Discount Dance Quotes

The Argentine tango isn't here to play nicely with the other children. The Argentine tango is here to seduce your women, spill things on your rug, and sneak out your bedroom window in the middle of the night.

I've done tangos with men who thought my ass was a squeaky toy.

You’d think the predators of the world would eventually learn that it’s not a good idea to charge the sort of person who brings throwing knives to a dance club.

At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow, and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like incandescent wine. Eight, and the flames are shimmering violet. Nine, and the violet shifts to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron. And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.

There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.

He had so often heard these things said that they did not strike him as original. Emma was like all his mistresses; and the charm of novelty, gradually falling away like a garment, laid bare the eternal monotony of passion, that has always the same forms and the same language. He did not distinguish, this man of so much experience, the difference of sentiment beneath the sameness of expression. Because lips libertine and venal had murmured such words to him, he believed but little in the candour of hers; exaggerated speeches hiding mediocre affections must be discounted; as if the fullness of the soul did not sometimes overflow in the emptiest metaphors, since no one can ever give the exact measure of his needs, nor of his conceptions, nor of his sorrows; and since human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars.

The Argentine tango. Because, sometimes, dirty dancing comes with rules.

Maybe it would have, if I hadn’t started self-defense lessons at seven and ballroom dance lessons at eight. Self-defense teaches you to kick ass. Ballroom dance teaches you to do it in heels.

[T]he old stories of human relationships with animals can't be discounted. They are not primitive; they are primal. They reflect insights that came from considerable and elaborate systems of knowledge, intellectual traditions and ways of living that were tried, tested, and found true over many thousands of years and on all continents. But perhaps the truest story is with the animals themselves because we have found our exemplary ways through them, both in the older world and in the present time, both physically and spiritually. According to the traditions of the Seneca animal society, there were medicine animals in ancient times that entered into relationships with people. The animals themselves taught ceremonies that were to be performed in their names, saying they would provide help for humans if this relationship was kept. We have followed them, not only in the way the early European voyagers and prenavigators did, by following the migrations of whales in order to know their location, or by releasing birds from cages on their sailing vessels and following them towards land, but in ways more subtle and even more sustaining. In a discussion of the Wolf Dance of the Northwest, artists Bill Holm and William Reid said that 'It is often done by a woman or a group of women. The dance is supposed to come from the wolves. There are different versions of its origin and different songs, but the words say something like, 'Your name is widely known among the wolves. You are honored by the wolves.' In another recent account, a Northern Cheyenne ceremonialist said that after years spent recovering from removals and genocide, indigenous peoples are learning their lost songs back from the wolves who retained them during the grief-filled times, as thought the wolves, even though threatened in their own numbers, have had compassion for the people.... It seems we have always found our way across unknown lands, physical and spiritual, with the assistance of the animals. Our cultures are shaped around them and we are judged by the ways in which we treat them. For us, the animals are understood to be our equals. They are still our teachers. They are our helpers and healers. They have been our guardians and we have been theirs. We have asked for, and sometimes been given, if we've lived well enough, carefully enough, their extraordinary powers of endurance and vision, which we have added to our own knowledge, powers and gifts when we are not strong enough for the tasks required of us. We have deep obligations to them. Without other animals, we are made less. (from her essay "First People")

exaggerated speeches hiding mediocre affections must be discounted; as if the fullness of the soul did not sometimes overflow in the emptiest metaphors, since no one can ever give the exact measure of his needs, nor of his conceptions, nor of his sorrows; and since human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars.

He had so often heard these things said that they did not strike him as original. Emma was like all his mistresses; and the charm of novelty, gradually falling away like a garment, laid bare the eternal monotony of passion, that has always the same forms and the same language. He did not distinguish, this man of so much experience, the difference of sentiment beneath the sameness of expression. Because lips libertine and venal had murmured such words to him, he believed but little in the candour of hers; exaggerated speeches hiding mediocre affections must be discounted; as if the fulness of the soul did not sometimes overflow in the emptiest metaphors, since no one can ever give the exact measure of his needs, nor of his conceptions, nor of his sorrows; and since human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars.

She didn’t understand love, not the golden, shimmering, romance-novel stuff that existed between mates. She was skeptical of it, and had never been one to pretend that it existed just for the sake of excitement. She didn’t know what it looked like, what it felt like…at least, she hadn’t. But she realized, amid the dancing tendrils of ivy that climbed the gazebo, that love – that good, golden kind she’d always discounted – didn’t arrive with a blast of trumpets and an earth-shattering epiphany. It was earned, formed, created, day by day, a little at a time. And it looked like Mike eating toast over her kitchen sink, felt like his hand smoothing her hair back off her face, sounded like his sudden shout of laughter when she spilled a whole sack of flour out of the top cabinet down onto her head in his kitchen, tasted like the kiss he used to make up for it.

There beside me sat the flail, seemingly harmless if you discounted the weapon itself. “You can just stay there in the snow, you fucking piece of shit weapon!” Let someone else use it, die on its point . . . I pushed slowly back to my feet, but I’d only taken a few stumbling, exhausted steps before I slowed. I couldn’t leave the stupid thing behind. It was too damn dangerous. What if a child found it and played with it? Could the innocent one die from such evil? Groaning, I turned, but it wasn’t there in the snow anymore. Fear flickered through me and I reached up to find the handle of the flail sticking above my shoulder, ready once more. It belongs to you now, my mother’s voice whispered. “Awesome, just fucking awesome that a psychotic weapon that wants to kill me likes me enough to just attach itself to my back like a damn cactus.” I clenched my hands at my sides in part because I wanted to grab the flail and chuck it off my shoulder, but I also did not want to touch it. Which meant it was just going to have to stay there. Forever. I stumbled through the snow, following Balder’s hoof prints through the trees. It wasn’t long before hoof beats reached my ears. Only it wasn’t Balder, but the other horse, Batman. He snorted and danced as he got close to me, his eyes rolling as his nostrils flared. “I know, I stink like blood and wolf. But the big bad wolf is gone.” I held a hand out to him and he slowly drew close enough to where I could grab hold of his reins.

He had heard these things said to him so often that for him there was nothing original about them. Emma was like all other mistresses; and the charm of novelty, slipping off gradually like a piece of clothing, revealed in its nakedness the eternal monotony of passion, which always assumes the same forms and uses the same language. He could not perceive—this man of such broad experience—the differences in feeling that might underlie similarities of expression. Because licentious or venal lips had murmured the same words to him, he had little faith in their truthfulness; one had to discount, he thought, exaggerated speeches that concealed commonplace affections; as if the fullness of the soul did not sometimes overflow in the emptiest of metaphors, since none of us can ever express the exact measure of our needs, or our ideas, or our sorrows, and human speech is like a cracked kettle on which we beat out tunes for bears to dance to, when we long to inspire pity in the stars. But with the critical superiority possessed by anyone who remains aloof, whatever the relationship, Rodolphe perceived in this love further pleasures to be exploited. He deemed all modesty inconvenient. He treated her casually. He made her into something pliant and corrupt. Hers was a sort of idiot attachment filled with admiration for him, sensual delights for her, a bliss that numbed her; and her soul was sinking into this intoxication and drowning in it, shriveled like the Duke of Clarence in his butt of malmsey.

There was rationing of rubber, sugar, gasoline, heating oil, milk, coffee, soap, nylon stockings, and even used cars. The merrily dancing worker/spender bees were gone; thrift, not the “spreading of money,” became the desired norm. The “Consumer’s Pledge,” sung to the tune of the “Battle Hymn of the Republic,” urged Americans to eschew canned goods in favor of “fresh fruits and vegetables [to] save tons of tin” and to “take the best care of your wearables, and mend them when they tear.” Waste was reviled, and recycling elevated to a patriotic duty.

The mice made a production number out of breakfast that Disney could have taken some tips from. The dance routine with the soda crackers was a particularly nice touch.

Try doing this without me,” I said. Leaning onto my toes with the ease that comes from dancing a thousand rumbas with men half a foot taller than me, I put a hand on the back of his head and pressed my lips to his.

The magazines demonstrate how the convergence of sexual minorities in urban centers is affective in nature: advertisements and articles gesture to the joy of meeting friends at a community event, the laughter precipitated by nightlife entertainment, the wet heat of sticky bodies on a dance floor. The magazines announce guest DJs and television screening parties alongside discounted drinks, free food, dancing, giveaways, and similar entertainments. As a result, they underscore how the publics comprised of sexual minorities that form in urban centers are enabled and shaped by the circulation of bodies in public space.

On June 13, 2012, Michigan State Representative Lisa Brown was banned from the House floor because she pissed off House Republicans when she was defending the right to choose. She used the word “vagina” and that is what got most of the attention, but what she said about her religion is very important and should not be discounted or ignored. She said, "Yesterday we heard the representative from Holland speak about freedom of religion. I'm Jewish. I keep Kosher in my home. I have two sets of dishes, one for meat and one for dairy and another two sets of dishes on top of that for Passover. "Judaism believes that therapeutic abortions, namely abortions performed to save the life of the mother, are not only permissible but mandatory. The stage of pregnancy does not matter. Wherever there is a question of the life of the mother or that of the unborn child, Jewish law rules in favor of preserving the life of the mother. The status of the fetus as human life does not equal that of the mother. I have not asked you to adopt and adhere to my religious beliefs. Why are you asking me to adopt yours?

People who say they can’t dance really mean that they have no idea how to get themselves synchronized to the beat of the music, and that screws them up.

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