Disposable Camera Quotes

At the other end of the room, Grandma had the lid up on Larry Lipinski. She was standing one foot on a folding chair, one foot on the edge of the casket, and she was taking pictures with a disposable camera.

Next thing they knew, the door burst open, and there stood a group of the three meanest girls in school, who called themselves "The squad." The leader, Victoria, held up a disposable camera, snapping a quick picture, before the three burst into a fit of laughter.

We can never make proper goodbyes. It was your last ride in a Checker cab and you had no warning. It was the last time you were going to have Lake Tung Ting shrimp in that kinda shady Chinese restaurant and you had no idea. If you had known, perhaps you would have stepped behind the counter and shaken everyone's hand, pulled out the disposable camera and issued posing instructions. But you had no idea. There are unheralded tipping points, a certain number of times that we will unlock the front door of an apartment. At some point you were closer to the last time than you were to the first time, and you didn't even know it. You didn't know that each time you passed the threshold you were saying goodbye.

except for the fact that he’s less sharp than someone suffering from rheumatism handling a disposable camera.

Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.

One image for understanding this situation is to see the Holy Spirit as the photographer, and the evangelists and other inspired writers of the Old and New Testaments as different kinds of cameras. Cameras are available in many styles, from little disposable cameras to expensive 35 mm cameras with many lenses. Each type of camera reflects the truth of the scene, but its limits and strengths give a different type of photograph of that scene. So also with the divinely inspired writers of Scripture: Each of them tells the truth about what God shows them, but we would do well to understand how they look at things, their perspectives, and their limits.

Hearing her tell Wardle about the disposable wedding cameras she had ordered had brought home to Strike how soon she would become Mrs. Matthew Cunliffe. There’s still time, he thought. For what, he did not specify, even to himself.

The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy. And yet, despite all of this, not one of these bodies makes a single sound at any time during the sultan’s speech.

I had a dream about you last night. We were in your old Civic. Nine Inch Nails was turned up on the stereo and I was taking pictures of you behind the wheel with my disposable camera. We went through the drive through at El Pollo Loco, placed an order for a hundred bucks worth of food, and then just drove off at the window. I miss being stupid with you.

He had no time or tolerance for social media. Seamus was one of that rare breed who had never had a Facebook page, had no real concept about what purpose Twitter served and had for a long time thought Instagram was a brand of disposable camera. He was convinced that dating apps were a total waste of time and would always lead to, at best, disappointment, and, at worst, utter humiliation

Listen, um ... in case you even feel like saying hello ...' I said, and I handed something else to her My disposable camera. Twelve moments of my own. She took it, and smiled like she understood, then looked at me once more. It was a look of recognition, something slowly dawning on her, my face meaning more to her then it had. 'I knew I knew you,' she said. 'I think I knew I knew you, too," I said.

Last night, at a press conference, the City Council reminded everyone that the Dog Park is there for our community enjoyment and use, and so it is important that no one enter, look at, or think about the Dog Park. They are adding a new advanced camera system to keep an eye on the great black walls of the Dog Park at all times, and if anyone is caught trying to enter it, they will be forced to enter it, and will never be heard from again. If you see hooded figures in the Dog Park, no you didn’t. The hooded figures are perfectly safe, and should not be approached at any costs. The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams. We have also received word via encrypted radio pulses about the opening of a new store: Lenny’s Bargain House of Gardenwares and Machine Parts, which until recently was that abandoned warehouse the government was using for the highly classified and completely secret tests I was telling you about last week. Lenny’s will serve as a helpful new source for all needs involving landscaping and lawn-decorating materials and also as a way for the government to unload all the machines and failed tests and dangerous substances that otherwise would be wasted on things like “safe disposal” or “burying in a concrete tomb until the sun goes out.” Get out to Lenny’s for their big grand opening sale. Find eight government secrets and get a free kidnapping and personality reassignment so that you’ll forget you found them!

had delivered them flawlessly. After showing a quick excerpt from the Declaration of Independence about America pledging its sacred honor to help the victims and their families, the cameras would fade to the presidential seal and that would be it. Though the circumstances were horrible, the press secretary had always hoped he’d be given a chance to write a speech that would be remembered for eternity. He felt pretty confident this was going to be one of those speeches. What he didn’t know was that why it would be so well remembered was still yet to come. As the president came to the end of his remarks, he abandoned his script. “And to the terrorists responsible for this revolting act of cowardice, I say this. America will never stop until we have hunted every last one of you down. We will go to the far corners of the earth, draining every swamp and turning over every rock along the way. And when we find you—and we will find you—we shall use every means at our disposal to visit upon you a death one thousand times more hideous than that which you have delivered to our doorstep today. “America has defeated the greatest evils of the modern world and it will defeat the scourge of radical Islamic fanaticism as well. “Thank you and God bless America.” The red light atop the main camera switched off, but no one spoke. Not even the floor director, whose job it was to inform the president that they were safely off the air. “Am I clear?” asked Rutledge. The irony was not lost upon the director, who replied, “I’d say you were crystal clear, sir.” Knowing it would take several minutes for the technical people to pack up their equipment from the Oval Office, Chuck Anderson asked, “Mr. President, may I have a word, please, in my office?” Pointing at the press secretary, he added, “You too, Geoff.” Once they had gone through the adjoining door and it had closed firmly behind them, the chief of staff said, “Do you have any idea what you’ve just done?” “We’re not going to hide behind politically correct labels anymore, Chuck.” “I’d say you made that abundantly clear. Along with the fact that the Christian West is now officially

Beckett smiled and took the microphone right out of the blonde’s hands, all Kanye West style. She couldn’t help but smile back. “Thanks, sweetheart,” he told her. “You’re doing great. Are we live?” She nodded, shocked. He turned to the camera. “Good. My people—and you motherfuckers know who you are—right now, in this moment, we are being attacked. This is not random violence, but a planned terror attack intended to bring this city to our fucking knees. Our police force and firefighters are heroes and are totally overwhelmed right now. So that leaves us. Me and you bastards. I’m asking you not to hide inside. Do not turn into pants-crapping cowards. I want you to stand with me. Use whatever skills you have at your disposal if you see shit going down that you can stop.” G licked Beckett. “I’m asking you to step up and help me. Right now, help our motherfucking town. Our goal is this and only this: Saving Poughkeepsie.

The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy.

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How did the senator know that children meant happiness? Could he see into their souls? What if, the moment they were out of sight, three of them jumped the fourth and began beating him up? The senator had only one argument in his favor: his feeling. When the heart speaks, the mind finds it indecent to object. In the realm of kitsch, the dictatorship of the heart reigns supreme. The feeling induced by kitsch must be a kind the multitudes can share. Kitsch may not, therefore, depend on an unusual situation; it must derive from the basic images people have engraved in their memories: the ungrateful daughter, the neglected father, children running on the grass, the motherland betrayed, first love. Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass! It is the second tear that makes kitsch kitsch. The brotherhood of man on earth will be possible only on a base of kitsch. And no one knows this better than politicians. Whenever a camera is in the offing, they immediately run to the nearest child, lift it in the air, kiss it on the cheek. Kitsch is the aesthetic ideal of all politicians and all political parties and movements. Those of us who live in a society where various political tendencies exist side by side and competing influences cancel or limit one another can manage more or less to escape the kitsch inquisition: the individual can preserve his individuality; the artist can create unusual works. But whenever a single political movement corners power, we find ourselves in the realm of totalitarian kitsch. When I say totalitarian, what I mean is that everything that infringes on kitsch must be banished for life: every display of individualism (because a deviation from the collective is a spit in the eye of the smiling brotherhood); every doubt (because anyone who starts doubting details will end by doubting life itself); all irony (because in the realm of kitsch everything must be taken quite seriously); and the mother who abandons her family or the man who prefers men to women, thereby calling into question the holy decree Be fruitful and multiply. In this light, we can regard the gulag as a septic tank used by totalitarian kitsch to dispose of its refuse.

Mothers who hand sewed kids' clothes, who read used Jane Austen paperbacks and stenciled checkerboards and hearts onto their kitchen cupboards, did not go away on weekend benders. Not according to my husband they didn't. "This one does," I told him, tossing long underwear, a disposable camera, and a Led Zeppelin cassette tape into a denim duffel bag.

Brin had blurbed my novel Starfish; to say I was favorably disposed towards the man would be an understatement. And yet I found myself increasingly skeptical as he spoke out in favor of ubiquitous surveillance: the “Transparent Society,” he called it, and It Was Good. The camera would point both ways, cops and politicians just as subject to our scrutiny as we were to theirs. People are primates, Brin reminded us; our leaders are Alphas. Trying to ban government surveillance would be like poking a silverback gorilla with a stick. “But just maybe,” he allowed, “they’ll let us look back.” Dude, thought I, do you have the first fucking clue how silverbacks react to eye contact?

The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy. And yet, despite all of this, not one of these bodies makes a single sound at any time during the sultan’s speech. It is a marvel that can only be explained by the power of brain over body, and, in turn, by the power of cultural conditioning over the brain.

When we pass the giant Luke Skywalker vs. Darth Vader mural on the side of one of the soundstages, Mom squeals with delight, whips out her disposable camera, and snaps a picture of me standing in front of it. I feel embarrassed, like we don’t belong here.

At the end of the scene, when Kathy kisses Don, Cosmo objects, thereby provoking Kathy to kiss him as well, to which he responds with girlish abashment (the exchange replays the part of “Good Mornin’” when Kathy sits first on Don’s knee, then on Cosmo’s). 2.5 2.6 2.7 Yet Don and Kathy do not yet engage fully as romantic partners, which becomes clear during the following number, Kelly’s famous solo rendition of the title song, “Singin’ in the Rain,” introduced by his deliberately isolating himself (kissing Kathy good night and then waving off the cab driver). Alone on the rain-drenched sound stage (assuming we have learned to recognize it as such from “You Were Meant for Me”), he clarifies the MERM-related function of such effects, which seem in themselves to demand that he sing. The coordination of MERM and Hollywood-style special effects is particularly close in this number, as he soon leaves the song behind, first to explore the sets and props conveniently at his disposal, and then to match the music’s crescendo with an expansive embrace of the larger space. Here, the camera cranes outward, and Kelly breaks through into a moment of “dancing-sublime,” when his dancing seems either to revert or to come full circle, returning to the primitive urge that gave it birth (thus his stomping and jumping in the puddle like an adolescent boy).34 But the number, through its supreme narcissism, actually does more to inhibit than to advance the plot.

Not surprisingly, there's nothing to do at the Pentagon except start a war. Tourist aren't even allowed to take photos with the building in the background, so when the sailor-suited family of Navy veterans four generations deep handed me a disposable camera and asked me to follow at a distance and secretly take photos of them while they snapped to attention, saluted, and flashed peace signs for no apparent reason, I was only too happy to serve my country.