“
…but I don’t think I’m the only person who is tired of books and movies full of paper-doll characters you don’t care about, who have no self-respect and no respect for anybody or any institution…..And I don’t want to sound preachy or Victorian, but I’m tired of amorality in fiction and in real life. Immorality is a fascinating human dilemma that creates suspense for the readers and tension for the characters, but where is the tension in an amoral situation? When people have no personal code, nothing is threatening and nothing is meaningful.
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Olive Ann Burns
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Your favorite book becomes a movie, and you’re terrified to see it because you’re fond of the way you picture the characters and hear their voices in your head.
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Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
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I don't really know how dating works," Jared told her. "High school for me was mostly musical numbers. That's how it is in the States, you've seen the movies. Every time someone had an emotional dilemma or epiphany, they would burst into song, and we would all have to break out into perfectly choreographed dance sequences. It took a lot of intensive training. So many jazz squares, no time for love.
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Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
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I like to be able to open a can of stock and I like to talk about politics, or the movies, at the dinner table sometimes instead of food.
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Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
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There is also a trilogy of books out. I started reading right after Christmas Divergent. I went to read Insurgent after, and now I’m on the third one. I don’t know, it’s Detergent or whatever. But it’s written by a 26-year-old girl. It’s brilliant. But I’m about halfway through now on book number three. Wait until you get to book number three. Hello, Google genome project.
Technology is advancing at a rapid pace, and yet, morality and ethics are afterthoughts. We’re excited about discovery and advancement, you know? We’re in fact so excited that we don’t even take the time to discuss or debate the moral dilemmas and implications of new technology. Sure, we’re still in control of technology now, but does there come a time when we’re not? Who will be the one that says turn it off? When do things go wrong?
I don’t see anyone at Google or in the government or anyone at the forefront of technology boom that is contemplating the ethics and morality issues. Now that is a truly scary thought that doesn’t come in a movie.
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Glenn Beck
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This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony.
This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.
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Arved Mark Ashby (Popular Music and the New Auteur: Visionary Filmmakers after MTV)
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Do you want my jacket?” Jared asked. He was taking it off as he spoke, a little awkwardly as he still had to hang onto her.
“Yes,” said Kami instantly. He drew it close around her shoulders. “Also your pin and your class ring. That’s how you do dating in America, isn’t it? You see, I know the ways of your people.”
“I don’t really know how dating works,” Jared told her. “High school for me was mostly musical numbers. That’s how it is in the States, you’ve seen the movies. Every time someone had an emotional dilemma or epiphany, they would burst into song, and we would all have to break out into perfectly choreographed dance sequences. It took a lot of intensive training. So many jazz squares, no time for love.
”
”
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
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Movie or no, you should never put pictures of the book’s characters on the cover. That only cramps the reader’s fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind’s eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that’s three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it’s pretty tough to remember that imaginary face after seeing the actor on the screen. Two
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Herman Koch (Dear Mr. M)
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As I approach a new project, my process always begins with the question: what is it about? Here’s one answer that might apply to a Star Trek movie...
I want it to be about the most horrible, treacherous aliens ever known to man who are about to destroy life as we know it, leading to the most spectacular thrill ride of an adventure with fantastic space battles and huge explosions and great special effects -- a white knuckle ride for the movie audience.
Yeah, but what’s it about?
I can write space battles with the best of them, but what makes that space battle interesting to me is: why are they fighting? What are the stakes? What does the hero lose if he loses? And what does he win if he wins? Why should we care?
I'm talking about the second level of story-telling. The level that examines what's going on inside the characters — their moral and ethical dilemmas, their doubts, fears, inner conflicts, how they change as the story progresses. These are the things that make us, as members of an audience, get emotionally involved.
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Michael Piller (FADE IN: The Making of Star Trek Insurrection - A Textbook on Screenwriting from Within the Star Trek Universe)
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Creating dilemma is about complicating choices—adding alternatives and making them painful. This
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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You don’t have to keep the dilemma at that ultimate level, but you should know what its limits are.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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The antagonist doesn’t always create the dilemma for the protagonist, but he will always take advantage of it.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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Studying them, he found that, in fact, they did tend to have in common several elements: Dilemma, Crisis, Decision & Action, and Resolution.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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To create a dilemma, you want your protagonist to “short-circuit” like this—frozen between two terrible choices.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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Now that we can see the dilemma clearly, you should stop and work on this plot yourself. Where can you go with it? How far can you take it? What’s the most intense that this dilemma could be?
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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Now let’s lay out a full statement of the dilemma, including all its aspects, layers, and dimensions.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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He resolves the dilemma at the cost of his soul.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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Crisis forces the protagonist to react immediately to his dilemma instead of being able to contemplating it from a distance.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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One good, strong dilemma can carry a whole film.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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he way in which the protagonist resolves the dilemma expresses the Theme of the piece.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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Insight on the way a character resolves his or her dilemma can give us as viewers a powerful look at aspects of ourselves—perhaps a brutally unflattering look. It can be a wake-up call.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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While exploring these situations, also think about how they affect and are affected by the character’s Dilemma.
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Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
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Daniel and the Pelican
As I drove home from work one afternoon, the cars ahead of me were swerving to miss something not often seen in the middle of a six-lane highway: a great big pelican. After an eighteen-wheeler nearly ran him over, it was clear the pelican wasn’t planning to move any time soon. And if he didn’t, the remainder of his life could be clocked with an egg timer.
I parked my car and slowly approached him. The bird wasn’t the least bit afraid of me, and the drivers who honked their horns and yelled at us as they sped by didn’t impress him either.
Stomping my feet, I waved my arms and shouted to get him into the lake next to the road, all the while trying to direct traffic.
“C’mon beat it, Big Guy, before you get hurt!”
After a brief pause, he cooperatively waddled to the curb and slid down to the water’s edge.
Problem solved. Or so I thought.
The minute I walked away he was back on the road, resulting in another round of honking, squealing tires and smoking brakes.
So I tried again.
“Shoo, for crying out loud!”
The bird blinked, first one eye then the other, and with a little sigh placated me by returning to the lake.
Of course when I started for my car it was instant replay.
After two more unsuccessful attempts, I was at my wits’ end. Cell phones were practically non-existent back then, and the nearest pay phone was about a mile away. I wasn’t about to abandon the hapless creature and run for help. He probably wouldn’t be alive when I returned.
So there we stood, on the curb, like a couple of folks waiting at a bus stop. While he nonchalantly preened his feathers, I prayed for a miracle.
Suddenly a shiny red pickup truck pulled up, and a man hopped out.
“Would you like a hand?”
I’m seldom at a loss for words, but one look at the very tall newcomer rendered me tongue-tied and unable to do anything but nod.
He was the most striking man I’d ever seen--smoky black hair, muscular with tanned skin, and a tender smile flanked by dimples deep enough to drill for oil. His eyes were hypnotic, crystal clear and Caribbean blue. He was almost too beautiful to be real.
The embroidered name on his denim work shirt said “Daniel.”
“I’m on my way out to the Seabird Sanctuary, and I’d be glad to take him with me. I have a big cage in the back of my truck,” the man offered.
Oh my goodness.
“Do you volunteer at the Sanctuary?” I croaked, struggling to regain my powers of speech.
“Yes, every now and then.”
In my wildest dreams, I couldn’t have imagined a more perfect solution to my dilemma. The bird was going to be saved by a knowledgeable expert with movie star looks, who happened to have a pelican-sized cage with him and was on his way to the Seabird Sanctuary.
”
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Jack Canfield (Chicken Soup for the Soul: Angels Among Us: 101 Inspirational Stories of Miracles, Faith, and Answered Prayers)
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Daniel and the Pelican
So there we stood, on the curb, like a couple of folks waiting at a bus stop. While he nonchalantly preened his feathers, I prayed for a miracle.
Suddenly a shiny red pickup truck pulled up, and a man hopped out.
“Would you like a hand?”
I’m seldom at a loss for words, but one look at the very tall newcomer rendered me tongue-tied and unable to do anything but nod.
He was the most striking man I’d ever seen--smoky black hair, muscular with tanned skin, and a tender smile flanked by dimples deep enough to drill for oil. His eyes were hypnotic, crystal clear and Caribbean blue. He was almost too beautiful to be real.
The embroidered name on his denim work shirt said “Daniel.”
“I’m on my way out to the Seabird Sanctuary, and I’d be glad to take him with me. I have a big cage in the back of my truck,” the man offered.
Oh my goodness.
“Do you volunteer at the Sanctuary?” I croaked, struggling to regain my powers of speech.
“Yes, every now and then.”
In my wildest dreams, I couldn’t have imagined a more perfect solution to my dilemma. The bird was going to be saved by a knowledgeable expert with movie star looks, who happened to have a pelican-sized cage with him and was on his way to the Seabird Sanctuary.
As I watched Daniel prepare for his passenger, I couldn’t shake the feeling that I knew him from somewhere.
“Have we ever met before?” I asked.
“No I don’t think so,” was his reply, smiling again with warmth that would melt glaciers.
I held my breath as the man crept toward the pelican. Their eyes met, and the bird meekly allowed Daniel to drape a towel over his face and place him in the cage. There was no struggle, no flapping wings and not one peep of protest--just calm.
“Yes!” I shrieked with excitement when the door was latched. What had seemed a no-win situation was no longer hopeless. The pelican was finally safe.
Before they drove away, I thanked my fellow rescuer for his help.
“It was my pleasure, Michelle.”
And he was gone.
Wait a minute. How did he know my name? We didn’t introduce ourselves. I only knew his name because of his shirt.
Later when I called the Sanctuary to check on the pelican, I asked if I might speak with Daniel.
No one had ever heard of him.
”
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Jack Canfield (Chicken Soup for the Soul: Angels Among Us: 101 Inspirational Stories of Miracles, Faith, and Answered Prayers)
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What does True Wireless Earbuds Mean
Where are my earphones? Ahh!! There they are….and they are tangled (with irksome scream inside your head). There is nothing more frustrating than going on a search operation for your headphones and finally finding them entangled. Well thanks to the advance technology these days one of your daily struggles is gone with the arrival of wireless earphones in the market. No wire means no entanglement. ‘Kill the problem before it kills you’, you know the saying. Right!
So what actually truly wireless earbuds are? Why should you replace your old headphones and invest in wireless ones?
Without any further delay let’s dig deep into it.
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WHAT ARE TRUE WIRELESS EARBUDS?
A lot of people misunderstand true wireless earbuds and wireless earphones as the same thing. When it’s not. A true wireless earbuds which solely connects through Bluetooth and not through any wire or cord or through any other source.
While wireless earphones are the ones which are connected through Bluetooth to audio source but the connection between the two ear plugs is established through a cable between them.
Why true wireless earbuds?
Usability: Who doesn’t like freedom! With no wire restrictions, it’s easier to workout without sacrificing your music motivation. From those super stretch yoga asanas to marathon running, from weight training to cycling - you actually can do all those without worrying about your phone safety or the dilemma of where to put them. With no wire and smooth distance connection interface, you have the full freedom of your body movement. They also comes with a charging case so you don’t have to worry about it’s battery.
Good audio quality and background noise cancellation: With features like active noise cancellation, which declutter the unwanted background voice giving you the ultimate audio quality. These earbuds has just leveled up the experience of music and prevents you from getting distracted.
Comfort and design: These small ear buddies are friendly which snuggles into your ear canal and don’t put too much pressure on your delicate ears as they are light weight. They are style statement maker and are comfortable to use even when you are on move, they stick to your ear and don’t fall off easily. Apart from all that you can easily answer your call on go, pause your music or whatever you are listening, switch to next by just touching your earplugs.
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Convenience: You don’t necessarily have to have your phone on you like the wired ones. The farthest distance you could go was the length of the cable. But with wireless ones this is not the case, they could transmit sound waves from 8 meter upto 30 meters varying from model to model. Which allows you multi-task and make your household chores interesting. You can enjoy your podcasts or music or follow the recipe while cooking in your kitchen when your phone is lying in your living room.
Voice assistance: How fascinating was it to watch all those detective/ secret agent thriller movies while they are on run and getting directions from their computer savvy buddies. Ethan Hunt from Mission Impossible….. Remember! Many wireless earphones comes with voice assistance feature which makes it easy to go around the places you are new to. You don’t have to stop and look to your phone screen for directions which makes it easier to move either on foot or while driving.
Few things for you to keep in mind and compare before investing in a true wireless earphones :-
Sound Quality
Battery Life
Wireless Range
Comfort and design
Warranty
Price
Gone are those days when true wireless earbuds were expensive possession. They are quite economical now and are available with various features depending upon different brands in your price range.
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”
Hammer
“
You could not have known he was going to leave Spicy Brunette at the altar for Cute Blondie unless you'd seen this before. I think I've been played," Benny huffs as he finishes off the last fry.
"Think about what you're saying, Ben Kenobi. Spicy versus cute. We're never supposed to like the spicy woman in movies, not for the romantic hero to end up with. He's supposed to go with the aw-shucks, girl-next-door type who was right in front of his face all along. Spicy gal never had a chance, bless her heart."
He scrunches his nose, mulling this over. "Then I have a dilemma, see," he says, and his feigned thoughtfulness makes me smirk.
"Oh, do you?"
"Yeah, because what if I'm into this girl who's cute but also spicy? Is she too good to be true? Can I really have one or the other?
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Kaitlyn Hill (Love from Scratch)
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I wrote the book because I was the main character in the movie. Or, did I write the movie because I was the main character in the book.
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Niedria Kenny (Order in the Courtroom: The Tale of a Texas Poker Player)