Dionysus Quotes

We've searched our database for all the quotes and captions related to Dionysus. Here they are! All 100 of them:

God alert!" Blackjack yelled. "It's the wine dude! Mr. D sighed in exasperation. "The next person, or horse, who calls me the 'wine dude' will end up in a bottle of Merlot!
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
I turned to Dionysus. "You cured him?" "Madness is my specialty. It was quite simple." "But...you did something nice. Why?" He raised and eyebrow. "I am nice! I simple ooze niceness, Perry Johansson. Haven't you noticed?
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Erre es korakas, Blinky!" Dionysus cursed. "I will have your soul!
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
You're Dionysus," I said. "The god of wine." Mr. D rolled his eyes. "What do they say these days, Grover? Do the children say 'Well duh!'?" Y-yes, Mr. D." Then, well, duh! Percy Jackson. Did you think I was Aphrodite, perhaps?" You're a god." Yes, child." A god. You.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I stared at him (Dionysus). "You're...you're married? But I thought you got in trouble for chasing a wood nymph-
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
And, whoa!" He turned to Mr.D. "Your the wine dude? No way!" Mr.D turned hi eyes away from me and gave Nico a look of loathing. "The wine dude?" "Dionysus, right? Oh, wow! I've got your figurine!" "My figurine." "In my game, Mythomagic. And holofoil card, too! And even though you've only got like five hundred attack points and everybody thinks your the lamest god card, I totally think your powers are sweet!" "Ah." Mr.D seemed truly perplexed, which probably saved my life. "Well, that's...gratifying.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
I will deny I ever said this, of course, but the gods need heroes. They always have. Otherwise we would not keep you annoying little brats around." I feel so wanted. Thanks.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Did someone just call me the wine dude?” he asked in a lazy drawl. “It’s Bacchus, please. Or Mr. Bacchus. Or Lord Bacchus. Or, sometimes, Oh-My-Gods-Please-Don’t-Kill-Me, Lord Bacchus.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I turned and found Dionysus standing there, still in his black suit. Walk with me,” he said. Where to?” I asked suspiciously. Just to the campfire,” he said. “I was beginning to feel better, so I thought I would talk with you a bit. You always manage to annoy me.” Uh, thanks.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
If I had my way," Dionysus said, "I would cause your molecules to erupt in flames. We'd sweep up the ashes and be done with a lot of trouble. But Chiron seems to feel this would be against my mission at this cursed camp: to keep you little brats safe from harm." "Spontaneous combustion is a form of harm, Mr. D," Chiron put in. "Nonsense," Dionysus said. "Boy wouldn't feel a thing. Nevertheless, I've agreed to restrain myself. I'm thinking of turning you into a dolphin instead, sending you back to your father.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Are you suggesting that the gods have trouble acting together, young lady?" Dionysus asked. Yes, Lord Dionysus." Mr. D nodded. "Just checking. You're right, of course. Carry on.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Kronos would be 10 times more powerful. His very presence would incinerate you. And once he achieves this he will empower the other Titans. They are weak, compared to what they soon will become, unless you can stop them, the world will fall, the gods will die, and I will never achieve a perfect score on this stupid machine.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Erre es korakas, Blinkey!" Dionysus cursed. "I will have your soul!" "Um, he's a video game character," I said.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I knew Dionysus must've filled it out, because he stubbornly insisted on getting my name wrong: Dear _______Peter Johnson__________,
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
The god of wine looked around at the assembled crowd. “Miss me?” The satyrs fell over themselves nodding and bowing. “Oh, yes, very much, sire!” “Well, I did not miss this place!” Dionysus snapped. “I bear bad news, my friends. Evil news. The minor gods are changing sides. Morpheus has gone over to the enemy. Hecate, Janus, and Nemesis, as well. Zeus knows how many more.” Thunder rumbled in the distance. “Strike that,” Dionysus said. “Even Zeus doesn’t know.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
The world will fall, the gods will die, and I will never achieve a perfect score on this stupid machine. -Dionysus
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Grover Underwood of the satyrs!" Dionysus called. Grover came forward nervously. "Oh, stop chewing your shirt," Dionysus chided. "Honestly, I'm not going to blast you. For your bravery and sacrifice, blah, blah, blah, and since we have an unfortunate vacancy, the gods have seen fit to name you a member of the Council of Cloven Elders." Grover collapsed on the spot. "Oh, wonderful," Dionysus sighed, as several naiads came forward to help Grover. "Well, when he wakes up, someone tell him that he will no longer be an outcast, and that all satyrs, naiads, and other spirits of nature will henceforth treat him as a lord of the Wild, with all rights, privileges, and honors, blah, blah, blah. Now please, drag him off before he wakes up and starts groveling." "FOOOOOD," Grover moaned, as the nature spirits carried him away. I figured he'd be okay. He would wake up as a lord of the Wild with a bunch of beautiful naiads taking care of him. Life could be worse.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
A philosopher named Aristippus, who had quite willingly sucked up to Dionysus and won himself a spot at his court, saw Diogenes cooking lentils for a meal. "If you would only learn to compliment Dionysus, you wouldn't have to live on lentils." Diogenes replied, "But if you would only learn to live on lentils, you wouldn't have to flatter Dionysus.
Diogenes of Sinope
You do know how to play pinochle?" Mr. D eyed me suspiciously. "I'm afraid not," I said. "I'm afraid not, sir," he said. "Well," he told me, "it is, along with gladiator fighting and Pac-Man, one of the greatest games ever invented by humans. I would expect all civilized young men to know the rules.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I hate to tell you this,” Jason said, “but I think your leopard just ate a goddess.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Hello!” The girl in the blood-red dress beamed at Leo. “Are you Dionysus?” There was only one answer to that. “Yes!” Leo yelped. “Absolutely. I am Dionysus.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
Apollo nodded and Dionysus bowed to the room, sweeping his arms out to the sides with a flourish. And then he was gone. I shook my head. "Okay. Who else thinks he was high as a kite?" Hands went up across the room and I grinned.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
O Dionysus, we feel you near, stirring like molten lava under the ravaged earth, flowing from the wounds of your trees in tears of sap, screaming with the rage of your hunted beasts.
Euripides (The Bacchae)
The wreckage of stars - I built a world from this wreckage.
Friedrich Nietzsche (Dithyrambs of Dionysus)
And there, shimmering in the Mist right next to us, was the last person I wanted to see: Mr. D, wearing his leopard-skin jogging suit and rummaging through the refrigerator. He looked up lazily. "Do you mind?" Where's Chiron!" I shouted. How rude." Mr. D took a swig from a jug of grape juice. "Is that how you say hello?" Hello," I amended. "We're about to die! Where's Chiron?
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
I am a disciple of the philosopher Dionysus, and I would prefer to be even a satyr than a saint.
Friedrich Nietzsche (Ecce Homo)
Come, God -- Bromius, Bacchus, Dionysus -- burst into life, burst into being, be a mighty bull, a hundred-headed snake, a fire-breathing lion. Burst into smiling life, oh Bacchus!
Euripides (The Bacchae)
That would be like making a pact with Lucifer. (Zarek) Yes, but I don’t smell like sulfur. And I happen to dress better. Luc always looks like a pimp. (Dionysus)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
But remember, boy, that a kind act can sometimes be as powerful as a sword. As a mortal, I was never a great fighter or athlete or poet. I only made wine. The people in my village laughed at me. They said I would never amount to anything. Look at me now. Sometimes small things can become very large indeed.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Wonderful, Annabeth thought. Her own mother, the most levelheaded Olympian, was reduced to a raving, vicious scatterbrain in a subway station. And, of all the gods who might help them, the only ones not affected by the Greek-Roman schism seemed to be Aphrodite, Nemesis and Dionysus. Love, revenge, wine. Very helpful.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Even Dionysus's welcome-home speech wasn't enough to dampen my spirits. "Yes, yes, so the little brat didn't get himself killed and now he'll have an even bigger head. Well, huzzah for that. In other announcements, there will be no canoe races this Saturday....
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
That was you who hit me with the float? (Talon) Yes. (Dionysus) Damn, boy. You’ve fallen a long way down. Yesterday Greek god…today incompetent float driver. (Camulus)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
It’s the conflict between Apollo and Dionysus—a famous dilemma in mythology. It’s the age-old battle between mind and heart, which seldom want the same thing.
Dan Brown (Inferno (Robert Langdon, #4))
The tragedy of Dionysus: Wear a black robe at night, and white you’ll wear by morning; but wear a purple robe to the midnight feast, and when you wake you’ll dress in black to mourn your soul deceased.
Roman Payne (Crepuscule)
Prepare yourselves for the roaring voice of the God of Joy!
Euripides (The Bacchae)
Before I could respond, Thalia tromped up the stairs. She was officially not talking to me now, but she looked at Grover and said, "Tell Percy to get his butt downstairs." "Why?" I asked. "Did he say something?" Thalia asked Grover. "Um, he asked why." "Dionysus is calling a council of cabin leaders to discuss the prophecy," she said. "Unfortunately, that includes Percy.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
With his sanity intact,” I agreed. Then I looked again at Dionysus, god of madness, who seemed to be giving Nico advice. “Oh…
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Young man, two are the forces most precious to mankind. The first is Demeter, the Goddess. She is the Earth -- or any name you wish to call her -- and she sustains humanity with solid food. Next came Dionysus, the son of the virgin, bringing the counterpart to bread: wine and the blessings of life's flowing juices. His blood, the blood of the grape, lightens the burden of our mortal misery. Though himself a God, it is his blood we pour out to offer thanks to the Gods. And through him, we are blessed.
Euripides (The Bacchae)
It is," I said. "And it's not even difficult. But I need your promise on the River Styx." "What?" Dionysus cried. "You don't trust us?" "Someone once told me," I said, looking at Hades, "you should always get a solemn oath." Hades shrugged. "Guilty.
Rick Riordan
Dionysus the god of drinking so hard you wake up with TWO hangovers and then they FIGHT.
Cory O'Brien (Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology)
What was Dionysus going to go? Send him back to his hellish isolation? He’d been there, done that, and had the Ozzy T-shirt to prove it.’ (Styxx)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
What if you had never seen the sea before? What if the only thing you'd ever seen was a child's picture - blue crayon, choppy waves? Would you know the real sea if you only knew the picture? Would you be able to recognize the real thing even if you saw it? You don't know what Dionysus looks like. We're talking about God here. God is serious business.
Donna Tartt (The Secret History)
O Dionysus, Son of God, do you see our sufferings? Do you see your faithful in helpless agony before the oppressor? O Lord, come down from Olympus, shake your golden thyrsus and stifle the murderer's insolent fury.
Euripides (The Bacchae)
As the Roman Empire came to its close, all the old gods of the pagan world were seen as demons by the Christians who rose. It was useless to tell them as the centuries passed that their Christ was but another God of the Wood, dying and rising, as Dionysus or Osiris had done before him, and that the Virgin Mary was in fact the Good Mother again enshrined. Theirs was a new age of belief and conviction, and in it we became devils, detached from what they believed, as old knowledge was forgotten or misunderstood.
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
The goddess smiled. "You are a good hero, Percy Jackson. Not too proud. I like that. But you have much to learn. When Dionysus was made a god, I gave up my throne for him. It was the only way to avoid a civil war among the gods." "It unbalanced the Council," I remembered. "Suddenly there were seven guys and five girls." Hestia shrugged. "It was the best solution, not a perfect one. Now I tend the fire. I fade slowly into the background. No one will ever write epic poems about the deeds of Hestia. Most demigods don't even stop to talk to me. But that is no matter. I keep the peace. I yield when necessary. Can you do this?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The faithful of Shiva or Dionysus seek contact with those forces which...lead to a refusal of the politics, ambitions and limitations of ordinary social life. This does not involve simply a recognition of world harmony, but also an active participation in an experience which surpasses and upsets the order of material life.
Alain Daniélou (Gods of Love and Ecstasy: The Traditions of Shiva and Dionysus)
Wine is a new drink,” Dionysus explained. “But it’s more than just a drink. It’s a religious experience!
Rick Riordan (Percy Jackson's Greek Gods)
Faith that you will find a way to make wine out of your sour grapes.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Hades has a nice corner of Tartarus waiting for you. (Dionysus) Like that scares me. What’s he going to do? Tear the flesh off my body? Break my bones? Better yet, why not hold me down and stomp on me until I bleed or make me shovel shit? Oh wait, been there, done that, and got the videotape. (Zarek)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
The only great darkness I'm good at fighting is the one inside all of us. I'd like to light a fire inside everyone that can burn forever
Kieron Gillen (The Wicked + The Divine, Vol. 5: Imperial Phase, Part I)
Ancient moon priestesses were called virgins. ‘Virgin’ meant not married, not belong to a man - a woman who was ‘one-in-herself’. The very word derives from a Latin root meaning strength, force, skill; and was later applied to men: virle. Ishtar, Diana, Astarte, Isis were all all called virgin, which did not refer to sexual chasity, but sexual independence. And all great culture heroes of the past…, mythic or historic, were said to be born of virgin mothers: Marduk, Gilgamesh, Buddha, Osiris, Dionysus, Genghis Khan, Jesus - they were all affirmed as sons of the Great Mother, of the Original One, their worldly power deriving from her. When the Hebrews used the word, and in the original Aramaic, it meant ‘maiden’ or ‘young woman’, with no connotations to sexual chasity. But later Christian translators could not conceive of the ‘Virgin Mary’ as a woman of independent sexuality, needless to say; they distorted the meaning into sexually pure, chaste, never touched. When Joan of Arc, with her witch coven associations, was called La Pucelle - ‘the Maiden,’ ‘the Virgin’ - the word retained some of its original pagan sense of a strong and independent woman. The Moon Goddess was worshipped in orgiastic rites, being the divinity of matriarchal women free to take as many lovers as they choose. Women could ‘surrender’ themselves to the Goddess by making love to a stranger in her temple.
Monica Sjöö (The Great Cosmic Mother: Rediscovering the Religion of the Earth)
Often misunderstood, Dionysus is far more than a wine deity. He is the Breaker of Chains, who rescues not only the flesh but the heart and spirit from too much of worldly regulations and duties. He is a god of joy and freedom. Any uncultivated, tangled, and primal woodland is very much his domain.
Tanith Lee (The Green Man: Tales from the Mythic Forest)
We seek connection, predictability, and dependability to root us firmly in place. But we also have a need for change, for the unexpected, for transcendence. The Greeks understood this, which is why they worshiped both Apollo (representative of the rational and self-disciplined) and Dionysus (representative of the spontaneous, sensuous, and emotional).
Esther Perel (The State of Affairs: Rethinking Infidelity)
How was I to know your pet was a god-killer? What kind of idiot ties herself down to one of his kind? (Dionysus) Well, gee, what was I supposed to do? Hook up with Mr. All-powerful God-killer or get myself a Mardi Gras float and hang out with him? (She pointed to Camulus, who looked extremely offended by her comment.) You’re such a moron. No wonder you’re the patron god of drunken frat boys. (Artemis)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
Violence is the divine force that everyone tries to use for his own purposes and that ends by using everyone for its own—the Dionysus of The Bacchae
René Girard (Violence and the Sacred)
Receive the god into your kingdom pour libations, cover your head with ivy, join the dance!
Euripides (The Bacchae)
In Springtime, O Dionysos, To thy holy temple come, To Elis with thy Graces, Rushing with thy bull-foot, come, Noble Bull, Noble Bull
Plutarch
Dionysus does not explain or regret anything. He is pleased if he can cause you to perform, despite your plan, despite your politics, despite your neuroses, despite even your Dionysian theories of self, something quite previous, the desire before the desire, the lick of beginning to know you don’t know. If life is a stage, that is the show. Exit Dionysus.
Anne Carson (The Bacchae)
See what has become of us. As far as I know, only the old Greeks had gods of drinking and the joy of life: Bacchus and Dionysus. Instead of that we have Freud, inferiority complexes and the psychoanalysis. We’re afraid of the too great words in love and not afraid of much too great words in politics. A sorry generation!
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Answer my question, Bacchus. I’m not one of your dickless Greeks to be kept waiting for an answer. (Camulus) You better take a more civil tone with me, Cam. I’m not one of your flaccid Celts to shake in terror of your wrath. You want to fight, boy, bring it on. (Dionysus) Whoa, hang on a second. Let’s save the fighting for when you two take over the world, okay? (Styxx)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
Under the magic of the Dionysian, not only does the bond between man and man lock itself in place once more, but also nature itself, no matter how alienated, hostile, or subjugated, rejoices again in her festival of reconciliation with her prodigal son, man. The earth freely offers up her gifts, and the beasts of prey from the rocks and the desert approach in peace. The wagon of Dionysus is covered with flowers and wreaths; under his yolk stride panthers and tigers.
Friedrich Nietzsche
What’s the one thing you want more than any other, prince?”“My wife.”Dionysus rolled his eyes. “Okay, what’s the second thing you want?”“My son.”This time the god expelled a long exasperated breath. “Third? And if you name another family member, I will leave you here with Apollo, so help me, Zeus.”Sadly, Styxx had no other family to name and only one other thing he craved. “To die.”“Ah, you can be taught. Yah! And yeah, death. You kill Acheron and you die. I get to rule the world of man and everyone’s happy.” Hands on hips, Dionysus arched a brow. “So what do you say?”“I say get me the fuck out of here.
Sherrilyn Kenyon (Styxx (Dark-Hunter, #22))
If it were not my purpose to combine barbarian things with things Hellenic, to traverse and civilize every continent, to search out the uttermost parts of land and sea, to push the bounds of Macedonia to the farthest Ocean, and to disseminate and shower the blessings of the Hellenic justice and peace over every nation, I should not be content to sit quietly in the luxury of idle power, but I should emulate the frugality of Diogenes. But as things are, forgive me Diogenes, that I imitate Herakles, and emulate Perseus, and follow in the footsteps of Dionysos, the divine author and progenitor of my family, and desire that victorious Hellenes should dance again in India and revive the memory of the Bacchic revels among the savage mountain tribes beyond the Kaukasos…
Alexander the Great
Dionysus had already been scared form the tragic stage, by a demonic power speaking through Euripides. Even Euripides was, in a sense, only a mask: the deity that spoke through him was neither Dionysus nor Apollo, but an altogether newborn demon, called Socrates.
Friedrich Nietzsche (The Birth of Tragedy / The Case of Wagner)
Perseus Jackson, I do expect you to refrain from causing any more trouble. " "Trouble?" I demanded. Dionysus snapped his fingers. A newspaper appeared on the table-the front page of today's New York Post, There was my yearbook picture from Meriwether Prep. It was hard for me to make out the headline, but I had a pretty good guess what it said. Something like: ...Perseus Jackson, I do expect you to refrain from causing any more trouble. " "Trouble?" I demanded. Dionysus snapped his fingers. A newspaper appeared on the table-the front page of today's New York Post, There was my yearbook picture from Meriwether Prep. It was hard for me to make out the headline, but I had a pretty good guess what it said. Something like: Thirteen- Year-Old Lunatic Torches Gymnasium.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Johnny Appleseed was bringing the gift of alcohol to the frontier. That’s why he was so popular. That’s why he was welcome in every cabin in Ohio. He was the American Dionysus.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
Have I been understood?―Dionysus against the crucified one...
Friedrich Nietzsche (Ecce Homo)
Have you understood me? Dionysus versus Christ.
Friedrich Nietzsche (Ecce Homo)
There is an ancient story that King Midas hunted in the forest a long time for the wise Silenus, the companion of Dionysus, without capturing him. When Silenus at last fell into his hands, the king asked what was the best and most desirable of all things for man. Fixed and immovable, the demigod said not a word, till at last, urged by the king, he gave a shrill laugh and broke out into these words: ‘Oh, wretched ephemeral race, children of chance and misery, why do you compel me to tell you what it would be most expedient for you not to hear? What is best of all is utterly beyond your reach: not to be born, not to be, to be nothing. But the second best for you is—to die soon.
Friedrich Nietzsche (The Birth of Tragedy)
He who begets something which is alive must dive down into the primeval depths in which the forces of life dwell. And when he rises to the surface, there is a gleam of madness in his eyes because in those depths lives cheek by jowl with life. The primal mystery is itself mad - the matrix of the duality and the unity of disunity.
Walter F. Otto (Dionysus: Myth and Cult)
He is the god of epiphanies—sudden spiritual manifestations—and of transformation, and there is more shape-shifting associated with Dionysus than with any other Greek god except for his father, Zeus, whose metamorphoses were usually prompted by his pursuit of women. The
Robin Robertson (The Bacchae)
And of all the gods who might help them, the only ones not affected by the Greek–Roman schism seemed to be Aphrodite, Nemesis, and Dionysus. Love, revenge, wine. Very helpful.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Your wish is my command. Did I tell you about the time Dionysus tricked Poseidon into having sex with a tree?
Eliza Raine (The Power of Hades (The Hades Trials, #1))
It was from Dionysus, the wine god, that the theater came.
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
Honeyed oatie cakes, lemon oatie cakes, oatie cakes with dried grapes!" moaned Athena, she and her owl both rolling her eyes. "I've still got sacks fullin my storage rooms," said Artemis. "I give them to my temple priestesses to hand out to people who pray really hard...or not." "I use them as fish food," said Poseidon. "Kindling," said Hephaestus. "They burn great on the forge." "I've sent a million sacks down to Egypt," said Dionysus. "They ran out of bricks for the Pyramids.
Carolyn Hennesy (Pandora Gets Jealous (Mythic Misadventures, #1))
Dionysus snorted. “Oh, I didn’t want you particularly. Any of you silly heroes would do. That Annie girl—” “Annabeth.” “The point is,” he said, “I pulled you into party time to deliver a warning. We are in danger.” “Gee,” I said. “Never would’ve figured that out. Thanks.” He glared at me and momentarily forgot his game. Pac-Man got eaten by the red ghost dude. “Erre es korakas, Blinky!” Dionysus cursed. “I will have your soul!” “Um, he’s a video game character,” I said. “That’s no excuse! And you’re ruining my game, Jorgenson!” “Jackson.” “Whichever!
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Don’t forget the biggest weapon is your heart; don’t fall victim to fairytales
Snow Liber Dionysus
(Dionysus:) "Well, I think you did a marvelous job," he offered. "I think, in your honor, any god who is currently being punished with a stint on Earth ought to be pardoned immediately—" "No," Zeus snapped. Dionysus slumped back with a dejected sigh.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
As thick-headed as he is, Ares has a point.” “Right!” Ares said. “Hey, wait a minute. Who you callin’—” He started to get up, but a grape vine grew around his waist like a seat belt and pulled him back down.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
As far as I know, only the old Greeks had gods of drinking and the joy of life: Bacchus and Dionysus. Instead of that we have Freud, inferiority complexes and the psychoanalysis. We’re afraid of the too great words in love and not afraid of much too great words in politics. A sorry generation!
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Of course," agreed Basil, "if you read it carelessly, and act on it rashly, with the blind faith of a fanatic; it might very well lead to trouble. But nature is full of devices for eliminating anything that cannot master its environment. The words 'to worship me' are all-important. The only excuse for using a drug of any sort, whether it's quinine or Epsom-salt, is to assist nature to overcome some obstacle to her proper functions. The danger of the so-called habit-forming drugs is that they fool you into trying to dodge the toil essential to spiritual and intellectual development. But they are not simply man-traps. There is nothing in nature which cannot be used for our benefit, and it is up to us to use it wisely. Now, in the work you have been doing in the last week, heroin might have helped you to concentrate your mind, and cocaine to overcome the effects of fatigue. And the reason you did not use them was that a burnt child dreads fire. We had the same trouble with teaching Hermes and Dionysus to swim. They found themselves in danger of being drowned and thought the best way was to avoid going near the water. But that didn't help them to use their natural faculties to the best advantage, so I made them confront the sea again and again, until they decided that the best way to avoid drowning was to learn how to deal with oceans in every detail. It sounds pretty obvious when you put it like that, yet while every one agrees with me about the swimming, I am howled down on all sides when I apply the same principles to the use of drugs.
Aleister Crowley (Diary of a Drug Fiend)
Stand Up High; Fall Down Deep
Snow Liber Dionysus
How I still see you in the rifts. The girl who still looks at me the same. No matter the form she wears, I still see you.
Snow Liber Dionysus
What is your type of Magick ¿ Do you like theatre or puppetry
Snow Liber Dionysus
You're welcome to as much wine as you can drink, Ares." ...[Ares] watched two bare-breasted women stroll by. "Am I welcome to your worshippers as well?" "If they'll have you. Force yourself on anyone, though, and the cat gets to gnaw on your anatomy." Dionysos nodded to Agria, who prowled around the crowd. "Those are the rules." Ares smirked. ... "No problem there. I'm very persuasive." Hermes shook his head at Dionysos and mouthed in comical exaggeration, *No, he's not.*
Molly Ringle (Underworld's Daughter (The Chrysomelia Stories, #2))
Michael had taken over the Apollo cabin after Lee Fletcher died in battle last summer. Michael stood four-foot-six with another two feet of attitude. He reminded me of a ferret, with a pointy nose and scrunched-up features—either because he scowled so much or because he spent too much time looking down the shaft of an arrow. “It’s our loot!” he yelled, standing on his tiptoes so he could get in Clarisse’s face. “If you don’t like it, you can kiss my quiver!” Around the table, people were trying not to laugh—the Stoll brothers, Pollux from the Dionysus cabin, Katie Gardner from Demeter. Even Jake Mason, the hastily appointed new counselor from Hephaestus, managed a faint smile. Only Silena Beauregard didn’t pay any attention.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The picture of the bacchante who stands motionless and stares into space must have been well known. Catullus is thinking of her when he tells of the abandoned Ariadne, who follows her faithless lover with sorrowing eyes as she stands on the reedy shore ‘like the picture of a maenad.’ Indeed, melancholy silence becomes the sign of women who are possessed by Dionysus. […] Madness dwells in the surge of clanging, shrieking, and pealing sounds, it dwells also in silence. The women who follow Dionysus get their name, maenads, from this madness. Possessed by it, they rush off, whirl madly in circles, or stand still, as if turned to stone.
Walter F. Otto (Dionysus: Myth and Cult)
She fixed me with her cold gray stare, and I realized what a terrible enemy Athena would make, ten times worse than Ares or Dionysus or maybe even my father. Athena would never give up. She would never do something rash or stupid just because she hated you, and if she made a plan to destroy you, it would not fail. Natalie: Athena scares me! She would be a… If she becomes Percy’s enemy she would just destroy him, without a hint of remorse.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
We need to be those that revere Apollo, yet do not ignore Dionysus. We must give Dionysus his due, but always in a subordinate sense to Apollo. As things stand, we live in a primitive Dionysian world where Apollo scarcely gets a look in. We need an Apollonian world by day (work hard, intelligently, rationally and logically) and a Dionysian world by night (play hard, satisfying our deepest needs in sublimated, ritualistic, and staged ways, avoiding the horror of the untamed, bestial Dionysian).
Thomas Stark (Inside Reality: The Inner View of Existence (The Truth Series Book 11))
Well, it's not called a mystery for nothing," said Henry sourly. "Take my word for it. But one mustn't underestimate the primal appeal to lose one's self, lose it utterly. And in losing it be born to the principle of continuous life, outside the prison of mortality and time. That was attractive to me from the first, even when I knew nothing about the topic and approached it less as potential mystes than anthropologist. Ancient commentators are very circumspect about the whole thing. It was possible, with a great deal of work, to figure out some of the sacred rituals-the hymns, the sacred objects, what to wear and do and say. More difficult was the mystery itself: how did one propel oneself into such a state, what was the catalyst?" His voice was dreamy, amused. "We tried everything. Drink, drugs, prayer, even small doses of poison.
Donna Tartt (The Secret History)
And, whoa!” He looked at Mr. D. “You’re the wine dude? No way!” Mr. D turned his eyes away from me and gave Nico a look of loathing. “The wine dude?” “Dionysus, right? Oh, wow! I’ve got your figurine.” “My figurine.” “In my game, Mythomagic. And a holofoil card, too! And even though you’ve only got like five hundred attack points and everybody thinks you’re the lamest god card, I totally think your powers are sweet!” “Ah.” Mr. D seemed truly perplexed, which probably saved my life. “Well, that’s…gratifying.” “Percy,” Chiron said quickly, “you and Thalia go down to the cabins. Inform the campers we’ll be playing capture the flag tomorrow evening.” “Capture the flag?” I asked. “But we don’t have enough—” “It is a tradition,” Chiron said. “A friendly match, whenever the Hunters visit.” “Yeah,” Thalia muttered. “I bet it’s real friendly.” Chiron jerked his head toward Mr. D, who was still frowning as Nico talked about how many defense points all the gods had in his game. “Run along now,” Chiron told us. “Oh, right,” Thalia said. “Come on, Percy.” She hauled me out of the Big House before Dionysus could remember that he wanted to kill me.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
In Shivaite tradition, the god's companions are described as a troupe of freakish, adventurous, delinquent and wild young people, who prowl in the night, shouting in the storm, singing, dancing and ceaselessly playing outrageous tricks on sages and gods. They are called Ganas, the "Vagabonds", corresponding to the Cretan Korybantes and the Celtic Korrigans (fairies' sons). Like the Sileni and Satyrs, some of them have goats' or birds' feet. The Ganas mock the rules of ethics and social order. They personify the joy of living, courage and imagination, which are all youthful values. They live in harmony with nature and oppose the destructive ambition of the city and the deceitful moralism which both hides and expresses it. These delinquents of heaven are always there to restore true values and to assist the "god-mad" who are persecuted and mocked by the powerful. They personify everything which is feared by and displeases bourgeois society, and which is contrary to the good morale of a well-policed city and its palliative concepts.
Alain Daniélou (Gods of Love and Ecstasy: The Traditions of Shiva and Dionysus)
His sculpture would have joy in it, try to capture the sense of fertility of Dionysus, the nature god, the power of the intoxicating drink that enabled a man to laugh and sing and forget for a while the sorrow of his earthly miseries. And then, perhaps, at the same time he could portray the decay that came with too much forgetfulness, that he saw all around him, when man surrendered his moral and spiritual values for the pleasures of the flesh. The Bacchus would be the central figure of his theme, a human being rather than a demigod; then there would be a child of about seven, sweet- faced, lovable, nibbling from a bunch of grapes. His composition would have death in it too; the tiger, who liked wine and was loved by Bacchus, with the deadest, dead skin and head conceivable
Irving Stone (The Agony and the Ecstasy)
The god of unreflecting drunkenness advised me to take no reading matter at all, or if I absolutely insisted on reading matter, then a little stack of Rasputin would do; Apollo, on the other hand, in his shrewd, sensible way, tried to talk me out of this trip to France altogether, but when he saw that Oskar's mind was made up, insisted on proper baggage; very well, I would have to take the highly respectable yawn that Goethe had yawned so long ago, but for spite, and also because I knew that The Elective Affinities would never solve all my sexual problems, I also took Rasputin and his naked women, naked but for their black stockings. If Apollo strove for harmony and Dionysus for drunkenness and chaos, Oskar was a little demigod whose business it was to harmonize chaos and intoxicate reason. In addition to his mortality, he had one advantage over all the full divinities whose characters and careers had been established in the remote past: Oskar could read what he pleased whereas the gods censored themselves.
Günter Grass (The Tin Drum)
Swine are held by the Egyptians to be unclean beasts. In the first place, if an Egyptian touches a hog in passing, he goes to the river and dips himself in it, clothed as he is; and in the second place, swineherds, though native born Egyptians, are alone of all men forbidden to enter any Egyptian temple; nor will any give a swineherd his daughter in marriage, nor take a wife from their women; but swineherds intermarry among themselves. [2] Nor do the Egyptians think it right to sacrifice swine to any god except the Moon and Dionysus; to these, they sacrifice their swine at the same time, in the same season of full moon; then they eat the meat. The Egyptians have an explanation of why they sacrifice swine at this festival, yet abominate them at others; I know it, but it is not fitting that I relate it. [3] But this is how they sacrifice swine to the Moon: the sacrificer lays the end of the tail and the spleen and the caul together and covers them up with all the fat that he finds around the belly, then consigns it all to the fire; as for the rest of the flesh, they eat it at the time of full moon when they sacrifice the victim; but they will not taste it on any other day. Poor men, with but slender means, mold swine out of dough, which they then take and sacrifice. (2:47)
Herodotus (The Histories)
Man's experience tells him that wherever there are signs of life, death in in the offing. The more alive this life becomes, the nearer death draws, until the supreme moment - the enchanted moment when something new is created - when death and life meet in an embrace of mad ecstasy. The rapture and terror of life are so profound because they are intoxicated with death. As often as life engenders itself anew, the wall which separates it from death is momentarily destroyed. Death comes to the old and the sick from the outside, bringing fear or comfort. They think of it because they feel that life is waning. But for the young the intimidation of death rises up out of the full maturity of each individual life and intoxicates them so that their ecstasy becomes infinite. Life which has become sterile totters to meet its end, but love and death have welcomed and clung to one another passionately from the beginning.
Walter F. Otto (Dionysus: Myth and Cult)
When Athens loses its hold on its empire, Hera still sees Athena: a grey-feathered owl tilting its head in the town square where men debate philosophy and rationality, striving for sense and understanding; or else a flash of silver in the eyes of someone stacking another roll of papyrus in the public library, the teacher calling his students to lessons, or the woman demonstrating how the loom works to her attentive daughter. At the lush, rolling vineyards, she sometimes thinks she spots the laughing eyes of Dionysus in a jovial winemaker selling his wares. In the forests, she's convinced she catches a flash of Artemis, running in pursuit of a stag, or else she recognises her determined jawline in a defiant girl. In smoky forges, where blacksmiths wipe the sweat from their brows, she feels the patience of Hephaestus; and she is certain that Ares still runs wild on the battlefields, filling every fighter's heart with his destructive rage. Hestia is there, of course, in every kindly friend, at every welcoming hearth. She wonders where they see her - in rebellious wives, she hopes, in the iron souls of powerful queens, in resilient girls who find the strength to keep going.
Jennifer Saint (Hera)
In this way all violent bonds and orders are cancelled as if the freedom of the primal world had been restored with one blow. Man, too, is made open and true by this freedom. Wine, as Plutarch says so nicely, frees the soul of subservience, fear, and insincerity; it teaches men how to be truthful and candid with one another. It reveals that which was hidden. Wine and truth have long been associated in proverbs. It is a good thing, so it is said, to search for the truth in earnest conversation while one drinks wine, and agreements arrived at over a wine glass were at one time considered to be the most sacred and inviolable agreements.
Walter F. Otto (Dionysus: Myth and Cult)
Es geht die alte Sage, dass König Midas lange Zeit nach dem weisen Silen, dem Begleiter des Dionysus, im Walde gejagt habe, ohne ihn zu fangen. Als er ihm endlich in die Hände gefallen ist, fragt der König, was für den Menschen das Allerbeste und Allervorzüglichste sei. Starr und unbeweglich schweigt der Dämon; bis er, durch den König gezwungen, endlich unter gellem Lachen in diese Worte ausbricht: `Elendes Eintagsgeschlecht, des Zufalls Kinder und der Mühsal, was zwingst du mich dir zu sagen, was nicht zu hören für dich das Erspriesslichste ist? Das Allerbeste ist für dich gänzlich unerreichbar: nicht geboren zu sein, nicht zu sein, nichts zu sein. Das Zweitbeste aber ist für dich - bald zu sterben. According to the old story, King Midas had long hunted wise Silenus, Dionysus' companion, without catching him. When Silenus had finally fallen into his clutches, the king asked him what was the best and most desirable thing of all for mankind. The daemon stood still, stiff and motionless, until at last, forced by the king, he gave a shrill laugh and spoke these words: 'Miserable, ephemeral race, children of hazard and hardship, why do you force me to say what it would be much more fruitful for you not to hear? The best of all things is something entirely outside your grasp: not to be born, not to be, to be nothing. But the second-best thing for you — is to die soon.
Friedrich Nietzsche (An Attempt at Self-Criticism/Foreword to Richard Wagner/The Birth of Tragedy)
But Rousseau — to what did he really want to return? Rousseau, this first modern man, idealist and rabble in one person — one who needed moral "dignity" to be able to stand his own sight, sick with unbridled vanity and unbridled self-contempt. This miscarriage, couched on the threshold of modern times, also wanted a "return to nature"; to ask this once more, to what did Rousseau want to return? I still hate Rousseau in the French Revolution: it is the world-historical expression of this duality of idealist and rabble. The bloody farce which became an aspect of the Revolution, its "immorality," is of little concern to me: what I hate is its Rousseauan morality — the so-called "truths" of the Revolution through which it still works and attracts everything shallow and mediocre. The doctrine of equality! There is no more poisonous poison anywhere: for it seems to be preached by justice itself, whereas it really is the termination of justice. "Equal to the equal, unequal to the unequal" — that would be the true slogan of justice; and also its corollary: "Never make equal what is unequal." That this doctrine of equality was surrounded by such gruesome and bloody events, that has given this "modern idea" par excellence a kind of glory and fiery aura so that the Revolution as a spectacle has seduced even the noblest spirits. In the end, that is no reason for respecting it any more. I see only one man who experienced it as it must be experienced, with nausea — Goethe. Goethe — not a German event, but a European one: a magnificent attempt to overcome the eighteenth century by a return to nature, by an ascent to the naturalness of the Renaissance — a kind of self-overcoming on the part of that century. He bore its strongest instincts within himself: the sensibility, the idolatry of nature, the anti-historic, the idealistic, the unreal and revolutionary (the latter being merely a form of the unreal). He sought help from history, natural science, antiquity, and also Spinoza, but, above all, from practical activity; he surrounded himself with limited horizons; he did not retire from life but put himself into the midst of it; he if was not fainthearted but took as much as possible upon himself, over himself, into himself. What he wanted was totality; he fought the mutual extraneousness of reason, senses, feeling, and will (preached with the most abhorrent scholasticism by Kant, the antipode of Goethe); he disciplined himself to wholeness, he created himself. In the middle of an age with an unreal outlook, Goethe was a convinced realist: he said Yes to everything that was related to him in this respect — and he had no greater experience than that ens realissimum [most real being] called Napoleon. Goethe conceived a human being who would be strong, highly educated, skillful in all bodily matters, self-controlled, reverent toward himself, and who might dare to afford the whole range and wealth of being natural, being strong enough for such freedom; the man of tolerance, not from weakness but from strength, because he knows how to use to his advantage even that from which the average nature would perish; the man for whom there is no longer anything that is forbidden — unless it be weakness, whether called vice or virtue. Such a spirit who has become free stands amid the cosmos with a joyous and trusting fatalism, in the faith that only the particular is loathesome, and that all is redeemed and affirmed in the whole — he does not negate anymore. Such a faith, however, is the highest of all possible faiths: I have baptized it with the name of Dionysus. 50 One might say that in a certain sense the nineteenth century also strove for all that which Goethe as a person had striven for: universality in understanding and in welcoming, letting everything come close to oneself, an audacious realism, a reverence for everything factual.
Friedrich Nietzsche