“
Of all the paths you take in life, make sure a few of them are dirt.
”
”
John Muir
“
But I always liked side-paths, little dark back-alleys behind the main road- there one finds adventures and surprises, and precious metal in the dirt.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Sunflowers end up facing the sun, but they go through a lot of dirt to find their way there.
”
”
J.R. Rim
“
In his rearview mirror, I saw something flash in his eyes. "You want to know?" he sneered. "Let me imagine, Agha sahib. You probably lived in a big two- or three-story house with a nice backyard that your gardener filled with flowers and fruit trees. All gated, of course. Your father drove an American car. You had servants, probably Hazaras. Your parents hired workers to decorate the house for the fancy mehmanis they threw, so their friends would come over to drink and boast about their travels to Europe or America. And I would bet my first son's eyes that this is the first time you've ever worn a pakol." He grinned at me, revealing a mouthful of prematurely rotting teeth. "Am I close?"
Why are you saying these things?" I said.
Because you wanted to know," he spat. He pointed to an old man dressed in ragged clothes trudging down a dirt path, a large burlap pack filled with scrub grass tied to his back. "That's the real Afghanistan, Agha sahib. That's the Afghanistan I know. You? You've always been a tourist here, you just didn't know it.
”
”
Khaled Hosseini (The Kite Runner)
“
Her father had taught her about hands. About a dog's paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog's paw was a wonder: the smell of it never suggested dirt. It's a cathedral! her father had said, so-and-so's garden, that field of grasses, a walk through cyclamen--a concentration of hints of all the paths the animal had taken during the day.
”
”
Michael Ondaatje (The English Patient)
“
The Outing
An outburst of anger near the road, a refusal to speak on the path, a silence in the pine woods, a silence across the old railroad bridge, an attempt to be friendly in the water, a refusal to end the argument on the flat stones, a cry of anger on the steep bank of dirt, a weeping among the bushes.
”
”
Lydia Davis (The Collected Stories of Lydia Davis)
“
The poet Rumi says: "How long will we fill our pockets like children with dirt and stones? Let the world go. Holding it, we never know ourselves, never are airborne.
”
”
Sharon Salzberg (A Heart as Wide as the World: Stories on the Path of Lovingkindness)
“
So with a lot of difficulty, I picked up this huge snapping turtle and slowly carried it down the road to the river.
Just as I had slipped it into the water and was watching it swim away, my geology professor came up behind me. “You know,” he said quietly, “that turtle has probably spent a month crawling up the dirt path to lay its eggs in the mud on the side of the road—you have just put it back in the river.”
I felt terrible. I couldn’t believe what I had done, but it was too late. It took me many more years to realize this parable had taught me the first rule of organizing.
Always ask the turtle.
”
”
Gloria Steinem (My Life on the Road)
“
Of all the paths in life you take, make sure a few of them are dirt
”
”
John Muir
“
everything was good, or good enough, and yet I had the sensation at that moment that I was atop a large piece of white plastic tubing, and the tube was rolling down a dirt path, and I was surfing it, almost, my feet constantly moving, trying to stay upright. That was what life felt like.
”
”
Hanya Yanagihara (To Paradise)
“
Want to see the size of my love?" he invites. "Ascend the winding path outside Jerusalem. Follow the dots of bloody dirt until you crest the hill. Before looking up, pause and hear me whisper, "This is how much i love you.
”
”
Max Lucado (It's NOT About ME: Rescue From the Life We Thought Would Make Us Happy)
“
But a smell shivered him awake.
It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close.
The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear.
The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel.
A shadow moved.
It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...
”
”
Stephen M. Irwin (The Dead Path)
“
Running was Clover's favorite thing to do, after reading. She loved the way the cement felt hard and unforgiving under her feet until she reached the park and the dirt path that wound its way alongside the Truckee River.
She liked the wind in her face and how it smelled like water. And the way Mango ran beside her, keeping her company. But most of all she liked the way the steady pace untangled her thoughts.
”
”
Shaunta Grimes (Viral Nation (Viral Nation, #1))
“
Usually, the best way to find the yellow brick road of your life is to start out on the dusty, dirt one. And then let yourself become so preoccupied in making the best of it, having fun, and challenging yourself that you actually stop paying attention to the path. (Notes from the Universe: New Perspectives from an Old Friend, Mike Dooley)
”
”
Sam Heughan (Waypoints: My Scottish Journey)
“
I succeeded on my own, why can't you?" is a dispassionate call to the majority of Native people to forsake one another. The end results is each of us digging our own way out of the hole, filling up the path with dirt as we go. Such things as justice and principles prevent the whole people from becoming dispassionate. Until all of us are free, the few who think they are remain tainted with enslavement.
”
”
Lee Maracle (I Am Woman: A Native Perspective on Sociology and Feminism)
“
Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark.
‘When you cut down the hybrid rose,
its blackened stump below the graft
spreads furtive fingers in the dirt.
It claws at life, weaving a raft
of suckering roots to pierce the earth.
The first thin shoot is fierce and green,
a pliant whip of furious briar
splitting the soil, gulping the light.
You hack it down. It skulks between
the flagstones of the garden path
to nurse a hungry spur in shade
against the porch. With iron spade
you dig and drag it from the gravel
and toss it living on the fire.
‘It claws up towards the light again
hidden from view, avoiding battle
beyond the fence. Unnoticed, then,
unloved, unfed, it clings and grows
in the wild hedge. The subtle briar
armors itself with desperate thorns
and stubborn leaves – and struggling higher,
unquenchable, it now adorns
itself with blossom, till the stalk
is crowned with beauty, papery white
fine petals thin as chips of chalk
or shaven bone, drinking the light.
‘Izabela, Aniela, Alicia, Eugenia,
Stefania, Rozalia, Pelagia, Irena,
Alfreda, Apolonia, Janina, Leonarda,
Czeslava, Stanislava, Vladyslava, Barbara,
Veronika, Vaclava, Bogumila, Anna,
Genovefa, Helena, Jadviga, Joanna,
Kazimiera, Ursula, Vojcziecha, Maria,
Wanda, Leokadia, Krystyna, Zofia.
‘When you cut down the hybrid rose
to cull and plough its tender bed,
trust there is life beneath your blade:
the suckering briar below the graft,
the wildflower stock of strength and thorn
whose subtle roots are never dead.
”
”
Elizabeth Wein (Rose Under Fire)
“
In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall. I imagine I am walking the path from the vestibule to the hall. I note with precision the doors I must pass through, the rights and lefts that I must take, the statues on the walls that I must pass. Last night I dreamt that I was standing in the fifth northern hall facing the statue of the gorilla. The gorilla dismounted from his plinth and came towards me with his slow knuckle-walk. He was grey-white in the moonlight; and I flung my arms around his massive neck and told him how happy I was to be home. When I awoke I thought: I am not home. I am here.
”
”
Susanna Clarke (Piranesi)
“
On and on and on the stories will go, and in their path will lie squalor: blood and bones and dirt and disease and misery.
”
”
Hanya Yanagihara
“
Any human being on the planet today can take off their shoes and stand in the dirt and instantly know everything there is to know.
”
”
Clark Strand (The Way of the Rose: The Radical Path of the Divine Feminine Hidden in the Rosary)
“
He will study the back of Jude's head, because Jude can't face him, and imagine the person he thinks he knows collapsing into rubble, clouds of dust gusting around him, as nearby, teams of artisans try to rebuild him in another material, in another shape, as a different person than the person who had stood for years and years. On and on the stories will go, and in their path will lie squalor: blood and bones and dirt and disease and misery.
”
”
Hanya Yanagihara (A Little Life)
“
What Brandon had never understood was that the glory of living in Malibu was not living in luxury but raw nature. The Malibu of Nina’s youth had been more rural than urbane, the rolling hills filled with dirt paths and humble shacks.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
But there was so much that one had to pretend not to see the incredible clutter that threatened to overtake the entire flat save for those few narrow paths that the old man moved on; the acrid odor of dirt and neglect that pervaded the place and worked its way into your pores so that you carried it with you after you had left; his odd ways,born of living so long in an absence of mirrors.
”
”
Michael Bedard (Redwork)
“
When you enter the woods of a fairy tale and it is night, the trees tower on either side of the path. They loom large because everything in the world of fairy tales is blown out of proportion. If the owl shouts, the otherwise deathly silence magnifies its call. The tasks you are given to do (by the witch, by the stepmother, by the wise old woman) are insurmountable - pull a single hair from the crescent moon bear's throat; separate a bowl's worth of poppy seeds from a pile of dirt. The forest seems endless. But when you do reach the daylight, triumphantly carrying the particular hair or having outwitted the wolf; when the owl is once again a shy bird and the trees only a lush canopy filtering the sun, the world is forever changed for your having seen it otherwise. From now on, when you come upon darkness, you'll know it has dimension. You'll know how closely poppy seeds and dirt resemble each other. The forest will be just another story that has absorbed you, taken you through its paces, and cast you out again to your home with its rattling windows and empty refrigerator - to your meager livelihood, which demands, inevitably, that you write about it.
”
”
Elizabeth Jarrett Andrew (On The Threshold: Home, Hardwood, and Holiness)
“
I mined away the dirt blocks overhead. Brilliant white sunlight poured from above, as well as the scent of grass and flowers. The rain had finally stopped. After my eyes adjusted to the light, I gazed up at a square of cloudless blue sky for the longest time, taking breath after breath of fresh morning air. At
”
”
Cube Kid (Path of Exile: Book 1)
“
You struggle because you’re locating all of the magic in your life outside of yourself. When you are loved, then you are lovable. When you are left behind, you are unlovable. When you “arrive” at some point of success and fame as a writer, you will be worthy. Until then, you are worthless.
As long as you imagine that the outside world will one day deliver to you the external rewards you need to feel happy, you will always perceive your survival as exhausting and perceive your life as a long slog to nowhere. Instead, you have to savor the tiny struggles of the day: The cold glass of water after a long run. The hot bath after hours of digging through the dirt. The satisfaction of writing a good sentence, a good paragraph. You MUST feel these things, because these aren’t small rewards on the path to some big reward; these tiny things are everything. Savoring these things requires tuning in to your feelings, and it requires loving yourself instead of shoving your nose into your own question marks hour after hour, day after day.
You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in the middle of the suffocating dust.
If you can learn to be where you are, without fear, then sooner than you know it, your life will quite naturally be filled with more love and more wonder than you can possibly handle. When that happens, you’ll look back and see that this was the most romantic time of your whole life. These are those terrible days, those gorgeous days, when you first learned to breathe and stand alone without fear, to believe not in finish lines but in the race itself. Your legs are aching and your heart is pounding and the world is electric. You will have 30 years or 50 years, or maybe you’ll be gone tomorrow. All that matters is this moment, right now. This is the moment you learn to be here, to feel your limbs, to feel your full heart, to realize, for the first time, just how lucky you are.
”
”
Heather Havrilesky
“
And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep.
Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky.
'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.
”
”
Jack Kerouac (Maggie Cassidy)
“
There was also a period of time in my life that wasn't easy, and during that time, I'd constantly think: if someone should witness the version of me who rolled in dirt and couldn't get up, but could still love me for who I was, it'd be great. Still, I don't know if there's anyone like that, and I daren't show that part of my past to anyone, either.
”
”
Mò Xiāng Tóng Xiù (No Paths Are Bound)
“
you could choose a different path,
”
”
Jeanine Cummins (American Dirt)
“
We fight dirty but it only serves as foreplay. We turn our dirt into the storm and kill everyone in our path.
”
”
Amo Jones (Crowned by Fate (Crowned #2))
“
The day you died I went into the dirt,
Into the lightless hibernaculum
”
”
Sylvia Plath (Sylvia Plath: The Collected Poems)
“
I got my face close up to the man still standing. I let him understand that there was oodles of danger in me; my head wobbled loose, three ticks off center. This scary face is all them such as me has to show this other world, the world in charge of our world, that musters any authority, gets any reluctant respect at all. If us lower elements didn't show our teeth plenty and act fast to bite, we'd just be soft, loamy dirt anybody could walk on, anytime, and you know they would, too, since even with a show of teeth there's a grassless path worn clear across our brains and backs.
”
”
Daniel Woodrell (Tomato Red)
“
The worst thing about being underweight or overweight; too dark or too white – in short too plain and bland in someone’s perception is the fact that most people just end up talking to you because they feel you can be a good stepping stone. And guess what – it sucks! It sucks being the ladder to so many, helping everyone grow and bloom, only to find yourself splayed upon the mud to be used as a path from one person to another. Not moving an inch. Just lying there on the sticky dirt infused ground – hoping someone would help you up – no one ever comes. The only person who can help you crawl out is yourself. Get up. Try. Just try.
You ARE Enough!
”
”
Sijdah Hussain (Red Sugar, No More)
“
Domestic
Where's the wisdom in erasing a loved one's mess,
so akin to his signature? Your honor, I only meant
to strew the immaculate in his wake. To wipe the path
ahead and behind reasonably clean. Futile, yes,
but weren't such gestures essential to love's discipline
once upon a time? Daily, I harvested dropped fruit peels
and socks. I chased him through life with dustpan
and broom, smoothed his body dents from the bed,
soothed the mud tramped floors. Did I sin in this?
Better to leave the habitat sweetly reeking of him
than to spend years scrubbing up evidence of his existence.
Archaelogists centuries hence may marvel at such relics:
his mustard stained napkins, toothpicks chewed
to splinters. Never let it be said that in my zeal
to clean I robbed the future's museums. Who
am I to call what flies to either side of the trail
he blazes--half read magazines, cups of scummed
over coffee and mashed out cigarettes--dirt?
”
”
Amy Gerstler (Ghost Girl)
“
Too many people, too many times, have come between us. Not again.” This man, this beautiful, unattainable man is mine. And he loves me like a Mack truck—the huge ones that just keep coming and don’t stop for anything in their path. Being the object of such singular focus can be overwhelming, but it’s also the best feeling in the world. “Are you saying you want this for good?” I ask, more confident than I’ve ever been. “For good?” He frowns and gives a quick shake of his head. “For good is too sanitized. I want your dirt and your pain and your darkness. Your weakness and your flaws.” He sprinkles kisses over my cheeks and nose, leaving adoration everywhere he touches me. “I don’t want you for good, Banner,” he says. “I want you forever.” I gasp at hearing the future in his words, of the picture he’s painting. “I love you,” he tells me again. “I didn’t even think I was capable of saying that, much less feeling it, but I feel it for you.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
I don't want to die, Buddy.' She put her head on his chest. 'I know this cancer probably won't kill me. But I think about dying all the time. I dream about it. What do you think? Do I get to see Pat on the other side, or do I just lie there in the dirt forever?'
...Buddy wrapped his arms around her and drew her close. 'I think dead is dead,' he said softly, near her ear. 'But that's not so bad. I think of it as following. Following the rest of them...My mother and father. Your sister. Your mom. But not just them. All of them. All of us. People...Maybe it's just a way to feel less lonesome about the whole thing, but I think of dying as a path we all go down separately at first, but eventually, together.
”
”
Anita Diamant (Good Harbor)
“
This path is only for people who have no choice, no other option, only violence and misery behind you. And your journey will grow even more treacherous from here. Everything is working against you, to thwart you. Some of you will fall from the trains. Many will be maimed or injured. Many will die. Many, many of you will be kidnapped, tortured, trafficked, or ransomed. Some will be lucky enough to survive all of that and make it as far as Estados Unidos only to experience the privilege of dying alone in the desert beneath the sun, abandoned by a corrupt coyote, or shot by a narco who doesn’t like the look of you. Every single one of you will be robbed. Every one. If you make it to el norte, you will arrive penniless, that’s a guarantee.
”
”
Jeanine Cummins (American Dirt)
“
Remember this study when you are in a negotiation—make your initial request far too high. You have to start somewhere, and your initial decision or calculation greatly influences all the choices that follow, cascading out, each tethered to the anchors set before. Many of the choices you make every day are reruns of past decisions; as if traveling channels dug into a dirt road by a wagon train of selections, you follow the path created by your former self. External anchors, like prices before a sale or ridiculous requests, are obvious and can be avoided. Internal, self-generated anchors, are not so easy to bypass. You visit the same circuit of Web sites every day, eat basically the same few breakfasts. When it comes time to buy new cat food or take your car in for repairs, you have old favorites. Come election time, you pretty much already know who will and will not get your vote. These choices, so predictable—ask yourself what drives them. Are old anchors controlling your current decisions?
”
”
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
“
In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall. I imagine I am walking the path from the vestibule to the hall. I note with precision the doors I must pass through, the rights and lefts that I must take, the statues on the walls that I must pass.
”
”
Susanna Clarke (Piranesi)
“
(If you think you want to live in the country, start by clearing a thicket of brambles, invasive woody vines, and choked, decaying trees, and then decide. This or its equivalent will basically become your life practice. There are always thorny bits in your path, always.) Back
”
”
Margaret Roach (And I Shall Have Some Peace There: Trading in the Fast Lane for My Own Dirt Road)
“
I prayed to a mystery.
Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery.
Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery.
Sometimes I wanted to speak to this mystery directly. Out of habit, I began with "Dear God" and ended with "Amen". But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley.
Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind.
”
”
Margaret D. McGee
“
Pop trips over some vegetation and lets go. I’m roaring down the slanting, bumpy dirt path, trying to dodge the rocks and shrieking with delighted terror. I’m heading into the stand of Java plum trees at the end of our clearing when I lose balance and crash into a lantana bush. I’m winded and scratched as I try to crawl out of the prickly bush. My bike lies in the path, tires spinning, already getting smeared with red Kauai dirt. Pop runs over and picks me up to see if I’m okay. My knees have hit something and are scraped, lantana thorns tangle my hair, but I’m panting with excitement. “Let’s do it again!
”
”
Toby Neal (Freckled: A Memoir of Growing Up Wild in Hawaii)
“
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally.
He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious.
You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible.
I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy.
How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him.
Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard.
“That was…enlightening,” he breathed. “Thank you, Kelsey.”
I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation.
“Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us.
Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve?
I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation.
He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.”
“Well, I no longer care about what you want!”
He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger.
I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path.
After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
November 1952 US Army Garrison Fort Belmont, Maryland HE ARRIVED AT REGINA GUERRERO’S house at the usual time. As he walked up the front path, he waved to her son, Ricky, who played in the yard. The four-year-old grinned, his wide brown eyes the only part of his face not covered in dirt. Gina needed to take better care of that kid.
”
”
Rachel Grant (Concrete Evidence (Evidence, #1))
“
Like I said, there are layers. People might agree with the principles but there’s more to it. Maybe they finally find a place with the true believers – a place they never had before with anyone else. Maybe the ideals, while not that important to them, open up paths to success or honor that weren’t open to them before. Maybe they get power they didn’t have. Maybe it just makes them feel good to rub other people’s faces in the dirt or feel like they’re somehow in the right or cleverer than their neighbors, or to rebel – not against anything, just to rebel in general. People are strange. In that buzz of thoughts and wants any one thing could be the controlling impulse that launches them down a path you can’t turn back from.
”
”
Sarah K.L. Wilson (First Message (Dragon School, #7))
“
Wherever you go and whatever you do, take care to leave only luminous imprints behind you. You are walking or driving down a road: bless that road and ask that all those who pass that way may receive peace and light and be led onto the right path. Why be content to live unconsciously and record nothing but dirt and disorder? Why not try to work like the sun which ceaselessly impregnates the universe with its light and warmth, its life and generosity? Try not
”
”
Omraam Mikhaël Aïvanhov (The Book of Divine Magic (Izvor, #226))
“
I jumped up, my hands in the air. “Yes!”
Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?”
“Get bread with raisins,” I said. “Everyone hates raisins.”
Jack was bouncing, obviously excited. “That’s all we need, right?”
“We need Reth.”
“No,” Lend and Jack whined in unison.
“Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.”
Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.”
Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.”
“Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.”
“You know I could look exactly like him,” Lend said, frowning darkly.
“Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.”
That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry.
“Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.”
“We are going to blow your quote sky high.”
He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
She felt the sun on her face, warming her after the months of snow and freezing temperatures. She took off her sweatshirt, tied it around her waist and ran in shorts and T-shirt... she needed some sunshine on her skin, and it felt exhilarating to stretch herself out. She flew alongside the raging river, the rhythm of her strides and the beating of her trainers on the path chasing out the gloomy thoughts that had become a part of her whole being, ingrained like dirt in the creases of her skin.
”
”
FJCampbell
“
A small group of horsemen were approaching the house, their pace slow enough to match Javelin, whose rider slumped over his neck.
Surely the Herrani wouldn’t cheer if Arin was dead, or dying?
Fool, Kestrel told herself. Dead men can’t ride.
A storm of feeling confused her, and Kestrel didn’t know if her emotions were what they ought to be, because she didn’t know what she felt. She couldn’t even think.
Then the horses stopped. Arin slipped off Javelin, and there was a scuffle among the Herrani as each fought to get to him first. People supported him, nudged shoulders under his arms.
Arin’s face was white with pain and blackened with patches of dirt and bruises. His torn clothes were stained crimson. Bright, bloody flags. One foot was bare.
He tipped his head back, caught Kestrel’s gaze, and smiled.
Kestrel shut the window and shut her heart, for what she felt when she saw Arin limp up the path wasn’t anything she had expected. She shouldn’t feel this, not this:
A stark, shattering relief.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I didn't do anything.I fumble with tears."
"You listened." She handed him back his bandanna.
"Mostly because tears render me speechless.You've a bit of garden dirt here."
Keeley came down the path just in time to see Brian gently wipe her mother's face with a blue bandanna.The tearstains had her leaping forward like a mama bear to her threatened cub.
"What is it? What did you do?" Hissing at Brian, she wrapped an arm around Adelia's shoudler.
"Nothing.I just knocked your mother down and kicked her a few times.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
A nonindustrial Earth with a population of perhaps one billion people could be far more beautiful than it is now. Tourism from space could be a major industry, and would serve as a strong incentive to enlarge existing parks, create new ones, and restore historical sights. The tourists, coming from a nearly pollution-free environment, would be rather intolerant of Earth's dirt and noise, and that too would encourage cleaning up the remaining sources of pollutants here. Similar forces have had a strong beneficial effect on tourist centers in Europe and the United States during the past twenty years. The vision of an industry free, pastoral Earth, with many of its spectacular scenic areas reverting to wilderness, with bird and animal populations increasing in number, and with a relatively small, affluent human population, is far more attractive to me than the alternative of a rigidly controlled world whose people tread precariously the narrow path of a steady-state society. If the humanization of space occurs, the vision could be made real.
”
”
Gerard K. O'Neill (The High Frontier: Human Colonies in Space)
“
THE EIGHT PRINCIPLES OF UNCIVILISATION
1. We live in a time of social, economic and ecological unravelling. All around us are signs that our whole way of living is already passing into history. We will face this reality honestly and learn how to live with it.
2. We reject the faith which holds that the converging crises of our times can be reduced to a set of ‘problems’ in need of technological or political ‘solutions’.
3. We believe that the roots of these crises lie in the stories we have been telling ourselves. We intend to challenge the stories which underpin our civilisation: the myth of progress, the myth of human centrality, and the myth of our separation from ‘nature’. These myths are more dangerous for the fact that we have forgotten they are myths.
4. We will reassert the role of storytelling as more than mere entertainment. It is through stories that we weave reality.
5. Humans are not the point and purpose of the planet. Our art will begin with the attempt to step outside the human bubble. By careful attention, we will reengage with the non-human world.
6. We will celebrate writing and art which is grounded in a sense of place and of time. Our literature has been dominated for too long by those who inhabit the cosmopolitan citadels.
7. We will not lose ourselves in the elaboration of theories or ideologies. Our words will be elemental. We write with dirt under our fingernails.
8. The end of the world as we know it is not the end of the world full stop. Together, we will find the hope beyond hope, the paths which lead to the unknown world ahead of us.
”
”
Paul Kingsnorth (Uncivilisation: The Dark Mountain Manifesto)
“
life is a world you have to live by…
it has its own rules you go by…
it gives you joy and struggles…
i see a mountain…
my goal is not to reach the peak…
but to reach the foot of the mountain…
you may ask why the foot and not the peak…
well come dear one sit down…
and i'll tell you the meaning…
A butterfly so delicate to touch…
so graceful that you are in awe…
but what you don't understand is they are like humans…
they can't see how beautiful their wings are…
but everything else can...
we can't see our face but everyone else can…
An owl so wise to see…
so kind to hear…
who it calls…
the who is you…
the who is one you meet…
the who is a friend…
A bee so humble…
so hard working…
and yet still has a whole lot of work to do…
we can sting like a bee…
for standing up what is right…
even though it can be wrong…
there is only one path…
and you can never go back…
all you have to do is to keep going…
that path is the journey life awaits…
but you have to follow by its rules…
and here are the three simple rules…
one...
you must accept what life gives you…
and also what it takes from you…
two…
never think too much…
cause we all don't get the answers to everything…
three…
is to just deal with it…
you create what life gives you, you don't run it…
look at my feet…
they are worn from all the rocks i had to walk on…
but it has dirt that nourished life all the years…
look at my hands…
yes they are small but look closely…
they are torn from climbing…
life can try to put a blockage in your path…
but all you can do is to climb that blockage…
and say is that all…
look in my eyes…
they seen so many things…
things i loss and gained…
full of wonder…
but if you look closer…
you can see a fire burning so bright…
i am determined to see beyond my journey…
i am being created…
creating my life in my own way…
and we all have goals…
but we all want to achieve a broad goal…
that is the peak…
but the main goal is to finish your path…
the path life put you in…
the path that leads to....
nothing for right now cause we haven't made it yet…
but it said to be true…
the foot of the mountain is a new beginning…
we can't stand without a foot…
so the question is…
how are you going to stand at the peak to oversee the view when you didn't care so much about the foot?
”
”
Chelsea Roberts
“
Her father had taught her about hands. About a dog’s paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog’s paw was a wonder: the smell of it never suggested dirt. It’s a cathedral! her father had said, so-and-so’s garden, that field of grasses, a walk through cyclamen—a concentration of hints of all the paths the animal had taken during the day.
”
”
Michael Ondaatje (The English Patient)
“
Her father had taught her about hands. About a dog’s paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog’s paw was a wonder: the smell of it never suggested dirt. It’s a cathedral! her father had said, so-and-so’s garden, that field of grasses, a walk through cyclamen – a concentration of hints of all the paths the animal had taken during the day.
”
”
Michael Ondaatje (The English Patient)
“
Knowing that every woman and man is a star is one thing, walking the path while giving the individuals empowerment to act, within this matrix of choices, is something totally different. If we are not ready for the Cosmos manifesting in all its forms within our little ones, including rebellion, we will subdue his or her life-force. A conscious parent has a complete trust in the goodness of the kids,yet they will protect the young ones from alcohol, or drugs, or disturbed sleeping pattern or cigarettes, or dirt, fully aware that the addictive substances will distort our efforts to reach the highest potential or kill us.
”
”
Nataša Pantović (Ama Dios (4 AoL Consciousness Books Combined, #111))
“
in A Moral Vision of the New Testament. Hays says, “This means that for the foreseeable future we must find ways to live within the church in a situation of serious moral disagreement while still respecting one another as brother and sisters in Christ. If the church is going to start practicing the discipline of exclusion from the community, there are other issues far more important than homosexuality where we should begin to draw a line in the dirt: violence and materialism, for example.” [117] I am convinced that how the biblical prohibitions apply to monogamous gay relationships is indeed a disputable matter and that the teaching of Romans 14-15 should guide our response.
”
”
Ken Wilson (A Letter to My Congregation: An Evangelical Pastor's Path to Embracing People Who Are Gay, Lesbian and Transgender in the Company of Jesus)
“
Once again this unspeakable man had caused her to make a complete fool of herself, and the realization made her eyes blaze with renewed fury as she turned her head and looked at him.
Despite Ian’s apparent nonchalance he had been watching her closely, and he stiffened, sensing instinctively that she was suddenly and inexplicably angrier than before. He nodded to the gun, and when he spoke there was no more mockery in his voice; instead it was carefully neutral. “I think there are a few things you ought to consider before you use that.”
Though she had no intention of using it, Elizabeth listened attentively as he continued in that same helpful voice. “First of all, you’ll have to be very fast and very calm if you intend to shoot me and reload before Jake there gets to you. Second, I think it’s only fair to warn you that there’s going to be a great deal of blood all over the place. I’m not complaining, you understand, but I think it’s only right to warn you that you’re never again going to be able to wear that charming gown you have on.” Elizabeth felt her stomach lurch. “You’ll hang, of course,” he continued conversationally, “but that won’t be nearly as distressing as the scandal you’ll have to face first.”
Too disgusted with herself and with him to react to that last mocking remark, Elizabeth put her chin up and managed to say with great dignity, “I’ve had enough of this, Mr. Thornton. I did not think anything could equal your swinish behavior at our prior meetings, but you’ve managed to do it. Unfortunately, I am not so ill-bred as you and therefore have scruples against assaulting someone who is weaker than I, which is what I would be doing if I were to shoot an unarmed man. Lucinda, we are leaving,” she said, then she glanced back at her silent adversary, who’d taken a threatening step, and she shook her head, saying with extreme, mocking civility, “No, please-do not bother to see us out, sir, there’s no need. Besides, I wish to remember you just as you are at this moment-helpless and thwarted.” It was odd, but now, at the low point of her life, Elizabeth felt almost exhilarated because she was finally doing something to avenge her pride instead of meekly accepting her fate.
Lucinda had marched out onto the porch already, and Elizabeth tried to think of something to dissuade him from retrieving his gun when she threw it away outside. She decided to repeat his own advice, which she began to do as she backed away toward the door. “I know you’re loath to see us leave like this,” she said, her voice and her hand betraying a slight, fearful tremor. “However, before you consider coming after us, I beg you will take your own excellent advice and pause to consider if killing me is worth hanging for.”
Whirling on her heel, Elizabeth took one running step, then cried out in pained surprise as she was jerked off her feet and a hard blow to her forearm sent the gun flying to the floor at the same time her arm was yanked up and twisted behind her back. “Yes,” he said in an awful voice near her ear, “I actually think it would be worth it.”
Just when she thought her arm would surely snap, her captor gave her a hard shove that sent her stumbling headlong out into the yard, and the door slammed shut behind her.
“Well! I never,” Lucinda said, her bosom heaving with rage as she glowered at the closed door.
“Neither have I,” said Elizabeth, shaking dirt off her hem and deciding to retreat with as much dignity as possible. “We can talk about what a madman he is once we’re down the path, out of sight of the house. So if you’ll please take that end of the trunk?”
With a black look Lucinda complied, and they marched down the path, both of them concentrating on keeping their backs as straight as possible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
If we understand that we are dirt, that God is the ground of all that is, well, then, we might think twice about how we treat soil. If water is the river of spiritual and physical life, we will care about what we are doing to watersheds. If air sustains us and we are made of stardust, then the sky and what happens to it matters. Knowing our own roots is the first step in knowing ourselves and recognizing our common humanity. Making a home is a radical act of claiming a place in the world. Being neighborly is the path to empathy, of enacting the Golden Rule. Building the commons, the “we” of our world house, is to pull the vision of heaven out of the clouds to earth here and now. We are constantly creating a sacred architecture of dwelling—of God’s dwelling and ours—as we weave nature and the built environment into a web of meaning. Awe and action are of a piece.
”
”
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
“
In America a child can no longer
visit the place where she was born
a shopping mall
stands there instead.
In America a grownup can no longer see the school
where she learned the art of growing sad
a freeway goes through there now an overpass
her memories of brick turn to glass
the suburb goes from white to black
and time speeds up so much she has
to stay young forever and reset the clock
every five minutes just to know where is there
and there is everywhere
because she lives in time and not in any space!
In our country here
the future is in ruins before it is built
a fact recognized by postmodern architecture
that grins at us shyly or demonically as it quoted
ruins from other times and places!
There are no buildings in America only passageways
that connect migratory floods
the most permanent architecture being
precisely that which moves these floods
from one future ruin to another
that is to say freeways and skyways
and the car is our only shelter
the architecture of desire reduced to the womb
a womb in transit from one nowhere to another!”
Saddened by his own vision and sensing smugness in the audience, Wakefield is revolted by his desire to please the foreigners. He coughs. He is portraying his own country now for the sake of… what? Applause? There isn't any. He veers down another path.
“The miracle of America is of motion not regret
in New Mexico the has face of Jesus jumped on a tortilla
in Plaquermine a Virgin appeared in a tree
In Santuari de Chimayo the dirt turned healer
a guy in Texas crasahed into a wall when God said
Let me take the wheel!
And others hear voice all the time
telling them to sit under a tree or jump from a cliff
or take large baskets of eggs into Blockbuster
to throw at the videos
the voices of God are everywhere heard loud
and clear under the hum of the tickertape
and all these miracle and speaking gods
are the mysteries left homeless by the Architecture
of speed and moving forward onward and ahead!”
Wakefield throws his hands into the air as if to sprinkle fairy dust on the room; he is evoking the richness of a place always ready for miracles.
”
”
Andrei Codrescu (Wakefield)
“
That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate.
It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look.
It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.
”
”
John David Anderson
“
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm.
Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?”
“Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.”
“I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.”
“It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.”
“Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything.
“He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.”
“I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.”
“Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?”
Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?”
“Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened.
“The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical.
“Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?”
“No, did you?”
“Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
step out of the forest and onto a road, stepping into Technicolor. Even Ruth laughs. What’s a road doing in a place so lost? We kick the dirt of it for a moment, testing its material. “You know where this leads eventually?” I ask her. She raises her brow, and I’m about to say a McDonald’s equipped with free Wi-Fi, but that seems mean. I look back into the forest. We both do, but the path we walked is already gone forever.
”
”
Samantha Hunt (Mr. Splitfoot)
“
A particular behavior moves through a system in the same way as cars move on the roadways. On the interstate, you have a large macro motion followed by main roads connecting cities and the smaller roads connecting towns and tract streets or dirt roads. As a fractal structure, the dimensions of some fields are like the interstate (think Sierpinski gasket), where one path goes a great distance and another one is very short, and when you add self organization to the mix, these behaviors begin to exhibit distinctions and influences of greater and greater complexity moving into deeper and finer levels.
Think of each dimension as a particular path on the fractal.
”
”
Rick Delmonico (The Philosophy of Fractals)
“
his abode looked like the creation of a campfire story. Its black walls stood six stories high. Scraps of worn paint peeled beneath the fingers of a sudden, foreboding wind that picked up the moment Ceony stepped foot onto the unpaved lane leading away from the main road. Three uneven turrets jutted up from the house like a devil’s crown, one of which bore a large hole in its east-facing side. A crow, or maybe a magpie, cried out from behind a broken chimney. Every window in the mansion—and Ceony counted only seven—hid behind black shutters all chained and locked, without the slightest glimmer of candlelight behind them. Dead leaves from a dozen past winters clogged the eaves and wedged themselves under bent and warped shingles—also black—and something drip-drip-dripped nearby, smelling like vinegar and sweat. The grounds themselves bore no flower gardens, no grass lawn, not even an assortment of stones. The small yard boasted only rocks and patches of uncultivated dirt too dry and cracked for even a weed to take root. The tiles composing the path up to the front door, which hung only by its top hinge, were cracked into pieces and overturned, and Ceony didn’t trust a single one of the porch’s gray, weathered boards to hold her weight long enough for her to ring the bell. “I’ve
”
”
Charlie N. Holmberg (The Paper Magician (The Paper Magician #1))
“
Outside, Ambo slogs through snow ankle-deep, making bloody tracks down the graded yard toward the box truck. Scanning the roundabout below, where the dirt utility road spills from the wood into the clearing. No movement. Nothing on approach. Only the snow that contours the turnabout, shaping itself against the trunks of the surrounding glade.
Near the split-rail fence at the end of the back yard, Ambo stops and places the cooler at his feet. He lays the shotgun in a wide drift beside the last stile, working it in with his hands, using the snow to scour off the worst of the gore. The slush reddened like a confection. When he finishes, he puts the cooler under his arm, shoulders the weapon and continues the descent. His hands numb. The truck is ahead, blanketed from nose to tail, the drifts reaching halfway into the wheel wells.
When Ambo reaches the cargo bay, he glances back over his shoulder. The red house, a cornice of snow gathered on the eaves. The red tracks—his own footprints—leading away. A red imprint roughed out in the shape of a gun on the side of the path.
”
”
Jonathan R. Miller (Delivery)
“
Ladies used to be fond of me: not all of them, but it happened, it happened. But I always liked side-paths, little dark back-alleys behind the main road- there one finds adventures and surprises, and precious metal in the dirt. I
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
YOU CAN SEE FOR MILES in both directions from the point on Ruby Ridge. From here, the paths of the Weaver family and the federal government seem inevitable, trucks barreling toward each another on a one-lane road. The government’s route to Ruby Ridge was a twenty-year drift toward militaristic law enforcement, in which quiet agents in suits gave way to federal SWAT teams competing for funding, in which unchecked arrogance and zeal allowed federal agents to act as if their ends justified their means. For the Weavers, the trail to this place cuts right through our own backyards, through patriotism, the military, fundamentalist Christianity, and eventually paranoia. Randy and Vicki’s story is a map of disenfranchisement. They were seduced by conspiracy and a religion called Christian Identity, by beliefs steeped in racism and fear of government oppression, beliefs that helped bring about the very thing they feared. Ultimately, you come to the Weaver story along the same trail Randy and Vicki took, from the heart of Christian Iowa to the deep woods of North Idaho. There is much to ponder along the way—the accountability of government and the danger of paranoia, the villainy of coincidence and the desperate need to decide, every day all over again, where society’s lines will be drawn. Up a twisting, rutted dirt road, past gnarled pine trees and scrub grass, you come finally to a sign at the edge of the old Weaver property. Two sets of unbending law clashed on the mountain, two incompatible views of the world, outlined by defiant red letters painted on a plywood sign: “Every knee shall bow to Yahshua Messiah.
”
”
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
“
I tiptoed down the short flight of creaky wooden steps to the dirt path and stepped onto the sandy asphalt. Sandy Asphalt. Sounds like the name of a third-string stripper of yore. I digress.
”
”
John Joseph Adams (The Living Dead 2)
“
Finally, I applied to one of my roommates, more sagacious than the rest, for advice. Dave, I said. I’m broke and without prospects. I’ve blown my GI Bill on flying lessons. I can’t hide out here in college much longer. What should I do?
Well, he said, at this crucial juncture you need to coldly appraise yourself. “I’ve only known you these few short years, but it strikes me you wouldn’t be good for anything important; I’d have to say you’re lazy, self-absorbed, glib and facetious, always ready to mock the suggestions of others, but never offering anything positive of your own. Intellectually shallow, no tap root anywhere, spiritually neutered, without feeling or compassion, unsteady of focus, lacking the fortitude for the long pull, with no fixed belief in anything.”
I shook his hand and thanked him. The acuity of his analysis made my path clear. My only hope lay in daily journalism.
”
”
Phil Garlington (Rancho Costa Nada: The Dirt Cheap Desert Homestead)
“
Blue Eyes, you will drink?”
Loretta waved him away. A long silence settled over them. Then Hunter grasped her chin and forced her to look at him.
“Habbe we-ich-ket, seeking death, it is not wisdom.” He wedged the canteen between his knees and caught her hand, placing it on his muscular upper arm. “Ein mah-heepicut, it is yours. No harm will come to you walking in my footsteps. You will trust this Comanche, eh? It is a promise I make for you.”
Loretta stared into his indigo eyes, aware of the leashed power beneath her fingertips. For an instant she believed he truly meant it, that he would protect her, always. Then her gaze shifted to the scar on his cheek, to his heathen medallion, to the images carved into the leather of his wristband. Half-breed or no, she couldn’t trust this man.
He sighed and released her hand to take a long, slow drink, calculated, she was sure, to make her yearn for one herself. He wiped his mouth and said, “We will see, eh? It is a hard path to walk, going thirsty in the sun. You will yield.”
With that, he corked the gourd and set it beside her in the shade so she could help herself if her willpower wavered. Rocking back on his heels, he ran a finger along her cheekbone. “I must protect you from the sun, eh? So you do not burn.”
Scooping a handful of dirt, he mixed it with a little water from the canteen to make a mud paste. It felt wonderfully cool when he smoothed it on her face. After he finished he sat back and studied her again, his dark eyes gleaming with that silent laughter that irritated her so. She must look like a blue-eyed bugaboo with her face streaked brown and her hair flying every which way. Well, he was no prize, either.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
After realizing my own self I would never want to fool someone,
After knowing the truth I would never want to betray someone,
After coming close to God I would never want to send away someone,
After understanding love I would never want to hate someone,
After accepting myself in totality I would never want to reject someone,
After purifying myself I would never want to put dirt on someone,
After becoming sincere and honest in my affairs I would never want to be insincere and dishonest with someone,
After finding the path I would never want to deviate someone,
After the truth is revealed I would never want to lie to someone,
After the scars of wisdom inside, I would never want to fight outside someone,
After the losses in life, I would never want to incur a loss to someone,
After learning I would never want to keep someone ignorant,
After finding doors closed for me I would never want to keep my doors closed to someone,
After being ignored I would never want to ignore someone,
After experiencing inner death I would never want that experience for someone,
After experiencing unity consciousness I would never want to separate and divide someone,
After the light in me is lightened I would never want darkness in someone,
After finding my true self I would never want fake life for someone,
After burning my own self I would never want the fire to burn someone,
After one finds a perfect spiritual master one reaches enlightenment, and communion and becomes no one.
”
”
Aiyaz Uddin
“
Tompkins Square Park. The Park is crowded. This is not 14th street, this is the community. There is a music phenomenon coming out of hundreds of transistor radios. There is a mamba phenomenon. There is a dog phenomenon- there are dogs in the dog run taking craps, dogs on the leash, dogs roaming free in packs. Men and girls playing handball in the fenced-in handball courts. The girls are good. They shout in Spanish. Dogs jump for the ball in the handball courts. In the benches of the park sit old Ukrainian ladies with babushkas. The old ladies have small yapping dogs on leashes. Old men play chess at tables. The old dogs of the men lie under the stone tables with their tongues hanging. On the big dirt hill in the centre of the park, a kid and a dog roll over each other. A burned-out head drifts by, barefoot with his feet red and swollen. A dog growls at him. Down the path from the old ladies in babushkas sits one blond-haired girl on the pipe fence. Four black guys surround her. One talks to her earnestly. She stares straight ahead. Her radio plays Aretha. Her dog sleeps at the end of its leash. Benches are turned over, a group of hippies huddles around the guitar, dogs streak back and forth under the bandshell with the zigzag propulsion of pinballs. Two cop cars are parked on 10th street. Mambo, mambo. A thousand radios play rock.
”
”
E.L. Doctorow (Ragtime)
“
Beauty Ain't Beauty (The Sonnet)
Beauty is not in the eye of the beholder,
Beauty is in the heart of the beholder.
Eyes have evolved not to perceive beauty,
But to look for a fertile progenitor.
All instincts of beauty are prehistoric,
All impulse of attraction is mere heat.
Such tendency is an act of animal libido,
It has nothing to do with human heartbeat.
If you wanna discover someone's beauty,
You gotta throw the dirt off your heart.
Observe their behavior outside the body,
Only then shall you witness true beauty's path.
Across the vacuum of body lies the valley of beauty.
Defy the vacuum, and you'll realize, beauty is divinity.
”
”
Abhijit Naskar (Bulldozer on Duty)
“
We moved across the grass. It was cold through my slippers, and the tall blades on the edge, where Julius’s sickle had missed, brushed against my bare ankles, sharply intense. At the hedge I pulled back a branch of white althea for Alice to pass. Released, it brushed, softly cool, against my shoulder. I started so that Alice stopped. “What is it, Grace?” she whispered. “Nothing, darling.” I pressed on my flashlight. A white moth dashed out of the dark, an enormous potato bug trundled across the dirt path. “I’ll just get my bag out of the car,” Alice said. “If you’ll lend me your light and give me a hand with the doors.
”
”
Zenith Brown (Ill Met by Moonlight)
“
If Lady Beatrice left the ring for her descendant... she would need proof, a way of knowing for certain who that person is.
I reach my arms out to my sides and brush my hands against the hedge walls, just as I did two weeks ago with Sebastian. The hedges once again change color, my hands painting them a vivid periwinkle. But this time the dirt path beneath my feet also begins to glow with an ethereal yellow light. I gasp as the light beneath my feet winds forward... leading me.
I pick up speed, keeping my hands on either side of the hedge walls as I run, following the twists and turns of the glowing path before me. And at last I am in a place I've never been---a curving corner of the Maze highlighted by a bed of hydrangeas, the only flowers I've encountered within. Dad's words from years ago return to me.
"...remember the hydrangeas. When you see them, that means you're close."
My breath catches. This must be the Maze's center.
”
”
Alexandra Monir (Suspicion)
“
Emeline couldn't remember when, exactly, things changed. Only that a moment ago she was walking down palace halls and now she walked a dirt path beneath a midnight sky. Tulip trees lined the path, their flowers unfolding like burning yellow crowns among their green leaves.
The farther they walked, the taller the trees grew, until they were impossibly tall. So tall, they seemed to brush the stars.
The path ended in a grove of silver birches. Moonlight pooled in from the canopy above, illuminating a bone-white throne and a man seated upon it. Atop his head sat a crown of rosebud thorns.
His skin was sunbrowned, his hair moon pale; and instead of robes, water adorned him. It flowed in rivers from his hair, over his neck and shoulders where it began to gush, like a waterfall, down the rest of his body. Emeline could see no glimpse of skin beyond the cascade, but at his feet water pooled and sank into the brown earth. Wherever it touched, gray and purple thistles grew.
The Wood King.
”
”
Kristen Ciccarelli (Edgewood)
“
He that is so over-dainty of his name that he cannot bear to see some dirt, and that good store too, cast upon his back by reviling tongues, must seek a path to travel in by himself to heaven; but, for thy comfort, Christian, sincerity, though it cannot privilege thee from traveller’s fare, and keep thee from being dashed with calumnies, yet it will do thee this kind of office, that the dirt which lights on thy coat shall not soak into thy soul, to damp thy joy and chill thy inward comfort.
”
”
William Gurnall (The Christian in Complete Armour - The Ultimate Book on Spiritual Warfare)
“
The old man held out a paper scroll, not mere parchment. It was a clear sign of wealth and status. Not every noble family could afford to use paper for invitations. The very fact that Hadjar was being visited by the clan’s attorney, and not by a simple servant, spoke volumes. “Thank-” Hadjar reached out, almost closing his fingers around the scroll, but the old man suddenly loosened his grip. Caught in the wind, the invitation, decorated with monograms and tied with a scarlet ribbon, fell to the dirt at Hadjar’s feet. The old man didn’t apologize. He stood there, with his hand still outstretched, a sneer on his lips, radiating complete confidence in his superiority. A clear example that old age didn’t mean one also gained intelligence or wisdom. He’d lived long enough for his hair to turn gray, but not long enough to acquire a brain. He didn’t even realize how simply and blatantly he was being used. Hadjar, just as the old man had expected, bent down to pick up the invitation, dusted it off, and held it without putting it away in his spatial artifact, as was required by etiquette. “You didn’t have to bow to me, young man,” the old man grunted. This was quite a serious insult. Being the personal disciple of a great hero made Hadjar equal in status to the senior heirs of aristocratic families. He was at the very top of the social structure of Dahanatan. But Hadjar didn’t really care about any of that. The power he possessed was insignificant in his opinion, and ever since he’d eaten those first scraps in Primus’ dungeon, he’d stopped caring about whether he was a Prince or a circus freak. Titles didn’t matter. The important thing was that the old man was a servant, and Hadjar was almost an aristocrat. The lawyer’s words were akin to the old man throwing a glove in Hadjar’s face. Hadjar looked behind his visitor, at the dark carriage emblazoned with the white coat of arms of the Predatory Blades clan. Brustor would have to try a little harder. So far, his provocations weren’t even a match for the insults that Hadjar had received during his meetings with Emperor Morgan. Shocking the old man, Hadjar bowed deeply. “Only a silly young man,” he said, straightening back up, “doesn’t feel respect toward someone whose hair is whiter than his.
”
”
Kirill Klevanski (Path to the Unknown (Dragon Heart, #11))
“
Everything that mattered in Hank Reed’s life, outside of his family, revolved around horses. Starting with his days as a cadet, he had lived in a world that could measure everything—honor, kindliness, discipline, sporting spirit, diligence, and, most of all, courage—in equestrian terms. His brain was crammed with the nomenclature of horses: cantle, withers, curb chain, bran mash, fetlock, stock tie, near side, picket line. He knew the aids for a flying lead change, the correct attire for a foxhunt, the thunder of charging by platoon, and the serenity of riding alone on a quiet path, with only his mount’s breaths and cadenced footsteps for company. The rhythm of a horse’s strides was like music to him—the walk a ballad in four/four time, the trot a rousing two-beat march, the canter a smooth three-beat waltz. Reed knew the scent of fresh straw in the stable, the tickle of a horse’s whiskers as it nuzzled up a carrot. He knew that endless moment when a fall was inevitable and then the sudden breathless smack of landing hard on packed dirt. He knew what the end of a day on horseback felt like, salty with sweat, dirt under his fingernails, and a mind whitewashed from all worry. More than anything, Hank Reed understood what was unspoken among all of these horse soldiers. Sunburned, brusque, tough, accustomed to giving and taking orders, they knew that if you live, eat, sleep, and breathe horses for long enough, they become part of you, and your soul is forever altered.
”
”
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
I don’t care,” he said, his breath warm and enticing against my mouth. “I knew I could never keep you, Blue. I knew it from the first time we kissed, I just fooled myself into believing it for a while. So when it came to us or you, I chose you. Because I woke up to reality. And real life isn’t nice or easy, it’s fucking quicksand that tries to drag you down the more you fight it. Love doesn’t conquer all this time, because we’re on two different paths. You’re heading to the stars, beautiful, and I’m staying down here in the dirt. That’s just the way it is.
”
”
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
“
Jespyr came up from behind. “The Old Book of Alders,” she murmured, watching the Nightmare run his fingers over the yew trunk, “is about the barters the Shepherd King made for Providence Cards. But he was born with magic.” Her stance was rigid. “What was it?” The Nightmare closed his eyes and tapped his sword on the yew tree three times. Click, click, click. From his mouth, Ravyn distinguished a single word. “Taxus.” The answer to Jespyr’s question came ripping through the earth. The whole wood shook—quaking from deep beneath its soil. The ground rolled, knocking Ravyn and Jespyr into each other. They fell in a heap next to Petyr and Wik and Gorse, who stared up from the ground, wide-eyed. The forest was moving, yew trees rearranging themselves. Roots wrenched from the earth, clouding the air with dirt. Branches snapped and leaves whirled all around them, caught in the windstorm of shifting trees. The Nightmare centered himself in the tumult, crouched on his haunches, untouched by root or branch. He tapped his sword once more—this time on the ground—the sound distinct in the ripping din. Click, click, click. The yew trees stopped moving. At the Nightmare’s feet, beneath the litter of upturned soil and leaves and broken branches, was a path through the wood. Cold sweat pooled in Ravyn’s palms. He’d read The Old Book of Alders his entire life. But this was his first true glimpse at the man who’d written it. The Nightmare stood to full height. He looked over his shoulder at the party where they lay in the dirt. “What,” Jespyr called, incredulous, “is a Taxus?” “An old name, for an old, twisted tree.” When he caught Ravyn’s gaze lingering at his sword, he traced a pale finger over the hilt. “Surely you didn’t think it was sheep I shepherded.
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
I’d always thought she had pretty eyes. Now, with that silver illuminated by the Nightfire, they are sky-shattering. And yet it’s not her power, beautiful as it is, that stuns me. It’s the single tear that slides down her cheek, tracking a path of dirt and blood with it. No more walls. No more harsh words. No more lies. I feel the exhausted remnants of her fear, her anger, her relief, in the bond that we share. I feel it in my own heart.
”
”
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
“
Only one thing was real, more real to me now than the past that we’d lost or the future we didn’t have: if I put one foot in front of the other, the path would move me forward and a strip of dirt, often no more than a foot wide, had become home. It wasn’t just the chill in the air, the lowering of the sun’s horizon, the heaviness of the dew or the lack of urgency in the birds’ calls, but something in me was changing season too. I was no longer striving, fighting to change the unchangeable, not clenching in anxiety at the life we’d been unable to hold on to, or angry at an authoritarian system too bureaucratic to see the truth. A new season had crept into me, a softer season of acceptance. Burned in by the sun, driven in by the storm. I could feel the sky, the earth, the water and revel in being part of the elements without a chasm of pain opening at the thought of the loss of our place within it all. I was a part of the whole. I didn’t need to own a patch of land to make that so. I could stand in the wind and I was the wind, the rain, the sea; it was all me, and I was nothing within it. The core of me wasn’t lost. Translucent, elusive, but there and grown stronger with every headland.
”
”
Raynor Winn (The Salt Path)
“
You collect a hunderd pennies in one minute by Master’s timepiece and you bought yourself free. Then they shakes a jar of coppers onto the belly of a shovel and holds it over the campfire long time. When they think it fun enough, they say, get yourself ready, and now you go, boy. The pennies go in the dirt around the fire and I got to pick them up and keep hold on them.” “Oh,” said Ada, with a sound like a kind of punch in the air, or out of it. “I gets forty-two hot cents before that minute up,” he said, holding out his hands again. “Here’s the proof.” “Oh,” she said. “And no freedom.” “Nothing next, but that we left,” he said. “One by one, and not on the same path, turns out.” “And here you are.” “And wherever this be, I don’t know. Some mystery or t’other.” She lifted her shoulders and dropped them. “Well. With me I suppose.
”
”
Gregory Maguire (After Alice)
“
That tank," Bucktooth pointed at the gas gauge on the dashboard of the decidedly unfredneck-like '65 Dodge Dart, "is almost empty. We ain't going much farther."
"Indeed it is." A solemn Phosphate agreed. "I suggest we stop the car and weigh our options."
"What options?" Professor Buckley asked. "Why do-that is- we've been traveling up and down this path for over an hour without seeing anyone or encountering anything. Even the doughnut shop cannot be relocated. In light of this, what options do we have?"
It was difficult to argue with the ex-history teacher's typically alarmist position. Brisbane's reliable old automobile had indeed been expending its remaining fuel supply in what seemed to be a hopeless effort to exit the unnamed dirt path. After leaving the doughnut shop and the blonde presidential descendant who worked there, they'd been unable to find DeMohrenschildt Lane again, or any other side street.
”
”
Donald Jeffries (The Unreals)
“
Then, I leapt onto the bike like I was a flying trapeze artist and held on for dear life. The bike accelerated in speed and bounced and bumped over the dirt and stones, and then launched onto the Michigan Lake Front Bike Path. “Tatum is like a freakin’ jack hammer, isn’t he?” My voice vibrated. “Don’t…” Angelisa squealed from ahead of me. “Don’t make me laugh, or we’re going to crash. Oh my God!
”
”
Christine Zolendz (#TripleX)
“
Look, guys,” said Flamesky, “it’s a band of horses.” The group landed on the dirt path, blocking Star and his friends. Star locked eyes with Brackentail. The brown colt appeared stunned to see him still alive. Star wondered if Brackentail was returning to Feather Lake hoping to find that the four Mountain Herd stallions had killed him.
”
”
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
“
You are American,” he says, as if I’m a mythical creature.
I nod. “Yes. And, uh, we have different dances where I come from.”
“Can you show us one?” The second boy, a dark-haired kid, steps forward, looking intrigued.
I stifle a laugh. “Oh, uh, no. I’m a horrible dancer.”
“Please?” the redheaded boy asks. “I have never seen an American dance.”
I just laughed at them thirty seconds ago. Wouldn’t that make me mean if I just blow them off now?
“I doubt you’d want to see these dances,” I say, stalling. I feel kind of bad. But I really can’t dance. I’ll make a fool of myself.
“Oh, but I do. Most certainly.”
“Oh.” Well, then.
I could try, right? Just some tiny little thing?
But what do I share? MC Hammer? The Running Man? The Electric Slide? A little Macarena?
“Uh,” I say, stepping forward. “How about, um, the Robot?”
“The Robot?” the two boys ask in unison.
Did the word robot even exist in 1815?
“Yeah. You, uh, hold your arms out like this,” I say, demonstrating the proper way to stand like a scarecrow. I can’t believe I’m doing this. “And then relax your elbows and let your hands swing. Like this.”
I’m really not doing it well, but by the way their eyes widen, you’d think I just did a full-on pop-and-lock routine with Justin Timberlake. They mimic my maneuver, making it look effortless.
The drummer guy stands up and gets in on the action, swinging his arms freely. The guy’s better than me after a two-second demo. Figures.
“Okay, then, uh, you sort of walk and you try to make everything look stiff and, uh, unnatural. Like this.” I show him my best robotic walk, my arms mechanical in their movements.
The two boys and the drummer immediately copy me, and by the time they’ve taken four or five steps, they seriously look like robots.
In no time they’re improvising, and their laughter trickles up toward the rafters of the barn.
Yeah. That’s my cue to leave before inspiration strikes and I try to show them how to break-dance but only succeed in breaking my neck.
I slip out of the barn unnoticed, grinning to myself as I walk the gravel path back toward the house, my skirts brushing the dirt.
At least somewhere, I’m not Callie the Klutz. Even if it’s just some smelly old barn.
There’s hope for me after all.
”
”
Mandy Hubbard (Prada & Prejudice)
“
Mr. Grattingly, while we might tarry in the conservatory in plain sight of the open door, the location you’ve chosen—ooph!” “The location I’ve chosen is perfect,” Grattingly said as he mashed his body against Louisa’s. He’d shoved her back against a tree, off the path, into the shadows. “Mr. Grattingly! How dare—” Wet lips landed on Louisa’s jaw, and the scent of wine-soured breath filled her head. “Of course, I dare. You all but begged me to drag you in here. With your tits nigh falling from your bodice, how do you expect a man to act?” He thrust his hand into the neckline of Louisa’s gown and closed his fingers around her breast. Louisa was too stunned for a moment to think, then something more powerful than fear came roaring forward. “You slimy, presuming, stinking, drunken, witless varlet!” She shoved against him hard, but he wasn’t budging, and those thick, wet lips were puckering up abominably. Louisa heard her brother Devlin’s voice in her head, instructing her to use her knee, when Grattingly abruptly shifted off her and landed on his bottom in the dirt. “Excuse me.” Sir Joseph stood not two feet away, casually unbuttoning his evening coat. His expression was as composed as his tone of voice, though even when he dropped his coat around Louisa’s shoulders, he kept his gaze on Grattingly. “I do hope I’m not interrupting.” “You’re not.” Louisa clutched his jacket to her shoulders, finding as much comfort in its cedary scent as she did in the body heat it carried. “Mr. Grattingly was just leaving.” “Who the hell are you,” Grattingly spat as he scrambled to his feet, “to come around and disturb a lady at her pleasures?” Somewhere down the path, a door swung closed. Louisa registered the sound distantly, the way she’d notice when rain had started outside though she was in the middle of a good book. Though this was not a good book. Instinctively Louisa knew she was, without warning or volition, in the middle of something not good at all. “I was not at my pleasures, you oaf.” She’d meant to fire the words off with a load of scathing indignation, but to Louisa’s horror, her voice shook. Her knees were turning unreliable on her, as well, so she sank onto the hard bench. “What’s going on here?” Lionel Honiton stood on the path, three or four other people gathered behind him. “Nothing,” Sir Joseph said. “The lady has developed a megrim and will be departing shortly.” “A megrim!” Grattingly was on his feet, though to Louisa it seemed as if he weaved a bit. “That bitch was about to get something a hell of a lot more—” Sir Joseph, like every other guest, was wearing evening gloves. They should not have made such a loud, distinct sound when thwacked across Grattingly’s jowls. Lionel stepped forth. “Let’s not be hasty. Grattingly, apologize. We can all see you’re a trifle foxed. Nobody takes offense at what’s said when a man’s in his cups, right?” “I’m not drunk, you ass. You—” “That’s not an apology.” Sir Joseph pulled on his gloves. “My seconds will be calling on yours. If some one of the assembled multitude would stop gawping long enough to fetch the lady’s sisters to her, I would appreciate it.” He said nothing more, just treated each member of the small crowd to a gimlet stare, until Lionel ushered them away. Nobody had a word for Grattingly, who stomped off in dirty breeches, muttering Louisa knew not what. Sir
”
”
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
“
It’s scary when you enter the real world. It’s like turning off the highway in the middle of nowhere. Maybe there’s another road, or a dirt road, or nothing at all. But it’s up to you to forge your own path. You can ask for advice, but ultimately, it’s your road. And the good thing about this road is that it can go in any direction you want. You can turn left, turn right, turn around, get off the road completely onto another dirt road. All that freedom is scary, frankly. But eventually, you’ll look in the rearview mirror and marvel at this amazing journey you built from nothing. Enjoy the journey. Enjoy the confusion. Enjoy making mistakes. That’s how the best roads are built.
”
”
A.J. Truman (Out on a Limb (Browerton University, #2))
“
There, just off the path, was a tiny opening in the trees that Lex had passed right by without even noticing. It led to a narrow dirt lane that twisted through a mass of craggy shrubberies and ultimately disappeared in a patch of trees.
“Here we are,” said Driggs in a chipper voice. “Off you go, special superpowery second-generation Grim.”
Lex bit her lip and stared at the scary path. “Okay.”
“Okay then.”
“I’m going.”
“Bon voyage.”
He wasn’t letting her back out of this one, not when she’d been so cocky. Tentatively, she tiptoed through the opening and into the trees, her sneakers kicking up leaves left and right.
One minute and seven seconds later she burst back out onto the path, panting and clutching her stomach.
“Ready to move in?” Driggs asked wryly.
Lex was so grateful he didn’t say “I told you so,” she fell in love with him all over again. “I don’t think Ikea delivers to creepy enchanted forests,” she choked out.
“Pity. I so love the neighborhood.
”
”
Gina Damico (Scorch (Croak, #2))
“
be opportunities for volunteers. One good 45-minute hike is to walk above the school along forested hillside paths to the dirt road that runs from Galu Devi Temple back to Dharamkot. A tough but popular longer walk is the long day or overnight return hike up the steep ridge east of Dharamkot to Triund (2900m), a 7km walk that gains 900m altitude in
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Lonely Planet (India (Lonely Planet Guide))
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says Robert Faris, a sociologist at UC Davis. If you were to screen the movie Cool Hand Luke for an audience of chimps—something he has not done—they would have no trouble determining who prevails in the prison boxing scene: the hulking boss, Dragline, beats Luke until the title character can barely stand. But the next scene would leave the chimps scratching their heads. Luke, the loser, has become the new leader of the prisoners. A human moviegoer could attempt to explain. Because Luke kept getting up out of the dirt, even when he was beat, he won the other prisoners’ respect. But the chimps would just not get it. “That’s a complexity of humans,” Faris says: it was not until after the human-chimpanzee split that Homo sapiens developed a newer, uniquely human path to power. Scholars call it “prestige.
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Anonymous
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day, the trigger was an older woman with deep wrinkles. To this day, I cannot be certain about what caused her to react so strongly. Perhaps she had used up her patience simmering in the sun for hours at the back of the line. Perhaps she had some desperately hungry grandchildren who she needed to get back to. It is impossible to know exactly what happened. But after she received her allocation of wheat, she broke the established rules of the feeding site and moved toward Bubba. She looked up at him and unleashed a verbal attack. Bubba, as gentle as ever, simply smiled at her. The more he smiled, the angrier she got. I noticed the commotion when our Somali guards suddenly tensed and turned toward the disturbance. All I could see was Bubba, head and shoulders above a gathering crowd, seemingly unperturbed, and smiling down at someone. His patient response only fueled the woman’s rage. I heard her sound of fury long before I spotted the source when she launched a long stream of vile curses at Bubba. Thankfully, he didn’t understand a word that she was saying. It was now possible to understand her complaint. She was upset about the quality of the “animal feed” that was being distributed for human consumption. She was probably right in her assessment of the food. These were surplus agricultural products that United Nations contributing members didn’t want, couldn’t sell, and had no other use for. As this hulking American continued to smile, the woman realized that she was not communicating. Now, furious and frustrated, she bent down, set her plastic bag on the ground, grabbed two fistfuls of dirty, broken wheat, grain dust, dirt and chaff. She straightened to her full height and flung the filthy mixture as hard as she could into Bubba’s face. The crowd was deathly silent as I heard a series of loud metallic clicks that indicated that an entire squad of American soldiers had instinctively locked and loaded all weapons in readiness for whatever might happen next. Everything felt frozen in time as everyone waited and watched for Bubba’s reaction. A Somali man might have beaten the woman for such a public insult—and he would have considered his action and his anger entirely justified. I knew that Bubba had traveled half-way around the world at his own expense to spend three months of personal vacation time to help hurting people. And this was the thanks that he received? He was hot, sweaty, and drained beyond exhaustion—and he had just been publicly embarrassed. He had every reason to be absolutely livid. Instead, he raised one hand to rub the grit out of his eyes, and then he gave the woman one more big smile. At that point, he began to sing. And what he sang wasn’t just any song. She didn’t understand the words, of course. But she, and the entire crowd, stood in silent amazement as Bubba belted out the words to the 1950’s Elvis Presley rock-n-roll classic: You ain’t nothin’ but a hound dog Cryin’ all the time You ain’t nothin’ but a hound dog Cryin’ all the time Well, you ain’t never caught a rabbit And you ain’t no friend of mine. By the time he started singing the next verse, the old woman had turned and stomped off in frustration, angrily plowing a path through the now-smiling crowd of Somalis to make her escape. Watching her go, Bubba raised his voice to send her off with rousing rendition of the final verse: Well they said you was high-classed Well, that was just a lie Ya know they said you was high-classed Well, that was just a lie Well, you ain’t never caught a rabbit And you ain’t no friend of mine.
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Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
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pulled into a dark tunnel. I found myself hurtling down an almost vertical dirt path, skipping over rocks and dirt patches like Indiana Jones until I hit bottom with a thud. Six years as a private investigator and I’d never fallen down a tree before. I caught my breath, got to my feet and dusted myself off. Good thing I never dress up for work. My old jeans and boots were none the worse for wear. I was wondering how I’d get back up to the surface when I noticed the flicker of golden sconces on
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Linsey Lanier (The Clever Detective (Clever Detective, #1))
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When our gifts are remembered and lived, we discard the idea that happiness requires an ideal life in which we are comparatively the best. Many beautiful and enjoyable things are messy and far from ideal. Some of the greatest cooks have the messiest of kitchens, and beautiful gardens are the result of sweat and dirt. As we move closer to our essence, we better understand that we can have a wonderful life in the absence of perfection.
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Robert A. Giacalone (The Essence of Living: Three Stories on the Path to a Meaningful Life)
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Crazy thing about dirt roads. Get very much rain and they’d pack down like tracks of clay, sticking to tires and caking to the wheel wells. Have a drought, though, and the dust would puff up for what seemed like a mile following a car’s path, turning the sky into a dingy haze. Dirt-colored smoke. Maybe Holly had lived there long enough that her heart mirrored the roads. It had been one heck of a dry season, but she’d seen a few showers lately. If she could just learn hang onto those downpours a little longer, maybe the dry days wouldn’t cause such a deep ache.
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Christina Coryell (Written in the Dust (Backroads #2))
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He moved down from the trail we had just been climbing and started to take the steep dirt path downward. Not paying a bit of attention to the trail because I was too focused on wondering how hard it would be to get myself off using his body and the vibrations, when his nose end hit the mud first, a huge wave of brown wetness covered us. And of course, because I was too busy trying to work at getting myself off, my back was arched. I had, in my mind, the best plan to arch my back and rub my core against the seat and his hard body. But when that mud wave came up and then back down, it shot straight down the back of my pants.
“Oh, my God, Lee!”
He doesn’t answer, just laughs harder. So hard, in fact, that he has to stop the four-wheeler.
“This isn’t funny! I have mud . . . oh my God . . . I have mud in my ass!”
His laughter picks up until he is forced to hold his sides.
“Holy crap. I can feel it. It’s all in my panties, Lee!”
Again, the big jerk just keeps on laughing until he has to pull his shirt up, flip it to the inside and wipe the tears his laughing has caused, rolling down his face.
“I swear, Liam Beckett. I was this close, this freaking close,” I scream, holding my pointer finger just an inch from my thumb, “To having one hell of an orgasm. It was building so high, I was too busy wondering if I would fall off the back when I went off. This freaking close and now . . . now I have mud in my ASS!
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Harper Sloan (Bleeding Love (Hope Town, #2))
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Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
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Alice McDermott (After This)