Disappear And Reappear Quotes

People disappeared, reappeared, made plans to go somewhere, and then lost each other, searched for each other, found each other a few feet away.

Instead of disappearing, she makes me feel reappeared. Reimagined. Her touch shapes me, draws out the boldness that had been hiding in my core.

Some women get erased a little at a time, some all at once. Some reappear. Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt.

Nothing seemed really real. Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn't talk to myself in my head. There wasn't much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I'd disappear completely, then reappear in some new form. This was my hope. This was my dream.

And why is Heather wearing pink? Come on, people." Heather rolled her eyes and disappeared back inside the tent, reappearing a minute later with a dark gray T-shirt on. "Better?" She cocked her head at tristan. "Yes. You've just extended your life by at least an hour.

Kill extremists, extremism will REAPPEAR. Kill extremist ideology, extremism will DISAPPEAR.

Disappear for a while! Let the people miss you! And this is what the sun does with the sunset! When you reappear, you are much loved!

Xavier leaned forward. "Sarcasm aside, you don't need a guy like that, Elena. Maybe you think you do - only female werewolf and all that - but hell, I've seen what you can do - tied to a chair, up against a male werewolf. You can do that, you don't need some fucking psychopath like Clayton Danvers-" He stopped, noticing my gaze. "He's standing right behind me, isn't he?" Xavier muttered. "Uh-huh." Xaview tilted his head back, saw Clay, and disappeared. He reappeared on the opposite bench, pressed up against me. I looked over at him, eyebrow raised. He swore under his breath and teleported to the far end of the other bench. Then he stood and turned to Clay. "You must be-" "The fucking psychopath," Clay said. "Er, right, but I meant that in the most respectful way. Believe me, I have the utmost regard for, uh..." "Raging lunatics," I said. Xavier shot me a glare. "Oh sit down," I said. "He didn't bring his chain saw.

The Art Magicke has rules. It means I have to teach you all my tricks. All the substitutions, the replications, the illusions. How to read minds and palms and leaves. How to disappear and reappear. "How to saw people in half?" "That too." "Nice.

eat, baby. eat. chew. please. I know it hurts. I know it doesn’t feel good. please. I know your hunger is different than mine. I know it doesn’t taste the same as mine. imagine you could grow up all over again and pinpoint the millisecond that you started counting calories like casualties of war, mourning each one like it had a family. would you? sometimes I wonder that. sometimes I wonder if you would go back and watch yourself reappear and disappear right in front of your own eyes. and I love you so much. I am going to hold your little hand through the night. just please eat. just a little. you wrote a poem once, about a city of walking skeletons. the teacher called home because you told her you wished it could be like that here. let me tell you something about bones, baby. they are not warm or soft. the wind whistles through them like they are holes in a tree. and they break, too. they break right in half. they bruise and splinter like wood. are you hungry? I know. I know how much you hate that question. I will find another way to ask it, someday. please. the voices. I know they are all yelling at you to stretch yourself thinner. l hear them counting, always counting. I wish I had been there when the world made you snap yourself in half. I would have told you that your body is not a war-zone, that, sometimes, it is okay to leave your plate empty.

Okay, I think it's time for another distraction" Eight says, disappearing again. He reappears by the outer circle of stones, plants his hands on an upright slab, and pushes hard. All I can do is watch in horror, frozen to the spot. The huge stone wobbles and slowly tips backwards, then the horizontal slab on top falls too, and that's when Eight starts yelling, "Help! Help! The stones are falling over! Stonehenge is falling down!" I will kill him. I clench my fists at my side, which is when I realize I still have a small rock in my hand. I lean down and carefully, pointlessly, return it to its spot.

Good people didn’t orchestrate their own disappearance, put their families through hell.

This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I'd disappear completely, then reappear in some new form. This was my hope. This was the dream.

With enough tears, that knife that you feel stabbed through your chest, and aching in your heart, will disappear one day. And then,  your personal sun will reappear. Trust me! :)

Look what I found, Eight!” Eight disappears from the grass and reappears up in the air next to the Chest. He wraps his arms around it and hugs it. Slime and all. Then he teleports back to the edge of the lake, the Chest still in his hands. “I can’t believe it,” Eight finally says. “All this time, it was right here.” He looks stunned. “It was inside a Mog ship at the bottom of the lake,” I say, walking out of the water. Eight disappears again and teleports directly in front of me, our noses practically touching. Before I can register how nice his warm breath feels on my face, he picks me up and kisses me hard on the mouth as he twirls me around. My body stiffens and I suddenly have no idea what to do with my hands. I don’t know what to do at all, so I just let it happen. He tastes salty and sweet at the same time. The whole world disappears and I feel as if I’m floating in darkness. (Rise of the Nine)

She would have needed a reason, Bel, to go through all that effort. People don’t just decide to disappear. She’d need a motive. A reason.

The name Rachel Price is almost synonymous with mystery. Because her disappearance was like a puzzle, and it’s human nature to want to solve a puzzle, don’t you think?

Has the dark shadow really disappeared? Or is it inside me, concealed, waiting for its chance to reappear? Like a clever thief hidden inside a house, breathing quietly, waiting until everyone’s asleep. I have looked deep inside myself, trying to detect something that might be there. But just as our consciousness is a maze, so too is our body. Everywhere you turn there’s darkness, and a blind spot. Everywhere you find silent hints, everywhere a surprise is waiting for you.

I was growing less and less attached to life. If I kept going, I thought, I’d disappear completely, then reappear in some new form. This was my hope. This was the dream.

Be the person who moves hearts - be the person who heals wounds - be the person who makes darkness disappear - be the person who makes colors reappear.

I believe instinct took over because the shotgun fired in the opposite direction, and he disappeared. Good effort. "I don't think sarcasm is helping your situation right now!" I called out at no one as I racked my second round. The sound was comforting. He reappeared maybe ten feet away in front of me. I heard laughing in my head. You're strange. That's the last straw, buddy. "Yeah, well, you're dead." And I shot that angel right in the face.

She disappeared. Since then I had never thought anymore of her. Nevertheless, she must have continued to live deep down in my heart, and today, on this empty coast, she reappeared, pale and plaintive, from the depths of my being.

He appears beside me and hands me the gun. Guess I’m getting used to the disappearing and reappearing act of his. I only had a slight urge to pee my pants.

Sometimes when I can't sleep and I'm trying to think good thoughts, I imagine the magical place between worlds, the place in the flash where Elian's ship disappears before to reappears again. In that split second maybe time slows down, and he can see all the invisible places. And maybe, sometimes, he sees them.

For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

We'd like to imagine we can make evil disappear in one, decisive victory. But evil won't cooperate, it reappears endlessly. You attain Goodness by transforming it every time it returns. That's what Goodness is: the ceaseless commitment to transform evil.

Nevertheless the dauntless spirit of science burns bright and clear in everyone who sees that to disappear as a particular thing is to reappear instantly as the No-thing that is the imperishable Home of all that perishes, and that to die now is to die never.

There was a pause then, texting dots appeared and disappeared and reappeared and disappeared again. My heart pounded. I wondered how many heart attacks each year are caused by those little hell dots.

Why the number three? Probably because there are three stages to be completed: the death, the pregnancy, and childbirth. Just as the moon, which must have three days to reappear. Historically and symbolically, it is always three for something to come back: the disappearance, the construction, the birth. This is the cycle, the circle, the formula to calculate the perimeter (the life), is, let us remember, the diameter multiplied by 3.14 (Pi)

Don't be afraid." And then we were gone. Weightless. The ground at my feet suddenly disappeared along with everything else. A scream lodged in my throat, coming out broken and pathetic. And then we were sitting on a wide ledge. High above Jackson Square. Christ, he'd blinked me to - I gazed above me. Not just a ledge. Oh God, oh God, oh God. "It helps if you breathe." "I think I might kill you," I said in a near whisper. Sebastian's shoulder bumped mine as he tried to hide a smile. "Well, you've got time, because we'll be up here for an hour or so before I have enough power again to get us down. I didn't think you'd be afraid of heights." I glared at him. "I'm not afraid of heights. I am, apparently, afraid of disappearing from solid ground and then reappearing on a ledge.

The Everlasting Staircase" Jeffrey McDaniel When the call came, saying twenty-four hours to live, my first thought was: can't she postpone her exit from this planet for a week? I've got places to do, people to be. Then grief hit between the ribs, said disappear or reappear more fully. so I boarded a red eyeball and shot across America, hoping the nurses had enough quarters to keep the jukebox of Grandma's heart playing. She grew up poor in Appalachia. And while world war II functioned like Prozac for the Great Depression, she believed poverty was a double feature, that the comfort of her adult years was merely an intermission, that hunger would hobble back, hurl its prosthetic leg through her window, so she clipped, clipped, clipped -- became the Jacques Cousteau of the bargain bin, her wetsuit stuffed with coupons. And now --pupils fixed, chin dangling like the boots of a hanged man -- I press my ear to her lampshade-thin chest and listen to that little soldier march toward whatever plateau, or simply exhaust his arsenal of beats. I hate when people ask if she even knew I was there. The point is I knew, holding the one-sided conversation of her hand. Once I believed the heart was like a bar of soap -- the more you use it, the smaller it gets; care too much and it'll snap off in your grasp. But when Grandma's last breath waltzed from that room, my heart opened wide like a parachute, and I realized she didn't die. She simply found a silence she could call her own.

The baby bean with its strong heartbeat disappears and reappears on the screen, like a picture coming in and out of focus. But the third time it happens, there’s something else on the screen too, next to our baby bean. In fact, it looks like nothing more than a second baby bean, suspended upside down in Livia’s belly, thinking little, silent baby bean thoughts.

No, no, no... you've got it all wrong... you can't act death. The fact of it is nothing to do with seeing it happen ---it's not gasps and blood and falling about---that isn't what makes it death. It's just a man failing to reappear, that's all ---now you see him, now you don't, that the only thing that's real: here one minute and gone the next and never coming back---an exit, unobtrusive and unannounced, a disappearance gathering weight as it goes on, until, finally, it is heavy with death.

Disappearing from the constellation of the Northern Crown he would somehow reappear reborn above delta in the constellation of Cassiopeia and after incalculable eons of peregrination return an estranged avenger, wreaker of justice on malefactors, a dark crusader, a sleeper awakened, with financial resources (by supposition) surpassing those of Rothschild or the silver king.

What’s so funny?” “You freak out when I disappear and reappear, but you expect me to stop time.” She laughed, too. “But why can’t you? You’re a god.” “Like I said, we have more responsibilities than freedoms. I doubt even Zeus could pull that one off.” From high above, a streak of light flew from the sky and struck a boulder not twenty feet from where they lay, sending sparks and smoke and a loud crack in all directions in the echoing valley. The boulder was split in half and was as black as coal. “Holy crap!” Therese cried, falling against Than. “What was that?” “Oops. My apologies,” he muttered, but it didn’t sound like he was talking to her. “I made someone angry.” “That scared me to death. Does that happen often?” “No. Never to me. But this is an exceptional time in my life.

What in Bursin’s holy name is that?” he snarled. If it were possible to die of embarrassment, Martise was sure she wouldn’t survive the next few minutes.  “I was singing.” His eyebrows rose almost to his hairline.  “Singing.  Is that what you call it?  It sounded like someone was torturing a cat.” “I thought I might work faster if I sang.”  She wiped the perspiration from her forehead with a gloved hand and regretted the action.  The swipe of citrus oil she’d left on her skin burned.  Cael continued to howl, and a door shut with a bang. "That will be Gurn coming to rescue us from whatever demon he thinks is attacking."  The branch supporting Silhara creaked as he adjusted his stance and leaned closer to her.  “Tell me something, Martise.”  A leaf slapped him in the eye, and he ripped it off its twig with an irritated snap.  “How is it that a woman, blessed with a voice that could make a man come, sings badly enough to frighten the dead?” She was saved from having to answer the outlandish question by the quick thud of running footsteps.  Silhara disappeared briefly from view when he bent to greet their visitor.  Unfortunately, his answers to Gurn’s unspoken questions were loud and clear. “That was Martise you heard.  She was…singing. “Trust me, I’m not jesting.  You can unload your bow.” His next indignant response made her smile.  “No, I wasn’t beating her!  She’s the one tormenting me with that hideous wailing!” Martise hid her smile when he reappeared before her.  His scowl was ferocious.  “Don’t sing.”  He pointed a finger at her for emphasis.  “You’ve scared my dog, my birds and my servant with your yowling.”  He paused.  “You’ve even managed to scare me.

How do I know that a table still exists if I go out of the room and can’t see it? What does it mean to say that things we can’t see, such as electrons or quarks—the particles that are said to make up the proton and neutron—exist? One could have a model in which the table disappears when I leave the room and reappears in the same position when I come back, but that would be awkward, and what if something happened when I was out, like the ceiling falling in? How, under the table-disappears-when-I-leave-the-room model, could I account for the fact that the next time I enter, the table reappears broken, under the debris of the ceiling? The model in which the table stays put is much simpler and agrees with observation. That is all one can ask.

Where's your dad now?" Thomas asked. "He's gone." The word gone echoed all over the reservation. The reservation was gone itself, just a shell of its former self, just a fragment of the whole. But the reservation still possessed the power and rage, magic and loss, joys and jealousy. The reservation tugged at the lives of its Indians, stole from them in the middle of the night, watched impassively as the horses and salmon disappeared. But the reservation forgave, too. Sam Bone vanished between foot falls on the way to the Trading Post one summer day and reappeared years later to finish his walk. Thomas, Chess, and Checkers heard the word gone shake the foundation of the house.

According to the new theory, an electron moving between orbits would disappear from one and reappear instantaneously in another without visiting the space between

Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn’t talk to myself in my head. There wasn’t much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I’d disappear completely, then reappear in some new form. This was my hope. This was the dream.

At each flash of lightning not only the Milky Way but the bright stars also disappeared, but as soon as the lightning died out they reappeared in the same places, as if thrown by some unerring hand.

See,' said (Liberty Hyde) Bailey, 'how the leaves of this small plant stand forth extended to bathe themselves in the light. ... THese leaves will die. They will rot. They will disappear into the universal mold. The energy that is in them will be released to reappear, the ions to act again, perhaps in the corn on the plain, perhaps in the body of a bird. The atoms and the ions remain or resurrect; the forms change and flux. We see the forms and mourn the change. We think all is lost; yet nothing is lost. The harmony of life is never ending.' The economy of nature provides that nothing be lost.

Nothing seemed really real. Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn’t talk to myself in my head. There wasn’t much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I’d disappear completely, then reappear in some new form. This was my hope. This was the dream.

Love me, I'll never disappear Erase me, I may never reappear Test me, your cries I'll never hear You say you can't have me, truth is you gave up hope Our time together, was it wasted? nope Understand? I'm feeling off the scope Had to give a second chance Understood now why I shouldn't Rebuilding my soul, can't promise for sure Trying to not care, but it don't work Maybe you could've believed in us Except, well, you didn't

This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I’d disappear completely, then reappear in some new form. This was my hope. This was the dream.

When I was single, I was convinced my friends who took the plunge and had their first baby were victims of an alien abduction, because they would disappear from the planet and reappear a year later as unrecognizable strangers.

My cousin and I were beginning to understand why our grandmother cried so often, and how there were so few options for coping with the reappearances and disappearances that we would both continue to make in each other's lives.

Autumn leaves fall from the tree, disappear with the wind, but then reappear on the tree and disappear again. Memories are like that, first they fall off the tree of the mind and disappear, and then they reappear and disappear again!

The young man went to India, where he was drowned. As there is no mystery in this matter, it may as well be stated here that young Heaton ultimately returned to England, as drowned men have ever been in the habit of doing, when their return will mightily inconvenience innocent persons who have taken their places. It is a disputed question whether the sudden disappearance of a man, or his reappearance after a lapse of years, is the more annoying. ("The Vengeance Of The Dead")

The blizzard seemed to be dying down, and it was now possible to enjoy the sight of the buildings and embankments and bridges smothered in the diamond-dusted whiteness. There's always something soothing in the snow, thought Gabriel, a promise of happiness and absolution, of a new start on a clean sheet. Snow redesigned the streets with hints of another architecture, even more magnificent, more fanciful than it already was, all spires and pinnacles on pale palaces of pearl and opal. All that New Venice should have been reappeared through its partial disappearance. It was as if the city were dreaming about itself and crystallizing both that dream and the ethereal unreality of it. He wallowed in the impression, badly needing it right now, knowing it would not last as he hobbled nearer to his destination.

See, even though Jesse's a ghost, and can walk through walls and disappear and reappear at will, he's still...well, there. To me, anyway. That's what makes me-and Father Dom-different from everybody else. We not only can see and talk to ghosts, but we can feel them too-just as if they were anybody else. Anybody alive, I mean. Because to me and Father Dom, ghosts are just like anyone else, with blood and guts and sweat and bad breath and whatever. The only real difference is that they kind of have this glow around them-an aura, I think it's called.

I didn't talk to myself in my head. There wasn't much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I'd disappear completely, then reappear in some new form. This was my hope. This was the dream.

When you listen to the beautiful sounds of stereo music, remember that you are listening to the rhythms of trillions of electrons obeying this and other bizarre laws of quantum mechanics. But if quantum mechanics were incorrect, then all of electronics including television sets, computers, radios, stereo, and so on, would cease to function. (In fact, if quantum theory were incorrect, the atoms in our bodies would collapse, and we would instantly disintegrate. According to Maxwell's equations, the electrons spinning in an atom should lose their energy within a microsecond and plunge into the nucleus. This sudden collapse is prevented by quantum theory. Thus the fact that we exist is living proof of the correctness of quantum mechanics.) This also means that there is a finite, calculable probability that "impossible" events will occur. For example, I can calculate the probability that I will unexpectedly disappear and tunnel through the earth and reappear in Hawaii. (The time we would have to wait for such an event to occur, it should be pointed out, is longer than the lifetime of the universe. So we cannot use quantum mechanics to tunnel to vacation spots around the world.)

I call the discourse of power any discourse which engenders blame, hence guilt, in its recipient. Some expect of us as intellectuals that we take action on every occasion against Power, but our true battle is elsewhere, it is against powers in the plural, and this is no easy combat. For if it is plural in social space, power is, symmetrically, perpetual in historical time. Exhausted, defeated here, it reappears there; it never disappears. Make a revolution to destroy it, power will immediately revive and flourish again in the new state of affairs. The reason for this endurance and this ubiquity is that power is the parasite of a trans-social organism, linked to the whole of man's history and not only to his political, historical history. This object in which power is inscribed, for all of human eternity, is language, or to be more precise, its necessary expression: the language we speak and write.

A red dragonfly hovers above a backwater of the stream, its wings moving so fast that the eye sees not wings in movement but a probability distribution of where the wings might be, like electron orbitals: a quantum-mechanical effect that maybe explains why the insect can apparently teleport from one place to another, disappearing from one point and reappearing a couple of meters away, without seeming to pass through the space in between. There sure is a lot of bright stuff in the jungle. Randy figures that, in the natural world, anything that is colored so brightly must be some kind of serious evolutionary badass.

By degrees the sun disappeared behind the western horizon; but as though to prove the truth of the fanciful ideas in heathen mythology, its indiscreet rays reappeared on the summit of every wave, as if the god of fire had just sunk upon the bosom of Amphitrite, who in vain endeavored to hide her lover beneath her azure mantle.

his fake sideburns had been torn from his cheek and was now perched on his ear like a small rodent, but he was too angry to notice. “What have you done?” he screamed at us. “What have you done?” “Well, it’s obvious,” I said. “We’ve blown up a rebel minivan.” In the farmhouse, the SPYDER agents disappeared from the upstairs windows and never reappeared again.

These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outward like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seemingly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

The great plain swayed beneath them as they went steadily westward. The rich buffalo grass, upon which their animals fattened even during the arduous journey, changed its color throughout the day; in the morning, in the pinkish rays of the early sun, it was nearly gray; later, in the yellow light of the midmorning sun, it was a brilliant green; at noon it took on a bluish cast; in the afternoon, in the intensity of the sun, at a distance, the blades lost their individual character and through the green showed a distinct cast of yellow, so that when a light breeze whipped across, a living color seemed to run through the grass, to disappear and reappear from moment to moment. In the evening after the sun had gone down, the grass took on a purplish hue as if it absorbed all the light from the sky and would not give it back.

The fact of it is nothing to do with seeing it happen—it’s not gasps and blood and falling about—that isn’t what makes it death. It’s just a man failing to reappear, that’s all—now you see him, now you don’t, that’s the only thing that’s real: here one minute and gone the next and never coming back—an exist, unobtrusive and unannounced, a disappearance gathering weight as it goes on, until, finally, it is heavy with death.

The niggers did not post sentries over their dead. Niggers did not pound on the door of the sheriff, they did not haunt the offices of the newspapermen. No sheriff paid them any mind, no journalist listened to their stories. The bodies of their loved ones disappeared into sacks and reappeared in the cool cellars of medical schools to relinquish their secrets. Every one of them a miracle, in Stevens’s view, providing instruction into the intricacies of God’s design.

No, no, no... you've got it all wrong... you can't act death. The fact of it is nothing to do with seeing it happen — it's not gasps and blood and falling about — that isn't what makes it death. It's just a man failing to reappear, that's all — now you see him, now you don't, that's the only thing that's real: here one minute and gone the next and never coming back — an exit, unobtrusive and unannounced, a disappearance gathering weight as it goes on, until, finally, it is heavy with death.

There was movement in the mists. The valley below them was full of creatures of myth, impossible creatures from the stories Nikias had told Merikh as a child. Pale dogs the size of ponies, hairless and covered in spines, snarled at the shambling corpses of mortohas. Red-eyed leopards disappeared into the mists and reappeared on the opposite side of the valley whenever they wished. Within the center, regarded warily by the rest of the creatures, were creatures of unnatural beauty. Rakshasas. Undead blood drinkers that could hide in humanoid form.

Suppose that, instead of limiting ‘Earth’ to the solid globe that we 20th century materialists define it as, the archaic ‘Earth’ was everything that lay on the plane of the ecliptic (the orbital plane of the earth around the sun, which we on Earth perceive as the path of the Sun in the sky). This extension of Earth out into the skv would make an Earth that was truly flat. Like the physical Earth the continents of this ‘Greater Earth’ would still be surrounded by water, but the water would be a mighty ocean which stretched out into space to lap at the feet of the stars. Above this ‘Earth’ would be ‘heaven,’ and below it would be the ‘underworld.’ Those stars which disappear from view (‘die’) later reappear (are ‘reborn,’ or released from Hades). * As soon as we accept these suppositions into our world-view, our frame of reference and our perspectives broaden infinitely. Suddenly the space we live in takes on the limitlessness of the space in which the sky-gods live, and our previous assumptions of what might be “real” get stood on their pointy little heads. Now when we think of the Great Flood, a myth which has appeared in ancient cultures all over the earth, it

War cannot eliminate differing ideas and viewpoints, and partisans of the defeated side do not disappear. Though subjugated, they become a sizable political constituency in the postwar period. A dictator may be able to repress them, and in democracies a numerical majority may outvote them, but neither can change their thoughts. Since civil wars are, by nature, deep and fundamental conflicts, the competition between the views that led to war is likely to resurface. The defeated side may be chastened or subdued, but its values and ways of seeing the world reappear, in some form, in politics [107].

The problem with stealing the magician's assistant from a carnival was that you were always waiting for her to disappear. He expected her to vanish. She had in fact, multiple times, before Simon was born, and just after, too. ...Daniel wanted to be worried for, wanted to be missed without doing any of the leaving that missing demanded. When Paulina left, he counted breaths, and thought constantly of the disappearing box. The reappearing was the most important part of the trick. Eventually he stopped living in fear that she wouldn't come back. The more pressing concern was that she was cutting herself in two.

These classical projections, and something from the fire, suddenly suggested Poussin's scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outward like the Seasons, moving hand in hand in intricate measure, stepping slowly, methodically sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seemingly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

Raven, lying on the sandy ground, covered in creepy-crawlies. Spiders, cockroaches, termites, ants, crickets—they smother her, nibble on her, devouring her from hair to toenails in seconds, leaving just a skeleton behind. Apple, standing at the podium on Legacy Day. Poof, she disappears. And reappears in a goblin cave. The goblin troop moves in, brandishing salad bowls and chopping knives. Daring Charming, no story to call home, thins and melts into a wisp of a ghost, swimming endlessly through walls. The crowded Charmitorium at Ever After High, Headmaster Grimm on the stage. “And remember, students, no matter what you do, don’t follow the example of the worst, most despised, most selfish character in all of Ever After history—Raven Queen!” “Boo!” the students yell. “Boo!” says the Daring ghost. Apple’s head in a goblin bowl opens her eyes and looks straight at Raven. “Boo!

It hovers, creeps in, comes close, withdraws, turns on tiptoe and, if I reach out my hand, disappears: a Word. I can only make out its proud crest: Cri. Cricket, Cripple, Crime, Crimea, Critic, Crisis, Criterion? A canoe sails from my forehead carrying a man armed with a spear. The light, fragile boat nimbly cuts the black waves, the swells of black blood in my temples. It moves further inward. The hunter-fisherman studies the shaded, cloudy mass of a horizon full of threats; he sinks his keen eyes into the rancorous foam, he perks his head and listens, he sniffs. At times a bright flash crosses the darkness, a green and scaly flutter. It is Cri, who leaps for a second into the air, breathes, and submerges again in the depths. The hunter blows the horn he carries strapped to his chest, but its mournful bellow is lost in the desert of water. There is no one on the great salt lake. And the rocky beach is far off, far from the faint lights from the huts of his companions. From time to time Cri reappears, shows his fatal fin, and sinks again. The oarsman, fascinated, follows him inward, each time further inward.

At once, Raj set about finding some dry clothes for Ben and the Queen. However, all he had were his unsold costumes from Halloween. “This is your size, Your Majesty,” said Raj, handing her a lobster costume. “One has never dressed as a lobster before. What fun!” she said, taking the costume behind the card carousel to change. Next, Raj picked up one of his princess outfits. Before he could say a thing, Ben snapped, “NO!” “What do you mean, no?” asked Raj. “No means no! I am never, ever, ever dressing up as a princess!” “But you would look so pretty!” Raj implored. “NO!” “Well, the lobster outfits are too big for you.” The Queen reappeared with hers on. “Red is so your colour!” remarked Raj. “Oh, why thank you, Mr Raj. Now come on, Ben. You can’t stay in those wet things – you will catch your death of cold!” “But—” “No buts, Benjamin! Put it on! That’s an order from your Queen!” Ben harumphed and disappeared behind the card carousel. Moments later, he reappeared awkwardly. He was dressed as a princess with the grumpiest look on his face. “You know I said how pretty you would look as a princess?” began Raj. “Yep.” “I was wrong.” Then,

Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A

It was in her abode, in the janitorial quarters assigned her on the ground floor rear, that seemingly inoffensive Mrs. Shapiro set up a clandestine alcohol dispensary—not a speakeasy, but a bootleg joint, where the Irish and other shikkers of the vicinity could come and have their pint bottles filled up, at a price. And several times on weekends, when Ira was there, for he got along best with Jake, felt closest to him, because Jake was artistic, some beefy Irishman would come in, hand over his empty pint bottle for refilling, and after greenbacks were passed, and the transaction completed, receive as a goodwill offering a pony of spirits on the house. And once again those wry (rye? Out vile pun!), wry memories of lost opportunities: Jake’s drab kitchen where the two sat talking about art, about Jake’s favorite painters, interrupted by a knock on the door, opened by Mr. Shapiro, and the customer entered. With the fewest possible words, perhaps no more than salutations, purpose understood, negotiations carried out like a mime show, or a ballet: ecstatic pas de deux with Mr. McNally and Mr. Shapiro—until suspended by Mr. Shapiro’s disappearance with an empty bottle, leaving Mr. McNally to solo in anticipation of a “Druidy drunk,” terminated by Mr. Shapiro’s reappearance with a full pint of booze. Another pas de deux of payment? Got it whole hog—Mr. Shapiro was arrested for bootlegging several times, paid several fines, but somehow, by bribery and cunning, managed to survive in the enterprise, until he had amassed enough wealth to buy a fine place in Bensonhurst by the time “Prohibition” was repealed. A Yiddisher kupf, no doubt.

A little later, strolling about the town, I, stopped into a shop near the museum, where they sold souvenirs and post-cards. I looked over the cards leisurely; the ones I liked best were soiled and wrinkled. The man, who spoke French fluently, offered to make the cards presentable. He asked me to wait a few minutes while he ran over to the house and cleaned and ironed them. He said he would make them look like new. I was so dumbfounded that before I could say anything he had disappeared, leaving me in charge of the shop. After a few minutes his wife came in. I thought she looked strange for a Greek woman. After a few words had passed I realized that she was French and she, when she learned that I hailed from Paris, was overjoyed to speak with me. We got along beautifully until she began talking about Greece. She hated Crete, she said. It was too dry, too dusty, too hot, too bare. She missed the beautiful trees of Normandy, the gardens with the high walls, the orchards, and so on. Didn't I agree with her? I said NO, flatly. "Monsieur!" she said, rising up in her pride and dignity, as if I had slapped her in the face. "I don't miss anything," I said, pressing the point home. "I think this is marvellous. I don't like your gardens with their high walls, I don't like your pretty little orchards and your well-cultivated-fields. I like this …" and I pointed outdobrs to the dusty road on which a sorely-laden donkey was plodding along dejectedly. "But it's not civilized," she said, in a sharp, shrill voice which reminded me of the miserly tobacconiste in the Rue de la Tombe-Issoire. "Je m'en fous da la civilisation européenne!" I blurted out. "Monsieur!" she said again, her feathers ruffled and her nose turning blue with malice. Fortunately her husband reappeared at this point with the post-cards which he had given a dry-cleaning.

southern star or constellation which once temporarily gained prominence in the sky, or may stand for some recurrent phenomenon, he most likely represented different ‘things’ on different occasions. Bali was guided by Venus, the guru of the asuras who, as we saw in “The Greatness of Saturn,” possesses the Sanjivani Vidya, which can revive the dead. Indeed, Venus is always dying (disappearing from view when it goes too close to the sun) and being reborn (reappearing after a predictable period of residence in the ‘underworld’). Asuras are known to be stronger at night, which they rule, but each dawn the potential chaos that night represents is dispelled by the sun, who reappears to separate the earth from the sky and to measure the world by rising in the east, appearing overhead at noon, and setting in the west. These may be the three great strides that the dwarf Vamana uses in The Begging of the Universe incident from the “The Greatness of Saturn” to subdue Bali and return him to the celestial underworld. Or perhaps the three steps are measured at the vernal equinox, when Vamana’s left foot reaches to the North (celestial)

Another example of how a metaphor can create new meaning for us came about by accident. An Iranian student, shortly after his arrival in Berkeley, took a seminar on metaphor from one of us. Among the wondrous things that he found in Berkeley was an expression that he heard over and over and understood as a beautifully sane metaphor. The expression was “the solution of my problems”—which he took to be a large volume of liquid, bubbling and smoking, containing all of your problems, either dissolved or in the form of precipitates, with catalysts constantly dissolving some problems (for the time being) and precipitating out others. He was terribly disillusioned to find that the residents of Berkeley had no such chemical metaphor in mind. And well he might be, for the chemical metaphor is both beautiful and insightful. It gives us a view of problems as things that never disappear utterly and that cannot be solved once and for all. All of your problems are always present, only they may be dissolved and in solution, or they may be in solid form. The best you can hope for is to find a catalyst that will make one problem dissolve without making another one precipitate out. And since you do not have complete control over what goes into the solution, you are constantly finding old and new problems precipitating out and present problems dissolving, partly because of your efforts and partly despite anything you do. The CHEMICAL metaphor gives us a new view of human problems. It is appropriate to the experience of finding that problems which we once thought were “solved” turn up again and again. The CHEMICAL metaphor says that problems are not the kind of things that can be made to disappear forever. To treat them as things that can be “solved” once and for all is pointless. To live by the CHEMICAL metaphor would be to accept it as a fact that no problem ever disappears forever. Rather than direct your energies toward solving your problems once and for all, you would direct your energies toward finding out what catalysts will dissolve your most pressing problems for the longest time without precipitating out worse ones. The reappearance of a problem is viewed as a natural occurrence rather than a failure on your part to find “the right way to solve it.” To live by the CHEMICAL metaphor would mean that your problems have a different kind of reality for you. A temporary solution would be an accomplishment rather than a failure. Problems would be part of the natural order of things rather than disorders to be “cured.” The way you would understand your everyday life and the way you would act in it would be different if you lived by the CHEMCAL metaphor. We see this as a clear case of the power of metaphor to create a reality rather than simply to give us a way of conceptualizing a preexisting reality.

She was impatient, disappointed with herself, with the limitations imposed by her physical presence, by her height and weight, age and maturity, mortality and fragility. The earth spun on its axis, and gravity grounded her. She sensed that the girl could fly if she chose to, that she could disappear and reappear, and pass through objects... all while Mary Beth grew old, day after day, and some cruel god counted the rotations, the laps around the sun... A tree grew until it fell.

How are you doing, Harper?" Trent hadn't touched her yet, but he was standing right behind her. She could feel his warm breath on her skin. "A bit light-headed, to be honest." "Put your head down between your knees. It's either the presence of my greatness-which happens all the time, so don't feel bad-or the adrenaline. Take some slow, deep breaths. What you're doing tonight is a huge step." She did as he said. His scuffed black boots disappeared from her line of sight and reappeared a minute later. "Please don't pass out and fall off the bed-my insurance doesn't cover dental." - Trent & Harper

purple pebble he is balancing on the back of his hand. It disappears. ‘What’s that?’ I ask. He turns over his hand and the pebble reappears on his palm. ‘I have no idea, but it would be a killer conversation starter with the ladies, don’t you think?

The lion landed in the snow well below the outcrop, at least thirty feet below where he’d been lying on the tree branch. The same as jumping from the roof of a three-story building. I saw him just as he hit, disappearing in an explosion of soft snow. Before I could picture how broken he would be, he erupted from the snow in another leap that covered twenty feet, straight down the side of the hill we’d toiled up. His body began to ball up in mid-air and he crashed down into the snow again, only to reappear a moment later, stretched out and bounding. In a few seconds he was into the bottom of the draw and out of sight.

I’d been proud of the parlor, over which I had spent a great deal of time. The ceiling had inlaid tiles in the same summer-sky blue that comprised the main color of the rugs and cushions and the tapestry on the wall opposite the newly glassed windows. Now I sneaked a look at the Marquis, dreading an expression of amusement or disdain. But his attention seemed to be reserved for the lady as he led her to the scattering of cushions before the fireplace, where she knelt down with a graceful sweeping of her skirts. Bran went over and opened the fire vents. “If I’d known of your arrival, it would have been warm in here.” Bran looked over his shoulder in surprise. “Well, where d’you spend your days? Not still in the kitchens?” “In the kitchens and the library and wherever else I’m needed,” I said; and though I tried to sound cheery, it came out sounding resentful. “I’ll be back after I see about food and drink.” Feeling very much like I was making a cowardly retreat, I ran down the long halls to the kitchen, cursing my bad luck as I went. There I found Julen, Oria, the new cook, and his assistant all standing in a knot talking at once. As soon as I appeared, the conversation stopped. Julen and Oria turned to face me--Oria on the verge of laughter. “The lady can have the new rose room, and the lord the corner suite next to your brother. But they’ve got an army of servants with them, Countess,” Julen said heavily. Whenever she called me Countess, it was a sure sign she was deeply disturbed over something. “Where’ll we house them? There’s no space in our wing, not till we finish the walls.” “And who’s to wait on whom?” Oria asked as she carefully brought my mother’s good silver trays out from the wall-shelves behind the new-woven coverings. “Glad we’ve kept these polished,” she added. “I’d say find out how many of those fancy palace servants are kitchen trained, and draft ‘em. And then see if some of the people from that new inn will come up, for extra wages. Bran can unpocket the extra pay,” I said darkly, “if he’s going to make a habit of disappearing for half a year and reappearing with armies of retainers. As for housing, well, the garrison does have a new roof, so they can all sleep there. We’ve got those new Fire Sticks to warm ‘em up with.” “What about meals for your guests?” Oria said, her eyes wide. I’d told Oria last summer that she could become steward of the house. While I’d been ordering books on trade, and world history, and governments, she had been doing research on how the great houses were currently run; and it was she who had hired Demnan, the new cook. We’d eaten well over the winter, thanks to his genius. I looked at Oria. “This is it. No longer just us, no longer practice, it’s time to dig out all your plans for running a fine house for a noble family. Bran and his two Court guests will need something now after their long journey, and I have no idea what’s proper to offer Court people.” “Well, I do,” Oria said, whirling around, hands on hips, her face flushed with pleasure. “We’ll make you proud, I promise.” I sighed. “Then…I guess I’d better go back.” As I ran to the parlor, pausing only to ditch my blanket in an empty room, I steeled myself to be polite and pleasant no matter how much my exasperating brother inadvertently provoked me--but when I pushed aside the tapestry at the door, they weren’t there. And why should they be? This was Branaric’s home, too.

When you succeed not in destroying something but in obliterating its origins and its end, it disappears (the solution to the problem of the illusionist?). It is not, however, physically dead. It remains resplendent in a sort of state of grace which is that of disappearance. It inaugurates a second, pure and empty form of the event or person, which is the form of fate. What has disappeared has every chance of reappearing. For what dies is annihilated in linear time, but what disappears passes into the state of constellation. It becomes an event in a cycle which may bring it back many times (is this the secret of the Rose of Paracelsus?).

How do we live in this world where friends disappear for years and years and reappear as if nothing has happened?

Barabashka is a small home spirit, who is often confused with other home phenomena as poltergeist or even Domovoy.  While in reality poltergeist can be one of the group of home spirits and Domovoy is a being that exists only to help people.  Barabashka on the other hand is not a spirit, but rather a being that materialized in our World, may even have a physical body.  He has a unique ability to be able to find so called “worm holes”, which allow him to instantly travel in space-time.  This ability to instantly disappear and reappear has made people think that Barabasha is a spiritual being, rather than a physical one.

I was disappearing here in this world, which in some way meant I was reappearing somewhere else. I was whole somewhere else. I was free somewhere else. That thought was comforting. The parallel me had never been raped. Had never been touched. Had never been so obscenely violated. The parallel me had no restrictions. Still enjoyed sunlight. The parallel me had a future that couldn’t be darkened by his past.

squatted at the corner of the hutch one more time. They’d been trying for an hour to get it loaded, but no matter how many different angles they attempted, it was too heavy for him and Violet to move on their own, especially with Violet’s arm still in a cast. “Let me give it a try.” Barney stepped forward, and Nate scrutinized him. He didn’t appear frail by any stretch, but the man was nearly ninety years old. Nate didn’t want to be responsible for breaking him. “Barnabas Riley, step away from that hutch right this minute.” Gladys bustled into the room, pointing a spatula at her husband. Barney stepped back. “Busted.” But he nudged Nate and whispered, “I wasn’t really going to do it. Just had to show her I’m still willing.” Nate laughed with him, but Violet gave the hutch a regretful pat. “Looks like it wasn’t meant to be.” “Hold on a minute, dear. You’re the one we want to have this.” Gladys disappeared again. Nate and Violet both looked at Barney, but he threw his hands into the air. “Even after sixty-five years of marriage, I don’t understand everything about that woman.” He winked at them again. “Keeps me on my toes.” Three minutes later, Gladys reappeared. “I called Sylvia, and she said her grandson can come over to help us.” “That’s great.” Violet pulled out a chair to sit down and stifled a yawn. She looked exhausted. “In the morning,” Gladys finished. Violet dropped the hand that had been covering her yawn. “I’m sorry. I don’t think we can come back tomorrow.” “Of course not.” Gladys waved her objection away. “You can stay with us. It’s getting late anyway. You don’t want to drive back yet tonight.” Nate stole a subtle peek at the time. It was already eight o’clock. And Violet looked ready to drop. She gave him a questioning look, and he shrugged, hoping she would understand that meant it was up to her. “I guess that would work. The store is always closed on Mondays anyway.” Her eyes traveled to Nate. “Unless you need to be in the office.” He should be. He really should be. If Dad called and he didn’t answer, he would never hear the end of it. But right now, he cared more about what Violet needed. And she needed this hutch to save her store. “I don’t need to be in the office.” “Oh, but Tony―” Violet clasped his arm. She had a point there. He couldn’t leave his dog uncared for. “Unless.” Violet pulled out her phone. “Just a second.” She wandered toward the kitchen with the phone pressed to her ear. “Looks like I’m not the only one with a mysterious woman.” Barney chuckled so hard he broke into a coughing fit. “Oh, we’re―” “Neighbors.” Gladys rested a hand on her husband’s back. “We know.” Barney stopped coughing and straightened, shooting Nate a wink. Nate was about to argue more, but Violet stepped back into the room. Her smile was enough to steal his protest. “Sophie’s going to stop by to take care of Tony tonight and tomorrow morning. I hope you don’t mind, but I told her about your super-secret hiding spot for the spare key.” Nate pretended to be shocked. “How do you know about that?” “I saw you putting it under the mat the other day when you forgot your keys, remember?” He did remember. He had been especially enchanted by her laugh that day. It was amazing how many of his recent memories involved her. Including

He didn't think they were all after a criminal. He suspected it was an innocent girl. Well, a beautiful young woman, really; as comely as his niece Tasha, who was so clever with her loom and quick with her tongue. But this girl had extraordinary silver hair-- a color so unusual the captain had seen it only once before in his long years in the guard. On a royal princess, a tiny baby, dead to the world. In fairy tales and myths, when children were given up because of a prophecy or because the family was starving, they did disappear into the world for a while-- and then came back years later like a cicada, bringing the power of youth and the unavoidable anger of the gods with them.

you were to change the wavelength of your consciousness and in so doing change all your body patterns to a wavelength different from this universe, you would literally disappear out of this world and reappear in the one to which you were tuned.

He would frequently do solo dives at midnight, relishing the tranquillity of his own private world. While decompressing, he rested lazily on a tree log that had fallen into the water. He was often illuminated only by the Moon, whose light beams rippled through his exhalation bubbles, which rose like rapidly expanding flying saucers, exploding when they hit the surface. The rippling light cast eerie shadows on the rock entrance below Berman, making fish, crabs, and crayfish seem to dance in a strobe light, appearing, disappearing, and reappearing in an instant.

Disappearing, ignoring, or cutting people off is avoidance. Not responding to a request, delaying setting the record straight, or failing to show up are ways that we avoid situations instead of dealing with them proactively. But prolonging issues by avoiding them means the same issues will reappear over and over again, following us from relationship to relationship.

While I inventoried, identifying bones and separating right and left sides, Emma shot more photos. Then she disappeared with the skull, jaw, and isolated teeth to make dental X-rays. I was turning my attention to gender when Emma reappeared. I suspected the victim was male, since most bones were large and carried robust muscle attachments. “Ready for sex?” I asked. “Got a headache.” Yep. I liked this woman. Picking up a pelvic half, I pointed to the front.

Which is to say, the thought. In what, then, does this antithesis consist? In that the spirit would overflow the instrumentality and the instrumentalizable, the instrument being on the side of the material, that is, of the contingent and corruptible, which precisely disappears in the corruptible, whereas, on the contrary, the spiritual is what returns, resists, consists: re-appearing, not disappearing.

Civilization was not poetry, heroism or myth; it was, instead, a sort of layer cake. City foisted upon city, life foisted upon life. The newer iterations replacing the old ones, burying them with their collective mistakes and regret. You’re looking at it wrong. It’s not destruction- it’s rebirth. To disappear and reappear. To be born, to die, to be reborn. Re, re, re: an implication that something exited before, in another form, and now has the opportunity to live again. You can tell me that cities and history, and life are about destruction, and maybe that’s true. But they’re also about something else. They’re about re-creation. Re, re, re But how do we know what phase we’re in? How do we know if Rome’s rising or falling? How do we know if the flames we see are flames of civilization’s failure or the beginnings of something else. We don’t I guess. Or maybe we do, and it’s a matter of perspective. Maybe it’s a matter of picking where you are, in the rise or in the fall, and saying that- regardless of what the historians and philosophers decide to call it- for you, this is a beginning. What is it that Homer tells the muse at the beginning of The Odyssey? Start from where you will. Start from where you will. Pick a point in the epic of the hero’s wanderings, and call that the opening of your story. It’s a deceptively simple instruction, she thinks, looking at the expectant faces before her. For any beginning she chooses won’t really be a beginning at all. It will carry with it the baggage and histories of the many lives that came before and when it’s gone, the lives that come after it will be built upon its back. Ruins are not endings, they are the foundations for the lives that have yet to come.

, the forest was not cursed at all, nor was it magical in any way. But it was dangerous. The volcano beneath the forest—low-sloped and impossibly wide—was a tricky thing. It grumbled as it slept, while heating geysers till they burst and restlessly worrying at fissures until they grew so deep that no one could find the bottom. It boiled streams and cooked mud and sent waterfalls disappearing into deep pits, only to reappear miles away. There were vents that spewed foul odors and vents that spewed ash and vents that seemed to spew nothing at all—until a person’s lips and fingernails turned blue from bad air, and the whole world started to spin. The only truly safe passage across the forest for an ordinary person was the Road, which was situated on a naturally raised seam of rock that had smoothed over

All he did was take brief notes about the ideas that caught his attention in a text on a separate piece of paper: “I make a note with the bibliographic details. On the backside I would write ‘on page x is this, on page y is that,’ and then it goes into the bibliographic slip-box where I collect everything I read.” (Hagen, 1997)11 But before he stored them away, he would read what he noted down during the day, think about its relevance for his own lines of thought and write about it, filling his main slip-box with permanent notes. Nothing in this box would ever get thrown away. Some notes might disappear into the background and never catch his attention again, while others might become connection points to various lines of reasoning and reappear on a regular basis in various contexts.

Rather, they are interwoven in artful ways that suggest the symphonic art that appeared in musical style two millennia after Isaiah. Motifs appear, disappear, and reappear in ways that keep the thoughtful reader involved in an active dialogue with the writer.

don’t get carried away, though, I’m talking about a distance of a few blocks that are not at a big angle. We got to the bottom of the mountain just in time. As the sun went down, the sky turned different shades of red and purple. Jerry walked up to a tall tree, an oak I think. It must have been ten or fifteen blocks high. Jerry started punching the base of it with his bare hands. The wooden block started splintering into small brown particles. After a few seconds we heard a popping sound and the tree block disappeared and reappeared as a smaller block, spinning on the ground. Jerry turned to me after picking the small block. “Look. You smash the tree and get the block. You then pick it up from your inventory and turn it into wooden planks.” “Okay, I’ll give it a go,” I told him. I did exactly as I saw him do it. It seemed that it took forever to destroy the wooden block. “Don’t worry, Mike. Chopping down trees will get much easier once we craft the proper tools, you’ll see,” Jerry assured me. Finally, I managed to chop down the tree. Gosh, it took quite some time. I collected the block and turned it into some wooden planks.

One moment there, another gone. Her face in the glass. Disappearing in the light of oncoming headlights, reappearing in the dark of outside. Gone again. The window kept her face for its own. Good, it could keep it. Back, the window didn't want it either. Red's reflection stared through her, but the glass and the darkness didn't get her quite right, blurring the details. She used to hear, more than she cared to. Now she didn't care to hear it at all, even think it. So, she looked away from her face, their face, ignoring them both. But it was harder to ignore something when you're trying. Red shifted her gaze, looking instead at the cars in the lane beside and below. Something wasn't right; the cars seemed too small from up here at her window, but Red didn't feel any bigger. She watched a blue sedan edging forward to pass, and she helped it along with her eyes, pushing them ahead. There you go, bud.

He glanced that way, and a small hand waving a book appeared over the top of a garment rack. "Time of Unutterable Algorithms." The hand disappeared, then reappeared. It looked empty at first, but then, as Meddy moved her wrist, Milo caught a slight flash from one knuckle. "Ring of Wildest Abandon." Then Meddy's head and shoulders appeared as she climbed up and leaned over the top of the rack. With her other arm, she brandished a carved walking stick. "Eglantine's Patent Blackthorn Wishing Stick, guaranteed to offer considered advice before granting requests. What about you?" Milo laughed. He held up the red case. " Slywhisker's Crimson Casket of Relics, including the Ocher Pages of Invisible Wards, the Ever-Sharp Inscriber of Rose-colored Destinies, and the Flask of Winds and Voids" Meddy whistled. "You don't mess around." "I learned from the best.

She showed no remorse when he played both sides against the middle. She didn't shed a tear when his ego assumed she'd always be near. She remained strong. He grew weak. He knew the end was near. She gave him firm warning. He snickered and jeered. She laughed as she walked away never to reappear. She remained steadfast. He furiously tried to grasp remnants of her soul essence clutching to fear. His spark has now disappeared. Now he sits on the sidelines watching, wishing she were near. She can feel him tug at her soul fighting to have control. He has yet to determine how to become whole.

You and everything! Everything and everyone can wait, As long as you are with me it is never late, For it is the Summer flowers that ought to worry, Because winter always seems to arrive in a hurry, But when you are beside me, who cares whether it is summer or winter, For we can create anything as long as we are together, So let the Sun rise Irma, and let it set, let the Moon shine and disappear, Because in your presence anything can reappear, Let it be night forever or a day that never ends, Because around you and for you everything without any hesitation bends, Let the world incriminate me for my belief, As long as you love me, I need not know or feel any other form of relief, Let the world pray to the Gods or who cares if it is a Godless world, Because in my universe there is a Goddess who creates for me a truly God fearing world, So, let everything end, or let everything begin, For when I am with you, I care not, whether I lose or win!