Dirty Linen Quotes

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Always this same morbid interest in other people and their doings, their privacies, their dirty linen, always this air of alertness for personal happenings, personalities, personalities, personalities. Always this subtle criticism and appraisal of other people, this analysis of other people’s motives. If anatomy presupposes a corpse, then psychology presupposes a world of corpses. Personalities, which means personal criticism and analysis, presuppose a whole world laboratory of human psyches waiting to be vivisected. If you cut a thing up, of course it will smell. Hence, nothing raises such an infernal stink, at last, as human psychology.
D.H. Lawrence
If something bad smells in the basement, it will eventually make its way to the attic.
Anthony Liccione
Parent power is not a sign of democracy, it is a sign of barbarism. We are to regard education as a service industry, like a laundry, parents are the customers, teachers the washers, children the dirty linen. Oh dear, oh dear, oh dear. And what in the name of boiling hell do parents know about education? How many educated people are there in the world? I could name seventeen or eighteen.
Stephen Fry (Paperweight)
I wonder if he would love me if he could see inside my head, the pettiness, the dirty linen of my thoughts, the terrible things that I have done.
Miranda Cowley Heller (The Paper Palace)
What is a throne? — a bit of wood gilded and covered in velvet. I am the state— I alone am here the representative of the people. Even if I had done wrong you should not have reproached me in public—people wash their dirty linen at home. France has more need of me than I of France.
Napoléon Bonaparte
How many'd we do?" is the question frequently asked at the end of the shift, when the cooks collapse onto flour sacks and milk crates and piles of dirty linen, smoking their cigarettes, drinking their shift cocktails,
Anthony Bourdain (The Nasty Bits: Collected Varietal Cuts, Usable Trim, Scraps, and Bones)
I wonder if he would love me if he could see inside my head-the pettiness, the dirty linen of my thoughts, the terrible things I have done.
Miranda Cowley Heller (The Paper Palace)
He thought of how when you went out and listened to what people said, you heard all kinds of things, people washing their dirty linen in public, talking about friends and business and,gash, and it made him think how the world must be, at every minute, so full of people fighting, and jazzing, and dying, and working, and losing jobs, and it was a funny world, all right, full of funny people, millions of them. And he was only one out of all these millions of people, and they were all trying to get along, and many of them had gotten farther than he.
James T. Farrell (Studs Lonigan)
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.
Bram Stoker (Dracula)
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On
Bram Stoker (Dracula)
What they did not know was that she chafed at the never-endingness of it. No sooner had she cleaned one surface than it was dirty again. Clothes, even those barely worn, found themselves in crumpled heaps in linen baskets so that she yelled at Kitty and Thierry, hating her shrewish voice. Once, bored to within an inch of her sanity by the act of hanging out yet another lineful, she had simply turned, dropped the basket and walked straight into the lake, pausing only to remove her shoes. The water had been so shockingly cold that it had knocked the breath from her chest, and left her laughing for the sheer joy of feeling something.
Jojo Moyes (Night Music)
I sort through piles of sheets with gloved hands. The dirties are brought down by orderlies, morenas mostly. I never see the sick; they visit me through the stains and marks they leave on the sheets, the alphabet of the sick and dying. A lot of the time the stains are too deep and I have to throw these linens in the special hamper. One of the girls from Baitoa tells me she’s heard that everything in the hamper gets incinerated. Because of the sida, she whispers. Sometimes the stains are rusty and old and sometimes the blood smells sharp as rain. You’d think, given the blood we see, that there’s a great war going on out in the world. Just
Junot Díaz (This Is How You Lose Her)
I glanced back down at my bathing suit, thought about my house, the dirty dishes in the sink, my tampon box on top of the toilet, the remnants of Ben’s and my mani-pedi party still on the coffee table, mail scattered on the table… this was bad. I took off running, the white-linen-panted gay close on my water-pruned heels.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
also by the same author ROSENCRANTZ AND GUILDENSTERN ARE DEAD THE REAL INSPECTOR HOUND ENTER A FREE MAN AFTER MAGRITTE JUMPERS TRAVESTIES DIRTY LINEN AND NEW-FOUND-LAND NIGHT AND DAY DOGG’S HAMLET, CAHOOT’S MACBETH ROUGH CROSSING and ON THE RAZZLE (adapted from Ferenc Molnár’s Play at the Castle and Johann Nestroy’s Einen Jux will er sich machen) THE REAL THING THE DOG IT WAS THAT DIED AND OTHER PLAYS SQUARING THE CIRCLE with EVERY GOOD BOY DESERVES FAVOUR and PROFESSIONAL FOUL HAPGOOD DALLIANCE AND UNDISCOVERED COUNTRY (a version of Arthur Schintzler’s Das weite Land) ARCADIA INDIAN INK (an adaptation of In the Native State) THE INVENTION OF LOVE
Tom Stoppard (The Real Inspector Hound and Other Plays (Tom Stoppard))
Years later, a different therapist asked her exactly what she was afraid of. Varya was initially stumped, not because she didn’t know what she was afraid of but because it was harder to think of what she wasn’t. “So give me some examples,” said the therapist, and that night Varya made a list. Cancer. Climate change. Being the victim of a car crash. Being the cause of a car crash. (There was a period when the thought of killing a bicyclist while making a right turn caused Vaya to follow any bicyclist for blocks, checking again and again to make sure she hadn’t.) Gunmen, Plane crashes – sudden doom! People wearing Band-Aids. AIDS ¬¬- really, all types of viruses and bacteria and disease. Infecting someone else. Dirty surfaces, soiled linens, bodily secretions. Drugstores and pharmacies. Ticks and bedbugs and lice. Chemicals. The homeless. Crowds. Uncertainty and risk and open-ended endings. Responsibility and guilt. She is even afraid of her own mind. She is afraid of its power, of what it does to her.
Chloe Benjamin (The Immortalists)
481 I went into the barbershop as usual, with the pleasant sensation of entering a familiar place, easily and naturally. New things are distressing to my sensibility; I’m at ease only in places where I’ve already been. After I’d sat down in the chair, I happened to ask the young barber, occupied in fastening a clean, cool cloth around my neck, about his older colleague from the chair to the right, a spry fellow who had been sick. I didn’t ask this because I felt obliged to ask something; it was the place and my memory that sparked the question. ‘He passed away yesterday,’ flatly answered the barber’s voice behind me and the linen cloth as his fingers withdrew from the final tuck of the cloth in between my shirt collar and my neck. The whole of my irrational good mood abruptly died, like the eternally missing barber from the adjacent chair. A chill swept over all my thoughts. I said nothing. Nostalgia! I even feel it for people and things that were nothing to me, because time’s fleeing is for me an anguish, and life’s mystery is a torture. Faces I habitually see on my habitual streets – if I stop seeing them I become sad. And they were nothing to me, except perhaps the symbol of all of life. The nondescript old man with dirty gaiters who often crossed my path at nine-thirty in the morning… The crippled seller of lottery tickets who would pester me in vain… The round and ruddy old man smoking a cigar at the door of the tobacco shop… The pale tobacco shop owner… What has happened to them all, who because I regularly saw them were a part of my life? Tomorrow I too will vanish from the Rua da Prata, the Rua dos Douradores, the Rua dos Fanqueiros. Tomorrow I too – I this soul that feels and thinks, this universe I am for myself – yes, tomorrow I too will be the one who no longer walks these streets, whom others will vaguely evoke with a ‘What’s become of him?’. And everything I’ve done, everything I’ve felt and everything I’ve lived will amount merely to one less passer-by on the everyday streets of some city or other.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
He waked up late next day after a broken sleep. But his sleep had not refreshed him; he waked up bilious, irritable, ill-tempered, and looked with hatred at his room. It was a tiny cupboard of a room about six paces in length. It had a poverty-stricken appearance with its dusty yellow paper peeling off the walls, and it was so low-pitched that a man of more than average height was ill at ease in it and felt every moment that he would knock his head against the ceiling. The furniture was in keeping with the room: there were three old chairs, rather rickety; a painted table in the corner on which lay a few manuscripts and books; the dust that lay thick upon them showed that they had been long untouched. A big clumsy sofa occupied almost the whole of one wall and half the floor space of the room; it was once covered with chintz, but was now in rags and served Raskolnikov as a bed. Often he went to sleep on it, as he was, without undressing, without sheets, wrapped in his old student's overcoat, with his head on one little pillow, under which he heaped up all the linen he had, clean and dirty, by way of a bolster. A little table stood in front of the sofa.
Fyodor Dostoevsky (Crime and Punishment)
He did not know how much time passed. He got up, ripped the canvas off the frame, threw it into a corner, and put on a new one. He mixed some paints, sat down, and began work. One starts with a hopeless struggle to follow nature, and everything goes wrong; one ends by calmly creating from one’s palette, and nature agrees with it and follows. On croit que j’imagine—ce n’est pas vrai—je me souviens. It was just as Pietersen had told him in Brussels; he had been too close to his models. He had not been able to get a perspective. He had been pouring himself into the mould of nature; now he poured nature into the mould of himself. He painted the whole thing in the colour of a good, dusty, unpeeled potato. There was the dirty, linen table cloth, the smoky wall, the lamp hanging down from the rough rafters, Stien serving her father with steamed potatoes, the mother pouring the black coffee, the brother lifting a cup to his lips, and on all their faces the calm, patient acceptance of the eternal order of things. The sun rose and a bit of light peered into the storeroom window. Vincent got up from his stool. He felt perfectly calm and peaceful. The twelve days’ excitement was gone. He looked at his work. It reeked of bacon, smoke, and potato steam. He smiled. He had painted his Angelus. He had captured that which does not pass in that which passes. The Brabant peasant would never die.
Irving Stone (Lust For Life)
Cancer. Climate change. Being the victim of a car crash. Being the cause of a car crash. (There was a period when the thought of killing a bicyclist while making a right turn caused Varya to follow any bicyclist for blocks, checking again and again to make sure she hadn't.) Gunmen. Plane crashes--- sudden doom! People wearing Band-Aids. AIDS----really, all types of viruses and bacteria and disease. Infecting someone else. Dirty surfaces, soiled linens, bodily secretions. Drugstores and pharmacies. Ticks and bedbugs and lice. Chemicals. The homeless. Crowds. Uncertainty and risk and open-ended endings. Responsibility and guilt. She is even afraid of her own mind. She is afraid of it's power, of what it does to her.
Chloe Benjamin (The Immortalists)
For the duration of the war, American surgery remained crude, and wound infections spread unchecked. The bullet-riddled arms and legs of more than thirty thousand Union soldiers were amputated by battlefield surgeons, many of whom had little or no experience of treating trauma patients. Knives and saws were wiped free of gore with nothing more than dirty rags, if at all. Surgeons never washed their hands and were often covered in the blood and guts of previous patients at the commencement of a new operation. When linen and cotton were scarce, army surgeons used cold, damp earth to pack open wounds. When these wounds inevitably began to suppurate, they were praised for their laudable pus. Many surgeons had never even witnessed a major amputation or treated gunshot wounds when they joined their regiments, much to the detriment of those who fell under their care.
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
have access to all our dirty linen.
Karen Miller (STARGATE SG-1: Do No Harm)
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Angry tears stung her eyes. Tension built and boiled inside her. Her cheeks grew hot with suppressed anger, her movements became jerky and abrupt. She shoved an errant strand of hair out of her face, stormed to the washstand — And collided with her husband. He had been coming toward her with a piece of wet linen and a bowl half-filled with water. As he and Juliet bounced off each other, some of the water spilled onto the carpet, the rest down the front of his waistcoat. Ignoring it, Gareth held out the damp rag like a truce offering. "Here." "What's that for?" "She needs washing, doesn't she?" "What do you know about babies?" "Come now, Juliet. I am not entirely lacking in common sense." "I wonder," she muttered, spitefully. He summoned a polite though confused smile — and that only stoked Juliet's temper all the more. She did not want him to be such a gentleman, damn it!  She wanted a good, out-and-out row with him. She wanted to tell him just what she thought of him, of his reckless spending, of his carefree attitude toward serious matters. Oh, why hadn't she married someone like Charles — someone capable, competent, and mature? "What is wrong, Juliet?" "Everything!" she fumed. She plunged the linen in the bowl of water and began swabbing Charlotte's bottom. "I think Perry was right. We should go straight back to your brother, the duke." "You should not listen to Perry." "Why not? He's got more sense than you and the rest of your friends combined. We haven't even been married a day, and already it's obvious that you're hopelessly out of your element. You have no idea what to do with a wife and daughter. You have no idea where to go, how to support us — nothing. Yet you had to come charging after us, the noble rescuer who just had to save the day. I'll bet you didn't give any thought at all to what to do with us afterward, did you? Oh!  Do you always act before thinking? Do you?" He looked at her for a moment, brows raised, stunned by the force of her attack. Then he said dryly, "My dear, if you'll recall, that particular character defect saved your life. Not to mention the lives of the other people on that stagecoach." "So it did, but it's not going to feed us or find us a place to live!"  She lifted Charlotte's bottom, pinned a clean napkin around the baby's hips, and soaped and rinsed her hands. "I still cannot believe how much money you tossed away on a marriage license, no, a bribe, this morning, nor how annoyed you still seem to be that we didn't waste God-knows-how-much on a hotel tonight. You seem to have no concept of money's value, and at the rate you're going, we're going to have to throw ourselves on the mercy of the local parish or go begging in the street just to put food in our bellies!" "Don't be ridiculous. That would never happen." "Why wouldn't it?" "Juliet, my brother is the Duke of Blackheath. My family is one of the oldest and richest in all of England. We are not going to starve, I can assure you." "What do you plan to do, then, work for a living? Get those pampered, lily-white hands of yours dirty and calloused?
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
I can think of many things I’d like to do to you. All night and all day.” Julian grinned, and with the light from the fire dancing on the side of his face, he looked like a little demon who’d somehow entered into the human world to seduce Evan. With the waistcoat taken off, Julian pushed his hands under Evan’s shirt and trailed his fingertips over his stomach, then up his chest, swirling them through the short body hair that stuck to the damp linen. “What kind of things?” Evan flexed his muscles and straightened up as Julian peeled the soaked shirt off him. “Deliciously dirty things. Whatever you wish, and whatever you allow.
K.A. Merikan (The Black Sheep and The Rotten Apple)
not how Washington works. Nobody washes their dirty linen in public. So you need some other outsider. And you’ve got two of them sitting right in front of you.
Lee Child (Without Fail (Jack Reacher, #6))
They get to pick the question. You get to pick the answer. 2. You don’t have to answer any question you don’t want to. 3. Never lie or dissemble, of course; but beware of being too candid or open. 4. Never answer hypothetical questions about the future. 5. Never reveal the private advice you have given your superiors. 6. Answers should be directed to the message you want readers/viewers to get. The interviewers are not your audience. 7. They’re doing their job. You’re doing yours. But you’re the only one at risk. 8. Don’t predict or speculate about future events. 9. Beware slang or one-liners unless you are consciously trying to produce a sound bite. 10. Don’t wash dirty linen. 11. Do not answer any question containing a premise you disagree with. 12. Don’t push yourself or be pushed into an answer you don’t want to give. 13. If trapped, be vague and mumble. 14. Never cough or shift your feet.
Colin Powell (It Worked for Me: In Life and Leadership)
Birds have nests Even the ants too Cows live in a pen Even the hogs do Dogs have their kennels And the roaming fowls, their roost The spider weaves a knot of webs and calls it home Flocks migrate seasonally So they may have a place to call home You see, the home is the nucleus of a society And is a right A God given innate right That need not be taught Fowls, beasts, insects, hedgehogs Rabbits and bears were not schooled Yet, they know the foundation Of building a society, a home People were battered, conquered Their habitats destroyed, stolen and possessed The loot fattened conquerors laughed and were merry “Ha, Ha, Ha, what a loot,” they toot Has this habit been buried and goodbyes read? Or is it camouflaged under a piece of linen? Crowing hellos every morning This habit is rampant and purposefully legalized Operating under a camouflaged linen Conquerors, shouting hypocritical hellos daily Destroying the nucleus of society, the home Bank of America is one such culprit operating Under such names as Specialized Loan Services Taking people’s homes, relegating them To less than dogs and insects How dare this facetious beast Continue its rampage of destruction? Having their helpless cronies do their dirty work? Whilst they appear as shining glory? How dare you? Hasten to make right your wrongs! Or May you find peace in Hell’s bosom May your deficit grow higher than Mount Everest May you be taken over by a conglomerate May your gains be eroded like sand pebbles May you never break even or see a profit May all your spoils be dragged from under your feet
Maisie Aletha Smikle
My old mum used to say you should never air your dirty linen in public because people will pass judgement on you and you carry those judgements with you for the rest of your life.
J.M. Dalgliesh (Kill Them Cold (Hidden Norfolk #7))
But what did he know? What did he really know about the filth, the stench that permeated every pore? He'd seen it of course, they all had. Some of them had been taken there in the early days, others had seen the newsreels. No amount of soap and water could ever cleanse those memories. That's why even now, even though she is in her early nineties, she has to scrub her nails clean, polish every stick of furniture, sweep every inch of floor and constantly wash clothes and linen. You could never be too clean, but being dirty is another matter. Diseases and death are the consequences of dirt
Suzanne Goldring (The Woman Outside The Walls)
I was afraid my mother would ask me why my period was late. I was sure she kept an eye on my underwear as she sorted through the dirty linen I would bring her once a month.
Annie Ernaux (Happening)
It worried me, this covering of couches. What could be so frightfully dirty that fourteen layers of linens were needed to cover it? Sensing this could be a test, I shifted slightly to see if someone might have placed a pea somewhere under the cushion that I was supposed to feel with my behind. Nothing. I guess I'll never be a princess.
Gregory S. Williams (Fatal Indemnity)
He had brought his bone saw in its leather case. And his white linen smock, the one he used to save his clothes when he had dirty work in store, and would have Li Chang wash and bleach after. An amputation would be the dirtiest work there was. He remembered the smocks the surgeons wore, layer on layer of red, dried blood darker under fresh red splashes, with the occasional white splinter of bone. Joshua prayed as he rode, prayed hard and desperately, prayed that the smock in his bag would be clean and white when he turned homeward.
Karen A. Wyle (What Heals the Heart (Cowbird Creek, #1))
10 Items People Forget To Pack When Moving Into A New Home Moving into a new home with your family is the world’s happiest thing. In the excitement of shifting from an old house to a new one, people often forget some of the most obvious and essential items. In this article, I am listing down the 10 most essential items people forget to buy or pack when moving into a new home. Let’s get started. 10 Items People Forget To Pack When Moving Into A New Home 1. Smart Door Lock – This should be your number one priority especially if you have kids and pets. Buy the best smart door lock to keep your loved ones safe. 2. Laundry Basket – Yes, one of the most obvious things that you forgot to pack. This is the last thing that comes to mind when packing, and sometimes it’s completely missed. 3. Extra Bulb – Always keep an extra bulb with you even if all the bulbs in your new home are working fine. You never know when you might need one. 4. Drapes & Curtains – This will help you keep your windows covered if you do not want neighbors peeping inside your home. 5. Extension Cord – Not all your electronic appliances will have long cords. It’s best to have an extension cord handy so that you do not struggle to operate your home and kitchen appliances. 6. Ladder – Reaching your attic or storage space to store your belongings will be easy if you have a ladder with you. 7. Home Cleaning Essentials – Some areas of your home might need cleaning as soon as you shift, especially your living room where you will first gather all your packed stuff to starting arranging them in their correct places. This is when you will need cleaning supplies so that your new home doesn’t look dirty. 8. Wardrobe Hanger – The wardrobe hanger will help you arrange your clothes in a neat manner and will take less space so that you can accommodate more. 9. Kitchen Linens – If you love to walk into a clean kitchen this is a must-have item and you should not forget to pack these. 10. Flashlight – You never know when you might have to use a flashlight so it’s best to have one or two of these handy.
saneidea
When you give up, you remove the block you’ve placed on God. It’s like placing a Do Not Disturb sign on your hotel room door. As long as the sign is there, the housekeeper, whose job it is to clean, can’t come in and do what he or she has a responsibility to do. But when you remove the sign, the housekeeper is then able to come in; remove the trash, change the dirty linens and make your room habitable again.
Lakisha Johnson (Dear God: Hear My Prayer)
customer behind. It was getting dark now and she’d forgotten how much colder England was than Italy. Shivering and hungry, she asked directions from person after person in the crowds swarming past. Eventually she found it. Carla stared with distaste at the dirty concrete building with peeling green paint on the door. Two girls came out, arm in arm, wearing tights with big, glaring holes in them. Over the tights were denim shorts. Smoothing down the neat cream linen jacket that Mamma had made specially for the trip, Carla went in. “I have booked a room,” she said politely
Jane Corry (My Husband's Wife)
When I was a little older, about twelve, I went to work at a nearby house. It was owned by old Mrs. Cromby and oh, I was so homesick! I cried myself to sleep for a fortnight it seemed, until it was my day off and I could go home to see Mam." He frowned at this, not liking to think of his infant housekeeper in tears. "Why did they send you then if you were so upset?" She gave him a look. "Because I needed to learn a trade, naturally. And it was a good position. Mrs. Cromby was very strict but I learned so much from her and her housekeeper, Mrs. Little. How to keep records and how to make wood polish and brass polish and silver polish. When to turn linen and how to store cheese. What cuts of beef are the cheapest and how to bargain down the butcher. How to judge when a fish is fresh and when to buy shellfish and when not to. How to keep moths from woolen and mice from the pantry. How to get wine stains out of white linen and how to dye faded cloth black again. All that and so much more." She drew breath and he looked at her, deeply appalled. "That all sounds frightfully boring." "And yet without that knowledge you'd live in dirty, messy, vermin-infested chaos," she said sweetly. "Mm.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))