Dirty Thirty Quotes

We've searched our database for all the quotes and captions related to Dirty Thirty. Here they are! All 100 of them:

THIRTY–ZERO! TAKE THAT, YOU DIRTY, CHEATING —” “Jordan, if you can’t commentate in an unbiased way — !” “I’m telling it like it is, Professor!
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Ancient whore secret: to give enjoyable head, enjoy giving head.
Asa Akira (Dirty Thirty: A Memoir)
Once upon a time, there was a king who ruled a great and glorious nation. Favourite amongst his subjects was the court painter of whom he was very proud. Everybody agreed this wizzened old man pianted the greatest pictures in the whole kingdom and the king would spend hours each day gazing at them in wonder. However, one day a dirty and dishevelled stranger presented himself at the court claiming that in fact he was the greatest painter in the land. The indignant king decreed a competition would be held between the two artists, confident it would teach the vagabond an embarrassing lesson. Within a month they were both to produce a masterpiece that would out do the other. After thirty days of working feverishly day and night, both artists were ready. They placed their paintings, each hidden by a cloth, on easels in the great hall of the castle. As a large crowd gathered, the king ordered the cloth be pulled first from the court artist’s easel. Everyone gasped as before them was revealed a wonderful oil painting of a table set with a feast. At its centre was an ornate bowl full of exotic fruits glistening moistly in the dawn light. As the crowd gazed admiringly, a sparrow perched high up on the rafters of the hall swooped down and hungrily tried to snatch one of the grapes from the painted bowl only to hit the canvas and fall down dead with shock at the feet of the king. ’Aha!’ exclaimed the king. ’My artist has produced a painting so wonderful it has fooled nature herself, surely you must agree that he is the greatest painter who ever lived!’ But the vagabond said nothing and stared solemnly at his feet. ’Now, pull the blanket from your painting and let us see what you have for us,’ cried the king. But the tramp remained motionless and said nothing. Growing impatient, the king stepped forward and reached out to grab the blanket only to freeze in horror at the last moment. ’You see,’ said the tramp quietly, ’there is no blanket covering the painting. This is actually just a painting of a cloth covering a painting. And whereas your famous artist is content to fool nature, I’ve made the king of the whole country look like a clueless little twat.
Banksy (Wall and Piece)
I am a teller of stories...a weaver of dreams. I can dance, sing, and in the right weather stand on my head. I know seven words of Latin. I have a little magic and a trick or two. I know the proper way to meet a dragon, can fight dirty but not fair, and once swallowed thirty oysters in a minute. I am not domestic. I am a luxury, and in that sense, necessary.
Anthony Minghella (Jim Henson's The Storyteller)
Still in bed at noon. Everyday is Saturday, when you are a whore.
Asa Akira
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
Honesty can be a dirty gift. It can muddy a sparkling stream of memories.
Colin Cotterill (Thirty-Three Teeth (Dr. Siri Paiboun, #2))
It was a newsflash to me that dating as a pre-thirty divorcette was as bad as having herpes.
Stephanie Klein (Straight Up and Dirty)
Zero cavities. Two abortions. One divorce. Thirty years on Earth.
Asa Akira (Dirty Thirty: A Memoir)
I feel like...if you’re in the shower with a boy, and he doesn’t pee on you, he’s not that into you. May
Asa Akira (Dirty Thirty)
Going comando. Shaved my pussy just in case. I should trip and fall.
Asa Akira (Dirty Thirty: A Memoir)
Not one word about proposals, no matter how much she pushes,” I told my friends. “No matter what she says or how loud she cries, don’t try to throw that up as a distraction.” Gabriel’s lips twitched. “I don’t think it’s going to be that bad. It’s one woman against five supernatural creatures... And Zeb.” “You laugh because you haven’t heard my mother’s thirty-minute verbal dissertation on appropriate seasonal flower choices. We’re better off letting her yell at us for being dirty, premarital fornicators.
Molly Harper (Nice Girls Don’t Sign a Lease Without a Wedding Ring (Jane Jameson, #3.5))
He watched her screen, her spell-checker halting at such spurious entries as "fuckwitism" and "Caliguliberal".
Cara McKenna (Dirty Thirty)
I'm a woman. Forty-five in female years (which is about a hundred and thirty in male years - bastards).
Debra Webb (DIRTY (Jackie Mercer, #1))
Bruised knees cramp my style. They scream cheap whore, when I am an expensive one.
Asa Akira (Dirty Thirty: A Memoir)
Dropped a blueberry Under the oven it rolls Goodbye, forever
Asa Akira (Dirty Thirty)
HAIKU Dropped a blueberry Under the oven it rolls Goodbye, forever
Asa Akira (Dirty Thirty)
Serial killing definition: must hit three, just like a gangbang.
Asa Akira (Dirty Thirty: A Memoir)
That doesn’t sound right. Doughnuts are a major food group.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
The Dirty Thirties are knocking in a French accent-
Sahndra Fon Dufe
They had Rembrandt on the calendar that year, a rather smeary self-portrait due to imperfectly registered color plate. It showed him holding a smeared palette with a dirty thumb and wearing a tam-o’-shanter which wasn’t any too clean either. His other hand held a brush poised in the air, as if he might be going to do a little work after a while, if somebody made a down payment. His face was aging, saggy, full of the disgust of life and the thickening effects of liquor. But it had a hard cheerfulness that I liked, and the eyes were as bright as drops of dew. I was looking at him across my office desk at about four-thirty when the phone rang and I heard a cool, supercilious voice that sounded as if it thought it was pretty good. It said drawlingly, after I had answered: “You are Philip Marlowe, a private detective?
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
Unwillingly Miranda wakes, Feels the sun with terror, One unwilling step she takes, Shuddering to the mirror. Miranda in Miranda's sight Is old and gray and dirty; Twenty-nine she was last night; This morning she is thirty. Shining like the morning star, Like the twilight shining, Haunted by a calendar, Miranda is a-pining. Silly girl, silver girl, Draw the mirror toward you; Time who makes the years to whirl Adorned as he adored you. Time is timelessness for you; Calendars for the human; What's a year, or thirty, to Loveliness made woman? Oh, Night will not see thirty again, Yet soft her wing, Miranda; Pick up your glass and tell me, then-- How old is Spring, Miranda?
Ogden Nash
Why didn’t you just ask me out? I…I had a crush on you. You probably knew that.” He took a few more steps, closing in on her, deliberately crowding her. He smirked. “A crush?” She retreated and bumped against the wall. “Yes. Didn’t you have one on me?” “I’m thirty years old. The last time I had a crush I was in eighth grade. What I had for you was no crush. I wanted to strip you down, tie you to my bed and keep you there. Do dirty things to you. That’s what I wanted. But
Maggie Sweet (Jack)
A little boy and his grandfather are raking leaves in the yard. The little boy sees an earthworm trying to get back into its hole. He says, "Grandpa, I bet I can put that worm back in that hole." The grandfather replies, "I'll bet you five dollars you can't. It's too wiggly and limp to put back in that tiny hole." The little boy runs into the house and comes back out with a can of hair spray. He sprays the worm until it is straight and stiff as a board. The boy then proceeds to slip the dying worm back into the hole. The grandfather hands the little boy five dollars, grabs the hair spray and runs into the house. Thirty minutes later the grandfather comes back out and hands the boy another five dollars. The little boy says, "Grandpa, you already gave me five dollars." The grandfather replies, "I know. That's from Grandma. ♦◊♦◊♦◊♦
Various (101 Dirty Jokes - sexual and adult's jokes)
Lula was blank faced. “Say what?” Marjorie rolled her eyes. “His wiggle stick, baloney pony, wrinkle beast, tadger.” “His dick,” I said to Lula. Lula went wide-eyed at Marjorie. “Seriously? Where’d you learn all those words for a dick?” “I was a librarian,” Marjorie said. “Well, I was a ho,” Lula said. “And we never called it any of those things.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
From the standpoint of integrity, I think we all need to own up to our dirty little secrets. I believe that when we are open about our own strange desires or unusual lives, it paves the way for others to do the same. In the past thirty years, gay men and lesbians took a lot of flack to tell the truth about their love lives and their courage opened the door for a mass migration out of the closet. We’re now at a moment in time when unconventional families (even thirty-year triads and gay couples) are losing their children in custody battles because their families don’t conform to mainstream ideas about what a family should be. Given this context, I want to be someone who stands up for my choices even if they’re unpopular, even if I get snickers at cocktail parties.
Victoria Vantoch (The Threesome Handbook: Make the Most of Your Favorite Fantasy - the Ultimate Guide for Tri-Curious Singles and Couples)
Cellar Christians!" Foyle exclaimed. He and Robin peered through the window. Thirty worshipers of assorted faiths were celebrating the New Year with a combined and highly illegal service. The twenty-fourth century had not yet abolished God, but it had abolished organized religion. "No wonder the house is man-trapped," Foyle said. "Filthy practices like that. Look, they've got a priest and a rabbi, and that thing behind them is a crucifix." "Did you ever stop to think what swearing is?" Robin asked quietly. "You say 'Jesus' and 'Jesus Christ.' Do you know what that is?" "Just swearing, that's all. Like 'ouch' or 'damn.'" "No, it's religion. You don't know it, but there are two thousand years of meaning behind words like that." "This is no time for dirty talk," Foyle said impatiently. "Save it for later. Come on.
Alfred Bester (The Stars My Destination)
Being in a public space with [Mark] Spiegler is simultaneously the best and worst. Because he's a porn agent, he's constantly on his phone yelling things like 'Your boy/girl scene tomorrow just became anal!' regardless of where we are.
Asa Akira (Dirty Thirty: A Memoir)
Okay,” I said, “so what does all that have to do with his dead mistress, her dead ex-boyfriend with the dirty pictures or the entire Rossetti crime family?” Trixie shrugged. “I dunno, let’s go ask him.” “Ask who?” I said, a little lost. “Roger Mayfield,” she said simply. “Isn’t that what I wanted to do at nine o’clock in the morning?” I asked, annoyed. “Nine thirty-seven,” she reminded. “And there’s a difference.” “Which is?” I asked. “When you wanted to do it, it was a stupid idea,” she said with a smile.
Gregg Taylor (Black Jack Justice)
Sometimes sexy women like to act stupid because it helps them get exactly what they want. Theresa Boudreaux was one of those types: a bodacious waffle-house waitress with a devilish streak. Unfortunately for a certain high-ranking elected leader, she had the wits to go to RadioShack and buy herself a nine-dollar phone-recording device. She then used it to tape her dirty phone calls with US Congressman Huey Hartley, a powerful, sanctimonious, married-for-thirty-years politician from the solidly red state of Mississippi.
Holly Peterson
I sometimes went with Svetlana to Pilates—even though the logistics of mat placement was deeply stressful, in a way that made me feel like I understood the primal conflicts for land that formed the basis of modern history. The room had a maximum occupancy of thirty, which might have been OK if everyone was just sitting there, but not if the idea was to make your body as long as possible and do sweeping motions with your limbs. Svetlana always made us get there early, to secure an advantageous position. Then the people who came later would try to crowd us out, inserting themselves between us, or directly in front of us, blocking our view—not apologetically, but with a self-righteous attitude. If you didn’t defend your space like Svetlana did, sitting up extra straight and doing elaborate stretches, you got hemmed in and couldn’t do the movements. People kept hitting you (or were you hitting them?) and giving you dirty looks.
Elif Batuman (Either/Or)
481 I went into the barbershop as usual, with the pleasant sensation of entering a familiar place, easily and naturally. New things are distressing to my sensibility; I’m at ease only in places where I’ve already been. After I’d sat down in the chair, I happened to ask the young barber, occupied in fastening a clean, cool cloth around my neck, about his older colleague from the chair to the right, a spry fellow who had been sick. I didn’t ask this because I felt obliged to ask something; it was the place and my memory that sparked the question. ‘He passed away yesterday,’ flatly answered the barber’s voice behind me and the linen cloth as his fingers withdrew from the final tuck of the cloth in between my shirt collar and my neck. The whole of my irrational good mood abruptly died, like the eternally missing barber from the adjacent chair. A chill swept over all my thoughts. I said nothing. Nostalgia! I even feel it for people and things that were nothing to me, because time’s fleeing is for me an anguish, and life’s mystery is a torture. Faces I habitually see on my habitual streets – if I stop seeing them I become sad. And they were nothing to me, except perhaps the symbol of all of life. The nondescript old man with dirty gaiters who often crossed my path at nine-thirty in the morning… The crippled seller of lottery tickets who would pester me in vain… The round and ruddy old man smoking a cigar at the door of the tobacco shop… The pale tobacco shop owner… What has happened to them all, who because I regularly saw them were a part of my life? Tomorrow I too will vanish from the Rua da Prata, the Rua dos Douradores, the Rua dos Fanqueiros. Tomorrow I too – I this soul that feels and thinks, this universe I am for myself – yes, tomorrow I too will be the one who no longer walks these streets, whom others will vaguely evoke with a ‘What’s become of him?’. And everything I’ve done, everything I’ve felt and everything I’ve lived will amount merely to one less passer-by on the everyday streets of some city or other.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.
Dolly Alderton (Good Material)
As they stepped away, Beckett nodded toward Blake’s bandaged arm. “What’d ya get?” “It says ‘Sorry,’” Blake said as he went out the door to Cole’s private quarters, leaving his brothers alone. Beckett dialed his cell phone and spoke to Cole while it rang. “What time’s good for you?” Cole sighed. “Around one-thirty today would work.” “Chaos!” Beckett yelled into the phone. “Fit me and my brother into your busy fucking schedule of dusting lawn gnomes and staring out that dirty shed window. We’ll be there at one-thirty.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
One day in September 2015, FBI agent Adrian Hawkins placed a call to the Democratic National Committee headquarters in Washington, D.C., and asked to speak to the person in charge of technology. He was routed to the DNC help desk, which transferred the call to Yared Tamene, a young IT specialist with The MIS Department, a consulting firm hired by the DNC. After identifying himself, Hawkins told Tamene that he had reason to believe that at least one computer on the DNC’s network was compromised. He asked if the DNC was aware of this and what it was doing. Tamene had nothing to do with cybersecurity and knew little about the subject. He was a mid-level network administrator; his basic IT duties for the DNC were to set up computer accounts for employees and be on call to deal with any problems. When he got the call, Tamene was wary. Was this a joke or, worse, a dirty trick? He asked Hawkins if he could prove he was an FBI agent, and, as Tamene later wrote in a memo, “he did not provide me with an adequate response.… At this point, I had no way of differentiating the call I received from a prank call.” Hawkins, though, was real. He was a well-regarded agent in the FBI’s cyber squad. And he was following a legitimate lead in a case that would come to affect a presidential election. Earlier in the year, U.S. cyber warriors intercepted a target list of about thirty U.S. government agencies, think tanks, and several political organizations designated for cyberattacks by a group of hackers known as APT 29. APT stood for Advanced Persistent Threat—technojargon for a sophisticated set of actors who penetrate networks, insert viruses, and extract data over prolonged periods of time.
Michael Isikoff (Russian Roulette: The Inside Story of Putin's War on America and the Election of Donald Trump)
Even he knew he had more in common with Asian Henry Young, with Malcolm, with Willem, or even with Jude, than he had with them. Just look at him: at Court Square he disembarked and walked the three blocks to the former bottle factory where he now shared studio space with three other people. Did real Haitians have studio space? Would it even occur to real Haitians to leave their large rent-free apartment, where they could have theoretically carved out their own corner to paint and doodle, only to get on a subway and travel half an hour (think how much work could be accomplished in those thirty minutes!) to a sunny dirty space? No, of course not. To conceive of such a luxury, you needed an American mind.
Hanya Yanagihara (A Little Life)
He had been born Thomas Pain, though upon arrival in America he whimsically changed the spelling to Paine, and he was about as unlikely a figure to change the course of history as you could imagine. A tumbledown drunk, coarse of manner, blotchy-faced and almost wholly lacking in acquaintance with the virtues of soap and water—“so neglectful in his person that he is generally the most abominably dirty being upon the face of the earth,” in the words of one contemporary—he had been a failure at every trade he had ever attempted, and he had attempted many, from corset making to tax collecting, before finally, at the age of thirty-eight, abandoning his native shores and his second wife and coming to America.
Bill Bryson (Made in America)
Driving over the island, I had a feeling of far greater antiquity than I got even from looking at the Roman ruins in North Africa. Everything is very old and if only it were clean as well it would be old in a nice, gentle way. Towns sit right smack on the top of needle-point mountain peaks. They were built that way in the old days for protection. Today a motorcar can’t even get up to many of them. In the mountain towns the streets are too narrow for vehicles, the passageways are dirty, and the goat and burro are common. In the very remotest and most ancient town, we found that half the people had relatives in America, and there was always somebody popping up from behind every bush or around every corner who had lived for twelve years in Buffalo or thirty years in Chicago.
Ernie Pyle (Brave Men)
I do not belong to your organization. I know nothing about it. I'm not even interested in it – and yet, a request has been made for me to give what purports to be a keynote speech. Before I go on, let me warn you that I talk dirty, and that I will say things you will neither enjoy nor agree with. You shouldn't feel threatened though, because I am a mere buffoon, and you are all Serious American Composers. For those of you who don't know, I am also a composer. I taught myself how to do it by going to the library and listening to records. I started when I was fourteen and I've been doing it for thirty years. I don't like schools. I don't like teachers. I don't like most of the things that you believe in – and if that weren't enough, I earn a living by playing the electric guitar.
Frank Zappa (The Real Frank Zappa Book)
For the duration of the war, American surgery remained crude, and wound infections spread unchecked. The bullet-riddled arms and legs of more than thirty thousand Union soldiers were amputated by battlefield surgeons, many of whom had little or no experience of treating trauma patients. Knives and saws were wiped free of gore with nothing more than dirty rags, if at all. Surgeons never washed their hands and were often covered in the blood and guts of previous patients at the commencement of a new operation. When linen and cotton were scarce, army surgeons used cold, damp earth to pack open wounds. When these wounds inevitably began to suppurate, they were praised for their laudable pus. Many surgeons had never even witnessed a major amputation or treated gunshot wounds when they joined their regiments, much to the detriment of those who fell under their care.
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
And, ach! what a beautiful skeleton you will make! And very soon, too, because you do not smile on your madly loving Svengali. You burn his letters without reading them! You shall have a nice little mahogany glass case all to yourself in the museum of the École de Médecine, and Svengali shall come in his new fur-lined coat, smoking his big cigar of the Havana, and push the dirty carabins* out of the way, and look through the holes of your eyes into your stupid empty skull, and up the nostrils of your high, bony sounding-board of a nose without either a tip or a lip to it, and into the roof of your big mouth, with your thirty-two big English teeth, and between your big ribs into your big chest, where the big leather lungs used to be, and say, “Ach! what a pity she had no more music in her than a big tom-cat!” And then he will look all down your bones to your poor crumbling feet, and say, “Ach! what a fool she was not to answer Svengali’s letters!
George du Maurier (Trilby)
Our senses were assaulted with colours, smells and noise. We saw a million saris, and never once did I see the same pattern repeated twice. We saw poverty that both humbled and disturbed us. We bartered with street traders for Indian prices, not tourist prices. We stopped by the side of the road and watched an old man crushing sugar canes so that we could drink the juice. It was the most delectable and flavourful drink we have ever tasted. We walked barefoot around the Swaminarayan Akshardham, the largest Hindu house of worship in the world, and were absolutely awed. The whole temple echoes with spirituality and we could have spent an entire day there. I saw a village of dirty black bricks, no rendering, just filth and grime, and right in the middle an exquisite and elegant white temple, freshly painted and unblemished. We drove from Jaipur to Delhi. The previous day the road had been closed due to the Jat caste protests. Thirty people died, ten women reported being raped and buildings and cars were set on fire
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Thirty-nine-year-old moderately successful Human Resources Director. Interests include regency romances, reality TV, and baking large novelty birthday cakes for other people’s children. Hobbies include drinking Tia Maria and eating Turkish delight in the bath and dining out with her mum and dad. Wanted to be a ballerina but didn’t end up with a ballerina body; however, has been told she is an impressive dirty dancer when drunk. Knows her wine, so please just hand the wine list over. Godmother to nine children, member of two book clubs, Social Club Manager for the Australian Payroll Officers’ Association. Suffers from a severe blushing problem but is not shy and will probably end up better friends with your friends than you, which you’ll find highly irritating after we break up. Has recently become so worried about meeting the love of her life and having children before she reaches menopause that she has cried piteously in the middle of the night. But otherwise is generally quite cheerful and has on at least three separate occasions that she knows of been described as ‘Charming’. Yep, that about summed it up. What a catch.
Liane Moriarty (The Last Anniversary)
All this is happening right next to you; you can almost touch it, but it's invisible ... At the big stations the loading and unloading of the dirty faces takes place far, far from the passenger platform and is seen only by switchmen and roadbed inspectors ... And you, hurrying along the platform with your children, your suitcases, and your string bags, are too busy to look closely ... The train starts - and a hundred crowded prisoner destinies, tormented hearts, are borne along the same snaky rails, behind the same smoke, past the same fields, posts, and haystacks as you ...You are dissatisfied because there are four of you in your compartment and it is crowded. And could you possibly believe ... that in the same size compartment as yours, but up ahead in that zak car, there are fourteen people? ... And if there are thirty? And ... why should a Soviet soldier have to carry water ... for enemies of the people? It isn't done especially to torture people. A sentenced prisoner is a laboring soldier of socialism, so why should he be tortured? They need him for construction work. But ... there is no reason in the world to treat him so well that people out in freedom would envy him ... Look around you ... Thin strands of human lives stretch from island to island of the Archipelago. They intertwine, touch one another for one night only in just such a clickety-clacking half-dark car as this ...
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
There was, apparently, a nuclear reactor at a place called Indian Point, just thirty miles away in Westchester County. If something bad happened there, we were constantly being informed, the 'radioactive debris', whatever this might be, was liable to rain down on us. (Indian Point: the earliest, most incurable apprehensions stirred in its very name.) Then there was the question of dirty bombs. Apparently any fool could build a dirty bomb and explode it in Manhattan. How likely was this? Nobody knew. Very little about anything seemed intelligible or certain, and New York itself - that ideal source of the metropolitan diversion that serves as a response to the largest futilities - took on a fearsome, monstrous nature whose reality might have befuddled Plato himself. We were trying, as I irreverently analysed it, to avoid what might be termed a historic mistake. We were trying to understand, that is, whether we were in a pre-apocalyptic situation, like the European Jews in the thirties or the last citizens of Pompeii, or whether our situation was merely near-apocalyptic, like that of the Cold War inhabitants of New York, London, Washington and, for that matter, Moscow. In my anxiety I phoned Rachel's father, Charles Bolton, and asked him how he'd dealt with the threat of nuclear annihilation. I wanted to believe that this episode of history, like those old cataclysms that deposit a geologically telling layer of dust on the floors of seas, had sooted its survivors with special information.
Joseph O'Neill (Netherland)
I ran into him at the library one other time, with my mother, as he was coming out and we were walking past on our way to the post office. He tipped his hat to her, and she nodded, and though I wanted to tell my mother who he was, my stomach went cold, and all I managed was a meek hello. For the rest of the afternoon I felt like crying without knowing why. It wasn’t until later that I realized that I couldn’t picture Dr. Young walking into Mr. Awad’s store—how could I, when Mr. Awad warns us to always check for the back of a cloche hat or a curl of yellow hair before we step out to dress a mannequin, so that the American women won’t see our dirty hands? The white Americans might be ajanib, but my parents say we’re white, too, or we must be something close to it if we are both Christians, and I think they really believe that if we keep our noses in our work, a day will come when we’ll earn more than their disdain. In the meantime, my mother whispers about the widow Haddad and scrubs my face with turmeric, and my father warns me against dating like the American girls, saying, Do you know how hard we worked to get you here? Neither of them know what Mrs. Theodore taught me about my color in the back of that Rolls-Royce. In that moment with my mother and Dr. Young, little wing, when I felt the cold drip of fear in my stomach, I realized that an infinite number of moments had instilled in me a reflex as potent and inescapable as a sneeze. It was like seeing the shape of something large coming toward you in the dark.
Zeyn Joukhadar (The Thirty Names of Night)
The chorus of criticism culminated in a May 27 White House press conference that had me fielding tough questions on the oil spill for about an hour. I methodically listed everything we'd done since the Deepwater had exploded, and I described the technical intricacies of the various strategies being employed to cap the well. I acknowledged problems with MMS, as well as my own excessive confidence in the ability of companies like BP to safeguard against risk. I announced the formation of a national commission to review the disaster and figure out how such accidents could be prevented in the future, and I reemphasized the need for a long-term response that would make America less reliant on dirty fossil fuels. Reading the transcript now, a decade later, I'm struck by how calm and cogent I sound. Maybe I'm surprised because the transcript doesn't register what I remember feeling at the time or come close to capturing what I really wanted to say before the assembled White House press corps: That MMS wasn't fully equipped to do its job, in large part because for the past thirty years a big chunk of American voters had bought into the Republican idea that government was the problem and that business always knew better, and had elected leaders who made it their mission to gut environmental regulations, starve agency budgets, denigrate civil servants, and allow industrial polluters do whatever the hell they wanted to do. That the government didn't have better technology than BP did to quickly plug the hole because it would be expensive to have such technology on hand, and we Americans didn't like paying higher taxes - especially when it was to prepare for problems that hadn't happened yet. That it was hard to take seriously any criticism from a character like Bobby Jindal, who'd done Big Oil's bidding throughout his career and would go on to support an oil industry lawsuit trying to get a federal court to lift our temporary drilling moratorium; and that if he and other Gulf-elected officials were truly concerned about the well-being of their constituents, they'd be urging their party to stop denying the effects of climate change, since it was precisely the people of the Gulf who were the most likely to lose homes or jobs as a result of rising global temperatures. And that the only way to truly guarantee that we didn't have another catastrophic oil spill in the future was to stop drilling entirely; but that wasn't going to happen because at the end of the day we Americans loved our cheap gas and big cars more than we cared about the environment, except when a complete disaster was staring us in the face; and in the absence of such a disaster, the media rarely covered efforts to shift America off fossil fuels or pass climate legislation, since actually educating the public on long-term energy policy would be boring and bad for ratings; and the one thing I could be certain of was that for all the outrage being expressed at the moment about wetlands and sea turtles and pelicans, what the majority of us were really interested in was having the problem go away, for me to clean up yet one more mess decades in the making with some quick and easy fix, so that we could all go back to our carbon-spewing, energy-wasting ways without having to feel guilty about it. I didn't say any of that. Instead I somberly took responsibility and said it was my job to "get this fixed." Afterward, I scolded my press team, suggesting that if they'd done better work telling the story of everything we were doing to clean up the spill, I wouldn't have had to tap-dance for an hour while getting the crap kicked out of me. My press folks looked wounded. Sitting alone in the Treaty Room later that night, I felt bad about what I had said, knowing I'd misdirected my anger and frustration. It was those damned plumes of oil that I really wanted to curse out.
Barack Obama (A Promised Land)
Deanna lifted her hand to the back of her neck, stretching it from side to side. Now that he thought about it, she’d been doing that a lot today. “Do you have a headache?” he asked. She sighed. “Yeah. I haven’t been sleeping that well, and when we were doing drills yesterday, I tweaked my neck carrying equipment the wrong way.” Lucky saw a way to get this conversation back on track, so he steered them towards it. “I can help you with that.” “That’s okay,” she dismissed him. “I don’t want a massage, but thanks.” “I wasn’t offering a massage, but you’re welcome.” “But you said you could help me…” “Yeah, I did. And I can. But I didn’t say anything about a massage,” he corrected her. “Oh, no, I don’t want to take anything. I try not to take medicine unless I absolute—” “Ehhh,” he interrupted her, making the sound of a buzzer. “Wrong again. Do you want to try door number three, or should I just tell you what I was offering?” She chuckled, and his heart swelled with pride. The fact that he had made her laugh so easily made him feel like Leo on the Titanic—like he was the king of the world. “Fine. Tell me,” she replied, her tone in full sass mode. “Well, since you asked soooo nicely,” he overemphasized. “I was going to say that I could get rid of your headache if you wanted me to.” Sounding more than a little skeptical, she asked, “How?” “By going down on you,” he stated plainly and confidently. “What!?” she shrieked. “What are you talking about?” “I’m talking about me between your legs for a good thirty minutes or so. You’ll feel the scratch of my stubble on the side of your thighs, and all you’ll see is the top of my head. I’m talking about touching and kissing and licking you—” “Okay,” she cut in. “I get the point.” “Well.” He shrugged. “You asked what I was talking about, so I figured I should be clear.” Laughter filled her voice as she asked, “How do you do that?” “Do what?” “Say those….things… and make them sound so casual? Normal? Not dirty?” “It’s part of my charm, really. I can make the most innocent things sound dirty and the dirtiest things sound completely innocent,” he explained. “I believe you.” She was shaking her head and looking out the window, but with the moonlight streaming in, he could see that her face was flushed with what he was going to believe was arousal. “Just think about it. The offer’s on the table.” With that he turned up the music, which happened to be R&B. He figured a little Marvin Gaye couldn’t do anything but help his cause.
Melanie Shawn (Lucky Kiss (Hope Falls, #12; Kiss, #2))
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
faster. Now, when new technology is brought in, your coworkers have a different calculus. If they can produce 20 percent more per employee, why not decrease the workweek to twenty-eight hours? (For all sectors, legislation dictates the required workweek cannot exceed thirty-five hours.)13 There is still market competition, and firms still fail, but the grow-or-die imperative doesn’t apply when your enterprise’s goal is no longer to maximize total profits but rather to maximize profit-per-worker. And instead of a race to the bottom, there’s pressure to make sure janitorial and other “dirty jobs” are well compensated. In time, many of these tasks will be automated. People used to fear that machines would bring about mass unemployment, but now you and most others look forward to the social impact of technological innovations.14
Bhaskar Sunkara (The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality)
Still in bed at noon Everyday is Saturday When you are a whore
Asa Akira (Dirty Thirty)
Normal people look at me. They see the surface of me, the appealing outer shell. They never delve any deeper. But you…your eyes probe and they search. It feels fucking real when you look at me. After thirty seven years of being admire and coveted because of the way my genetics predetermined what my features would look like, it’s refreshing to be fucking see, Sera.
Callie Hart (Dirty (Dirty Nasty Freaks, #1))
I left my car on the street, walked up across the dead yard, and a guy I took to be James Lester opened the door. He was average-sized in dark gray cotton work pants, dirty white socks, and a dingy undershirt. His hair was cut short on the sides and on top, but had been left long and shaggy in back, and he looked at me with a squint. He was thin, with knobby, grease-embedded hands and pale skin sporting Bic-pen tattoos on his arms and shoulders and chest. Work farm stuff. I made him for thirty, but he could’ve been younger. He said, “You’re the guy who called. You’re from the lawyer, right?” A quarter to eleven in the morning and he smelled of beer.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
That night, though, Mom was getting things ready for a party at the restaurant, so I had to bum a ride with Jack and Julie. Jack said they didn’t need a chaperon, but it was just talk. He always helped me when it mattered. While we were waiting for Julie, I asked him about the one detail that was bothering me. “I’m supposed to meet her there,” I said. “Do I meet her inside the gym or outside?” “Do you have a date or not?” “More or less.” Jack grinned and shook his head. “Well, it’s not that simple,” I told him. “She can’t go out on dates, so she’s coming with her parents, and I’m supposed to meet her.” Jack broke out laughing. “You’re singing the freshman blues again, Eddie. Everything ends up half-baked.” “So where do I meet her on a half-baked date?” “Inside,” he said. “That way you won’t have to pay for her ticket.” “I don’t want to look like a cheapskate.” “Why hide the truth? Besides, her parents are bringing her, right? You don’t want to meet her father, do you?” “I don’t know.” “Look, he’ll just shake your hand and give you a dirty look. That’s what freshman girls’ fathers always do.” “Really?” “So save the hassle and the money. Wait inside.” I ended up waiting right inside the door. When Wendy and her father came in, she was careful to keep things looking casual. She pretended not to notice me at first, then said, “Oh, hi, Eddie,” and introduced me to her father as a boy in her algebra class. He shook my hand and gave me a dirty look. For a minute I thought the three of us would end up sitting together, but her father decided not to join us in the student rooting section. Wendy and I found an empty bench in the bleachers and were alone for twenty or thirty seconds before two of her friends came along, then three of mine. Then some friends of theirs. And finally Wayne Parks squeezed into a spot on the bench behind us. All through the game he kept leaning forward and making comments like “Where’s the ref keep his Seeing Eye dog during the game?” Even if Wendy and I hadn’t had an audience, we couldn’t have done much talking. During every time-out the Los Cedros Spirit Band, sitting three rows behind us, blasted us off the benches with fight songs. To top things off, Wendy’s father sat across the aisle and stared at us all night. And the Los Cedros Panthers blew a six-point lead in the final minute and lost the game at the buzzer. Before Wendy and I had our coats on, her father showed up beside us, mumbled, “Nice to meet you, Willy,” and led her away. The night could have been worse, I guess. I didn’t break an ankle or choke on my popcorn or rip my pants. But I had a hard time being thankful for those small favors.
P.J. Petersen (The Freshman Detective Blues)
Cleaning the bathroom for thirty minutes is unpleasant, but wouldn’t it be worse to spend a half hour cleaning a Sisyphean bathroom, one that stayed dirty no matter how much you scrubbed it?
Paul Bloom (The Sweet Spot: The Pleasures of Suffering and the Search for Meaning)
Staring into the naked orange flames of the firepit, naked flesh, naked Carrie Donaldson on the bare rug in exhausted, sated semi-sleep beside him, Jack Barron felt a carapace of image-history-skin encysting him like steel walls of a TV set, a creature imprisoned in the electronic circuitry of his own head perceiving through promptboard vidphone fleshless electronic speed of light ersatz senses, separated from the girl beside him by the phosphor-dot impenetrable glass TV screen Great Wall of China of his own image. First time I remember being blown feeling like wet put-down ugliness, he brooded. Ugly, he told himself, is a thing you feel — truth is ugly when it's a weapon, lie is beautiful when an act of love ugly when it's one-sided fuck is beautiful when it's simple, mutual, nobullshit balling, ugly when chick gets her kicks off you that really isn't there, is why you feel like a rotten lump of shit, man. Getting blown Sara go down being dug by woman's a pure gas; being sucked off, image-statue living lie, someone else's lie being eaten (Let me eat you, let me eat you, baby!) is a dirty act of plastic cannibalism, her dirtiness, not mine. Whole world's full of plastic cannibals feeding their own little bags off meals of my goddamned image-flesh, eating Jack Barron ghost that isn't there. And now Morris and my so-called friend Luke are hot to package my living-color bod into TV dinners, sell to hundred million viewer-voter cannibals for thirty pieces of power silver.
Norman Spinrad (Bug Jack Barron)
I’ve raised kids, so I know sometimes we can ask ourselves, “Why am I doing this, when it’s all going to be dirty again in about thirty seconds?” The mundane, repetitive work can start to feel meaningless. Rub some gospel hope into it. We’re showing our families the truth that Christ is the greatest cleaner of all, and he doesn’t give up on getting us purified.
Christy Fitzwater (Blameless: Living a Life Free from Guilt and Shame)
I can't help but wonder if it's because I'm a woman. I can't help but know the answer is yes.
Asa Akira (Dirty Thirty: A Memoir)
Do you know how much of the communications industry I have acquired? I’ve acquired more than twenty percent. With my silent partner, I own nearly thirty. You’re wondering why? Certainly families like Victra’s do not consider themselves dirtied by business. After all, the Julii have partaken in trade for centuries. But media is different for us. Slimy. Leave that to Quicksilver and his ilk. So why would someone with my lineage dirty his hands with it? Well, I want you to imagine media as a pipeline to a city in the desert. Our metaphorical desert. I can provide only thirty percent of the content of what comes through that pipeline, but I can affect one hundred percent of it. My water contaminates the rest. That is the nature of media. Do I want this city in the desert to hallucinate? Do I want its inhabitants to writhe in pain? Do I want them to rise up?” He sets his chopsticks down. “It all starts with what I want.
Pierce Brown (Red Rising Omnibus: Books 1-3)
All horrible at the time. Scary and confusing. Now just a part of my history. As it turns out, I’m resilient. Go figure.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
I’m over five and half feet tall and weigh about ten stone. My eyes are brown, hair black, and I forget the blood group. I used to be older than twenty but now I’m older than thirty. I’ve been called a crustacean, and too serious, but recently I was described by a dependable man as shrewd, obstinate and adequately intelligent. I was a writer once and now I’m a doctor, but I was advised to become these, I never wanted it. I’ve never wanted anything long. Except freedom.” There was a metallic rattle of laughter. Lanark said, “Yes, it’s a comic word. We’re all forced to define it in ways that make no sense to other people. But for me freedom is …” He thought for a while. “… life in a city near the sea or near the mountains where the sun shines for an average of half the day. My house would have a living room, big kitchen, bathroom and one bedroom for each of the family, and my work would be so engrossing that while I did it I would neither notice nor care if I was happy or sad. Perhaps I would be an official who kept useful services working properly. Or a designer of houses and roads for the city where I lived. When I grew old I would buy a cottage on an island or among the mountains—” “Dirty! Dirty! Dirty! Dirty!” said the voice on a low throb of rage. “Dirty bastards giving me a killer for a doctor!
Alasdair Gray (Lanark: A Life in Four Books)
I was sobbing when the car stopped to help me. Sobbing! It was horrible. Not my finest hour.” “What was your finest hour?” Lula asked. “I made popovers for a dinner party once and they were perfect,” Marjorie said.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
When you’re a clown you’re trying to entertain, to tell a story. And you’re in disguise. You aren’t yourself. You’re the clown. When you write a book it’s sort of the same thing. You give the world a piece of you. You write a story that you hope will entertain and enlighten.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
He had an epiphany. He almost died and when he came out of surgery, his first thought was that he was happy to be alive. He told me he didn’t need to be a slick jewel thief to feel alive. He said he just needed to breathe. Pretty fucking profound, right?
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
know a lot of people who participate. Most of them are in
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
Relief because it meant the girl I couldn’t stop thinking about was thinking about me, and my life, and my past, and my tours, and the shit that made me a thirty-five-year-old bachelor with a roommate and a season pass to Butterflyland.
Karissa Kinword (Christmas in Coconut Creek (Dirty Delta, #1))
Tucker doesn’t skip a beat. “Why, my dear Stella, I do believe thou havest a dirty side!” He smiles, leaning forward and follows with, “Don’t I get credit for that? No? Oh well. Now, as I was saying, not only are you surrounded by your dusty books, the fact that you’re an English major, I’ve seen you at the public library. I know for a fact that it takes you at least thirty minutes to decide what book to read next and often times you can’t decide so you read something you’ve already read.” He points at the open copy of Gone with the Wind and a huge cheesy grin spreads across his face, pleased with himself. “I’m done now by the way.
Jessica Danow (Providence in the Fall (Seasons Series Book 1))
God was given eyebrows, elbows, two kidneys, and a spleen. He stretched against the walls and floated in the amniotic fluids of his mother. God had come near… . The hands that first held him were unmanicured, calloused, and dirty. No silk. No ivory. No hype. No party. No hoopla. Were it not for the shepherds, there would have been no reception. And were it not for a group of star-gazers, there would have been no gifts… . For thirty-three years he would feel everything you and I have ever felt. He felt weak. He grew weary. He was afraid of failure. He was susceptible to wooing women. He got colds, burped, and had body odor. His feelings got hurt. His feet got tired. And his head ached. To think of Jesus in such a light is—well, it seems almost irreverent, doesn’t it? It’s not something we like to do; it’s uncomfortable. It is much easier to keep the humanity out of the incarnation. He’s easier to stomach that way… .
Anonymous (The Devotional Bible: Experiencing The Heart of Jesus (NCV))
And just like the Soviet Union bankrupted itself trying to keep up with the United States technologically, the West was almost there. Wars in Afghanistan and Iraq, plus an out of control security apparatus in most Western nations demanding more and more funding to protect against a perceived threat, had almost bankrupted the mighty Western economies. A few more attacks, each using different methods, would soon tip them over the edge, and into the abyss of a global Great Depression the likes the world had never seen. The Dirty Thirties were terrible, but people were never used to living well. A good life meant food on the table and a warm bed to sleep in. Now a good life meant two cars, a large house, multiple televisions, computers, cellphones, tablets, Internet, cable, restaurants and vacations. This time when the economy collapsed, they would have a hell of a time trying to get out of it. And Islam would continue to spread. Hassan knew their birthrate was two to three times that of the West, and they would eventually win. But in the meantime, the West would be looking for a way out of their economic calamity. And a way would be offered, by the military industrial complex and the security apparatus that had sprung up around 9/11. War.
J. Robert Kennedy (The Templar’s Relic (James Acton Thrillers, #4))
A lot of who you were in middle age was determined before you had a chance to manipulate, control, or eve understand the things around you. It was no mystery, he thought, why some old people's minds returned to their youth; the wonder of those years, the discoveries, the first experience with the dirty secret of death, and the first stirrings of lust and love were indelible, drawn in luminous colors on clean canvas. Indeed, the first sex act was so mind-boggling that most people could still remember it clearly twenty, thirty, sixty years later.
Nelson DeMille (Spencerville)
Wriggling out of his grasp she braced herself on his shoulders and tried to stand. Next thing she knew, he had her around the legs and took her down to the mattress in some sort of super-fast ninja move. She screamed and laughed, and he was laughing every bit as hard as he came down on top of her. And, oh God, his laughter was a sweet and sexy rumble that lit her up inside. “You fight dirty, Easy,” she said around her chuckles. “I haven’t had this much fun in so long.” She caressed his face with her fingers. “Me neither. Between overloading on classes and my epilepsy, I often feel like a little old lady trapped in the body of a twenty-year-old. All I need is some cats.” “Cats are awesome,” he said. “When I was a kid, I used to sneak stray cats into the house, just for a night or two. I’d keep them in my room and bring up bowls of milk and cans of tuna for them.” “Aw, you were a sweet little boy, weren’t you?” she asked, loving how he was opening up to her. The closeness, the sharing, the way his big body was lying on her legs and hips, leading him to prop his head up on her lower stomach—both her heart and her body reacted. “Maybe for about five minutes.” He winked. “Mostly, I was a hell-raiser. Growing up, we didn’t live in the best neighborhood. Drug dealers on the corner, gang activity trying to pull in even the younger kids, crack house one block over. All that. Trouble wasn’t hard to find.” He shrugged. “Army straightened me out, though.” “Well, we lived in a nice neighborhood growing up and here my father was the freaking drug dealer on the corner. Or close enough, anyway.” Jenna stared at the ceiling and shook her head. “Sorry, I didn’t mean to get serious.” His thumb stroked along her side, sliding the cotton of her borrowed shirt against her skin in a way that almost tickled. “Don’t apologize. Our histories are what they are, you know?” She nodded and gave him a little smile. “Yeah.” Shifting off her, Easy stretched out alongside her and propped his head up on his arm. “I’m thirty, Jenna,” he said out of nowhere. And he was telling her this because? He thought their age difference was too great? He thought she was too young? He was worried she would think he was too old? Probably D) all of the above. Thing was, all she saw when she looked at Easy was a guy she really freaking liked. One who’d saved her life, helped make her sister safe, and gave her a sense of security she hadn’t felt in years. He was hot as hell, easy to talk to, and one of the kindest guys she’d ever known. Maybe some of that was because he was older. Who knew? “And I need to know this because?” she asked, resting her head on her arm. The muscles of his shoulders lifted into a shrug, but his face was contemplative. “Because there’s clearly something going on between us.” Heat rushed across her body. She held up a hand, and he laced his fingers between hers. “When I look at you, I don’t see a bunch of differences, Easy.” “What do you see then?” Warmth flooded into Jenna’s cheeks, and she chuckled. He’d said that she was beautiful, after all, so why couldn’t she give him a compliment in return? “A really hot guy I’d like to get to know more.” A smug smile slipped onto his face, and she might’ve rolled her eyes if it weren’t so damn sexy. “Really hot, huh?” “Well, kinda hot, anyway.” “Nuh-uh,” he said, tugging her hand to his chest. “Can’t take it back now.” Cheeks burning and big smile threatening, she rolled onto her side to face him. They lay there, side by side, her chest almost touching his, looking at each other. Tension and desire and anticipation crackled in the space between them, making it hard to breathe. “What do you see when you look at me?” she whispered, half-afraid to ask but even more curious to hear what he’d say. Did he mostly see someone who was too young for him? Or a needy girl he had to save and babysit?
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
But logic never seems to get more than a few steps down the road in India before it stumbles into a pothole. While Vijay was happy enough to write off hundreds of millions of Muslims as sadists, he didn't seem to care enough to lift one finger to help the cow standing in front of us. She was busy spoiling potential clown acts by eating all the dropped banana skins on the street. But then while Vijay pontificated, she began to apply herself to the consumption of a plastic bag that had been dumped in the gutter. For some time the cows in Delhi and other Indian cities were found dead without any apparent cause of death. Upon investigative surgery it was found that their digestive systems had been clogged up with up to thirty kilos of plastic. Tens of thousands of evolution never required the cow to understand the difference between cabbage leaves and polythene. Until now.   But few Indian seem to see the incongruity of venerating the cow as the Holy Giver of Life and yet allowing her to die in pain by the roadside. Such a step would involve taking responsibility for the world around them. Perhaps it would even involve getting their hands dirty in work suitable only for the lower castes.
Tom Thumb (Hand to Mouth to India)
The building was a sniper’s heaven; it was long with dozens of windows and many points of view. Three floors. Someone had put cardboard in each of the panes, dozens of cardboard boxes, making it almost impossible to see inside. The marines kept firing, thousands and thousands of rounds. The barrels of their machine guns glowed and sagged. “Get me another barrel,” one of the kids said. More firing commenced. “I don’t know who he is, but he is very well trained,” said Lieutenant Steven Berch, another one of the platoon leaders. Omohundro was downstairs. He listened to the commotion and called in an airstrike. “Just blow the building to shit,” he said. First a 2,000 -pound bomb, then a 500 -pounder flew into the building and burst. A cloud unfolded upward and revealed a gigantic fire. It rose through the ruined ceiling. Part of a wall collapsed. Crack! Crack! Crack! The marines ducked, cursed loudly and returned fire. No one spotted the sniper this time. The sniper fired back. The marines responded with another blast of gunfire, many thousands of rounds. I stood with some guys at the back of the roof, behind a shed. A blue and green parakeet fluttered out of the sky and hovered in tight circles. Bullets flew past. The parakeet landed on a slumping power line. The marines stared in amazement. “Someone’s pet?” a marine said. I ran across the top of the roof and the sniper took a shot. Crack! The bullet whizzed by. An artillery barrage began. First came the 155 mm shells, each filled with fifty pounds of high explosives. One after the other the shells sailed into the building. Fire swept through the three floors. What was left of the ceiling collapsed in the smoke. Cardboard sailed out of shattered windows. Twenty shells, then thirty, each one large enough to end the world. The shelling ceased and the shooting stopped. The building burned. Remarkably it still had a frame, and parts of its three floors still stood. Suddenly a sound rustled from a storefront on the first floor. The marines tensed. A cat sauntered out, dirty yellow, tail in the air. It walked like a runway model in front of a construction site. “Can I shoot it, sir?” a marine asked his squad leader. “Absolutely not,” came the reply. Crack!
Dexter Filkins (The Forever War)
He raced to Marinella at breakneck speed, about fifty miles an hour for normal drivers. As he was passing through the village of Villaseta, a carabiniere with disc signals in hand, who’d probably been hiding behind a blade of grass, suddenly appeared in front of him, gesturing for him to stop. “License and registration.” “Why, may I ask?” “The speed limit in a residential area is thirty miles an hour. Everybody and their dog knows this.” The inspector’s irritation at this new delay and the use of a cliché triggered an unfortunate reply. “Why, don’t the cats and birds know it?” The carabiniere gave him a dirty look. “Trying to be funny, are we?” He couldn’t allow himself to get into an argument. The guy was liable to run him in, and that would be all for Angelica that night.
Anonymous
he'd replace the window, but the kid was sleeping in his room from now until she was thirty and married to a huge guy with ninja skills.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
Home at six AM. Is it still a walk of shame? I was shooting porn.
Asa Akira (Dirty Thirty: A Memoir)
Yes. Corey Feldman Lookalike was coming toward me. Corey Feldman Lookalike arrives in front of Asa. COREY FELDMAN LOOKALIKE Hi, I'm Corey Feldman.
Asa Akira (Dirty Thirty)
Listen, I have to tell you something.” Her drowsy eyes opened. “I don’t want to push you into anything, take your time about me, but you have to know—I feel pretty strongly about monogamy.” Her eyes widened. “You can’t think I’d be with another man! I wasn’t even going to be with you! But there is one thing you have to do for me,” she said. “Anything that makes you happy,” he promised. “I want this to be only between us.” “Sure. Of course. It’s personal. I agree.” “I don’t want anyone around here to know it’s like this between us. I just work for you, that’s all.” He frowned. “We don’t have to share our personal lives with anyone, but we don’t have to hide the fact that we care about each other.” “Yeah, we do, Noah. No one can know about this. About us.” “Ellie, why? Are you embarrassed to find yourself attracted to a man who’s a minister?” She laughed a little bit. “No. But no one would ever believe you seduced me. And you did, Noah. You did and I loved it. Not only are you the sexiest minister alive, you might be the sexiest man alive. But people will think I trapped you. They’ll think I ruined your purity and dirtied you up. And I don’t need that right now.” “Come on, you’re wrong…” “I’m right,” she said. “No matter how much I try to do the right thing, no matter how determined I am to do the right thing, everything that happens ends up being my fault. And when people around here find out you like me…they’re going to think I cast an evil spell on you and made you break your vows.” “Honey, I didn’t take a vow of chastity. I didn’t promise not to love a woman. I never said I wouldn’t have a perfectly normal sex drive. I’m not fifteen, Ellie, I’m thirty-five and I’ve missed passion. Passion and intimacy, two things that are really healthy for a normal man. Don’t argue with a man with seven years of theological training.” “People don’t get that about you like I do. They think of you as different. As a minister. Please, Noah. Let’s just act like I work for you, and that we’re casual friends.” “We can do that, if that’s what you need. Or we could change the way things have been for you. We could be honest without being indiscreet. We could hold hands, you could let me put my arm around your shoulders, smile at you like you’re special. Treat you like the woman of my choice while I enjoy being the man of yours.” “You don’t get it, do you, Noah?” she asked, shaking her head. “Don’t you see how fragile this is? How much hangs in the balance for both of us? At some point—maybe sooner, maybe later—the people here are going to figure me out. They’ll know I come from a dirt-poor background, that the men who gave me my children didn’t marry me, that I was a stripper when you hired me. What if they hate me? What if they treat my kids like trash because of me?” “I won’t let anyone—” “Don’t you see it’s your future in this town, too? What if they ask themselves what kind of minister you could be if you’d choose a woman like me? Oh, Noah,” she said, running her fingers through his thick, dark hair. “We’d get along okay in a bigger town where no one knows us all that well, where I’m not hooked up with the local preacher. But here—you and me? It could ruin us all.” “No,” he said, shaking his head. “It’s not going to be that way.” She smiled at him. “You’re just a fool,” she said. “It usually is that way.” He
Robyn Carr (Forbidden Falls)
In the old days [it ran], before the glorious Revolution, London was not the beautiful city that we know today. It was a dark, dirty, miserable place where hardly anybody had enough to eat and where hundreds and thousands of poor people had no boots on their feet and not even a roof to sleep under. Children no older than you are had to work twelve hours a day for cruel masters, who flogged them with whips if they worked too slowly and fed them on nothing but stale breadcrusts and water. But in among all this terrible poverty there were just a few great big beautiful houses that were lived in by rich men who had as many as thirty servants to look after them. These rich men were called capitalists. They were fat, ugly men with wicked faces, like the one in the picture on the opposite page. You can see that he is dressed in a long black coat which was called a frock coat, and a queer, shiny hat shaped like a stovepipe, which was called a top hat. This was the uniform of the capitalists, and no one else was allowed to wear it. The capitalists owned everything in the world, and everyone else was their slave. They owned all the land, all the houses, all the factories, and all the money. If anyone disobeyed them they could throw him into prison, or they could take his job away and starve him to death. When any ordinary person spoke to a capitalist he had to cringe and bow to him, and take off his cap and address him as “Sir.” The chief of all the capitalists was called the King, and—
George Orwell (1984)
It has some appeal but don’t think for too long. The amorous stage of inebriation has a short shelf life for me.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
Who else in our culture is ordering their days in both the mundane and the sacred? Not only are moms at home fulfilling the ancient ideal of scholé, they are also fulfilling the sacred life of order and worship found in monasteries all across medieval Europe. That dirty diaper is an icon to the lowly way you have chosen, the giving and caring for life created by God Himself. No wonder you are scorned and derided by our culture. You are a seriously dangerous threat to the status quo. The iconoclasts don’t want your dirty diapers, or your sweet babies, or your ordered days. They will exchange all of that for thirty pieces of silver, which you can then use to buy some of that stuff you saw on Pinterest or Instagram
Cindy Rollins (Beyond Mere Motherhood: Moms Are People Too)
I, June Hayes, relinquish custody of my daughter Olivia Hayes to her biological father, Fitzgerald O’Henry Conroy. THIRTY-NINE ED WATCHED MARGOT’S FACE INTENTLY AS KITTY FINISHED catching her up on everything that had happened in the last week: the copycat DGM, Rex’s death, a half dozen or so missing persons, and the bombshell revelation that Christopher Beeman was dead.
Gretchen McNeil (Get Dirty (Don't Get Mad, #2))
Take the architectural legacy of Bucharest: Byzantine, Brâncoveanu, Ottoman, Renaissance, Venetian Classical, French Baroque, Austrian Secession, Art Deco, and Modernist, all writhing and struggling to break free of a dirty gray sea of pillbox Stalinism, like Michelangelo’s Unfinished Slaves struggling to break free of their marble blocks.
Robert D. Kaplan (In Europe's Shadow: Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond)
here I was, at thirty-eight years old
Jade West (Teach Me Dirty)
Why am I doing this, when it’s all going to be dirty again in about thirty seconds?” The mundane, repetitive work can start to feel meaningless. Rub some gospel hope into it. We’re showing our families the truth that Christ is the greatest cleaner of all, and he doesn’t give up on getting us purified.
Christy Fitzwater (Keeping House: A 30-Day Meditation on the Value of Housekeeping)
What would your last meal be?" I asked suddenly. That was a night when I thought it would be all right if my life ended. "A really long omikase. Like at least thirty-four courses. I want Yesuda to cook them himself. He puts the soy sauce on with a paintbrush." "Salmon pastrami from Russ and Daughters. A ton of bagels. Like three bagels." "In-N-Out double double." "I'm thinking about a Barolo, something really ripe and dirty, like from the eighties." "ShackBurger and a milk shake." "My mom's was veal scallopini and a Diet Coke." "Nonna's Bolognese----it takes eight hours. She makes the pappardelle by hand." "A roast chicken---I would eat the entire thing by hand. And I guess a DRC. When else would I taste that kind of Burgundy?" "Blinis, caviar, and crème fraîche. Done and done. Some impossible Champagne, Krug, or a culty one like the Selosse, drunk out of the bottle." "Toast," I said, when my turn came. I tried to think of something more glamorous, but toast was the truth. I expected to be mocked. My suburban-ness, my stupidity, my blankness. "What on top?" "Um. Peanut butter. The raw kind you get from the health-food stores. I salt it myself.
Stephanie Danler (Sweetbitter)
I used to buy everything,” Gloria said, “and then one day I found out that I could simply take what I wanted. It’s much better than buying. They run a little bus once a week to the mall and we get to shop around for an hour or two and then the bus brings us back here. It’s very pleasant.” “That’s stealing,” Lula said. “Not stealing,” Gloria said. “It’s shoplifting, and if you’re a senior or destitute, it falls into the RAM program. Redistribution of Available Merchandise. It supplements Social Security and Medicare. It’s an entitlement program.” “I never heard of that program,” Lula said, “but I know a lot of people who participate. Most of them are in jail.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
At five thirty my mom, Grandma, Bob, and I were parked half a block away from the Manley house. We had three large Pino’s pizzas. One with the works. One with barbecued chicken. One with sausage and no onions for Bob. We didn’t get drinks because we couldn’t pee in a jelly jar like guys do on stakeouts. “I’ve got a good feeling about this,” Grandma said. “I think Nutsy’s going to show up. He knows
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
it’s meat loaf night and he’s probably under a lot of stress, and there’s nothing better for stress than meat loaf. It’s comfort food. There would be less of a problem with drugs in this country if people ate more meat loaf.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
The next time we heard the navigation lady’s voice, she told me to merge onto I-95 North. “Continue on I-95 for eighty miles,” she said. “Omigod,” Lula said. “Eighty miles. Do you know how far eighty miles is? It’s freaking far. It’s forever. Just shoot me. Get it over with. Make this misery end. I can’t feel my legs anymore. I’m numb from the waist down. I wasn’t meant to sit. I’m one of those women who’s gotta go. I’m a mover. Let me out of this car and I’ll walk the rest of the way. Oh crap. I can’t do that. My extremities are dead. I’m a cripple.” “Look on the bright side,” I said. “When we get back to Trenton you can get a handicap sticker for your car.” “I always wanted one of those,” Lula said. “You get good parking spaces. A handicap sticker is worth gold.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
The bail bonds office and the medical center are on the fringe of the Burg. I grew up in the Burg and my parents still live there. It’s a residential chunk of South Trenton clinging to Hamilton Avenue, Chambers Street, and Liberty Street. Houses and yards are small. Televisions are large. Secrets are nonexistent. A few people cheat on their taxes but it’s okay because they’re grandfathered into the mob.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
My mom wishes I had a more boring history. She’s been given the role of Family Adult in Charge of Worrying. It’s not a job I’d want, but my mom is pretty good at it. When the job is overwhelming, she goes to Jim Beam for help.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
saw you in the street when Duncan fell off the ledge.” “We’re friends. We used to work together at the button factory, but I got fired. Duncan fired me. I missed too many irregular buttons.” “But you were still friends?” “He was right. I didn’t have what it takes to sort buttons. I’m one of those good enough people and buttons have to be perfect.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
I got behind the wheel and looked over at Lula. “Are you okay?” “I didn’t have any antihistamine, but I found some Tic Tacs. I think they’re helping.” “Do you want to go to the ER?” “No. I’m starting to feel better. I’m just gonna roll my window down and get some air.” “Maybe you had a panic attack.” “No way. People of my persuasion don’t get panic attacks,” Lula said. “What’s your persuasion?” “I’m big and bold. I used to be Presbyterian, but I decided to change over when I was in high school.” “So big and bold is like a religion?” “You bet your ass,” Lula said. “It’s a belief, you see what I’m saying?” “What about God?” “I’m pretty sure he’s big and bold,” Lula said. “He’d have to be in order to take care of the universe, not to mention everything else that’s going on.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
I handed Bob over to Hal. “Behave yourself,” I said to Bob. “Don’t worry,” Hal said to me. “We’ll take good care of him. I’ve got two dogs of my own.” “What kind of dogs do you have?” I asked him. “Chihuahuas. Mindy and Killer.” Hal was built like a rhinoceros and was the size of a stegosaurus. He barely fit in the Explorer. Hal walking down the street with a Chihuahua on a leash would stop traffic. It would cause chaos. There would be laughter-induced medical emergencies.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
You have to worry about your own sanity when Lula’s rantings start to make sense,” Connie said.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
Here’s the thing. We all have skills, and we have an obligation to use them to the best of our ability. Some people are whizzes with math. Some people are musical prodigies. Some people can bake cakes. Some people can change a tire. Lula has breasts.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))
We live in a world where “boredom” is a dirty word, and people often compete to see who’s busier, as if their sense of self-worth could be measured by how little time they have. This hyperproductivity trickles down to our kids. Think of your typical American family driving somewhere in the car: the kids want to listen to something, watch something, or play a game. They’ve forgotten how to look out the window, chitchat, or daydream. Psychologist Adam Cox noted that whereas fifty years ago kids might be bored after a couple of hours with nothing to do, nowadays kids become bored after thirty seconds, while most adults feel the need to check their phones in the four seconds it takes to slow down and stop at a stop sign.9 Boredom is unsettling for hyperstimulated teens, whereas the “chaos of constant connection is soothingly familiar.
William Stixrud (The Self-Driven Child: The Science and Sense of Giving Your Kids More Control Over Their Lives)
She’s been given the role of Family Adult in Charge of Worrying. It’s not a job I’d want, but my mom is pretty good at it.
Janet Evanovich (Dirty Thirty (Stephanie Plum #30))