Distressed Jeans Quotes

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One of the marvelous things about community is that it enables us to welcome and help people in a way we couldn't as individuals. When we pool our strength and share the work and responsibility, we can welcome many people, even those in deep distress, and perhaps help them find self-confidence and inner healing.
Jean Vanier (Community and Growth)
Just then Patch ambled through the front door. I did a double take to make it was really him. I hadn't expected him to come. We'd never resolved our fight, and I'd pridefully refused to take the first step, forcing myself to lock my cell phone in a drawer every time I was tempted to call him and apologize, despite my increasing distress that he might never call either. My pride immediately turned to relief at the sight of him. I hated fighting. I hated not having him close. If he was ready to mend this, so was I.A smile flickered across my face at the sight of his costume; black jeans, black t-shirt, black face mask. The latter concealed all but his cool, assessing gaze. "There's my date," I said. "Fashionably late.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
To escape the distress caused by regret for the past or fear about the future, this is the rule to follow: leave the past to the infinite mercy of God, the future to His good Providence, give the present wholly to His love by being faithful to His grace.
Jean-Pierre de Caussade (Abandonment to Divine Providence)
From doing to listening in the end, the most important thing is not to do things for people who are poor and in distress, but to enter into relationship with them, to be with them and help them find confidence in themselves and discover their own gifts. . . . The promise of Jesus is to help us discover that the poor are a source of life and not just objects of our charity.
Jean Vanier (Community and Growth)
You remember that illuminated text over the dining-room door--"The Lord Will Provide." We've painted it out, and covered the spot with rabbits. It's all very well to teach so easy a belief to normal children, who have a proper family and roof behind them; but a person whose only refuge in distress will be a park bench must learn a more militant creed than that.
Jean Webster (Dear Enemy (Daddy-Long-Legs, #2))
Instead of being distressed by the huge moral discrepancy between the myth of Hollywood and its current reality, most of them only saw what already had been fixed in their minds. It was absolutely eerie and sent me right back to The Day of the Locust. The point that Nathanael West made, of course, is that the masses ultimately want to kill and devour, to cannibalize their celebrity gods.
Jean Stein (West of Eden: An American Place)
Then keep your confidence in the infinite mercy of the Savior. Say, like one mother I know who was distressed by the conduct of her children, 'Jesus, You love them too much not to save them.' Thank Him in advance for the Heaven which He is preparing for them...but, and this is very, very important--while you are suffering, wait in peace for the time of Jesus, the time chosen by Him to grant your request. He will perhaps make you wait a long time, precisely as a proof of your confidence...tell Him whatever your trial, that with His grace nothing will make you lose your profound peace, because you are sure of Him.
Jean du Coeur de Jésus d'Elbée (I Believe in Love: A Personal Retreat Based on the Teaching of St. Thérèse of Lisieux)
In her new, albeit fragile, mood, this letter does not unduly distress her. One lesson she has learned is that any opinion expressed by a person who does not understand how to use an apostrophe may be disregarded with impunity.
Jean Hanff Korelitz (The White Rose)
He had second thoughts because I didn’t own a tiara I didn’t wear gowns I wore ripped jeans and kicks I slurped my soup and let my hair hang loosely, wildly off my shoulders I wasn’t a damsel in distress and didn’t need a prince to sweep me off my feet
Emily Curtis (in the absence of the sun)
Man, did his butt look fine in those jeans. They were tight in all the right places. And worn out just right too. You could tell he had those jeans forever. He didn’t buy them all distressed and faded like that. Nope, those fit perfectly and were nicely worn around that perfect butt.
Julie Cassar (Ruby Blue (Ruby Blue, #1))
You know, Jean’s slapped me out of a lot of moods like the one you’re in right now.” Locke took a long pull on his beer. “You’re taking the world awfully personally. Didn’t Chains ever tell you about the Golden Theological Principle?” “The what?” “The single congruent aspect of every known religion. The one shared, universal assumption about the human condition.” “What is it?” “He said that life boils down to standing in line to get shit dropped on your head. Everyone’s got a place in the queue, you can’t get out of it, and just when you start to congratulate yourself on surviving your dose of shit, you discover that the line is actually circular.” “I’m just old enough to find that distressingly accurate.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
He spared a glance at her distressed face and knew it to be a mistake instantly. He was momentarily arrested because...man, six feet away she was pretty. Up close like this? Total gut-shot. Of course, having just seen all of her unmentionables didn't help matters. Unmentionables? Whoever came up with that ridiculous term? Underwear that fantastic deserved to be mentioned on a regular basis. Shit, he wasn't going to think about her underwear. which, of course, only made him wonder what color she had on under those tight, distressed jeans and that thin T-shirt. Pink? Her outfit was pink. Women often matched their underwear to their outfits. At least that's been his experience. So...probably pink. Holy shit! He was not going to think about her underwear!
Julie Ann Walker (Hell on Wheels (Black Knights Inc., #1))
I started to turn toward the closest bus stop. Alex turned the other way. "Suivez-moi," he commanded. So I followed. "Bon.Je pensais que nous irions-" "Alex." He stopped. "Ella." "Don't do that, the immersion thing." "Mais, c'est tres important." "Alex." "Ella." "Please.I know you do this with other linguistic losers, but it makes me feel like I should have a great big L lipsticked onto my forehead in some swirly French calligraphy." "Do you often contemplate decorating yourself in such a manner?" I took a quick look down.I was wearing Sienna's turtleneck again, but my own jeans. There was a large blue sea horse from the art museum fountain running from my knee to the crease of my thigh. "Yeah," I admitted. "I do." "Quelle horreur!" he declared, eyes round in mock distress. "Casse-toi." He let out a bark of laughter that sounded just like a seal. "Tres bien, Mademoiselle Marino. Got any more?" "A couple.Frankie gave me a copy of How to Offend the French when I managed to get a B in 1B last year." "Well,I never trade insults on a first date. Not that kinda guy. But after two or three..." I liked that he'd said "date," instead of "tutoring session." Even if it wasn't and he totally didn't mean it. I couldn't help it.
Melissa Jensen (The Fine Art of Truth or Dare)
But it is not glorious lulls that concern me. It is the lulls that have no velocity, that offer no structured reassurance, that bloom unbidden in the middle of nowhere—when the work is done, when children leave, when illness comes, when the mind stalls. One does not ask of a lull: What can you do for me? These lulls do not have the quality of idyllic floatiness we associate with creative loafing, vacations, or leisure time. (If they did, we might fight them less readily and feel less personal distress.) These lulls carry a restive feeling, the throb of being simultaneously too full and too empty. They evoke what Jean Cocteau once described as “the discomfort of infinity.” What if we could imagine a lull as neither fatal nor glorious? What if a lull was just a lull?
Kyo Maclear (Birds Art Life: A Year of Observation)
It was a fascinating hint that flu might have a heritable component, but other studies failed to replicate the finding. Then in January 2011, in the midst of the annual flu season in France, a two-year-old girl was admitted to the intensive care unit of the Necker Hospital for Sick Children in Paris, suffering from ARDS (acute respiratory distress syndrome). Doctors saved her life, and one of them, Jean-Laurent Casanova, sequenced her genome. He wanted to know if it held the key to why an otherwise healthy child had nearly died of a disease that most children shrug off. It turned out that the girl had inherited a genetic defect that meant she was unable to produce interferon, that all-important first-line defence against viruses. As a result, her besieged immune system went straight to plan B: a massive inflammatory response similar to the one pathologists saw in 1918.
Laura Spinney (Pale Rider: The Spanish Flu of 1918 and How It Changed the World)
Those who come close to people in need do so first of all in a generous desire to help them and bring them relief; they often feel like saviours and put themselves on a pedestal. But once in contact with them, once touching them, establishing a loving and trusting relationship with them, the mystery unveils itself. At the heart of the insecurity of people in distress there is a presence of Jesus. And so they may discover the sacrament of the poor and enter the mystery of compassion. People who are poor seem to break down the barriers of powerfulness, of wealth, of ability and of pride; they pierce the armour the human heart builds to protect itself; they reveal Jesus Christ. They reveal to those who have come to 'help' them their own poverty and vulnerability. These people also show their 'helpers' their capacity for love, the forces of love in their hearts. A poor person has a mysterious power: in his weakness he is able to open hardened hearts and reveal the sources of living water within them. It is the tiny hand of the fearless child which can slip through the bars of the prison of egoism. He is the one who can open the lock and set free. And God hides himself in the child.
Jean Vanier (Community and Growth)
I want a pair of jeans—32–28,” I said. “Do you want them slim fit, easy fit, relaxed fit, baggy, or extra baggy?” she replied. “Do you want them stonewashed, acid-washed, or distressed? Do you want them button-fly or zipper-fly? Do you want them faded or regular?” I was stunned. A moment or two later I sputtered out something like, “I just want regular jeans. You know, the kind that used to be the only kind.
Barry Schwartz (The Paradox of Choice: Why More Is Less)
He went to the cupboard where he had stored Eddie’s remaining possessions. There was, as he had remembered, a pair of jeans, and he took these out and unfolded them. They were distressed, but no more so than new jeans were these days, and they appeared to fit. William examined himself in the mirror; the jeans took off ten years, he thought, possibly more, and they were perfect with the blazer. This was the very essence of casual smart, he thought—that vague concept that allowed you to wear anything as long as you looked as if you had at least made some effort. He could hold up his head in any company in an outfit like this.
Alexander McCall Smith (The Dog who Came in from the Cold (Corduroy Mansions, #2))
Her breath caught in her throat. Brett leaned against the doorjamb with both hands, wearing a pair of distressed jeans, a fitted black Henley, and a pair of steel-toed work boots. Even the wicked smile he wore screamed of a bad boy who was about to deflower a virgin... which only made her wish she was still a virgin.
Alison Bliss (Meant to Be (A Perfect Fit #3.5))
Was Jean-Jacques Rousseau right? Are humans noble by nature, and were we all doing fine until civilisation came along? I was certainly starting to get that impression. Take the following account recorded in 1492 by a traveller on coming ashore in the Bahamas. He was astonished at how peaceful the inhabitants were. ‘They do not bear arms, and do not know them, for I showed them a sword… and [they] cut themselves out of ignorance.’ This gave him an idea. ‘They would make fine servants… With fifty men we could subjugate them all and make them do whatever we want.’1 Christopher Columbus–the traveller in question–lost no time putting his plan into action. The following year he returned with seventeen ships and fifteen hundred men, and started the transatlantic slave trade. Half a century later, less than 1 per cent of the original Carib population remained; the rest had succumbed to the horrors of disease and enslavement. It must have been quite a shock for these so-called savages to encounter such ‘civilised’ colonists. To some, the very notion that one human being might kidnap or kill another may even have seemed alien. If that sounds like a stretch, consider that there are still places today where murder is inconceivable. In the vast reaches of the Pacific Ocean, for example, lies a tiny atoll called Ifalik. After the Second World War, the US Navy screened a few Hollywood films on Ifalik to foster goodwill with the Ifalik people. It turned out to be the most appalling thing the islanders had ever seen. The violence on screen so distressed the unsuspecting natives that some fell ill for days. When years later an anthropologist came to do fieldwork on Ifalik, the natives repeatedly asked her: was it true? Were there really people in America who had killed another person?
Rutger Bregman (Humankind: A Hopeful History)
Developmental psychologist Jean Piaget (1963) observed that in order for people to learn anything new, their old mental pattern must break up and rework itself around the new, incoming knowledge. This process of internal breakdown and accommodation is key to continuing intellectual development. Likewise, Polish psychiatrist Kazimierz Dabrowski (1972) theorized that emotional distress is potentially a sign of growth, not necessarily illness. He saw psychological symptoms as coming from a freshly activated urge to grow and coined the term “positive disintegration” to describe times when people break down inside in order to reorganize into more emotionally complex beings.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
The desire for perfection is evidence that God exists. It is a reminder that this imperfect world is not our home. That flaws cause us distress and leave us longing for perfection’s restoration indicates our familiarity with the flawless. We came from Perfection: a place of light and truth and beauty; a place of wholeness and completion; a place of perfect love and perfect peace. The small griefs flaws cause us are expressions of our desires to return to the Home—and to the Parents—from which we came.
Jean-Michel Hansen
Anorexia is a complex disorder with cultural, personality and biological factors all implicated in its ontogenesis, but human beings like to identify a single cause that they can pick out and say ‘if only that hadn’t happened …’. This single cause is usually something fairly random (so that any random family could potentially be affected) and external to the family (so that no blame could be attached to the family). The PE teacher who commented that Tracy was too fat to be any good at games, the boyfriend who said that Jane’s bum was too big for her skinny jeans, the doctor who quipped that his patient could do with losing a little weight. It was always things like that. It reminded me of what Friedrich Nietzsche wrote: ‘To trace something unknown back to something known is alleviating, soothing, gratifying, and gives us moreover a feeling of power. Danger, disquiet, anxiety attend the unknown, and the first instinct is to eliminate these distressing states. First principle: any explanation is better than none’.
Geoffrey Beattie (Why Aren't We Saving the Planet?: A Psychologist's Perspective)
jeans that had gone way past distressed and looked frankly distraught.
Kat Ailes (Dead Tired (The Expectant Detectives, #2))
Another distressing aspect of disciplining young children is that somehow you are always left with the flat end of the dialogue – a straight man forever. It’s not just that you feel idiotic. The real menace in dealing with a five-year-old is that in no time at all you begin to sound like a five-year-old. Let’s say you hear a loud, horrifying crash from the bedroom, so you shout up: “In heaven’s name, what was that?” “What?” “That awful noise.” “What noise?” “You didn’t hear that noise?” “No. Did you?” “Of course I did – I just told you.” “What did it sound like?” “Never mind what it sounded like. Just stop it.” “Stop what?” “Whatever you’re doing.” “I’m not doing anything.” “Stop it anyway.” “I’m brushing my teeth. Shall I stop that?” Obviously this way madness lies. Personally, I knew I had to win this battle of dialectics or seek psychiatric care. I don’t promise that my solution will work equally well in all cases, but it does do nicely around here. Nowadays when I hear that crash I merely call up, clearly and firmly, “Hey you, pick up your pants.” I am, of course, operating on the absolute certainty that whoever it is will have at least one pair of pants on the floor. And the mere motion of picking them up will distract him, temporarily at least, from whatever mayhem he was involved in. As far as that crash is concerned, I never really wanted to know what it was. I just wanted it to stop.
Jean Kerr (Please Don't Eat the Daisies)
sadism of the spectator,” whose roots Lucretius anticipated in De Rerum Natura: “It is sweet, when winds roil the waters of the vast sea, to observe from land the distress of others, not because it is a pleasure that others should suffer, but because it is sweet to see what evils we have escaped.
Jean-François Marmion (The Psychology of Stupidity)
All that exists, or remains, of Duchamp’s stay in Buenos Aires is a readymade. Though of course his whole life was a readymade, which was his way of appeasing fate and at the same time sending out signals of distress. As Calvin Tomkins writes: As a wedding present for his sister Suzanne and his close friend Jean Crotti, who were married in Paris on April 14, 1919, Duchamp instructed the couple by letter to hang a geometry book by strings on the balcony of their apartment so that the wind could “go through the book, choose its own problems, turn and tear out the pages.” Clearly, then, Duchamp wasn’t just playing chess in Buenos Aires. Tompkins continues: This Unhappy Readymade, as he called it, might strike some newlyweds as an oddly cheerless wedding gift, but Suzanne and Jean carried out Duchamp’s instructions in good spirit; they took a photograph of the open book dangling in midair (the only existing record of the work, which did not survive its exposure to the elements), and Suzanne later painted a picture of it called Le Readymade malheureux de Marcel. As Duchamp later told Cabanne, “It amused me to bring the idea of happy and unhappy into readymades, and then the rain, the wind, the pages flying, it was an amusing idea.” I take it back: all Duchamp did while he was in Buenos Aires was play chess. Yvonne, who was with him, got sick of all his play-science and left for France. According to Tompkins: Duchamp told one interviewer in later years that he had liked disparaging “the seriousness of a book full of principles,” and suggested to another that, in its exposure to the weather, “the treatise seriously got the facts of life.
Roberto Bolaño (2666)
All these dreams of helplessness, distress, of forking paths, of being locked up miles from anywhere, all these confused, indescribable episodes, are expressions of the fact that one is coming close to a secret zone, an impassable line - not at all, as the conventional interpretation has it, the bar of repression, but something more subtle of which we are the repressed.
Jean Baudrillard (Cool Memories V: 2000 - 2004)
Right across the species, everything must be stored away and put under seal - including the famous genome - doubtless for the use of a later race, who will exploit it as fossil material. We shall ourselves, by the combined pressure of the mass of computer data and the continental drift, be transformed into a metamorphic deposit (the Unconscious already seems like a psychical residue of the Carboniferous). Right now, one has the impression the human race is merely turning in on itself and its origins, desperately gathering together its distress flares and dematerializing to transform itself into a message. But a message to whom? Everyone is looking for a safe area, some form of permanent plot that can eclipse existence as a primary abode and protect us from death. The unfortunate thing is there aren't even any plots held in perpetuity in the cemeteries any more.
Jean Baudrillard (Cool Memories V: 2000 - 2004)
me in. A thickset man, 40s, swarthy, unshaven, in a loose v-neck t-shirt and carefully distressed and torn jeans came round from behind a desk piled high with scripts and shook my hand.
William Boyd (The Vanishing Game)
Then Beverley Brook stepped onto the footplate and pointed a shotgun straight at the Queen’s head – I recognised the Purdey from my trunk. It was nice to see it getting an airing. Beverley herself was wearing an oversized leather jerkin and jeans. Her dreads had been tied into a plait down her back and a pair of antique leather and brass goggles were pushed up onto her brow. ‘Put your hands on your head,’ she said, ‘and step away from the boyfriend.’ The Queen hissed and gripped the rope harder.
Ben Aaronovitch
You remember that illuminated text over the dining-room door—"The Lord Will Provide." We've painted it out, and covered the spot with rabbits. It's all very well to teach so easy a belief to normal children, who have a proper family and roof behind them; but a person whose only refuge in distress will be a park bench must learn a more militant creed than that. "The Lord has given you two hands and a brain and a big world to use them in. Use them well, and you will be provided for; use them ill, and you will want," is our motto, and that with reservations.
Jean Webster (Dear Enemy (Daddy-Long-Legs, #2))
Harriet was lean and graceful in a white summer dress that demonstrated her legs to good effect. An elegant lady; mildly effervescent in the manner Norma Jean had been in her time, with a curled blonde bob and Nordic blue eyes. Twenty years my senior, her smoldering sex appeal hit like a punch to the sternum. That appeal wasn’t ornamental; she deployed it like a weapon. At point-blank range, the strength of her personality crackled even more so than the charm she’d radiated in a score of thriller and crime flicks. A consummate performer, she’d switched between damsel in distress and femme fatale with ease.
Laird Barron (Blood Standard (Isaiah Coleridge, #1))
In every way the early Salem symptoms conformed to those of Elizabeth Knapp, the Goodwin children, and the two young women to whose bedsides Mather rushed post-Salem. We will never know what felled the girls, whether it had more to do with their souls or their chores, with parental attention or inattention. The prickling sensations, the twitching, stammering, and grimacing, the ulcerated skin and twisted limbs, the curled tongues and convex backs, the deliriums, the “furious invectives against imaginary individuals” do however conform precisely to what nineteenth-century neurologist Jean-Martin Charcot, with Freud following him, termed hysteria. Where the seventeenth-century authority saw the devil, we tend to recognize an overtaxed nervous system; what an earlier age called hysteria we term conversion disorder, the body literally translating emotions into symptoms. When sublimated, distress will manifest physically, holding the body hostage. Charcot’s drawings of convulsing hysterics agree in every detail with the scenes that left Deodat Lawson reeling.
Stacy Schiff (The Witches: Salem, 1692)