“
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.
”
”
Steven Pressfield (The War of Art)
“
Spartans... tonight we dine in Hell!
”
”
Frank Miller (300)
“
So,” Jesper said, adding sugar to his coffee. “Other than Inej making a new pal, what the hell happened out there?”
“Let’s see,” said Nina. “Inej fell twenty stories.”
“We put a serious hole in my father’s dining room ceiling,” Wylan offered.
“Nina can raise the dead,” said Inej.
Matthias’ cup clattered against his saucer. It looked ridiculous in his huge hand. “I can’t raise them. I mean, they get up, but it’s not like they come back to life. I don’t think. I’m not totally sure.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
”
”
Donna Tartt (The Goldfinch)
“
He'll burn you down like wax if you let him. You'll think it's love, while he dines on your heart. And maybe it will be. But he's so hungry, he'll eat you all in one sitting, and you'll be in his belly, and what will you do then?
”
”
Catherynne M. Valente (Deathless)
“
The Prophets Isaiah and Ezekiel dined with me, and I asked them how they dared so roundly to assert, that God spoke to them; and whether they did not think at the time, that they would be misunderstood, & so be the cause of imposition.
Isaiah answer'd, I saw no God, nor heard any, in a finite organical perception; but my senses discover'd the infinite in every thing, and as I was then persuaded, & remain confirm'd; that the voice of honest indignation is the voice of God, I cared not for consequences but wrote.
”
”
William Blake (The Marriage of Heaven and Hell)
“
Ivanov's fear was of a literary nature. That is, it was the fear that afflicts most citizens who, one fine (or dark) day, choose to make the practice of writing, and especially the practice of fiction writing, an integral part of their lives. Fear of being no good. Also fear of being overlooked. But above all, fear of being no good. Fear that one's efforts and striving will come to nothing. Fear of the step that leaves no trace. Fear of the forces of chance and nature that wipe away shallow prints. Fear of dining alone and unnoticed. Fear of going unrecognized. Fear of failure and making a spectacle of oneself. But above all, fear of being no good. Fear of forever dwelling in the hell of bad writers.
”
”
Roberto Bolaño (2666)
“
A pleasant morning. Saw my classmates Gardner, and Wheeler. Wheeler dined, spent the afternoon, and drank Tea with me. Supped at Major Gardiners, and engag'd to keep School at Bristol, provided Worcester People, at their ensuing March meeting, should change this into a moving School, not otherwise. Major Greene this Evening fell into some conversation with me about the Divinity and Satisfaction of Jesus Christ. All the Argument he advanced was, 'that a mere creature, or finite Being, could not make Satisfaction to infinite justice, for any Crimes,' and that 'these things are very mysterious.'
(Thus mystery is made a convenient Cover for absurdity.)
[Diary entry, February 13 1756]
”
”
John Adams (Diary and Autobiography of John Adams, Volumes 1-4: Diary (1755-1804) and Autobiography (through 1780))
“
Why the hell would anyone be eating at the Grease Trap? I’ve seen flies die from buzzing by that place.” Andrea crossed her arms. “Oh, I don’t know, probably because your career just ended and you are depressed and don’t feel like breathing, let alone going out, but your body still needs food and that’s the closest place to your apartment and they don’t mind if you bring a giant dog with you.” “What, you couldn’t find a Dumpster that was closer?” Andrea glared at me. “What are you implying?” “The Dumpster would have better food in it.” “Well, excuse me, Miss Fine Dining.
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
He’ll burn you down like wax if you let him. You’ll think it’s love, when he dines on your heart. And maybe it will be
”
”
Catherynne M. Valente (Deathless)
“
So," Jesper said, adding sugar to his coffee. "Other than Inej making a new pal, what the hell happened out there?"
"Let's see," said Nina. "Inej fell twenty stories."
"We put a serious hole in my father's dining room ceiling," Wylan offered.
"Nina can raise the dead," said Inej.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
my dreams, my works, must wait till after hell
I hold my honey and I store my bread
In little jars and cabinets of my will.
I label clearly, and each latch and lid
I bid, Be firm till I return from hell.
I am very hungry. I am incomplete.
And none can tell when I may dine again.
No man can give me any word but Wait,
The puny light. I keep eyes pointed in;
Hoping that, when the devil days of my hurt
Drag out to their last dregs and I resume
On such legs as are left me, in such heart
As I can manage, remember to go home,
My taste will not have turned insensitive
To honey and bread old purity could love.
”
”
Gwendolyn Brooks (Selected Poems)
“
Go ahead and eat while I take a shower. I left a pen and paper on the table. Your homework for today is to write down all the things you'd do if there were no consequences."
"Why should I do that?" she asked belligerently.
"Because I said so and I'm the boss."
(...) After my shower, I found Gianna sitting on the couch with an amused, self-satisifed look on her face. I sauntered over to the dining room table to read her list.
1. Punch Caleb in the face.
2. Steal Caleb's car and go for a joy ride, which may involve crashing into a brick wall.
3. Find a way to get Caleb expelled from my school, so he'll have to live somewhere else.
I glanced up at Gianna to take in the smug grin on her face.
"What?" she asked innocently.
”
”
April Brookshire (Beware of Bad Boy (Beware of Bad Boy, #1))
“
That kiss you gave me was the hottest kiss i've ever had. I pulled away because i was afraid i wouldn't be able to stop myself from ripping off your clothes. And that didn't seem like the right way to end a first date. I didn't want you to think that was all i was interested in."
She stared at him. There was silence again, but this time she didn't worry about how long it went on.
"Why didn't you tell me?" She said finally.
"I tried to, but every time i saw you afterward you disappeared. I got the feeling you were avoiding me."
"i didn't want things to be awkward."
"Yeah, there was nothing awkward about you hiding behind a plant when i came into the dining hall at lunch on wednesday."
"I wasn't hiding. I was, um, breathing. You know, oxygen. From the plant. Very oxygenated, that air is."
"Of course. I should have thought of that."
"It's a healthy thing. Not many people know about it.
”
”
Michele Jaffe (Prom Nights from Hell)
“
In my younger days dodging the draft, I somehow wound up in the Marine Corps. There's a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful.
The Marine Corps teaches you how to be miserable.
This is invaluable for an artist.
Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys, or flyboys, all of whom they despise. Why? Because these candy-asses don't know how to be miserable.
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.
The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell."
Page 68
”
”
Steven Pressfield (The War of Art)
“
From husks and rags and waste and excrement
He forms the pavement-feet and the lift-faces;
He steers the sick words into parliament
To rule a dust-bin world with deep-sleep phrases.
When healthy words or people chance to dine
Together in this rarely actual scene,
There is a love-taste in the bread and wine,
Nor is it asked: "Do you mean what you mean?"
But to their table-converse boldly comes
The same great-devil with his brush and tray,
To conjure plump loaves from the scattered crumbs,
And feed his false five thousands day by day.
- Hell
”
”
Robert Graves (Poems Selected by Himself)
“
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.
”
”
Steven Pressfield (The War of Art)
“
We've created a system that demands almost no engagement with our food; we've wrung all the responsibility and sweat equity from the process. It's not that we're getting something for nothing - after all, we do pay for our food, and we suffer the consequences of dining from the industrial trough. But charging a package of center-cut pork chops to your Visa is a hell of a lot different than facing down the source of those chops with a .22 in one hand and a well-honed knife in the other.
”
”
Ben Hewitt (The Town That Food Saved: How One Community Found Vitality in Local Food)
“
The marine corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swabjockies, or flyboys, all of whom they despise. Why? Because those candyasses don't know how to be miserable.
The artist committing himself to his calling has to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not, he will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that marine: he has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier, or swabbie, or desk jockey, because this is war, baby, and war is hell.
”
”
Steven Pressfield (The War of Art)
“
Cyanide,” I explained.
“You can’t kill him with that.” Curran grimaced.
“It’s not for him. It’s for me.”
They stared at me.
“People were dying,” I said. “He was laughing, and all I could do was to sit tight and be safe.”
Curran growled. “You think it’s easy for me?”
“No. But you’re used to it. You have experience with responsibility for people’s lives. I don’t. I don’t want anybody else to die for me. I’m up to my knees in blood as is.”
“I had to send three patrols out,” Curran said. “Because of you. None of them died, but they could have. All because you couldn’t stand to not be the center of attention for a few minutes.”
“You’re an asshole.”
“Fuck you.”
I started sniffing. “What the hell is that stink? Oh, wait a minute, it’s you. You reek. Did you dine on skunk or is that your natural odor?”
“That’s enough,” Mahon roared, startling both of us into silence. “You’re acting like children. Curran, you’ve missed your meditation, and you need one. Kate, there is a punching bag in your room. Make use of it.”
“Why do I have to punch the bag while he meditates?” I mumbled on the way out.
“Because he breaks the bags when he punches them,” Mahon said.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
Urban people celebrate death, they just invite people, dine in the name of dead; even if the dead goes to hell. Nevertheless, rustic people are different. They rejoice when someone dies; they cry.
”
”
Shiv Sangal (S)
“
It was seven thirty in the morning, and I was at my dining room table for the last time ever when that now familiar, three-rap knock made my door rattle. I’d just gotten out of bed twenty minutes ago, and I was sitting around waiting for the waffle iron to heat up. Hell, I still had my pajamas on, hadn’t washed my face, or even brushed my teeth yet. My hair was up in something that looked like a baby pineapple.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
I will be thirty years old again in thirty seconds. I will take the best room in the Grand Central or the Orndorff Hotel. I will dine on oysters and palomitas and wash them down with white wine. Then I will go to the Acme or Keating's or the Big Gold Bar and sit down and draw my cards and fill an inside straight and win myself a thousand dollars. Then I will go to the Red Light or the Monte Carlo and dance the floor afire. Then I will go to a parlor house and have them top up a bathtub with French champagne and I will strip and dive into it with a bare-assed blonde and a redhead and an octoroon and the four of us will get completely presoginated and laugh and let long bubbly farts at hell and baptize each other in the name of the Trick, the Prick, and the Piper-Heidsick.
”
”
Glendon Swarthout (The Shootist)
“
Her kiss is hungry, as if long deprived. As if they didn’t already spend the morning doing just exactly this, making up for the lost time they were apart. Triton’s trident, I could do this all day. Then he catches himself. No, I couldn’t. Not without wanting more. Which is why we need to stop.
Instead, he entwines his hands in her hair, and she teases his lips with her tongue, trying to get him to fully open his mouth to her. He gladly complies. Her fingers sneak their way under his shirt, up his stomach, sending a trail of fire to his chest.
He is about to lose his shirt altogether. Until Antonis’s voice booms from the doorway. “Extract yourself from Prince Galen, Emma,” he says. “You two are not mated. This behavior is inappropriate for any Syrena, let alone a Royal.”
Emma’s eyes go round as sand dollars. He can tell she’s not sure what to think about her grandfather telling her what to do. Or maybe she’s caught off guard that he called her a Royal. Either way, like most people, Emma decides to obey. Galen does, too. They stand up side by side, not daring to be close enough to touch. They behold King Antonis in a polka-dot bathrobe, and though he’s the one who looks silly, they are the ones who look shamed.
Galen feels like a fingerling again. “I apologize, Highness,” he says. It seems like all he does lately is apologize to the Poseidon king. “It was my fault.”
Antonis gives him a reproving look. “I like you, young prince. But you well know the law. Do not disappoint me, Galen. My granddaughter is deserving of a proper mating ceremony.”
Galen can’t meet his eyes. He’s right. I shouldn’t be flirting with temptation like this. With the Archives on their way-or possibly here already-there is a distant but small chance that he and Emma can still live within the confines of the law. That they can still live as mates under the Syrena tradition. And he almost just blew it. What if it had gone too far? Then his mating with Emma would forever be blemished by breaking the law. “It won’t happen again, Highness.” Not until we’re mated, anyway.
“Um. Did you just promise not to kiss me ever again?” Emma whispers.
“Can we talk about this later? The Archives are obviously here, angelfish.”
She’s on the verge of a fit, he can tell. “He’s just looking out for us,” Galen says quickly. “I agree, we need to respect the law-“
At this her fit subsides as if it was never there. She smiles wide at him. He can’t decide if it’s genuine, or if it’s the kind of smile she gives him when he’ll pay for something later. “Okay, Galen.”
“Galen, Emma,” Nalia calls from the dining room, saving him from making a fool of himself. “Everyone is here.”
Emma gives him a look that clearly says, “We’re so not done with this conversation.” Then she turns and walks away. Galen takes a second to regain a little bit of composure-which kissing Emma tends to steal from him. Then there’s the mortification of being interrupted by-Get it together, idiot.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Furniture, my good husband," she said, her mouth full of food, "that be too pretty is without pure thought. Tables with turned and carved legs only encourage the devil to dine."
My father stared at her, bewildered.
This house needs to be made ready for the second coming of the Lord Jesus Christ, for when he returns to our fair city and takes his rightful place as king, he'll be needing a good meal in a godly home. Do not you agree, husband?"
My father was speechless. Maud, in no way put off by his silence, said, "He will be very hungry. It has been a long time since the Last Supper.
”
”
Sally Gardner (I, Coriander)
“
Greg looked at Aunt Dahlia. “You need to leave.”
“I already told her that,” Ham growled.
Greg ignored Ham like he didn’t exist and said to Aunt Dahlia, “I’ll ask the manager to have you removed.”
“Since I dine here once a month, I doubt he’ll choose removing me over removing the lot of you.”
She twirled her finger in the air to indicate us all.
“Do you think,” Nina started and I looked at her to see her looking at Max, “that this is normal? I mean, does this kind of thing happen to other people in the world? I really want to know.”
Max smiled at his wife. I looked back at Aunt Dahlia to see, scarily, she was looking at me. “You need to phone your father.”
“No, she doesn’t.” This was said by Kami Maxwell. I leaned forward and plonked my forehead on the table.
---
“Is there a problem here?” A mild-mannered-looking suited man I suspected was the manager entered the situation.
“No, I’m simply having a word with my niece,” my aunt replied.
“Yes, this woman interrupted my wife’s dinner in an extremely unpleasant way,” Greg contradicted.
“She’s not your wife,” Ham grunted.
Uh-oh.
Shocking the crap out of me, Greg, with narrowed eyes and anger contorting his face, instantly fired back at Ham, “She’ll always be my wife.”
I went still. The table went still. I fancied the restaurant went still as I was pretty certain I watched ice form in a thick layer, crackling and groaning all around Ham. “Well shit.”
His words were sarcastic but that didn’t mean they weren’t dripping icicles. “See I’m in a position to apologize since I fucked your wife against the wall before we left to come here.”
This was when I plonked my head on the table again.
“Oh my,” Nina breathed as she glanced at Max. “We haven’t done that in a while, darling. We should do that again.
”
”
Kristen Ashley (Jagged (Colorado Mountain, #5))
“
In my younger days dodging the draft, I somehow wound up in the Marine Corps. There's a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful. The Marine Corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction from having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys or flyboys, all of whom they despise. Why? Because these candy-asses don't know how to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.
”
”
Steven Pressfield (The War of Art)
“
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.
”
”
Steven Pressfield (The War of Art: Winning the Inner Creative Battle)
“
Children"
Years back here we were children
and at the stage of running
in gangs about the meadows--
here to this one, there to that one.
Where we picked up violets
on lucky days,
you can now see cattle gadding about.
I still remember hunching
ankle deep in violets,
squabbling over which bunches were fairest.
Our childishness was obvious--
we ran dancing rounds,
we wore new green wreaths.
So time passes.
Here we ran swilling strawberries from oak to pine
through hedges, through turnstiles--
as long as day was burning down.
Once a gardener
rushed from an arbor:
"O.K. now, children, run home."
We came out in spots
those yesterdays, when we stuffed on strawberries;
it was just a childish game to us.
Often we heard
the herdsman
hooing and warning us:
"Children, the woods are alive with snakes."
And one of the children breaking
through the sharp grass, grew white
and shouted, "Children, a snake
ran in there. He got our pony.
She'll never get well.
I wish that snake
would go to hell!"
"Well then, get out of the woods!
If you don't hurry away quickly,
I'll tell you what will happen--
if you don't leave the forest behind you by daylight,
you'll lose yourselves;
your pleasure will end in bawling."
Do you know how five virgins
dawdled in the meadow,
till the king slammed his dining-room door?
Their shouting and shame were outrageous:
their jailor tore everything off them,
down to their skins
they stood like milk cows without any clothes.
”
”
Robert Lowell
“
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
”
”
Donna Tartt (The Goldfinch)
“
There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.”
“Because of meat.”
“It’s for his tiger,” said the cook.
Arin palmed his face, eyes squeezed shut. “Your tiger.”
“He’s very particular,” said Roshar.
“You can’t bring the tiger to the banquet.”
“Little Arin has missed me. I will not be parted from him.”
“Would you consider changing his name?”
“No.”
“What if I begged?”
“Not a chance.”
“Roshar, the tiger has grown.”
“And what a sweet big boy he is.”
“You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Wrath shut the door. “Let’s do it,” he said to George. And the dog knew right where to go, leading him to the entrance—which Wrath opened with his mind. “Hi, honey, I’m home!” he hollered. “Did you bring flowers?” Lassiter shouted back. “Not for you.” “Damn it. Well, I’m on deck tonight with Tohr, so can we get moving? There’s a full list of appointments, but I want to get back for Hell’s Kitchen.” “Don’t you DVR that shit?” Wrath groused as he and George went into the old dining room. “Yeah, but I have poor impulse control. It was on at nine, okay? And I hate waiting. I put George’s fresh water down by your chair, b.t.dub.” “At least you’re a dog lover. That’s the only thing that saves you.” “Ha! I have wings and a halo, you cranky son of a bitch. I’m already perma-saved.” “Just our luck.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
I love analogies! Let’s have one.
Imagine that you dearly love, absolutely crave, a particular kind of food. There are some places in town that do this particular cuisine just amazingly. Lots of people who are into this kind of food hold these restaurants in high regard. But let’s say, at every single one of these places, every now and then throughout the meal, at random moments, the waiter comes over and punches any women at the table right in the face. And people of color and/or LGBT folks as well! Now, most of the white straight cis guys who eat there, they have no problem–after all, the waiter isn’t punching them in the face, and the non-white, non-cis, non-straight, non-guys who love this cuisine keep coming back so it can’t be that bad, can it? Hell, half the time the white straight cis guys don’t even see it, because it’s always been like that and it just seems like part of the dining experience. Granted, some white straight cis guys have noticed and will talk about how they don’t like it and they wish it would stop.
Every now and then, you go through a meal without the waiter punching you in the face–they just give you a small slap, or come over and sort of make a feint and then tell you they could have messed you up bad. Which, you know, that’s better, right? Kind of?
Now. Somebody gets the idea to open a restaurant where everything is exactly as delicious as the other places–but the waiters won’t punch you in the face. Not even once, not even a little bit. Women and POC and LGBT and various combinations thereof flock to this place, and praise it to the skies.
And then some white, straight, cis dude–one of the ones who’s on record as publicly disapproving of punching diners in the face, who has expressed the wish that it would stop (maybe even been very indignant on this topic in a blog post or two) says, “Sure, but it’s not anything really important or significant. It’s getting all blown out of proportion. The food is exactly the same! In fact, some of it is awfully retro. You’re just all relieved cause you’re not getting punched in the face, but it’s not really a significant development in this city’s culinary scene. Why couldn’t they have actually advanced the state of food preparation? Huh? Now that would have been worth getting excited about.”
Think about that. Seriously, think. Let me tell you, being able to enjoy my delicious supper without being punched in the face is a pretty serious advancement. And only the folks who don’t get routinely assaulted when they try to eat could think otherwise.
”
”
Ann Leckie
“
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
”
”
Donna Tartt (The Goldfinch)
“
Gentlemen,” the king called out, “and ladies, First Meal is getting cold.”
Which was the cue for everyone to head back to the dining room and actually eat what had been only studiously ignored up until now.
With Payne safe and at home, appetites were free to roam once more . . . although as God was his witness he was not going to think about what the hell that surgeon and his sister were no doubt about to get into.
As he groaned, Jane tightened her arm around his waist. “Are you all right?”
He glanced down at his shellan. “I don’t think my sister is old enough to have sex.”
“V, she’s the same age you are.”
He frowned for a moment. Was she? Or had he been born first?
Yeah, only one place to go for the answer to that. Shit, he hadn’t even thought of his mother in all this. And now that he was . . . he had absolutely no desire or interest to pop up there and announce that Payne was doing great, fuck you very much.
Nope. If the Scribe Virgin wanted to keep tabs on what her “children” were up to? She could look into those fakakta seeing bowls she liked so much.
He kissed his shellan. “I don’t care what the calendar says or about the birth order. That’s my baby sister, and she’s never going to be old enough to . . . ‘um, yeah.’ ”
Jane laughed and retucked herself under his arm. “You are a very sweet male.”
“Nah.”
“Yeah.”
Leading her into the dining room and over to the table, he gallantly pulled her chair out for her, and then he sat to her left so that she was at his dagger hand.
- Vishous & Jane
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
I text her from the lobby and tell her I’m on my way up. Having a badge is a really convenient way to get past building security. Not that this place has much.
She’s standing in the open doorway of her apartment when I get off the elevator, hand on her hip with her head cocked to the side in question. “I brought donuts,” I offer by way of explanation for showing up unannounced.
“Did you need a favor or something?” she asks, taking the box from my hands and setting it on the tiny round dining table just inside the door of her apartment. Not a promising start, but she does allow me to follow her inside.
“I just brought you a favor,” I comment then eye her. “Do you own any pants?” She’s wearing another pair of those godforsaken leggings.
“What are you talking about? I’m wearing pants right now. And how does this count as a favor when I didn’t ask for it? It shouldn’t count towards my favor tally if I didn’t make the official request.” She pops open the donut box and peeks inside. “You’re like the worst genie ever.”
“I know. But your favors are piling up. I gotta work them off. And those aren’t pants.”
“Leggings are pants. They’re very popular.”
“What the hell is even on them?” I step closer and eye her ass, focusing on the print. Purely for research purposes. “Are those black cats?”
“They’re my seasonal leggings!” she retorts and selects a donut as I walk past her into the tiny aisle of a kitchen and pour myself a cup of coffee.
“Oh. Did you want something to drink? Let me get that for you,” she says sarcastically before biting into a donut.
I ignore her tone. “No, no. I’ve got it, thank you.” I take the mug and pass by her, taking a seat on her couch
”
”
Jana Aston (Trust (Cafe, #3))
“
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
”
”
Donna Tartt (The Goldfinch)
“
Where the bloody hell is my wife?” Godric yelled into the aether.
As if in response, a footman came up the stairs and handed Cedric a slip of paper. Dumbfounded, Cedric opened it and read it aloud.
My Dear Gentlemen,
We await you in the dining room. Please do not join us until you have decided upon a course of action regarding the threat to Lord Sheridan. We will be more than delighted to offer our opinions on the matter, but in truth, we suspect you do not wish to hear our thoughts. It is a failing of the male species, and we shan’t hold it against you. In the future, however, it would be advisable not to lock us in a room. We simply cannot resist a challenge, something you should have learned by now. Intelligent women are not to be trifled with.
Fondest Regards,
~ The Society of Rebellious Ladies ~
“Fondest regards?” Lucien scoffed.
A puzzled Jonathan added, “Society of Rebellious Ladies?”
“Lord help us!” Ashton groaned as he ran a hand through his hair. “They’ve named themselves.”
“I’ll wager a hundred pounds that Emily’s behind this. Having a laugh at our expense,” Charles said in all seriousness.
“Let’s go and see how rebellious they are when we’re done with them.” Cedric rolled up the sleeves of his white lawn shirt as he and the others stalked down the stairs to the dining room. They found it empty. The footman reappeared and Cedric wondered if perhaps the man had never left. At the servant’s polite cough he handed Cedric a second note.
“Another damn note? What are they playing at?” He practically tore the paper in half while opening it. Again he read it aloud.
Did you honestly believe we’d display our cunning in so simple a fashion? Surely you underestimated us. It is quite unfair of you to assume we could not baffle you for at least a few minutes. Perhaps you should look for us in the place where we ought to have been and not the place you put us.
Best Wishes,
~ The Society of Rebellious Ladies ~
“I am going to kill her,” Cedric said. It didn’t seem to matter which of the three rebellious ladies he meant.
The League of Rogues headed back to the drawing room. Cedric flung the door open. Emily was sitting before the fire, an embroidery frame raised as she pricked the cloth with a fine pointed needle. Audrey was perusing one of her many fashion magazines, eyes fixed on the illustrated plates, oblivious to any disruption.
Horatia had positioned herself on the window seat near a candle, so she could read her novel. Even at this distance Lucien could see the title, Lady Eustace and the Merry Marquess, the novel he’d purchased for her last Christmas. For some reason, the idea she would mock him with his own gift was damned funny. He had the sudden urge to laugh, especially when he saw a soft blush work its way up through her. He’d picked that particular book just to shock her, knowing it was quite explicit in parts since he’d read it himself the previous year.
“Ahem,” Cedric cleared his throat. Three sets of feminine eyes fixed on him, each reflecting only mild curiosity.
Emily smiled. "Oh there you are.
”
”
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
“
The seventh day, and no wind—the burning sun
Blister’d and scorch’d, and, stagnant on the sea,
They lay like carcasses; and hope was none,
Save in the breeze that came not; savagely
They glared upon each other—all was done,
Water, and wine, and food,—and you might see
The longings of the cannibal arise
(Although they spoke not) in their wolfish eyes.
At length one whisper’d his companion, who
Whisper’d another, and thus it went round,
And then into a hoarser murmur grew,
An ominous, and wild, and desperate sound;
And when his comrade’s thought each sufferer knew,
’Twas but his own, suppress’d till now, he found:
And out they spoke of lots for flesh and blood,
And who should die to be his fellow’s food.
But ere they came to this, they that day shared
Some leathern caps, and what remain’d of shoes;
And then they look’d around them and despair’d,
And none to be the sacrifice would choose;
At length the lots were torn up, and prepared,
But of materials that much shock the Muse—
Having no paper, for the want of better,
They took by force from Juan Julia’s letter.
The lots were made, and mark’d, and mix’d, and handed,
In silent horror, and their distribution
Lull’d even the savage hunger which demanded,
Like the Promethean vulture, this pollution;
None in particular had sought or plann’d it,
’Twas nature gnaw’d them to this resolution,
By which none were permitted to be neuter—
And the lot fell on Juan’s luckless tutor.
He but requested to be bled to death:
The surgeon had his instruments, and bled
Pedrillo, and so gently ebb’d his breath,
You hardly could perceive when he was dead.
He died as born, a Catholic in faith,
Like most in the belief in which they’re bred,
And first a little crucifix he kiss’d,
And then held out his jugular and wrist.
The surgeon, as there was no other fee,
Had his first choice of morsels for his pains;
But being thirstiest at the moment, he
Preferr’d a draught from the fast-flowing veins:
Part was divided, part thrown in the sea,
And such things as the entrails and the brains
Regaled two sharks, who follow’d o’er the billow
The sailors ate the rest of poor Pedrillo.
The sailors ate him, all save three or four,
Who were not quite so fond of animal food;
To these was added Juan, who, before
Refusing his own spaniel, hardly could
Feel now his appetite increased much more;
’Twas not to be expected that he should,
Even in extremity of their disaster,
Dine with them on his pastor and his master.
’Twas better that he did not; for, in fact,
The consequence was awful in the extreme;
For they, who were most ravenous in the act,
Went raging mad—Lord! how they did blaspheme!
And foam and roll, with strange convulsions rack’d,
Drinking salt water like a mountain-stream,
Tearing, and grinning, howling, screeching, swearing,
And, with hyaena-laughter, died despairing.
Their numbers were much thinn’d by this infliction,
And all the rest were thin enough, Heaven knows;
And some of them had lost their recollection,
Happier than they who still perceived their woes;
But others ponder’d on a new dissection,
As if not warn’d sufficiently by those
Who had already perish’d, suffering madly,
For having used their appetites so sadly.
And if Pedrillo’s fate should shocking be,
Remember Ugolino condescends
To eat the head of his arch-enemy
The moment after he politely ends
His tale: if foes be food in hell, at sea
’Tis surely fair to dine upon our friends,
When shipwreck’s short allowance grows too scanty,
Without being much more horrible than Dante.
”
”
Lord Byron (Don Juan)
“
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning*
Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter.
The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up.
Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen.
Under his breath, he mumbled, “Shit.”
He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head.
He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option.
“Hey Baby.”
“What the hell, Wayne!”
Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller.
“Babe, I was getting ready to call.” The excuse sounded lame, even to him.
“Why the hell do I have to hear about this secondhand?”
Wayne placed the phone to his chest, loudly he exclaimed; “F***!”
The ER doc touched his arm, “I will give you privacy.”
Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing.
“...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!”
“Honey...”
She interrupts him before he can explain himself. “So what the hell happened?”
Wisely he waited for silence to indicate it was his turn to speak.
“Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.”
Silence.
The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call.
“Lou, you still there?”
There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
”
”
Caroline Walken
“
In pre-air conditioning days, even a little cooling breeze felt good. On this particular evening the dining room was filled to capacity, as the French Hotel was still one of the best places to eat in Monrovia. The overflow extended out under the cover of the verandah and was also filled with people. With so few places to dine in Monrovia, eating here under the corrugated fiberglass roof was a treat for the expats. I had already eaten aboard ship and was hoping that some of my friends would come around and join me for a few drinks but that evening it didn't happen and I didn’t recognize many people. It did however give me the opportunity to talk to Monique.
After some two hours of talking to her between drinks I learned that she came from the Left Bank of Paris. Her parents lived above an antique shop on the Rue de las Halles and were adamantly against her coming to Africa. Because of an argument she had left her boyfriend behind, and now I think was sorry for that, although she wouldn’t admit it. It was obvious that she was homesick and I believe that she thinking about him. Monique couldn’t believe what she got herself into, and now was stuck with a two year contract in this hell hole. She mentioned that although the constant advances from the men was flattering, it was beginning to become wearing. She said that some of the people in Monrovia scared her and I understood exactly what she meant. Just being in Liberia was a challenge…. Was it my imagination, or was I making headway with this dark-haired, French beauty? With each drink I became more convinced of this, and at the same time was feeling less pain. The night was still young and I was in no rush to leave. Surely there was some hope and I was trying my best….
Then, suddenly without warning Monique told me that she had to go. “Je dois y aller maintenant.” What… She’s leaving? I’ve been told that it’s a thing the French do… but leaving me at the bar for no apparent reason? Monique however assured me that her partner, Claudine, would continue serving me and perhaps, “Who knows?” Monique said with a twinkle in her eyes... I shouldn’t have been surprised that she knew what it was that I was angling for. Hell, I thought that I was one of the good guys, besides whom was she sleeping with? A white girl in Liberia would never go it alone…. there had to be someone! What happened that Monique suddenly had to leave? Poof and she was gone! In her stead now was Claudine who was rough around the edges and knew her way around. It never occurred to me that Monique’s shift would be over before the closing hour!
”
”
Hank Bracker
“
It's going on within this world wide corporation. Instead of marriage to the One above, it's lust for power and fornication to this currency currently in circulation. Manipulation to the out most, every time a native is manipulated, it's corkscrews and champagne toast, mashed potatoes and beef roast, living in Hell while they sip and dine on the east coast. Only a dream of prosperity through inflated currency, gold bricks which alone could keep up from catastrophe will soon vanish and no rate of interest will tempt it to return for eternity.
”
”
Jose R. Coronado (The Land Flowing With Milk And Honey)
“
What was Ivanov afraid of? ...Fear of being no good. Also fear of being overlooked. But above all, fear of being no good. Fear that one's efforts and striving will come to nothing. Fear of the step that leaves no trace. Fear of the forces of chance and nature that wipe away shallow prints. Fear of dining along and unnoticed. Fear of going unrecognized. Fear of failure and making a spectacle of oneself. But above all, fear of being no good. Fear of forever dwelling in the hell of bad writers. Irrational fears...
”
”
Roberto Bolaño (2666)
“
...I didn't feel overly safe and secure in the hotel, even with cops in the kitchen and cops in the dining room and cops in the alley out back. Hell's bells, I was a cop, and I sure wouldn't have depended on me for anything more than a neatly written parking ticket.
”
”
Joan Hess (Maggody in Manhattan (Arly Hanks, #6))
“
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine.
”
”
Steven Pressfield (The War of Art)
“
HOW TO BE MISERABLE In my younger days dodging the draft, I somehow wound up in the Marine Corps. There’s a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful. The Marine Corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction from having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys or flyboys, all of whom they despise. Why? Because these candy-asses don’t know how to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.
”
”
Steven Pressfield (The War of Art)
“
Baby, baby, naughty baby
Hush, you squalling thing, I say
Peace this moment, peace, or maybe
Bonaparte will pass this way Baby, baby, he’s a giant
Tall and black as Monmouth steeple
And he breakfasts, dines and suppers
Every day on naughty people Baby, baby, if he hears you
As he gallops past the house
Limb from limb at once he’ll tear you
Just as pussy tears a mouse
”
”
Lawrence Block (A Walk Among the Tombstones (Matthew Scudder #10))
“
shoulder. “If your young man is innocent he’ll be all right. British justice is deservedly respected all the world over.” “But the p’lice, they’re something chronic; they’ll worm anything out of you,” blubbered Nellie. “Don’t get any wrong ideas about our excellent police force into your head,” Mr. Slocomb admonished her. “They are the friends of the innocent. Of course this is very unfortunate for your young man, but surely——” “There ’e is, my poor Bob, in a nasty cell! Oh, sir, d’you think they’ll let me see ’im?” “Well, really——” began Mr. Slocomb; but the conversation was interrupted by a strident call. “Nellie! Nellie! What are you about? Pull yourself together, girl! We have to dine even if...” Mrs. Bliss, the proprietress of the Frampton, flowingly clothed in black satin, paused in the doorway. “Dear me, Mr. Slocomb; you must be wondering what’s come to me, shouting all over the house like this! But really, my poor nerves are so jangled I hardly know where I am! To think of dear Miss Pongleton, always so particular, poor soul, lying there on the stairs—dear, dear, dear!” Nellie had slipped past Mrs. Bliss and scuttled back to the kitchen. Mr. Slocomb noticed that Mrs. Bliss’s black satin was unrelieved by the usual loops of gold chain and pearls, and concluded that this restraint was in token of respect to the deceased. “Yes, indeed, Mrs. Bliss, you must be distraught. Indeed a terrible affair! And this poor girl is in great distress about young Bob Thurlow, but I would advise you to keep her mind on her work, Mrs. Bliss; work is a wonderful balm for harassed nerves. A dreadful business! I only know, of course, the sparse details which I have just read in the evening Press.” “You’ve heard nothing more, Mr. Slocomb? Nellie’s Bob is a good-for-nothing, we all know”—Mrs. Bliss’s tone held sinister meaning—“but I’m sure none of us thought him capable of this!” “We must not think him so now, Mrs. Bliss, until—and unless—we are reluctantly compelled to do so,” Mr. Slocomb told her in his most pompous manner. “And Bob was always so good to poor Miss Pongleton’s Tuppy. The little creature is very restless; mark my words, he’s beginning to pine! Now I wonder, Mr. Slocomb, what I ought to do with him? What would you advise? Perhaps poor Miss Pongleton’s nephew, young Mr. Basil, would take him—though in lodgings, of course, I hardly know. There’s many a landlady would think a dog nothing but a nuisance, and little return for it, but of course what I have done for the poor dear lady I did gladly——” “Indeed, Mrs. Bliss, we have always counted you as one of Tuppy’s best friends. And as you say, Bob Thurlow was good to him, too; he took him for walks, I believe?” “He always seemed so fond of the poor little fellow; who could believe ... Well! well! And they say dogs know! What was that saying Mr. Blend was so fond of at one time—before your day, I daresay it would be: True humanity shows itself first in kindness to dumb animals. Out of one of his scrap-books. Well, the truest sayings sometimes go astray! But I must see after that girl; and cook’s not much better, she’s so flustered she’s making Nellie ten times worse. She can’t keep her tongue still a moment!” Mrs. Bliss bustled away, and Mr. Slocomb, apparently rather exasperated by her chatter, made his escape as soon as she had removed herself from the doorway. As Mrs. Bliss returned to the kitchen she thought: “Well, I’m glad he’s here; that’s some comfort; always so helpful—but goodness knows what the dinner will be like!” CHAPTER TWO THE FRUMPS DINNER at the Frampton that evening was eaten to the accompaniment of livelier conversation than usual, and now and again from one of the little tables an excited voice would rise to a pitch that dominated the surrounding talk until the owner of the voice, realizing her unseemly assertiveness on this solemn evening, would fall into lowered tones or awkward silence. The boarders discussed the murder callously. One’s
”
”
Mavis Doriel Hay (Murder Underground)
“
Hi, honey, I’m home!” he hollered.
“Did you bring flowers?” Lassiter shouted back.
“Not for you.”
“Damn it. Well, I’m on deck tonight with Tohr, so can we get moving? There’s a full list of appointments, but I want to get back for Hell’s Kitchen.”
“Don’t you DVR that shit?” Wrath groused as he and George went into the old dining room.
“Yeah, but I have poor impulse control. It was on at nine, okay? And I hate waiting. I put George’s fresh water down by your chair, b.t.dub.”
“At least you’re a dog lover. That’s the only thing that saves you.”
“Ha! I have wings and a halo, you cranky son of a bitch. I’m already perma-saved.”
“Just our luck.”
“Hey, my brother,” V said as he came through the archway and lit a hand-rolled. “Where’s your girl?”
Lassiter cut in, “She’s got to be coming back soon, right?”
Wrath had to smile as he took his seat. About the only time that annoying SOB got serious was when it came to Beth—and he had to admit, that was kinda endearing.
“She back yet?” Rhage asked as he walked into the room.
“How long can it take to order baby furniture?” Butch demanded while making his appearance.
“Weeks,” Z answered. “You have no idea.”
And so it went, everyone arriving with the same question, from Blay and Qhuinn to Phury and Rehvenge.
The only one who didn’t ask it out loud was John—but he didn’t have to.
Beth’s brother had been a quiet, worried presence since they’d made the announcement of the surprise pregnancy. And Wrath loved the guy for it.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter.
Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night.
And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens.
“…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…”
Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice.
“…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.”
Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin.
“There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.”
“Because of meat.”
“It’s for his tiger,” said the cook.
Arin palmed his face, eyes squeezed shut. “Your tiger.”
“He’s very particular,” said Roshar.
“You can’t bring the tiger to the banquet.”
“Little Arin has missed me. I will not be parted from him.”
“Would you consider changing his name?”
“No.”
“What if I begged?”
“Not a chance.”
“Roshar, the tiger has grown.”
“And what a sweet big boy he is.”
“You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
The second he caught her scent, he stopped. “Leelan! Are you sure you should be up?”
Turned out the smell of the food was one hell of a distraction: the spike of hunger she got in response enough to halt her in her tracks.
“Ah . . . yeah, I feel okay. I’m hungry, actually.”
As well as scared to death.
While the staff continued on into the billiards room, filing in past some sheets of heavy plastic, Wrath came over to the base of the stairs. “Let’s get you into the kitchen.”
Heading all the way down to join him, she let him take her arm, and leaned into his strength, taking a deep, easing breath. She’d probably just imagined everything up there. Really. Probably. Crap.
“You know, I slept well,” she murmured as if to reassure herself. Which didn’t work.
“Yeah?”
“Mm-hm.”
Together, they walked past the long dining table, and went through the flap door in the far corner. On the other side, iAm was once again at the stove, stirring a great pot. The Shadow turned—and immediately frowned as he looked at her.
“What?” She put her hands to her stomach. “What are you—”
“Nothing,” he said, banging his wooden spoon on the steel vat. “You two like chicken soup?”
“Oh, yes, that sounds perfect.” Beth hopped up onto a stool. “And some bread maybe—”
Fritz materialized at her elbow with a baguette and a plate with butter. “For you, madam.”
She had to laugh. “How did you know?”
As Wrath sat on the stool next to her, George parked it between them. “I had him on standby.”
A steaming bowl of soup was slid in front of her by the Shadow. “Enjoy.”
“Him, too?” she asked of iAm.
“Yeah, the Shadow mighta been on it as well.”
Picking up the spoon Fritz offered her, she dug in, aware the three males were staring at her—Wrath with such intensity, it was almost as if he’d gotten his sight back—
“Mmmmm,” she said—and meant it.
The soup was perfect, simple, not too heavy, and warm, warm, warm. Maybe it was just that she’d been through the needing and not eaten for how long?
“So what’s going on in the billiards room,” she asked, to try to distract the males.
“They’re cleaning up after me.”
She winced. “Ah.”
Wrath patted around for the baguette and broke off the hard end, putting it aside. The piece he then tore for her was soft in the middle, crunchy on the outside—and the butter he put on it was the unsalted, sweet kind. The combo was great with the soup.
“Would you like something to drink?” Fritz asked.
“Wine?” iAm said—before catching himself. “No, not wine. Milk. You need the calcium.”
“Good idea, Shadow,” Wrath chimed in as he nodded at Fritz. “Make it whole—”
“No, no, that will make me gag.”
Annnnd didn’t that stop all of them in their tracks.
“Which was true before all the, well, you know. But the skim does sound good.”
And so it went, the three of them waiting on her:
More soup? iAm hit her bowl again right away.
More bread with butter? Husband was on it.
More milk? The butler raced for the fridge.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Life has always seemed to me like a restaurant,' said Peter. 'When you’re born, you come in and sit down...'
'Oh, my God,' said Brenda.
'...and they show you the menu,' went on Peter, frowning at Brenda. 'And it’s a swell menu. It’s got everything on it. And they tell you that you can have anything you want, the rarest and tastiest and most wonderful dishes imaginable.'
'Who’s they?' asked Brenda.
'They is a sort of waiter-cum-proprietor,' said Peter, 'and he represents organized society in the parable.'
'It’s a parable, is it?'
'Yes. So you study the menu and you pick out the dishes that appeal to you most. Some people pick more exotic viands than others, but everybody picks out something he thinks is swell and the waiter-cum-proprietor pats him on the back and says it’s an excellent choice. And you sit back and wait to be served. That represents the period of adolescence. ... Damn it, where was I?'
'You were adolescent.'
'So you sit and wait to be served your fondly chosen dish,' resumed Peter, 'and pretty soon the waiter comes in and what does he bring you? He brings you hash! "Hey," you say, "this isn’t what I ordered." "Oh isn’t it?" says the waiter who is no longer friendly. "Well, it’s what you’re gonna get." Now this is the important part. Some people meekly eat their hash. Some drown it with catsup and try to enjoy it.'
'I get it,' said Brenda. 'Those are the drunks.'
'But there are a few who say, "Goddamn it, I didn’t order hash and I don’t want hash and I won’t eat hash." They get out of their chairs and the waiter tries to push them back, but they say, "Get out of my way, who the hell are you?" And they fight their way into the kitchen while the waiter hollers and protests and there they find mountains and mountains of hash. But they keep looking around and pretty soon in odd corners of the kitchen they find the dishes they ordered, the rare and costly viands they had their hearts set on. And they eat ’em and they enjoy ’em and then they go out of the restaurant the same as the hash eaters do, but boy, they’ve dined!'
He threw down his cigarette and stamped on it. 'That’s all,' he said. 'Thank you for your attention.'
'Who pays the bill?' asked George with interest.
'I don’t know,' said Peter irritably. 'That would complicate the parable to the point of chaos.'
'Who did you say the waiter was?' asked George. 'Organized society?'
'That’s right. A pale flabby guy with a walrus mustache.'
'I don’t quite see it,' said George.
'I do,' said Harriet, sitting up on the day bed. 'I see it. It’s beautiful.'
'It isn’t so bad at that,' said Brenda.
'You’re damn right it’s not.
”
”
Jack Iams (The French Touch)
“
The inside of my fridge is more like a mortuary or a ring of hell (things dead and waiting for the next stage of the afterlife) than an icebox of edible foodstuffs.
”
”
Jenni Ferrari-Adler (Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone)
“
Motherhood By Christianna Maas My willingness to carry life is the revenge, the antidote, the great rebuttal of every murder, every abortion, and every genocide. I sustain humanity. Deep inside of me, life grows. I am death’s opposition. I have pushed back the hand of darkness today. I have caused there to be a weakening tremor among the ranks of those set on earth’s destruction. Today a vibration that calls angels to attention echoed throughout time. Our laughter threatened hell today. I dined with the greats of God’s army. I made their meals, and tied their shoes. Today, I walked with greatness, and when they were tired I carried them. I have poured myself out for the cause today. It is finally quiet, but life stirs inside of me. Gaining strength, the pulse of life sends a constant reminder to both good and evil that I have yielded myself to Heaven and now carry its dream. No angel has ever had such a privilege, nor any man. I am humbled by the honor. I am great with destiny. I birth the freedom fighters. In the great war, I am a leader of the underground resistance. I smile at the disguise of my troops, surrounded by a host of warriors, destiny swirling, invisible yet tangible, and the anointing to alter history. Our footsteps marking land for conquest, we move undetected through the common places. Today I was the barrier between evil and innocence. I was the gatekeeper, watching over the hope of mankind, and no intruder trespassed. There is not an hour of day or night when I turn from my post. The fierceness of my love is unmatched on earth. And because I smiled instead of frowned the world will know the power of grace. Hope has feet, and it will run to the corners of earth, because I stood up against destruction. I am a woman. I am a mother. I am the keeper and sustainer of life here on earth. Heaven stands in honor of my mission. No one else can carry my call. I am the daughter of Eve. Eve has been redeemed. I am the opposition of death. I am a woman.
”
”
Kris Vallotton (Fashioned to Reign: Empowering Women to Fulfill Their Divine Destiny)
“
I wonder how he’s feeling. I wonder if he knows what he’s doing. I wonder if he’ll regret changing his life for me. And the weight of that is downright crushing. I don’t go to my next appointment. I don’t think I can handle looking at another dining room and wondering about Beau. What I want is to crawl into bed with him and have him hold me. I don’t text him. I just drive back to the fire hall, prepared to wait for him if I have to. But I don’t have to. When I pull up, he’s seated on a bench in the sun, knees slung open, phone held low while he scrolls the screen. You’d think for a tier one operator he would notice me across the street, but he doesn’t. So I watch him. He smiles and his shoulders vibrate on a laugh. I wonder what he’s watching. I wonder how his interview went. I wonder how long he’s been waiting. I wonder if he’s hungry or if he ate lunch. I wonder if he’d be okay with me coming to sit beside him. It feels like my brain is just an ode to Beau Eaton. I think about him all the fucking time. Worry about him. Crave him.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
I wonder how he’s feeling. I wonder if he knows what he’s doing. I wonder if he’ll regret changing his life for me. And the weight of that is downright crushing. I don’t go to my next appointment. I don’t think I can handle looking at another dining room and wondering about Beau. What I want is to crawl into bed with him and have him hold me. I don’t text him. I just drive back to the fire hall, prepared to wait for him if I have to. But I don’t have to. When I pull up, he’s seated on a bench in the sun, knees slung open, phone held low while he scrolls the screen. You’d think for a tier one operator he would notice me across the street, but he doesn’t. So I watch him. He smiles and his shoulders vibrate on a laugh. I wonder what he’s watching. I wonder how his interview went. I wonder how long he’s been waiting. I wonder if he’s hungry or if he ate lunch. I wonder if he’d be okay with me coming to sit beside him. It
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Nehemia had never once let the preening, bigoted idiots in Rifthold shut her out of any store, dining room, or household. And she had the sense that her friend might have been proud of the way she went from shop to shop that afternoon, head held high, and charmed the ever-loving hell out of those villagers.
”
”
Sarah J. Maas (Throne of Glass)
“
You starve Dad a few days, he'll know how to cook, too.
No, he wouldn't. He'd just waste away at the dining table, waiting for dinner to float in all by itself.
”
”
Tess Gerritsen (The Mephisto Club (Rizzoli & Isles, #6))
“
Five knocks later, and Zanders’ poor doorman getting his workout in for the day, deep-dish pizza, Chinese takeout, sushi, burgers and fries, and two burritos cover the dining room table. “What the hell?” I let out a nervous but confused laugh, looking at the expansive table entirely covered in takeout. A bit of shyness emanates off Zanders. “I wasn’t sure what you’d be in the mood for, so I kind of got everything.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
When one of my brothers learned about Richard, he sent me a number of angry emails in which he said: I just don’t see this happening. I cannot approve. He’ll simply not fit in with our family. I cannot even imagine having a conversation with him at the dining table. To date, Richard has sat around the dining table and listened to my family’s toilet hygiene habits for almost a decade. Honestly, I think we’re good.
”
”
Huma Qureshi (How We Met: A Memoir of Love and Other Misadventures)
“
When Jean-Paul Sartre wrote ‘Hell is other people’, he’d obviously just dined with work colleagues.
”
”
Paul Mathews (To Kill A Shocking Bard (Clinton Trump Detective Genius #3))
“
There once lived an old man who had a wish. He prayed to God that before he died he would get the chance to see the difference between heaven and hell. One night an angel appeared before the old man’s bed and granted his wish. The angel blindfolded the man and spoke: “First you shall see hell.”
The old man felt a momentary weightlessness and then the angel removed the blindfold. The old man found himself standing in a boundless dining hall filled with large, rounded tables, ornate with gold. Each table was piled high with the most delicious of foods: fruits, vegetables, breads, cheeses, meats, desserts—everything you can imagine was there and exquisitely prepared. The man salivated at the sight as the intoxicating aromas filled his nose.
However, the old man noticed everyone seated at the dining tables was sickly with gaunt, morose faces seared with frustration. Each diner held a long spoon. These spoons must have been over three feet long. While the people cursed to hell could reach with their spoons any delectable food they wanted, they could not get the food into their mouths. The hell-dwellers were in a constant state of torment, starved and desperate to taste what was just inches away. Sickened, the old man cried, “Please stop—take me to heaven!”
And so the man was blindfolded again. “Now you will see heaven,” the angel said. After a familiar weightlessness, the blindfold was removed. The old man was confused. It was like he never left. He was once again in a great dining hall with the same round tables piled high with the same culinary lavishness. And just like hell, he saw these people also had long spoons preventing them from feeding themselves.
However, as the old man looked closer, he noticed that the people in this dining hall were plumply vivacious and smiling; laughter and cheer filled the air. As he panned through the hall and processed the joyous sounds, the difference between heaven and hell finally struck him: The people in heaven were using those long spoons to feed each other.
”
”
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)
“
I'm not tootin' my own horn or anything, but I gotta say the buffet we set up on my dining room table with a blue-checkered cloth and some fresh daisies couldn't have looked more beautiful. Used my large, glazed, tobacco-spit pottery dish for the casserole, and with the crusty, buttered bread crumb topping, it was appetizing enough to be photographed for a food magazine. For the grits, I'd decided to sprinkle extra Parmesan over the top, so they were not only soft and creamy inside but a crispy golden brown outside. The congealed salad I fixed in a glass mold the shape of a pinecone, so when I turned it out on a plain white platter lined with leaves of romaine, the peaches and pecans could be clearly seen suspended in the lemony aspic in an interesting design. This time my hot buttermilk biscuits were as high and fluffy as Mama's, and next to the cloth-lined straw basket I had a big slab of the sweetest local country butter in the state of Texas, which I buy every weekend at the farmers' market out off Eldridge Parkway. We transferred Rosemary's yummy cake to the cut-crystal plate with tiny legs I remember my grandmamma using for birthday parties, and to tell the truth, I wondered how in hell I was gonna get through that lunch without cuttin' myself more than just a sliver of that mouthwatering caramel layer cake.
”
”
James Villas (Hungry for Happiness)
“
Come and get a ride on the Wild Stallion, Alex Bishop! Six-foot something, dirty blond hair, and a smart mouth to boot! He may be a cocky son of a bitch, but don’t worry, his mama taught him right. He’ll wine and dine you before fucking you till you forget your own name! Now ladies, who’s first?
”
”
Kennedy Fox (Taming Him (Bishop Brothers, #1))
“
I hold my honey and I store my bread
In little jars and cabinets of my will.
I label clearly, and each latch and lid
I bid, Be firm till I return from hell.
I am very hungry. I am incomplete.
And none can tell when I may dine again.
”
”
Gwendolyn Brooks (Selected Poems)
“
The butler, Sims, will be available to show you the house and grounds at your leisure,” the widow said. “Since I am, as you remarked, of no use to you, I will retire to my room and begin to pack.”
“Lady Trenear,” Devon said curtly, “we seem to have started off on bad footing. I apologize if I’ve given offense.”
“No need to apologize, my lord. Such remarks are no less than what I expected of you.” She continued before Devon could reply. “May I ask how long you intend to stay at Eversby Priory?”
“Two nights, I expect. At dinner, perhaps you and I could discuss--”
“I’m afraid my sisters-in-law and I will not be able to dine with you. We are overset by grief, and shall take our meals separately.”
“Countess-”
Ignoring him, she left the room without another word. Without even a curtsy.
Stunned and outraged, Devon stared at the empty doorway with narrowed eyes. Women never treated him with such contempt. He felt his temper threatening to break loose. How the hell could she hold him at fault for the situation when he’d had no choice in any of it?
“What did I do to deserve that?” he demanded.
West’s mouth twitched. “Aside from saying you were going to cast her out and destroy her home?”
“I apologized!”
“Never apologize to women. It only confirms that you were wrong, and incenses them further.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
In the dining hall, I got in line with my tray, next to Paul. "Tell me if you see anything you could put a condom on. Something long and hard enough."
"What the hell is going on in cabin eight?" he asked.
”
”
Sonia Hartl (Have a Little Faith in Me)
“
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!”
There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace.
My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble
something down or risk being ridiculed by my aunt.
Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the
yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!”
“Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.
But if I hated something then I had to be force-fed.
As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.”
“Yes Ma’am,” I said once again.
”
”
Harold Phifer (My Bully, My Aunt, and Her Final Gift)
“
But for as long as I’ve done this, there are still times I’m blown away when souls drop in for a visit. I’ll never forget when, during a group reading, I saw a man sitting at the end of the dining room table. He wanted me to tell the host that he knew she was concerned about her best friend’s husband. Then he looked at me and said, “I’m going to be with my father now.” I told this story to the group in real time, and the host, overwhelmed with emotion, excused herself and left the room upset. When she came back, she said that just forty minutes before the session began, her best friend called to say that her husband died and his last words in private were, “I’m going to be with my father now.” Are you kidding me with this? If that’s a parlor trick, I’m one hell of a magician.
”
”
Theresa Caputo (There's More to Life Than This)