round belly isn’t a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I turn to Rue’s family. “But I feel as if I did know Rue, and she’ll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.” My voice is undependable, but I am almost finished. “Thank you for your children.” I raise my chin to address the crowd. “And thank you all for the bread.” I stand there, feeling broken and small, thousands of eyes trained on me. There’s a long pause. Then, from somewhere in the crowd, someone whistles Rue’s four-note mockingjay tune. The one that signaled the end of the workday in the orchards. The one that meant safety in the arena. By the end of the tune, I have found the whistler, a wizened old man in a faded red shirt and overalls. His eyes meet mine. What happens next is not an accident. It is too well executed to be spontaneous, because it happens in complete unison. Every person in the crowd presses the three middle fingers of their left hand against their lips and extends them to me. It’s our sign from District 12, the last good-bye I gave Rue in the arena.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn’t go into much more detail, which is surprising, because that was the year District 12’s very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Fancy cakes with flowers and pretty things painted in frosting. They’re for birthdays and New Year’s Day. When we’re in the square, Prim always drags me over to admire them, although we’d never be able to afford one. There’s little enough beauty in District 12, though, so I can hardly deny her this.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
What happens next is not an accident. It is too well executed to be spontaneous, because it happens in complete unison. Every person in the crowd presses the three middle fingers of their left hand against their lips and extends them to me. It’s our sign from District 12, the last good-bye I gave Rue in the arena.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The headache’s coming on and my thoughts begin to tangle. I shut my eyes and start to recite silently. My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is alive. He is a traitor but alive. I have to keep him alive.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I walk to the approximate site of the bakery Peeta’s family owned. Nothing much left but the melted lump of the oven. Peeta’s parents, his two older brothers — none of them made it to 13. Fewer than a dozen of what passed for District 12’s well-to-do escaped the fire. Peeta would have nothing to come home to, anyway. Except me . . .
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Married?” He laughed, then remembered they married young in some of the districts. How did he know? Maybe she had a husband back in 12. “Why? Are you asking?” said Lucy Gray seriously. He looked up in surprise. “Because I think this could work.” Coriolanus felt himself blush a little at her teasing. “I’m pretty sure you could do better.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
You're short. . . Why are you short." "I was born this way." "Mentally challenged, not vertically challenged, darlin. Why are you short?
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
Worrying is like a rocking horse. It gives you something to do, but it doesn't get you anywhere.
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
Hearing this makes me feel like District 12 is some sort of safe haven. Of course, people keel over from starvation all the time, but I can’t imagine the Peacekeepers murdering a simpleminded child. There’s a little girl, one of Greasy Sae’s grandkids, who wanders around the Hob. She’s not quite right, but she’s treated as a sort of pet. People toss her scraps and things
Suzanne Collins (The Hunger Games Trilogy)
The headache’s coming on and my thoughts begin to tangle. I shut my eyes and start to recite silently. My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is alive. He is a traitor but alive. I have to keep him alive. . . . The list. It still seems too small. I should try to think bigger,
Suzanne Collins (Mockingjay (The Hunger Games, #3))
It’s essential to get back to District 12, because the main part of any plan will include my mother and sister, Gale and his family. And Peeta, if I can get him to come with us. I add Haymitch to the list. These are the people I must take with me when I escape into the wild. How I will convince them, where we will go in the dead of winter, what it will take to evade capture are unanswered questions. But at least now I know what I must do.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
They do surgery in the Capitol, to make people appear younger and thinner. In District 12, looking old is something of an achievement since so many people die early. You see an elderly person you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren't scraping by like the majority of us. But here it is different. Wrinkles aren't desirable. A round belly isn't a sign of success
Suzanne Collins (The Hunger Games (Hunger Games Trilogy) by Suzanne Collins (2015-10-01))
They do surgery in the Capitol, to make people appear younger and thinner. In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren’t scraping by like the majority of us. But here it is different. Wrinkles aren’t desirable. A round belly isn’t a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
So cold, so bitterly cold tonight. As if the Gamemakers have sent an infusion of frozen air across the arena, which may be exactly what they’ve done. I lie next to Peeta in the bag, trying to absorb every bit of his fever heat. It’s strange to be so physically close to someone who’s so distant. Peeta might as well be back in the Capitol, or in District 12, or on the moon right now, he’d be no harder to reach. I’ve never felt lonelier since the Games began
Suzanne Collins (The Hunger Games Trilogy)
Smiths were sacred in the old days. We know that they made a secret of their trade which overrode the bounds of district, tribe, and race. A smith was welcome in any village, his person safe on the road. In fact, the roads themselves were under the protection of the gods; there was peace on them for all wayfarers. The land was wide then, and it was empty. The tribes were few and small, and there was plenty of room for the hunter, the farmer, the trader. Life was not such a scramble of man against man, but rather of man against nature—
Andre Norton (Time Traders (Time Traders/Ross Murdock, #1-2))
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and hold it out to me. It is an old and rarely use gesture of our district, occasionally seen a funerals. It means thanks, it means admiration, it means goodbye to someone you love.
Suzanna Collins
I stick to the road out of habit, but it’s a bad choice, because it’s full of the remains of those who tried to flee. Some were incinerated entirely. But others, probably overcome with smoke, escaped the worst of the flames and now lie reeking in various states of decomposition, carrion for scavengers, blanketed by flies. I killed you, I think as I pass a pile. And you. And you. Because I did. It was my arrow, aimed at the chink in the force field surrounding the arena, that brought on this firestorm of retribution. That sent the whole country of Panem into chaos. In my head I hear President Snow’s words, spoken the morning I was to begin the Victory Tour. “Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem.” It turns out he wasn’t exaggerating or simply trying to scare me. He was, perhaps, genuinely attempting to enlist my help. But I had already set something in motion that I had no ability to control. Burning. Still burning, I think numbly. The fires at the coal mines belch black smoke in the distance. There’s no one left to care, though. More than ninety percent of the district’s population is dead. The remaining eight hundred or so are refugees in District 13 — which, as far as I’m concerned, is the same thing as being homeless forever. I know I shouldn’t think that; I know I should be grateful for the way we have been welcomed. Sick, wounded, starving, and empty-handed. Still, I can never get around the fact that District 13 was instrumental in 12’s destruction. This doesn’t absolve me of blame — there’s plenty of blame to go around. But without them, I would not have been part of a larger plot to overthrow the Capitol or had the wherewithal to do it. The citizens of District 12 had no organized resistance movement of their own. No say in any of this. They only had the misfortune to have me. Some survivors think it’s good luck, though, to be free of District 12 at last. To have escaped the endless hunger and oppression, the perilous mines, the lash of our final Head Peacekeeper, Romulus Thread. To have a new home at all is seen as a wonder since, up until a short time ago, we hadn’t even known that District 13 still existed.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
There was only a hint of it in New Hampshire, but in Wisconsin it came together with a decisiveness that nobody could quite understand in the alcoholic chaos of election night… but when the votes were all counted and the numbers broken down by wards, districts, and precincts, all you had to do was scan the tally sheets to see that McGovern had won all across the board. In Green Bay’s Ward 12, which the tally sheet says is “mostly paper mill workers,” he beat Wallace by 32 to 22 percent. In Sheboygan’s Ward 4, another blue-collar, factory-worker neighborhood,
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.” My mother gives a faint shriek and Prim buries her face in her hands, but I feel more like the people I see in the crowd on television. Slightly baffled. What does it mean? Existing pool of victors? Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female . . . I am going back into the arena.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
By noon they will all be at my new house in the Victor’s Village. The reporters, the camera crews, even Effie Trinket, my old escort, will have made their way to District 12 from the Capitol. I wonder if Effie will still be wearing that silly pink wig, or if she’ll be sporting some other unnatural color especially for the Victory Tour. There will be others waiting, too. A staff to cater to my every need on the long train trip. A prep team to beautify me for public appearances. My stylist and friend, Cinna, who designed the gorgeous outfits that first made the audience take notice of me in the Hunger Games.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The day of the reaping’s hot and sultry. The population of District 12 waits, sweating and silent, in the square with machine guns trained on them. I stand alone in a small roped-off area with Peeta and Haymitch in a similar pen to the right of me. The reaping takes only a minute. Effie, shining in a wig of metallic gold, lacks her usual verve. She has to claw around the girls’ reaping ball for quite a while to snag the one piece of paper that everyone already knows has my name on it. Then she catches Haymitch’s name. He barely has time to shoot me an unhappy look before Peeta has volunteered to take his place.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
But to make things even worse, this is the year of the Seventy-fifth Hunger Games, and that means it’s also a Quarter Quell. They occur every twenty-five years, marking the anniversary of the districts’ defeat with over-the-top celebrations and, for extra fun, some miserable twist for the tributes. I’ve never been alive for one, of course. But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn’t go into much more detail, which is surprising, because that was the year District 12’s very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The sun eventually rises, its light slipping through the cracks and illuminating Peeta’s face. Who will he transform into if we make it home? This perplexing, good-natured boy who can spin out lies so convincingly the whole of Panem believes him to be hopelessly in love with me, and I’ll admit it, there are moments when he makes me believe it myself? At least, we’ll be friends, I think. Nothing will change the fact that we’ve saved each other’s lives in here. And beyond that, he will always be the boy with the bread. Good friends. Anything beyond that though . . . and I feel Gale’s gray eyes watching me watching Peeta, all the way from District 12.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
That’s why my mother and Prim, with their light hair and blue eyes, always look out of place. They are. My mother’s parents were part of the small merchant class that caters to officials, Peacekeepers and the occasional Seam customer. They ran an apothecary shop in the nicer part of District 12. Since almost no one can afford doctors, apothecaries are our healers. My father got to know my mother because on his hunts he would sometimes collect medicinal herbs and sell them to her shop to be brewed into remedies. She must have really loved him to leave her home for the Seam. I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s
Suzanne Collins (The Hunger Games (Hunger Games, #1))
One of the Project’s more enthusiastic, ambitious, optimistic, and inspirational characters, Ernest Lawrence found it impossible to believe what the District Engineer was saying: Those high school girls they had pulled from rural Tennessee to operate his calutrons in Y-12 were doing it better than his own team of scientists. In Berkeley, only PhDs had been allowed to operate the panels controlling the electromagnetic separation units. When Tennessee Eastman suggested turning over the operation of Lawrence’s calutrons to a bunch of young women fresh off the farm with nothing more than a public school education, the Nobel Prize winner was skeptical. But it was decided Lawrence’s team would work out the kinks for the calutron units and then pass control to the female operators.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
On July 13, 2018, a federal grand jury in the District of Columbia returned an indictment charging Russian military intelligence officers from the GRU with conspiring to hack into various U.S. computers used by the Clinton Campaign, DNC, DCCC, and other U.S. persons, in violation of 18 U.S.C. §§ 1030 and 371 (Count One); committing identity theft and conspiring to commit money laundering in furtherance of that hacking conspiracy, in violation of 18 U.S.C. §§ 1028A and 1956(h) (Counts Two through Ten); and a separate conspiracy to hack into the computers of U.S. persons and entities responsible for the administration of the 2016 U.S. election, in violation of 18 U.S.C. §§ 1030 and 371 (Count Eleven). Netyksho Indictment.1277 As of this writing, all 12 defendants remain at large.
Robert S. Mueller III (The Mueller Report: Report on the Investigation into Russian Interference in the 2016 Presidential Election)
—Com et dius? Faig una bona empassada. —Katniss Everdeen —dic. […] —Vinga, tothom! Dediquem una gran ovació al nostre nou tribut! —pronuncia amb vibració afectada l'Effie Trinket. Per a honor perdurable de la gent del Districte 12, ningú no aplaudeix. […] Em quedo sense moure'm mentre els meus paisans participen de la forma de dissensió més explícita que es poden permetre. El silenci. El silenci que diu que no hi estem d'acord. Que no concedim. Que tot això està malament. Llavors passa una cosa inesperada. […] Primer un, després l'altre, i finalment tots els membres del públic es posen els tres dits del mig de la mà esquerra als llavis i després me'ls mostren. És un gest antic del nostre districte, rarament utilitzat, que ocasionalment es veu als funerals. Significa agraïment, significa admiració, adéu a algú que estimem.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
those glasses aren't for the sun they're for darkness, exclaims Rue. Sometimes when we harvest through the night, they'll pass out a few pairs to those of us highest in the trees. Where the torchlight doesn't reach. One time, this boy Martin, he tried to keep his pair. Hid it in his pants. They killed him on the spot. They killed a boy for taking these/ I say Yes. and everyone knew he was no danger. Martin wasn't right in the head. I mean he still acted like a three year old. He just wanted the glasses to play with, says Rue. Hearing this makes me feel like District 12 is some sort of safe haven. Of course, people keel over from starvation all the time, but I can't imagine the peacekeepers murdering a simpleminded child. There's a little girl, one of greasy sae's gradkids, who wanders around the Hob. She's not quite right but she's treated as a sort of pet. People toss her scraps and things.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The voice of the crowd rises into one universal scream as we roll into the fading evening light, but neither one of us reacts. I simply fix my eyes on a point far in the distance and pretend there is no audience, no hysteria. I can’t help catching glimpses of us on the huge screens along the route, and we are not just beautiful, we are dark and powerful. No, more. We star-crossed lovers from District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek the fans’ favour, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last. As we curve around into the loop of the City Circle, I can see that a couple of the other stylists have tried to steal Cinna and Portia’s idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from District 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Winning will make you famous. Losing means certain death. The nation of Panem, formed from a post-apocalyptic North America, is a country that consists of a wealthy Capitol region surrounded by 12 poorer districts. Early in its history, a rebellion led by a 13th district against the Capitol resulted in its destruction and the creation of an annual televised event known as the Hunger Games. In punishment, and as a reminder of the power and grace of the Capitol, each district must yield one boy and one girl between the ages of 12 and 18 through a lottery system to participate in the games. The 'tributes' are chosen during the annual Reaping and are forced to fight to the death, leaving only one survivor to claim victory. When 16-year-old Katniss's young sister, Prim, is selected as District 12's female representative, Katniss volunteers to take her place. She and her male counterpart Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. , she sees it as a death sentence. But Katniss has been close to death before. For her, survival is second nature.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Postscript, 2005 From the Publisher ON APRIL 7, 2004, the Mid-Hudson Highland Post carried an article about an appearance that John Gatto made at Highland High School. Headlined “Rendered Speechless,” the report was subtitled “Advocate for education reform brings controversy to Highland.” The article relates the events of March 25 evening of that year when the second half of John Gatto’s presentation was canceled by the School Superintendent, “following complaints from the Highland Teachers Association that the presentation was too controversial.” On the surface, the cancellation was in response to a video presentation that showed some violence. But retired student counselor Paul Jankiewicz begged to differ, pointing out that none of the dozens of students he talked to afterwards were inspired to violence. In his opinion, few people opposing Gatto had seen the video presentation. Rather, “They were taking the lead from the teacher’s union who were upset at the whole tone of the presentation.” He continued, “Mr. Gatto basically told them that they were not serving kids well and that students needed to be told the truth, be given real-life learning experiences, and be responsible for their own education. [Gatto] questioned the validity and relevance of standardized tests, the prison atmosphere of school, and the lack of relevant experience given students.” He added that Gatto also had an important message for parents: “That you have to take control of your children’s education.” Highland High School senior Chris Hart commended the school board for bringing Gatto to speak, and wished that more students had heard his message. Senior Katie Hanley liked the lecture for its “new perspective,” adding that ”it was important because it started a new exchange and got students to think for themselves.” High School junior Qing Guo found Gatto “inspiring.” Highland teacher Aliza Driller-Colangelo was also inspired by Gatto, and commended the “risk-takers,” saying that, following the talk, her class had an exciting exchange about ideas. Concluded Jankiewicz, the students “were eager to discuss the issues raised. Unfortunately, our school did not allow that dialogue to happen, except for a few teachers who had the courage to engage the students.” What was not reported in the newspaper is the fact that the school authorities called the police to intervene and ‘restore the peace’ which, ironically enough, was never in the slightest jeopardy as the student audience was well-behaved and attentive throughout. A scheduled evening meeting at the school between Gatto and the Parents Association was peremptorily forbidden by school district authorities in a final assault on the principles of free speech and free assembly… There could be no better way of demonstrating the lasting importance of John Taylor Gatto’s work, and of this small book, than this sorry tale. It is a measure of the power of Gatto’s ideas, their urgency, and their continuing relevance that school authorities are still trying to shut them out 12 years after their initial publication, afraid even to debate them. — May the crusade continue! Chris Plant Gabriola Island, B.C. February, 2005
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
When the time comes, & I hope it comes soon, to bury this era of moral rot & the defiling of our communal, social, & democratic norms, the perfect epitaph for the gravestone of this age of unreason should be Iowa Senator Chuck Grassley's already infamous quote: "I think not having the estate tax recognizes the people that are investing... as opposed to those that are just spending every darn penny they have, whether it’s on booze or women or movies.” Grassley's vision of America, quite frankly, is one I do not recognize. I thought the heart of this great nation was not limited to the ranks of the plutocrats who are whisked through life in chauffeured cars & private jets, whose often inherited riches are passed along to children, many of whom no sacrifice or service is asked. I do not begrudge wealth, but it must come with a humility that money never is completely free of luck. And more importantly, wealth can never be a measure of worth. I have seen the waitress working the overnight shift at a diner to give her children a better life, & yes maybe even take them to a movie once in awhile - and in her, I see America. I have seen the public school teachers spending extra time with students who need help & who get no extra pay for their efforts, & in them I see America. I have seen parents sitting around kitchen tables with stacks of pressing bills & wondering if they can afford a Christmas gift for their children, & in them I see America. I have seen the young diplomat in a distant foreign capital & the young soldier in a battlefield foxhole, & in them I see America. I have seen the brilliant graduates of the best law schools who forgo the riches of a corporate firm for the often thankless slog of a district attorney or public defender's office, & in them I see America. I have seen the librarian reshelving books, the firefighter, police officer, & paramedic in service in trying times, the social worker helping the elderly & infirm, the youth sports coaches, the PTA presidents, & in them I see America. I have seen the immigrants working a cash register at a gas station or trimming hedges in the frost of an early fall morning, or driving a cab through rush hour traffic to make better lives for their families, & in them I see America. I have seen the science students unlocking the mysteries of life late at night in university laboratories for little or no pay, & in them I see America. I have seen the families struggling with a cancer diagnosis, or dementia in a parent or spouse. Amid the struggles of mortality & dignity, in them I see America. These, & so many other Americans, have every bit as much claim to a government working for them as the lobbyists & moneyed classes. And yet, the power brokers in Washington today seem deaf to these voices. It is a national disgrace of historic proportions. And finally, what is so wrong about those who must worry about the cost of a drink with friends, or a date, or a little entertainment, to rephrase Senator Grassley's demeaning phrasings? Those who can't afford not to worry about food, shelter, healthcare, education for their children, & all the other costs of modern life, surely they too deserve to be able to spend some of their “darn pennies” on the simple joys of life. Never mind that almost every reputable economist has called this tax bill a sham of handouts for the rich at the expense of the vast majority of Americans & the future economic health of this nation. Never mind that it is filled with loopholes written by lobbyists. Never mind that the wealthiest already speak with the loudest voices in Washington, & always have. Grassley’s comments open a window to the soul of the current national Republican Party & it it is not pretty. This is not a view of America that I think President Ronald Reagan let alone President Dwight Eisenhower or Teddy Roosevelt would have recognized. This is unadulterated cynicism & a version of top-down class warfare run amok. ~Facebook 12/4/17
Dan Rather
The oldest district of Massa is Rocca, with very narrow streets (but few old houses) and the church of San Rocco, which has an interesting 16th-century Crucifix attributed to the local sculptor Felice Palma. It is at the foot of the hill crowned with Massa’s most important building, the Rocca or Castello Malaspina, first built in the 11th–12th centuries. The Renaissance palace of the Malaspina family was enlarged in the 16th–17th centuries, and is of the highest architectural interest (open summer every day except Mon 9.30–12.30 & 4.30–7.30, or until 11pm on summer weekends; other periods usually only at weekends; T: 0587 44774). The Renaissance rooms are shown on guided tours every hour, as well as the medieval and defensive portions, and the walkways on the battlements.
Alta MacAdam (Blue Guide Tuscany with Florence, the Chianti, Siena, San Gimignano, Pienza, Montepulciano, Chiusi, Arezzo, Cortona, Lucca, Pisa, Livorno, Pitigliano and Volterra.)
A Hard Left For High-School History The College Board version of our national story BY STANLEY KURTZ | 1215 words AT the height of the “culture wars” of the late 1980s and early 1990s, conservatives were alive to the dangers of a leftist takeover of American higher education. Today, with the coup all but complete, conservatives take the loss of the academy for granted and largely ignore it. Meanwhile, America’s college-educated Millennial generation drifts ever farther leftward. Now, however, an ambitious attempt to force a leftist tilt onto high-school U.S.-history courses has the potential to shake conservatives out of their lethargy, pulling them back into the education wars, perhaps to retake some lost ground. The College Board, the private company that develops the SAT and Advanced Placement (AP) exams, recently ignited a firestorm by releasing, with little public notice, a lengthy, highly directive, and radically revisionist “framework” for teaching AP U.S. history. The new framework replaces brief guidelines that once allowed states, school districts, and teachers to present U.S. history as they saw fit. The College Board has promised to generate detailed guidelines for the entire range of AP courses (including government and politics, world history, and European history), and in doing so it has effectively set itself up as a national school board. Dictating curricula for its AP courses allows the College Board to circumvent state standards, virtually nationalizing America’s high schools, in violation of cherished principles of local control. Unchecked, this will result in a high-school curriculum every bit as biased and politicized as the curriculum now dominant in America’s colleges. Not coincidentally, David Coleman, the new head of the College Board, is also the architect of the Common Core, another effort to effectively nationalize American K–12 education, focusing on English and math skills. As president of the College Board, Coleman has found a way to take control of history, social studies, and civics as well, pushing them far to the left without exposing himself to direct public accountability. Although the College Board has steadfastly denied that its new AP U.S. history (APUSH) guidelines are politically biased, the intellectual background of the effort indicates otherwise. The early stages of the APUSH redesign overlapped with a collaborative venture between the College Board and the Organization of American Historians to rework U.S.-history survey courses along “internationalist” lines. The goal was to undercut anything that smacked of American exceptionalism, the notion that, as a nation uniquely constituted around principles of liberty and equality, America stands as a model of self-government for the world. Accordingly, the College Board’s new framework for AP U.S. history eliminates the traditional emphasis on Puritan leader John Winthrop’s “City upon a Hill” sermon and its echoes in American history. The Founding itself is demoted and dissolved within a broader focus on transcontinental developments, chiefly the birth of an exploitative international capitalism grounded in the slave trade. The Founders’ commitment to republican principles is dismissed as evidence of a benighted belief in European cultural superiority. Thomas Bender, the NYU historian who leads the Organization of American Historians’ effort to globalize and denationalize American history, collaborated with the high-school and college teachers who eventually came to lead the College Board’s APUSH redesign effort. Bender frames his movement as a counterpoint to the exceptionalist perspective that dominated American foreign policy during the George W. Bush ad ministration. Bender also openly hopes that students exposed to his approach will sympathize with Supreme Court justice Ruth Bader Ginsburg’s willingness to use foreign law to interpret the U.S. Constitution rather than with Justice Antonin Scalia�
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