Dig Pink Quotes

We've searched our database for all the quotes and captions related to Dig Pink. Here they are! All 41 of them:

I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
Gillian Flynn (Sharp Objects)
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
She smiled. She was happy, yet sad. Life had never been more bittersweet. She looked at the sunset. The pink sky was sinking into the deep blue ocean. It was almost as if the sky knew it was making a mistake, digging its own grave. But for a moment there, at the very moment before diving into the darkness of the sea, on the golden horizon, the sky shone brighter than it ever had. It was glorious in its five seconds of fame. It was serendipitously happy, like all its life had led to that moment. And then it died into the sea, content.
Thisuri Wanniarachchi (The Terrorist's Daughter)
CELL Now look objectively. You have to admit the cancer cell is beautiful. If it were a flower, you'd say, How pretty, with its mauve centre and pink petals of if a cover for a pulpy thirties sci-fi magazine. How striking: as an alien, a success, all purple eye and jelly tentacles and spines, or are they gills, creeping around on granular Martian dirt red as the inside of the body, while its tender walls expand and burst, its spores scatter elsewhere, take root, like money, drifting like a fiction or miasma in and out of people's brains, digging themselves industriously in. The lab technician says, It has forgotten how to die. But why remember? All it wants is more amnesia. More life, and more abundantly. to take more. to eat more. To replicate itself. To keep on doing those things forever. Such desires are not unknown. Look in the mirror.
Margaret Atwood
Pandora launched into a detailed account of her conversation with the hermit crab, reporting that his name was Shelley, after the poet, whose works he admired. He was a well-traveled crustacean, having flown to distant lands while clinging to the pink leg of a herring gull who had no taste for shellfish, preferring hazelnuts and bread crumbs. One day, the herring gull, who possessed the transmigrated soul of an Elizabethan stage actor, had taken Shelley to see Hamlet at the Drury Lane theater. During the performance, they had alighted on the scenery and played the part of a castle gargoyle for the entire second act. Shelley had enjoyed the experience but had no wish to pursue a theatrical career, as the hot stage lights had nearly fricasseed him. Gabriel stopped digging and listened, transported by the wonder and whimsy of Pandora's imagination. Out of thin air, she created a fantasy world in which animals could talk and anything was possible. He was charmed out of all reason as he watched her, this sandy, disheveled, storytelling mermaid, who seemed already to belong to him and yet wanted nothing to do with him. His heart worked in strange rhythms, as if it were struggling to adjust to a brand new metronome. What was happening to him?
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Perhaps you’re familiar with the First Law of Holes: “When you find yourself in a hole, stop digging.” And perhaps you’ve ignored this law.
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
When I haven't been kissed in a long time, I walk behind well-dressed women on cold, December mornings and shovel the steamy exhalations pluming from their lips down my throat with both hands, hoping a single molecule will cling to my lungs. When I haven't been kissed in a long time, I sneak into the ladies room of a fancy restaurant, dig into the trashcan for a napkin where a woman checked her lipstick, then go home, light candles, put on Barry White, and press the napkin all over my body. When I haven't been kissed in a long time, I start thinking leeches are the most romantic creatures, cause all they want to do is kiss. If only someone invented a kinder, gentler leech, I'd paint it bright pink and pretend Winona Ryder's lips crawled off her face, up my thigh, and were sucking on my swollen bicep. When I haven't been kissed in a long time, I create civil disturbances, then insult the cops who show up, till one of them grabs me by the collar and hurls me up against the squad car, so I can remember, at least for a moment, what it's like to be touched.
Jeffrey McDaniel
Does this feel like I don’t love every goddamn thing about your body, Chelcie?  Hmm?  Because let me tell you, Sunshine.  I see your body and I want to throw you over my shoulder every damn time.  I see your tits and I want to take them in my hands.  I want to watch your pink nipples harden at my touch right before I suck them deep in my mouth.  I see the stomach you say isn’t firm enough and, honestly, I could care less, babe.  I see your stomach and I remember how hot you looked carrying our boy.  Then I can’t help but get hot thinking about putting another baby in there.  And that ass.  Jesus Christ, you don’t even want to know how many times I’ve had to go to the bathroom at work because I’ll picture that fine ass and all of a sudden my cock is begging for release.  I see those thighs you say are getting dimples and all I can think about is getting my hands on them—spreading your legs and digging my fingers in while I devour that sweet pussy with my tongue.
Harper Sloan (Cooper (Corps Security, #4))
I remember Norman Bowker and Henry Dobbins playing checkers every evening before dark. It was a ritual for them. They would dig a foxhole and get the board out and play long, silent games as the sky went from pink to purple. The rest of us would sometimes stop by to watch. There was something restful about it, something orderly and reassuring. There were red checkers and black checkers. The playing field was laid out in a strict grid, no tunnels or mountains or jungles. You knew where you stood. You knew the score. The pieces were out on the board, the enemy was visible, you could watch the tactics unfolding into larger strategies. There was a winner and a loser. There were rules.
Tim O'Brien (The Things They Carried)
The first change is a realization that I am no longer alone. Even when I'm lying in the dark by myself, I now sense other beings hovering near me. It isn't just me living in this house, but unfinished love and my dejection and anger and dead Paulie, and their miraculous presence feels as real as my fingernails digging into my hand. The second change is that I'm not more obsessed with cooking, like the Roman gourmets and their cherished chefs, who wanted to put all things wonderful or special or new or majestic or strange or scary-looking on the table. The cooks back then knew only how to bake or boil, but I understand how a few drops of pomegranate juice can transform a dish. The third change is that with these first two revelations, my sense of taste has become ever more sensitive and sharp, my imagination richer. When I got my ears pierced and walked into the street in the middle of winter, I become one large ear. All sensation and pain were concentrated in my ears. It's that same feeling. Everything about me disappears and I'm only a pink tongue. This is the time to grow into a truly good chef.
Kyung-ran Jo (Tongue)
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head. Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this. He tastes like sour wine. I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin. That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me. The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh. Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much. 'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh. 'No,' he said tonelessly. 'Tell me,' I say. He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.' I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Slowly, however, her lips curled again, her jaw locking open, baring her teeth with too much gum in a wrenching scream. The bloodcurdling sound ringing through his ears while her nails clawed at her chest, hands violently digging through the soft connective tissue and tearing it to ribbons, blood gushed thick and black over the pink of her dress, painting it red. It was then that Henry saw that there was something terrible inside her, attempting to break its way out. It shattered the marrow of her ribs and slithered from her belly, melting away from her, into a grotesque creature with razor-sharp canines and claws drenched in blood. Her screaming becoming louder, Henry was sure his eardrums were about to burst, and he was caught in a state of paralysis, stuck watching her tear herself apart until all that was left of her was this monstrosity.
Kate Winborne (Blossom (The Wolf's Den Anthology Book 1))
You Himba are so inward-looking,” she said. “Cocooned around that pink lake, growing your technology from knowledge harvested from deep within your genius, you girls and women dig up your red clay and hide beneath it. You’re an interesting people who have been on those lands for generations. But you’re a young people. The Enyi Zinariya are old old Africans. “And contrary to what you all believe, we have technology that puts yours to shame and we’ve had it for centuries
Nnedi Okorafor (Home (Binti, #2))
O Lord, how many are Your works! In wisdom You have made them all.… —Psalm 104:24 (NAS) In her intriguing book What’s Your God Language? Dr. Myra Perrine explains how, in our relationship with Jesus, we know Him through our various “spiritual temperaments,” such as intellectual, activist, caregiver, traditionalist, and contemplative. I am drawn to naturalist, described as “loving God through experiencing Him outdoors.” Yesterday, on my bicycle, I passed a tom turkey and his hen in a sprouting cornfield. Suddenly, he fanned his feathers in a beautiful courting display. I thought how Jesus had given me His own show of love in surprising me with that wondrous sight. I walked by this same field one wintry day before dawn and heard an unexpected huff. I had startled a deer. It was glorious to hear that small, secret sound, almost as if we held a shared pleasure in the untouched morning. Visiting my daughter once when she lived well north of the Arctic Circle in Alaska, I can still see the dark silhouettes of the caribou and hear the midnight crunch of their hooves in the snow. I’d watched brilliant green northern lights flash across the sky and was reminded of the emerald rainbow around Christ’s heavenly throne (Revelation 4:3). On another Alaskan visit, a full moon setting appeared to slide into the volcanic slope of Mount Iliamna, crowning the snow-covered peak with a halo of pink in the emerging light. I erupted in praise to the triune God for the grandeur of creation. Traipsing down a dirt road in Minnesota, a bloom of tiny goldfinches lifted off yellow flowers growing there, looking like the petals had taken flight. I stopped, mesmerized, filled with the joy of Jesus. Jesus, today on Earth Day, I rejoice in the language of You. —Carol Knapp Digging Deeper: Pss 24:1, 145:5; Hb 2:14
Guideposts (Daily Guideposts 2014)
Before you decide,” MacRieve interrupted, “know that if you were my mate, I’d make sure you had whatever you needed to be comfortable.” Her lips parted when he pulled her bag from behind him and proceeded to dig through it. “Like your toothbrush.” He held up her pink toothbrush. He’d retrieved her things from her car? And rooted through her personal possessions. She’d seen MacRieve’s ferocity, and now she was getting a good glimpse of his sly side, his tricksy side. She could see what Rydstrom had been talking about. MacRieve seemed . . . wolfish. Then she remembered what else she had in her bag. Oh, great Hekate. Dread settled in the pit of her stomach. Mari had private things in there—rocket of the pocket-type private things. Like a tube of lipstick that wasn’t really one. “Or this.” He carelessly flicked her birth control patch. “Doona know what it does, but I ken that people who use patches for whatever reason might be eager for a new one.” He displayed her iPod next. “It’s my understanding that females your age canna go long without listening to music or they become irrational and impossible to deal with. And how long’s it been for you, then?” He drew out a blue-labeled bottle and shook it. “You had several bottles of Orangina in your Jeep. Must like it, do you no’?” Not the Orangina! Her mouth watered even more. “And here’s your bit of Mayan gold that you’re probably keen to hold on to.” He held up the weighty headdress. Stunning. She hazily remembered seeing it in the severed hand of an incubus, as if in offer, but she’d thought the piece had been lost into that crater. If MacRieve gave the incubi’s headdress to her, it would be her first payment as a mystical mercenary. No, resist him! To act like his mate? To follow his orders? She could resist the food and the Orangina. She could even resist gold, but there he went digging once more. He’d find it. But maybe he wouldn’t know what it really was— “And your lipstick,” he said with a wicked glint in his eyes. Oh, no, he knew, and he was playing with her. She was going to die of mortification. Her face grew hot when he added, “You must be in sore need of this after three weeks without.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Eena focused on the younger version of herself. Her hair was tied back with a pink ribbon. The ruffled dress she wore was soiled up to the waist in wet grains of sand. A short, square shovel was gripped tightly as the child concentrated on her digging efforts. Curious, Eena stepped closer to the girls. Ian followed along silently. Eena could feel his eyes on her, searching her profile before turning to the sand scene. She approached her younger self and stopped to watch. At first, she smiled at the darling ponytailed child. Then the spoiled girl’s mouth opened. “Angee,” the five-year-old called the younger version of Angelle. “Go get water.” The older child jumped up at the command. “Yes, Eena.” “A whole bucket full.” “Yes, Eena.” “Angee, don’t step on my holes!” The older girl quickly picked up her foot, checking to be sure there were no child-made burrows nearby. She nodded at the little five-year-old. “Okay, Eena, I’ll be careful.” Instead of being grateful, the ponytailed child tilted her head and bugged out her eyes. “Hurry up, Angee!” “Okay, okay.” The young Angelle lifted her skirt to watch for surrounding holes while carting a bucket in her other hand towards the lake. Eena frowned at the sight. She heard Ian snicker beside her. “I was a brat,” she admitted ruefully. “You still are.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
Not only was the four-poster- a lofty structure that would have put princesses and peas to shame- a place of rest and relaxation but it was, and had been for quite some time now, a portal for her magic carpet escapades. It was there that Estelle first began to practice what Marjan had called "eating at the edge of a ready 'sofreh'." Estelle always followed the same routine when assembling her dinner 'sofreh' on her bed. First, she would spread the paisley blanket Marjan had given her, tucking the fringed ends in tight around the sides of her mattress. Then, having already wetted a pot of jasmine tea, she would dig a trivet into the blanket's left corner and place the piping pot on top of it. Following the Persian etiquette of placing the main dishes at the center of the 'sofreh', Estelle would position the plate of saffron 'chelow' (with crunchy 'tadig'), the bowl of stew or soup that was the day's special, and the 'lavash' or 'barbari' bread accordingly. She would frame the main dishes with a small plate of 'torshi', pickled carrots and cucumbers, as well as a yogurt dip and some feta cheese with her favorite herb: balmy lemon mint. Taking off her pink pom-pom house slippers, Estelle would then hoist herself onto her high bed and begin her ecstatic epicurean adventure. She savored every morsel of her nightly meal, breathing in the tingle of sumac powder and nutmeg while speaking to a framed photograph of Luigi she propped up on its own trivet next to the tea. Dinner was usually Persian, but her dessert was always Italian: a peppermint cannoli or marzipan cherry, after which she would turn on the radio, always set to the 'Mid-West Ceili Hour', and dream of the time when a young Luigi made her do things impossible, like when he convinced her to enter the Maharajah sideshow and stand on the tallest elephant's trunk during carnival season in her seaside Neapolitan town.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
This night is going well. "Hello there." I speak too soon. Dunstan enters, his two cronies behind him. Everyone standing around goes quiet. I flinch, but not for me; he's gazing at Ivy like a lion at a piece of meat. Ivy just keeps grinning. "And may I say you are the prettiest girl I've seen all night," Dunstan says, not noticing the fact Ivy's already taken. Ivy stares down at her feet, a pale blush the color of pink roses brushed across her cheeks. "You don't mean that," she whispers, not knowing she's accidentally flirting. "I really do," Dunstan continues in his oily, supposedly charming voice, and I roll my eyes. I want to pull Ivy away, but if I do, Dunstan will notice me. And without Melanie breathing down his neck, who knows what he'll try to pull? "So what's your name, beautiful?" Ivy blush deepens and i feel my nails dig into my skin. I'm the one whose supposed to tell her she's pretty, not this jerk. "My name is Ivy," Ivy replies. "Ivy. I like it. It suits you." I feel an arm on my shoulder and turning around, I see Aidan holding me back. Unconsciously, I've stepped forward, ready to challenge him. "So what is your name?" Ivy asks, still shyly peering down at her shoeless feet. Acting all surprised he got asked this, Dunstan runs a hand through his hair. "My name is Dunstan." Ivy's flush instantly vanishes, the corners of her mouth turns down, and her eyebrows knit together. "Dunstan? This is your name?" Quiet as she's being, I know there's anger there. I'd hate to be the recipient of this tone. But Dunstan the egotistical baboon butt isn't aware of the change. "Yep, that's me." "What is your last name?" I feel someone shaking. Aidan's still hanging on to me, and he's nervous, too. Dunstan still doesn't detect her malice. "Why, my last name's Lebelle. Dunstan Lebelle." He chuckles. "Perhaps you've heard of me?" "Oh yes," Ivy hisses, suddenly radiating ferocious fury. "I've heard much about the boy who nearly got Rylan Forester killed." Even with blaring music in the next room, you can hear a pin drop throughout the kitchen as everyone goes quiet, having lost all ability to talk due to flapping jaws. Someone whistles. "Excuse me?" Dunstan sounds like he can't believe what he's hearing. "You heard me." Ivy glares, knowing she has him caught. "You pushed Rylan into the swamp where the alligator attacked him. Sure, you can blame the alligator, but when you really think about, if you had not pushed him in, Rylan wouldn't have nearly died. Who, by the way," Ivy steps back, clasping my free hand in hers, "happens to be my friend and my date." Everyone bursts into titters—no one has ever spoken to Dustan Lebelle like that—as Dunstan stares at me wide-eyed, finally taking in my existence. But before he can do anything, Ivy pulls my hand. "We're leaving," she declares, giving Dunstan one last stink eye. And with her nose in the air and me following, Ivy boldly walks right out the back door.
Colleen Boyd
Any prize off this bottom row,” the guy tells us, walking away to a waiting customer. “You did it!” I jump down off the counter and wrap my arms around his neck. “You won me a prize!” “Thank fuck.” His arms wrap around me. “I was starting to worry for a moment there. Felt like I was losing my man card.” I reach up on my tiptoes and kiss his lips. “Never. And thank you.” I tip my head back to look into his face. His hands slide down my back to my ass, and he gives it a squeeze. “Go pick your prize, Boston.” Leaving Liam, I head back to the counter and lean over, looking at the bottom row of prizes. I see all kinds of crap here, including really cheap-looking stuffed animals and dolls. I definitely do not want a doll. They freak me out. Then, I spy this sad-looking odd toy. Reaching over, I grab it. Liam comes up behind me as I right myself. His chest is pressed to my back. “Is that a…fucking knitted jellyfish?” I turn my head to look up at him. He’s squinting at the toy I’ve picked up. I look back down at it in my hands, and I think he’s right. It is a knitted jellyfish toy. “I think so.” It’s white and pink and looks like a little princess jellyfish. And the more I look at it, the cuter it becomes…in a weird knitted jellyfish way. “She looks like a jellyfish princess,” I say. “It looks like a piece of shit.” “Hey! You’ll hurt her feelings.” I jab him in the arm. Then, I hug her. “I shall call her Squishy, and she shall be mine.” I laugh, meeting Liam’s blank expression. “Finding Nemo? No?” I say. Liam slowly shakes his head, looking at me like I’ve lost my mind. “Okay, makes sense. You were probably too old to watch it when it first came out—you know, when I was still in diapers and you were out serenading teenage girls with the Backstreet Boys—hey!” I squeal when he digs me in the ribs with his fingers. “We’ll watch Nemo later, and then you’ll get the reference.” I turn to the guy. “I’ll take Squishy,” I tell him, holding the stuffed animal up. “Okay, what’s next?” I hook my arm through Liam’s, holding Squishy to my chest. “Hook a Duck.” “Hook a what?” I give him a confused look. “Duck.” “And what’s Hook a Duck?” “You don’t know what Hook a Duck is?” Liam looks appalled. “No…but I feel like I should.” “You should.” “What’s so special about it?” “Well, nothing special per se, but it’s like a rite of passage. Every kid plays Hook a Duck when they come to the fair.” “Hate to break it to you, Hunter, but we’re not kids.” “Maybe not. But it’s your first time at a fair in England, and you have to play.” Liam grabs my hand and sets off, I assume, in search of this Hook a Duck game. We find one a few minutes later, and it’s closed. All shut up with the tarpaulin covering the booth. “It’s closed. Never mind,” I say to him. I start to walk away, but Liam tugs me back by the hand he’s holding. “Like a little thing like it being closed is going to stop us from playing.” He gives me a grin and drops my hand. I watch as he unhooks the tarpaulin at the bottom and lifts it just enough so that he can sneak in underneath it. “Hunter, what are you doing?” I hiss. He ducks his head back out. “Come on,” he whispers, holding the material up for me to go under. “I’m not going in there.” “Yes you are. Now hurry the fuck up, or you’ll get me arrested for breaking into a Hook a Duck tent,” he whispers. “Ugh,” I complain.
Samantha Towle (The Ending I Want)
Okay, y’all,” Ashley announced. “This is our dress rehearsal. Our last chance to get everything perfect before the big night tomorrow. Any questions? Ideas? Opinions?” “Yeah, I have an idea.” Slumped on the front steps of the Battlefield Inn, Parker choked down a mouthful of cough syrup and tried not to speak above a whisper. “Let’s call it off. That would really make it perfect. No more ghost tour.” “Walk of the Spirits,” Ashley corrected him, irritated. “Walk of the Spirits. And we’re not calling it off. After all this time? All this work?” “All this suffering?” Roo added. She was perched one step below Parker, and was digging through her pockets for a cigarette. Her face still bore some major bruises from the storm, and a wide gash zigzagged across her forehead, not quite healed. She’d taken great pains to highlight this zigzag with dark, red lipstick. “You like suffering,” Parker reminded her. “And, excuse me, but you’re not the one with pneumonia.” "You don’t have pneumonia. You’re just jealous because Gage was in worse shape than you, and he got more attention.” “Well, it’s almost pneumonia. It’s turning into pneumonia.” Tensing, Parker let out a gigantic sneeze. “Shit, I hate this. I feel like my brain’s ten times its normal size.” Roo gave him a bland stare. “You know, when people lose a leg or an arm, they think they still feel it, even though it’s not really there.” “Will you two behave?” Ashley scolded. “And, Parker, where’s that newspaper article your mom was going to give us?” “Somewhere.” Parker thought a moment, then shrugged. “In my car, I think.” “Well, will you please go get it? The sooner we start, the sooner we can all go home.” “She’s right.” Though unable to hold back a laugh, Miranda came loyally to Ashley’s rescue. “Let’s just walk it through, and read the script, and make sure we’ve covered all the basic information. Ashley, what about your costume?” “I’ve got the final fitting after I leave here.” Ashley’s eyes shone with excitement. “Can you believe Mrs. Wilmington went to all that trouble to make it for me?” “She didn’t.” Parker scowled. “She got her dressmaker, or designer, or whoever the hell she calls him, to make it for you.” “Parker, that doesn’t matter--it was still really nice of your mother to do that.” “You’re a southern belle--how could she resist that?” Ashley shot Miranda a grateful smile. “That was Miranda’s idea.” “It made sense,” Miranda explained. “A costume sets the mood. It’s all about southern history and heritage, so our tour guide should be a southern hostess--hoopskirt and all.” “And I’m the only one who gets to dress up! And I can’t wait to wear it! It’s like cotton candy!” Roo arched an eyebrow. “Sticky?” “No! All pink and fluffy and…sweet. I love the way I feel in it.” “I agree,” Parker said hoarsely. “I love the way you feel in it, too. And I love the way you feel out of it even better.” Roo stared at him. “Wow. You should write greeting cards.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Pink passes by me with a wicked look on his face. He walks over to where Elle is sitting, and before she can protest, he scoops her up out of her stool, dips her back dramatically like something from an old movie, and plants a kiss right on her lips. After a moment, he breaks the kiss, sets her back down on the stool, and walks away. “Asshole,” Elle mumbles as she touches her lips, and her cheeks turn bright red. “As much as you keep mentioning your ass, Prinzessin, I can see that’s going to need attention first,” Pink says, not looking back as he walks out the door. I look over to see Elle’s mouth drop open and her cheeks burn even brighter, so I leave her and a laughing Zoey alone in the apartment. When we get outside, I talk to my guys posted outside as a precaution, then Pink and I head to my truck. “You sure you want to keep digging that grave?” I ask, looking over as Pink gets in the truck. “As long as I end up buried inside her, I’m good.
Alexa Riley (Guarding His Obsession)
Wordlessly, Darren sits at the edge of the next bed, which leaves the one between him and the wall for me. I’m going to have to sleep next to Darren. For THREE nights. What if I dream about him? What if I say something during those dreams? What if he says something in his sleep? What if I roll over and bump into him? I set my camera and backpack down on the desk, dig out a pink tank top, matching pajama shorts, and my toiletry pouch, and get ready for bed in the bathroom. When I come back out, Darren’s sitting at the desk, elbow propped on it, head supported in his hand. He’s already changed into a pair of red-and-white plaid pants and a black T-shirt. For some reason, the sight of him in his PJs gives me a little thrill. He motions toward the beds. “They’re passed out.” I glance at the fully clothed spooning figures and look away before my cheeks get the better of me. The clock on the desk shows that it’s only 8:25. I know traveling wears you out but I feel completely wired. “Are you ready to go to bed or…?” I let my voice trail off and swallow. I don’t know why I’m so nervous about sleeping one bed over from him. “You want to go for a walk?” I pinch the fabric of my shorts as if to say, In these? and frown. He looks down at my bare legs, then meets my eyes. “Just throw on your sneakers.” There’s a flutter in my chest, but I imagine myself squashing the little winged creatures. No butterflies allowed. I can do this.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Yeah, well, I--” He stops and his eyes shift behind me, wide in amusement. I turn my head to find a couple straight out of the 1980s at the end of the gelato line. They’re both sporting mullets and faded jeans. White sneakers. When I notice the matching red fanny packs, I have to look away. “You should take a picture of that,” he says, resting his forearms on the table. “What?” I lean in closer and speak just above a whisper. “No way.” “Do it!” he insists. “Five euros.” He digs into his pocket and clanks down five coins. I sneak a peek at the unsuspecting couple. The man is wiping sweat off his face with a hanky. They’re too close. I’d never get away with it. “I can’t,” I say. “Pansy.” With a grunt, I switch my camera on and set it to automatic. I raise it to my face and start to twist my upper body. “No, wait!” he says. “You’re doing it wrong.” I drop the camera to my lap and face him. “What?” “You’re too obvious. You need stealth. Watch and learn.” He retrieves a small point-and-shoot camera from his pocket and aims it toward me. “Say cheese!” he says so loudly that I’m sure everyone around us is looking. “Uh…cheese?” “Done.” He hits a few buttons and shows me the display screen. There they are. Looked right at him too. Clever. But I can’t let him win. “Wow. That’s pretty pixelated. What kind of setting do you have that on?” He frowns. “It’s just zoomed in.” “Oh.” I reach to zoom out, but he pulls it away too fast. “What? Why can’t I see? Did you actually take a picture of me or something?” “Stealth.” He shrugs and my cheeks turn pink. “Guess these are my winnings.” The coins scrape across the table as he scoops them up to put in his pocket. “You didn’t even give me a chance to redeem myself,” I defend. “Excuses, excuses. Just admit I’m the better photographer.” He laughs, standing to shoot his empty cup in the trash. “Finished?” I nod and he tosses mine too. “Braver maybe, but better? Your camera doesn’t have enough buttons.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I thought you’d be here,” calls a rough voice over my left shoulder. I turn to find Darren only inches away, holding an unlit candle. “Hey,” I say with a smile much too large. “I was wondering if I’d see you today.” “Tate and I have been busy getting everything organized for our trip.” He returns a smile. Something looks different…something with his hair. I hold my candle higher and lean toward him, both to get a better look and to whisper, “Are you wearing a headband?” His hand shoots to the black band of fabric pulled tight above his forehead, curls redirected up and over it. “I was sort of hoping you wouldn’t notice it in the dark. I usually only wear them on dig sites to keep my hair from flying in my face.” “At least it’s not pink,” I tease. “Although I’m sure I have one of those you could borrow. It may even have flowers on it.” “Oh, could I, please?” He laughs, his hand still fiddling with it. “Seriously, should I lose it?” I shrug. “It’s practical. I get it.” He yanks it off and shoves it into the pocket of his shorts. A shake of his head lands everything where it belongs. “Here,” I say, angling my candle toward him. “I already took care of the headband. Fire really isn’t necessary, is it?
Kristin Rae (Wish You Were Italian (If Only . . . #2))
They stepped into the gloom and peered into the rows of cages. Luxuriant, curly fur covered some rabbits, so thick it weighed the tips of the ears down. Other pens housed pink-eyed albinos, their jaws working furiously on bits of hay poking out of their mouths. Earth's biodiversity never ceased to amaze him. One of the rabbits was easily the size of a dog. The label on its cage read FLEMISH GIANT. Giant was right. Quentin leaned close to one to snap a photo for his nieces, and the rabbit thumped its back feet on the metal cage. Next to the rabbit, Alisha jumped a mile, her sneakers skidding on the concrete as she danced away. Not so eager for the bunnies, then. Fine by him. The next barn housed horses. In one of the stalls, a huge horse regarded them through wise dark eyes, like a sentient Narnian beast. A black mane fell across its face, and feathery white hair fanned out around its hooves. "A Budweiser horse!" She laughed, pointing to the placard. "Clydesdale.
Chandra Blumberg (Digging Up Love (Taste of Love, #1))
I love this place already," Max says as he gazes at the flying saucer not op of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
I love this place already," Max says as he gazes at the flying saucer on top of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
You burying a body?” he joked as Dad ripped open the ice and poured it into the half-melted ice bath in the cooler. Dad glanced at the shovel in his hand and said, “Nah, I’m going to dig up Kirk’s stupid-looking neon-pink rosebushes, move them to the edge of the woods, and see how long it takes him to notice.” Landon nodded. Sounded like a good plan. “I can help.” “Obviously. I’ve been waiting for one of you dipshits to come home and offer. My back hurts—” “Well, that’s what happens when you get old.” “You didn’t let me finish. My back hurts from fuckin’ your mom.
T.S. Joyce (Warlander Grizzly (Warlanders, #3))
So, you want us to stop saying gay. Want to remove the right to acknowledge the truth of our bodies and hearts and eradicate the language that names us As if this will somehow keep you safe from our existence As if you can see no evil, hear no evil, speak no evil us into oblivion. It was you who birthed us into a legacy of code makers and breakers. Humans who took their language underground. Cast spells and had wordless conversations with our ancestors Who gifted us new ways to speak in the open air. We painted pink triangles on the walls of The underground bomb shelters you built to bury us alive Left a trail of glitter pointing to the inborn light in our chests So the ones who came looking for us would know how we lived. We stole back the vernacular you created to hide us back from the tips of your forked tongues Alchemized the sounds that twisted your mouth into symbols of reclamation Used your vilification to dig ourselves out of the closets you constructed around us Made our way blazing and victorious into the sun. When AIDS devastated an entire glittering generation We crafted a whispered language of the isolated hospital room and empty funeral That can only be heard by bodies That have been asked to hold a loss too deep to name. When Matthew Shephard's bloody and broken body Was found tied to that barbed wire fence, the only clean part of his skin the trails of his desperate tears We twisted from the ethers an entirely new way to name collective grief and fear, one far too infinite to hold alone It has always been our tenacious together than holds us. Drive us underground We will always surface Singing words you can never own Because don’t have the range to hear them. Go ahead, take away our words, We will birth a whole new language You’ve been sending your armies for us since the beginning of time But we were born for battle. You wonder why we are still here? You made us this strong. You think getting rid of a word will silence us? You’d have to ban them all.
Jeanette LeBlanc
Near my house, groups of men were digging up the chikhawo roots of banana trees so they could boil them like cassava. Some dug up other roots and tubers, even the grass from the roadside, and milled them into flour. Others resorted to eating the seeds from government starter packs, scrubbing off the pink and green insecticide that kept off the weevils. But it was impossible to get all the poison off, and many suffered from vomiting and diarrhea, which only made them weaker. Plus, having now eaten their seeds, they had nothing left to plant.
William Kamkwamba (The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope)
Stop judging by mere appearances, but instead judge correctly.” —John 7:24 (NIV) Driving home from work, I glanced into my rearview mirror to see a beautiful pink sky. It looked like another great sunset. I turned onto my street and noticed three young teenage boys hanging out two doors down from where I live. Too bad they won’t notice this great sunset, I thought. I pulled into my driveway and walked inside. My husband, Johnny, called out from the backyard, “Beautiful sunset tonight! Come on out!” The sky had turned a bright crimson red with streaks of leftover pink etched through it. I glanced to where the boys were still talking. “Those boys have no clue that there is a magnificent sunset happening right before their eyes! Too bad,” I said, shaking my head. At that moment, I heard one of them call out, “Hey, guys, check it out! The sky’s all red! It looks awesome!” “Wow!” the others exclaimed in unison. “Cool!” “Oh my,” I said, dismayed, “I sure jumped to a mighty quick conclusion.” Later that evening, I read an inspirational quote that comes daily to my in-box: “When you’re forming your opinions, do it carefully—go slow; hasty judgments oft are followed by regretting—that I know. —Anon.” After work the next day, I saw the boys again. I pulled the car over and rolled down the window. “Hey, guys,” I called out, “great sunset last night, huh?” “Yes, ma’am!” they all replied. One of the boys held up his cell phone. “I got a really good picture of it on my phone. Want to see?” “Sure,” I said with a big smile. “I’d love to.” Forgive me, Lord, for I truly want to see the best in everyone—right from the start. —Melody Bonnette Swang Digging Deeper: Prv 12:18, 31:26
Guideposts (Daily Guideposts 2014)
I made a snap decision between pink and black. I didn’t want to seem like a pervert digging around in your lingerie drawer.' 'No, you’re a pervert for gawking at me from below the neck to above my knees.
Ashlan Thomas (To Fall (The To Fall Trilogy #1))
I’ve had one rather insistent fantasy over the course of this beautiful Maine afternoon,” he said, hearing the rough edge come back into his voice, his hunger for her making his mouth go as dry as Cameroo in April. Her lips curved upward, and that gleaming light flickered to life in her eyes. “Does it involve pillaging?” “Aye,” he said, a bit of the pirate back in his voice. Het let the blanket slide from his fingers, then put his palms on her hips, wrapping his fingers around her so the tips pressed gently into the firm curve at the top end of her bum. His thumbs rubbed over her hip bones, pressing against the tight wrap of her dress. He felt a little shudder go through her and had to dig deep for what little restraint he had left. He kept his gaze tipped up and on hers. “I stood by the rail as you steered this big beast through that maze of bobbing boats in the harbor and imagined what it would be like if I walked over to stand behind you, to wrap my hands around your hips.” He did sink his fingertips into her softness a bit then, and was rewarded with a little gasp from her. Her parted lips called to him like a siren, but he remained where he was. “I wanted to slide them up, cup your breasts, find out if they’d fit as perfectly in my hands as I’ve imagined.” His actions mirrored his words, and he felt her intake of breath as he slid his palms up, over her rib cage. She didn’t stop him, and his gaze shifted to his hands as he slowly circled her breasts, all pushed up and bound tightly within her dress…and, indeed, perfectly shaped for his hands. Her body twitched under his hands as he rain his palms up and over her nipples, and she let out a little moan. He could feel them grow harder, pushing at the silky, gathered fabric, pushing against his hands. “I wanted to slide my fingertips under the top edge, here,” he said, curling his fingers until they slid under the inside edge of her bodice, “and tug it down, slowly, so the soft, silky fabric would rub over your nipples, making them stand up, full and pink and hard, just for me.” She took a swift intake of breath as he began to do what he’d described. He kept his attention focused solely on what he was doing, wondering why in the hell he thought torturing himself further was a good idea. By the time he got rid of her clothes, he might not be able to get his own off, or ever father children, but then he glanced up, saw her eyes were lit like the fire of glittering emeralds, but decided he’d gnaw his clothes off if necessary.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Damn you, she said to herself, shaking her head. Why couldn't you have arranged this trip earlier? In fact, why didn't you just tell us about the pictures while you were still here, you arrogant bastard? Then she paced up and down. It was getting late, the northern sky patterned with a fringe of pink and gold cast by the setting sun. You're not going to get away with this, she thought. I'm going to give Phoebe some ridiculous explanations just to get her off my back and then I'm going to Florence. I'm going to dig and dig, until I find out what you've been trying to tell us and the world all these years. You won't be able to hide yourself any more after that, will you?
Suzanne Goldring (The Girl with the Scarlet Ribbon)
What are you thinking about having for dinner?” she asks as she digs through her purse for her keys. I cage her against the door and steal one last kiss. “Takeout.” “So much for being a good dirty talker.” “You asked me what I wanted for dinner. Not dessert.” Her skin turns the prettiest shade of pink. “Oh.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
Jaylynn has a halo of spikes and thorns over her head, which digs into her forehead, and the blood runs down her shadowy brown wavy wispy hair. Her eyes can glow the color of pink. ‘I call them Olivia Cooper eyes! You know, with the black teardrops!’ and her dark cherry black blood flows from them too, as we talk. I think I saw from time to time a black widow crawling on her, making webs on her body. (So- hair-raising.) Along with the markings of unlucky, thirteen were tattooed on her and chiseled into her chest. Other insignias are cataloging her, she has numbers on her marking her like a beast. She has the cereal barcode numbers of- (J-N-0069699611) on her left butt cheek, which glows lime green in the dark! You are nothing but a number along with your first and last initials when you are a dark angel. She can have fire readily available at her fingertips, sharp retracting claws. Along with withdrawing fangs and horns. She also has a very elaborate samurai-like sword with a curved blade. As well as, yes you guessed it! She can sparkle like many thousands of little reflective broken mirrors in the brilliant full moonlight. I never thought I would speak to a black angel, yet she is my little girl, how could I not? ‘To live is to be haunted, to die is to be unperturbed.’ I remember back when she was on the edge of fifteen, and my life was entertaining, pleasurable, and stimulating. Not at all like now; I remember her first days of high school everything seemed flawless, little did I know, that the tower's children had their children, and their evil spirits were passed down to the next demons in the circle of pain; his clan started torturing my little girl until her end. Just as there, mothers did with me. All my life I have tried to prove this story… but how do I write a story that seems so silly to other people that do not understand?
Marcel Ray Duriez
I : Body of a Woman" Body of a woman, white hills, white thighs, you look like a world, lying in surrender My rough peasant's body digs into you and makes the son leap from the depth of the earth. I was alone like a tunnel. The birds fled from me, and night swamped me with its crushing invasion. To survive myself I forged you like a weapon, like an arrow in my bow, a stone in my sling. But the hour of vengeance falls, and a love you. Body of skin, of moss, of eager and firm milk. Oh the goblets of the breast! Oh the eyes of absence! Oh the pink roses of the pubis! Oh your voice, slow and sad! Body of my woman, I will persist in your grace. My thirst, my boundless desire, my shifting road! Dark River-beds where the eternal thirst flows and weariness follows, and the infinite ache.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Roxannah plucked an early-blooming flower, white with the faintest tinge of pink and a red pillar at the center, though most of the buds would not open for another month. "What do you think?" Adin, who had been examining a thick stalk and some of the broad leaves for damage, held up his trowel. "Perfect. I don't know how you even found these plants all the way out here." He knelt and started to dig. "When we were children in Elephantine, my mother used to make sweets with the sap of the marsh mallow. It's an Egyptian delicacy. In ancient times, it was reserved for the pharaohs. Thankfully, these days the rest of us can enjoy it too." Intrigued, Roxannah dropped down next to him. "Cook is always telling us to discover new recipes. How did your mother make it?" He looked up from his digging. "As I mentioned earlier, my expertise lies more in the area of consumption than production." "A talent every good cook appreciates." He shifted his trowel to get around a stubborn root. "I do remember the ingredients since I helped to gather them. Honey, nuts, and mallow sap. Simple, eh?" "I can experiment with that." She broke off a narrow stalk and gingerly put a dollop of the sap on her tongue. "Very sticky." "I think that's the secret. The sap pulls everything together into a chewy treat.
Tessa Afshar (The Queen's Cook (Queen Esther's Court, #1))
When I crept outside, the damp evening air soaked my flimsy nightdress, dragging me down with the strength of five pulling hands as I waded my way to the spot where I had seen the bird fall. I kneeled and groped in the darkness until my fingers were met with the brush of feathers. The crow had fallen from that tree on purpose, I thought. For me. I cuddled the bird at night, combing its glossy black feathers, like a mane of human hair, with my fingers –­ something the girls wouldn’t allow me to do to them –­ and secured it under a loose floorboard beneath my bed by day. The crow was still rotting under the bed by Easter Sunday –­ the stench it exuded not offensive enough, in the airy room, to be attributed to anything more sinister than a group of growing girls who lacked water to dab at their underarms. I had wilfully blotted a writing exercise to merit a flogging. Miss Petty was lazy and her legs heavy with gout, which meant I was to fetch my own instrument of torture. This allowed me to steal away to our bed-­room to retrieve the crow and slip into the empty refectory unnoticed. I lay out the bird, wings spread, on one of the platters, and arranged food on top of it to disguise the writhing maggots, digging my fingernails into the putrid flesh and flicking bits into the pudding. I collected the bundle of tied twigs from the supply room and returned to the school-­room, where Miss Petty birched my neck a dozen times for the blotting, and another dozen for my delay in retrieving the instrument. A girl sitting to my left sketched the pink, rose-­shaped bruises that bloomed on my neck until the bell for lunch was rung, and she and the others streamed into the hallway with expectant stomachs. After saying grace and singing a hymn, we dug in. The girls were so hungry they barely paid heed to what they were spooning into themselves. They pawed at the bread, shovelled potatoes onto their plates, and tore into greyish meats. Plaits were flung over shoulders or tucked into collars to avoid soiling. A spoon clanged to the floor, a wooden bench creaking as one girl leaned over to retrieve it. One of the older girls cleared her throat while drinking, spurting sipped water back into her glass. Sauces dribbled from the corners of mouths, stained white pinafores, browned noses, slid under fingernails. My eyes hovered over all, waiting for the crow to strike. My crow. My friend.
Virginia Feito (Victorian Psycho)