Dip Your Feet In The Water Quotes

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Things are never as they seem. A person. A Mark. A statement. They are always deeper than we perceive, like walking in the ocean and suddenly dipping under the surface because the bottom has disappeared beneath your feet. The water appears shallow until you are suddenly flailing around beneath the surface, desperately searching for stable ground once again.
Kelseyleigh Reber
First I need to do something.’ He pulled me closer towards him until our lips were almost touching. ‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet. ‘Swim,’ he said, grinning at me. ‘Come on.’ ‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me. Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack. My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt. I reassessed the swimming option. I could definitely do swimming. He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by. The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water. I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression. ‘I’m just trying to protect your honour,’ he said, guessing it anyway. I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
Sarah Alderson (Losing Lila (Lila, #2))
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak. “Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. “Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!” I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?” He caws mournfully, still pulling at his own feathers. “Finn.” He puts his hands behind his back, trying to look innocent. “What? He deserved it.” “He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?” His voice comes out just a tad petulant. “He started it.
Kiersten White (Illusions of Fate)
And you remember how warm bourbon tasted, in a paper cup with water dipped out of the lake at your feet. How the nights were so unbearably, hauntingly beautiful that you wanted to cry. How every patch of light and shadow from the moon seemed deep and lovely. Calm or storm, it didn't matter. It was exquisite and mysterious, just because it was night. I wonder now how I lost it, the mysteriousness, the wonder. It faded steadily until one day it was entirely gone, and night became just dark, and the moon was only something that waxed and waned and heralded a changing in the weather. And rain just washed out graveled roads. The glitter was gone. And the worst part was that you didn't know exactly at what point it disappeared. There was nothing you could point to and say: now, there. One day you saw that it was missing and had been missing for a long time. It wasn't even anything to grieve over, it had been such a long time passing. The glitter and hush-breath quality just slipped away...there isn't even a scene--not for me, nothing so definite--just the seepage, the worms of time...I look at my children now and I think: how long before they slip away, before I am disappointed in them.
Shirley Ann Grau (The Keepers of the House)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
Meanwhile, Wren, maybe I can look at your leg.' 'No need,' I say, but he ignores me, rolling up the bottoms of my pants. There's blood, but it's truly not so bad. That doesn't stop him from asking for bandages and hot water. Since I left the mortal world, no one cared for my wounds but me. The gentleness of his touch makes me feel too much, and I have to turn my face, lest he see. ... Oak kneels by my feet. He had dipped one of the bandages in water and uses it to wipe off the blood and clean the cut. His fingers are warm as he wraps, and I try to concentrate on anything but the feel of his hands on my skin.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
At the Fishhouses Although it is a cold evening, down by one of the fishhouses an old man sits netting, his net, in the gloaming almost invisible, a dark purple-brown, and his shuttle worn and polished. The air smells so strong of codfish it makes one's nose run and one's eyes water. The five fishhouses have steeply peaked roofs and narrow, cleated gangplanks slant up to storerooms in the gables for the wheelbarrows to be pushed up and down on. All is silver: the heavy surface of the sea, swelling slowly as if considering spilling over, is opaque, but the silver of the benches, the lobster pots, and masts, scattered among the wild jagged rocks, is of an apparent translucence like the small old buildings with an emerald moss growing on their shoreward walls. The big fish tubs are completely lined with layers of beautiful herring scales and the wheelbarrows are similarly plastered with creamy iridescent coats of mail, with small iridescent flies crawling on them. Up on the little slope behind the houses, set in the sparse bright sprinkle of grass, is an ancient wooden capstan, cracked, with two long bleached handles and some melancholy stains, like dried blood, where the ironwork has rusted. The old man accepts a Lucky Strike. He was a friend of my grandfather. We talk of the decline in the population and of codfish and herring while he waits for a herring boat to come in. There are sequins on his vest and on his thumb. He has scraped the scales, the principal beauty, from unnumbered fish with that black old knife, the blade of which is almost worn away. Down at the water's edge, at the place where they haul up the boats, up the long ramp descending into the water, thin silver tree trunks are laid horizontally across the gray stones, down and down at intervals of four or five feet. Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals . . . One seal particularly I have seen here evening after evening. He was curious about me. He was interested in music; like me a believer in total immersion, so I used to sing him Baptist hymns. I also sang "A Mighty Fortress Is Our God." He stood up in the water and regarded me steadily, moving his head a little. Then he would disappear, then suddenly emerge almost in the same spot, with a sort of shrug as if it were against his better judgment. Cold dark deep and absolutely clear, the clear gray icy water . . . Back, behind us, the dignified tall firs begin. Bluish, associating with their shadows, a million Christmas trees stand waiting for Christmas. The water seems suspended above the rounded gray and blue-gray stones. I have seen it over and over, the same sea, the same, slightly, indifferently swinging above the stones, icily free above the stones, above the stones and then the world. If you should dip your hand in, your wrist would ache immediately, your bones would begin to ache and your hand would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.
Elizabeth Bishop
I squat to retrieve the pitcher but Bruno’s faster. He offers it to me and I make the mistake of looking him in the eye. My balance is thrown and I start to fall back. Bruno drops the pitcher and takes hold of both of my wrists to keep my butt from slamming into the ground. He uses my momentum, and in one swift movement, we’re both standing again, face-to-face. Too close. Way too close. He smells of wine. And basil. Bruno picks up the pitcher, slowly this time, and loops my fingers through the handle. “All right?” he asks, his smile big and hypnotizing. I nod. “You should wash this.” I nod again. “And refill it.” Nod. “You agree with everything I say?” Nod. “You like sleeping in my bed last night?” My face combusts, suddenly very aware of all the customers, especially the table of American hoochies not even five feet away. I steal a glance at them. The brunette’s mouth hangs open and the blond one looks me up and down, her expression simultaneously appalled and impressed. I’m mortified. And slightly thrilled. I run through the restaurant and into the kitchen without looking back. I blast the cold water into the sink, let it fill my cupped hands, and dip my face down into it again and again until I’m no longer on fire. When my eyes clear, I notice a hand towel dangling in front of me. Luca. I take it and quickly pat my face dry. “I--”…have no idea what to say. “Your brother…” Luca makes an understanding noise. “Bruno is”--he struggles for the world--“loud.” I would have said something else, but his definition is accurate too. Luca wasn’t even outside but he obviously knows his brother well. Bruno barging in on me while I was changing should have told me everything I needed to know about him.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….
Mark Kaplon
Are you going to put your feet in?” he asked. She shook her head. “I don’t think so. It would be foolish. Besides that, I’m already breaking too many rules by sitting here alone with you. Though if anyone finds me, I shall claim that I was abducted by a pirate.” “And then you would be forced to wed me to save your reputation,” he suggested. “Which is not so very dreadful.” “I disagree,” she countered. “You, Lord Ashton, are a very wicked man with no sense of propriety.” But her eyes revealed her amusement. “If I worried about what others think, I would not be sitting with a beautiful woman on a sunny day, now, would I?” He leaned back with his arms crooked behind his head. He had the feeling that Lady Rose had a rebellious side to her, buried beneath her years of good manners. She shook her head and sighed. Then she lifted up one foot and began unbuttoning her shoe. “I must be mad.” A rebel indeed. He grinned and helped her with the other shoe, until she was clad in stockings. “No more than I. But it was an invigorating swim.” “You ought to put your shirt on,” she reminded him. “Someone will see you and think you are intent on seducing me.” “You did accuse me of being a pirate, a chara.” He kept his voice light, but leaned a little closer. “We aren’t known for being gentlemen.” In response, Rose dipped her hand into the water and splashed it at his chest. “Then I’ll be forced to defend myself from you.” The frigid water spilled down his bare chest, dampening his waistband. Iain rested his arms on either side of her, trapping her against the rock. “Now that wasn’t fair, Lady Rose.” Her smile faded instantly. “I was teasing, Lord Ashton.” “Were you?” He was feeling rather bold at the moment. He drank in the sight of her—those wide brown eyes, the delicate nose and sweet lips. Her hair was hidden beneath the bonnet, and he took it off, setting it aside. “You don’t need this.” “My face will be covered in freckles if I don’t wear it.” But she didn’t appear to mind his interference. And instead of shoving him aside, she was watching him with interest. Sunlight gleamed across her brown hair, revealing the hints of auburn. He leaned in, resting his forehead against hers. Her eyes widened, but she remained fixed upon his face. “Did Burkham ever kiss you?” “Of course.” Her voice held a hint of panic, but she didn’t pull away. He was caught up in the beauty of her. Her breath warmed his mouth, and for a moment, he remained near to her. She was forbidden to him, and he would not intrude where he wasn’t wanted. And yet, every part of him was entranced by her. “Tell me to leave you alone,” he said in a low voice. But she remained silent. Her hand moved up to touch the roughness of his face, and it only deepened the intimacy. She trailed her fingers upon his jaw, and the simple touch undid him. Iain bent and brushed his mouth against hers. It was the barest hint of a kiss, the promise of more if she wanted it. He pulled back immediately, searching her expression. He never wanted her to feel threatened by him. “Tell me if you’re wanting me to stop.” He leaned in again, nipping at her lips a second time. He waited for a long moment, giving her more than enough time to refuse. She could tell him no at any moment, and he would pull back. Instead, her eyes were wild, as if she didn’t know what to say or do. She tasted of summer, a softness and warmth like sunlight. Her eyes were caught up with his, her expression emboldened by a taste of the forbidden. Iain bent and claimed her mouth deeply, framing her face with both hands. He didn’t stop kissing her, learning the shape of her mouth and drawing her even closer.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
You’re really beautiful,” I blurt out. I cringe when she stops, turns to face me and smiles at me. My belly clenches and my dick notices how much I like her. “Thank you,” she says as she sits down on the end of the dock. She tugs her shoes and socks from her feet and shoves her socks inside the shoes. Her bare toes peek up at me and she sighs as she dips them in the water. She leans back on her palms and tips her face up to the sky. “Thank you for bringing me here,” she says without even looking at me. She breathes in and out through her nose, slowly. “Did you enjoy the ride?” She smiles and nods. “I want to do it some more. Like, all the time. Every day. All day.” She giggles and I find myself grinning with her. With me? Or does she just mean riding? I am afraid to ask. “Why did you come with me?” I ask instead. She tips her face toward me. “Because you asked me.” She snorts and then giggles. “Even though you only did it because I chased you down in the quad. I nearly tackled you.” She winces. “Sorry about that.” “Best thing that’s happened to me all day,” I say. Shit. Did I say that out loud? I sit beside her on the dock. “Me too,” she says quietly.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
Parker’s eyebrows dip, but his gaze slides back up to mine. “To love someone that much.” My heart seizes, my eyes stinging with fresh tears. I’m forced to look away as I pull my lips between my teeth, holding back another mournful cry. “Sorry. You should go dance now.” Swallowing, I glance back up at Parker, who has returned his attention to the lake. He teeters on the balls of his feet, his jaw clenching. I’m startled by his words as the chilly water laps at my toes—he’s never apologized for anything before, but he apologizes for this. For his brush with vulnerability, his tender curiosity. That’s nothing to be sorry for. “It felt like completion,” I tell him, explaining it the only way that makes sense. “It felt like a pinnacle. Like everything in your life has come full circle, and this person is the culmination of every dream, every plea, every dandelion wish. “And when your dreams dissolve, and the wishes scatter, it’s hard to find joy in anything else. How can you ever obtain completion again when you’re missing the biggest piece?” A ragged sigh escapes me, and I watch the emotions play across his face, a melancholy reflection pulling at his features. “I have to believe there’s still joy in the journey—this new journey —and that life isn’t all about the finished puzzle. There’s just as much fulfillment in putting it together.
Jennifer Hartmann (The Wrong Heart)
From Alan Thein Duening: Picture North America from space. Look at the upper left and start an imaginary line on the rugged coast of southern Alaska. Climb the ridges that encircle Prince William Sound. Cross the snowy teeth of the Chugach Mountains and descend through kettle-pond country to the feet of the towering Alaska Range. Rise again to the bitter heights and turning southeast along the crest, clip the corner of the Yukon Territory. Enter British Columbia and veer east through its folding north. Turn your line south when you reach the Continental Divide in the Rocky Mountains. Follow the divide down the thousand-mile spine of British Columbia, across Montana, along the buttressed ridges of the Idaho border and into Wyoming as far as Jackson Hole. There, leave the divide and turn westward toward the coast. Following the swells and benches that limit the Columbia Basin, dip southward into Utah and Nevada, then northward again around the high desert of central Oregon. When you approach the Cascade Mountains, veer southwest through the tangled topography of northern California to the crest of the Coast Range. Just north of San Francisco Bay, descend to the shores of the Pacific. The line you have drawn is an unfamiliar one. You won’t find it on maps. But it shows a geographical unit more real, in ecological sense, than any of the lines governments draw. You have drawn a biological region, a bioregion. Specifically, you have outlines the watersheds of rivers flowing into the Pacific Ocean through North America’s temperate rain forest zone with a fifteen-hundred-mile belt of rain forests along the coast. The unity of this diverse bioregion is the movement of its water; every ounce of moisture that the ocean throws into the sky and the sky hurls down on the land inside this region’s borders tumbles toward the rain forest coast. If it does not evaporate or get trapped in underground aquifers along the way, water will reach that dripping shoreline through one of several hundred swift, cold rivers. Most likely, it will travel through the Columbia or the Fraser rivers, home to the Earth’s greatest population of migrating salmon. This place, defined by water running to woodlands, has no perfect name. You can call it Rain Forest Province, the North Pacific Slope, or Cascadia… Natural units of place such as this have always mattered more to people than has humanity in general or the planet in its entirety. Indeed, history is unequivocal; people will sacrifice for villages, homelands, or nations, even giving their lives. But humans seem unwilling to sacrifice for their planet, despite the fact that it is now suffering proportionately greater losses from social decay and environmental destruction than most countries at war.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
Show me something." "What would you like to see?" "Anything. Dazzle me with your boring, practical Alben magic." Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he's talking to himself. A slow smile spreads across Finn's face as he rubs his knuckles - black and blue with several bruises from Sir Bird's beak. "Let's see," he says, flipping through his father's book. "Here! I'll need some water in a shallow bowl ... ink ... yes, I think this is everything." He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one - change. But the rest I haven't learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird's feathers turn ... blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. "Ha!" Finn says, pointing at his knuckles. "Now you're black and blue, too!" I can't help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn's magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. "Hush now. I'll make him fix you. You're still very handsome, but blue isn't your color, is it?" He caws mournfully, still pulling at his own feathers. "Finn." He puts his hands behind his back, trying to look innocent. "What? He deserved it." "He's a bird. You can't really find this much satisfaction in revenge against a bird, can you?" His voice comes out just a tad petulant. "He started it. Besides, I made it temporary. It'll wear off within the hour." "There now." I kiss Sir Bird's head and set him on my shoulder. "You'll be back to yourself in no time." "Tell him to stop pecking at me.' "Perhaps you deserve it.
Kiersten White (Illusions of Fate)