Distant Husband Quotes

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Sybil’s female forebears had valiantly backed up their husbands as distant embassies were besieged, had given birth on a camel or in the shade of a stricken elephant, had handed around the little gold chocolates while trolls were trying to break into the compound, or had merely stayed at home and nursed such bits of husbands and sons as made it back from endless little wars.  The result was a species of woman who, when duty called, turned into solid steel.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
My husband ran off with his secretary. His male secretary. the only passion I have lately seems to center around buying a handgun. Unfortunately, I can't decide which one of us to shoot.
Kristin Hannah (Distant Shores)
They heard a distant rumbling, like thunder on the peaks, or mountains crumbling, or huge waves crashing to shore, and the earth shook with each rumble. “My husband is coming home,” said the giantess. “I hear his gentle footsteps in the distance.
Neil Gaiman (Norse Mythology)
Before she leaves, my new friend tells me to look out of the big picture window at the parking lot. "See that purple Harley out there—that big gorgeous one? That's mine. I used to ride behind my husband, and never took the road on my own. Then after the kids were grown, I put my foot down. It was hard, but we finally got to be partners. Now he says he likes it better this way. He doesn't have to worry about his bike breaking down or getting a heart attach and totaling us both. I even put 'Ms.' on my license plate—and you should see my grandkids' faces when Grandma rides up on her purple Harley!" On my own again, I look out at the barren sand and tortured rocks of the Badlands, stretching for miles. I've walked there, and I know that, close up, the barren sand reveals layers of pale rose and beige and cream, and the rocks turn out to have intricate womblike openings. Even in the distant cliffs, caves of rescue appear. What seems to be one thing from a distance is very different close up. I tell you this story because it's the kind of lesson that can be learned only on the road. And also because I've come to believe that, inside, each of us has a purple motorcycle. We have only to discover it—and ride.
Gloria Steinem (My Life on the Road)
As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other’s arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.
William Makepeace Thackeray (Vanity Fair)
I want to see the Parthenon by moonlight.' I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills. "Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas." We crammed into Burns's small car, and went back to our hotel. ("The Chamois")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
...My husband made my dreams come true, and because he could do that I married him." Then he says softly, as if to himself, "But what about love?" She heard that. A slight smile comes to her lips. "Do you still have all the ideals, all the ideals that you took to that distant world with you? Are they all still intact , or have some of them died or withered away? Haven't they been torn out of you by force and flung in the dirt, where thousands of wheels carrying vehicles to their owners' destination in life crushed them? Or have you lost none of them?
Stefan Zweig (Letter from an Unknown Woman and Other Stories)
A few hours later, Françoise was able for the last time, and without causing pain, to comb that beautiful hair, which was only slightly graying and had thus far seemed much younger than my grandmother herself. But this was now reversed: the hair was the only feature to set the crown of age on a face grown young again, free of the wrinkles, the shrinkage, the puffiness, the tensions, the sagging flesh which pain had brought to it for so long. As in the distant days when her parents had chosen a husband for her, her features were delicately traced by purity and submission, her cheeks glowed with a chaste expectation, a dream of happiness, an innocent gaiety even, which the years had gradually destroyed. As it ebbed from her, life had borne away its disillusions. A smile seemed to hover on my grandmother’s lips. On that funeral couch, death, like a sculptor of the Middle Ages, had laid her to rest with the face of a young girl.
Marcel Proust
Because internalizers look within themselves for reasons why things go wrong, they may not always recognize abuse for what it is. If parents don’t label their own behavior as abusive, their child won’t label it that way either. Even as adults, many people have no idea that what happened to them in childhood was abusive. As a result, they may not recognize abusive behavior in their adult relationships. For instance, Vivian hesitated to tell me about her husband’s anger, saying it was too silly and insignificant to talk about. She then sheepishly told me that he’d broken things when angry and once threw her craft project on the floor because he wanted her to keep the house neater. As it turned out, Vivian was embarrassed to tell me because she thought I’d say his behavior was normal and tell her she was making a mountain out of a molehill. Another client, a middle-aged man, recounted incidents of childhood abuse nonchalantly, with no recognition of how serious it had been. For example, he said his father once choked him until he wet himself and then locked him in the basement. Recalling that his father had once thrown a stereo set, he admitted that his father “might have had a temper.” As he spoke, his demeanor clearly indicated that he accepted this behavior as normal.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
I'm close to my mother's heart and know its rhythms and sudden turns. And now! It accelerates at her husband's voice, and there's an added sound, a disturbance in the chambers, like the distant rattling of maracas, or gravel shuffled softly in a tin. From down here I'd say it's a semilunar valve whose cusps are snapping to hard and sticking. Or it could be her teeth.
Ian McEwan (Nutshell)
Frances, who also was feeling distant from her husband. Though still deeply in love after ten years of marriage, Frances worried that her husband’s passion for politics and worldly achievement surpassed his love for his family. She mourned “losing my influence over a heart I once thought so entirely my own,” increasingly apprehensive that she and her husband were “differently constituted.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
I confess, without shame, that I am sick and tired of fighting—its glory is all moonshine; even success the most brilliant is over dead and mangled bodies, with the anguish and lamentations of distant families, appealing to me for sons, husbands and fathers….Tis only those who have never heard a shot, never heard the shriek and groans of the wounded or lacerated…that cry aloud for more blood, more vengeance, more desolation.
Jeff Shaara (The Fateful Lightning (Civil War: 1861-1865, Western Theater, #4))
I confess, without shame, that I am sick and tired of fighting — its glory is all moonshine; even success the most brilliant is over dead and mangled bodies, with the anguish and lamentations of distant families, appealing to me for sons, husbands, and fathers ... it is only those who have never heard a shot, never heard the shriek and groans of the wounded and lacerated ... that cry aloud for more blood, more vengeance, more desolation.
William T. Sherman
She thought of the past that was both near and distant at the same time, undoubtedly because of the grim intrusion of the war. She pictured her husband, a heavy, bored man, interested only in money, land and local politics. She had never loved him; she had married him because her father wished it. Born and brought up in the countryside, she had little experience of the outside world, with the exception of a few brief trips to Paris to visit an elderly relative.
Irène Némirovsky (Suite Française)
While passive parents often enjoy their children, have fun with them, and make them feel special, the children sense that their parents aren’t really there for them in any essential way. In fact, these parents are famous for turning a blind eye to family situations that are harmful to their children, leaving their kids to fend for themselves. When the mother is the passive parent, she may stay with a partner who demeans or abuses her children because she doesn’t have an independent income. Such mothers often numb themselves to what’s going on around them. For example, one mother later referred to her husband’s violent attacks on their children with the mild statement “Daddy could be tough sometimes.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
Conversations are like movies. There has to be a villain to make them interesting. Often it’s difficult to find a safe, distant and common villain. Our desire to have a conversation is so strong that we end up making someone close to us a villain. “Mom, your favourite child did this.” “Dear husband, your mother did this.” “Son, your wife did this.” These are just attempts of a human mind to do an interesting conversation but they end up in a full fledged drama at home.
Shunya
For to be a woman is to have interests and duties, raying out in all directions from the central mother-core, like spokes from the hub of a wheel. The pattern of our lives is essentially circular. We must be open to all points of the compass; husband, children, friends, home, community; stretched out, exposed, sensitive like a spider’s web to each breeze that blows, to each call that comes. How difficult for us, then, to achieve a balance in the midst of these contradictory tensions, and yet how necessary for the proper functioning of our lives. How much we need, and how arduous of attainment is that steadiness preached in all rules for holy living. How desirable and how distant is the ideal of the contemplative, artist or saint—the inner inviolable core, the single eye.
Anne Morrow Lindbergh (Gift from the Sea)
In Siena, where more than half the inhabitants died of the plague, work was abandoned on the great cathedral, planned to be the largest in the world, and never resumed, owing to loss of workers and master masons and “the melancholy and grief” of the survivors. The cathedral’s truncated transept still stands in permanent witness to the sweep of death’s scythe. Agnolo di Tura, a chronicler of Siena, recorded the fear of contagion that froze every other instinct. 'Father abandoned child, wife husband, one brother another,' he wrote, 'for this plague seemed to strike through the breath and sight. And so they died. And no one could be found to bury the dead for money or friendship.… And I, Angolo di Tura, called the Fat, buried my five children with my own hands, and so did many others likewise.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
From an early age, Mimi had a way of glossing over the more painful disappointments in her life: the loss of her father; the forced exile from Houston; the husband who remained so distant from her. Even if she didn’t admit it, these losses hurt, and took their toll. Having so many children, however, offered Mimi a brand-new narrative—or at least distracted her, changed the subject, shored up the losses, helped her dwell less on what was missing. For a woman who so often felt abandoned, here was a way to create all the company she would ever need.
Robert Kolker (Hidden Valley Road: Inside the Mind of an American Family)
Life is short, her dad had said. She knew it was true. Every motherless child knew that. But just now, with her husband’s voice droning on and on, she couldn’t quite grasp hold of that. Because there was something else, equally true. When you were forty-five years old and missing out, it felt as if life were very long indeed.
Kristin Hannah (Distant Shores)
Melancholy, amorous and barbaric,” these tales exalted adulterous love as the only true kind, while in the real life of the same society adultery was a crime, not to mention a sin. If found out, it dishonored the lady and shamed the husband, a fellow knight. It was understood that he had the right to kill both unfaithful wife and lover. Nothing fits in this canon. The gay, the elevating, the ennobling pursuit is founded upon sin and invites the dishonor it is supposed to avert. Courtly love was a greater tangle of irreconcilables even than usury. It remained artificial, a literary convention, a fantasy (like modern pornography) more for purposes of discussion than for everyday practice.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
Many wives of fighter pilots would end up looking on helplessly as their husbands grew more and more distant, a fact they would acknowledge in what were meant as lighthearted remarks, such as: “I’m only his mistress—he’s married to an airplane.” Often she would be overstating their intimacy; the actual mistress would be someone she didn’t know about.
Tom Wolfe (The Right Stuff)
The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own. From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.
Javier Marías (Poison, Shadow, and Farewell (Your Face Tomorrow, #3))
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
Not all that Mrs. Bennet, however, with the assistance of her five daughters, could ask on the subject, was sufficient to draw from her husband any satisfactory description of Mr. Bingley. They attacked him in various ways—with barefaced questions, ingenious suppositions, and distant surmises; but he eluded the skill of them all, and they were at last obliged to accept the second-hand intelligence of their neighbour, Lady Lucas. Her report was highly favourable. Sir William had been delighted with him. He was quite young, wonderfully handsome, extremely agreeable, and, to crown the whole, he meant to be at the next assembly with a large party. Nothing could be more delightful! To be fond of dancing was a certain step towards falling in love; and very lively hopes of Mr. Bingley's heart were entertained.
Jane Austen (Pride and Prejudice)
And are you married, sir?" Mrs Winstanley asked Tom. "Oh no, madam!" said Tom. "Yes," David reminded him. "You are, you know." Tom made a motion with his hand to suggest that it was a situation susceptible to different interpretations. The truth was that he had a Christian wife. At fifteen she had had a wicked little face, almond-shaped eyes and a most capricious nature. Tom had constantly compared her to a kitten. In her twenties she had been a swan; in her thirties a vixen; and then in rapid succession a bitch, a viper, a cockatrice and, finally, a pig. What animals he might have compared her to now no one knew. She was well past ninety now and for forty years or more she had been confined to a set of apartments in a distant part of the Castel des Tours saunz Nowmbre under strict instructions not to shew herself, while her husband waited impatiently for someone to come and tell him she was dead.
Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
She could look back to it from her present standing-place, and contemplate, almost as another being, the young unmarried girl absorbed in her love, having no eyes but for one special object, receiving parental affection if not ungratefully, at least indifferently, and as it were her due-her whole heart and thoughts bent on the accomplishment of one desire. The review of those days, so lately gone yet so far away, touched her with shame; and the aspect of the kind parents filled her with tender remorse. Was the prize gained-the heaven of life-and the winner still doubtful and unsatisfied? As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other's arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.
William Makepeace Thackeray (Vanity Fair)
The narrower their lives, the wider their hips. Those with husbands had folded themselves into starched coffins, their sides bursting with other people’s skinned dreams and bony regrets. Those without men were like sour-tipped needles featuring one constant empty eye. Those with men had had the sweetness sucked from their breath by ovens and steam kettles. Their children were like distant but exposed wounds whose aches were no less intimate because separate from their flesh. They had looked at the world and back at their children, back at the world and back again at their children, and Sula knew that one clear young eye was all that kept the knife away from the throat’s curve
Toni Morrison (Sula)
I hope they understand, my sons, both now and in the future just materializing in the dark, that all these hours their mother has been walking so swiftly away from them I have not been gone, that my spirit, hours ago, slipped back into the house and crept into the room where their early-rising father had already fallen asleep, usually before eight p.m., and that I touched this gentle man whom I love so desperately and somehow fear so much, touched him on the pulse in his temple and felt his dreams, which are too distant for the likes of me; and I climbed the creaking old stairs and at the top split in two, and heading into the boys’ separate rooms, I slid through the crack under the doors and curled myself on the pillows to breathe into me the breath that my children breathed out. Every pause between the end of one breath and the beginning of the next is long; then again, nothing is not always in transition. Soon, tomorrow, the boys will be men, then the men will leave the house, and my husband and I will look at each other crouching under the weight of all that we wouldn’t or couldn’t yell, as well as all those hours outside walking together, my body, my shadow, and the moon. It is terribly true, even if the truth does not comfort, that if you look at the moon for long enough night after night, as I have, you will see that the old cartoons are correct, that the moon is, in fact, laughing. But it is not laughing at us, we lonely humans, who are far too small and our lives far too fleeting for it to give us any notice at all.
Lauren Groff (Florida)
The evil stepmother is a fixture in European fairy tales because the stepmother was very much a fixture in early European society–mortality in childbirth was very high, and it wasn’t unusual for a father to suddenly find himself alone with multiple mouths to feed. So he remarried and brought another woman into the house, and eventually they had yet more children, thus changing the power dynamics of inheritance in the household in a way that had very little to do with inherent, archetypal evil and everything to do with social expectation and pressure. What was a woman to do when she remarried into a family and had to act as mother to her husband’s children as well as her own, in a time when economic prosperity was a magical dream for most? Would she think of killing her husband’s children so that her own children might therefore inherit and thrive? [...] Perhaps. Perhaps not. But the fear that stepmothers (or stepfathers) might do this kind of thing was very real, and it was that fear–fed by the socioeconomic pressures felt by the growing urban class–that fed the stories. We see this also with the stories passed around in France–fairies who swoop in to save the day when women themselves can’t do so; romantic tales of young girls who marry beasts as a balm to those young ladies facing arranged marriages to older, distant dukes. We see this with the removal of fairies and insertion of religion into the German tales. Fairy tales, in short, are not created in a vacuum. As with all stories, they change and bend both with and in response to culture.
Amanda Leduc (Disfigured: On Fairy Tales, Disability, and Making Space)
He uses me for sex when he needs to. He presses me against a table or over the back of the bed and fucks me, silent until the last few moments, those few quick grunts, and then he releases me, he puts a palm on the small of my back, his one gesture of intimacy, and he says something that is supposed to make it seem like a game: “You’re so sexy, sometimes I can’t control myself.” But he says it in a dead voice. Quiz: Your husband, with whom you once shared a wonderful sex life, has turned distant and cold—he only wants sex his way, on his time. You: a) Withhold sex further—he’s not going to win this game! b) Cry and whine and demand answers he’s not yet ready to give, further alienating him. c) Have faith that this is just a bump in a long marriage—he is in a dark place—so try to be understanding and wait it out. Answer: C. Right?
Gillian Flynn (Gone Girl)
Life becomes impoverished and loses its interest when life itself, the highest stake in the game of living, must not be risked. It becomes as hollow and empty as an American flirtation in which it is understood from the beginning that nothing is to happen, in contrast to a continental love affair in which both partners must always bear in mind the serious consequences. Our emotional ties, the unbearable intensity of our grief, make us disinclined to court dangers for ourselves and those belonging to us. We do not dare to contemplate a number of undertakings that are dangerous but really indispensable, such as aeroplane flights, expeditions to distant countries, and experiments with explosive substances. We are paralyzed by the thought of who is to replace the son to his mother, the husband to his wife, or the father to his children, should an accident occur.
Sigmund Freud (Reflections on War and Death)
During the wars of the Empire while husbands and brothers were in Germany, anxious mothers gave birth to an ardent, pale, and neurotic generation,” wrote Alfred de Musset in 1836. “Behind them a past destroyed, still writhing on its ruins with the remnants of centuries of absolutism, before them the dawn of an immense horizon, the first gleams of the future, and between these two worlds—like the ocean separating the Old World from the New—something vague and floating, a troubled sea filled with wreckage, traversed from time to time by some distant sail or ship trailing thick clouds of smoke: the present … only the present remained, the spirit of the time, angel of the dawn that’s neither night nor day.” All that was left for the Lost Generations of Musset and other Romantics, the forebears of modernist revival rebels, was the bottle, the hookah, and the whorehouse, followed by the sanatorium, the madhouse, and the morgue.
David Downie (A Passion for Paris: Romanticism and Romance in the City of Light)
You want to control me.” She spoke dispassionately as though observing the plight of another woman far distant from herself. Dragon looked up, surprised. “You are my wife.” “Say rather possession for so do you think, do you not?” He shrugged, wondering why she stated the obvious. “All wives belong to their husbands.” “I wanted to be free.” His eyes darkened. There was greater challenge here than even he had thought. “You wanted to be safe from Wolscroft and the rest of them, even from me when you though misguidedly. That is why you fled.” She shook her head. “Oh, no, safety was a convent from which not even my father could have forced me. But it was not to one such that I fled, was it? I wanted freedom, and having tasted it, however briefly, I want it still.” His hands tightened on her, driven by the sudden, piercing pain her words brought. Did she think to leave him again? To flee as she had done and leave him once more bereft. No, by heaven, she would not! “No one is free,” he said fiercely. “We are all enmeshed in duty and responsibility.” “Your duty is of your own choosing, for you did not return here after many years away and willingly take up your inheritance. Your destiny is of your own making and you the master of it as much as any man can claim to be. I want the same myself, no more, less.” “But you are a woman . . .” His bewilderment was genuine. Such yearnings as she described belonged to the realm of men. Women were for hearth and home, the nurturing of children, such ordered security of days as could be wrested from uncertain fate. A man in the thick of battle, in the fury of adventure, in the depths of night had to be able to count on that, for without it, of what purpose was anything? “You are a woman,” he repeated firmly. “And my wife. You have been too long apart from womanly ways with no proper influence to guide you. I applaud your strength and your courage; both will breed true in my sons, but—” “Your sons? Your sons? They will be my sons, Lord Vanity, and my daughters as well, mayhap only daughters, for by heaven it would suit me to thwart you so!
Josie Litton (Come Back to Me (Viking & Saxon, #3))
In the car ahead, Jane was thinking fast and furiously. She had felt the purpose for which Tarzan had asked a few words with her, and she knew that she must be prepared to give him an answer in the very near future. He was not the sort of person one could put off, and somehow that very thought made her wonder if she did not really fear him. And could she love where she feared? She realized the spell that had been upon her in the depths of that far-off jungle, but there was no spell of enchantment now in prosaic Wisconsin. Nor did the immaculate young Frenchman appeal to the primal woman in her, as had the stalwart forest god. Did she love him? She did not know—now. She glanced at Clayton out of the corner of her eye. Was not here a man trained in the same school of environment in which she had been trained—a man with social position and culture such as she had been taught to consider as the prime essentials to congenial association? Did not her best judgment point to this young English nobleman, whose love she knew to be of the sort a civilized woman should crave, as the logical mate for such as herself? Could she love Clayton? She could see no reason why she could not. Jane was not coldly calculating by nature, but training, environment and heredity had all combined to teach her to reason even in matters of the heart. That she had been carried off her feet by the strength of the young giant when his great arms were about her in the distant African forest, and again today, in the Wisconsin woods, seemed to her only attributable to a temporary mental reversion to type on her part—to the psychological appeal of the primeval man to the primeval woman in her nature. If he should never touch her again, she reasoned, she would never feel attracted toward him. She had not loved him, then. It had been nothing more than a passing hallucination, super-induced by excitement and by personal contact. Excitement would not always mark their future relations, should she marry him, and the power of personal contact eventually would be dulled by familiarity. Again she glanced at Clayton. He was very handsome and every inch a gentleman. She should be very proud of such a husband.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Eleanor was a member of one of America’s great families, niece to Teddy Roosevelt and a distant cousin of her future husband. But she was not raised to be anyone significant. In fact, it’s surprising she survived her upbringing at all—one cousin called it “the grimmest childhood I had ever known.” Her father was an alcoholic who kept abandoning the family. One of her two brothers died when she was five years old, and her mother, who she remembered as “kindly and indifferent,” died when she was eight. Her father, who Eleanor worshiped despite his endless betrayals, died two years later. The orphan was sent to live with her grandmother, a stern woman with two alcoholic adult sons whose advances caused a teenage Eleanor to put three locks on her door. When she met Franklin, he was a student at Harvard and was known in the family as the not particularly impressive only son of a domineering widow. Eleanor got pregnant right after her wedding and spent the next ten years having six children and wriggling under her mother-in-law’s thumb. (“I was your real mother; Eleanor merely bore you,” Sara Roosevelt told her grandchildren.)
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
Once a renowned skirt-chaser, now an exceptionally devoted husband, St. Vincent knew as much about these matters as any man alive. When Cam had asked glumly if a decrease in physical urges was something that naturally occurred as a man approached his thirties, St. Vincent had choked on his drink. “Good God, no,” the viscount had said, coughing slightly as a swallow of brandy seared his throat. They had been in the manager’s office of the club, going over account books in the early hours of the morning. St. Vincent was a handsome man with wheat-colored hair and pale blue eyes. Some claimed he had the most perfect form and features of any man alive. The looks of a saint, the soul of a scoundrel. “If I may ask, what kind of women have you been taking to bed?” “What do you mean, what kind?” Cam had asked warily. “Beautiful or plain?” “Beautiful, I suppose.” “Well, there’s your problem,” St. Vincent said in a matter-of-fact tone. “Plain women are far more enjoyable. There’s no better aphrodisiac than gratitude.” “Yet you married a beautiful woman.” A slow smile had curved St. Vincent’s lips. “Wives are a different case altogether. They require a great deal of effort, but the rewards are substantial. I highly recommend wives. Especially one’s own.” Cam had stared at his employer with annoyance, reflecting that serious conversation with St. Vincent was often hampered by the viscount’s fondness for turning it into an exercise of wit. “If I understand you, my lord,” he said curtly, “your recommendation for a lack of desire is to start seducing unattractive women?” Picking up a silver pen holder, St. Vincent deftly fitted a nib into the end and made a project of dipping it precisely into an ink bottle. “Rohan, I’m doing my best to understand your problem. However, a lack of desire is something I’ve never experienced. I’d have to be on my deathbed before I stopped wanting—no, never mind, I was on my deathbed in the not-too-distant past, and even then I had the devil’s own itch for my wife.” “Congratulations,” Cam muttered, abandoning any hope of prying an earnest answer out of the man. “Let’s attend to the account books. There are more important matters to discuss than sexual habits.” St. Vincent scratched out a figure and set the pen back on its stand. “No, I insist on discussing sexual habits. It’s so much more entertaining than work.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
were more than mere insects. Over time I realized the bees could tell my emotional or energetic state. When I embodied kindness around them, they treated me with the same. A cloud of exuberance surrounded us, as though the bees were templating euphoria into the air. I want you to know I didn’t just tear off my bee suit one day and “become one with the bees.” That took years. But eventually I did retire my bee suit. The first time I walked right up to the hives wearing only a T-shirt and shorts, I felt a bit anxious and self-absorbed, but then I remembered to turn my thoughts away from myself, to open myself to the bees and let them feel me out — which they did. They landed on my bare arms and licked my skin for the salty minerals. When I held a finger next to the entrance, a sweet little bee delicately walked onto my fingertip and faced me. She looked right into my eyes, and for the first time, we saw each other. And so I became part of bee life. Becoming Kin I soon found myself having more intuition about the hives. One morning in early spring, before the flowers had come into bloom, I suddenly had the idea that I should check one of my hives. I found the bees unexpectedly out of food; so I fed them honey saved from the year before. That call I intuitively heard from the hive likely saved its life. Another time I had the feeling that a distant hive in the east pasture was on the verge of swarming. When I walked up to see, sure enough, they were. Events like this taught me to trust my intuition more, and listening to my intuition continues to bring me into a closer relationship with all the hives. In my sixth year with bees, something new happened. I had begun a morning practice of contemplation, quieting my mind and opening my heart. I entered this prayerful state, asking for guidance, direction, courage, and truth. Even though I didn’t mention honeybees, they immediately began appearing in my thoughts and passing me information I had never read or learned from other sources. I believe the sincerity of my questions opened a door. When the information began coming to me, I listened with attentiveness, respect, and gratitude. The more I listened, the more information they shared. Since my first intuitive conversation with the bees, I have had many others. At first I didn’t know how to explain where the information came from, and that bothered me. I told my husband’s
Jacqueline Freeman (Song of Increase: Listening to the Wisdom of Honeybees for Kinder Beekeeping and a Better World)
I was still in my twenties. And here’s what I thought would be the worst: that no one else would every know me young. I would always be this age or older, from now on, to any man I met. No one would ever sit back and remember how young and frail I was at his bedside, at eighteen, reading to him in that dark room with the piano playing downstairs, and again at twenty-one, how I held the flap of my coat against the wind and held my tongue when a handsome man called me by the wrong name. What I would miss- and it occurred to me only then, with his brown eyes on me - was the unchangeable, the irreplaceable. I would never meet another man who’d met my mother, who knew her untamable hair, her sharp Kentucky accent, cracked with fury. She was dead now, and no man could ever know her again. That would be missing. I’d never know anyone, anywhere, who’d watched me weeping with rage and lack of sleep in those first few months after Sonny was born, or seen his first steps, or listened to him tell his non-sense stories. He was a boy now. No one could ever know him again as a baby. That would be missing, too. I wouldn’t just be alone in the present; I would be alone in my past as well, in my memories. Because they were a part of him, of Holland, of my husband. And in an hour that part of me would be cut off like a tail. From that night on, I would be like a traveler from a distant country that no one had ever been to, nor ever heard of, an immigrant from that vanished land: my youth. - The Story of a Marriage
Andrew Sean Greer
Witness modern marriage. All rationality has clearly vanished from modern marriage; yet that is no objection to marriage, but to modernity. The rationality of marriage — that lay in the husband's sole juridical responsibility, which gave marriage a center of gravity, while today it limps on both legs. The rationality of marriage — that lay in its indissolubility in principle, which lent it an accent that could be heard above the accident of feeling, passion, and what is merely momentary. It also lay in the family's responsibility for the choice of a spouse. With the growing indulgence of love matches, the very foundation of marriage has been eliminated, that which alone makes an institution of it. Never, absolutely never, can an institution be founded on an idiosyncrasy; one cannot, as I have said, found marriage on "love" — it can be founded on the sex drive, on the property drive (wife and child as property), on the drive to dominate, which continually organizes for itself the smallest structure of domination, the family, and which needs children and heirs to hold fast — physiologically too — to an attained measure of power, influence, and wealth, in order to prepare for long-range tasks, for a solidarity of instinct between the centuries. Marriage as an institution involves the affirmation of the largest and most enduring form of organization: when society cannot affirm itself as a whole, down to the most distant generations, then marriage has altogether no meaning. Modern marriage has lost its meaning — consequently one abolishes it.
Friedrich Nietzsche (Twilight of the Idols)
When he saw narcissus flowers dappled with sunlight, he knew. Fates, he thought, why now? The dream, repeated throughout the aeons of his rule, hadn't manifested for centuries. But this past fortnight, every time he shut his eyes, there she was- lying entwined with him in a shaded grove, with flowers growing all around them. Her face was hidden- it was always hidden. He got teasing glimpses: a flash of russet hair, his hand on her flared hips, her flower-trimmed ankles brushing against his shins, her soft fingers dancing across his skin. Her hand brushed across his chest and down his stomach. He closed his eyes, felt her breath on his cheek, and heard her whisper his familiar name into his ear. Aidon... He turned and captured her lips in a kiss, tasting distant memories of sunlight and heady new life springing from the earth. He could not see her, but he knew it was her- his unknown betrothed- that haunted his dreams. It was her that inexorably drew him to this shaded bed of white and yellow-trumpeted flowers time and time again. Her fingers tangled in his hair and he carefully rolled over her... Aidon... His pulse quickened as she encircled him in her arms, drawing him closer and covering her supine body with his. He grew hungry for her, giving in to the delights of skin upon skin, his mouth upon hers. The dream was always like this. He would caress her, she would kiss him, their hands, their mouths demanding more. These motions were familiar- their dance repeated across the aeons. My lord husband, she said within his very thoughts. Come to me... Find me, Aidoneus.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
Did you want to be buried there?” Fitzroy shook his head convulsively. “No. I want to be cremated and my ashes scattered. You’ll see that done, if I die before you?” “Of course,” Cliopher said, forbearing any protests or the grief that rose up in his throat at the mere thought. “Of course.” “Of course,” Fitzroy repeated, not quite sarcastically, and stared, dry-eyed, at the bones of his distant relative. “I suppose you’d want to be taken to the Island of the Dead? Someone pointed it out—To lie with your ancestors? In the manner of your people?” Cliopher was about to say of course, but there was a note in Fitzroy’s voice— And he recalled the stories that the Sea-Witch sent her birds down to fetch the spirits of those lost at sea, to return them home. The Sea-Witch had given him the garnet that still rattled in the efela the Grandmother (The Old Woman Who Lives in the Deeps, the in-gatherer of all life, in the end) had named Kiofa’a. Cliopher carried the mirimiri of Ani, to give to Vou’a to take to his fanoa. Vou’a was his great-uncle’s husband. He would not be lost, though he did not follow the traditions of his people. “If I die first,” he said, “cremate me and keep the ashes until—until—until they can be scattered with yours. So you can be free but you don’t have to be—alone—we can sail with the Ancestors together—” Fitzroy said, “Kip.” His voice was not the serene one, but fighting for equanimity. “I will not be lost, and neither will you,” Cliopher replied fiercely. “The Sea-Witch likes me. The Old Woman Who Lives in the Deeps likes me. Your ancestors have not forgotten you.
Victoria Goddard (At the Feet of the Sun (Lays of the Hearth-Fire, #2))
When my lips touched her face, my grandmother’s hands quivered and a long shudder ran through her whole body – possibly an automatic reflex, or perhaps it is that certain forms of affection are hypersensitive enough to recognize through the veil of unconsciousness what they scarcely need the senses to enable them to love. Suddenly my grandmother started up, made a violent effort, like someone struggling to hold on to her life. Françoise was unable to offer any resistance to the sight of this and burst out sobbing. Remembering what the doctor had said, I tried to make her leave the room. At that moment my grandmother opened her eyes. I hurriedly thrust myself in front of Françoise to hide her tears while my parents were speaking to the dying woman. The hissing drone of oxygen had stopped; the doctor moved away from the bedside. My grandmother was dead. A few hours later, Françoise was able for the last time, and without causing pain, to comb that beautiful hair which was only slightly greying and had thus far seemed much younger than my grandmother herself. But this was now reversed: the hair was the only feature to set the crown of age on a face grown young again, free of the wrinkles, the shrinkage, the puffiness, the tensions, the sagging flesh which pain had brought to it for so long. As in the distant days when her parents had chosen a husband for her, her features were delicately traced by purity and submission, her cheeks glowed with a chaste expectation, a dream of happiness, an innocent gaiety even, which the years had gradually destroyed. As it ebbed from her, life had borne away its disillusions. A smile seemed to hover on my grandmother’s lips. On that funeral couch, death, like a sculptor of the Middle Ages, had laid her to rest with the face of a young girl.
Marcel Proust (The Guermantes Way)
My greetings and constant love to Emory and my grandchildren. I am well and continue to make my rounds with the news of the day and as always am well-received in the towns of which we have more than a few now as the Century grows older and the population increases so that large crowds come to hear reportage of distant places as well as those nearby. I enjoy good health as always and hope that Emory is doing well using his left hand now and look forward to an example of his handwriting. It is true what Elizabeth has said about employment for a one-armed man but that concerns manual labor only and at any rate there should be some consideration for a man who has lost a limb in the war. As soon as he is adept with his left I am sure he will consider Typesetting, Accounting, Etc. & Etc. Olympia is I am sure a steady rock to you all. Olympia’s husband, Mason, had been killed at Adairsville, during Johnston’s retreat toward Atlanta. The man was too big to be a human being and too small to be a locomotive. He had been shot out of the tower of the Bardsley mansion and when he fell three stories and struck the ground he probably made a hole big enough to bury a hog in. The Captain’s younger daughter, Olympia, was in reality a woman who affected helplessness and refinement and had never been able to pull a turnip from the garden without weeping over the poor, dear thing. She fluttered and gasped and incessantly tried to demonstrate how sensitive she was. Mason was a perfect foil and then the Yankees went and killed him. Olympia was now living with Elizabeth and Emory in the remains of their farm in New Hope Church, Georgia, and was quite likely a heavy weight. He put one hand to his forehead. My youngest daughter is in reality a bore. There was a pounding on the wall: Kep-dun! Kep-dun!
Paulette Jiles (News of the World)
... sleeping with someone else and deceiving her husband, her poor husband, always so understanding and loving ... But only you know that this husband is unable to keep the loneliness at bay. Because something has been missing that even you don’t know how to pinpoint, because you love him and don’t want to lose him. But a shining knight promising adventure in distant lands is a much stronger lure than your desire for everything to remain as it is, even if at parties people stare at you and whisper among themselves that it would be better to tie a millstone around your neck and toss you overboard than let you be a terrible example. And to make matters worse, your husband quietly puts up with everything. He doesn’t complain or make a scene. He believes it will pass. You also know it will pass, but now it’s stronger than you. That’s the way things go for a month, two months, a year ... and everyone quietly puts up with it. But it’s not about asking permission. You look back and see that you also used to think like these people who have become your accusers. You also used to condemn those you knew were adulterers and imagined that if you lived somewhere else, the punishment would be stoning. Until the day it happens to you. Then you come up with a million excuses for your behavior and say you have the right to be happy, even for a little while, because dragon-slaying knights exist only in fairy tales. The real dragons never die, but you still have the right, just once in your life, to live out an adult fairy tale. Then comes the moment you tried to avoid at all costs, one that you had been putting off for so long: the moment you must decide to stay together or to separate forever. Along with this moment, however, comes the fear of making a mistake, no matter what decision you choose. And you hope someone will make the choice for you, throw you out of the house or bed, because it is impossible to go on like this. After all, we are no longer one person, we have become two or many, each completely different. And since you’ve never been through this before, you don’t know where it will end. The fact is that now you are facing a situation that will make one person suffer, or two, or many. But mostly it will destroy you, whatever your choice.
Paulo Coelho (Adultery)
Our story begins on a sweltering August night, in a sterile white room where a single fateful decision is made amid the mindless ravages of grief. But our story does not end there. It has not ended yet. Would I change the course of our lives if I could? Would I have spent my years plucking out tunes on a showboat, or turning the soil as a farmer’s wife, or waiting for a riverman to come home from work and settle in beside me at a cozy little fire? Would I trade the son I bore for a different son, for more children, for a daughter to comfort me in my old age? Would I give up the husbands I loved and buried, the music, the symphonies, the lights of Hollywood, the grandchildren and great-grandchildren who live far distant but have my eyes? I ponder this as I sit on the wooden bench, Judy’s hand in mine, the two of us quietly sharing yet another Sisters’ Day. Here in the gardens at Magnolia Manor, we’re able to have Sisters’ Day anytime we like. It is as easy as leaving my room, and walking to the next hall, and telling the attendant, “I believe I’ll take my dear friend Judy out for a little stroll. Oh yes, of course, I’ll be certain she’s delivered safely back to the Memory Care Unit. You know I always do.” Sometimes, my sister and I laugh over our clever ruse. “We’re really sisters, not friends,” I remind her. “But don’t tell them. It’s our secret.” “I won’t tell.” She smiles in her sweet way. “But sisters are friends as well. Sisters are special friends.” We recall our many Sisters’ Day adventures from years past, and she begs me to share what I remember of Queenie and Briny and our life on the river. I tell her of days and seasons with Camellia, and Lark, and Fern, and Gabion, and Silas, and Old Zede. I speak of quiet backwaters and rushing currents, the midsummer ballet of dragonflies and winter ice floes that allowed men to walk over water. Together, we travel the living river. We turn our faces to the sunlight and fly time and time again home to Kingdom Arcadia. Other days, my sister knows me not at all other than as a neighbor here in this old manor house. But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present as a pulse. “Aren’t they so very sweet?
Lisa Wingate (Before We Were Yours)
Switching on the ground-floor lights, she checked the gas jet and the main gas plug and poured water over the smoldering, half-buried charcoal in the brazier. She stood before the upright mirror in the four-and-a-half-mat room and held up her skirts. The bloodstains made it seem as if a bold, vivid pattern was printed across the lower half of her white kimono. When she sat down before the mirror, she was conscious of the dampness and coldness of her husband’s blood in the region of her thighs, and she shivered. Then, for a long while, she lingered over her toilet preparations. She applied the rouge generously to her cheeks, and her lips too she painted heavily. This was no longer make-up to please her husband. It was make-up for the world which she would leave behind, and there was a touch of the magnificent and the spectacular in her brushwork. When she rose, the mat before the mirror was wet with blood. Reiko was not concerned about this. (...) The lieutenant was lying on his face in a sea of blood. The point protruding from his neck seemed to have grown even more prominent than before. Reiko walked heedlessly across the blood. Sitting beside the lieutenant’s corpse, she stared intently at the face, which lay on one cheek on the mat. The eyes were opened wide, as if the lieutenant’s attention had been attracted by something. She raised the head, folding it in her sleeve, wiped the blood from the lips, and bestowed a last kiss. (...) Reiko sat herself on a spot about one foot distant from the lieutenant’s body. Drawing the dagger from her sash, she examined its dully gleaming blade intently, and held it to her tongue. The taste of the polished steel was slightly sweet. Reiko did not linger. When she thought how the pain which had previously opened such a gulf between herself and her dying husband was now to become a part of her own experience, she saw before her only the joy of herself entering a realm her husband had already made his own. In her husband’s agonized face there had been something inexplicable which she was seeing for the first time. Now she would solve that riddle. Reiko sensed that at last she too would be able to taste the true bitterness and sweetness of that great moral principle in which her husband believed. What had until now been tasted only faintly through her husband’s example she was about to savor directly with her own tongue. Reiko rested the point of the blade against the base of her throat. She thrust hard. The wound was only shallow. Her head blazed, and her hands shook uncontrollably. She gave the blade a strong pull sideways. A warm substance flooded into her mouth, and everything before her eyes reddened, in a vision of spouting blood. She gathered her strength and plunged the point of the blade deep into her throat.
Yukio Mishima
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary ... You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
There is no other alternative, Huzoor. It is the mandate of Mother Chandi that a married woman only can become a Bhairabi, and three days after marriage, a Bhairabi cannot touch her husband anymore. So it has become a practice to arrange for a poor man from a distant place to marry a girl, before she is installed as a Bhairabi, and the man leaves after three days with enough money as reward. No one would see him ever again.” Jibananda laughed. “What are you talking
Amitava Bhattacharya (Selected Novels of Sarat Chandra Chatterjee)
There is no other alternative, Huzoor. It is the mandate of Mother Chandi that a married woman only can become a Bhairabi, and three days after marriage, a Bhairabi cannot touch her husband anymore. So it has become a practice to arrange for a poor man from a distant place to marry a girl, before she is installed as a Bhairabi, and the man leaves after three days with enough money as reward. No one would see him ever again.” Jibananda laughed. “What are you talking about,
Amitava Bhattacharya (Selected Novels of Sarat Chandra Chatterjee)
Her Journal Tonight, my husband was acting weird. We had made plans to meet at a nice restaurant for dinner. Conversation wasn’t flowing, so I suggested that we go somewhere quiet so we could talk. He agreed, but he didn’t say much. I asked him what was wrong. He said, “Nothing.” I asked him if it was my fault that he was upset. He said he wasn’t upset, that it had nothing to do with me, and not to worry about it. On the way home, I told him that I loved him. He smiled slightly and kept driving. When we got home, he just sat there quietly and watched TV. He continued to seem distant and absent. Finally, with silence all around us, I decided to go to bed. About fifteen minutes later he came to bed. But I still felt that he was distracted and his thoughts were somewhere else. He fell asleep. I don’t know what to do. His Journal Rough day. Boat wouldn’t start, can’t figure out why.
Les Parrott III (Making Happy: The Art and Science of a Happy Marriage)
My sisters seemed so different from the way I remembered them. Sali, the one closest in age, mother of two children. Her tone of voice had changed; she spoke German or Yiddish with an English accent. The brothers-in-law, all so different from people that I used to know: Betty's husband Nat - distant; Sali's husband Willie - friendly and enthusiastic; Gertie's Jacques - a real character, a devout Communist, who told me that I didn't understand what I saw when I criticized the Soviet system. My cousins, close in age to me: Jack Stadler, one year older than myself, had just got engaged the week when I arrived and Albert, a few years younger - none of them could talk to the newly arrived uncle and aunt, since they spoke only English.
Pearl Fichman (Before Memories Fade)
Bold Prayers Joshua prayed to the LORD in front of all the people of Israel. He said, “Let the sun stand still over Gibeon.” JOSHUA 10:12 NLT Do you pray conservatively or audaciously? Joshua prayed audaciously—and the sun stood still. Hannah prayed audaciously—and God granted her a son. Daniel prayed audaciously—and the lions’ mouths stayed closed all night. (Whew—what a relief to him!) Jesus prayed audaciously—and Lazarus rose from the dead. What about you? Have you dared to pray a bold prayer, or are you content to ask God for easy things? Jennie, her husband, and two boys decided to pray audaciously that God would help them adopt a little girl from Haiti. They had no extra money, and the fee to adopt came to over $15,000. Still, they felt led to start filling out the required paperwork and making plans. About the time they had hoped to complete the process, the family was still woefully short on funds. But out of the blue, a distant relative called Jennie and said that her great-uncle (whom the family had only met once) had died and left an inheritance to Jennie. The next week, Jennie nearly fainted when she opened a certified mail envelope—and a check for $14,500 fell out. Pray audaciously. You never know what God will do. God, thank You for answering mightily when we pray with bold faith. Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
This is the road of the long slow decline. You know it well. You who have watched helpless as son, daughter, sister, brother, husband, wife, friend stood uncertain at its crossroads before taking that single decisive step. Maybe you took that step yourself. Either way, you know that there is no getting off of this road until the traveler has reached its inevitable end. The road twists and winds and goes on into an unseen, distant horizon. Sometimes there are breakdowns. Sometimes there is hope. Sometimes the ones we love crash and die. There may be rest stops along the way on this road, side trips into what looks like happiness or sanity. But these are only mirages that shimmer and dissolve when we reach out to grab them. They are not real life or real rest stops. In the end, the traveler must figure out why he got on the road in the first place before making that final choice to get off.
Chris Lemig (The Narrow Way: A Memoir Of Coming Out, Getting Clean and Finding Buddha)
even success the most brilliant is over dead and mangled bodies, with the anguish and lamentations of distant families, appealing to me for sons, husbands, and fathers . . . as far as I know, all the fighting men of our army want peace; and it is only those who have never heard a shot, never heard the shriek and groans of the wounded and lacerated (friend or foe), that cry aloud for more blood, more vengeance, more desolation.
Matthew Carr (Sherman's Ghosts: Soldiers, Civilians, and the American Way of War)
Calm now," I said with my lips to his ear and my hand to the side of his face. I knew he was thinking of Bad Axe, straining against a distant memory. In a lucid instant, he gripped my hand and searched my face. I felt him fighting to hold to this life, at great sufferance to himself. I whispered, "Don't struggle for me, Henry, not if you are tired and wish to go." I pressed my lips to his cheek, touched my finger to the corners of his eyes to brush away the moisture there. "Husband?" I asked, searching his face, wondering why, suddenly, it had changed so. All that night, I kept watch over him. Even though he had gone, I did not want him to believe that such a small thing as the end of living could ever separate the two of us.
Micaela Gilchrist
When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.
Andrew Morton (Diana: Her True Story in Her Own Words)
I see you've brought a friend back from America with you," he said, after some time. "Yes.  Amy.  She's been my polestar, and my salvation." "She's striking.  Quite exotic, if I do say so myself." "Yes, she is." Another pause.  And then, Gareth asked impulsively, "Do you love her?" Charles dragged his head up and regarded his brother with what was almost a smile.  "Yes."  He looked beyond Gareth's shoulder, out the window and over the downs, his gaze fixed on some distant point that only he could see.  "And this time, it is for real, I think." "You ought to marry her." "I can't." "Why not?" "I am not ready to be anyone's husband."  As Gareth started to protest, Charles murmured, "She deserves more than a washed out shell of a man whose courage and confidence are in tatters, who can't offer her much of anything, who is less than perfect." "What a load of bollocks." "I beg your pardon?" "I said, what a load of bollocks.  Really, Charles, you haven't changed a damn bit, have you?" "I don't know what you're talking about." "Look at you, striving to be perfect, just as you ever were.  Won't do anything unless you can do it to your own ridiculous standards of excellence.  Well, let me tell you something.  Being a husband means learning as you go along; you don't go into it already knowing everything there is to know, and can't expect to.  You make mistakes, and you learn by them.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
She had never seen him as more than a friend, and after she’d married, she and her husband had moved. At some point he heard that they died in pitiful straits and had hurried off to find Rose. She had been left to the care of a distant relative who didn’t want her. Sir Jasper had scooped up little Rose and made her his own. She became the daughter of his heart.
Claudy Conn (Disorderly Lady)
A film called Jai Santoshi Ma about a goddess nobody had heard of till the film came out created a new cult. The film told the story of an unhappy woman who was tortured and starved by her husband’s family while he was away working in some distant city. What keeps her alive in the film is her enduring faith in the goddess Santoshi, for whom she fasts every Friday and practises other austerities. The film became a runaway hit but nobody noticed that this was a new goddess invented in Bollywood.
Tavleen Singh (Durbar)
we are weak. Affected by our past. Deceived by our culture. Tempted by unholy desires. Some Christians secretly view sex in their marriages as dirty or shameful. Some are haunted and weighed down by memories of immorality and adultery in their past. Some have given in to the destructive undertow of pornography, fueling their lusts with man-made, sinful alternatives to the pure, unpolluted, replenishing experience God designed our sexual oneness to be. As a result, many husbands and wives have grown distant from each other, allowing staleness to set in, pushing each other away, withholding something precious that rightly and exclusively belongs to their spouse.
Alex Kendrick (The Love Dare)
How could it be that her husband could be physically so close to her every day, beside her in bed every night, yet so far away, so distant,
Monica McInerney (Hello From the Gillespies)
For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her
Darrell Case
It followed that if a man was to maintain his position, the woman of the house could not be seen to go out to work. (One consequence of the need to preserve the appearance of prosperity on one income was that the husband and father figure was obliged to work longer and longer hours to earn the means to keep the family afloat, becoming in the process the distant, cold figure of caricature.)
Jeremy Paxman (The English: A Portrait of a People)
Amelia went to the parlor windows and watched the two distant figures proceed through the orchard toward the forest. The apple trees, frosted with light green buds and white blossoms, soon conspired to hide the pair from view. She puzzled over the way Beatrix had behaved with the stern-faced soldier, pecking and chirping at him, almost as if she were trying to remind him of something he’d forgotten. Cam joined her at the window, standing behind her. She leaned back against him, taking comfort in her husband’s steady, strong presence. One of his hands glided along her front. She shivered in pleasure at the casual sensuality of his touch. “Poor man,” Amelia murmured, thinking of Phelan’s haunting eyes. “I didn’t recognize him at first. I wonder if he knows how much he has changed?” Cam’s lips played lightly at her temple as he replied. “I suspect he is realizing it now that he’s home.” “He was very charming before. Now he seems so austere. And the way he stares sometimes, as if he’s looking right through one…” “He’s spent two years burying his friends,” Cam replied quietly. “And he’s taken part in the kind of close combat that makes a man as hard as nails.” He paused reflectively. “Some of it you can’t leave behind. The faces of the men you kill stay with you forever.” Knowing that he was remembering a particular episode of his own past, Amelia turned and hugged herself close to him. “The Rom don’t believe in war,” Cam said against her hair. “Conflict, arguing, fighting, yes. But not in taking the life of a man with whom one has no personal grievance. Which is one of many reasons why I would not make a good soldier.” “But for those same reasons, you make a very good husband.” Cam’s arms tightened around her, and he whispered something in Romany. Although she didn’t understand the words, the rough-soft sound of them caused her nerves to tingle. Amelia nestled closer. With her cheek against his chest, she reflected aloud, “It’s obvious that Beatrix is fascinated by Captain Phelan.” “She’s always been drawn to wounded creatures.” “The wounded ones are often the most dangerous.” His hand moved in a soothing stroke along her spine. “We’ll keep a close watch on her, monisha.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The look transpiring between them left her with a peculiar, unsettled feeling. Only the harrowing howl of a distant wolf broke the tender moment. Ethan
Leah Atwood (Riches of the Heart (Mail-Order Husbands) (Mail-Order Matches))
He was a shitty husband, a cruel and distant father, and had absolutely no empathy for other human beings.
Alafair Burke (The Ex)
I lived inscrutable hours, a succession of disconnected moments, in my night-time walk to the lonely shore of the sea. All the thoughts that have made men live and all their emotions that have died passed through my mind, like a dark summary of history, in my meditation that went to the seashore. I suffered in me, with me, the aspirations of all eras, and every disquietude of every age walked with me to the murmuring shore of the sea. What men wanted and didn’t achieve, what they killed in order to achieve, and all that souls have secretly been – all of this filled the feeling soul with which I walked to the seashore. What lovers found strange in those they love, what the wife never revealed to her husband, what the mother imagines about the son she didn’t have, what only had form in a smile or opportunity, in a time that wasn’t the right time or in an emotion that was missing – all of this went to the seashore with me and with me returned, and the waves grandly churned their music that made me live it all in a sleep. We are who we’re not, and life is quick and sad. The sound of the waves at night is a sound of the night, and how many have heard it in their own soul, like the perpetual hope that dissolves in the darkness with a faint plash of distant foam! What tears were shed by those who achieved, what tears lost by those who succeeded! And all of this, in my walk to the seashore, was a secret told me by the night and the abyss. How many we are! How many of us fool ourselves! What seas crash in us, in the night when we exist, along the beaches that we feel ourselves to be, inundated by emotion! All that was lost, all that should have been sought, all that was obtained and fulfilled by mistake, all that we loved and lost and then, after losing it and loving it for having lost it, realized we never loved; all that we believed we were thinking when we were feeling; all the memories we took for emotions; and the entire ocean, noisy and cool, rolling in from the depths of the vast night to ripple over the beach, during my nocturnal walk to the seashore …
Fernando Pessoa (The Book of Disquiet)
But I have eyes only for the lonely bird of prey that stands at the center of all the silly, vain, power-hungry little pigeons. Her golden hair is bound tight behind her head. Her tunic is pure white, without the ribbons of their Color the others wear. And in her hand, she carries the Dawn Scepter—now a multi-hued gold baton half a meter long, with the pyramid of the Society recast into the fourteen-pointed star of the Republic at its tip. Her face is elegant and distant. A small nose, piercing eyes behind thick eyelashes, and a mischievous cat’s smile growing on her face. The Sovereign of our Republic. Here at the summit of the stairs, her eyes shed the weight from my shoulders, the fear from my heart that I would never see her again. Through war and space and this damnable parade, I have traveled to find her again, my life, my love, my home. I bend to my knee and look up into the eyes of the mother of my child. “ ’Lo, wife,” I say with a smile. “ ’Lo, husband. Welcome home.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
I clicked the obituary, my heart pounding. " 'Alice Roussard passed away on February 8, 2008. She was 87,' " I read. Caterina tapped her fingers against the desk. "Bingo." " 'Alice is survived by her husband Benjamin and three daughters,' " I continued. " 'Lisette Greenfeld of Kansas City, KS; Vi Lipniki of Poughkeepsie, NY; and Rosaline Warner of Saint Louis, MO.' " "Ha! No wonder you were having trouble getting anywhere with Roussard. Benjamin had three daughters, all of whom changed their names." "Well, now we've got them." "Saint Louis is within driving distance, Etta. If we found a number or e-mail for Rosaline..." "It's certainly worth a try," I said, clicking to a new browser window. I typed in Rosaline Warner's name and hit Enter. "Would you look at that," Cat said when we reviewed the results. I couldn't help but chuckle as well. Link after link featured Rosaline Warner, the James Beard Award-winning pastry chef and proprietress of the Feisty Baguette. "Genetics," I said. "They'll getcha every time.
Hillary Manton Lodge (Together at the Table (Two Blue Doors #3))
They discounted her reasons because her complaints were emotional, like not being listened to, having her feelings and requests disregarded, and not having any fun with her husband.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
Unfortunately, it’s become ingrained in me, making me believe some-thing is wrong with me. My shape became more womanly the older I got. But my mom, she’s not used to curves, and in her mind, I'm overweight, simply because we don't share the same proportions. But I don’t know what she expected. Her husband, the other half of my DNA, looks nothing like the ginger hair, freckled, thin-framed side of my mom’s family. My parents couldn't be more different. Sure, there's the physical disparities. My dad is a black man, and my mom is a white woman. But more than that, their personalities are polar opposites. My dad is funny and kind, nurturing. My mom is cold, distant, and outright mean sometimes. I want to be proud that I’m half of a remarkable man, but it’s hard to be proud of anything when my own mother is disappointed in everything I do. And for some reason now, it seeps in more than it used to. As the bartender places my burger down in front of me, a quick regret paces through my mind. The more I think about my mother, the less appealing this food sounds. Maybe I should’ve ordered a salad with the dressing on the side. Maybe my uniform will fit a little better tomorrow if I eat that instead.
Liz Tomforde (Mile High (Windy City, #1))
Aubry’s successor, Enguerrand I, was a man of many scandals, obsessed by lust for women, according to Abbot Guibert (himself a victim of repressed sexuality, as revealed in his Confessions). Seized by a passion for Sybil, wife of a lord of Lorraine, Enguerrand succeeded, with the aid of a compliant Bishop of Laon who was his first cousin, in divorcing his first wife, Adèle de Marie, on charges of adultery. Afterward he married Sybil with the sanction of the Church while her husband was absent at war and while the lady herself was pregnant as the result of still a third liaison. She was said to be of dissolute morals.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
Who we are is worlds apart from who God is, and that chasm might have remained forever if not for the fact that he came to us as we are, where we are. We spiritualize and intellectualize this God, who has from the very beginning, come to his people, pursued us, and lived among us, because doing so makes him safely distant, more easily understood. But he comes to us. He comes so that we might become--some more slowly than others and perhaps me slowest of all--like him.
Tony Woodlief (Somewhere More Holy: Stories from a Bewildered Father, Stumbling Husband, Reluctant Handyman, and Prodigal Son)
In a quiet abode, where shadows weep, Lived the saddest grandmother, her sorrow ran deep. Once a home filled with laughter and cheer, Now echoes silence, a symphony of tears. Her eyes, like windows to a weathered soul, Glistened with memories that took their toll. A tale unfolded of love's sweet refrain, Now stained with loss, an enduring pain. Beside the hearth where warmth once thrived, Loneliness lingered, love deprived. A husband's absence, a void untold, Left her heart shattered, bitter and cold. Her family, once a vibrant bouquet, Now scattered petals, drifting away. The echoes of laughter, a distant sound, In the vast emptiness that sorrow found. Photographs whispered of days long past, A love that forever seemed to last. But time, a cruel and relentless stream, Carved lines of grief in a once joyous dream. Through tear-stained letters and faded attire, The saddest grandmother stoked love's dwindling fire. A matriarch cradled in solitude's embrace, Longing for the touch of her love's warm grace. Her children, grown and scattered like leaves, Each carried a piece of the pain she conceives. Yet, united by grief, a bittersweet thread, Bound by the love that time hadn't shed. In twilight's embrace, she wept in despair, A tapestry woven with threads of wear. The saddest grandmother, weathered and gray, Whispered to the wind the words she couldn't say. For in the echoes of her silent plea, Lingered the remnants of love's decree. A tale of loss, etched in the lines, Of the saddest grandmother, where sorrow resigns.
The innocent Devil By Elissar Benjamin
Meaghan’s real problem wasn’t that she didn’t know how to express herself; it was that her family didn’t want to hear her. Her husband and parents weren’t trying to understand; they were focused on trying to convince her she was mistaken.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
Another woman was sure she could get the kind of love she longed for from her husband if she did everything he wanted. When he still didn’t give her the attention she thought she’d earned, she was furious with him. Her anger covered the anxiety she felt when she realized her healing story wasn’t working, even though she’d given it her best shot. Since childhood, she had been sure she could make herself lovable by being a “good” person.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
The more distant” white women are “from the benefits of and investments in traditional heterosexual marriage, the less likely they are to support Republican presidential candidates,” i.e., candidates of the party more likely to support traditional white heteropatriarchy. It has long been true that some of the most energetic opponents of women’s political advancement have been . . . women. Back in the nineteenth century, anti-suffrage campaigns were led by women, and of course the campaign that defeated the ERA in 1982 was led by a woman, Phyllis Schlafly. This dynamic repeated itself in focus groups leading up to the 2016 election. Jessica Morales, a left-wing activist who worked for the Clinton campaign, remembered those groups. “In every focus group for two years basically, always white women, some college-educated, but most not, would say things [to us] like, ‘I’m not sure if my husband likes her. He’s gotta like her for me to vote for her.’ ‘It doesn’t really matter to me that she’s the first woman president.’ ‘Is it really that historic?’ A thing that people don’t realize is that we knew that non-college-educated white women were the problem.” Morales believed that these women were the crux. “It’s them basically deciding to be on our side and not be Phyllis Schlafly. And the answer is that of course we lost because these women have never chosen our side, ever. Never, ever, ever.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?
Thomas Pynchon (Against the Day)
The death of the last of the three brothers in 1328 left the succession to the crown open, with results that led to the longest war—so far—in Western history. Three claimants were available—a grandson and two nephews of Philip the Fair. The grandson was the sixteen-year-old Edward III of England, son of Philip the Fair’s daughter Isabel, who had married Edward II. She was generally believed to have connived with her lover in the murder of her husband the King, and to exercise a malign influence upon her son. His claim of direct lineage, vigorously put forward, met no welcomers in France not because it derived through a woman but because the woman in question was feared and disliked and in any case no one wanted the King of England on the throne of France.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)