Dirt On My Name Quotes

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In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall.
Susanna Clarke (Piranesi)
You’re alive," she whispered. "Really alive." With a slow wonderment he reached to touch her face. "I was in the dark," he said softly. "There was nothing there but shadows, and I was a shadow, and I knew that I was dead, and that it was over, all of it. And then I heard your voice. I heard you say my name, and it brought me back." "Not me." Clary’s throat tightened. "The Angel brought you back." "Because you asked him to." Silently he traced the outline of her face with his fingers, as if reassuring himself that she was real. "You could have had anything else in the world, and you asked for me." She smiled up at him. Filthy as he was, covered in blood and dirt, he was the most beautiful thing she’d ever seen. "But I don’t want anything else in the world.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I won’t stop until my mouth is imprinted on your mind and your taste is my fucking middle name.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
I encourage you to sit in that garden, but when you do, close your eyes and I'll tell you about the real garden, the sacred place. Ninety feet away from where you sit there is a spot, where Brock's knees hit the dirt, where the Swedes tackled him to the ground, yelling 'What the fuck are you doing? Do you think this is okay?'. Put their words on a plaque. Mark that spot, because in my mind I've erected a monument. The place to be remembered is not where I was assaulted, but where he fell, where I was saved, where two men declared stop, no more, not here, not now, not ever.
Chanel Miller (Know My Name)
Come on, who saw what happened?" "I did," I volenteered. "Well?" "Buttwipe wanted to know what jerkface was looking at." I turned turned eyes on the bloody and dirt-smeared brawlers. "You were barely 3-inches apart. Couldn't you see that you were both looking at each other?" The teacher's face reddened. "Who do you think you are? Jerry Seinfeld?" "You must be confused with another student," I told him. "My name is Capricorn Anderson.
Gordon Korman (Schooled)
Stay at my house. The minute I get off that plane I will drive there, pin you down on my bed, and worship your pussy. I won’t stop until my mouth is imprinted on your mind and your taste is my fucking middle name.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
Did you really think that when I learned my celestial name, I'd leave? I'd forget all about you?" "You did leave. You did forget all about me." "That's different." "The pain was just real." He wrapped his arms around me and squeezed as though his life depended on it.
Darynda Jones (The Dirt on Ninth Grave (Charley Davidson, #9))
Well, of course I’ve tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I’ve tried it. Of course I have.
Yasmin Belkhyr
As she rattles on, about Violet, about Gemma Sterling, about the Bartlett Dirt, I don’t say anything else. I suddenly don’t want Bren or Charlie to talk about Violet, because I want to keep her to myself, like the Christmas I was eight—back when Christmases were still good—and got my first guitar, which I named No Trespassing, as in no one could touch it but me.
Jennifer Niven (All the Bright Places)
Mock me, say I will never change, throw dirt on my name…. I will rise above every bad choice, every foolish decision, and every bad experience. I will continue to grow into the good man I ought to be.   To
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
I used to think that I needed to be part of a story, a big story, one with trials and villains and temptations and rewards. That's how I would conquer it, conquer death." She sighed again, and nestled in closer to me. "All that matters, in the end, is the little things. The way Mim says my name to wake me up in the morning. The way Bee's hand feels in mine. The way the sun cast my shadow across the yard yesterday. The way your cheeks flush when we kiss. The smell of hay and the taste of strawberries and the feel of fresh black dirt between my toes. This is what matters, Midnight.
April Genevieve Tucholke (Wink Poppy Midnight)
My condolences I'll shed a tear with your family I'll open a bottle up, pour a little bit out in your memory I'll be at the wake dressed in all black I'll call out your name, but you won't call back I'll hand a flower to your mother when I say goodbye Cause baby you're dead to me I need to kill you That's the only way to get you out of my head Oh I need to kill you To silence all the sweet little things you said I really want to kill you Wipe you off the face of my earth And bury your bracelet Bury your bracelet Six feet under the dirt
Melanie Martinez
Trav just shook his head and grinned. “It’s my ring on your finger, Charlie. It’s our daughter asleep down the hall, and it’s me you beg for and my name you whisper.” He sighed, content and sleepy. His accent was always thicker when he was tired. “I know damn well who you belong to. And you do too.
N.R. Walker (Red Dirt Heart Imago (Red Dirt #4.5, Imago #2.5))
My name is Bis,” he said, “and I was kicked off the basilica because I was spitting on the people coming in. Suck-up little Glissando thinks she knows angel dust from dirt and tattled on me.
Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
Home. One place is just like another, really. Maybe not. But truth is it’s all just rock and dirt and people are roughly the same. I was born up there but I’m no stranger here. Have always felt at home everywhere, even in Virginia, where they hate me. Everywhere you go there’s nothing but the same rock and dirt and houses and people and deer and birds. They give it all names, but I’m at home everywhere. Odd thing: unpatriotic. I was at home in England. I would be at home in the desert. In Afghanistan or far Typee. All mine, it all belongs to me. My world.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Home. One place is just like another, really. Maybe not. But truth is it's all just rock and dirt and people are roughly the same. I was born up there but I'm no stranger here. Have always felt at home everywhere, even in Virginia, where they hate me. Everywhere you go there's nothing but the same rock and dirt and houses and people and deer and birds. They give it all names, but I'm at home everywhere. Odd thing: unpatriotic. I was at home in England. I would be at home in the desert. In Afghanistan or far Typee. All mine, it all belongs to me. My world.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall. I imagine I am walking the path from the vestibule to the hall. I note with precision the doors I must pass through, the rights and lefts that I must take, the statues on the walls that I must pass. Last night I dreamt that I was standing in the fifth northern hall facing the statue of the gorilla. The gorilla dismounted from his plinth and came towards me with his slow knuckle-walk. He was grey-white in the moonlight; and I flung my arms around his massive neck and told him how happy I was to be home. When I awoke I thought: I am not home. I am here.
Susanna Clarke (Piranesi)
Rather than let author and environmentalist Edward Abbey be buried in a traditional cemetery, his friends stole his body, wrapped it in a sleeping bag, and hauled it in the back of his pickup truck to the Cabeza Prieta Desert in Arizona. They drove down a long dirt road and dug a hole when they reached the end of it, marking Abbey’s name on a nearby stone and pouring whiskey onto the grave. Fitting tribute for Abbey, who spent his career warning humanity of the harm in separating ourselves from nature. “If my decomposing carcass helps nourish the roots of a juniper tree or the wings of a vulture—that is immortality enough for me. And as much as anyone deserves,” he once said. Left
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
If there are meta-beings, a god or gods who did not create the world, then they can tell us what to do the same way bullies can, though they have no jurisdiction. They can run our countries like Italian neighborhoods and along the same principles. Do it or get whacked. Bend your knees, slaughter bulls, lick dirt, give us your milk money. But might, even above the human level, does not make right. But a creative God, a God without whom none of this would be, a God who spoke reality into being and shapes it even now, He has authority. The world is His. You are His the way my words are mine. We are dust spoken from nothing, shaped with the moisture of His breath, named and now-living.
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
So I said, “Hey, Joe,” and hoped it was a start. He was startled. He opened and closed his mouth a few times. He made a growling noise deep in his chest, a low rumble that made my skin itch. It was pleased, that sound, like even just me saying his name was enough to make him happy. For all I knew, it was. It cut off as quickly as it started. He looked faintly embarrassed. I scuffed my foot in the dirt, waiting. He said, “Hey, Ox.” He cleared his throat and looked down. “Hi.” It was weird, that disconnect between the boy I’d known and the man before me. His voice was deeper and he was bigger than he’d ever been. He radiated power that had never been there before. It fit him well. I remembered that day that I’d really seen him for the first time, wearing those running shorts and little else. I pushed those thoughts away. I didn’t want him sniffing me out. Not yet. Because attraction wasn’t the problem right now. Especially not right now. I
T.J. Klune (Wolfsong (Green Creek, #1))
I encourage you to sit in that garden, but when you do, close your eyes, and I’ll tell you about the real garden, the sacred place. Ninety feet away from where you sit there is a spot, where Brock’s knees hit the dirt, where the Swedes tackled him to the ground, yelling, What the fuck are you doing? Do you think this is okay? Put their words on a plaque. Mark that spot, because in my mind I’ve erected a monument. The place to be remembered is not where I was assaulted, but where he fell, where I was saved, where two men declared stop, no more, not here, not now, not ever.
Chanel Miller (Know My Name)
In that moment, that push, I lost every hold I had on myself and became his. He shuddered out my name, pressed himself fully inside, and waited for one long breath. “Are you okay?” His words were painful and tight, gritted out between his teeth, and I nodded, unable to form words, unable to do anything but worship at the altar of Cole Masten from that moment forth. “Good,” he moaned. “Because I’m about to unleash hell.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
It's the captain. He looks fresh shaved. My own face is covered in little wires that amount to nothing but the look of dirt. It is a kind of dirt, things that grow out from me. It means I have dirt deep inside of me. A head full of dirt, maybe. When I've had a few, a nice soft dirt. Otherwise I am livewired, hungry-eyed like a scorned wolf, but give the appearance of a nervous boy, tittering along in search of something, namely, another drink.
Ottessa Moshfegh (McGlue)
How does someone keep a chicken inside a fence? I had closed my eyes at that one, picturing Cocky running off into the cotton fields, and me, standing at the edge of the fence, hollering the rooster’s name like a crazy woman.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall. I imagine I am walking the path from the vestibule to the hall. I note with precision the doors I must pass through, the rights and lefts that I must take, the statues on the walls that I must pass.
Susanna Clarke (Piranesi)
[Author's note:] When I decided to write this book, I worried that my privilege would make me blind to certain truths, that I would get things wrong, as I may well have. I worried that, as a non-immigrant and non-Mexican, I had no business writing a book set almost entirely in Mexico, set entirely among migrants. I wished someone slightly browner than me would write it. But then I thought, 'If you're a person who has the capacity to be a bridge, why not be a bridge?' So I began. In the early days of my research, before I'd fully convinced myself that I should undertake the telling of this story, I was interviewing a very generous scholar, a remarkable woman who was chair of the Chicana and Chicano studies Department at San Diego State University. Her name is Norma Iglesias Prieto, and I mentioned my doubts to her. I told her I felt compelled, but unqualified, to write this book. She said, "Jeanine. We need as many voices as we can get, telling this story." Her encouragement sustained me for the next four years. I was careful and deliberate in my research. I traveled extensively on both sides of the border and learned as much as I could about Mexico and migrants, about people living throughout the borderlands. The statistics in this book are all true, and though I changed some names, most of the places are real, too. But the characters, while representative of the folks I met during my travels, are fictional.
Jeanine Cummins (American Dirt)
If the goal was to heal, move on, this was not the way to proceed. Healing needed privacy, needed patience, needed nurturing. Healing required planting seeds in the soft, dark underground. Reporters arrived like shovels tearing into the earth, scooping seeds out, bare-skinned, back onto the surface. I was left on my knees in the dirt digging holes, placing the broken shells down deep, patting the soil with my hands. But there would always be more shovels, more disruptions, looming court dates. The more it happened, the less energy I had to keep digging; a deadening faith that something would grow.
Chanel Miller (Know My Name: A Memoir)
I think of how I want to return the favor; to pull the heaviness of you, to be the one yelling it is not okay, pinning your demons down in the dirt, so you suddenly find yourself free, given the chance to begin your journey, growing on your own, uncovering your voice, finding your way back. I want to stay and fight, while you go.
Chanel Miller (Know My Name)
Chicana intifada Rocks are our weapons of choice, indeed the only ones that we have stockpiled. We never worry about running out of them. After all, our unpaved streets are filled with rocks. We have wiped the dirt off them so that they may sail with a smooth hardness when we fling them into the air. We shall name each one of our rocks for the family members we have lost each year of the hundreds of years we’ve lived in these parts—as indios, as mestizos, as “Hi-panics.” For starters, we plan to break a few windows of the jefe’s casota nueva. I myself will be delighted to land one in each pane: center, left, right, top, bottom—the exact location doesn’t much matter. Why should his fancy house remain intact while we cannot count on running water? No one will suspect that an abuela is la capitana of the Chicana intifada, with her disguise of hat and gloves, of shiny earrings and sheer “nude” pantyhose; with her polite yes, ma’aming. “We’ll launch the first volleys at 6 p.m.,” she whispers to us. Smiling wryly, she adds, “Inside the house at a reception to which I’ve been properly invited you’ll see me lower my right gloved hand to the marble table.” Copyright (C) Teresa Palomo Acosta, 2007. All rights reserved.
Teresa Palomo Acosta
What are you doing?" "I went to the woods this morning and dug these up. For her," he says. "I thought we could plant them along the side of the house." I look at the bushes, the clods of dirt hanging from their roots, and catch my breath as the word /rose/ registers. I'm about to yell vicuous things at Peeta when the full name comes to me. Not plain rose but evening primrose. The flower my sister was named for.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The prince tilts his head to study me. 'Tell me what you dream of, Jude Duarte, if that's your true name. Tell me what you want.' ... 'To resist enchantments,' I say, trying to will myself in to stillness. Trying not to fidget. I want to seem like a serious person who makes serious bargains. He regards me steadily. 'You already have True Sight, given to you as a child. Surely you understand our ways. You know the charms. Salt our food and you destroy any ensorcellment on it. Turn your stockings inside out and you will never find yourself led astray. Keep your pockets full of dried rowan berries and your mind won't be influenced.' The last few days have shown me how woefully inadequate those protections are. 'What happens when they turn out my pockets? What happens when they rip my stockings? What happens when they scatter my salt in the dirt?
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Simon nudged him. “Workmanship not up to your standards?” “Come on! Look at those conduits. Unshielded. Probably giving us all cancer. And those coolant valves are rusting. No proper safety labels. Enough dirt and dust to choke a Cushing mammoth.” “Reminds me of your work.” Renshu snorted. “Hey, my work may be a bit messy but—” “A bit? Have you seen the corridor ceiling outside my cabin? What in the name of the Realm is that green wire I’ve been staring at for the past week!
Steve Rzasa (The Word Reclaimed (The Face of the Deep, #1))
In spite of the terrible pain I was in, I tried to help name the hot sauces. For the allegedly mild one, which tasted like nuclear fall-out, I suggested Hot as Fuck. For the medium one, which tasted like seven lit cigarettes applied firmly to the tongue, I suggested You'd Have to Be an Idiot to Try This, and for the Scorpion sauce, which was so hot I think it gave me permanent nerve damage, I suggested Lawsuit Followed by Complete Financial Collapse. She ignored all my suggestions...
Susan Juby (Republic of Dirt: A Return to Woefield Farm (Woefield, #2))
That was the first growth, the heir of all my minutes, the victim of every ramification- more and more it grew green, and gave too much shelter. And now at my homecoming, the barked elms stand up like sticks along the street. I am a foot taller than when I left, and cannot see the dirt at my feet. Yet sometimes I catch my vague mind circling with a glazed eye for a name without a face, or a face without a name, and at every step, I startle them. They start up, dog-eared, bald as baby birds.
Robert Lowell (For the Union Dead)
He was beautiful. Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge. He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring. Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes. Good-he wasn’t looking at me. I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him… …and saw a picture of me, fast asleep. It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me? Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still. “You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased. My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked. “You knew?” I asked, mortified. Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?” My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?” He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.” I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.” “Hmm. Did you sort anything out?” he asked. “Like I said, I can’t remember.” I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look?
Hilary Duff (Elixir (Elixir, #1))
Tonight, I decided to take a stroll down to my local liquor store. Maybe I’ll find a refreshment to wash down this full moon. I hate showing up & the clerk fucking knows my name, perhaps because I’m a regular. Anyways got my shit, left…barely covering the tax. Took the long way home; to get away from that haunting typewriter. Sat down at some park bench, as I started to open my poison; A memory rushed into me. A empty bottle of Jack Daniel’s under the Christmas tree. I thought my dad would want another drink, so started to pour my bottle into the dirt & cried.
Brandon Villasenor (I Can't Stop Drinking About You)
In addition to Linda and me, there's a brother, a strange little guy named Bradley, obsessed with his own cowboy boots. He paces areound and around the house, staring at his feet and humming the G. I. Joe song from the television commmercial. He is the ringleader of a neighborhood gang of tiny boys, four-year olds, who throw dirt and beat each other with sticks all day long. In the evenings he comes to dinner with an imaginnary friend named Charcoal. 'Charcoal really needs a bath', my mother says, spooning Spaghettios onto his plate. His hands are perfectly clean right up to the wrists and the center of his face is cleared so we can see what he looks like. The rest of him is dirt.
Jo Ann Beard
There was one monk who never spoke up. His name was Vappa, and he seemed the most insecure about Gautama coming back to life. When he was taken aside and told that he would be enlightened, Vappa greeted the news with doubt. “If what you tell me is true, I would feel something, and I don’t,” he said. “When you dig a well, there is no sign of water until you reach it, only rocks and dirt to move out of the way. You have removed enough; soon the pure water will flow,” said Buddha. But instead of being reassured, Vappa threw himself on the ground, weeping and grasping Buddha’s feet. “It will never happen,” he moaned. “Don’t fill me with false hope.” “I’m not offering hope,” said Buddha. “Your karma brought you to me, along with the other four. I can see that you will soon be awake.” “Then why do I have so many impure thoughts?” asked Vappa, who was prickly and prone to outbursts of rage, so much so that the other monks were intimidated by him. “Don’t trust your thoughts,” said Buddha. “You can’t think yourself awake.” “I have stolen food when I was famished, and there were times when I stole away from my brothers and went to women,” said Vappa. “Don’t trust your actions. They belong to the body,” said Buddha. “Your body can’t wake you up.” Vappa remained miserable, his expression hardening the more Buddha spoke. “I should go away from here. You say there is no war between good and evil, but I feel it inside. I feel how good you are, and it only makes me feel worse.” Vappa’s anguish was so genuine that Buddha felt a twinge of temptation. He could reach out and take Vappa’s guilt from his shoulders with a touch of the hand. But making Vappa happy wasn’t the same as setting him free, and Buddha knew he couldn’t touch every person on earth. He said, “I can see that you are at war inside, Vappa. You must believe me when I say that you’ll never win.” Vappa hung his head lower. “I know that. So I must go?” “No, you misunderstand me,” Buddha said gently. “No one has ever won the war. Good opposes evil the way the summer sun opposes winter cold, the way light opposes darkness. They are built into the eternal scheme of Nature.” “But you won. You are good; I feel it,” said Vappa. “What you feel is the being I have inside, just as you have it,” said Buddha. “I did not conquer evil or embrace good. I detached myself from both.” “How?” “It wasn’t difficult. Once I admitted to myself that I would never become completely good or free from sin, something changed inside. I was no longer distracted by the war; my attention could go somewhere else. It went beyond my body, and I saw who I really am. I am not a warrior. I am not a prisoner of desire. Those things come and go. I asked myself: Who is watching the war? Who do I return to when pain is over, or when pleasure is over? Who is content simply to be? You too have felt the peace of simply being. Wake up to that, and you will join me in being free.” This lesson had an immense effect on Vappa, who made it his mission for the rest of his life to seek out the most miserable and hopeless people in society. He was convinced that Buddha had revealed a truth that every person could recognize: suffering is a fixed part of life. Fleeing from pain and running toward pleasure would never change that fact. Yet most people spent their whole lives avoiding pain and pursuing pleasure. To them, this was only natural, but in reality they were becoming deeply involved in a war they could never win.
Deepak Chopra (Buddha)
Good. You’re awake.” Annwyl gulped and prayed the gods were just playing a cruel joke on her. She raised herself on her elbows when that deep, dark voice spoke again, “Careful. You don’t want to tear open those stitches.” With utter and almost heart-stopping dread, Annwyl looked over her shoulder and then couldn’t turn away. There he was. An enormous black dragon, his wings pressed tight against his body. The light emanating from the pit fire causing his shiny black scales to glisten. His huge horned head rested in the center of one of his claws. He looked so casual. If she didn’t know better, she’d swear he smirked at her, his black eyes searing her from across the gulf between them. A magnificent creature. But a creature nonetheless. A monster. “Dragons can speak, then?” Brilliant, Annwyl. But she really didn’t know what else to say. “Aye.” Scales brushed against stone and she bit the inside of her mouth to stop herself from cringing. “My name is Fearghus.” Annwyl frowned. “Fearghus?” She thought for a moment. Then dread settled over her bones, dragging her down to the pits of despair. “Fearghus . . . the Destroyer?” “That’s what they call me.” “But you haven’t been seen in years. I thought you were a myth.” Right now, she silently prayed he was a myth. “Do I look like a myth?” Annwyl stared at the enormous beast, marveling at the length and breadth of him. Black scales covered the entire length of his body, two black horns atop his mighty head. And a mane of silky black hair swept across his forehead, down his back, nearly touching the dirt floor. She cleared her throat. “No. You look real enough to my eyes.” “Good.” “I’ve heard stories about you. You smote whole villages.” “On occasion.” She turned away from that steady gaze as she wondered how the gods could be so cruel. Instead of letting her die in battle as a true warrior, they instead let her end up as dinner for a beast. “And you are Annwyl of Garbhán Isle. Annwyl of the Dark Plains. And, last I heard, Annwyl the Bloody.” Annwyl did cringe at that. She hated that particular title. “You take the heads of men and bathe in their blood.” “I do not!” She looked back at the dragon. “You take a man’s head, there’s blood. Spurting blood. But I do not bathe in anything but water.” “If you say so.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
I gazed at my bare and battered feet, with their smattering of remaining toenails. They were ghostly pale to the line a few inches above my ankles, where the wool socks I usually wore ended. My calves above them were muscled and golden and hairy, dusted with dirt and a constellation of bruises and scratches. I’d started walking in the Mojave Desert and I didn’t plan to stop until I touched my hand to a bridge that crosses the Columbia River at the Oregon-Washington border with the grandiose name the Bridge of the Gods. I looked north, in its direction—the very thought of that bridge a beacon to me. I looked south, to where I’d been, to the wild land that had schooled and scorched me, and considered my options. There was only one, I knew. There was always only one. To keep walking.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
She watched as the dirt kicked up in a cloud. When it cleared, she couldn’t see him anymore. She stayed until she couldn’t hear him anymore. Staying. Not chasing. Not stopping him. She knew she could bring him back. She was more than capable, and yet her feet refused to move. It felt like the little arms that had encircled her neck still clung there. Was it my Anna? Was her name just a coincidence? Eve hated that she had these questions, and that the only man she wanted to talk to about them was David. Have I just forsaken Beckett? Roots continued to form. Her murderous hands remembered how satisfying clicking the seatbelt around Emily’s small body had been. It sounded just like releasing the safety on a gun. Could motherhood be even a tiny possibility? Her inaction chose her future.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The saddest things about these [sexual assault] cases, beyond the crimes themselves, are the degrading things the victim begins to believe about her being. My hope is to undo these beliefs. I say her, but whether you are a man, transgender, gender-nonconforming, however you choose to identify and exist in this world, if your life has been touched by sexual violence, I seek to protect you. And to the ones who lifted me, day by day, out of darkness, I hope to say thank you. … When I’m afraid, all I have to do is think of the two of them [Peter Jonsson and Carl Arndt]. I think of how I want to return the favor; to pull the heaviness off you, to be the one yelling it is not okay, pinning your demons down in the dirt, so you suddenly find yourself free, given the chance to begin your journey, growing on your own, uncovering your voice, finding your way back. I want to stay and fight, while you go.
Chanel Miller (Know My Name)
Last night I had the dream again. Except it's not a dream I know because when it comes for me, I'm still awake. There's my desk. The map on the wall. The Stuffed animals I don't play with anymore but don't want to hurt Dad's feelings by sticking in the closet I might be in bed. I might be just standing there, looking foe a missing sock. Then i'm gone. it doesn't just show me somthing this time, it takes me from here to THERE> standing on the bank of a river of fire. A thousand wasps in my head. Fighting and dying inside my skull, their bodies piling up against the backs of me eyes. Stinging and stinging. Dad's voice. Somewhere across the river. Calling my name. I've never heard him sound like that before. He's so frightened he can't hide it, even though he tries (he ALWAYS tries). The dead boy floats by. Facedown. So I wait for his head to pop up, show the holes where his eye used to be, say somthing with his blue lips. One of the terrible things it might make him do. But he just passes like a chunk of wood. I've never been here before, but I know it's real. The river is the line between this place and the Other Place. And I'm on the wrong side. There's a dark forest behind me but that's not what it is. I try to get to where Dad is. My toes touch the river and it sings with pain. Then there's arms pulling me back. Dragging me into the trees. They feel like a man's arms but it's not a man that sticks its fingers into my mouth. Nails that scratch the back of my throat. Skin that tastes like dirt. But just before that, before I'm back in my room with my missing sock in my hand, I realize I've been calling out to Dad just like he's been calling out to me. Telling him the same thing the whole time. Not words from my mouth through the air, but from my heart through the earth, so only the two of us could hear it. FIND ME
Andrew Pyper (The Demonologist)
I look at the bushes, the clods of dirt hanging from their roots, and catch my breath as the word rose registers. I’m about to yell vicious things at Peeta when the full name comes to me. Not plain rose but evening primrose. The flower my sister was named for. I give Peeta a nod of assent and hurry back into the house, locking the door behind me. But the evil thing is inside, not out. Trembling with weakness and anxiety, I run up the stairs. My foot catches on the last step and I crash onto the floor. I force myself to rise and enter my room. The smell’s very faint but still laces the air. It’s there. The white rose among the dried flowers in the vase. Shriveled and fragile, but holding on to that unnatural perfection cultivated in Snow’s greenhouse. I grab the vase, stumble down to the kitchen, and throw its contents into the embers. As the flowers flare up, a burst of blue flame envelops the rose and devours it. Fire beats roses again. I smash the vase on the floor for good measure. Back
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The last name made Ro unleash an impressive string of ogre curses. “I take it that means you know the guy?” Keefe asked. Sophie could see every one of Ro’s pointed teeth when she said, “I do.” “And?” Keefe pressed. “It’s none of your business,” Ro snapped back. “Pretty sure it is, since Foster’s supposed to trust him with her life,” Keefe argued. Ro muttered a few more creative words under her breath. “Bo’s a loyal Mercadir. That’s not the issue.” “You call him Bo?” Keefe noted as Sophie asked, “Then what’s the issue?” Ro ignored both of them. “Stay here,” she told Keefe, “and don’t even think about leaving until I return.” “Where are you going?” Elwin called as she headed for the exit. “To throttle my father.” The door slammed hard enough to shake the walls, and Sophie, Keefe, and Elwin all shared a look. “Yeah . . . we definitely need to get the story on Bo and Ro,” Keefe decided. Sophie nodded. “Do you think they dated?” “Ohhhhhhhh, now I do! And I’ve been trying to get dirt like that on Ro since she got here!” He cracked his knuckles. “Okay, this is going to call for some epic-level snooping—and if that doesn’t work, I guess I know what my next bet will be!” “No more betting,” Elwin warned. “At least not on my watch. And today’s lesson better be chaos-free or I’m nixing these little sessions.” “Aw, we can’t have that. Foster would miss me too much. Who knew the way to her heart was my mad teaching skills?
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
The Sky is full to the brim with autumn as the season makes its way to across it. It is as if I had no worries at all. so I could count all the stars nestled in autumn. Yet i cannot quite finish counting all those stars that are settling in my heart one by one, because mornings have a way of coming swiftly, because tomorrow's night is still to come, and because the fire of my heart hasn't burn out yet. I see memories in one star and love in another and loneliness my longings and poetry in each and Mother in another, Mother. Mother, I am trying to call out a beautiful word for each star. Names of the kids I shared desk with in a grade school, such foreign girls names as Pae, Kyeong, Ok, and the girls who have become mothers already, my poor neighbors, the doves, puppies, rabbits, mules, roe deer, Francies Jammes and Rheiner Maria Rilke - I call such names of poets. They are all so far away from me. Just as the stars are ever distant. And mother, you are in North Gando which is so far away. Longing for something I couldn't name, I wrote my own name on this hill which is bright with all the starlight landing, but then I covered it up again with dirt. True, some insects chirp through the night because they lament their shameful names. Yet when spring comes around to my star after winter, even on this hill where my name is buried, shrubs will grow thick as if boasting like the green grass that sprouts on a grave.
Yun Dong-ju (Sky, Wind, and Stars)
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
I’ve been so mean to my body, outright hateful. I disparage her and call her names, I loathe parts of her and withhold care. I insist on physical standards she can never reach, for that is not how she is even made, but I detest her weakness for not pulling it off. I deny her things she loves depending on the current fad: bread, cheddar cheese, orange juice, baked potatoes. I push her too hard and refuse her enough rest. No matter what she accomplishes, I’m never happy with her. I’ve barely acknowledged her role in every precious experience of my life. I look at her with contempt. And yet every morning, no matter how terrible I have been to her, she gets us out of bed, nurtures the family, meets the needs of the day. She tells me when I am hungry or tired and sends special red-alert signals when I am overwhelmed or scared. She has safely gotten me to and from a thousand cities with fresh energy. She flushes with red wine, which she loves, which is pretty cute. She walked the Cliffs of Moher in Ireland, the red dirt of Uganda, the steep opulence of Santorini, the ruins of Pompeii. She senses danger, trouble, land mines; she is never wrong. Every single time, she tells me when not to say something. She has cooked ten thousand meals. She prays without being told to; sometimes I realize she is whispering to God for us. She walks and cooks and lifts and hugs and types and drives and cleans and holds babies and rests and laughs and does everything in her power to live another meaningful, connected day on this earth. She sure does love me and my life and family. Maybe it is time to stop hating her and just love her back.
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
Reagan Truman’s cell phone clamored in the darkness. It took several rings to find it. “Hello,” she mumbled, hoping she didn’t wake her uncle in the next room. “Rea, this is Noah.” “It’s late, Noah.” She pulled she string on an old Tiffany-style lamp that was probably five times her age. Something was wrong; not even Noah called this late. “I know, Rea. But I need to talk to you.” She shoved her hair out of her face and tried to force sleep away. “All right, what’s up?” “I’m in the hospital, Rea. I was hurt tonight in Memphis.” “How bad?” she laughed nervously. She’d almost asked if he was still alive. There was a long pause on the line. “I don’t know. Bad. Broken arm, two ribs, but it’s my back that has me worried.” He didn’t speak for a moment. When he began again, he sounded more like a frightened boy than a man of twenty. “I’m hurt bad enough to maybe kick me off the circuit. When I hit the dirt, I was out cold. They said I kept yelling your name in the ambulance, but I don’t remember. All I remember is the pain.” “Noah, what can I do? Do you want me to go over to your folk’s house? I think they’re in town. I could call your sister, Alex.” “No, I don’t want them to worry. I know mom. She’ll freak out and dad will start lecturing me like I’m still a kid. I don’t want them to know anything until I know how serious it is. They’re still not telling me much yet.” He paused, and she knew he was fighting to keep his voice calm. “Rea, I got to face this before I ask them to. If it’s nothing, they don’t even need to know. If it’s crippling, I got to have a plan.” She understood. Noah had always been their positive, sunny child. The McAllens had already lost one son eight years ago. She’d seen the panic in their eyes once when Noah had been admitted to the hospital after an accident. She understood why he’d want to save them pain. “What can I do?” He was silent for a moment, and then he said simply, “Come get me. No matter how bad it is, I want you near when I find out.
Jodi Thomas (The Comforts of Home (Harmony, #3))
I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.
Blake Butler (Scorch Atlas)
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
I got into a situation with a crazy person named Ben because I had the loss of a damaged person named Alex hanging over me like a dirt cloud over Pig Pen for what had ballooned into a six-month funk. Alex’s frigidity, after the sex-free final year of my doomed relationship with Patrick, plus all the time invested and the chocolate-chip scones downed in their respective aftermath, honed me into the perfect vessel for Ben’s brand of crazy. Alex was Mrs. O’Leary’s cow, I was the lantern he kicked over, and Ben was the Chicago Fire.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
Did somebody die?” “Yes,” I replied. “Who?” he asked, starting to freak out. I pulled out my notepad and asked him if he knew a Marcie Tucker. “Marcie? Hm, Marcie, it doesn't ring a bell but… Oh yeah, the temp who's filling in while my regular assistant is out, I think her name is Marcie. In fact, she was supposed to be here today. I was actually starting to worry that… Wait. Is she…” “Unfortunately yes,” I said, “Marcie was found in her apartment late last night uh… no longer alive.” My bedside manner has never been my strong suit. Dr. Taggart looked distressed and began to ramble incoherently for a minute. I let him work through it though, I figured it was his way of grieving. I wouldn't have even paid attention to it except for the fact that it was kind of goofily, ineptly… well, poignant: "Oh, uh, Oh my God. That's terrible. I uh… I hope she didn't have any family. I mean, I don't hope she didn't have any family, what I mean is, if she uh… if she didn't have any family then there would be nobody to get all bummed out about this and uh… you know, when something like this happens, you always think about the poor, heartbroken family, so uh… if she doesn't have any family then uh… the bright side would be that nobody would, you know, have to be all bummed out." Hm. I guess I never thought of it that way. Awkward wording aside, he's kind of got a point there.
Jules Cassard (Dirt Nap Rhapsody)
You’ve seen a lot of death, then?” Logen winced. In his youth, he would have loved to answer that very question. He could have bragged, and boasted, and listed the actions he’d been in, the Named Men he’d killed. He couldn’t say now when the pride had dried up. It had happened slowly. As the wars became bloodier, as the causes became excuses, as the friends went back to the mud, one by one. Logen rubbed at his ear, felt the big notch that Tul Duru’s sword had made, long ago. He could have stayed silent. But for some reason, he felt the need to be honest. “I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper. “I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.” He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.” And that was all. Logen breathed a deep, ragged sigh and stared out at the lake. He couldn’t bring himself to look at the man beside him, didn’t want to see the expression on his face. Who wants to learn he’s keeping company with the Bloody-Nine? A man who’s wrought more death than the plague, and with less regret. They could never be friends now, not with all those corpses between them. Then he felt Quai’s hand clap him on the shoulder. “Well, there it is,” he said, grinning from ear to ear, “but you saved me, and I’m right grateful for it!” “I’ve saved a man this year, and only killed four. I’m born again.” And they both laughed for a while, and it felt good.
Joe Abercrombie (The Blade Itself (The First Law, #1))
What is it ye hope to gain from sharing my bed?” His voice stopped her. “You already have a bairn.” The creak of a stall door followed his question. Footsteps whispered on the packed-dirt floor. With her eyes adjusted to the dark, she saw him as a towering shadow emerging into the broad aisle of the barn. He must have been checking on Rand. She frowned at his question. He made it sound like she had some ulterior motive besides being attracted to him. “I’m not sure what you mean,” she hedged. “You want to couple with me. Why?” She rolled her eyes; she’d understood that much of the question. It was the part where he seemed to have a problem with “sharing a bed” with her she didn’t get. Tamping down her offense was getting old. If he was going to be bold, she would be, too. “You’re easy on the eyes,” she clipped. “I’m attracted to you, and we’re married, so why not, right? Am I missing something here? Shouldn’t I be the one asking you why you don’t want to ‘couple’? Oh, wait, I did. And you wouldn’t give me a straight answer.” He moved closer, stopping a foot away, which meant his voice now came from high above her. “Are you a wanton woman?” The question had been dark. Dangerous. And it kicked her offense into full-on anger. “I’m knocked up and I want sex with my husband. If that makes a girl wanton, then I suppose I am. What of it?” She lifted her chin in challenge. “I’ll ask again. What is it ye hope to gain? The truth, Melanie.” Her heart sank to hear him call her by her given name, and this sudden edge of hostility confused her. It felt like he was accusing her of something, but what? She was also insanely aroused. Not only had her eyes adjusted to the dark well enough to see his serious and seriously handsome face, but his looming presence filled her with an irrational sense of security. Add to that his scent of leather and man, and her lips trembled for another kiss. She didn’t want to lash out any more. Anger released itself to the night like steam from a mug of cocoa. “Pleasure,” she whispered, her breasts reaching for him with her quickening breath. “That’s the truth. I want to feel your body under my hands. I want to feel you inside me as you make me your wife in more than just name. And I want pleasure for you, too. Especially for you. You’ve given up almost everything for me. Giving you pleasure is the only way I can think of to thank you.” He blinked with surprise. “I dinna expect your thanks. ’Tis not why I stole ye away from Steafan.” She rolled her eyes, but this time with affection instead of annoyance. “Duh, I know that. You’re so darned honorable you’d never do anything for something as paltry as my thanks. It’s not just about thanks. I love you, you stubborn Highlander.” She cupped her hand over her mouth. The ornery thing had just blurted that which she had yet to fully admit to herself. Considering how much it hurt to have Darcy reject her physical advances, she was in no mood to bear his inevitable rejection of her heart. Mortified, she turned to run away. But his arms went around her. He hadn’t lied when he’d claimed to be quicker. “Do ye mean that, lass?” he asked, bending over her back, holding her. “No,” she lied, trying to pry his arms away. “I’m out of my mind. Don’t listen to a thing I say. Let me go.” “No. I willna. And I think a confession spoken in ire is more trustworthy than one spoken in calm.” He turned her around and lifted her face to his. “I love you, too, lass.” He kissed her.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
All that matters, in the end, is the little things. The way Mim says my name to wake me up in the morning. The way Bee's hand feels in mine. The way the sun cast my shadow across the yard yesterday. The way your cheeks flush when we kiss. The smell of hay and the taste of strawberries and the feel of fresh black dirt between my toes. This is what matters, Midnight.
April Genevieve Tucholke
You didn’t put any extra dirt on my name.
Angie Martinez (My Voice: A Memoir)
I would have never taken you for a coward, Mr. Mulberry, but honestly, do you really believe carting out your wards is going to convince me to agree to whatever madness has you seeking me out so late at night?” Everett smiled almost as brightly as the children. “Now, now, Miss Longfellow, there’s no cause to call me a coward. Smart like a fox, perhaps, but—” “You shouldn’t antagonize her, Everett,” Lucetta suddenly said, interrupting Everett’s speech before she turned to Millie. “And you shouldn’t be surprised he brought the children with him, considering everyone knows you have a distinct weakness for the wee ones. However, before the conversation moves forward, I really am going to have to insist that the two of you drop all of this Miss and Mister nonsense. We have a common friend in Oliver Addleshaw. Which means, like it or not, we’re now friends of a sort. And because of that, there’s really no reason for such formality.” “There is if he’s here to ask me to work for him.” “Of course he’s here to ask you to work for him,” Lucetta said. “But that has absolutely nothing to do with calling him by his given name.” Millie opened her mouth, but before she could respond, something that looked remarkably like mud began seeping through the paper wrapped around the flowers she was holding. Moving to the closest table, she unwrapped the paper before setting her sights on Everett again. “Did you pull these flowers right out of the ground, Mr. Mulberry?” Everett smiled. “Please, call me Everett since Lucetta was kind enough to point out we’re friends, and of course I didn’t pull those right out of the ground.” Millie held up the flowers, exposing the roots still clinging to dirt. “You would have me believe you purchased these from a flower shop?” “It’s after ten. There are no flower shops open, but if you must know, I had Rosetta pluck those out of the ground for you.” A little girl of about five raised an incredibly dirty hand and waved at her right as Everett cleared his throat, drawing Millie’s attention. “I think you should view it as a mark in my favor that I remembered the flowers, especially since, again, I’m a little sensitive to them, but . . . you were quite vocal about what it would take to get you to work for me.” He sent her a far-too-charming smile. Ignoring the charm, Millie lifted her chin. “You might as well tell me what disaster struck your household now.” Everett shot a glance to the children and seemed to shudder. “Why would you assume something disastrous happened?” Setting the flowers, roots and all, aside, Millie crossed her arms over her chest. “Don’t insult my intelligence, Everett. You wouldn’t be bringing me flowers or children if something of a disastrous nature hadn’t occurred.” “The children are adorable, aren’t they?” “Of course they’re adorable, dear, which I’m sure you were hoping to use to your advantage,” Abigail said as she arrived in the drawing room, pushing a cart that seemed to be heavy with treats.
Jen Turano (In Good Company (A Class of Their Own Book #2))
Know what would make me happy?” “If I buy a more manly brand of toilet paper?” “No. Well, yes. But we can talk about that when we’re not naked.” She draped her arm over his shoulders and ran her fingertips over the sweet spot at the back of his neck. “What should we talk about while we’re naked?” He groaned and rolled onto his back, but he took her with him so she was straddling his hips. “Let’s talk about how you look working in the sun, with your skin all shiny and a smear of dirt on your nose.” “Does me being all grubby and sweaty turn you on?” “Watching you work turns me on. You work hard and you’re not afraid to get your hands dirty. I like that in a woman.” “Flattery will get you—” she swiveled her hips, brushing over his erection and making him suck in a sharp breath “—everywhere.” He reached up and cupped her breasts, rubbing his thumbs over her nipples. “Don’t wanna be anywhere but here.” The man knew all the right words. He definitely had all the right moves. And he was a quick learner, so he already knew all the right ways to touch her to drive her out of her mind. He had a way of looking at her with those intense blue eyes that made her feel as though he’d been waiting his entire life just to make love to her. And, as long as she wasn’t stupid enough to imagine she could see forever in those eyes, she’d take it. He ran one fingertip down her forehead to the bridge of her nose. “You’re frowning. What are you thinking about?” She shoved the word forever out of her mind and ran her hands over his rippled abdomen. “I was wondering why you’re not inside me yet.” “Because you’re frowning at me. Gives me confidence issues.” Reaching between their bodies, she stroked the hard length of him. “Confidence is never an issue for you.” He grinned and flipped her onto her back. “I’m confident I can have you whimpering my name into your pillow in five minutes or less.” “I don’t know,” she said as his hand brushed over her stomach and kept going south. “I’m not an easy woman to please.” His mouth followed the trail his hand had marked against her skin. “I never could resist a challenge.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
So, you’re in love with the Smith girl?” Ben stumbled at his father’s question that was really more of a statement. “No. Not at all.” He forced a short laugh. “Of course I’m not in love with Susanna Smith.” “Well, you certainly fooled me tonight.” “I cannot deny I’m attracted to Susanna,” he admitted. “Who wouldn’t be? She’s intelligent, witty, and interesting.” “She sounds like the perfect match for you.” He wanted to agree. Susanna was everything Hannah was not. He thought about her more than he should. And even in her grandfather’s study earlier, he’d felt a pull toward her that was unbearably strong and difficult to resist. He knew he needed to control himself better around Susanna. Surely he would have less trouble with his attraction once he was finally engaged to Hannah. “I’m in the process of trying to propose marriage to Hannah Quincy.” His father plodded forward without missing a step. “Then you love Miss Quincy?” Did he love Hannah? Ben shook his head. “Sometimes there are factors more important than love.” “Then you are in love with her wealth rather than her person?” Ben wanted to rebut his father’s words—similar to those of Parson Wibird from earlier in the day—but something about his father’s bluntness kept him from doing so. “Hannah Quincy will give me what I currently lack, namely the status and approval of my peers.” His father was silent for a long moment, the steady scraping of their boots against the dirt road reminding Ben of the steadiness of the man by his side. He was a deacon of the church and had been the selectman of the town for years. There was not a nobler or more respected man among the community. “There’s more than one way to earn the approval of your peers.” His father spoke slowly as if weighing his words carefully. “And often the best way is through strength of character.
Jody Hedlund (Rebellious Heart)
I scrubbed at the mirror harder and wondered how Tyler cleaned the one in his bathroom.  Or if he had someone else do it for him. Someone like Oksana. “Oksana, Oksana, Oksana,” I muttered as I continued cleaning the mirror. It was weird to be so deeply jealous of someone I knew nothing about. I had just finished up when I heard a noise. I figured it was Pigeon, but then she came in to sit on the floor next to my feet. She was whimpering. Which meant . . . I went down the hallway and found Oksana in the kitchen. I tried not to gasp. I’d chanted her name and had accidentally summoned her. She had spread groceries all over the counter. A large pot sat on the stove, and I heard bubbles popping, as if something was boiling. For all that was holy, I hoped it wasn’t a bunny. Whatever it was, it smelled a little like dirt and sulfur. Wasn’t that how brimstone was supposed to smell? Maybe she was cooking up something for her good buddy, Satan. “Hello.” I smiled and waved at her. She had a cigarette hanging from her lower lip. She paused from cutting up a head of cabbage to glare at me and then resumed her cutting. When it was obvious she wasn’t going to respond, I opted to be more direct. “What are you doing here?” Did somebody accidentally leave the gates of hell unlocked? I hoped I didn’t come across as too accusatory. I was genuinely bewildered to find her in my apartment again. Her eyebrows went up, as if my question were stupid. “Cooking.” “Oh. So, what are you, uh, making there?” “Borscht.” That was a kind of soup if I remembered correctly. “What do you use to make borscht?” She glared at me again, obviously not in the mood to talk, and it kind of surprised me when she answered. She held the large knife she was using against her shoulder, making me feel the tiniest bit of fear. “Beets. Cabbage. Knucklebones. And other things.” Knucklebones? Like . . . from people? What other animals had knuckles? This concerned me. “Well, that sounds . . . great. Have fun. I’m going to go clean.” She so didn’t care what I was going to do. I wanted to ask her not to smoke because I was a big fan of my own lungs and breathing in general, but I didn’t know if I had the authority to say so. I scampered away, trying not to think about how unfair it was that she not only looked that way but could cook, too. She’d probably never stick a cast-iron pan in the dishwasher.
Sariah Wilson (Roommaid)
Without identifying me or naming me or tracking my movements, the shapes in the sky spoke with me about transformation and we respired together accepting the way the light changed o the terrain below. It was all free form, an endless dirt path, a sage brushing Indian plant, a bristling grass hill rising, sloping, grading only the day's glow slipping slowly into evening sun. It was time and I alone with the colors observing a free afternoon.
Adrian H. Molina (The Poets Project at Casa Grande: A Colorado Anthology)
My body is enveloped in dirt so is my soul oh my beloved master but I have my heart only for you; sole. You have remove the darkness of my heart, now take my heart to fulfill its goal. When my awakened soul hears your call, it dances in ecstasy losing his senses all. Your name makes loud moments in my heart, it longs for you like a wounded heart. Since I worn the cloak of Faqr, sipped the wine of your love, I cry not but in happiness for accepting me even knowing all my faults. You gave me his zikr to chant and remember, but my heart chanted your name there after. This love of yours Oh Saiyeedi, O Murshidi, Oh Master is rapturous, do not efface Ayaz slowly, efface him once for all.
Aiyaz Uddin
Do you pray for me?” “Well, that would mean the one I was addressing had done this to you to begin with, which I find hard to believe anybody would.” “I don’t quite follow you.” “I simply mean that asking Him to cure you - or me, or anybody - implies a personal being who arbitrarily does us this dirt. The prayer then is a plea to have a heart. To knock it off. I find the thought repulsive. I prefer thinking we’re the victims of chance to dignifying any such force with the name of Providence.” “We’re supposed to deserve it,” she said, poking about in a box of cookies which my mother had baked and sent me, and which I had passed along to Rena. “Not you.” “I’m a sinner.” “Stop giving yourself airs. You’re beginning to sound like Cora.” “What would you do if you were God?” “Put a stop to all this theology.
Peter De Vries (The Blood of the Lamb)
I thought if I stated my name enough times, my identity would fall back into place. I wrote my name in the dirt. I wrote my name in the dust. But a name is a cover, a placeholder, not the whole story. A name is a basin with a leak that you need to constantly fill up. If you don’t, it drains and it’s just there, a husk, dry and empty.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Years later he had tried to find his parents, to tell them that their Lump had become the great Varamyr Sixskins, but both of them were dead and burned. Gone into the trees and streams, gone into the rocks and earth. Gone to dirt and ashes. That was what the woods witch told his mother, the day Bump died. Lump did not want to be a clod of earth. The boy had dreamed of a day when bards would sing of his deeds and pretty girls would kiss him. When I am grown I will be the King-Beyond-the-Wall, Lump had promised himself. He never had, but he had come close. Varamyr Sixskins was a name men feared. He rode to battle on the back of a snow bear thirteen feet tall, kept three wolves and a shadowcat in thrall, and sat at the right hand of Mance Rayder. It was Mance who brought me to this place. I should not have listened. I should have slipped inside my bear and torn him to pieces.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
are at least eighteen hundred Greg Myerses in this country and all have addresses, phone numbers, families, and jobs. Dubose won’t know where to start looking. Besides, if I see a shadow I can haul ass in my little boat and become a speck in the ocean. He’ll never find me. Why is the mole living in fear? His name will never be revealed.” “Gee, Greg, I don’t know. Maybe he or she is unsophisticated in the world of organized criminal violence. Maybe he or she is worried that divulging too much dirt on McDover might lead back to him or her.” “Well, it’s too late now,” Greg said. “The complaint has been filed and the wheels are turning.” “You gonna use this stuff anytime soon?” Cooley asked, waving some papers. “I don’t know. I need some time to think. Let’s say they can prove the judge likes to travel on private jets with her partner. Big deal. McDover’s lawyers will just say there’s no foul as long as Phyllis is footing the bill, and since Phyllis has no cases pending in McDover’s court, where’s the damage?” “Phyllis Turban runs a small shop in Mobile and her specialty is drawing up thick wills. I’ll bet she nets a hundred and fifty a year
John Grisham (The Whistler (The Whistler, #1))
Have you tried to force a washer, it’s well-named agitator and spin basket still whirling madly, to stop right now? Even turning off the power, even unplugging, does not do it; there is so much residual torque built up that it insists on taking its own time, and meantime taking you for the ride. One would risk the literal limb to intervene. Steamroller. A person could get crushed around here. Having been in perpetual motion for so many years, it hurts to sit still unless there are ample DVDs, and enough wine. It hurts. Heat-seeking missiles like a target, a to-do list, a mission plan. Get me Mission Control: when do we launch this puppy?
Margaret Roach (And I Shall Have Some Peace There: Trading in the Fast Lane for My Own Dirt Road)
Dear clarity, hear me now, been needing you to show me how a human heart full of remorse can beat despite the heavens roar. I'm not afraid to take the fall, I'm sorry some don't hear the call of nature, pleading, "Leave me be, you've loved me oh so recklessly." Let my bones turn into dirt. I'll feed the earth and heal the hurt. I'll cross my heart in nature's name if you show me that the angels stayed.
Nicoline Evans
P.S. Please don't call me Isabella. That name belongs to a really pretty girl who never wrecks her clothes and who never gets dirt under her fingernails. That's definitely not me. My name is Izzy.
Jenny Lundquist (The Charming Life of Izzy Malone)
Japanese tragedy illustrates this aspect of the Trinity better than Greek tragedy, Kitamori taught, because it is based on the feeling expressed by the word tsurasa. This is the peculiar pain felt when someone dies in behalf of another. yet the term implies neither bitterness nor sadness. Nor is tsurasa burdened with the dialectical tension in the struggle with fate that is emphasized in Greek drama, since dialectic is a concept foreign to Japan. Tsurasa is pain with resignation and acceptance. Kitamori called our attention to a Kabuki play, The Village School. The feudal lord of a retainer named Matsuo is defeated in battle and forced into exile. Matsuo feigns allegiance to the victor but remains loyal to his vanquished lord. When he learns that his lord's son and heir, Kan Shusai, has been traced to a village school and marked for execution, Matsuo resolves to save the boy's life. The only way to do this, he realizes, is to substitute a look-alike who can pass for Kan Shusai and be mistakenly killed in his place. Only one substitute will likely pass: Matsuo's own son. So when the enemy lord orders the schoolmaster to produce the head of Kan Shusai, Matsuo's son consents to be beheaded instead. The plot succeeds: the enemy is convinced that the proffered head is that of Kan Shusai. Afterwards, in a deeply emotional scene, the schoolmaster tells Matsuo and his wife that their son died like a true samurai to save the life of the other boy. The parents burst into tears of tsurasa. 'Rejoice my dear,' Matsuo says consolingly to his wife. 'Our son has been of service to our lord.' Tsurasa is also expressed in a Noh drama, The Valley Rite. A fatherless boy named Matsuwaka is befriended by the leader of a band of ascetics, who invites him to accompany the band on a pilgrimage up a sacred mountain. On the way, tragically, Matsuwaka falls ill. According to an ancient and inflexible rule of the ascetics, anyone who falls ill on a pilgrimage must be put to death. The band's leader is stricken with sorrow; he cannot bear to sacrifice the boy he has come to love as his own son. He wishes that 'he could die and the boy live.' But the ascetics follow the rule. They hurl the boy into a ravine, then fling stones and clods of dirt to bury him. The distressed leader then asks to be thrown into the ravine after the boy. His plea so moves the ascetics that they pray for Matsuwaka to be restored to life. Their prayer is answered, and mourning turns to celebration. So it was with God's sacrifice of his Son. The Son's obedience to the Father, the Father's pain in the suffering and death of the Son, the Father's joy in the resurrection - these expressions of a deep personal relationship enrich our understanding of the triune God. Indeed, the God of dynamic relationships within himself is also involved with us his creatures. No impassive God, he interacts with the society of persons he has made in his own image. He expresses his love to us. He shares in our joys and sorrows. This is true of the Holy Spirit as well as the Father and Son... Unity, mystery, relationship - these are the principles of Noh that inform our understanding of the on God as Father, Son, and Spirit; or as Parent, Child, and Spirit; or as Creator, Redeemer, Sanctifier...this amazing doctrine inspires warm adoration, not cold analysis. It calls for doxology, not definition.
F. Calvin Parker
What’s it about?” Danny seemed authentically curious. “The night. It’s got its own set of rules.” “Day’s got rules too.” “Oh, I know,” Joe said, “but I don’t like them.” They stared through the mesh at each other for a long time. “I don’t understand,” Danny said softly. “I know you don’t,” Joe said. “You, you buy into all this stuff about good guys and bad guys in the world. A loan shark breaks a guy’s leg for not paying his debt, a banker throws a guy out of his home for the same reason, and you think there’s a difference, like the banker’s just doing his job but the loan shark’s a criminal. I like the loan shark because he doesn’t pretend to be anything else, and I think the banker should be sitting where I’m sitting right now. I’m not going to live some life where I pay my fucking taxes and fetch the boss a lemonade at the company picnic and buy life insurance. Get older, get fatter, so I can join a men’s club in Back Bay, smoke cigars with a bunch of assholes in a back room somewhere, talk about my squash game and my kid’s grades. Die at my desk, and they’ll already have scraped my name off the office door before the dirt’s hit the coffin.” “But that’s life,” Danny said. “That’s a life. You want to play by their rules? Go ahead. But I say their rules are bullshit. I say there are no rules but the ones a man makes for himself.
Dennis Lehane (Live by Night (Coughlin, #2))
The child bounded onto the bed, landing on all fours, her round face wreathed in a smile. “Hein nei nan-ne-i-cut?” “What is your name?” Hunter translated, tousling the imp’s hair as he hunkered beside the bed. “Loh-rhett-ah, eh? Tohobt Nabituh, Blue Eyes.” To Loretta, he said, “Warrior’s daughter, To-oh Hoos-cho, Blackbird.” Blackbird giggled and glanced at her grandmother, who stood watching from across the room. “Loh-rhett-ah!” Loretta scooted toward the head of the bed to press her back against the taut leather wall. The little girl followed, reaching out with a small brown hand to lightly touch the flounces on Loretta’s bloomers. Loretta stared at her. At last, a Comanche she didn’t detest on sight. She was tempted to grab hold of her and never let go. Loretta guessed her to be about three years old, possibly four. While Blackbird satisfied her curiosity about Loretta and examined her form head to toe, Hunter carried on an unintelligible conversation with his mother. From the gestures he made, Loretta guessed he was relating that his captive refused to eat or drink and that her voice had returned. A look of concern flashed across the older woman’s dark face. Hunter rose and thumped the heel of his hand against his forehead, rolling his eyes toward the smoke hole above the firepit. “Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair. “My mother says the poor little one must have no fear.” Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him. With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.
Catherine Anderson (Comanche Moon (Comanche, #1))
But that, I am afraid, was my mistake from the very beginning, the fatal flaw in my design. I thought that I could suffocate the Old Man with shovelfuls of dirt and mud. But with his body in the soil, in the specific silt of this family's land, everything on it was bound to die. Rancor seeped from his eyelids, his mouth, his ears, his ass, where his head had been all the days of his life. I should have never made him one with the land. I should have thrown his body into the sea, expelled it and not me. My anger keeps me digging into the earth, pulling at its protective mantle, eager to see his body decaying deep inside. The Old Man has refused to cooperate. His body is wholly intact. Years of alcohol can do that to a person, make him dead but not departed, make him indelible to those who have had the misfortune of sharing his name. Pickled and preserved is another way of thinking about it. All the water that is normally found inside a body had been in his displaced by alcohol, of a proof strong enough to kill anything that comes in contact with it. The tiny animals, the grubs, the worms that help to bring about the decomposition of the body before it can be returned to the earth, had with him no hope of doing their work. So they left him alone, left his hate to poison the land, a process so gradual, so obedient to this still functioning will, that it would take my lifetime to complete. If I had a son, it might take his lifetime as well. This is as close to being immortal as the Old Man ever had the right to be, and I am the one, the only one who keeps him that way.
Monique Truong (The Book of Salt)
want you to know,” she whispered to the wind, to the earth, to the body far beneath her, “that you were right. You were right. I am a coward. And I have been running for so long that I’ve forgotten what it is to stand and fight.” She bowed deeper, putting her forehead against the dirt. “But I promise,” she breathed into the soil, “I promise that I will stop him. I promise that I will never forgive, never forget what they did to you. I promise that I will free Eyllwe. I promise that I will see your father’s crown restored to his head.” She raised herself, drawing a dagger from her pocket, and sliced a line across her left palm. Blood welled, ruby-bright against the golden dawn, sliding down the side of her hand before she pressed her palm to the earth. “I promise,” she whispered again. “On my name, on my life, even if it takes until my last breath, I promise I will see Eyllwe freed.” She let her blood soak into the ground, willing it to carry the words of her oath to the Otherworld where Nehemia was safe at last. From now on, there would be no other oaths but this, no other contracts, no other obligations. Never forgive, never forget. And she didn’t know how she would do it, or how long it would take, but she would see it through. Because Nehemia couldn’t. Because it was time.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
And what’s happened to you?” Patton asks the young man. His name is Pvt. Paul Bennett. He has been in the army four years, serving with C Battery of the Seventeenth Field Artillery Regiment. He is just twenty-one years old. Until a friend died in combat, he had never once complained about battle. But he now shakes from convulsions. His red-rimmed eyes brim with tears. “It’s my nerves, sir. I can’t stand the shelling anymore.” “Your nerves, hell. You’re just a goddamned coward.” Bennett begins sobbing. Patton slaps him. “Shut up,” he orders, his voice rising. “I won’t have these brave men here who’ve been shot see a yellow bastard sitting here crying.” Patton hits him again, knocking off Bennett’s helmet, which falls to the dirt floor. “You’re a disgrace to the army and you’re going back to the front to fight,” he screams. “You ought to be lined up against a wall and shot. In fact, I ought to shoot you right now.” Patton
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
When Jack helped me up, I avoided his gaze. When he wiped the mud away from my face, I kept my eyes on the ground. When he sat me down and poured water over my palms, I watched the dirt wash away. “Rodel.” Damn him. Damn his voice. Damn the way he said my name.
Leylah Attar (Mists of The Serengeti)
From "The Prisoner's Cross". This excerpt is from the author's father's real WW2 Japanese POW journal, and recounts a miracle the author's father experienced there. "It was as gray day, and after I had shoveled the iron scrap out of the last drum, I rested on my shovel.Of-course I checked if any guard was doing the rounds. I had crossed paths with remarkable Christians in the camps. Their insights often offered me just the message I needed at a particular-time, and had nurtured not only my faith, but my understanding of how to live it. Still an anger was welling up in me. The winter was coming; we had now been away some two and half years from our family. We never heard anything after their last visit to the Jaarmarkt. There was an anger about the lostness of years, of being 27 and having already spent three birthdays in concentration camps. Suddenly in a mood of utter anger I kicked the heap of iron pieces which flew back at me and landed on the tip of my boot. My kick, at least, had released the tension, and I was ready to start work again, when I noticed the piece of iron on my boot. It startled me. All the pieces had different forms, leftovers, and cutoffs, waste material, less useful than anything else except to get the dirt and rust off the iron cast tools. I slowly bent over and let the iron scrap rest in my hand. It was in the form of a cross four inches long. I kept staring at it, forgetting all about the guard who might come along at any time. I never speculated how it got in the heap, how just this piece hit-the-door, when I kicked the heap apart, how it landed on my boot. There are a million accidental events that happen on any given day. Somehow, this seemed like a message and an answer to my self-questioning a short time back; what in God’s name am I doing in this God forsaken place? It had been in the same mass of scrap iron for days. I had shoveled the scrap in the rotating drum over and over, to glance off the big implements, and remove the rust. The cross in my mind had always been a big question mark. How could a man on a cross, 2000 years back have any usefulness in our time? Slowly I began to perceive that the event might have a purpose now. Jesus of Nazareth was put on a cross by people who absolutely rejected the unconditional love of God expressed in that cross, and then shared by Christians with others. People came and lived and died by that cross, and the strange power of that cross went on in human beings generation after generation unexplainably. People died for it in fierce confession of their faith, in giving their lives for others. The cross was never totally gone from this world, whatever happened outside Jerusalem in 33 A.D.. Now it had jumped on my boot. I let it roll back and forth in my hand. This little insignificant piece of iron scrap had cleaned far more important pieces of iron, it was only an implement. When I opened the drum several times a day, the big pieces came out clear and well. Maybe being a Christian was doing the same thing.
Peter B. Unger (The Prisoner's Cross)
I don't belong here,' I said to myself. Before I even opened my eyes. It was my morning ritual. To ward off the smell and the dirt and the fights and the noise of the day. To keep me in that bright green place in my mind which had no proper name; I called it 'Wide'. 'I don't belong here,' I said again. A dirty-faced fifteen-year-old girl frowsy-eyed from sleep, blinking at the hard grey light filtering through the grimy window. I looked up to the arched ceiling of the caravan, the damp sacking near my face as I lay on the top bunk; and then I glanced quickly to my left to the bunk to see if Dandy was awake. Dandy: my black-eyed, black-haired, equally dirty-faced sister. Dandy, the lazy one, the liar, the thief.
Philippa Gregory (Meridon (The Wideacre Trilogy, #3))
I thought if I stated my name enough times, my identity would fall back into place. I wrote my n name in the dirt. I wrote my name in the dust. But a name is a cover, a placeholder, not the whole story. A name is a basin with a leak that you need to constantly fill up. If you don’t, it drains and it’s just there, a husk, dry and empty.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
My name is Charlie. Charlemagne is a dumb name for a girl and I have told my mama that about a gazillion times. I looked around me at all the hillbilly kids doing math in their workbooks. My best friend, Alvina, told me they would be hillbilly kids. “You will hate it in Colby,” she said. “There’s just red dirt roads and hillbilly kids there.” She had flipped her silky hair over her shoulder and added, “I bet they eat squirrels.
Barbara O'Connor (Wish)
I think of how I want to return the favor; to pull the heaviness off you, to be the one yelling it is not okay, pinning your demons down in the dirt, so you suddenly find yourself free, given the chance to begin your journey, growing on your own, uncovering your voice, finding your way back. I want to stay and fight, while you go.
Chanel Miller (Know My Name: A Memoir)
Afterlife It takes both hands to unfix the spike he drove into the fence post, worrying dirt loose from around its base. A spider spins the ache in my throat. If he were here, what would he be doing? I torch a phonebook, watching the names and numbers burn. I feel the fallen phone line, the horned lark crushed in the mailbox's rusty throat. Weevils become the dream work of fields, the old shack set back in the tree line. I'm tired of the corn, their fibrous heads. I'm tired of the white cocoon in the old jam jar, the fruit bat brimming with darkness. Barbed wire, concrete slab, slag in the rusty water. I walk the yard of Holsteins, dewlaps quivering, nerves pulsing in the udders. Two miles away the Wal-Mart is going in, barns giving way to Pizza Hut, Penguin Point. I look across the silent field. The plow is hard. My heart is hard. Dirt. Distance. It does not end.
Bruce Snider (Paradise, Indiana)
I see we have a young fan.” Chip chuckles and shakes my hand, which I’m sure feels sticky from all the leftover frosting still on it. “I’m Chip. And you are?” “Chip,” I say. He frowns. “Your name is Chip too?
Anna Staniszewski (The Truth Game (The Dirt Diary, #4))
and parking is often an issue. None of these is my favorite. I have thought long and hard and decided not to name my preferred south shore beach, because what I love about it is it’s not popular and never very crowded except by locals and summer residents. Because I feel guilty for holding back, I will say that if you want a terrific not-crowded beach, drive out to Miacomet Golf Course, but just before you reach the clubhouse, take a right onto the dirt road that leads past the big antenna.
Elin Hilderbrand (The Hotel Nantucket)
And since he was busy, he was difficult to interview. A high-pressure reporter from a Kansas City paper made the long journey to the ranch and found him sweating over a pair of post-hole diggers, the dirt a-flying. He rushed up to the Colonel, thrust out a glad hand, and breezily announced: ‘Colonel Goodnight, Brown is my name.’ Straightening from the task the Colonel drilled him with his eye, and roared: ‘What in the hell can I do about it? I didn’t name you.
J. Evetts Haley (Charles Goodnight: Cowman and Plainsman)
Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
Kim Addonizio (Tell Me)
What struck me was how uninspiring, how underwhelming all of it was, this patchwork dirt lawn, saggy-limbed trees, a slope of dead pine needles, shit and beer cans, plastic spoons and broken glass, a ketchup packet and two black dumpsters. This? This is it? This is where my whole life was defined, the place that led to sacrificed relationships, unemployment, loss of identity, everything reduced and stolen by this pathetic shitty fraternity yard.
Chanel Miller (Know My Name)
This woman, who had been absent for the entire battle, had arrived to take the victory away. For months I had been climbing out of this hole, my hands finally gripping the edge. Now I watched the dirt turn to mud beneath my fingers as I slipped down again.
Chanel Miller (Know My Name)
He thought of the woman lying on the ground with her tense face looking up at him through the dimness. He thought of Lonnie, sleeping all day to forget her hunger. He thought of Julia and Mrs. Starwood forgetting theirs. He thought of the carrots tomorrow, the weeds in the carrots. He thought of Friday and surplus commodities. His mind was clear and light like air. Music wafted through it like a feather. He felt very tall. His broken shoes whispered in the soft dirt far below. Lonnie sleeping Friday weeds carrots three feet wide a woman screaming quarter of a mile tomorrow surplus commodities walking music water running forgetting forty cents a day sleeping forgetting forty cents floating like air clear water running sparkling through the brain surplus brain commodities sleeping a feather of music tickling this is my tent sitting down like a cloud floating music faces fluffy sound in my ears flying away.
Sanora Babb (Whose Names Are Unknown)
I will never be able to wash this dirt from my name. You can’t be very bright,” he said. “How can you make something clean from something dirty? And now, you have made me dirty,” Noa said quietly,
Min Jin Lee (Pachinko)
Mother’s yellow station wagon slid like a Monopoly icon along the gray road that cut between fields of Iowa corn, which was chlorophyll green and punctuated in the distance by gargantuan silver silos and gleaming, unrusted tractors glazed cinnamon red. Mother told me how the wealth of these farmers differed from the plight of the West Texas dirt farmers of her Dust Bowl youth, who doled out mortgaged seed from croker sacks. But because I was seventeen and had bitten my cuticles raw facing the prospect of fitting in at the private college we’d reach that night—which had accepted me through some mixture of pity and oversight—and because I was split-headed with the hangover Mother and I had incurred the night before, sucking down screwdrivers in the unaptly named Holiday Inn in Kansas City, I told Mother something like, Enough already about your shitty youth. You’ve told me about eight million times since we pulled out of the garage.
Mary Karr (Lit)
Like are you prepared? The dazzle is strong here: I was dating this boy named Bobby He showed up at my front door He bought me a valentines present But it was November 4th He knocked on the door so proud That he'd bought me this present I opened it up and gave him a scowl Guess what yall He bought me mudflaps....baby I don't even own a truck He's Got me out here in the driveway Puttin on a nut and bolt Then he drove me down an old dirt road And he said how you like your gift my yo And I said are you fucking kidding me, man? I can't believe that you bought meeeee Som fuckin mudflaps baby I don't even own a truck He said you don't understand my lady I bought them for us..... He said I wanted to take you out in the field But is muddy as shit and were going uphill So bet your ass I saw them flaps and said to myself My baby gets the best deal someone fucking *Music stops just claps* Mudflaps baby I don't even own a truck He's hot me out here in the driveway Putting on a nut and bolt The end. Dazzled. I told you
Shay Hazelwood
A tender fan of white threads surfaced up through the dirt, speaking in a hundred tiny whispers. 'It's true. My god, your ignorance about the flora and fauna of the Amazon -- staggering. Do you know there are four thousand species of trees alone that none of your scientists have even named, much less analyzed? You have any idea how many fungi? I heard you finally 'found' a few new species of electric eels, that cobalt-blue tarantula, a couple of new river dolphins. I think also a tree that's a hundred feet taller than the tallest tree you thought you knew of. At what point do you rethink your whole idea that these are 'discoveries?' How does that word even have any meaning for you? Something exists just because you finally 'found' it? You 'discovered' it?
Lidia Yuknavitch (Thrust)
The Carver traced three overlapping, interlocked circles in the dirt. “You have met my sister—my twin. The Weaver, as you now call her. I knew her as Stryga. She, and our older brother, Koschei. How they delighted in this world when we fell into it. How those ancient Fae feared and worshipped them. Had I been braver, I might have bided my time—waited for their power to fade, for that long-ago Fae warrior to trick Stryga into diminishing her power and becoming confined to the Middle. Koschei, too—confined and bound by his little lake on the continent. All before Prythian, before the land was carved up and any High Lord was crowned.” Cassian and I waited, not daring to interrupt. “Clever, that Fae warrior. Her bloodline is long gone now—though a trace still runs through some human line.” He smiled, perhaps a bit sadly. “No one remembers her name. But I do. She would have been my salvation, had I not made my choice long before she walked this earth.” I waited and waited and waited, picking apart the story he laid out like crumbs of bread. “She could not kill them in the end—they were too strong. They could only be contained.” The Carver wiped a hand through the circles he’d drawn, erasing them wholly. “I knew that long before she ever trapped them—took it upon myself to find my way here.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Adam Pierce.” He would keep repeating the name. The more he repeated it, the harder it would be not to think about it, and the harder the spell would grind against my defenses. I braced myself against the pressure. He wouldn’t break me. “Eat dirt and die.
Ilona Andrews (Burn for Me (Hidden Legacy #1))
I'd like to go back to five years old again. Just sometimes. To be turning over rocks and looking for pill bugs and holding earthworms, playing dolls, erecting forts, digging through dirt for marbles, burrowing in leaf piles, failing at igloo building, when my biggest concern was going to sleep with the lights off. I wish I was five again, before things got hard, before I was forced to grow up way too early and been stuck in this "adult" thing way too long. I wish I could sit in my Grandpa's lap and let him sing me crazy Irish songs and go over the names of the planets. "Gwampa, tell me about Outer Space." ... "Gwampa, sing the Swimming Song." I wish I could go back there, just for a little while, and pick raspberries by myself in the sun and find secret hideaways and not hurt, not worry, not carry the heavy things. If I could be five years old....just for a few minutes. Remember what it felt like to be free. That would be something.
Jennifer DeLucy
The border world of Rupe, implying as much refinement as the brevity of its name, was a cornucopia of various ore production. It's decadent display of brown tones and endless fields of dirt housed my next pointless inquiry.
Justin Kemppainen (The Legend of Ivan)
You, you buy into all this stuff about good guys and bad guys in the world. A loan shark breaks a guy's leg for not paying his debt, a banker throws a guy out of his home for the same reason, and you think there's a difference, like the banker's just doing his job but the loan shark's a criminal. I like the loan shark better because he doesn't pretend to be anything else, and I think the banker should be where I am sitting right now. I'm not going to live some life where I pay my fucking taxes and fetch the boss a lemonade at the company picnic and buy life insurance. Get older, get fatter, so I can join a men's club in Back Bay, smoke cigars with a bunch of assholes in a back room somewhere, talk about my squash game and my kid's grades. Die at my desk, and they'll already have scraped my name off the office door before the dirt's hit the coffin.
Dennis Lehane (Live by Night (Coughlin, #2))