Digging My Own Grave Quotes

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What nearly everybody in my life had misunderstood about Satanism was that it is not about ritual sacrifices, digging up graves and worshipping the devil. The devil doesn't exist. Satanism is about worshipping yourself, because you are responsible for your own good and evil.
Marilyn Manson
I rode all day. I cried all night. The moon didn’t glow. The sun didn’t rise. A comet blazed Between my eyes. West and South, Wind and rain. Every way is Just the same. Pray give me a box To hide inside. Pray give me a spade To dig my own grave.
Gail Carson Levine (Fairest)
This hole in the earth was no storage space. I was digging my own grave.
Sophie McKenzie (Split Second (Split Second #1))
But I’m not the one digging her grave; I didn’t open her hole in the earth when I drove away that night or when I couldn’t make her come with us. My dad dug it years ago; he forced her to lie down in it and kept her there by fear and beatings. And when she tried to get out, he stomped her back in. She has been lying there for twenty-five years. Her muscles have atrophied, her joints have stiffened, and she can’t see anything except him and the tight little space she calls home. I don’t know how she’ll get out; I can tug and pull and yank, but it won’t make any difference. She was right: she’s gotta solve it her own way.
Swati Avasthi (Split)
If someone makes you dig your own grave at gunpoint, that’s the perfect time to tell your edgiest duck joke. Because what’s the other guy going to do, kill you? Then he’d have to shovel.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
I walk the straight lines. I walk through the summer nights. I walk the silver rope of dreams. I walk through dawns of dawns. There’s not a lot that isn’t dying. I see people parading in front of each other like insects in a killing jar, watching each other die. I walk the straight lines through the Christ machines. Through the eyes of the throwaway people. Through the wards and the shores and the cracks in the skulls of the sidewalks. Through love’s howling vacancy. I am the freedom soil. I dig my own grave. I resurrect myself every night. I am all things to myself. I walk the straight lines. I walk the spider’s jailhouse. I walk the think line, the thin line, the white line and all the lines in between. I wish I could trade in my eyes.
Henry Rollins (Black Coffee Blues)
How did you do that?” I asked her, coming into the room and staring at my son with an awed sense of wonder. “People rise to the level of expectation you have of them. If you don’t trust them, how are they supposed to prove you can? Your generation coddles kids too much,” she grumbled. “You’re all so afraid of everything. If you want kids to grow into capable adults, you can’t strap them to a padded chair and tell them not to wiggle. You’ve got to let them fall and make mistakes, and be willing to forgive them.
Elle Cosimano (Finlay Donovan Digs Her Own Grave (Finlay Donovan, #5))
They say when seeking revenge, dig two graves, one for you and one for them. I've buried them all, disposed of bodies and left a trail of charred remains in my wake, and now all that's left is my own grave. And I dug it, all right… dug it so deep there's no fucking way out of it.
J.M. Darhower (Torture to Her Soul (Monster in His Eyes, #2))
Who am I trying to fool? I'm well aware that at every stage of history there have been crimes against humanity, and they couldn't have happened without humans to commit them. The crimes that have been visited on my children have been committed, and still are being committed, by young people just like them, by people stirring up their delusions, giving them delusions of grandeur. So why do I imagine that people might improve? Everything going on around us seems to indicate that the values our forebears passed down to us no longer apply. Instead, we have sown the seeds of mistrust, scepticism and resignation, which will grow into a jungle of nihilism and cynicism, a jungle in which you will never find the courage to even mention the names of goodness, truth and common humanity, a corp that is now bearing fruit with remarkable speed. We're obliged to dig our own children's graves, but what's even more shocking is that these crimes are creating a future in which there is no place for truth and human decency. Nobody dare to speak truth anymore. Oh, my poor children ... we are burying you, but you should realize that we are also digging a grave for our future. Can you hear me?
محمود دولت‌آبادی (The Colonel)
Okay, fine. You wanna know? You really think you wanna know? Well, here it is. First of all, I have an abandonment complex. Obviously. My mom left. My dad. Then everyone else.” “Yeah, I got some friends in similar situations. It’s really tough. I hope you understand that none of those losses were about you, though.” “Sure, whatever. And I need constant reassurance. I’m really insecure. And I have a really hard time trusting anyone. And I sometimes get really involved in work.” I went on for what seemed like forever, laying out all of my greatest shames, the things that I hoped I could hide for another few months, at least. He remained terrifyingly poker-faced the whole time, and I guessed he’d tricked me into digging my own grave. At the end, he absorbed my failings in silence for a minute and then nodded. “Okay. Is that it? Yeah, sure.” “What do you mean, ‘Yeah, sure’?” “I mean sure, that’s doable.” “How do you know? Maybe it’s not.” “I don’t know, there’s a lot of trauma and abandonment and anger around here. Your issues are solidly within my wheelhouse. Thanks for telling me. It’s good to know, and I think we can make it work.” “But maybe you’ll get tired of it. I mean, I’ll still work on my shit. I promise.” “Sure, and I’m glad for that, thank you,” he shrugged. “But, you know, it’s okay to have some things you never get over.” It’s okay to have some things you never get over. In the span of half an hour, this man whom I had known for less than a season did what nobody in my life ever had: He took all of my sins and simply forgave them. He didn’t demand relentless improvement. There were no ultimatums. He asserted that I was enough, as is. The gravity of it stunned me into silence. Joey was the opposite of the dread.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
One day a few houses appeared," said Toshaway. "Someone had been cutting the trees. Of course we did not mind, in the same way you would not mind if someone came into your family home, disposed of your belongings, and moved in their own family. But perhaps, I don't know. Perhaps white people are different. Perhaps a Texan, if someone stole his house, he would say: 'Oh, I have made a mistake, I have built this house, but I guess you like it also so you may have it, along with all this good land that feeds my family. I am but a kahuu, little mouse. Please allow me to tell you where my ancestors lie, so you may dig them up and plunder their graves.' Do you think that is what he would say, Tiehteti-taibo?" That was my name. I shook my head. "That's right," said Toshaway. "He would kill the men who had stolen his house. He would tell them, 'Itsa nu kahni. Now I will cut out your heart.
Philipp Meyer (The Son)
if they label you soft, feather weight and white-livered, if the locker room tosses back its sweaty head, and laughs at how quiet your hands stay, if they come to trample the dandelions roaring in your throat, you tell them that you were forged inside of a woman who had to survive fifteen different species of disaster to bring you here, and you didn’t come to piss on trees. you ain’t nobody’s thick-necked pitbull boy, don’t need to prove yourself worthy of this inheritance of street-corner logic, this blood legend, this index of catcalls, “three hundred ways to turn a woman into a three course meal”, this legacy of shame, and man, and pillage, and man, and rape, and man. you boy. you won’t be some girl’s slit wrists dazzling the bathtub, won’t be some girl’s, “i didn’t ask for it but he gave it to me anyway”, the torn skirt panting behind the bedroom door, some father’s excuse to polish his gun. if they say, “take what you want”, you tell them you already have everything you need; you come from scabbed knuckles and women who never stopped swinging, you come men who drank away their life savings, and men who raised daughters alone. you come from love you gotta put your back into, elbow-grease loving like slow-dancing on dirty linoleum, you come from that house of worship. boy, i dare you to hold something like that. love whatever feels most like your grandmother’s cooking. love whatever music looks best on your feet. whatever woman beckons your blood to the boiling point, you treat her like she is the god of your pulse, you treat her like you would want your father to treat me: i dare you to be that much man one day. that you would give up your seat on the train to the invisible women, juggling babies and groceries. that you would hold doors, and say thank-you, and understand that women know they are beautiful without you having to yell it at them from across the street. the day i hear you call a woman a “bitch” is the day i dig my own grave. see how you feel writing that eulogy. and if you are ever left with your love’s skin trembling under your nails, if there is ever a powder-blue heart left for dead on your doorstep, and too many places in this city that remind you of her tears, be gentle when you drape the remains of your lives in burial cloth. don’t think yourself mighty enough to turn her into a poem, or a song, or some other sweetness to soften the blow, boy, i dare you to break like that. you look too much like your mother not t
Eboni Hogan
If you're not able to see all the other parts of me that I shamelessly wear on my sleeve, lass... I'm happy to break it down for you. I'm honest. Sometimes, as brutally as my kills. You're wrong about me not knowin' love. I love just as hard as I fuck. I'm nothin' if not loyal, Seven Grey, and I might be a horrible singer, but it comes straight from my black heart. I knew you were mine the minute I looked into those eyes, and I'll do whatever it takes to put a smile on that face, even if I have to dig my own grave to do it." His breath skated over my chin, and I felt like I couldn't breathe. "I'm gonna go take this rapist van back. It's not doin' much for my image.
H.B. Elliott
My Ma, she wanted me to take up a trade. Make your life count for something, she said. Go where the Dwarves are. Now you just try and outwork a dwarf. Might as well dig your own grave!” Trapper tipped up his hat and scratched his greasy head. “I done like she said. I went to Thorbarten. Those Dwarves, they got more-n-enough busy work to go around. But them mountains—always loomin’ in the distance.” Trapper swiped the ragged hat from his head and held it over his heart. “I took to the mountains. Was the splendor—drew me in. Don’t regret it. Never will. But I do find myself wishin’ I had done more while I had the chance. Time is short for my kind. Not so with the Dwarves and the Gnomes.
C.A. Tedeschi (Fen and the Every Path)
Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.' I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them. 'Elain said- said you went to visit me, though. That you tried.' Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.' My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.' 'I got to the wall. I couldn't find a way through.' I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?' She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.' 'You did that- for me?' Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me. ... I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said." As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee. Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'" Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation. From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together. The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on." And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
I can jog around the room pretending to scream if you would like,” Jim offered. My mother raised an eyebrow. “You’re working so hard to dig your own grave, you might work yourself to death. Simmer down.” Jim drew back as if she’d smacked his hand with a ruler. “We have to sever the connection between you and whoever is doing this,” I said before they started slapping each other.
Ilona Andrews (Magic Dreams (Kate Daniels, #4.5))
She’ll be coming from Cambodia.” Oh God. God. Why did I say that? No one handed me this shovel, but I’m digging my own grave anyway.
Christina Lauren
I have been falsely accused of atrocities by a woman who only wanted to gain mileage by dragging my name into the deep smelly pits of the sewer. She only was playing her self digging her own shallow grave of a lifetime of eternal grief
Tare Munzara
I'd rather dig my own grave than rot in the sun.
Maritza Compos
My country is handed over from one tyrant to the next, a worse tyrant; from one prison to another, from one exile to another. It is colonised by the observed invader and the hidden one; handed over by one beast to two like an emaciated camel. In the caverns of its death my country neither dies nor recovers. It digs in the muted graves looking for its pure origins for its springtime promise that slept behind its eyes for the dream that will come for the phantom that hid. It moves from one overwhelming night to a darker night. My country grieves in its own boundaries and in other people's land and even on its own soil suffers the alienation of exile.
Abdullah Al Baradouni
RACH, DO YOU REALLY NEED THIS MANY SHOES?” I watched as she unpacked the third box in our closet just inside the bathroom and wondered how any person could ever have a need for that many pairs of shoes. Her hand stopped midway to the shelf with another pair, and her bright blue glare turned on me. I took a step back. “Are you actually asking me that right now?” “Say no,” my dad whispered from behind me. “Course he wasn’t, Rachel. He’s just mad that he won’t have anywhere to put his sparkly hooker heels.” Rachel laughed and went back to putting her dozens of shoes away. “No worries about that one, Rich. I put them up already, they even have their own little place away from everything so they don’t get ruined.” My mom pushed through Dad and me to get into the closet with an armful of clothes to hang up. “Really, Logan. Give the girl a break. I have more shoes than this.” “Oh, Marcy! I forgot to tell you—” “Is this gonna be a long story?” Dad drawled, cutting Rachel off. “Actually, it is,” she snapped right back with a playful smirk. “So get comfy!” As soon as she launched into her story about whatever the hell those two always talked excitedly about, my dad turned and gave me a shove into the large bathroom. “Have I taught you nothing when it comes to women?” he asked softly. “What? That’s a shit ton of shoes!” I hissed and looked back to see her pull more out. I swear to Christ this last box was like Mary Poppins’s purse. It was a never-ending pit of shoes. “Okay, we’re gonna do this quick and easy. One, your woman can never have too many shoes, clothes, purses, or jewelry. Two, it doesn’t matter if you know you’re right—because God knows your mother is wrong about . . . well . . . just about everything—but it doesn’t matter. They are always right. Just say a simple ‘Yes, sweetheart, I’m sorry I’m a dumbass’ and you’ll be fine. Three, them asking if they look okay is a trick question. Because, let’s face it, even if we think it’s the ugliest shirt we’ve ever seen, it’s probably in style and we wouldn’t know either way. So they always look amazing, remember that word.” I laughed. Rachel could wear a sack and I would think she looked amazing. Or she could wear nothing . . . I preferred her in nothing. I cleared my throat and had to look away from Rachel when I started picturing her naked. “Four, and probably the most important if you want to keep your manhood, do not ever ask if she is PMS-ing. No matter what. Might as well dig your own grave if you do that.” Too late. I was always asking Rach if that was why she was in a bad mood. And if I was right, there was no way in hell I was going to tell her I was in the wrong. She could bitch about it if she wanted, but I wasn’t going to go easy on her for the sake of getting out of an argument. Arguing with her was one of my favorite things. Nodding, I slapped my dad’s shoulder and smiled. “Thanks, Dad, I’ll remember all that.
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
That first doctor’s visit was a chilling introduction to the world of bone marrow transplants. This particular doctor was all doom and gloom. She spent so much time telling me about the high mortality rate of having a bone marrow transplant that I half-expected her to end the appointment by handing me a shovel and telling me to go ahead and start digging my own grave. One thing that I understood very clearly from her words was that with the transplant, timing was everything. You don’t want to wait too long to do the transplant, but you also have to make sure that you time it so that you are ready—mind, body and soul—to take the risk of the procedure. Do you remember that dot on the graph that the first oncologist had shown me? The “if I do nothing, I have between one and two years to live” dot? If the transplant did not go well, if I contracted a serious virus after completely wiping out my immune system, then I could die within weeks or even days after the procedure.
Robin Roberts (Everybody's Got Something)
I’m digging my own grave,
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
Once in my room I had to stop every loophole, to close the shutters, to dig my own grave as I turned down the bed-clothes, to wrap myself in the shroud of my nightshirt.
Marcel Proust
You’re not taking me to dig my own grave, are you?” “Is that a deal breaker?
Kelsey Clayton (Screams in Symphony (Malvagio Mafia Duet, #2))
Working on this client is like making my brain dig its own grave.
Rainbow Rowell (Fangirl)
Foot, mouth, thoroughly acquainted. I’m digging my own grave while standing in quicksand.
Kate Prior (Love, Laugh, Lich (Claws & Cubicles, #1))
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
Over the next decade, Musk composed nineteen thousand tweets. “My tweets are like Niagara Falls sometimes and they come too fast,” he says. “Just dip a cup in there and try to avoid the random turds.” His 2018 “pedo guy” and “funding secured” tweets showed that Twitter could be dangerous in his twitchy fingers, especially late on some agitated nights fueled by Red Bull and Ambien. When asked why he doesn’t restrain himself, he merrily admits that he too often “shoots himself in the foot” or “digs his own grave.” But life needs to be interesting and edgy, he says, then quotes his favorite line from the 2000 movie Gladiator: “Are you not entertained? Is that not why you are here?
Walter Isaacson (Elon Musk)
I'm not asking you to go with me. I don't want you to go with me." That's a straight-up lie, because I have no idea if I have the ability to do this. Even more important than ability is whether or not I have the courage. This revelation makes me feel ashamed. I'm a grown woman, and it's time to prove- if not to everyone else then at least to myself- that I can do things on my own. Janice said that Jonathan needs me to step up, to be the kind of person he can depend on not to retreat when things get rough. This time, I won't hide in my childhood bed hoping the world will right itself. Jonathan would do anything to help me, but now he's the one who needs help, and I'm going to dig deep and be the one to give it to him.
Tracey Garvis Graves (The Girl He Used to Know)
We have suffered differently, but … My father once beat me so badly he broke my back. He kept me in bed for weeks while I healed, telling people I was ill, but I wasn’t. It was … It was one of the lesser of his evils.” She paused. “He beat my mother before that. And she … I think she shielded me from him, because he never laid a hand on me until she was gone. Until he beat her so badly she couldn’t recover. He made me dig her grave on a night with a new moon, and told people she’d miscarried a babe and died from blood loss.” She angrily wiped a tear away. “Everyone believed him. They always believed him—he was so charming to them, so smart. Whenever people told me how lucky I was to have such a good father, I wondered if I’d imagined all the bad parts. Only my scars, my wings reminded me of the truth. And when he died, I was so happy, yet they expected me to mourn him. I should have told them all what a monster he was, but I didn’t. They had turned a blind eye to my wing-clipping while he was alive; why should they bother to believe the truth now that he was among the honored dead?” Emerie’s nose crinkled. “I still feel his fists on me. Still feel the impact of him slamming my head into a wall, or crunching my fingers in a door, or just railing on me until I blacked out.” She was shaking, and Nesta squeezed her hand tighter. “He never gave me any money or allowed me to earn my own, never let me eat more than he deemed appropriate, and wormed his way so far into my mind that I still hear him when I look in the mirror or make a mistake.” She swallowed. “I came to training because I knew he’d have forbidden it. I came to training to get his voice out of my head. And to know how to stop a male if one ever puts another hand on me again. But none of it will ever bring my mother back, or the fact that I hid while my father took out his rage upon her. Nothing will ever make that right.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
The first thing I learned about confrontation is to always allow the other person to tell you their side of things, rather than just steamrolling over them in a fit of rage and piling on accusation after accusation. So I pull my tea close, take a big sip, and put on my best listening face. He can dig his own grave with his words first, and then I’ll jump all over him.
Sadie Black (My Best Friend's Dad)