Disneyland Castle Quotes

We've searched our database for all the quotes and captions related to Disneyland Castle. Here they are! All 11 of them:

I honestly can't remember much else about those years except a certain mood that permeated most of them, a melancholy feeling that I associate with watching 'The Wonderful World of Disney' on Sunday nights. Sunday was a sad day - early to bed, school the next morning, I was constantly worried my homework was wrong - but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, I was consumed by a more general sense of dread, of imprisonment within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom.
Donna Tartt (The Secret History)
The secret of Disney is doing things you don't need and doing them well, and then you realize you needed them all along/
Jim Korkis (More Secret Stories of Disneyland: More Trivia Notes, Quotes, and Anecdotes)
Standing 89 feet high, the Carthay Circle Theatre is actually taller than Sleeping Beauty Castle.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - DCA: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
Sunday was a sad day—early to bed, school the next morning, I was constantly worried my homework was wrong—but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, I was consumed by a more general sense of dread, of imprisonment within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom.
Donna Tartt (The Secret History)
I honestly can’t remember much else about those years except a certain mood that permeated most of them, a melancholy feeling that I associate with watching “The Wonderful World of Disney” on Sunday nights. Sunday was a sad day—early to bed, school the next morning, I was constantly worried my homework was wrong—but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, I was consumed by a more general sense of dread, of imprisonment within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn’t pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.
Donna Tartt (The Secret History)
Sunday was a sad day-early to bed, school the next morning, I was constantly worried my homework was wrong-but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, was consumed by a more general sense of dread, of imprisonment I within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn't pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.
Donna Tartt (The Secret History)
The last slide is Main Street at night, with the castle lit silver blue in the background. In the sky, fireworks are going off, cresting, cracking open the darkness, shooting long tendrils of colored light down to the buildings, way longer than I’ve ever seen for fireworks… I linger on this slide. I study that blue castle and those fireworks and realize that this is the image I’ve had in my head of Disneyland for all these years. Just like the beginning of the Wonderful World of Disney TV show. Maybe that’s why I wanted to head here this time. I know it’s ridiculous, but part of me wants to think that the world after this one could look like that. Like I said before, I stopped having notions about religion and heaven long ago—angels and harps and clouds and all that malarkey. Yet some silly, childish side of me still wants to believe in something like this. A gleaming world of energy and light, where nothing is quite the same color as it is on earth—everything bluer, greener, redder. Or maybe we just become the colors, that light spilling from the sky over the castle. Perhaps it would be somewhere we’ve already been, the place we were before we were born, so dying is simply a return. I guess is that were true then somehow we’d remember it. Maybe that’s what I’m doing with this whole trip—looking for somewhere that I remember, deep in some crevice of my soul. Who knows? Maybe Disneyland is heaven. Isn’t that the damnedest, craziest thing you’ve ever heard? Must be the dope talking. (pp.253-254)
Michael Zadoorian (The Leisure Seeker)
Using the castle to transition between lands was a visual trick Walt called a weenie. According to Disney historian Jim Korkis, during the development of Disneyland, Walt would come home late at night and usually enter his house through the kitchen, which was closer to the garage. He would walk into the kitchen and grab two uncooked hot dogs, or wieners, one for himself and one for his dog. Korkis said, "By wiggling the treat, Walt could get his dog to go from side to side, around in a circle, jump up and more. Both Walt and the dog loved the game and she was finally rewarded with the tasty and satisfying treat." "Each of the gateways into the lands offered weenies. The spinning carousel through the portal leading through Sleeping Beauty Castle called guests into Fantasyland. The stockade gates, the steam bellowing from the Mark Twain stern-wheeler, and the seeming infinite horizon beckoned guests to visit Frontierland. Over in Tomorrowland was the clock of the World and the TWA Moonliner ready for launch. Only Adventureland lacked a weenie. It was thought that if guests knew too much, it would not be much of an adventure.
Sam Gennawey (Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream (Unofficial Guides))
On some level, with its carrousels and castle and cowboys, its mysterious jungle and its animated characters, Disneyland is a highly idealized elaboration of our childhoods. It can be seen as a portal through which we revisit (maybe even heal) our youth.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - Disneyland: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
Deep Fathom, this is NUMA. Our position is just south of the Magic Castle between Jungleland and the Pirates of the Caribbean." "Please repeat your position," came the voice of the flustered mercenary who had broken in on Pitt's call to Stucky. "What's this, a radio commercial for Disneyland?" Stucky's familiar voice popped over the speaker. "Well, well, the genuine article. What took you so long to answer, Stucky?" "I was listening to what my alter ego had to say. You guys landed in Chiclayo yet?" "We were sidetracked and decided to head home," said Pitt. "Is the skipper handy?" "He's on the bridge playing Captain Bligh, lashing the crew in an attempt to set a speed record. Another knot and our rivets will start falling out.
Clive Cussler (Inca Gold (Dirk Pitt, #12))
The year was 1968, and Susan was sixteen years old. She’d come to Disneyland with her family, but as soon as they’d entered the gates, she waved goodbye to her mother, brother, and grandparents, saying she’d meet up with them later at the ice cream parlor on Main Street. She hurried down the street and across the bridge to the Sleeping Beauty Castle before her mother had a chance to protest. She knew she’d later be in trouble for running off but didn’t care; she wanted to be alone and away from her family for at least part of the day.
Linda S. Rice (The Dusky Club, June 1962 (The Necklace #1))