Distinct Birthday Quotes

I also had the sense that there was something distinctly impolite about [transitioning], like agreeing to go out for pizza with a group of friends and, just as we were being led to our table, announcing, "I think I'd rather have birthday cake for dinner. Does anyone mind if we leave now and go bake a cake somewhere?" And my friends might agree out of politeness and affection, but their hearts wouldn't really be in it, and I would in fact have trespassed on their good natures by asking, making such an outrageous, selfish request.

The small Japanese immortal sat cross-legged, his two swords resting flat on the ground before him. He folded his hands in his lap, closed his eyes and breathing through his nose, forcing the chill night air deep into his chest. He held it for a count of five, then shaped his lips into an O and blew it out again, puncturing a tiny hole in the swirling fog before his face. Even though he would never admit it to anyone, Niten loved this moment. He had no affection for what was to come, but this brief time, when all preparations for battle were made and there was nothing left to do but wait, when the world felt still, as if it was holding its breath, was special. This moment, when he was facing death, was when he felt completely, fully alive. He’d still been called Miyamoto Musashi and had been a teenager when he’d first discovered the genuine beauty of the quiet moment before a fight. Every breath suddenly tasted like the finest food, every sound was distinct and divine, and even on the foulest battlefields, his eyes would be drawn to something simple and elegant: a flower, the shape of a branch, the curl of a cloud. A hundred years ago, Aoife had given him a book as a birthday present. He hadn’t had the heart to tell her that she’d missed his birthday by a month, but he had treasured the book, the first edition of The Professor by Charlotte Bronte. It included a line he had never forgotten: In the midst of life we are in death. Years later, he’d heard Ghandi take the same words and shift them around to create something that resonated deeply within him: In the midst of death life persists.

She was a spiky teenager rebelling against the soul-suck mirror reflected back at her in her mother’s blank stare, her question mark of a spine. Determined to beat the odds, she completed high school with distinction. But there was a caveat. Beydan was allowed to roam and educate herself – up to a point. On her eighteenth birthday her Father sat her down and held out his Rolexed wrist. Studded with crystals and flecks of diamond, the watch dazzled in the light. All Beydan could hear, however, was tick-tock-tick-tick-tick-tick - time to neatly fold all her hard work, to parcel up her progress, send it to the attic in her subconscious and let dust gather on her dreams. There was a lump in her throat and a stopwatch in her womb.

Jacob remembered it distinctly because it was his twenty-second birthday, and he was annoyed at being awakened by his uncle at 1:17 in the morning. But Avi had no time to be sentimental. He ordered Jacob to hightail it with him through a bone-chilling winter night to get to some safe house they’d never been to before and make it there by the top of the hour. Jacob had been hoping to sleep in a little and maybe eat a half-decent meal before sitting down to plan the sabotage of a radio tower near Antwerp, an operation scheduled for the coming weekend. But none of that was to be.

What do you think you’re doing?” she asks, hands on her hips. Her lips quiver a bit as she speaks, though, and I get the distinct impression she’s trying not to laugh. I sigh, used to being falsely accused of wrongdoing by my naturally suspicious parents. “I fell.” I attempt to shrug my shoulders, but they don’t move. “And now I’m stuck,” I add.

He smiled at me, and it was a thing of dark malevolence. “It means,” he said, “that we can double date. Just the four of us. Doesn’t that sound like fun?” And I thought there was a distinct possibility that I would rather be waterboarded. With bleach. On my birthday. In Kentucky. “Great,” I said. “Super great. Like, the greatest idea you’ve ever had.

To protect them from Hitler’s bombers, the curators secreted Wallace’s and Darwin’s bird skins in unmarked lorries to manors and mansions throughout the English countryside. Among the safe houses was a private museum in the tiny town of Tring, built by one of the richest men in history as a twenty-first-birthday present for his son. Lionel Walter Rothschild would grow up to earn many distinctions: the Right Honorable Lord, Baron de Rothschild, member of Parliament, adulterer, blackmail victim, and one of the most tragically obsessive bird collectors ever to roam the earth.

It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.

When you buy from an independent, locally owned business, as opposed to nationally owned businesses, you strengthen the economic base of our city. And of course there’s no doubt that you’ll receive a better quality product or service. I share John Roeser’s amazement that people today tend to prefer saving a dollar or too two on a birthday cake, for example, by purchasing a sub-par cake made with artificial, cheap ingredients from a mass retailer, when Roeser’s Bakery offers some of the most delectable, housemade cakes in the world. How could anyone step into a fast food joint when we live in a city that has Lem’s barbecque rib tips, Kurowski’s kielbasa, Manny’s matzo ball soup, and Lindy’s chili within reach? You can’t even compare the products and services of the businesses featured in this book with those of mass retailers, either: Jjust try putting an Optimo hat on your head—you’ll ooze with elegance. Burn a beeswax lambathe from Athenian Candle and watch it glow longer than any candle you’ve ever lit. Bite into an Andersonville coffeecake from the Swedish Bakery—and you’ll have a hard time returning to the artificial ingredient– laden cakes found at most grocers. Equally important, local, family- owned businesses keep our city unique. In our increasingly homogenized and globalized world, cities that hold on tightly to their family-owned, distinctive businesses are more likely to attract visitors, entrepreneurs, and new investment. Chicago just wouldn’t be Chicago without these historic, one-of-a-kind places, and the people that run them from behind the scenes with nothing but love, hard work, and pride.

The museum’s staff resiliently worked throughout the night to sweep away the damage, but it was clear that their specimens were imperiled. To protect them from Hitler’s bombers, the curators secreted Wallace’s and Darwin’s bird skins in unmarked lorries to manors and mansions throughout the English countryside. Among the safe houses was a private museum in the tiny town of Tring, built by one of the richest men in history as a twenty-first-birthday present for his son. Lionel Walter Rothschild would grow up to earn many distinctions: the Right Honorable Lord, Baron de Rothschild, member of Parliament, adulterer, blackmail victim, and one of the most tragically obsessive bird collectors ever to roam the earth.

At one point when I was in the middle of the first season, I asked myself why I would want to watch a conservative Democrat destroy teachers’ unions and have joyless sex with a woman who looks like a very young teenager. I still had not answered the question when Claire pushed things to the next level in a scene so intensely creepy that it might count as the most revolting thing I have ever witnessed on television. A longtime member of the couple’s Secret Service security detail is dying of cancer, and Claire goes to visit him alone. On his deathbed, he reveals that he was always secretly in love with her and thought that Frank wasn’t good enough for her. Her response is almost incomprehensible in its cruelty—she mocks and taunts him for thinking he could ever attain a woman like her, and then puts her hand down his pants and begins to give him a handjob, all the while saying, in true perverse style, “This is what you wanted, right?” Surely Claire doesn’t have to emotionally destroy a man who is dying of cancer—and yet perhaps in a way she does, because she uses it as a way of convincing herself that Frank really is the right man for her. Not only could an average, hardworking, sentimental man never satisfy her, but she would destroy him. By contrast, Frank not only can take her abuse, but actively thrives on it, as she does on his. Few images of marriage as a true partnership of equals are as convincing as this constant power struggle between two perverse creeps. Claire is not the first wife in the “high-quality TV drama” genre to administer a humiliating handjob. In fact, she is not even the first wife to administer a humiliating handjob to a man who is dying of cancer. That distinction belongs to Skyler White of Breaking Bad, who does the honors in the show’s pilot. It is intended as a birthday treat for her husband Walt, who is presumably sexually deprived due to his wife’s advanced pregnancy, and so in contrast to Claire’s, it would count as a generous gesture if not for the fact that Skyler continues to work on her laptop the entire time, barely even acknowledging Walt’s presence in the room. In her own way, Skyler is performing her dominance just as much as Claire was with her cancer patient, but Skyler’s detachment from the act makes it somehow even creepier than Claire’s.

The renewal of their friendship was signalled by the fact that Einstein let Bohr use his office. One day Bohr was dictating a draft of a paper in honour of Einstein’s 70th birthday to Pais. Stuck on what to say next, Bohr stood looking out of the window, every now and then muttering Einstein’s name aloud. At that moment Einstein tiptoed into the office. His doctor had banned him from buying any tobacco, but had said nothing about stealing it. Pais later recounted what happened next: ‘Always on tiptoes, he made a beeline for Bohr’s tobacco pot, which stood on the table at which I was sitting. Bohr, unaware, was standing at the window, muttering, “Einstein…Einstein…” I was at a loss what to do, especially because I had at that moment not the faintest idea of what Einstein was up to. Then Bohr, with a firm “Einstein”, turned around. There they were, face to face, as if Bohr had summoned him forth. It is an understatement to say that for a moment Bohr was speechless. I myself, who had seen it coming, had distinctly felt uncanny for a moment, so I could well understand Bohr’s own reaction. A moment later the spell was broken when Einstein explained his mission. Soon we were all bursting with laughter.

Toward the end of the birthday celebration, there was a distinctive pop! from the rec room. We all twisted around. I prayed the rune worked on the house, because there was definitely a god here. Apollo strolled into the kitchen. The first thing I noticed was that his eyes were blue and not that creepy white. “How is my birthday girl?” For some reason, I blushed to the roots of my hair. “Doing good, grandpa.” He smirked as he slid into the seat beside me, easily prying the knife from Deacon’s fingers. “I do not look nearly old enough to be what I am to you.” That was true. He looked like he was in his mid-twenties, which made it all the freakier. “So when were you going to tell me that you spawned me?” “I did not spawn you. I spawned a demigod centuries ago who eventually spawned your mother.” “Can you guys stop saying ‘spawn’?” asked Luke. Apollo shrugged as he carved off an edge of the cake. He handed the knife back to an oddly subdued Deacon. “I did not find it necessary to tell you. It is not like I am going to be bouncing little Alex babies on my knee.” The soda caught in my throat, and I almost spit it back up. Someone chuckled, and it sounded like Luke. “Yeah, that’s not going to happen.

He's indifferent.' 'I don't think he's indifferent. He fucks well enough. Not the best I've ever seen.' 'He can't tell us apart.' 'Oh I don't think that's true. He asked me when my birthday was.' 'What'd you tell him?' 'I told him. July third.' 'Well what does that prove?' 'He's thoughtful. He can tell one from another. He's interested in us as individuals.' 'Maybe it's just a façade. Maybe he just knows what to do to make us think he cares about us as individuals and is doing it.' 'Why would he do that? If he cares about us as individuals?' 'Because he likes us to have the feeling that he cares about us as individuals? Because it makes things more warm?' 'Well if he wants to make things more warm I'd say that was something in his favor.' 'Yes but you have to make a distinction between making things seem a certain way and having them really be a certain way.' 'Well even if he's only interested in making things seem a certain way that means he's not indifferent. To the degree that he makes the effort.

Five months later, I received a text from Pointel. It was September 23. I remember it distinctly because it was my birthday. I was in the middle of celebrating the event as was appropriate, by drinking a six-pack of beer in bed watching Francis Ford Coppola’s Apocalypse Now, when the message appeared on my phone.