Dirt Racing Quotes

We've searched our database for all the quotes and captions related to Dirt Racing. Here they are! All 100 of them:

All I know is that when I whisper to dirt, my conversations are less than meaningful.
Maggie Stiefvater (The Scorpio Races)
Where will you and Corr be?" I ask. Sean presses two fingers along the edge of the counter sweeping crumbs into a pile. I notice that his fingers are permanently dirt-stained like mine. He says," Right next to you and Dove." I stare at him. "You can't risk not winning. Not because of me." Sean doesn't lift his eye from the counter. "We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he's done it before. It's one side you don't have to worry about.
Maggie Stiefvater (The Scorpio Races)
Is anyone anywhere happy? No, not unless they are living in a dream or in an artifice that they or someone else has made. For a time I was lulled in the arms of a blind organism with breasts full of champagne and nipples made of caviar. I thought she was true, and that the true was the beautiful. But the true is the ugly mixed up everywhere, like a peck of dirt scattered through your life. The true is that there is no security, no artifice to stop the unsavory changes, the rat race, the death unwish - the winged chariot, the horns and the motors, the Devil in the clock. Love is a desperate artifice to take the place of those two original parents who turned out not to be omnisciently right gods, but a rather pedestrian pair of muddled suburbanites who, no matter how bumbling they tried, never could quite understand how or why you grew up to your 21st birthday.
Sylvia Plath
I hate studying and I hate partying. But I'm okay with motocross. And muscles. Motocross and Muscles. Now that should be a Lifetime movie.
Cheyanne Young (Motocross Me)
If you meet the darkest moment of life, strive valiantly through it with courage and never retreat, for you shall surely meet light afterwards. If you meet the muddy stream of life, swim across it with tenacity to the very end for there is a clearer stream that shall wash your dirt away afterwards. If all people reject you in the mid of the arduous race of life, dare to smile and move on for there are people who await you to embrace you in the end
Ernest Agyemang Yeboah
Man is made of dirt - I saw him made. I am not made of dirt. Man is a museum of diseases, a home of impurities; he comes to-day and is gone tomorrow; he begins as dirt and departs as stench; I am of the aristocracy of the Imperishables. And man has the Moral Sense. You understand? He has the Moral Sense. That would seem to be difference enough between us, all by itself." "I know your race. It is made up of sheep. It is governed by minorities, seldom or never by majorities. It suppresses its feelings and its beliefs and follows the handful that makes the most noise. Sometimes the noisy handful is right, sometimes wrong; but no matter, the crowd follows it.
Mark Twain (The Mysterious Stranger and Other Stories)
A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he i A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he is still racing. He is still alive
Garth Stein (The Art of Racing in the Rain)
I’ll wait. I’ll wait forever. I’ll die waiting, holding your hand and watching you sleep. If that’s all I get, fine, I’m gonna hold the hell out of your hand.
P. Jameson (Racing the Beast (Dirt Track Dogs, #2))
I don't..." He gasps. "I don't really want to talk about it anymore." "Okay.Then...I can talk. Ask me something." "Okay." He laughs shakily in my ear. "Why is your heart racing, Tris?" I cringe and say, "Well,I..." I search for an excuse that doesn't involve his arms being around me. "I barely know you." Not good enough. "I barely know you and I'm crammed against you in a box,Four,what do you think?" "If we were in your fear landscape," he says, "would I be in it?" "I'm not afraid of you." "Of course you're not.But that's not what I meant." He laughs again,and when he does,the walls break apart with a crack and fall away,leaving us in a circle of light. Four sighs and lifts his arms from my body. I scramble to my feet and brush myself off,though I haven't accumulated any dirt that I'm aware of. I wipe my palms on my jeans. My back feels cold from the sudden absence of him. He stands in front of me. He's grinning, and I'm not sure I like the look in his eyes. "Maybe you were cut out for Candor," he says, "because you're a terrible liar.
Veronica Roth (Divergent (Divergent, #1))
Where I craved stillness in written words or in the dirt or in church, they longed to be side by side, racing and chasing and crowding each other, only able to breathe if their lungs were burning.
Anna Bright (The Beholder (The Beholder, #1))
A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he is still racing. He is still alive. The
Garth Stein (The Art of Racing in the Rain)
Where will you and Corr be?" I ask. Sean presses two fingers along the edge of the counter, sweeping crumbs into a pile. I notice that his fingers are permanently dirt-stained like mine. He says, "Right next to you and Dove." I stare at him. "You can't risk not winning. Not because of me." Sean doesn't life his eyes from the counter. "We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he's done it before. It's one side you won't have to worry about." I say, "I will not be your weakness, Sean Kendrick." Now he looks at me. He says, very softly, "It's late for that Puck.
Maggie Stiefvater (The Scorpio Races)
Magic,” says Holly. “Is a snaffle bit magic?” I ask him. “All I know is that when I whisper to dirt, my conversations are less than meaningful.
Maggie Stiefvater (The Scorpio Races)
He's tall with shaggy blond hair and muscular arms. He's holding a twenty-dollar bill. He's muscular. And he's holding a twenty--wait, I already said that.
Cheyanne Young (Motocross Me)
It comforts everybody to think of all Negroes as dirt poor, and to regard those who were not, who earned good money and kept it, as some kind of shameful miracle. White people liked that idea because Negroes with money and sense made them nervous. Colored people liked it because, in those days, they trusted poverty, believed it was a virtue and a sure sign of honesty. Too much money had a whiff of evil and somebody else's blood.
Toni Morrison
Saedii sits there in the aftermath of my confession. I expect her to laugh. To call me a liar and a lunatic, to react the way any normal person might when you tell them that an ancient plant-being that lost a war against a race of ancient psychics is set to wake up after a million-year dirt-nap and nom down on the entire galaxy.
Amie Kaufman
The empty mind is a dominant mind. It can draw other minds into its rhythm, the way a vacuum sucks up dirt or the way the person on the bottom of a seesaw controls the person on the top. When I hear a runner say he “runs his own race,” what I hear is bushido.
Scott Jurek (Eat and Run: My Unlikely Journey to Ultramarathon Greatness)
No matter what, my chest always tightens up before a race. A rush of adrenaline spikes all the way down my spine, and it's like I'm right there. Right on top of Kali, squeezed in that metal stall, looking out at the dirt with my heart in my throat. The starter opens the gates, and the bell rings.
Mara Dabrishus (Stay the Distance)
Ripped Jeans & Twenty Dollar Shirt (The Sonnet) Ripped jeans and twenty dollar shirt, That's how we'll change the world. It is okay if your outside is dirty, Make sure your heart is without dirt. Too many people wear suits and boots, In order to cover up the filth within. Those who have their character intact, Care not whether their clothes are shinin'. The world needs purpose, integrity, honor, None of which is predicated on clothes. Those who think clothes make the person, Will never discover any of the civilized roads. Heart makes the person, heart makes the world. A world without dirt comes from a heart without dirt.
Abhijit Naskar (Making Britain Civilized: How to Gain Readmission to The Human Race)
So what was work? Tasks we performed for compensation in the service of an employer, be it an individual or a corporate entity. And yes, it was as exciting as it sounds. We didn't want to work. In fact, that's about as good a definition of work as you could have: that which we didn't want to do, but had to if we didn't want to eat dirt.
Jon Stewart (Earth (The Book): A Visitor's Guide to the Human Race)
Scientists found that there are exactly as many skin pigment colors to the various races of this world as there are different colors of soil [dirt].
Stacy R. Webb
You struggle because you’re locating all of the magic in your life outside of yourself. When you are loved, then you are lovable. When you are left behind, you are unlovable. When you “arrive” at some point of success and fame as a writer, you will be worthy. Until then, you are worthless. As long as you imagine that the outside world will one day deliver to you the external rewards you need to feel happy, you will always perceive your survival as exhausting and perceive your life as a long slog to nowhere. Instead, you have to savor the tiny struggles of the day: The cold glass of water after a long run. The hot bath after hours of digging through the dirt. The satisfaction of writing a good sentence, a good paragraph. You MUST feel these things, because these aren’t small rewards on the path to some big reward; these tiny things are everything. Savoring these things requires tuning in to your feelings, and it requires loving yourself instead of shoving your nose into your own question marks hour after hour, day after day. You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in the middle of the suffocating dust. If you can learn to be where you are, without fear, then sooner than you know it, your life will quite naturally be filled with more love and more wonder than you can possibly handle. When that happens, you’ll look back and see that this was the most romantic time of your whole life. These are those terrible days, those gorgeous days, when you first learned to breathe and stand alone without fear, to believe not in finish lines but in the race itself. Your legs are aching and your heart is pounding and the world is electric. You will have 30 years or 50 years, or maybe you’ll be gone tomorrow. All that matters is this moment, right now. This is the moment you learn to be here, to feel your limbs, to feel your full heart, to realize, for the first time, just how lucky you are.
Heather Havrilesky
When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.
Jun'ichirō Tanizaki (In Praise of Shadows)
Her wild race caused the dried-up ferns, thorny plants, and low-hung tree branches—away from the lake—to grab at our clothing in the mad dash over the narrow packed dirt through the trees.
Jazz Feylynn (Colorado State of Mind (Colorado Springs Fiction Writers Group Anthology, #3))
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
Anthony Marra (A Constellation of Vital Phenomena)
Before his uncle, Garrow, was slain by the Ra’zac months earlier, the brutality that Eragon had witnessed between the humans, dwarves, and Urgals would have destroyed him. Now it numbed him. He had realized, with Saphira’s help, that the only way to stay rational amid such pain was to do things. Beyond that, he no longer believed that life possessed inherent meaning—not after seeing men torn apart by the Kull, a race of giant Urgals, and the ground a bed of thrashing limbs and the dirt so wet with blood it soaked through the soles of his boots. If any honor existed in war, he concluded, it was in fighting to protect others from harm.
Christopher Paolini (Eldest (Inheritance, #2))
A scientist who studied monkeys on an island in Indonesia was able to teach a certain one to wash bananas in the river before eating them. Cleansed of sand and dirt, the food was more flavorful. The scientist who did this only because he was studying the learning capacity of monkeys did not imagine what would eventually happen. So he was surprised to see that the other monkeys on the island began to imitate the first one. "And then, one day, when a certain number of monkeys had learned to wash their bananas, the monkeys on all of the other islands in the archipelago began to do the same thing. What was most surprising, though, was that the other monkeys learned to do so without having had any contact with the island where the experiment had been conducted." He stopped. "Do you understand?" "No," I answered. "There are several similar scientific studies. The most common explanation is that when a certain number of people evolve, the entire human race begins to evolve. We don't know how many people are needed but we know that's how it works.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Humans die,” said the grandmother, “and humans suffer too, for they lead short lives and when they are dead, no one eats them. They are stuffed in boxes and hidden in the dirt, or else set on fire and turned into cinders, so no one else can make any use of them; they are a prodigiously selfish race and consider themselves their own private property even in death.
Daniel M. Lavery (The Merry Spinster: Tales of Everyday Horror)
doorway. In Palestine, at least, no one would burst into tears at the sight of her. Sitting cross-legged on the ground, Tedi traced her name into the dirt and remembered Mr. Loederman’s wife, Lena, an old-fashioned woman who wore crocheted collars. They had had a grown son, a daughter-in-law, and a grandson. All dead, she realized. She should have hugged him back. The accordion raced up a scale. Young voices
Anita Diamant (Day After Night)
Few humans frequented the deep forest there because of its wild lands, wild animals, and wild legends. In the chamber below the earth, Gregori roused himself several times, always on guard, always aware, asleep or awake, of those around him and the region surrounding them. In his mind he sought the child. She was brave and intelligent, a warm, living creature shedding a glow of light into his unrelenting darkness. His silver eyes pierced the veil of sleep to stare up at the dirt above his head. He was so close to turning, far closer than either Raven or Mikhail suspected he was holding on by his fingernails. ..All feeling had left him so long ago that he could not remember warmth or happiness. He had only the power of the kill and his memories of Mikhail’s friendship to keep him going. He turned his head to look at Raven’s slight form. You must live, small one. You must live to save our race, to save all of mankind. There is no one alive on this earth who could stop me. Live for me, for your parents. Something stirred in his mind. Shocked that an unborn child could exhibit such power and intelligence, he nonetheless felt its presence, tiny, wavering, unsure. All the same the being was there, and he latched on to it, sheltered it close to his heart for a long while before he reluctantly allowed himself to sleep again.
Christine Feehan (Dark Desire (Dark, #2))
According to bushido, the best mind for the battlefield—or the race—is that of emptiness, or an empty mind. This doesn’t mean sleepiness or inattention; the bushido concept of emptiness is more like that rush of surprise and expansiveness you get under an ice-cold waterfall. The empty mind is a dominant mind. It can draw other minds into its rhythm, the way a vacuum sucks up dirt or the way the person on the bottom of a seesaw controls the person on the top.
Scott Jurek (Eat and Run: My Unlikely Journey to Ultramarathon Greatness)
The connective tissue between large Texas cities is brown nothingness. Buildings sprout from the flat ground in the distance when you get close enough to a city, their tallest structures reaching up to the sky like the blocky dark fingers of some buried giant from an alien race, but before you get there, the only thing around you is dirt, a few weathered shrubs, and an endless blue sky that sometimes makes you think it’s close enough to shatter if you throw a big rock at it. It’s like whichever deity was in charge of the terrain just gave up and copied and pasted the same mile over and over again all the way along I-10.
Gabino Iglesias (The Devil Takes You Home)
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory Of My Feelings)
Ivory and Mary also channeled what Toni Morrison so eloquently called “the hurt of the hurt world,” the knowledge of the deepest struggles and contradictions of black folks living among white folks.2 My mother was one of those black women who carry intimate knowledge of slave voices. As a little girl she lived with her grandmother, a former slave. She also knew from her own experiences the lives of poor folks in the South who picked cotton, got cheated for their backbreaking labor, and worked diligently to stay out of harm’s way with whites. The experience of agricultural labor, life in the dirt, also brought her into a contradictory but very intimate relationship with the land itself.
Willie James Jennings (The Christian Imagination: Theology and the Origins of Race)
lucky.” I didn’t like his joke, not at all. “I’m serious, Fritz. Something bad is going to happen.” “It’s only leftover worries from yesterday.” Fritz stared at me a moment too long, as if trying to convince himself of his own words. “Now let’s get to work.” Things went fine for a few hours. I was in the garden, clearing more weeds, and had already emptied out a lot of the dirt from the basement. But then I saw Fritz at the basement window, hissing at me to come inside, and to hurry. His eyes were so wide, I could see the whites from here. The reason for the pit in my gut. I dropped the spade and hurried for the building, careful not to make it look like anything was unusual, if anyone was watching. But when I ducked inside, Fritz had already returned to the shelter, and I breathlessly raced to follow. “What’s the matter?” I called while descending the ladder. My answer came as soon as I entered the tunnel. Water trickled beneath my feet and sank into the soil, creating a dense mud. The farther I walked, the more water there was. At the back of the tunnel, Fritz had exposed a pipe that was now spurting out pressurized water like a fireman’s hose. The hole in it wasn’t large, but it was enough to cause significant damage and was getting worse. The streams of water tore dirt from the walls and sent it in chunks to the ground. Our tunnel was flooding, and if we didn’t find a way to stop the water, it would collapse entirely. “How
Jennifer A. Nielsen (A Night Divided)
God created man out of dust from the ground. At a basic level, the Creator picked up some dirt and threw Adam together. The Hebrew word for God forming man is yatsar,[11] which means “to form, as a potter.” A pot usually has but one function. Yet when God made a woman, He “made a woman from the rib he had taken out of the man” (Genesis 2:22). He created her with His own hands. He took His time crafting and molding her into multifaceted brilliance. The Hebrew word used for making woman is banah, meaning to “build, as a house, a temple, a city, an altar.”[12] The complexity implied by the term banah is worth noting. God has given women a diverse makeup that enables them to carry out multiple functions well. Adam may be considered Human Prototype 1.0, while Eve was Human Prototype 2.0. Of high importance, though, is that Eve was fashioned laterally with Adam’s rib. It was not a top-down formation of dominance or a bottom-up formation of subservience. Rather, Eve was an equally esteemed member of the human race. After all, God spoke of the decision for their creation as one decision before we were ever even introduced to the process of their creation. The very first time we read about both Eve and Adam is when we read of the mandate of rulership given to both of them equally. We are introduced to both genders together, simultaneously. This comes in the first chapter of the Bible: Then God said, “Let us make man in our image, in our likeness, and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground.” So God created man in his own image, in the image of God he created him; male and female he created them. (Genesis 1:26–27) Both men and women have been created equally in the image of God. While within that equality lie distinct and different roles (we will look at that in chapter 10), there is no difference in equality of being, value, or dignity between the genders. Both bear the responsibility of honoring the image in which they have been made. A woman made in the image of God should never settle for being treated as anything less than an image-bearer of the one true King. As Abraham Lincoln said, “Nothing stamped with the Divine image and likeness was sent in the world to be trodden on.”[13] Just as men, women were created to rule.
Tony Evans (Kingdom Woman: Embracing Your Purpose, Power, and Possibilities)
Of course, there’s one horse that I know will be a contender. But I’ve never seen him in a real race and I’ve never seen his rider give me the slightest hint of how he likes to pace himself. “Where will you and Corr be?” I ask. Sean presses two fingers along the edge of the counter, sweeping crumbs into a pile. I notice that his fingers are permanently dirt-stained like mine. He says, “Right next to you and Dove.” I stare at him. “You can’t risk not winning. Not because of me.” Sean doesn’t lift his eyes from the counter. “We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he’s done it before. It’s one side you won’t have to worry about.” I say, “I will not be your weakness, Sean Kendrick.” Now he looks at me. He says, very softly, “It’s late for that, Puck.
Maggie Stiefvater (The Scorpio Races)
How many times had he thought, "I want to be just like him"? The way he'd told Gaspar while they rode in the car, you always have to respectful with girls, even if you're not interested in them. The way, after he got mad about something and raised his voice and shouted, he always gave into a joke and laughed and shook his head. The twins were going to forget him, they would miss out: the permission to do their homework on the patio, the races down the dirt road, the grilled fish at the beach, the What you wrote is really good, that teacher must be kind of dumb, she doesn't have to understand everything, but it's a shame she didn't understand this because it's so well written, and long! and the words you use! They were going to miss out on having him always accept them even when they messed up, even if they had ridiculous mental emotional psychiatric problems, they'd miss out on knowing there was someone who would never abandon them, would never back down, could beat their heads against the wall until they broke their heads and the wall, and he would be right behind them, arms crossed, saying, Well then, shall we start by fixing your skull, your anger, or the bricks? you choose?
Mariana Enríquez (Our Share of Night)
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
On the train I had a lot of time to think. I thought how in the thirty years of my life I had seldom gotten on a train in America without being conscious of my color. In the South, there are Jim Crow cars and Negroes must ride separate from the whites, usually in a filthy antiquated coach next to the engine, getting all the smoke and bumps and dirt. In the South, we cannot buy sleeping car tickets. Such comforts are only for white folks. And in the North where segregated travel is not the law, colored people have, nevertheless, many difficulties. In auto buses they must take the seats in the rear, over the wheels. On the boats they must occupy the worst cabins. The ticket agents always say that all other accommodations are sold. On trains, if one sits down by a white person, the white person will sometimes get up, flinging back an insult at the Negro who has dared to take a seat beside him. Thus it is that in America, if you are yellow, brown, or black, you can never travel anywhere without being reminded of your color, and oft-times suffering great inconveniences. I sat in the comfortable sleeping car on my first day out of Moscow and remembered many things about trips I had taken in America. I remembered how, once as a youngster going alone to see my father who was working in Mexico, I went into the dining car of the train to eat. I sat down at a table with a white man. The man looked at me and said, "You're a nigger, ain't you?" and left the table. It was beneath his dignity to eat with a Negro child. At St. Louis I went onto the station platform to buy a glass of milk. The clerk behind the counter said, “We don't serve niggers," and refused to sell me anything. As I grew older I learned to expect this often when traveling. So when I went South to lecture on my poetry at Negro universities, I carried my own food because I knew I could not go into the dining cars. Once from Washington to New Orleans, I lived all the way on the train on cold food. I remembered this miserable trip as I sat eating a hot dinner on the diner of the Moscow-Tashkent express. Traveling South from New York, at Washington, the capital of our country, the official Jim Crow begins. There the conductor comes through the train and, if you are a Negro, touches you on the shoulder and says, "The last coach forward is the car for colored people." Then you must move your baggage and yourself up near the engine, because when the train crosses the Potomac River into Virginia, and the dome of the Capitol disappears, it is illegal any longer for white people and colored people to ride together. (Or to eat together, or sleep together, or in some places even to work together.) Now I am riding South from Moscow and am not Jim-Crowed, and none of the darker people on the train with me are Jim-Crowed, so I make a happy mental note in the back of my mind to write home to the Negro papers: "There is no Jim Crow on the trains of the Soviet Union.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
The world is dead, The Samurai, moving among the inert metal of pumps and lines and distillation columns, over the concrete apron in which the plants were constructed, over gravel brought from the Prospect quarries. it is a world of age-old stones - picking up a piece of gravel in which glinted minerals unknown to him - of basalt chiped from mountains long ago, lying around on roads, lying under hills waiting to be plundered. And laughing at humans. These dead rocks were all of them older than the human race which trod them. each fragment had an immortality. Humans rotted away into the soil in an instant of time. What was the power he had that enabled him to lift this fragment of eternity in his hand and decide where to throw it? What had been breathed into his fragile dust that seemed for his instant of life to mock the inertia of the rock? Was his own existence supported by a paper warrant somewhere? He drew back from following these thoughts. There was a power in him, or rather power came to him that made him stronger than he needed to be. A power that blew up certain feelings to an enormous size, a secret power. Was he so different from the men around him? What was the mission that he had been born to perform? He deliberately relaxed. As he looked about him with a new mood the whole world filled with love. Even the dirt underfoot was sympathetic and grateful. he could love these random stones, these heaps of inert, formed metal so far now from where they were mined. He could love the soil itself and everything that was. He needed, at the moment, no written justification of his existence.
David Ireland
A good campaign usually deploys multiple tactics: paid media (TV ads, digital ads, radio ads, print ads), earned media (which is just jargon for public relations), opposition research (a euphemism for digging up dirt on someone), field (canvassing, door knocking, flyers, lit drops, posters, phone calls), lobbying (personal connections in one way or another), and today, perhaps more than anything else, social media. We went at it on every front. I convened a meeting of our senior team every morning at 8 a.m. to discuss what we could to do to drive Anthony from the race. Here’s the best of what we did: Earned media: I kicked things off by saying, on the front page of the New York Times, that if Anthony ran, I’d add an extra $20 million to our campaign budget to ensure that we destroyed his reputation so thoroughly, he’d never be able to run for anything ever again. In retrospect, the threat probably landed harder than I realized because Anthony was already starting to self-destruct. (It wasn’t like what he got caught doing on Twitter didn’t exist in other, pre-Twitter formats before then.) We started exactly where anyone would when it comes to Anthony Weiner: sex. In his time as a member of the House, Anthony had passed all of one bill. And that one illustrious piece of legislation was to give more visas to models. Yep, protecting the rights of hot women was Anthony’s sole achievement in office. That was a good point to make but not an exposé in and of itself. But then our research team noticed something: Anthony had also received campaign contributions from many of the models who received highly coveted H1B visas. Not only was this pay-to-play (give contributions, get government favors), it was illegal.
Bradley Tusk (The Fixer: My Adventures Saving Startups from Death by Politics)
The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
Here is Democrat Robert Byrd, “conscience of the Senate,” lionized by Obama, Hillary, and Bill when he died in 2010, speaking during the war about his reluctance to fight in a racially integrated military: “I am loyal to my country and know but reverence to her flag BUT I shall never submit to fight beneath that banner with a negro by my side. Rather I should die a thousand times, and see this old glory trampled in the dirt never to rise again, than to see this beloved land of ours become degraded by race mongrels, a throwback to the blackest specimens from the wilds.”20
Dinesh D'Souza (The Big Lie: Exposing the Nazi Roots of the American Left)
The officer's question already let me know that in his eyes I was dirt; that is, matter out of place.
Akala (Natives: Race and Class in the Ruins of Empire)
Rubenfeld spoke no Hebrew. His mind was racing to come up with something—anything—that these wild-eyed dirt farmers would understand. He threw his arms in the air and yelled the only Yiddish words he could think of. “Gefilte fish! Gefilte fish! Shabbes! Shabbes!
Robert Gandt (Angels in the Sky: How a Band of Volunteer Airmen Saved the New State of Israel)
The main thing spring preload adjustments really do is change the ride height. A change in ride height affects what percentage of suspension travel is available for absorbing bumps and for extending into holes or dips in the road surface.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
The size of the stiction zone is an excellent indicator of the condition of the suspension.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Testing has shown the proper top-out spring can drastically affect traction particularly when leaned over in the turns.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Damping forces depend on oil viscosity, orifice sizes, piston size, valving, shim configuration, and most of all, velocity.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
three main forces in suspension components: spring forces, damping forces, and frictional forces. That’s it. That’s all there is.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Too much rebound damping looks like this: you push down on the seat and you can see the suspension move upward slowly. As it slowly reaches the top of the rebound stroke it stops all movement.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Here is what a good starting point for rebound damping looks like: after the suspension is compressed, it will rebound. When the suspension reaches the top of its stroke, it will barely overshoot and settle down to its free sag point (a very small, single bounce).
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Damping is viscous friction. It turns kinetic energy into heat and is sensitive only to damper velocity and not suspension stroke position.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
All forms of damping accomplish one thing: they slow down the movement of the suspension.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Oil viscosity is a measure of a fluid’s resistance to flow.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Length One (L1) is the first measurement. To obtain L1, the rear wheel must be off the ground. If the bike has a centerstand, this task is simple; if not it may help to have a few, friends around to lift the bike. If you’re measuring a road race bike, don’t use a swingarm stand—even though the tire will be off the ground, the weight of the motorcycle will still be pushing down on the suspension, causing it to compress.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Now lift the sprung mass of the motorcycle up about 25mm and very slowly let it sink back down until it stops. Where it stops is L3. Again, if there were no friction, it would drop a bit more. The midpoint between L2 and L3 is where it would be without friction. Next average L2 and L3 and subtract that result from L1 to find static sag. Static Sag = L1 - ((L2 + L3)/2)
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
The L2 measurement is next. Put the motorcycle back on the ground and place the rider on board. Have the rider grab onto something to balance or use a wheel chock, like the Condor Pit-Stop, while the rider is in position. Now push down on the suspension about 25mm (about an inch) and very slowly let the suspension rise back up and stop. If there were no friction in the suspension, it would continue to come up further. Where the suspension stops is the L2 measurement (measure between the same two points as L1).
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Good numbers for rear suspension are much lower—2mm is considered good and more than 6mm indicates something’s wrong.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Several times I hit the brake as two boys and a girl on bicycles weave on and off the main drive through hard-packed dirt yards. The girl is 6 years old at most, and wears a camouflage tank top. The boys might be a couple years older, but one of them is wearing flip-flops, and the idea of having bare feet makes me shiver a little right now. The three of them look like they're racing to the beach even though it's been overcast and in the 50s again the past few days. I wonder where their parents are. I never saw the backside of 8:30 p.m. until I was in junior high. Don't these kids have a bedtime?
Aaron Hartzler (What We Saw)
I remember playing stickball after school one day. The field was muddy and I was covered with dirt and grime when I came home. I’ll never forget the disappointment in my mother’s eyes or the stern lecture I received about the image I presented to those outside the race by being so dirty. She said they were always looking for ways to prove we were less polished than they in every way. I never played stickball after school again.
Beverly Jenkins (To Catch a Raven (Women Who Dare, #3))
She would have thrown off her satin shoes and run with him into the fields if he asked her to, let the bottom of her dress be soiled with dirt, raced against the sinking sun.
Ashley Audrain (The Whispers)
He thought back to dog sledding as a boy. During the day he scouted Doc’s property in wheeled sleds through thousands of acres of switchgrass, dirt, and live oaks. At night he sat with King by a small fire, even in the summer, and read books like the Call of the Wild, Winterdance, and Stone Fox. He read aloud to King the great adventures of Balto and the race to Nome, and stories of the un adulterated wild by John Muir.
Wesley Banks (Faith In Every Footstep (Kyle Walker Book 1))
The men were like him. They wanted to preserve America. This country was woods before the white man came. It needed to be saved. The town, the children, the women, they needed to be rescued from those who wanted to pollute the pure white race with ignorance and dirt, fouling things up by mixing the pure WASP heritage with the Greeks, the Italians, the Jews who had murdered their precious Jesus Christ, and the niggers who dreamed of raping white women and whose lustful black women were a danger to every decent, God-fearing white man. Not all of them were bad, of course. The White Knights would decide who
James McBride (The Heaven & Earth Grocery Store)
In the chamber below the earth, Gregori roused himself several times, always on guard, always aware, asleep or awake, of those around him and the region surrounding them. In his mind he sought the child. She was brave and intelligent, a warm, living creature shedding a glow of light into his unrelenting darkness. His silver eyes pierced the veil of sleep to stare up at the dirt above his head. He was so close to turning, far closer than either Raven or Mikhail suspected. He was holding on by his fingernails. All feeling had left him so long ago that he could not remember warmth or happiness. He had only the power of the kill and his memories of Mikhail’s friendship to keep him going. He turned his head to look at Raven’s slight form. You must live, small one. You must live to save our race, to save all of mankind. There is no one alive on this earth who could stop me. Live for me, for your parents. Something stirred in his mind. Shocked that an unborn child could exhibit such power and intelligence, he nonetheless felt its presence, tiny, wavering, unsure. All the same the being was there, and he latched on to it, sheltered it close to his heart for a long while before he reluctantly allowed himself to sleep again.
Christine Feehan (Dark Desire (Dark, #2))
During NASA’s first fifty years the agency’s accomplishments were admired globally. Democratic and Republican leaders were generally bipartisan on the future of American spaceflight. The blueprint for the twenty-first century called for sustaining the International Space Station and its fifteen-nation partnership until at least 2020, and for building the space shuttle’s heavy-lift rocket and deep spacecraft successor to enable astronauts to fly beyond the friendly confines of low earth orbit for the first time since Apollo. That deep space ship would fly them again around the moon, then farther out to our solar system’s LaGrange points, and then deeper into space for rendezvous with asteroids and comets, learning how to deal with radiation and other deep space hazards before reaching for Mars or landings on Saturn’s moons. It was the clearest, most reasonable and best cost-achievable goal that NASA had been given since President John F. Kennedy’s historic decision to land astronauts on the lunar surface. Then Barack Obama was elected president. The promising new chief executive gave NASA short shrift, turning the agency’s future over to middle-level bureaucrats with no dreams or vision, bent on slashing existing human spaceflight plans that had their genesis in the Kennedy, Johnson, Nixon, Ford, Carter, Reagan, Bush, Clinton, and Bush White Houses. From the starting gate, Mr. Obama’s uncaring space team rolled the dice. First they set up a presidential commission designed to find without question we couldn’t afford the already-established spaceflight plans. Thirty to sixty thousand highly skilled jobs went on the chopping block with space towns coast to coast facing 12 percent unemployment. $9.4 billion already spent on heavy-lift rockets and deep space ships was unashamedly flushed down America’s toilet. The fifty-year dream of new frontiers was replaced with the shortsighted obligations of party politics. As 2011 dawned, NASA, one of America’s great science agencies, was effectively defunct. While Congress has so far prohibited the total cancellation of the space agency’s plans to once again fly astronauts beyond low earth orbit, Obama space operatives have systematically used bureaucratic tricks to slow roll them to a crawl. Congress holds the purse strings and spent most of 2010 saying, “Wait just a minute.” Thousands of highly skilled jobs across the economic spectrum have been lost while hundreds of billions in “stimulus” have been spent. As of this writing only Congress can stop the NASA killing. Florida’s senior U.S. Senator Bill Nelson, a Democrat, a former spaceflyer himself, is leading the fight to keep Obama space advisors from walking away from fifty years of national investment, from throwing the final spade of dirt on the memory of some of America’s most admired heroes. Congressional committees have heard from expert after expert that Mr. Obama’s proposal would be devastating. Placing America’s future in space in the hands of the Russians and inexperienced commercial operatives is foolhardy. Space legend John Glenn, a retired Democratic Senator from Ohio, told president Obama that “Retiring the space shuttles before the country has another space ship is folly. It could leave Americans stranded on the International Space Station with only a Russian spacecraft, if working, to get them off.” And Neil Armstrong testified before the Senate’s Commerce, Science & Transportation Committee that “With regard to President Obama’s 2010 plan, I have yet to find a person in NASA, the Defense Department, the Air Force, the National Academies, industry, or academia that had any knowledge of the plan prior to its announcement. Rumors abound that neither the NASA Administrator nor the President’s Science and Technology Advisor were knowledgeable about the plan. Lack of review normally guarantees that there will be overlooked requirements and unwelcome consequences. How could such a chain of events happen?
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
His mate was so gorgeous, and he wasn’t a fool. Not once did he imagine she was untouched. Just like him.
P. Jameson (Racing Home (Dirt Track Dogs, #3))
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much time. * * * Racing around the outside of the square in his Afghan robes, face smeared with dirt and blood, he looked little different from many of the other men
Eric Meyer (Heroes of Afghanistan (Black Ops: Heroes of Afghanistan #1))
Yet the lure of the ideal is also, often imperceptibly, haunted by misgiving, even anxiety. Not only is whiteness as absence impossible, it is not wholly desirable. To relinquish dirt and stains, corporeality and thingness, is also to relinquish both the pleasures of the flesh and the reproduction upon which whiteness as racial power depends. To be nothing is to be dead, something
Richard Dyer (White: Essays on Race and Culture)
September sipped it politely. "Mmmm!" she said, even though it tasted mostly like very wet dirt and unfathomable secrets from before the invention of dreams.
Catherynne M. Valente (The Girl Who Raced Fairyland All the Way Home (Fairyland, #5))
All Fergusson's verses, indeed all humanist verse, has within it an eligiac seam; always present beneath the surface is the assumption that the world is imperfect, that it has fallen from grace. As with the disintegrating Tory ideal in the country, there is in Fergusson's poetry an ideal, imagined city of the past, hopelessly toppling as the new Babylon lays down its foundations: city of chaos, dirt, noise, broken communication, luxury, disorder. In essence the poet follows in his representation the timeless humanist imperative, attempting 'to create order out of disorder, and to make sense of life'. Hallow-Fair and Leith Races to a degree make just such a clear demarcation between the two cities of past and present in their thesis - antithesis structures. The two cities embody two different Scottish cultures: Auld Reekie, the pastoral, civilised, humanist culture; and Edina, the Athens of the North, but more often, Babylon, the counter-pastoral, brutal, Whig culture. Hallow-Fair, Leith Races, The Election, The King's Birth-Day in Edinburgh, satirise the new Babylon; the poems of this group celebrate an older Scotland, and Auld Reekie, in the same eligiac vein as The Daft Days. Yet, as we have seen, the poet, at times, undermines too rigorous a humanist position: demarcations are not all that clear; ideals don't always elevate the human codition; the endless wheel of change and creativity, diversity and unrest, may be forging themselves into a new order.
F.W. Freeman (Robert Fergusson and the Scots Humanist Compromise)
My father explained where babies came from to me. “Before babies are born they live in the sky where they race along with the clouds and can see everything—the beauty of the mountains, the courses of streams, the dirt of the paths that people take down on earth.” I loved the idea and power of a journey from the clouds. It gave babies power: we choose to be born to our lives; we give ourselves to people who make the earth look more inviting than the sky.
Kao Kalia Yang (The Latehomecomer: A Hmong Family Memoir)
My heart is racing, my skin is flushed. The smell of earth and dirt fills my nostrils, stunning me. Feeling feverish, I swipe my hand across my brow and shake my head. Something isn’t right. I look at my hands and find them covered in blood. My chin radiates with pain. Touching the scrape, I flinch and glance around to see if anyone noticed but no one is paying attention to me. I quickly replace the mask over my face, but desperate for fresh air, I leave the terminal and head for my apartment. Thankfully I run into no one. Once I’m alone and behind closed doors, perfectly safe within the four walls of my unit, I feel the dampness between my legs. Dampness… from… My hand smells like… I tear off my clothes and run into the bathroom to clean up and bandage my chin. When my nerves settle and I’m composed once more, I head back to the medical sector and my office. Waiting for me is an encrypted message from Dr. Ursula. I close out my research paper and scan the note. Running my hands over my face, I sit back in my chair. My guess was correct; she’ll be in charge of the alien. Now I’m expected at her office thirty minutes before my next shift for a debriefing. I’ll be needed to run the technology they plan to use on him. Which means… I’ll be seeing the alien again, and soon. Very soon.
Naomi Lucas (Cottonmouth (Naga Brides #6))
Catholics are worried about Communism: and they have a right to be, because the Communist revolution aims, among other things, at wiping out the Church. But few Catholics stop to think that Communism would make very little progress in the world, or none at all, if Catholics really lived up to their obligations, and really did the things Christ came on earth to teach them to do: that is, if they really loved one another, and saw Christ in one another, and lived as saints, and did something to win justice for the poor. For, she said, if Catholics were able to see Harlem, as they ought to see it, with the eyes of faith, they would not be able to stay away from such a place. Hundreds of priests and lay-people would give up everything to go there and try to do something to relieve the tremendous misery, the poverty, sickness, degradation, and dereliction of a race that was being crushed and perverted, morally and physically, under the burden of a colossal economic injustice. Instead of seeing Christ suffering in His members, and instead of going to help Him, Who said: “Whatsoever you did to the least of these my brethren, you did it to Me,” we preferred our own comfort: we averted our eyes from such a spectacle, because it made us feel uneasy: the thought of so much dirt nauseated us—and we never stopped to think that we, perhaps, might be partly responsible for it. And so people continued to die of starvation and disease in those evil tenements full of vice and cruelty, while those who did condescend to consider their problems, held banquets in the big hotels downtown to discuss the “Race situation” in a big rosy cloud of hot air. If Catholics, she said, were able to see Harlem as they should see it, with the eyes of faith, as a challenge to their love of Christ, as a test of their Christianity, the Communists would be able to do nothing there. But, on the contrary, in Harlem the Communists were strong. They were bound to be strong. They were doing some of the things, performing some of the works of mercy that Christians should be expected to do. If some Negro workers lose their jobs, and are in danger of starving, the Communists are there to divide their own food with them, and to take up the defence of their case.
Thomas Merton (The Seven Storey Mountain)
I will not be forced to marry!" Merida yelled. She drew a claymore from the display stand, not because she thought she needed the long sword for protection, but because she felt more at peace with its heavy weight in her hand. Her mother had never understood her. She wanted Merida to be like her, a prim and proper royal lady. But Merida had never felt drawn to that life. She wanted to be free. She relished the feel of the wind in her hair as she raced her horse across the glen. Delighted in the exhilaration of hitting a target from fifty paces away with her bow and arrow, or tumbling in the dirt with her three brothers. She was her father's lass, not her mother's proper princess.
Farrah Rochon (Fate Be Changed)
I will not be forced to marry!" Merida yelled. She drew a claymore from the display stand, not because she thought she needed the long sword for protection, but because she felt more at peace with its heavy weight in her hand. Her mother had never understood her. She wanted Merida to be like her, a prim and proper royal lady. But Merida had never felt drawn to that life. She wanted to be free. She relished the feel of the wind in her hair as she raced her horse across the glen. Delighted in the exhilaration of hitting a target from fifty paces away with her bow and arrow, or tumbling in the dirt with her three brothers. She was her father's fierce lass, not her mother's proper princess.
Farrah Rochon (Fate Be Changed)
if the rider can get used to a little looser feeling, the gains in traction will improve lap times and tire life, and his “ideal feel peak” would be closer to the traction peak.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
jAre you existing without listening? Was your previous perception always to see less than?Judging face first, race first, his hands in the dirt, her short skirt, His religion, her church, what’s worse?
Natalie Nascenzi, HXS Host
It's 1963: we're in the year of prophetic fulfillment. The last revival meeting is at hand, where the sons took up the cross of the fathers. White sons went forth to the dirt roads of Georgia and Alabama to prove to their fathers that the melting pot could still melt. "Negro" sons went forth to the Woolworths and Grants and Greyhounds of America to prove to their fathers that they could eat and sit and ride as well in the front as in the back, as well seated as standing.
Kathleen Collins (Whatever Happened to Interracial Love?)
This, Jon, is a contract with a notorious private investigator hired by you to dig up dirt on a TerraWest colleague. Using race and religious affiliation. Dirt on a competitor for a TerraWest job. And this”—he picks up a copy of another printed document—“is a list of personal details stolen from confidential TerraWest HR files and given to this PI.
Loreth Anne White (The Maid's Diary)
Racers ride special motocross bikes, also called dirt bikes. They race on rugged tracks that are closed to normal traffic.
Aline Alexander Newman (Animal Superstars: And More True Stories of Amazing Animal Talents (National Geographic Kids Chapters))
They crested the top, and when they looked down, the man’s breath caught in his throat. What he saw was so alien it could only be understood in installments. The strip mine was a crater that had been sunk a quarter mile into the ground. It was like a pit in the middle of the Amazon. Things were crawling all over it the way bees swarm a hive. And it took the man a moment to realize that these were people. Hundreds of them. The weather was warm, and the men laboring below had their shirts off. Each was covered head to toe in mud. The only part of them that seemed human were their teeth and the whites of their eyes. Gigantic ladders had been bolted to the walls of the crater, each the size of a football field. At any one time, at least a hundred men were scaling the ladders with sacks of dirt lashed to their backsides. The sacks were so heavy that when the men reached the top, some could no longer bear the weight and collapsed gradually with each step to the ground. Something deep inside the man wanted to make it stop. And it all came to him in an instant. What he saw was the entire history of the human race. He saw the slave labor camps of the Nazis and the communists. He saw the seas of peasants chained and lashed by great empires—the Romans, the Greeks and all the others that people still spoke of with admiration. He saw the palace eunuchs in the Middle East, free people reengi- neered into model servants by their own biology. He saw the human chattel shipped to the new world, worked for a lifetime, then forced to breed their replacements. And he remembered there was no high-watermark of culture, no height of civilization, that didn’t stand on the back of a mass labor force. And he thought, My god, this is it. This is all of us.
Scott Reardon (The Death of a 10-Year-Old Boy)
I like to explain stability using an analogy from my favorite sport, auto racing. A few years ago I drove to a racetrack in Southern California to spend a couple of days training with my coach. To warm up, I took a few “sedan laps” in my street car at the time, a modified BMW M3 coupe with a powerful 460+ HP engine. After months of creeping along on clogged Southern California freeways, it was hugely fun to dive into the corners and fly down the straightaways. Then I switched to the track car we had rented, basically a stripped-down, race-worthy version of the popular BMW 325i. Although this vehicle’s engine produced only about one-third as much power (165 HP) as my street car, my lap times in it were several seconds faster, which is an eternity in auto racing. What made the difference? The track car’s 20 percent lighter weight played a part, but far more important were its tighter chassis and its stickier, race-grade tires. Together, these transmitted more of the engine’s force to the road, allowing this car to go much faster through the corners. Though my street car was quicker in the long straights, it was much slower overall because it could not corner as efficiently. The track car was faster because it had better stability. Without stability, my street car’s more powerful engine was not much use. If I attempted to drive it through the curves as fast as I drove the track car, I’d end up spinning into the dirt. In the context of the gym, my street car is the guy with huge muscles who loads the bar with plates but who always seems to be getting injured (and can’t do much else besides lift weights in the gym). The track car is the unassuming-looking dude who can deadlift twice his body weight, hit a fast serve in tennis, and then go run up a mountain the next day. He doesn’t necessarily look strong. But because he has trained for stability as well as strength, his muscles can transmit much more force across his entire body, from his shoulders to his feet, while protecting his vulnerable back and knee joints. He is like a track-ready race car: strong, fast, stable—and healthy, because his superior stability allows him to do all these things while rarely, if ever, getting injured.
Peter Attia (Outlive: The Science and Art of Longevity)
Shit! Someone else was looking to trade time for Uvalde. I’d hoped my guy Fercho had the exclusive dirt, but apparently, he was in a rat race to deliver the general. And if Fercho lost, I’d get no bonus . . . Then again, Fercho would likely win, it being a long shot that L. Astorquiza—probably the alias of an angry young man in Bogotá’s bohemian Candelaria neighborhood—would have the proof, or the cojones, to go public against a monster like General Uvalde.
Todd Merer (The Extraditionist (Benn Bluestone #1))
We tramped over, and as we stepped from the thick trees, we all stopped and stared. Then Corey raced forward, arms raised. “It’s a road. Oh my God. A road!” He dropped to his knees by the roadside. “Oww.” Daniel helped him back to his feet. “The knee is good,” I said. “But the knee is not completely healed. Be careful.” “It’s a road,” Corey said, pointing. “A dirt road,” Hayley muttered. “So? We’ve been slogging through the forest for two days. What do you want? A six-lane highway?” “That’d be nice.” “Yeah, until you raced out, screaming for help, and got mowed down by a logging truck.” He walked into the middle and turned, waving his arms. “It’s a road!” I patted his back. “It’s a lovely road. Now, which way do we go?” Corey looked one way, the brown ribbon extending into emptiness. He looked the other way, saw the same thing and his shoulders slumped. “Damn.
Kelley Armstrong (The Calling (Darkness Rising, #2))
We tramped over, and as we stepped from the thick trees, we all stopped and stared. Then Corey raced forward, arms raised. “It’s a road. Oh my God. A road!” He dropped to his knees by the roadside. “Oww.” Daniel helped him back to his feet. “The knee is good,” I said. “But the knee is not completely healed. Be careful.” “It’s a road,” Corey said, pointing. “A dirt road,” Hayley muttered.
Kelley Armstrong (The Calling (Darkness Rising, #2))
It’s a road,” Corey said, pointing. “A dirt road,” Hayley muttered. “So? We’ve been slogging through the forest for two days. What do you want? A six-lane highway?” “That’d be nice.” “Yeah, until you raced out, screaming for help, and got mowed down by a logging truck.” He walked into the middle and turned, waving his arms. “It’s a road!” I patted his back. “It’s a lovely road.
Kelley Armstrong (The Calling (Darkness Rising, #2))
The rain continued throughout the day. The precipitation was natural and fell in a steady drizzle that cast the land in a gray, depressing hue. Few animals ventured out under the relentless downpour. The storm had been far too long, unpredictable, and dangerous. Around the small cabin in the woods, an uneasiness warned all life forms away from the area. Few humans frequented the deep forest there because of its wild lands, wild animals, and wild legends. In the chamber below the earth, Gregori roused himself several times, always on guard, always aware, asleep or awake, of those around him and the region surrounding them. In his mind he sought the child. She was brave and intelligent, a warm, living creature shedding a glow of light into this unrelenting darkness. His silver eyes pierced the veil of sleep to stare up at the dirt above his head. He was so close to turning, far closer than either Raven or Mikhail suspected. He was holding on by his fingernails. All feeling had left him so long ago that he could not remember warmth or happiness. He had only the power of the kill and his memories of Mikhail’s friendship to keep him going. He turned his head to look at Raven’s slight form. You must live, small one. You must live to save our race, to save all of mankind. There is no one alive on this earth who could stop me. Live for me, for your parents. Something stirred in his mind. Shocked that an unborn child could exhibit such power and intelligence, he nonetheless felt its presence, tiny, wavering, unsure. All the same the being was there, and he latched on to it, sheltered it close to his heart for a long while before he reluctantly allowed himself to sleep again.
Christine Feehan (Dark Desire (Dark, #2))
Library.’ Dark shapes under the mud’s surface wriggled towards Mam’s fingers. As she lifted the cover the dark shapes bobbled into horned heads. They pushed through the dirt. Rayne clasped her hands together. Tiny mouths cracked open, revealing sharp white teeth. They raced towards Mam’s fingers and bit into her soft skin. Rayne scrunched her eyes shut, sure those bites must hurt, even if Mam said she didn’t feel them. ‘Your fingers are bleeding!’ ‘Hush now. It’s only a scratch.’ Mam took a handkerchief from her skirt pocket and dabbed her fingers. The cloth smeared with streaks of brown and red. Rayne peered under the cover and frowned. ‘Mud devils! Why do you let them bite you?’ ‘You know why. They’re tasting my blood. Making sure it’s me. And don’t call them devils. They don’t like it.’ ‘What are they then?’ ‘Grotesques.’ That didn’t make them sound any better. ‘The Grotesques do an important job making sure only you and I can open the book,’ explained Mam. Rayne sat on her hands. ‘What happens if someone else touches it?’ ‘Bad things. That’s why I keep it locked in the chest.’ Mam turned the pages. ‘Now look, each page has a different Spell
Julie Pike (The Last Spell Breather)
Racing is not what it used to be. The purity's gone. In the beginning, people lived or the thunder of hoofs against the brown dirt track. Horses were treated like royalty. Now, they're like slaves.
Ellery Adams (Pecan Pies and Homicides (A Charmed Pie Shoppe Mystery, #3))
You’d best pray it’s the Darkness that has driven you mad, boy, because if it’s not, you’ll pay for these bruises with some of your own!” He pinned the boy to the ground with one hand braced on a shoulder and continued, “I’m not going to hurt you. Just calm down and let’s see if we can relieve you.” The boy relaxed, calming except for his heaving chest as he fought for air. Robin’s mind raced through his options, coming up blank. “Cat-mint…” the boy muttered. “Tincture of angelica. Blue chalcedony, jet, bronzite, amber—do you have any on you?” “No,” Robin said, confused. The boy moaned. “Trifolium, then. There’s bound to be trifolium…” The boy’s head fell back into the dirt. “Trifolium? I don’t know…” “Clover,” the boy ordered, scorn dripping from his voice. “I’m speaking of clover.” Robin paced along the road looking for a clump of clover, unsure whether to laugh or snarl. “Do you at least know your Greek sigils?” the boy muttered weakly. “The banishing sigil performed with clover…” Greek, he thought resentfully rubbing his jaw. “I know sigils,” he said, amending silently, if I can remember the Greek ones from the schoolroom. If he got the scamp past this spell of poisoning, he was going to thrash him. And where had he got into such Darkness in the first place? Burroughs, Patricia. This Crumbling Pageant (The Fury Triad Book 1) (pp. 23-24). Story Spring Publishing, LLC. Kindle Edition.
Patricia Burroughs (This Crumbling Pageant (The Fury Triad #1))
In his mind he sought the child. She was brave and intelligent, a warm, living creature shedding a glow of light into this unrelenting darkness. His silver eyes pierced the veil of sleep to stare up at the dirt above his head. He was so close to turning, far closer than either Raven or Mikhail suspected. He was holding on by his fingernails. All feeling had left him so long ago that he could not remember warmth or happiness. He had only the power of the kill and his memories of Mikhail’s friendship to keep him going. He turned his head to look at Raven’s slight form. You must live, small one. You must live to save our race, to save all of mankind. There is no one alive on this earth who could stop me. Live for me, for your parents.
Christine Feehan (Dark Desire (Dark, #2))
Racist can never see themselves as wrong. They consider their opinions and actions to be part of the natural order of life. But we know better. No Black man has ever brought and sold a white person, seperated their families, raped their women, men and children. made them work in fields under terrible conditions for no pay. We breast feed their babies and been beat into submission with whips and chained outdoors like an animal. No Black man ever committed a hate crime based solely on a person race. We never came to your home in the night and burned a cross on your front lawn, dragged you out of your house and lynched you right before the eyes of your wife and children. We never stopped you from achieving a education, never made it against the law for you to learn to read, or to vote or to even get married without permission. We built this country with our hands, our sweat and yes, OUR BOOD and you never thought once about the wealth you accumulated from our forced labor was a crime. You never cionsidered when you broke a family apart by selling them into slavery that it was hurting us and you thought of us only like cattle in a stock yard. Your atrocities have been too numerous and horrific to name and regardless of how educated we became or what we accumulate, we are ALWAYS less then dirt in your eyes. NO ONE WHO IS HUMAN WANTS TO BE YOU! Share with everyone you know. Levon Peter Poe © June 18, 2020
Levon Peter Poe
Maybe Ron Clarke wasn’t being poetic in his description of Zatopek—maybe his expert eye was clinically precise: His love of life shone through every movement. Yes! Love of life! Exactly! That’s what got Vigil’s heart thumping when he saw Juan and Martimano scramble happy-go-luckily up that dirt hill. He’d found his Natural Born Runner.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
Cloud Nine Childhood part of my life Wasn't very pretty, see (Boom, boom-boom, boom) I was born and raised In the slums of the city (Boom, boom-boom, boom) It was a one-room shack That slept ten other children beside me (Boom, boom-boom, boom) We hardly had enough food Or room to sleep (Boom, boom-boom, boom) It was hard times I needed somethin' to ease my troubled mind Ooh listen My father didn't know the meaning of work (Boom, boom-boom, boom) He disrespected mama And treated us like dirt (Boom, boom-boom, boom) I left home seeking a job That I never did find (Boom, boom-boom, boom) Depressed and down-hearted And I took to cloud nine (Boom, boom-boom, boom) I'm doing fine Up here on cloud nine Listen, one more time I'm doing fine Up here on cloud nine Folks down there tell me They say "Give yourself a chance, son Don't let life pass you by" (Woo, woo, woo-oo) But the world, around you's a rat race Where only the strongest survive It's a dog-eat-dog world And that ain't no lie (Ain't no lie) Listen, it ain't even safe no more To walk the streets at night I'm doing fine On cloud nine Let me tell you 'bout cloud nine Cloud nine You can be what you want to be Cloud Nine You ain't got no responsibility Cloud nine And every man, every man is free Cloud nine And you're a million miles from reality Reality I wanna' stay up Higher Up, up, up and away Cloud nine I wanna' say I love the life I live And I'm gonna live the life I love Or be on cloud nine I, I, I, I, I, I'm ridin' high On cloud nine You're as free as a bird in flight Cloud nine There's no difference between day and night Cloud nine It's a world of love and harmony Cloud nine You're a million miles from reality Reality I wanna' stay up Higher Up, up, up and away Cloud nine You can be what you want to be Cloud nine You ain't got no responsibility Cloud nine Every man in his mind is free Cloud nine You're a million miles from reality Cloud nine You can be what you want to be
The Temptations
Did not Sri Krishna Paramatma himself say these things?" "Your Rama and Krishna are babes of yesterday, according to me. All our wise ancestors did not say what they thought was true; they thrust their ideas into the throats of their gods, and saw to it that they were spewed out on mankind. I told you of Kapali worship; much of it is ugly and obscene. My brother read out to me authorities for such deeds too. They were supposed to have been told by Siva to his great lady Parvathi! I have no faith in these avatars. Who is not an avatar? You are one; I am one. All of us are Amma's children; it is not Nara and Narayana alone; worms, insects, stones and dirt are His creations, they are all parts of His being. " I will mention to you one pertinent point, which I can easily see since I am a woman. In the Gita, you find a remark that if woman become wicked, races will become mixed. A god who created both sexes should know that both will have to become wicked to go astray. To the author who put those words into the mouth of Arjuna, the 'male' was an innocent being. This document is a jumble of thoughts, which occurred to ten different persons, but they were all put into the mouth of one mythical Krishna. The trick was to make it authoritative by showing that the Paramatma himself uttered them.
Kota Shivarama Karanth (ಮೂಕಜ್ಜಿಯ ಕನಸುಗಳು [Mookajjiya Kanasugalu])