“
We live as we dream - alone. While the dream disappears, the life continues painfully.
”
”
Joseph Conrad (Heart of Darkness)
“
grief is a house
where the chairs
have forgotten how to hold us
the mirrors how to reflect us
the walls how to contain us
grief is a house that disappears
each time someone knocks at the door
or rings the bell
a house that blows into the air
at the slightest gust
that buries itself deep in the ground
while everyone is sleeping
grief is a house where no one can protect you
where the younger sister
will grow older than the older one
where the doors
no longer let you in
or out
”
”
Jandy Nelson (The Sky Is Everywhere)
“
Take it from me: love has all the lasting permanence of a rainbow- beautiful while it's there, and just as likely to have disappeared by the time you blink.
”
”
Jodi Picoult
“
I want some kind of reminder that while wounds heal, they don't disappear forever- I carry them everywhere, always, and that is the way of things, the way of scars.
”
”
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
“
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word.
He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free.
His hand was shaking as he held it out. "It's messy."
Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU
Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.
"Maybe you can't read it," he said in a small voice. "I can do it over."
She shook her head. "I can read it just fine. It's… beautiful."
"I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
I think, therefore I am is the statement of an intellectual who underrates toothaches. I feel, therefore I am is a truth much more universally valid, and it applies to everything that's alive. My self does not differ substantially from yours in terms of its thought. Many people, few ideas: we all think more or less the same, and we exchange, borrow, steal thoughts from one another. However, when someone steps on my foot, only I feel the pain. The basis of the self is not thought but suffering, which is the most fundamental of all feelings. While it suffers, not even a cat can doubt its unique and uninterchangeable self. In intense suffering the world disappears and each of us is alone with his self. Suffering is the university of egocentrism.
”
”
Milan Kundera (Immortality)
“
Maybe Liz was right and she'd wanted someplace safe. Maybe Mr. Solomon really did understand that running was the only way Macey would find out if we'd run after her. Or maybe, like me, she just wanted to disappear for a little while
”
”
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
“
When we were in Diagon Alley,' Harry began, but Mr. Weasley forstalled him with a grimace.
Am I about to discover where you, Ron, and Hermione disappeared to while you were supposed to be in the back room of Fred and George's shop?'
How did you...?'
Harry, please. You're talking to the man who raised Fred and George.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next - and disappear. That's why it's so important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
”
”
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
“
So that’s how we live our lives. No matter how deep and fatal the
loss, no matter how important the thing that's stolen from us - that's
snatched right out of our hands - even if we are left completely
changed, with only the outer layer of skin from before, we continue to
play out our lives this way, in silence. We draw ever nearer to the
end of our allotted span of time, bidding it farewell as it trails off
behind. Repeating, often adroitly, the endless deeds of the everyday.
Leaving behind a feeling of insurmountable emptiness...
Maybe, in some distant place, everything is already, quietly, lost.
Or at least there exists a silent place where everything can
disappear, melting together in a single, overlapping figure. And as
we live our lives we discover - drawing toward us the thin threads
attached to each - what has been lost. I closed my eyes and tried to
bring to mind as many beautiful lost things as I could. Drawing them
closer, holding on to them. Knowing all the while that their lives
are fleeting.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
According to Buddhism, the root of suffering is neither the feeling of pain nor of sadness nor even of meaninglessness. Rather, the real root of suffering is this never-ending and pointless pursuit of ephemeral feelings, which causes us to be in a constant state of tension, restlessness and dissatisfaction. Due to this pursuit, the mind is never satisfied. Even when experiencing pleasure, it is not content, because it fears this feeling might soon disappear, and craves that this feeling should stay and intensify. People are liberated from suffering not when they experience this or that fleeting pleasure, but rather when they understand the impermanent nature of all their feelings, and stop craving them. This is the aim of Buddhist meditation practices. In meditation, you are supposed to closely observe your mind and body, witness the ceaseless arising and passing of all your feelings, and realise how pointless it is to pursue them. When the pursuit stops, the mind becomes very relaxed, clear and satisfied. All kinds of feelings go on arising and passing – joy, anger, boredom, lust – but once you stop craving particular feelings, you can just accept them for what they are. You live in the present moment instead of fantasising about what might have been. The resulting serenity is so profound that those who spend their lives in the frenzied pursuit of pleasant feelings can hardly imagine it. It is like a man standing for decades on the seashore, embracing certain ‘good’ waves and trying to prevent them from disintegrating, while simultaneously pushing back ‘bad’ waves to prevent them from getting near him. Day in, day out, the man stands on the beach, driving himself crazy with this fruitless exercise. Eventually, he sits down on the sand and just allows the waves to come and go as they please. How peaceful!
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Love has all the lasting permanence of a rainbow — beautiful while it’s there, and just as likely to have disappeared by the time you blink.
”
”
Jodi Picoult (My Sister’s Keeper)
“
there are some poems
that we leave behind
some that leave us behind
while some just live
silently
in the heart
crumble, sometimes
dwindle
disappear
die
and are reborn
when you smile again.
”
”
Sanober Khan (Turquoise Silence)
“
Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Disappear for a while! Let the people miss you! And this is what the sun does with the sunset! When you reappear, you are much loved!
”
”
Mehmet Murat ildan
“
Money is like a child—rarely unaccompanied. When it disappears, look to those who were supposed to be keeping an eye on it while you were at the grocery store. You might also look for someone who has a lot of extra children sitting around, with long, suspicious explanations for how they got there.
”
”
Lemony Snicket
“
To them I'm simply an object from the past that they wish will disappear Then why do I exist? Why am I alive? When I thought about this I could find no answer. But as you live you need a reason otherwise it's the same as being dead, I then came to this conclusion I exist to kill every human besides myself. Fighting only for yourself living while only loving yourself If you think that everybody else simply exist to allow you to experience that feeling nothing is better then that world. As long as there are people in this world for me to kill and continue to feel that joy of living my existence will not vanish.
”
”
Masashi Kishimoto
“
Many partners of addicts have told me they feel bad about themselves for staying in the relationship because of the betrayal they’ve experienced. They imagine that the people who know their past judge them to be stupid for staying with the person who’s caused them so much pain. I often counter this thinking, explaining that leaving may seem quick and easy because they can pretend they’re okay and the problem has disappeared. However, if you leave your relationship, you’ll be stuck with your pain and sorrow without the person you loved to help you sort it out. Why is this true? Because even though it feels as if your pain comes from your partner, it’s actually coming from inside you.
”
”
Alexandra Katehakis (Erotic Intelligence: Igniting Hot, Healthy Sex While in Recovery from Sex Addiction)
“
While Daniel disappeared into his room, probably to limn the contours of some exquisite constellation of philosophical nonsense for his internship applications and gasp in the throes of his overachieving OCDness.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
For everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words.
”
”
Milan Kundera
“
The only thing you should be faking is confidence. If you don't have it yet, pretend that you do. Pretend you're not nervous, pretend you're not scared, and after a while, the pretend part disappears.
”
”
Patricia V. Davis (The Diva Doctrine: 16 Universal Principles Every Woman Needs to Know)
“
The basis of the self is not thought but suffering, which is the most fundamental of all feelings. While it suffers, not even a cat can doubt its unique and uninterchangeable self. In intense suffering the world disappears and each of us is alone with his self. Suffering is the university of ego-centrism.
”
”
Milan Kundera (Immortality)
“
So they gave me love in form of poison and tiny little pills, programming my emotions, teaching me how to feel. To act correct and talk correct and answer without knowing the question, because that, my dear, is how you get love. Yes that, dear youth, is how you'll be loved. I tried to medicate my own fucked up little mind with chemicals and adrenaline, tasting sweeter every night, shaking louder every time. Sitting wide awake in bed until the world disappears, writing poetry to concentrate on something real while waiting for the love to arrive.
I've been looking for it night after night, waiting patiently for it to show up, maybe somewhere in between the state of awake and asleep, alive and not so alive, sober and not so sober.
(I lost track of the difference somewhere in between.)
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
This is how I disappear in pieces.
This is how I leave while not moving from my seat.
This is how I dance away.
This is how I'm gone before you wake.
”
”
Sarah Kay
“
Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.
”
”
Ernest Becker (The Denial of Death)
“
He hugs me tight while I look behind him, scanning faces like I did a few seconds ago. And like I will do for the rest of my life.
”
”
Ashley Elston (The Rules for Disappearing (The Rules for Disappearing, #1))
“
In fairy tales the evil characters disappear or die, in reality, evil spreads while you wait for your hero on a horse, only to realise the sword to save yourself was always in your hand...
”
”
Seja Majeed (The Forgotten Tale of Larsa)
“
What I’d discovered was that sadness is like an abandoned car left out in a field for good—it changes a little over the years, but doesn’t ever disappear. You may forget about it for a while, but it’s still there, rusting away, until you notice it again.
”
”
David Heska Wanbli Weiden (Winter Counts)
“
Persephone disappeared while winking at me.
[We’ll meet again soon, our cute son.]
”
”
Singshong (Omniscient Reader's Viewpoint, Vol. 3)
“
Nothing has changed.
The body is susceptible to pain,
It must eat and breath air and sleep,
It has thin skin and blood right underneath,
An adequate stock of teeth and nails,
Its bones are breakable, its joints are stretchable.
In tortures all this is taken into account.
Nothing has changed.
The body shudders as it is shuddered
Before the founding of Rome and after,
In the twentieth century before and after Christ.
Tortures are as they were, it’s just the earth that’s grown smaller,
And whatever happens seems on the other side of the wall.
Nothing has changed.
It’s just that there are more people,
Besides the old offenses, new ones have appeared,
Real, imaginary, temporary, and none,
But the howl with which the body responds to them,
Was, and is, and ever will be a howl of innocence
According to the time-honored scale and tonality.
Nothing has changed.
Maybe just the manners, ceremonies, dances,
Yet the movement of the hands in protecting the head is the same.
The body writhes, jerks, and tries to pull away
Its legs give out, it falls, the knees fly up,
It turns blue, swells, salivates, and bleeds.
Nothing has changed.
Except of course for the course of boundaries,
The lines of forests, coasts, deserts, and glaciers.
Amid these landscapes traipses the soul,
Disappears, comes back, draws nearer, moves away,
Alien to itself, elusive
At times certain, at others uncertain of its own existence,
While the body is and is and is
And has no place of its own.
”
”
Wisława Szymborska
“
When I hear the phrase “Asians are next in line to be white,” I replace the word “white” with “disappear.” Asians are next in line to disappear. We are reputed to be so accomplished, and so law-abiding, we will disappear into this country’s amnesiac fog. We will not be the power but become absorbed by power, not share the power of whites but be stooges to a white ideology that exploited our ancestors. This country insists that our racial identity is beside the point, that it has nothing to do with being bullied, or passed over for promotion, or cut off every time we talk. Our race has nothing to do with this country, even, which is why we’re often listed as “Other” in polls and why we’re hard to find in racial breakdowns on reported rape or workplace discrimination or domestic abuse. It’s like being ghosted, I suppose, where, deprived of all social cues, I have no relational gauge for my own behavior. I ransack my mind for what I could have done, could have said. I stop trusting what I see, what I hear. My ego is in free fall while my superego is boundless, railing that my existence is not enough, never enough, so I become compulsive in my efforts to do better, be better, blindly following this country’s gospel of self-interest, proving my individual worth by expanding my net worth, until I vanish.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
You stand there, braced. Cloud shadows race over the buff rock stacks as a projected film, casting a queasy, mottled ground rash. The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country--indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky--provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut...
...Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.
”
”
Annie Proulx (Close Range: Wyoming Stories)
“
When I was young, I learned to expect loss. Every time you slept, something disappeared. Whenever you woke up, someone else was gone. But . . . I also learned that every day, you created everything anew. And whatever you had, you enjoyed as long as it lasted. Spend money when it’s in your pocket.” He took my hand and put the orange in it. “Eat fruit while it’s ripe.” His other hand found my cheek, his thumb brushing the corner of my mouth. “Paradise is a promise no god bothers to keep. There’s only now, and tomorrow nothing will be the same, whether we like it or not.
”
”
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
“
Leo remembered their trip together through the House of Hades. Hazel had led him through that creepy maze of illusions. She’d made the sorceress Pasiphaë disappear through an imaginary hole in the floor. She’d battled the giant Clytius while Leo choked in the giant’s cloud of darkness. She’d cut the chains binding the Doors of Death. Meanwhile Leo had done...well, pretty much nothing.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Resistance never disappears; it waits in the shadows, sometimes for many years, and then eventually sprouts again. You may have gone through dark times when you felt, “I just can’t fight this anymore, I give up,” yet you rebound after a while to try again to recover your rights. And one day you will succeed.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
I believe that sometimes, the moment you say goodbye could be as painful as a lifetime worth of pain that you can experience while living with the memories of your loved ones. I couldn’t stop myself from hallucinating about all those things that could have happened, while you were walking away from me today. I stopped walking and turned my head, expecting for you to do the same. I stayed there, motionless, and waited – for you to turn once, to smile, or wave. But you didn’t. You just continued walking away from me, while I stayed there watching your silhouette becoming smaller, and smaller with time, until it disappeared completely. There was nothing else to wait.
“What happened?” she asked me when I turned my head again towards the platform.
“She let me go, finally,” was all I could say.
”
”
Bhavya Kaushik
“
Think of the most fussy science teacher you ever had. The one who docked your grade if the sixth decimal place in your answer was rounded incorrectly; who tucked in his periodic table T-shirt, corrected every student who said "weight" when he or she meant "mass", and made everyone, including himself, wear goggles even while mixing sugar water. Now try to imagine someone whom your teacher would hate for being anal-retentive. That is the kind of person who works for a bureau of standards and measurement.
”
”
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
“
the books I read were the dark kind—about scary things like disappearances and murders, especially the true ones. While other kids read J. K. Rowling, I read Stephen King. While other kids did history reports about the Civil War, I read about Lizzie Borden.
”
”
Simone St. James (The Sun Down Motel)
“
I was shaking so hard, I could barely get the door unlocked. I just got the door shut behind me when I sank to my knees and fell apart. I cried so hard I was nearly convulsing. I had never felt such raw emotions in my life. I felt like someone had ripped my heart out of my chest and tore it to pieces. I curled into a ball on the floor and tried desperately to disappear. But no matter how small I got, I was still here. I still existed. And for a short while, I thought I had mattered to someone. I guess I was wrong. I mattered to no one.
”
”
Dakota Madison (Be Good)
“
The scars weren’t overly red, but faded, some just light lines on my skin. Some of them I could cover with makeup, while others would never truly disappear. I felt like they completed me. A reflection of the way I felt inside."---Lo The Wild Hunt
”
”
Ashley Jeffery
“
Clay, did you ever love me?"
I'm studying a billboard and say that I didn't hear what she said.
"I asked if you ever loved me?"
On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets.
"Don't do this, Blair," I tell her.
"Just tell me."
I don't say anything.
"Is it such a hard question to answer?"
I look at her straight on.
"Yes or no?"
"Why?"
"Damnit, Clay," she sighs.
"Yeah, sure, I guess."
"Don't lie to me."
"What in the fuck do you want to hear?"
"Just tell me," she says, her voice rising.
"No," I almost shout. "I never did." I almost start to laugh.
She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine.
"Did you ever love me?" I ask her back, though by now I can't even care.
She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops.
I look at her, waiting for her to go on, looking up at the billboard. Disappear Here.
"I don't know if any other person I've been with has been really there, either ... but at least they tried."
I finger the menu; put the cigarette out.
"You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it."
I watch the cars pass by on Sunset.
"It's hard to feel sorry for someone who doesn't care."
"Yeah?" I ask.
"What do you care about? What makes you happy?"
"Nothing. Nothing makes me happy. I like nothing," I tell her.
"Did you ever care about me, Clay?"
I don't say anything, look back at the menu.
"Did you ever care about me?" she asks again.
"I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care."
"I cared about you for a little while."
I don't say anything.
She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up.
"Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me.
"Have to meet someone for lunch."
"But what about us?"
"What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?"
I look up and put my sunglasses on and try to smile. "Yeah.
”
”
Bret Easton Ellis (Less Than Zero)
“
They had built a friendship strong enough to withstand the disappearance of kisses. It was off balance, at first, for sure- their bodies not knowing what to do, the magnetism toward kissing still there, because even when the mind shuts off the romance, it sometimes takes a while for the body to get the message.
”
”
David Levithan (Two Boys Kissing)
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself:
"It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife".
This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond.
”
”
Arthur Schopenhauer (Essay on the Freedom of the Will)
“
Always choose to be smart
There are two types of people in the world,
the seekers of riches and the wise thinkers,
those who believe that the important thing is money,
and those who know that knowledge is the true treasure.
I, for my part, choose the second option,
Though I could have everything I want
I prefer to be an intelligent person,
and never live in a game of vain appearances.
Knowledge can take you far
far beyond what you imagine,
It can open doors and opportunities for you.
and make you see the world with different eyes.
But in this eagerness to be "wise",
There is a task that is a great challenge.
It is facing the fear of the unknown,
and see the horrors around every corner.
It's easy to be brave when you're sure,
away from dangers and imminent risks,
but when death threatens you close,
"wisdom" is not enough to protect you.
Because, even if you are smart and cunning,
death sometimes comes without mercy,
lurking in the darkest shadows,
and there is no way to escape.
That is why the Greek philosophers,
They told us about the moment I died,
an idea we should still take,
to understand that death is a reality.
Wealth can't save you
of the inevitable arrival of the end,
and just as a hoarder loses his treasures,
we also lose what we have gained.
So, if we have to choose between two things,
that is between being cunning or rich,
Always choose the second option
because while the money disappears,
wisdom helps us face dangers.
Do not fear death, my friend,
but embrace your intelligence,
learn all you can in this life,
and maybe you can beat time and death
for that simple reason always choose to be smart.
Maybe death is inevitable
But that doesn't mean you should be afraid
because intelligence and knowledge
They will help you face any situation and know what to do.
No matter what fate has in store,
wisdom will always be your best ally,
to live a life full of satisfaction,
and bravely face any situation.
So don't settle for what you have
and always look for ways to learn more,
because in the end, true wealth
It is not in material goods, but in knowledge.
Always choose to be smart,
Well, that will be the best investment.
that will lead you on the right path,
and it will make you a better version of yourself.
”
”
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
“
The pressure disappeared with the first word he put on paper. He thought--while his hand moved rapidly--what a power there was in words; later, for those who heard them, but first for the one who found them; a healing power, a solution, like the breaking of a barrier. He thought, perhaps the basic secret the scientists have not discovered, the first fount of life, is that which happens when a thought takes shape in words.
”
”
Ayn Rand (The Fountainhead)
“
The irresistible proliferation of graphomania shows me that everyone without exception bears a potential writer within him, so that the entire human species has good reason to go down into the streets and shout: we are all writers! for everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words. one morning (and it will be soon), when everyone wakes up as a writer, the age of universal deafness and incomprehension will have arrived.
”
”
Milan Kundera
“
One clear night while the others slept, I climbed
the stairs to the roof of the house and under a sky
strewn with stars I gazed at the sea, at the spread of it,
the rolling crests of it raked by the wind, becoming
like bits of lace tossed in the air. I stood in the long
whispering night, waiting for something, a sign, the approach
of a distant light, and I imagined you coming closer,
the dark waves of your hair mingling with the sea,
and the dark became desire, and desire the arriving light.
The nearness, the momentary warmth of you as I stood
on that lonely height watching the slow swells of the sea
break on the shore and turn briefly into glass and disappear...
Why did I believe you would come out of nowhere? Why with all
that the world offers would you come only because I was here?
”
”
Mark Strand
“
THE MOTH AND THE BUTTERFLY
When the sun rises over the horizon,
the butterfly emerges to dance in its brilliant light.
It flickers its colorful wings with euphoria,
To celebrate all the beauty found
in the majestic garden of life.
When the moon arrives in the darkness,
The moth appears at the disappearance of sunlight.
It flickers its pale wings as it shakes from its deep slumber,
To go search for food
To carry it through the night.
The moth prefers the moon and detests the sun,
while the butterfly loves the sun and hides from the moon.
Every living creature responds to light,
But depending on the amount of light you have inside,
Determines which lamp in the sky
Your heart will swoon.
Poetry by Suzy Kassem
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s horse
Scratches its innocent behind on a tree.
In Breughel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.
”
”
W.H. Auden
“
Parenthood was like awakening to find a soap bubble in the cup of your palm, and being told you had to carry it while you parachuted from a dizzying height, climbed a mountain range, battled on the front lines. All you wanted to do was tuck it away, safe from natural disasters and violence and prejudice and sarcasm, but that was not an option. You lived in daily fear of watching it burst, of breaking it yourself. Somehow you knew that if it disappeared, you would, too.
”
”
Jodi Picoult (A Spark of Light)
“
I think that slopes are meant to be slippery. I don't know why. I don't even know who invented the stupid notion of them. I don't even know why it matters. Who cares? Who cares about a scarred girl who can't seem to be by herself? Who cares about a scarred girl who mops floors and ferries drugs for her boyfriend? The scarred girl should care. But she doesn't know how and once you let the Makers Mark in, once you let anything like that in, like kissing, or sex, alcohol, drugs, anything that fills up time and makes you feel better, even if it's just for a little while, well, you're going to be a goner. And sometimes, once, maybe twice, she starts to say that she's thinking of taking a class with this lady artist, and stops, because a little mouse taps her brain and heart and whispers, 'But then you won't get to spend so much time with Riley,' and the words, they turn to stone again, fat in her throat, and she can feel little bits of herself disappearing in the large thing of Riley and me and and and ... The slippery slope, it will never, ever end.
”
”
Kathleen Glasgow (Girl in Pieces)
“
Gavin, I can’t talk to you here. People will call me crazy."
My imaginary friend smirked. "But you’re already talking to me."
"Well, I have to stop."
His smirk grew cocky. "I doubt you can resist."
And he was right. There was nothing I wanted more than to give my full attention to an imagined shadow and ignore those who ignored me in the real world. I wanted to talk out loud to Gavin―to play and laugh boisterously with him. In a dream I could justify such behavior, but to succumb to hallucinations while wide awake would only prove me insane.
”
”
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
“
Famines are easy to prevent if there is a serious effort to do so, and a democratic government, facing elections and criticisms from opposition parties and independent newspapers, cannot help but make such an effort. Not surprisingly, while India continued to have famines under British rule right up to independence … they disappeared suddenly with the establishment of a multiparty democracy and a free press. … a free press and an active political opposition constitute the best early-warning system a country threaten by famines can have
”
”
Amartya Sen
“
In every remote corner of the world there are people like Carl Jones and Don Merton who have devoted their lives to saving threatened species. Very often, their determination is all that stands between an endangered species and extinction.
But why do they bother? Does it really matter if the Yangtze river dolphin, or the kakapo, or the northern white rhino, or any other species live on only in scientists' notebooks?
Well, yes, it does. Every animal and plant is an integral part of its environment: even Komodo dragons have a major role to play in maintaining the ecological stability of their delicate island homes. If they disappear, so could many other species. And conservation is very much in tune with our survival. Animals and plants provide us with life-saving drugs and food, they pollinate crops and provide important ingredients or many industrial processes. Ironically, it is often not the big and beautiful creatures, but the ugly and less dramatic ones, that we need most.
Even so, the loss of a few species may seem irrelevant compared to major environmental problems such as global warming or the destruction of the ozone layer. But while nature has considerable resilience, there is a limit to how far that resilience can be stretched. No one knows how close to the limit we are getting. The darker it gets, the faster we're driving.
There is one last reason for caring, and I believe that no other is necessary. It is certainly the reason why so many people have devoted their lives to protecting the likes of rhinos, parakeets, kakapos, and dolphins. And it is simply this: the world would be a poorer, darker, lonelier place without them.
”
”
Mark Carwardine (Last Chance to See)
“
In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self.
It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them!
Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight.
You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe (The Raven and Other Poems)
“
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark.
You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came.
...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
”
”
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
“
Some things can't be explained. They just are. And after a while they disappear, usually forever, or become interesting in another way. Literature's consolations are always temporary, while life is quick to begin again. It is better not even to look so hard, to leave off explaining. Nothing makes me more queasy than to spend time with people who don't know that and who can't forget, and for whom such knowledge isn't a cornerstone of life.
”
”
Richard Ford (The Sportswriter)
“
I move closer to the glass, as close as I can get to it, begging her, begging Lily, begging Grace, begging all of them to tell me what's left, to just tell me while the girl pushes against the window, turns her tiny hands into tiny fists, begging me for a taste of - life.
My life.
Lily disappears. Grace. They all leave, they're gone, they will never be here again. But the wright of what they've shown me is settling into my bones. I don't know if I will keep it, but just in this moment, however brief, I feel closer to it that I ever have before...
The dead girl presses her face against the glass. She wait for me to tell her what's next.
”
”
Courtney Summers (This is Not a Test (This is Not a Test, #1))
“
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear
so suddenly last night? It’s not like you to simply vanish without saying—”
“I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.”
Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask.
“Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea.
“Doing what?” Daisy asked blankly.
Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she
was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Sometimes it all becomes too much. Your body and mind will just give way. Part of you may want to blissfully fade into nothing, but you never do. After a while all the memories and emotions make you shut down but never fully disappear—it’s safer for you this way, to be excluded. It’s a time to be alone, to heal, and to find yourself. It doesn’t mean you’ve given up or stopped trying; it just means you know what’s best for you.
Breathing is medicine. I forgot how to breathe, but I’m learning all over again.
”
”
Mandi Lynn (Essence)
“
In 2001, the oil companies, the war contractors and the Neo-Con-Artists seized the economy and added $4 trillion of unproductive spending to the national debt. We now pay four times more for defence, three times more for gasoline and home-heating oil and twice what we payed for health-care. Millions of Americans have lost their jobs, their homes, their health-care, their pensions; trillions of dollars for an unnecessary war payed for with borrowed money. Tens of billions of dollars in cash and weapons disappeared into thin air at the cost of the lives of our troops and innocent Iraqis, while all the President's oil men are maneuvering on Iraq's oil. Borrowed money to bomb bridges in Iraq, Afghanistan and Pakistan. No money to rebuild bridges in America. Borrowed money to start a hot war with Iran, now we have another cold war with Russia and the American economy has become a game of Russian roulette.
”
”
Dennis Kucinich
“
To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe
“
These are the three stages of enlightenment, the three glimpses of satori.
1. The first stage enlightenment:
A Glimpse of the Whole
The first stage of enlightenment is short glimpse from faraway of the whole. It is a short glimpse of being.
The first stage of enlightenment is when, for the first time, for a single moment the mind is not functioning. The ordinary ego is still present at the first stage of enlightenment, but you experience for a short while that there is something beyond the ego.
There is a gap, a silence and emptiness, where there is not thought between you and existence.
You and existence meet and merge for a moment.
And for the first time the seed, the thirst and longing, for enlightenment, the meeting between you and existence, will grow in your heart.
2. The second stage of enlightenment:
Silence, Relaxation, Togetherness, Inner Being
The second stage of enlightenment is a new order, a harmony, from within, which comes from the inner being. It is the quality of freedom.
The inner chaos has disappeared and a new silence, relaxation and togetherness has arisen.
Your own wisdom from within has arisen.
A subtle ego is still present in the second stage of enlightenment.
The Hindus has three names for the ego:
1. Ahamkar, which is the ordinary ego.
2. Asmita, which is the quality of Am-ness, of no ego. It is a very silent ego, not aggreessive, but it is still a subtle ego.
3. Atma, the third word is Atma, when the Am-ness is also lost. This is what Buddha callas no-self, pure being.
In the second stage of enlightenment you become capable of being in the inner being, in the gap, in the meditative quality within, in the silence and emptiness.
For hours, for days, you can remain in the gap, in utter aloneness, in God.
Still you need effort to remain in the gap, and if you drop the effort, the gap will disappear.
Love, meditation and prayer becomes the way to increase the effort in the search for God.
Then the second stage becomes a more conscious effort. Now you know the way, you now the direction.
3. The third stage of enlightenment:
Ocean, Wholeness, No-self, Pure being
At the third stage of enlightenment, at the third step of Satori, our individual river flowing silently, suddenly reaches to the Ocean and becomes one with the Ocean.
At the third Satori, the ego is lost, and there is Atma, pure being. You are, but without any boundaries. The river has become the Ocean, the Whole.
It has become a vast emptiness, just like the pure sky.
The third stage of enlightenment happens when you have become capable of finding the inner being, the meditative quality within, the gap, the inner silence and emptiness, so that it becomes a natural quality.
You can find the gap whenever you want.
This is what tantra callas Mahamudra, the great orgasm, what Buddha calls Nirvana, what Lao Tzu calls Tao and what Jesus calls the kingdom of God.
You have found the door to God.
You have come home.
”
”
Swami Dhyan Giten
“
Contrary to what is generally believed, meaning and sense were never the same thing, meaning shows itself at once, direct, literal, explicit, enclosed in itself, univocal, if you like, while sense cannot stay still, it seethes with second, third and fourth senses, radiating out in different directions that divide and subdivide into branches and branchlets, until they disappear from view, the sense of every word is like a star hurling spring tides out into space, cosmic winds, magnetic perturbations, afflictions.
”
”
José Saramago (All the Names)
“
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.
One day the two came upon each other on the corner of a street.
“This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”
“And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”
They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.
As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?
And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”
“Yes,” she said, “that is exactly what we should do.”
And so they parted, she to the east, and he to the west.
The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.
One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.
They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.
Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.
One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:
She is the 100% perfect girl for me.
He is the 100% perfect boy for me.
But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.
A sad story, don’t you think?
”
”
Haruki Murakami (The Elephant Vanishes)
“
I have a scar-a faint gouge in my knee from when I fell down on the sidewalk as a child. It's always seemed stupid to me that none of the pain I've experienced has left a visible mark; sometimes, without a way to prove it to myself. I began to doubt that I had lied through it at all, with the memories becoming hazy over time. I want to have some kind of reminder that while wounds heal, they don't disappear forever- I carry them everywhere, always, and that is the way of things, the way of scars.
That is what this tattoo will be, for me: a scar. And it seems fitting that it should document the worst memory of pain I have.
”
”
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
“
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
The more doors you open to the mysteries, or sacred knowledge, the smaller you feel. And because you begin to feel smaller and smaller until your ego disappears, the more humble you become. Therefore, any man who behaves arrogantly with what little he knows, or claims to know all, only reveals to all that he really knows nothing. Real greatness does not reside inside those who feel large. The truly wise are meek. Yet being small and meek do not make one weak. Arming oneself with true knowledge generates strong confidence and a bold spirit that makes you a lion of God. The Creator does not want you to suffer, yet we are being conditioned by society to accept suffering, weak and passive dispositions under the belief that such conditions are favorable by God. Weakness is not a virtue praised by God. How could he desire for you to be weak if he tells us to stand by our conscience? Doing so requires strength. However, there is a difference between arrogance when inflating your ego, and confidence when one truly gets closer to God. One feels large, while the other feels small. Why? Because a man of wisdom understands that he is just a small pea in a sea of infinite atoms, and that in the end — we are all connected. And did you not know that the smaller a creature is, the bolder its spirit?
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Ultimately, we will lose each other
to something. I would hope for grand
circumstance—death or disaster.
But it might not be that way at all.
It might be that you walk out
one morning after making love
to buy cigarettes, and never return,
or I fall in love with another …
It might be a slow drift into indifference.
Either way, we’ll have to learn
to bear the weight of the eventuality
that we will lose each other to something.
So why not begin now, while your head
rests like a perfect moon in my lap …?
Why not reach for the seam in this …
night and tear it, just a little, so the falling
can begin? Because later, when we cross
each other on the streets, and are forced
to look away, when we’ve thrown
the disregarded pieces of our togetherness
into bedroom drawers and the smell
of our bodies is disappearing like the sweet
decay of lilies—what will we call it,
when it’s no longer love?
”
”
Tishani Doshi
“
We all accepted that this land was a gate to that other world, the realm of spirits and dreams and the Fair Folk, without any question. The place we grew up in was so full of magic that it was almost a part of everyday life - not to say you'd meet one of them every time you went out to pick berries, or draw water from your well, but everyone we knew had a friend of a friend who'd strayed too far into the forest, and disappeared; or ventured inside a ring of mushrooms, and gone away for a while, and come back subtly changed. Strange things could happen in those places. Gone for maybe fifty years you could be, and come back still a young girl; or away for no more than an instant by moral reckoning, and return wrinkled and bent with age. These tales fascinated us, but failed to make us careful. If it was going to happen to you, it would happen, whether you liked it or not.
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
I was last. Sam walked up and held me for a long time. Finally, she whispered in my ear. She said a lot of wonderful things about how it was okay that I wasn't ready last night and how she would miss me and how she wanted me to take care of myself while she was gone.
'You're my best friend,' was all I could say in return.
She smiled and kissed my cheek, and it was like for a moment, the bad part of last night disappeared. But it still felt like a goodbye rather than a 'see ya.' The thing was, I didn't cry. I didn't know what I felt.
Finally, Sam climbed into her pickup, and Patrick started it up. And a great song was playing. And everyone smiled. Including me. But I wasn't there anymore.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Fear of death is fear of surrender to Infinity.
Learn to surrender, to exist at Infinity while alive, and fear of death dissolves.
Fear of death is fear of the Unknown.
Realize the Wonder, the Eternal Unknowability of the Totality of Existence, and fear of death is transcended.
If happiness or freedom depends on the Answer to the Question, then there can be no happiness or freedom.
The Question cannot be satisfactorily or finally Answered.
For one who abides at Infinity, happy and free, at ease with his Ultimate Ignorance, the Question and the Answer are equally unnecessary.
What began will come to an end.
What is Wonderful is not threatened.
The Process of the Totality of Existence is Transcendental and Eternal.
Only a fraction of the Whole can pass away in any moment, since only a fraction of the Whole appears in any moment.
Therefore, the Heart Itself is always already Full of Wonder and Love.
"I" is the body-mind, the fraction of the Whole that is now appearing and will soon disappear.
"I" must be surrendered to the Heart, to the Whole, which is Infinity, Wonder, and Love.
”
”
Adi Da Samraj (The Eating Gorilla Comes in Peace: The Transcendental Principle of Life Applied to Diet and the Regenerative Discipline of True Health)
“
A remarkably consistent finding, starting with elementary school students, is that males are better at math than females. While the difference is minor when it comes to considering average scores, there is a huge difference when it comes to math stars at the upper extreme of the distribution. For example, in 1983, for every girl scoring in the highest percentile in the math SAT, there were 11 boys.
Why the difference? There have always been suggestions that testosterone is central. During development, testosterone fuels the growth of a brain region involved in mathematical thinking and giving adults testosterone enhances their math skills. Oh, okay, it's biological. But consider a paper published in science in 2008. The authors examined the relationship between math scores and sexual equality in 40 countries based on economic, educational and political indices of gender equality. The worst was Turkey, United States was middling, and naturally, the Scandinavians were tops. Low and behold, the more gender equal the country, the less of a discrepancy in math scores. By the time you get to the Scandinavian countries it's statistically insignificant. And by the time you examine the most gender equal country on earth at the time, Iceland, girls are better at math than boys. Footnote, note that the other reliable sex difference in cognition, namely better reading performance by girls than by boys doesn't disappear in more gender equal societies. It gets bigger. In other words, culture matters. We carry it with us wherever we go.
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
My conflicts of conscience are about the only battles I’m fighting these days, and I’m willing to fight until the end. There is something freeing
about this life, about living out of a single backpack and disappearing into the night. About smelling terrible and never remembering people’s names. About never having to say you’re sorry. We exist outside of society. We stay up late and sleep even later. We
are bandits, pirates, serial killers. The dregs. Someone should lock us up and never let us out again. But instead, they give us their money, they offer us their beds. We are not
going to pay for the beer. We are not going to be back here for a good, long while. We have prior engagements. We have the money in a duffel bag. We have no shame. Fuck guilt. Back to life.
”
”
Pete Wentz (Gray)
“
Dangerous and indifferent ground: against its fixed mass the tragedies of people count for nothing although the signs of misadventure are everywhere. No past slaughter nor cruelty, no accident nor murder that occurs on the little ranches or at the isolate crossroads with their bare populations of three or seventeen, or in the reckless trailer courts of mining towns delays the flood of morning light. Fences, cattle, roads, refineries, mines, gravel pits, traffic lights, graffiti'd celebration of athletic victory on bridge overpass, crust of blood on the Wal-Mart loading dock, the sun-faded wreaths of plastic flowers marking death on the highway are ephemeral. Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.
”
”
Annie Proulx
“
So while this is a book about fighting back, in the end this is a book about love. The songbirds and the salmon need your heart, no matter how weary, because even a broken heart is still made of love. They need your heart because they are disappearing, slipping into that longest night of extinction, and the resistance is nowhere in sight. We will have to build that resistance from whatever comes to hand: whispers and prayers, history and dreams, from our bravest words and braver actions. It will be hard, there will be a cost, and in too many implacable dawns it will seem impossible. But we will have to do it anyway. So gather your heart and join with every living being. With love as our First Cause, how can we fail?
”
”
Derrick Jensen (Deep Green Resistance: Strategy to Save the Planet)
“
My blind adoration of Omi was devoid of any element of conscious criticism, and still less did I have anything like a moral viewpoint where he was concern. Whenever I tried to capture the amorphous mass of my adoration within the confines of analysis, it would already have disappeared. If there be such a thing as love that has neither duration nor progress, this was precisely my emotion. The eyes through which I saw Omi were always those of a 'first glance' or, if I may say so, of the 'primeval glance'. It was purely an unconscious attitude on my part, a ceaselesseffort to protect my fourteen-yesr-old purity from the process of erosion.
Could this have been love? Grant it to be one form of love, for even though at first glance it seemed to retain its pristine form forever, simply repeating that form over and over again, it too had its own unique sort of debasement and decay. And it was a debasement more evil than that of any normal kind of love. Indeed, of all the kinds of decay in this world, decadent purity is the most malignant.
Nevertheless, in my unrequited love for Omi, in this the first love I encountered in life, I seemed like a baby bird keeping its truly innocent animal lusts hidden under its wing. I was being tempted, not by the desire of possession, but simply by unadorned temptation itself.
To say the least, while at school, particularly during a boring class, I could not take my eyes off Omi's profile. What more could I have done when I did not know that to love is both to seek and to be sought? For me love was nothing but a dialogue of little riddles, with no answers given. As for my spirit of adoration, I never even imagined it to be a thing that required some sort of answer.
”
”
Yukio Mishima (Confessions of a Mask)
“
For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.
”
”
Anthony Powell (A Question of Upbringing (A Dance to the Music of Time, #1))
“
Adults are not idiots
often in books such as this one, the opposite impression is given. Adults in those stories will either (a) get captured, (b) disappear conspicuously when there is trouble, or (c) refuse to help.
( im not sure what authors have against adults, but everyone seems to hate them to an extent usually reserved for dogs and mothers. Why else make them out to make such idiots? "Ah look, the dark lord of evil has come to attack the castle! Annnd. ther's my lunch break. Have fun saving the word on your own kids")
In the real world adults tend to get involved in everything whether you want them to or not. They won't disappear when the dark lord appears, though they may try to sue them.
This discrepancy is yet another proof that most books are fantasies while this book is utterly true and invaluable.
you see in this book, I will make it completely clear that adults are not idiots.
they are however hairy
Adults are like hairy kids who like to tell other what to do. Dispite what other books may claim they do have their uses, they can reach things on high shelves for instance...
Regardless, i often wish that the two groups-adults and kids- could find a way to get along better. Some sort of treaty or something. The biggest problem is the adults have one of the most effective recruitment stratagies in the world.
Give them enough time and they'll turn any kid into one of them.
”
”
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
“
It was a good ten minutes before I realized Roman and I had been sitting in silence. I stole a look at him out of the corner of my eye, but he seemed unbothered by quiet as I was.
For the first time in a long while, I didn't feel like I had to say anything. There was no one to comfort tor convince. There was no one to charm or encourage. I disappeared into myself as I drove on, trying to find my center. I could breathe. Be still.
What I hadn't expected was how much Roman seemed to need it, too.
Some people feared silence. They did anything to fill it, talking about things that didn't matter, asking questions just to hear some kind of response. it seemed to me that a lot of people saw it as a kind of failure. Evidence that they weren't interesting enough, or that a bond wasn't strong enough. Or maybe they were just nervous about what it would reveal about themselves.
”
”
Alexandra Bracken (The Darkest Legacy (The Darkest Minds, #4))
“
If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. when the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did net avert the child's death or her own; but it seemed natural to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against bullets than a sheet of paper. The terrible thing that the party has done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of history.
”
”
George Orwell (1984)
“
And one may ask what is the good of a love that must constantly be spied on, and what is the worth of a love that needs to be guarded so intensely? But that is something the truly jealous will never understand, though at the same time there happen, indeed, to be lofty hearts among them. It is also remarkable that these same lofty-hearted men, while standing in some closet, eavesdropping and spying, though they understand clearly ‘in their lofty hearts’ all the shame they have gotten into of their own will, nevertheless, at least for the moment, while standing in that closet, will not feel any pangs of remorse. Mitya’s jealousy disappeared at the sight of Grushenka, and for a moment he became trustful and noble, and even despised himself for his bad feelings. But this meant only that his love for this woman consisted of something much higher than he himself supposed, and not in passion alone, not merely in that “curve of the body” he had explained to Alyosha. But when Grushenka disappeared, Mitya at once began to suspect in her all the baseness and perfidy of betrayal. And for that he felt no pangs of remorse.
”
”
Fyodor Dostoevsky (The Brothers Karamazov: A Novel in Four Parts With Epilogue)
“
Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed.
Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.
”
”
Johanna Spyri (Heidi (Heidi, #1-2))
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Only a few months into our marriage, we started marking off areas in the apartment as "Nothing Places," in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist, the first was in the bedroom, by the foot of the bed, we marked it off with red tape on the carpet, and it was just large enough to stand in, it was a good place to disappear, we knew it was there but we never looked at it, it worked so well that we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
When I heard at the close of the day how my name had been receiv’d with plaudits in the capitol, still it was not a happy night for me that follow’d,
And else when I carous’d, or when my plans were accomplish’d, still I was not happy,
But the day when I rose at dawn from the bed of perfect health, refresh’d, singing, inhaling the ripe breath of autumn,
When I saw the full moon in the west grow pale and disappear in the morning light,
When I wander’d alone over the beach, and undressing bathed, laughing with the cool waters, and saw the sun rise,
And when I thought how my dear friend my lover was on his way coming, O then I was happy,
O then each breath tasted sweeter, and all that day my food nourish’d me more, and the beautiful day pass’d well,
And the next came with equal joy, and with the next at evening came my friend,
And that night while all was still I heard the waters roll slowly continually up the shores,
I heard the hissing rustle of the liquid and sands as directed to me whispering to congratulate me,
For the one I love most lay sleeping by me under the same cover in the cool night,
In the stillness in the autumn moonbeams his face was inclined toward me,
And his arm lay lightly around my breast – and that night I was happy.
”
”
Walt Whitman (Leaves of Grass)
“
This afternoon I walked through the city, making for a café where I was to meet Raphael. It was about half-past two on a day that had never really got light. It began to snow. The low clouds made a grey ceiling for the city; the snow muffled the noise of the cars until it became almost rhythmical; a steady, shushing noise, like the sound of tides beating endlessly on marble walls. I closed my eyes. I felt calm. There was a park. I entered it and followed a path through an avenue of tall, ancient trees with wide, dusky, grassy spaces on either side of them. The pale snow sifted down through bare winter branches. The lights of the cars on the distant road sparkled through the trees: red, yellow, white. It was very quiet. Though it was not yet twilight the streetlights shed a faint light. People were walking up and down on the path. An old man passed me. He looked sad and tired. He had broken veins on his cheeks and a bristly white beard. As he screwed up his eyes against the falling snow, I realised I knew him. He is depicted on the northern wall of the forty-eighth western hall. He is shown as a king with a little model of a walled city in one hand while the other hand he raises in blessing. I wanted to seize hold of him and say to him: In another world you are a king, noble and good! I have seen it! But I hesitated a moment too long and he disappeared into the crowd. A woman passed me with two children. One of the children had a wooden recorder in his hands. I knew them too. They are depicted in the twenty-seventh southern hall: a statue of two children laughing, one of them holding a flute. I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in the snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.
”
”
Susanna Clarke (Piranesi)
“
We have a predator that came from the depths of the cosmos and took over the rule of our lives. Human beings are its prisoners. The Predator is our lord and master. It has rendered us docile, helpless. If we want to protest, it suppresses our protest. If we want to act independently, it demands that we don't do so... I have been beating around the bush all this time, insinuating to you that something is holding us prisoner. Indeed we are held prisoner! "This was an energetic fact for the sorcerers of ancient Mexico ... They took us over because we are food for them, and they squeeze us mercilessly because we are their sustenance. just as we rear chickens in chicken coops, the predators rear us in human coops, humaneros. Therefore, their food is always available to them." "No, no, no, no," [Carlos replies] "This is absurd don Juan. What you're saying is something monstrous. It simply can't be true, for sorcerers or for average men, or for anyone." "Why not?" don Juan asked calmly. "Why not? Because it infuriates you? ... You haven't heard all the claims yet. I want to appeal to your analytical mind. Think for a moment, and tell me how you would explain the contradictions between the intelligence of man the engineer and the stupidity of his systems of beliefs, or the stupidity of his contradictory behaviour. Sorcerers believe that the predators have given us our systems of belief, our ideas of good and evil, our social mores. They are the ones who set up our hopes and expectations and dreams of success or failure. They have given us covetousness, greed, and cowardice. It is the predators who make us complacent, routinary, and egomaniacal." "'But how can they do this, don Juan? [Carlos] asked, somehow angered further by what [don Juan] was saying. "'Do they whisper all that in our ears while we are asleep?" "'No, they don't do it that way. That's idiotic!" don Juan said, smiling. "They are infinitely more efficient and organized than that. In order to keep us obedient and meek and weak, the predators engaged themselves in a stupendous manoeuvre stupendous, of course, from the point of view of a fighting strategist. A horrendous manoeuvre from the point of view of those who suffer it. They gave us their mind! Do you hear me? The predators give us their mind, which becomes our mind. The predators' mind is baroque, contradictory, morose, filled with the fear of being discovered any minute now." "I know that even though you have never suffered hunger... you have food anxiety, which is none other than the anxiety of the predator who fears that any moment now its manoeuvre is going to be uncovered and food is going to be denied. Through the mind, which, after all, is their mind, the predators inject into the lives of human beings whatever is convenient for them. And they ensure, in this manner, a degree of security to act as a buffer against their fear." "The sorcerers of ancient Mexico were quite ill at ease with the idea of when [the predator] made its appearance on Earth. They reasoned that man must have been a complete being at one point, with stupendous insights, feats of awareness that are mythological legends nowadays. And then, everything seems to disappear, and we have now a sedated man. What I'm saying is that what we have against us is not a simple predator. It is very smart, and organized. It follows a methodical system to render us useless. Man, the magical being that he is destined to be, is no longer magical. He's an average piece of meat." "There are no more dreams for man but the dreams of an animal who is being raised to become a piece of meat: trite, conventional, imbecilic.
”
”
Carlos Castaneda (The Active Side of Infinity)
“
The Everlasting Staircase"
Jeffrey McDaniel
When the call came, saying twenty-four hours to live,
my first thought was: can't she postpone her exit
from this planet for a week? I've got places to do,
people to be. Then grief hit between the ribs,
said disappear or reappear more fully. so I boarded
a red eyeball and shot across America,
hoping the nurses had enough quarters to keep
the jukebox of Grandma's heart playing. She grew up
poor in Appalachia. And while world war II
functioned like Prozac for the Great Depression,
she believed poverty was a double feature,
that the comfort of her adult years was merely
an intermission, that hunger would hobble back,
hurl its prosthetic leg through her window,
so she clipped, clipped, clipped -- became the Jacques
Cousteau of the bargain bin, her wetsuit
stuffed with coupons. And now --pupils fixed, chin
dangling like the boots of a hanged man --
I press my ear to her lampshade-thin chest
and listen to that little soldier march toward whatever
plateau, or simply exhaust his arsenal of beats.
I hate when people ask if she even knew I was there.
The point is I knew, holding the one-sided
conversation of her hand. Once I believed the heart
was like a bar of soap -- the more you use it,
the smaller it gets; care too much and it'll snap off
in your grasp. But when Grandma's last breath
waltzed from that room, my heart opened
wide like a parachute, and I realized she didn't die.
She simply found a silence she could call her own.
”
”
Jeffrey McDaniel
“
When I got to school the next morning I had stepped only
one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least
bit about the scene he was creating.
The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe.
“Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.”
“I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You
had your mother worried sick!”
“My mother?” I questioned sarcastically.
Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he
looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of
how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students,
where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You
can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller!
“Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute.
“I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more.
I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I
tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop.
Look, I will be your friend. I want to be your friend. But that’s it.
We can’t be anything more. It’ll never work.”
Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.”
It was hopeless.
“Fine!” I snapped. “I’ll be your stupid girlfriend!”
Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the
harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually
laughed at my request. “No promises.”
Stupid, cocky boyfriend.
“You’re crazy. You know that, right?”
Ryan got this big cheesy smile on his face and said, “Crazy about you.”
“Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?”
“Because I like you.”
His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that?
“I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.”
“You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked
a smile despite myself. “You really are crazy,” I muttered.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide.
(Is it clear I was a hero of rock'n'roll?)
Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other.
In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own.
I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel.
Is there a tunnel?" he said.
”
”
Don DeLillo
“
By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers.
The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars.
I was shocked by the sheer volume of water that came pouring out of the darkness of the sky.
Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening.
Like trying to understand radio waves, or imagining computers communicating along glass cables.
I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear.
There was a time when I might have found this exhilarating, even miraculous, but not that day.
That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof.
I kept opening the door to look for clear skies, and slamming it shut again.
And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl.
Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor.
I don't quite understand why I felt that way, why I reacted like that.
I wanted to be saying it's just something that happens.
But I was there, that day, slamming the kitchen door over and over again until the handle came loose.
Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink.
Going fuckfuckfuck through my clenched teeth.
I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong.
But there was no one there, and no one came.
”
”
Jon McGregor (If Nobody Speaks Of Remarkable Things)
“
Why do we need to be pardoned? What are we to be pardoned for? For not dying of hunger? For not accepting humbly the historic burden of disdain and abandonment? For having risen up in arms after we found all other paths closed? For not heeding the Chiapas penal code, one of the most absurd and repressive in history? For showing the rest of the country and the whole world that human dignity still exists even among the world’s poorest peoples? For having made careful preparations before we began our uprising? For bringing guns to battle instead of bows and arrows? For being Mexicans? For being mainly indigenous? For calling on the Mexican people to fight by whatever means possible for what belongs to them? For fighting for liberty, democracy and justice? For not following the example of previous guerrilla armies? For refusing to surrender? For refusing to sell ourselves out? Who should we ask for pardon, and who can grant it? Those who for many years glutted themselves at a table of plenty while we sat with death so often, we finally stopped fearing it? Those who filled our pockets and our souls with empty promises and words? Or should we ask pardon from the dead, our dead, who died “natural” deaths of “natural causes” like measles, whooping cough, break-bone fever, cholera, typhus, mononucleosis, tetanus, pneumonia, malaria and other lovely gastrointestinal and pulmonary diseases? Our dead, so very dead, so democratically dead from sorrow because no one did anything, because the dead, our dead, went just like that, with no one keeping count with no one saying, “Enough!” which would at least have granted some meaning to their deaths, a meaning no one ever sought for them, the dead of all times, who are now dying once again, but now in order to live? Should we ask pardon from those who deny us the right and capacity to govern ourselves? From those who don’t respect our customs and our culture and who ask us for identification papers and obedience to a law whose existence and moral basis we don’t accept? From those who oppress us, torture us, assassinate us, disappear us from the grave “crime” of wanting a piece of land, not too big and not too small, but just a simple piece of land on which we can grow something to fill our stomachs? Who should ask for pardon, and who can grant it?
”
”
Subcomandante Marcos
“
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….]
I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors:
Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space.
[…] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army.
'Where are we?' asked Gil Gil.
'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of
old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?'
'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man.
'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
”
”
Pedro Antonio de Alarcón (Ghostly By Gaslight)
“
The sudden and total disappearance of Mawlana aroused resentment among his disciples and students, some of them becoming highly critical of Hazrat Shams, even threatening him. They believed Hazrat Shams had ruined their spiritual circle and prevented them from listening to Mawlana's sermons. In March of 1246 he left Konya and went to Syria without warning. After he left, Mawlana was grief stricken, secluding himself even more rather than engaging with his disciples and students. He was without a doubt furious with them. Realising the error of their ways, they repeatedly repented before Mawlana. Some months later, news arrived that Hazrat Shams had been seen in Damascus and a letter was sent to him with apologising for the behaviour of these disciples. Hazrat Sultan Walad and a search party were sent to Damascus to invite him back and in April 1247, he made his return. During the return journey, he invited Hazrat Sultan Walad to ride on horseback although he declined, choosing instead to walk alongside him, explaining that as a servant, he could not ride in the presence of such a king. Hazrat Shams was received back with joyous celebration with sama ceremonies being held for several days, and all those that had shown him resentment tearfully asked for his forgiveness. He reserved special praise for Hazrat Sultan Walad for his selflessness, which greatly pleased Mawlana. As he originally had no intention to return to Konya, he most likely would not have returned if Hazrat Sultan Walad had not himself gone to Damascus in search of him. After his return, he and Mawlana Rumi returned to their intense discussions. Referring to the disciples, Hazrat Shams narrates that their new found love for him was motivated only by desperation: “ They felt jealous because they supposed, "If he were not here, Mowlana would be happy with us." Now [that I am back] he belongs to all. They gave it a try and things got worse, and they got no consolation from Mowlana. They lost even what they had, so that even the enmity (hava, against Shams) that had swirled in their heads disappeared. And now they are happy and they show me honor and pray for me. (Maqalat 72) ” Referring to his absence, he explains that he left for the sake of Mawlana Rumi's development: “ I'd go away fifty times for your betterment. My going away is all for the sake of your development. Otherwise it makes no difference to me whether I'm in Anatolia or Syria, at the Kaaba or in Istanbul, except, of course, that separation matures and refines you. (Maqalat 164) ” After a while, by the end of 1247, he was married to Kimia, a young woman who’d grown up in Mawlana Rumi's household. Sadly, Kimia did not live long after the marriage and passed away upon falling ill after a stroll in the garden
”
”
Shams Tabrizi
“
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
”
”
Christopher Hitchens (Mortality)
“
On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.
”
”
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)