Distinction Inspiring Quotes

In life, finding a voice is speaking and living the truth. Each of you is an original. Each of you has a distinctive voice. When you find it, your story will be told. You will be heard.

We are all equal in the fact that we are all different. We are all the same in the fact that we will never be the same. We are united by the reality that all colours and all cultures are distinct & individual. We are harmonious in the reality that we are all held to this earth by the same gravity. We don't share blood, but we share the air that keeps us alive. I will not blind myself and say that my black brother is not different from me. I will not blind myself and say that my brown sister is not different from me. But my black brother is he as much as I am me. But my brown sister is she as much as I am me.

Rich People plan for three generations Poor people plan for Saturday night

You all have your own distinct personal backgrounds. Of course some of you come from rich families, some from poor families. But circumstances beyond your control like that shouldn’t determine who you are. You must all realize what you’re worth on your own.

It is absurd to hold that a man should be ashamed of an inability to defend himself with his limbs, but not ashamed of an inability to defend himself with speech and reason; for the use of rational speech is more distinctive of a human being than the use of his limbs.

The distinction between pretending you are better than you are and beginning to be better in reality is finer than moral sleuth hounds conceive.

Do you know great minds enjoy excellence, average minds love mediocrity and small minds adore comfort zones?

Each of us has two distinct choices to make about what we will do with our lives. The first choice we can make is to be less than we have the capacity to be. To earn less. To have less. To read less and think less. To try less and discipline ourselves less. These are the choices that lead to an empty life. These are the choices that, once made, lead to a life of constant apprehension instead of a life of wondrous anticipation And the second choice? To do it all! To become all that we can possibly be. To read every book that we possibly can. To earn as much as we possibly can. To give and share as much as we possibly can. To strive and produce and accomplish as much as we possibly can.

When you walk in silence your excellence will always speak for you.

You need to choose your association according to your vision.

I am so afraid of people's words.They describe so distinctly everything: And this they call dog and that they call house, here the start and there the end. I worry about their mockery with words, they know everything, what will be, what was; no mountain is still miraculous; and their house and yard lead right up to God. I want to warn and object: Let the things be! I enjoy listening to the sound they are making. But you always touch: and they hush and stand still. That's how you kill.

I’m barely human. I’m more like a creature; to me, everything gives off a scent! Thoughts, moments, feelings, movements, words left unsaid, words barely spoken; they all have a distinct sense, distinct fragrances! Both a smell and a touch! To inhale is to capture, to experience! I can perceive and I can “touch” in so many odd ways! And so I am made up of all these scents, all these feelings! An illumination of nerve endings!

we are not here to tolerate our difference, we are here to accept them. We are not here to celebrate our sameness, we are here to salute our distinctions. We are not born into equal circumstances but to equal abilities, but we should have equal opportunities. As individuals we unite in our values.

Life is a changing sequence of situations.If you do not change something, something will change you.

Sentiments that glorify humanity know no racial distinction.

When you walk in distinction, even the photocopying machine can’t replicate your unique quality.

What the average call excellent, the excellent call average.

Yes, content is king but excellence is his queen. ~ Onyi Anyado.

Study, along the lines which the theologies have mapped, will never lead us to discovery of the fundamental facts of our existence. That goal must be attained by means of exact science and can only be achieved by such means. The fact that man, for ages, has superstitiously believed in what he calls a God does not prove at all that his theory has been right. There have been many gods – all makeshifts, born of inability to fathom the deep fundamental truth. There must be something at the bottom of existence, and man, in ignorance, being unable to discover what it is through reason, because his reason has been so imperfect, undeveloped, has used, instead, imagination, and created figments, of one kind or another, which, according to the country he was born in, the suggestions of his environment, satisfied him for the time being. Not one of all the gods of all the various theologies has ever really been proved. We accept no ordinary scientific fact without the final proof; why should we, then, be satisfied in this most mighty of all matters, with a mere theory? Destruction of false theories will not decrease the sum of human happiness in future, any more than it has in the past... The days of miracles have passed. I do not believe, of course, that there was ever any day of actual miracles. I cannot understand that there were ever any miracles at all. My guide must be my reason, and at thought of miracles my reason is rebellious. Personally, I do not believe that Christ laid claim to doing miracles, or asserted that he had miraculous power... Our intelligence is the aggregate intelligence of the cells which make us up. There is no soul, distinct from mind, and what we speak of as the mind is just the aggregate intelligence of cells. It is fallacious to declare that we have souls apart from animal intelligence, apart from brains. It is the brain that keeps us going. There is nothing beyond that. Life goes on endlessly, but no more in human beings than in other animals, or, for that matter, than in vegetables. Life, collectively, must be immortal, human beings, individually, cannot be, as I see it, for they are not the individuals – they are mere aggregates of cells. There is no supernatural. We are continually learning new things. There are powers within us which have not yet been developed and they will develop. We shall learn things of ourselves, which will be full of wonders, but none of them will be beyond the natural. [Columbian Magazine interview]

Be true to what naturally interests you - and be brave enough to turn an obsession into a profession.

I am firmly convinced to-day that, generally speaking, it is in youth that men lay the essential groundwork of their creative thought, wherever that creative thought exists. I make a distinction between the wisdom of age- which can only arise from the greater profundity and foresight that are based on the experiences of a long life- and the creative genius of youth, which blossoms out in thoughts and ideas with inexhaustible fertility, without being able to put these into practice immediately, because of their very superabundance. These furnish the building materials and plans for the future; and it is from them that age takes the stones and builds the edifice, unless the so-called wisdom of the years may have smothered the creative genius of youth.

Leadership isn't about age but rather, leadership is about influence, impact & inspiration.

Mary knew God loved her. From the moment Gabriel appeared to her, Mary has a distinct sense that God’s presence was with her and His hand upon her. She didn’t understand everything that was happening, but she was certain that God would be with her through it all.

Dancing is a expression of desire, thoughts, and emotion in a distinctive way.

only the eye that sees can differentiate a flower from leaves

Religion will disappear from men's consciousness when, finally, we have constructed a world of equals, without class distinctions, and with a sound of scientific conception of society and of life

Things are always either black or white. The grey in between is only a confusion.

You will never see an eagle of distinction flying low with pigeons of mediocrity.

education without inspiration is only a recipe for desperation

The beauty of being shattered is how the shards become our character and our marks of distinction. This is how we are refined by our pain. When the storm rips you to pieces, you get to decide how to put yourself back together again. The storm gives us the gift of our defining choices. You will be a different person after the storm, because the storm will heal you from your perfection. People who stay perfect and unblemished never really get to live fully or deeply. You will not be the same after the storms of life; you will be stronger, wiser and more alive than ever before!

Each heartbeat begins with a single, electrical impulse, or "spark." The distinctive sound we hear through a stethoscope, or when we place our head on a loved one's chest, is the sound of the heart valves opening and closing in perfect synchronicity with each other. It is a two-party rhythm - a delicate dance of systole and diastole, which propels the heart's electrically charged particles through its chambers roughly every second of the day, every day of our lives.

Though my eyes cannot see beyond what I can see, I can see beyond what I cannot see

The fulfilling life, the distinctive life, the relevant life is an achievement. To do whatever you do for no reason other than you love it and believe in its importance.

We Japanese, on the other hand, know our egos are nothing. We bend our egos, all of the time, and that is where we differ. That is the fundamental difference, Hatsue. We bend our heads, we bow and are silent, because we understand that by ourselves alone, we are nothing at all, dust in a strong wind, while the 'hakujin' believes his aloneness is everything, his separateness is the foundation of his existence. He seeks and grasps, seeks and grasps for his separateness, while we seek union with the Greater Life--you must see that these are distinct paths we are travelling, Hatsue, the 'hakujin' and we Japanese" (p. 176).

The world is a beautiful place to be born into if you don't mind happiness not always being so very much fun if you don't mind a touch of hell now and then just when everything is fine because even in heaven they don't sing all the time The world is a beautiful place to be born into if you don't mind some people dying all the time or maybe only starving some of the time which isn't half bad if it isn't you Oh the world is a beautiful place to be born into if you don't much mind a few dead minds in the higher places or a bomb or two now and then in your upturned faces or such other improprieties as our Name Brand society is prey to with its men of distinction and its men of extinction and its priests and other patrolmen and its various segregations and congressional investigations and other constipations that our fool flesh is heir to Yes the world is the best place of all for a lot of such things as making the fun scene and making the love scene and making the sad scene and singing low songs and having inspirations and walking around looking at everything and smelling flowers and goosing statues and even thinking and kissing people and making babies and wearing pants and waving hats and dancing and going swimming in rivers on picnics in the middle of the summer and just generally 'living it up' Yes but then right in the middle of it comes the smiling mortician

Software projects can be thought of as having two distinct stages: figuring out what to build (build the right product), and building it (building the product right). The first stage is dominated by product discovery, and the second stage is all about execution.

There is a distinct feeling of contentment that engulfs your entire being after a day well lived, a battle well fought, and a purpose tirelessly pursued.

To become a distinguished entrepreneur, you need to have an undeniable, unquestionable and unmovable passion for your vision.

Entrepreneur, make today count and but don't let the day count you.

In five minutes you should know if people have confirmed, calculated & considered your vision.

Your comfort zone is not that comfortable.

Ignore ignorance. The ultimate way to deal with men with ignorant mentality who are ignorance of your purpose on earth is to ignore their ignorance; capitalize on their ignorance and let them appreciate your purpose in awe and admiration

The voices may propel you to warble along, or to dance, they may inspire you to seduction or insurrection or inspection or merely to watching a little less television. The voices of Barrett Rude Jr. and the Subtle Distinctions lead nowhere, though, if not back to your own neighborhood. To the street where you live. To things you left behind. And that's what you need, what you needed all along.

Great men do not experience small challenges. They face great challenge but that is what makes them great. That is what give them great story. That is what inspires them to live and leave distinctive footprints on minds. Though they face great challenges, they gather great momentum and strength to fight such challenges with fortitude and tenacity to the satisfaction of their inner man. Great men, though they face great challenges, they always come out of the challenges as great men with great stories. They live and leave distinctive footprints of life on minds

one of the most painful things in life is to be considered as meaningless in an environment where you think you are truly meaningful

the matured understands mistakes as a necessary growth path to maturity

humility must not be equated to mediocrity and cowardice

Millions can move into Enlightenment, and live That as Age of Awakening Enlightenment, a distinctively new way to be one with God, quite different from Traditional Enlightenment.

don't just listen to people crying, hear the reasons why they cry

Entrepreneur, make today count but don't let the day count you. ~ Onyi Anyado.

Entrepreneur, stay hungry, stay humble & stay hopeful.

Cultures should not be like water that dissolves them evenly, but like colours that stand out distinctly.

Do you know great people are continually quoted while the average always misquote great people?

When you walk in distinction, you don’t compete with anyone but competition wants to compete with you.

She looked Toby straight in the eye and said very distinctly, ‘My mother always told me there are no shortcuts to any place worth going.

There is always a good choice and there is always a better choice. There is always the best choice and there is always a choice to choose. If only you would think of the summary of your life tomorrow today, you would yearn to live and leave a distinctive footprint and you would never stand for anything at all

I know that a stranger's hand will write to me next, to say that the good and faithful servant has been called at length into the joy of his Lord. And why weep for this? No fear of death will darken St. John's last hour: his mind will be unclouded; his heart will be undaunted; his hope will be sure; his faith steadfast. His own words are a pledge of this: “My Master,” he says, “has forewarned me. Daily he announces more distinctly, ‘Surely I come quickly!’ and hourly I more eagerly respond, ‘Amen; even so come, Lord Jesus!

The wild. I have drunk it, deep and raw, and heard it's primal, unforgettable roar. We know it in our dreams, when our mind is off the leash, running wild. 'Outwardly, the equivalent of the unconscious is the wilderness: both of these terms meet, one step even further on, as one,' wrote Gary Snyder. 'It is in vain to dream of a wildness distinct from ourselves. There is none such,' wrote Thoreau. 'It is the bog in our brains and bowls, the primitive vigor of Nature in us, that inspires the dream.' And as dreams are essential to the psyche, wildness is to life. We are animal in our blood and in our skin. We were not born for pavements and escalators but for thunder and mud. More. We are animal not only in body but in spirit. Our minds are the minds of wild animals. Artists, who remember their wildness better than most, are animal artists, lifting their heads to sniff a quick wild scent in the air, and they know it unmistakably, they know the tug of wildness to be followed through your life is buckled by that strange and absolute obedience. ('You must have chaos in your soul to give birth to a dancing star,' wrote Nietzsche.) Children know it as magic and timeless play. Shamans of all sorts and inveterate misbehavers know it; those who cannot trammel themselves into a sensible job and life in the suburbs know it. What is wild cannot be bought or sold, borrowed or copied. It is. Unmistakeable, unforgettable, unshamable, elemental as earth and ice, water, fire and air, a quitessence, pure spirit, resolving into no contituents. Don't waste your wildness: it is precious and necessary.

Philosophy needs vision and argument… there is something disappointing about a philosophical work that contains arguments, however good, which are not inspired by some genuine vision, and something disappointing about a philosophical work that contains a vision, however inspiring, which is unsupported by arguments…Speculation about how things hang together requires… the ability to draw out conceptual distinctions and connections, and the ability to argue… But speculative views, however interesting or well supported by arguments or insightful, are not all we need. We also need what [the philosopher Myles] Burnyeat called ‘vision’ – and I take that to mean vision as to how to live our lives, and how to order our societies.

The world, every day, is New. Only for those born in, say, 1870 or so, can there be a meaningful use of the term postmodernism, because for the rest of us we are born and we see and from what we see and digest we remake our world. And to understand it we do not need to label it, categorize it. These labels are slothful and dismissive, and so contradict what we already know about the world, and our daily lives. We know that in each day, we laugh, and we are serious. We do both, in the same day, every day. But in our art we expect clear distinction between the two...But we don't label our days Serious Days or Humorous Days. We know that each day contains endless nuances - if written would contain dozens of disparate passages, funny ones, sad ones, poignant ones, brutal ones, the terrifying and the cuddly. But we are often loathe to allow this in our art. And that is too bad...

But the Greeks and the Romans both believed in the idea of an external daemon of creativity—a sort of house elf, if you will, who lived within the walls of your home and who sometimes aided you in your labors. The Romans had a specific term for that helpful house elf. They called it your genius—your guardian deity, the conduit of your inspiration. Which is to say, the Romans didn’t believe that an exceptionally gifted person was a genius; they believed that an exceptionally gifted person had a genius. It’s a subtle but important distinction (being vs. having) and, I think, it’s a wise psychological construct. The idea of an external genius helps to keep the artist’s ego in check, distancing him somewhat from the burden of taking either full credit or full blame for the outcome of his work. If your work is successful, in other words, you are obliged to thank your external genius for the help, thus holding you back from total narcissism. And if your work fails, it’s not entirely your fault. You can say, “Hey, don’t look at me—my genius didn’t show up today!” Either way, the vulnerable human ego is protected. Protected from the corrupting influence of praise. Protected from the corrosive effects of shame.

Recognizing Nothing as one's true nature, following the guidance of our conscience - having a clear distinction between absolute and relative values, and using the Earth as the external absolute scale that matches the internal absolute truthfulness.

Our metaphors for the operation of the brain are frequently drawn from the production line. We think of the brain as a glorified sausage machine, taking in information from the senses, processing it and regurgitating it in a different form, as thoughts or actions. The digital computer reinforces this idea because it is quite explicitly a machine that does to information what a sausage machine does to pork. Indeed, the brain was the original inspiration and metaphor for the development of the digital computer, and early computers were often described as 'giant brains'. Unfortunately, neuroscientists have sometimes turned this analogy on its head, and based their models of brain function on the workings of the digital computer (for example by assuming that memory is separate and distinct from processing, as it is in a computer). This makes the whole metaphor dangerously self-reinforcing.

My role as a role model is to teach my generation how to excel in the role of distinction.

Serving my generation with excellence will mean in turn, my generation can lead with excellence.

the target of the masses is that which stands out of the masses

no matter how useful the electricity may be, it needs connections to function

Life is not for seeking destination but for creating distinction.

Growing older is a precious commodity. Only a few can endure to achieve that distinguished distinction and quality.

Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries. It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism. The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.

During the Renaissance there was a renewed interest in the relationship between genius, melancholia, and madness. A stronger distinction was made between sane melancholies of high achievement and individuals whose insanity prevented them from using their ability. The eighteenth century witnessed a sharp change in attitude; balance and rational thought, rather than “inspiration” and emotional extremes, were seen as the primary components of genius.

Zen is a journey of exploration and a way of living that, in and of itself, does not belong to any one religion or tradition. It is about experiencing life in the here and now and about removing the dualistic distinctions between "I" and "you" between "subject" and "objective", between our spiritual and our ordinary, everyday activities.

I reject animal welfare reform and single-issue campaigns because they are not only inconsistent with the claims of justice that we should be making if we really believe that animal exploitation is wrong, but because these approaches cannot work as a practical matter. Animals are property and it costs money to protect their interests; therefore, the level of protection accorded to animal interests will always be low and animals will, under the best of circumstances, still be treated in ways that would constitute torture if applied to humans. By endorsing welfare reforms that supposedly make exploitation more “compassionate” or single-issue campaigns that falsely suggest that there is a coherent moral distinction between meat and dairy or between fur and wool or between steak and foie gras, we betray the principle of justice that says that all sentient beings are equal for purposes of not being used exclusively as human resources. And, on a practical level, we do nothing more than make people feel better about animal exploitation.

Ah, Monsieur Priest, you love not the crudities of the true. Christ loved them. He seized a rod and cleared out the Temple. His scourge, full of lightnings, was a harsh speaker of truths. When he cried, 'Sinite parvulos,' he made no distinction between the little children. It would not have embarrassed him to bring together the Dauphin of Barabbas and the Dauphin of Herod. Innocence, Monsieur, is its own crown. Innocence has no need to be a highness. It is as august in rags as in fleurs de lys.

And many years later, as an adult student of history, Knecht was to perceive more distinctly that history cannot come into being without the substance and the dynamism of this sinful world of egoism and instinctuality, and that even such sublime creations as the Order were born in this cloudy torrent and sooner or later will be swallowed up by it again...Nor was this ever merely an intellectual problem for him. Rather, it engaged his innermost self more than any other problem, and he felt it as partly his responsibility. His was one of those natures which can sicken, languish, and die when they see an ideal they have believed in, or the country and community they love, afflicted with ills.

Recall, then, some event that has left a distinct impression on you---how at the corner of the street, perhaps, you passed two people talking. A tree shook; an electric light danced; the tone of the talk was comic, but also tragic; a whole vision, an entire conception, seemed contained in that moment. But when you attempt to reconstruct it in words, you will find that it breaks into a thousand conflicting impressions.

Christians who take without distinction, as divinely inspired, every spontaneous impression and every more or less developed interior reaction of their own spirit face to face with the divine Word are in greater danger than anyone else of stifling the Spirit by confusing him with their own unconscious caricature.

The antidote, in so far as it is a matter of individual psychology, is to be found in history, biology, astronomy, and all those studies which, without destroying self-respect, enable the individual to see himself in his proper perspective. What is needed is not this or that specific piece of information, but such knowledge as inspires a conception of the ends of human life as a whole: art and history, acquaintance with the lives of heroic individuals, and some understanding of the strangely accidental and ephemeral position of man in the cosmos - all this touched with an emotion of pride in what is distinctively human, the power to see and to know, to feel magnanimously and to think with understanding. It is from large perceptions combined with impersonal emotion that wisdom most readily springs.

To what temptations, to what extremities does lucidity lead! Shall we desert it now to take refuge in unconsciousness? Anyone can escape into sleep, we are all geniuses when we dream, the butcher the poet’s equal there. But our perspicacity cannot bear that such a marvel should endure, nor that inspiration should be brought within everyone’s grasp; daylight strips us of the night’s gifts. Only the madman enjoys the privilege of passing smoothly from a nocturnal to a daylight existence: no distinction between his dreams and his waking. He has renounced our reason, as the beggar has renounced our belongings. Both have found a way that leads beyond suffering and solved all our problems; hence they remain examples we cannot follow, saviors without adepts.

Through the same plan of a conformity to nature in our artificial institutions, and by calling in the aid of her unerring and powerful instincts to fortify the fallible and feeble contrivances of our reason, we have derived several other, and those no small, benefits from considering our liberties in the light of an inheritance. Always acting as if in the presence of canonized forefathers, the spirit of freedom, leading in itself to misrule and excess, is tempered with an awful gravity. This idea of a liberal descent inspires us with a sense of habitual native dignity which prevents that upstart insolence almost inevitably adhering to and disgracing those who are the first acquirers of any distinction. By this means our liberty becomes a noble freedom.

There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false." I believe that these assertions still make sense and do still apply to the exploration of reality through art. So as a writer I stand by them but as a citizen I cannot. As a citizen I must ask: What is true? What is false?

My places were emotional, primarily. I wrote of locales in which I had lived, or in which I imagined I could live, but the topography was primal and sexual and terminal. It bore no distinct architecture or design or dialect. It was merely human and in peril, which is to say universal. But on Royal and Coliseum and Vista--streets I cannot relinquish--I found my places and I dreamed a narrative. Can I go there and find it again?"--Tennessee Williams

There are some animal advocates who say that to maintain that veganism is the moral baseline is objectionable because it is “judgmental,” or constitutes a judgment that veganism is morally preferable to vegetarianism and a condemnation that vegetarians (or other consumers of animal products) are “bad” people. Yes to the first part; no to the second. There is no coherent distinction between flesh and other animal products. They are all the same and we cannot justify consuming any of them. To say that you do not eat flesh but that you eat dairy or eggs or whatever, or that you don’t wear fur but you wear leather or wool, is like saying that you eat the meat from spotted cows but not from brown cows; it makers no sense whatsoever. The supposed “line” between meat and everything else is just a fantasy–an arbitrary distinction that is made to enable some exploitation to be segmented off and regarded as “better” or as morally acceptable. This is not a condemnation of vegetarians who are not vegans; it is, however, a plea to those people to recognize their actions do not conform with a moral principle that they claim to accept and that all animal products are the result of imposing suffering and death on sentient beings. It is not a matter of judging individuals; it is, however, a matter of judging practices and institutions. And that is a necessary component of ethical living.

Has anyone at the end of the nineteenth century any distinct notion of what poets of a stronger age understood by the word inspiration?  If not, I will describe it.  If you had the slightest residue of superstition left in you it would hardly be possible to completely disregard the idea that one is the mere incarnation, a mouthpiece or a medium of an almighty power.  The idea of revelation in the sense of something which profoundly moves and provokes, becoming suddenly visible and audible with indescribable certainty and accuracy—is a simple description.  You hear—you do not seek; you take—and do not ask who gives: a thought suddenly flashes up like lightning, it comes as a necessity, without hesitation—I have never had any choice in the matter. 

The origin of the caste system, formulated by the great legislator Manu, was admirable. He saw clearly that men are distinguished by natural evolution into four great classes: those capable of offering service to society through their bodily labor (Sudras); those who serve through mentality, skill, agriculture, trade, commerce, business life in general (Vaisyas); those whose talents are administrative, executive, and protective-rulers and warriors (Kshatriyas); those of contemplative nature, spiritually inspired and inspiring (Brahmins). “Neither birth nor sacraments nor study nor ancestry can decide whether a person is twice-born (i.e., a Brahmin);” the Mahabharata declares, “character and conduct only can decide.” 281 Manu instructed society to show respect to its members insofar as they possessed wisdom, virtue, age, kinship or, lastly, wealth. Riches in Vedic India were always despised if they were hoarded or unavailable for charitable purposes. Ungenerous men of great wealth were assigned a low rank in society. Serious evils arose when the caste system became hardened through the centuries into a hereditary halter. Social reformers like Gandhi and the members of very numerous societies in India today are making slow but sure progress in restoring the ancient values of caste, based solely on natural qualification and not on birth. Every nation on earth has its own distinctive misery-producing karma to deal with and remove; India, too, with her versatile and invulnerable spirit, shall prove herself equal to the task of caste-reformation.

Not until something challenges you to rise up, you shall always stay down; not until you realize your enough is enough, you shall always have enough. When you keep exerting your energy, time and attention on things which least invoke your courage to rise up and climb to the distinctive best, you shall always stay at your best with the same energy, time and attention time on the less better you because of reluctance, ignorance and fear! The lion that hunts, is always on the move! Awake, challenge and change something!

What goes into our mind matters a lot to the success or failure of our lives. For so many people, what they heard triggered their steps that led them into discarding the real value of their lives. For so many people, what they heard became a spring board that shot the real value of their lives to a glorious height and for so many people, what they heard made them to choose never to do anything in life. Until you lose your hearing, you shall always hear. But, what you hear and what you deduce from what you hear must not just be distinctive but sound enough to make you take a distinctive step which will produce a distinctive footprint. If you fail to mind the seed of what goes into your mind today, you shall surely mind the fruits of what went into your mind yesterday tomorrow. Mind your mind!

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

A paradox of life; be it good or bad, joy or sorrow, comfort or discomfort, appointment or disappointment, encouragement or discouragement, deception or loyalty, faithfulness or unfaithfulness, a good day or a bad day, things in life never remains static. Things keep moving and things keep changing. Seconds keep galloping, minutes keep changing into hours and hours keep turning into days. Free your mind from such things which are capable of crippling it from thinking distinctively. Notwithstanding the situation, keep moving to the purposeful land.

Hello, sunshine,” said Jim’s voice. “I’m kind of busy.” I turned the file on its side and examined the doodle. Still nothing. “No shit,” he said. “Yeah. No gigs for me.” “That’s not why I’m calling.” I frowned at the phone and turned the file upside down. “I’m all ears.” “Someone wants to meet you,” he said. “Tell him to get in line,” I mumbled. The doodle almost looked like something. “I’m not joking.” “You never joke because you’re too damn busy proving that you’re a badass. Come on, black leather cloak? In mid-spring Atlanta? Besides I don’t have time to meet anybody.” Jim’s voice dropped low and he spoke each word very distinctly. “Think very carefully. Do you really want me to tell the man no?” Something about the way he said “the man” stopped me. I sat still and thought very hard about what kind of “man” would inspire Jim to use that voice. “What did I do to warrant the Beast Lord’s attention?” I asked dryly. “You’re sitting in the diviner’s office, aren’t you?” Touché. The Beast Lord was the Pack King, the lord of the shapechangers, and he ruled his brethren with an iron fist. Few ever saw him and the mention of his title was enough to make the loudest shapechanger shut up. In other words, he was precisely the kind of fellow my father and Greg had warned me to avoid. I ground my teeth, thinking of a way to weasel out of it.

They that see how they can rise beyond the horizon never exert their total energy on things that are breathtaking on the ground! They think, they act and they see what we all see differently. Though their bodies live on the ground, their mind, spirit and energy journey purposefully towards higher heights each moment of time. They understand doing the small things that can result in great things and they reason from the ignorance, absurdity and the heralds of ordinariness of the masses. They know and understand the real reasons why they must dare, relax and ponder in patience, and also take steps with fortitude and tenacity for a noble accomplishment so as to leave great, distinctive and indelible footprints regardless of the hurdles they might face.

Has any one at the end of the nineteenth century any distinct notion of what poets of a stronger age understood by the word inspiration? If not, I will describe it. If one had the smallest vestige of superstition left in one, it would hardly be possible completely to set aside the idea that one is the mere incarnation, mouthpiece, or medium of an almighty power. The idea of revelation, in the sense that something which profoundly convulses and upsets one becomes suddenly visible and audible with indescribable certainty and accuracy―describes the simple fact. One hears―one does not seek; one takes―one does not ask who gives. A thought suddenly flashes up like lightening; it comes with necessity, without faltering. I have never had any choice in the matter. There is an ecstasy so great that the immense strain of it is sometimes relaxed by a flood of tears, during which one's steps now involuntarily rush and anon involuntarily lag. There is the feeling that one is utterly out of hand, with the very distinct consciousness of an endless number of fine thrills and titillations descending to one's very toes. There is a depth of happiness in which the most painful and gloomy parts do not act as antitheses to the rest, but are produced and required as necessary shades of color in such an overflow of light. There is an instinct of rhythmic relations which embraces a whole world of forms (length, the need of a wide-embracing rhythm, is almost the measure of the force of an inspiration, a sort of counterpart to its pressure and tension). Everything happens quite involuntary, as if in a tempestuous outburst of freedom, of absoluteness, of power and divinity. The involuntary nature of the figures and similes is the most remarkable thing; everything seems to present itself as the readiest, the truest, and simplest means of expression. It actually seems, to use one of Zarathustra's own phrases, as if all things came to one, and offered themselves as similes. . . .

We all have a life to live! We all have unique and distinctive purposes to fulfill! Everybody has a purpose on earth, and everybody must live the true purpose why God gives life to us each day! You are not on earth to compete with anybody but your true purpose. You are not on earth to compare yourself to anybody, but the you in you and the true purpose for which you came here! Life is good when you don’t compare yourself in a manner that will make you feel bad. Life is good when you know your true purpose in life and who you must live to be and to please! You fulfill your true you distinctively when you understand you are you and not anybody! So many people are living others destiny just because they have neglected their own true purpose! So many people think badly just because they compare themselves wrongfully with others and things! Everybody has a life and everybody must live a life! If there is any reason to compare yourself to others and things, let it be the inspiration you get from comparing yourself with others and things that makes you do something unique! There is a true reason for our existence on earth and we must reason from nothing, but the true reason why we live each day!

Definitely, some will doubt you, but don’t doubt yourself. Surely, some will hate your mission, but don’t hate your vision. Truly, some will envy your vision, but don’t change your vision. Surely, some will mock at your direction, but don’t neglect your focus. Surely, you shall meet obstacles, but learn to overcome all obstacles with wit. Frankly, some will say what they want to you, but say what is inspiring to yourself. Obviously, you shall meet fear, but learn to shake your fears. In fact, there shall be moment of drought, but learn to go with tenacity and an indomitable staying power. You may meet the rocks, but climb the rocks with fortitude to the apex, and you shall feel the fresh air! Truly, you shall hear so many things, but know what to listen to. Surely, some will misunderstand you, but learn to understand yourself. You may definitely have so many things to do, but mind what is more important and weightier. There is no great journey without issues, but learn to overcome all issues, and get to the end of the journey with distinctive footprints and a good sense of fulfillment. You were born for a purpose! Live it; achieve it! God is waiting for you at the finishing line; get there with a pleasant story for a glory!

When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism. The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them. In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void. Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.

Will Smith > Quotes > Quotable Quote “The only thing that I see that is distinctly different about me is I'm not afraid to die on a treadmill. I will not be out-worked, period. You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there's two things: You're getting off first, or I'm going to die. It's really that simple, right? You're not going to out-work me. It's such a simple, basic concept. The guy who is willing to hustle the most is going to be the guy that just gets that loose ball. The majority of people who aren't getting the places they want or aren't achieving the things that they want in this business is strictly based on hustle. It's strictly based on being out-worked; it's strictly based on missing crucial opportunities. I say all the time if you stay ready, you ain't gotta get ready.

Of course, the final assault on Eve’s character comes from the so-called punishment she receives: pain that is multiplied in childbirth and magnified by men who point out that with every birth women are reminded of their subordinate place and propensity to sin. Such admonishments fail to account for the difference between something that is prescriptive (what should be; i.e., punishment) versus something descriptive (what will be, i.e., result).24 Since the Bible is the result of Divine inspiration and human experience, we realize that its authors were trying to make sense of their lives, lives that in this case involved significant pain during childbirth. As readers we cannot make an uncritical leap from how these writers understood their experience to confirmation that their perceptions were the same thing as God’s will. But because numerous people have failed to make such distinctions, they overlook the powerful insight conveyed in this narrative, choosing instead to blame Eve for sin and to point to childbirth as evidence of her disobedience.

Tell me," replied Faria, "what has hindered you from knocking down your father with a piece of wood torn from your bedstead, dressing yourself in his clothes, and endeavoring to escape?" "Simply the fact that the idea never occurred to me," answered Dantes. "Because," said the old man, "the natural repugnance to the commission of such a crime prevented you from thinking of it; and so it ever is because in simple and allowable things our natural instincts keep us from deviating from the strict line of duty. The tiger, whose nature teaches him to delight in shedding blood, needs but the sense of smell to show him when his prey is within his reach, and by following this instinct he is enabled to measure the leap necessary to permit him to spring on his victim; but man, on the contrary, loathes the idea of blood - it is not alone that the laws of social life inspire him with a shrinking dread of taking life; his natural construction and physiological formation" - Dantes was confused and silent at this explanation of the thoughts which had unconsciously been working in his mind, or rather soul; for there are two distinct sorts of ideas, those that proceed from the head and those that emanate from the heart.

A young woman faces the decision of whether to marry a certain man whom she loves but who has deeply rooted, traditional ideas concerning marriage, family life, and the roles of men and women in each. A sober assessment of her future tell the woman that each of the two alternatives offers real but contrasting goods. One life offers the possibility of a greater degree of personal independence, the chance to pursue a career, perhaps more risk and adventure, while the other offers the rewards of parenting, stability, and a life together with a man whom, after all, she is in love with. In order to choose in a self-determined mode the woman must realize that the decision she faces involves more than the choice between two particular actions; it is also a choice between two distinct identities. In posing the questions "Who am I? Which of the two lives is really me?" she asks herself not a factual question about her identity but a fundamental practical question about the relative values of distinct and incommensurable goods. The point I take to be implicit in Tugendhat's (and Fichte's) view of the practical subject is that it would be mistaken to suppose that the woman had at her disposal an already established hierarchy of values that she must simply consult in order to decide whether to marry. Rather, her decision, if self-determined, must proceed from a ranking of values that emerges only in the process of reflecting upon the kind of person she wants to be.

Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable