Did It Ever Occur To You Quotes

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We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break. So that was that. We were finally, finally over. I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.' I couldn’t even be mad at him, because this was who he was. This was who he’d always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever. Maybe this was why I came, so I could really know. So I could say good-bye. I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.' I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway. 'I release you. I evict you from my heart. Because if I don't do it now, I never will.' I was the one to look away first.
Jenny Han (It's Not Summer Without You (Summer, #2))
But, Scarlett, did it ever occur to you that even the most deathless love could wear out?
Margaret Mitchell (Gone with the Wind)
Will you please stop peeking at me like that? This is degrading enough as it is." "Did it ever occur to you," I said, with a sly smile and a wink, "that you're irresistibly handsome, I can't keep my eyes off of you?" He threw his head back in a laugh. "Of course. I should have realized.
Lani Woodland (Intrinsical (The Yara Silva Trilogy, #1))
It comes from a very ancient democracy, you see..." "You mean, it comes from a world of lizards?" "No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." "Odd," said Arthur, "I thought you said it was a democracy." "I did," said Ford. "It is." "So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" "It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." "You mean they actually vote for the lizards?" "Oh yes," said Ford with a shrug, "of course." "But," said Arthur, going for the big one again, "why?" "Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?" "What?" "I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" "I'll look. Tell me about the lizards." Ford shrugged again. "Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." "But that's terrible," said Arthur. "Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s own taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface, was all that anyone found meaning in…this was civilization as I saw it, colossal and jagged…
Bret Easton Ellis (American Psycho)
Did it ever occur to you," asked Kira, "that I may be here for the very unusual, unnatural reason of wanting to learn a work I like only because I like it?
Ayn Rand (We the Living)
To me, nothing can be more important than giving children books, It's better to be giving books to children than drug treatment to them when they're 15 years old. Did it ever occur to anyone that if you put nice libraries in public schools you wouldn't have to put them in prisons?
Fran Lebowitz
Did it ever occur to you that I loved you as much as a man can love a woman? Loved you for years before I finally got you? During the war I'd go away and try to forget you, but I couldn't and I always had to come back. After the war I risked arrest, just to come back and find you. I cared so much I believe I would have killed Frank Kennedy if he hadn't died when he did. I loved you but I couldn't let you know it. You're so brutal to those who love you, Scarlett. You take their love and hold it over their heads like a whip.
Margaret Mitchell (Gone with the Wind)
Did it ever occur to you that your neck might matter to me at least as much as mine? Actually, probably more than mine? - Swift, to Cas
Emily Skrutskie (The Abyss Surrounds Us (The Abyss Surrounds Us, #1))
He reached up and cupped her face in his hands. "Did it ever occur to you that I don't want to share you with anyone else? That maybe now that I've realized how much you mean to me, I want to show you as much as I can? Or maybe, because you're so damn sexy and my every freaking fantasy that I can't wait to get you alone, so I can touch you, kiss you, and love you from head to toe?
Samantha Chase (Always My Girl (The Shaughnessy Brothers, #3))
Did it ever occur to either of you that maybe MAC doesn't need protecting? That maybe MAC finds your he-man acts both insulting and chauvinistic? In case you haven't noticed, MAC is pretty good at taking care of herself. " Kyle cleared his throat. He looked exhausted and wary. "Why are you talking about yourself in the Thrid Person?
Kathleen Peacock (Hemlock (Hemlock, #1))
I don't know who he was," Kavita flat-out states, "but whoever he was he sure did a number on you, didn't he?" Mary leans forward to ensure he would see her deviant stare. "Did it ever occur to you that maybe I did a number on him?" Kavita leans in closer as well, and with that same deviant expression, "Yes. I have.
Carroll Bryant (Last Flight Out)
(about William Blake) As for Blake's happiness--a man who knew him said: "If asked whether I ever knew among the intellectual, a happy man, Blake would be the only one who would immediately occur to me." And yet this creative power in Blake did not come from ambition. ...He burned most of his own work. Because he said, "I should be sorry if I had any earthly fame, for whatever natural glory a man has is so much detracted from his spiritual glory. I wish to do nothing for profit. I wish to live for art. I want nothing whatever. I am quite happy." ...He did not mind death in the least. He said that to him it was just like going into another room. On the day of his death he composed songs to his Maker and sang them for his wife to hear. Just before he died his countenance became fair, his eyes brightened and he burst into singing of the things he saw in heaven.
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
I glanced at my watch - it was two minutes to eleven; just right for lunch when and if we ever got to the godforsaken lodge - and took some comfort from the thought that at least I still had my wits about me. Or at least I felt as if I did. Presumably, a confused person would be too addled to recognize that he was confused. Ergo, if you know that you are not confused then you are not confused. Unless, it suddenly occurred to me - and here was an arresting notion - unless persuading yourself that you are not confused is merely a cruel, early symptom of confusion. Or even an advanced symptom. Who could tell? For all I knew I could be stumbling into some kind of helpless preconfusional state characterized by the fear on the part of the sufferer that he may be stumbling into some kind of helpless preconfusional state. That's the trouble with losing your mind; by the time it's gone, it's too late to get it back.
Bill Bryson (A Walk in The Woods: Rediscovering America on the Appalachian Trail)
But did it ever occur to you, my friend, that force and matter are merely the barriers to perception imposed by time and space?
H.P. Lovecraft (The Cthulhu Mythos Megapack: 40 Modern and Classic Lovecraftian Stories)
where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I contructed my movement around, how I dealt with the tangible. This was the geography around which my reality resolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s taking pleasure in a feel or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke.
Bret Easton Ellis (American Psycho)
After this, I couldn't hear their voices any longer; for in my ears I heard a sound like a bird's wings flapping in panic. Perhaps it was my heart, I don't know. But if you've ever seen a bird trapped inside the great hall of a temple, looking for some way out, well, that was how my mind was reacting. It had never occurred to me that my mother wouldn't simply go on being sick. I won't say I'd never wondered what might happen if she should die; I did wonder about it, in the same way I wondered what might happen if our house were swallowed up in an earthquake. There could hardly be life after such an event.
Arthur Golden (Memoirs of a Geisha)
Call listened with amusement--not that the incident hadn't been terrible. Being decapitated was a grisly fate, whether you were a Yankee or not. But then, amusing things happened in battle, as they did in the rest of life. Some of the funniest things he had ever witnessed had occurred during battles. He had always found it more satisfying to laugh on a battlefield than anywhere else, for if you lived to laugh on a battlefield, you could feel you had earned the laugh. But if you just laughed in a saloon, or at a social, the laugh didn't reach deep.
Larry McMurtry (Streets of Laredo (Lonesome Dove, #2))
Did it ever occur to you, Charlie, that tolerance can reach a point where it is no longer tolerance? When that happens, the noble-sounding attitude on which most of us pride ourselves degenerates into weakness and acquiescence.
Grace Metalious (Peyton Place (Peyton Place, #1))
Did it ever occur to you that when he told you he would come back he was lying? Many a man has done it. He probably meant no malice – he just did not want to see your tears and pleading. If you find him in Tarras you may not like what you discover. He won't thank you for crossing 'mountain and down' to find him. Life is not like the songs Avalon, tis far less pretty.
Sam J. Charlton (Journey of Shadows (The Palâdnith Chronicles, #1))
Did it ever occur to you,” June said, feeling her voice getting higher, “that I might be meant for something bigger than a restaurant off the side of the road?
Taylor Jenkins Reid (Malibu Rising)
Well, she was right, as far as she knew. But, Scarlett, did it ever occur to you that even the most deathless love could wear out?
Margaret Mitchell (Gone with the Wind)
Did it ever occur to you that if you weren’t living in fear of other people’s opinions of you, no one would have the power to take anything away?
Laura Dave (Hello, Sunshine)
The Dream by Mark Baker A man lay on his bed at the end of his life waiting to die. His dream came to pay his last respects and bid farewell to the man who had never used it. As it entered the room the man looked down in shame. "Why did you not realize me?" the dream asked. "Because I was afraid," the man said. "Afraid of what," said the dream. "I was afraid I would fail." "But haven't you failed by not attempting to use me?". "Yes I did, but I always thought there would be tomorrow." "You Fool!" said the dream" Did it never occur to you that there was only ever today? the moment that you are in right now? Do you think that now that death is here that you can put it off until tomorrow?". "No", said the man, a tear gently rolling down his cheek. The dream was softer now, because it knew that there were two types of pain, the pain of discipline and the pain of regret, and while discipline weighs ounces, regret weighs pounds. Then the dream leant forward to gently wipe away the tear and said, " You need only have taken the first step and I would have taken one to meet you, for the only thing that ever separated us was the belief in your mind that you couldn't have me". Then they said goodbye and they both died.
Mark Baker
Of course it might have been some other city, had circumstances been different and the time been different and had I been different, might have been Paris or Chicago or even San Francisco, but because I am talking about myself I am talking here about New York. That first night I opened my window on the bus into town and watched for the skyline, but all I could see were the wastes of Queens and big signs that said MIDTOWN TUNNEL THIS LANE and then a flood of summer rain (even that seemed remarkable and exotic, for I had come out of the West where there was no summer rain), and for the next three days I sat wrapped in blankets in a hotel room air-conditioned to 35 degrees and tried to get over a bad cold and a high fever. It did not occur to me to call a doctor, because I knew none, and although it did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young? I am here to tell you that someone was. All I could do during those three days was talk long-distance to the boy I already knew I would never marry in the spring. I would stay in New York, I told him, just six months, and I could see the Brooklyn Bridge from my window. As it turned out the bridge was the Triborough, and I stayed eight years.
Joan Didion (Slouching Towards Bethlehem)
...where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one's taking pleasure in a feeling or a look or a gesture, of receiving another person's love or kindness. Nothing was affirmative, the term "generosity of spirit" applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire - meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in... this was civilization as I saw it, colossal and jagged...
Bret Easton Ellis (American Psycho)
Where are we heading?” “The closest wooded area to here is Kenwood Academy’s estate. Good place to hide, especially at night.” “If we’re going into the woods, I definitely need to change.” I glanced back at her as we returned to the curb where the cab had dropped us off. “Or you could just go home.” She crossed her arms and avoided my gaze, scowling. “You’re sick of me already? That must be a record.” I lifted my eyes to the heavens. Women. “This creature tore out a woman’s throat and busted her chest cavity open like a piñata. I don’t like the thought of it being anywhere near you.” “Did it ever occur to you that I feel the same way?” Surprise flooded over me. “No, it…actually didn’t.” “I know I’m not as strong or as smart as you are, but that doesn’t mean I can’t help. We’re partners, aren’t we?” “Yeah,” I said, and couldn’t stop the smile creeping across my lips. “I guess we are.” She tossed a quick look at me and frowned. “Quit it.” “What?” “I hate it when you do that.” “You hate it when I smile?” “No, when you make that, ‘aw, she does have a heart’ face. You look like a Disney prince.” I laughed. “My bad. I’ll work on that.
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
Ask me not to hurt him,” I said, my voice cracking unexpectedly. But she just stared at me, her gaze faltering only slightly. I inched closer, feeling her body’s heat. “Did it ever occur to you that all you would have to do is ask?
Penelope Douglas (Hideaway (Devil's Night, #2))
Did it ever occur to you that there is no such thing as clairvoyant? That maybe psychics are just really good at detective work?” “Or maybe you’ve got that backward. Maybe the reason a good detective can read his subjects is because he’s a little bit psychic.
Jodi Picoult (Leaving Time)
You have a shrewd but prosaic mind, and you cannot conceive of an entity that does not depend for its existence on force and matter. But did it ever occur to you, my friend, that force and matter are merely the barriers to perception imposed by time and space?
Frank Belknap Long (The 8th Golden Age of Weird Fiction Megapack: Frank Belknap Long, Vol. 1)
Did the thought ever occur to you that I might care about you? People are allowed to care about each other." "You don't know me well enough to care about me." "Let me clue you in on something, Andres. Just because you hate yourself doesn't mean that I have to hate you.
Benjamin Alire Sáenz (In Perfect Light)
That sacrificiality was what Takver had spoken of recognizing in herself when she was pregnant, and she had spoken with a degree of horror, of self-disgust, because she too was an Odonian, and the separation of means and ends was, to her too, false. For her as for him, there was no end. There was process: process was all. You could go in a promising direction or you could go wrong, but you did not set out with the expectation of ever stopping anywhere. All responsibilities, all commitments thus understood took on substance and duration. So his mutual commitment to Takver, their relationship, had remained thoroughly alive during their four years’ separation. They had both suffered from it, and suffered a good deal, but it had not occurred to either of them to escape the suffering by denying the commitment. For after all, he thought now, lying in the warmth of Takver’s sleep, it was joy they were both after – the completeness of being. If you evade the suffering you also evade the chance of joy. Pleasure you may get, or pleasures, but you will not be fulfilled. You will not know what it is to come home.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
Mother, stop it!” I shout. She takes a step back as if I’d physically slapped her. “Not all guys that look a certain way or dress a certain way or act a certain way are the same. You’ve tried all my life to drive me toward the kind of guy you wanted me to be with. You made me feel as though there was something wrong with me for liking anyone who rode a motorcycle or drove a muscle car or played in a band. But there was never anything wrong with them, Mom. They just weren’t for me. I wouldn’t have wanted to end up with any of them. Not now. But you don’t see that. You don’t see that now and you didn’t see that then. You could never be like a normal mother, one who holds her daughter when she cries and tells her that one day she’ll find Mr. Right, that one day love will be worth it. That was just beyond you. You had to do your best, at every possible opportunity, to convince me that the only way I’d ever be happy would be with a guy like Lyle, one who is so focused on his job and his money that he doesn’t have time for love. But Mom, if falling in love means risking getting hurt, then I’m okay with that. Because finally, for once, I’ve found someone worth the risk. I wouldn’t have missed out on Cash for the world, Mom. Did it ever occur to you that it took all those heartbreaks, all those tears, all those failed attempts to be able to recognize something real when I found it? Can’t you just be happy for me and leave us in peace?
M. Leighton (Up to Me (The Bad Boys, #2))
Of course, of course. Mr. Buzzby, did it ever occur to you that a god may live, figuratively, a dog's life?' 'Eh?' 'Gods are transfigured, you know. They go up in smoke, as it were. In smoke and flame. They become pure flame, pure spirit, creatures with no visible body.' ("A Visitor From Egypt")
Frank Belknap Long (The Mummy Walks Among Us)
People say “Move on” “Think about your happiness”. But that isn’t easy. Is it? Life is much powerful than we can imagine. It doesn’t go according to our wish. We can’t choose whom we fall for. Nope that’s not up to us. Because the term ‘blinded in love’ occurred for some reason. Lol. How can someone think about their happiness when they are in love? Isn’t love supposed to be selfless? Thinking about thyself is the “selfishest” thing ever of this planet. You might say he doesn’t love me back so why I am hurting myself sticking to it and expecting the unexpected to happen? Let me tell you this. Have you ever been in love? I don’t think so. Because if you did, you’d know loving someone immensely is the most beautiful thing in the world. Even if it’s one sided or has no future, but the peace you get thinking about them, the satisfaction of giving your purest love to them is enough for you to live happily ever after.
Shehrin Odri
I doubted it had ever occurred to my adoptive parents that I might want to learn anything about Korea. Had they ever suggested a language class, I’m sure I would have complained—it was bad enough that I couldn’t change the way I looked; did I really have to emphasize my differences by learning a language no one else I knew could speak?
Nicole Chung (All You Can Ever Know)
Jim: Green and red. (pulls on green lever which closes a door) Artie: Very impressive. (stops Jim from pulling the red lever). Uh...did it ever occur to you that red might mean danger? Jim: For instance? Artie: For instance, red for fire. Fire of explosion. Jim: What would they want to explode? Artie: Those who fool around with their levers. Wild Wild West Season 4 Night of the Big Blackmail
Wild Wild West TV TV
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.” “Did you chase after the housemaids when you were a boy?” “Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.” Evie raised a cue stick as if to crown him with it. He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?” “You would be purely ornamental,” Evie replied, giggling. “Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.” “I wouldn’t mind.” He gave her a quizzical smile. “What?” “If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.” Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.” “No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…” But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives. “Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He throws sidearm. I can’t break him of it.” “And that prevents him from being a true son of yours.” “I guess not,” Price admitted, grinning suddenly at his own seriousness. “But sidearm is a tough way to go through life. I’d spare him if I could.” “Did it ever occur to you that he might end up a lawyer?” “There are sidearmed lawyers, too. The majority, come to think of it.” “You have the soul of a satirist.” “Bullshit,” he said. “I have the soul of a third baseman.
Richard Russo (Mohawk)
At some point, sisters began to talk about how unseen they have felt. How the media has focused on men, but it has been them - the sisters - who were there. They were there, in overwhelming numbers, just as they were during the civil rights movement. Women - all women, trans women - are roughly 80% of the people who were staring down the terror of Ferguson, saying “we are the caretakers of this community”. Is it women who are out there, often with their children, calling for an end to police violence, saying “we have a right to raise our children without fear”. But it is not women’s courage that is showcased in the media. One sister says “when the police move in we do not run, we stay. And for this, we deserve recognition”. Their words will live with us, will live in us, as Ferguson begins to unfold and as the national attention begins to really focus on what Alicia, Opal and I have started. The first time there’s coverage of Black Lives Matter in a way that is positive is on the Melissa Harris-Perry show. She does not invite us - it isn’t intentional, I’m certain of that. And about a year later she does, but in this early moment, and despite the overwhelming knowledge of the people on the ground who are talking about what Alicia, Opal and I have done, and despite of it being part of the historical record, that it is always women who do the work even as men get the praise. It takes a long time for us to occur to most reporters and the mainstream. Living in patriarchy means that the default inclination is to center men and their voices, not women and their work. The fact seems ever more exacerbated in our day and age, when presence on twitter, when the number of followers one has, can supplant the everyday and heralded work of those who, by virtue of that work, may not have time to tweet constantly or sharpen and hone their personal brand so that it is an easily sellable commodity. Like the women who organized, strategized, marched, cooked, typed up and did the work to ensure the civil rights movement; women whose names go unspoken, unknown, so too that this dynamic unfolds as the nation began to realize that we were a movement. Opal, Alicia and I never wanted or needed to be the center of anything. We were purposeful about decentralizing our role in the work, but neither did we want, nor deserved, to be erased.
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
Ally wasn't disappointed in the writers: she hadn't expected anything from them in the first place; it hadn't occurred to her to be interested in writers as individuals beyond their work. To her relief no one whose books she'd read ever came to the centre, although sometimes she had to pretend to have read the writers who did. The writers could be fairly crazy, too; you had to be vigilant not to trip over their vanity or anxiety. Luckily, most of her favourites were dead. (She's the one, 151)
Tessa Hadley (Married Love and Other Stories)
What the above examples reveal is not a man prone to the faux pas, but a gentleman—strictly defined, by Hitchens, as “someone who is never rude except on purpose.” A spectacular instance of his gentlemanliness occurred during an appearance on HBO’s Real Time with Bill Maher. Unlike most guests, Hitchens did not try to flatter or pacify the audience. Instead, after being booed and jeered for pointing out the horrors of a nuclear Iran, he raised his middle finger and pointed it at them, while intoning, “Fuck you! Fuck you!” What this little episode demonstrated was not only his indifference to crowd opinion—impressive in itself—but also his binary nature: He has a large mind and a big mouth—neither of which ever seems to be closed. Whereas
Windsor Mann (The Quotable Hitchens: From Alcohol to Zionism -- The Very Best of Christopher Hitchens)
The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto. The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing. In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out. A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.” Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag. This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done. After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber? What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here. It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness. “What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?” They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.
Russell Brand
Has it ever occurred to you that I did you all a favor by never applying myself?” Atticus snorted. “How so?” Adam grinned. “I half-ass everything and still rise to the top. Imagine if I was using my full potential. I’d leave both of you in the dust. I’m the black sheep by choice.
Onley James (Unhinged (Necessary Evils, #1))
As I learned the house, and began to read, and began to see more of the Quality, I saw that just as the fields and its workers were the engine of everything, the house itself would have been lost without those who tasked within it. My father, like all the masters, built an entire apparatus to disguise this weakness, to hide how prostrate they truly were. The tunnel, where I first entered the house, was the only entrance that the Tasked were allowed to use, and this was not only for the masters’ exaltation but to hide us, for the tunnel was but one of the many engineering marvels built into Lockless so as to make it appear powered by some imperceptible energy. There were dumbwaiters that made the sumptuous supper appear from nothing, levers that seemed to magically retrieve the right bottle of wine hidden deep in the manor’s bowels, cots in the sleeping quarters, drawn under the canopy bed, because those charged with emptying the chamber-pot must be hidden even more than the chamber-pot itself. The magic wall that slid away from me that first day and opened the gleaming world of the house hid back stairways that led down into the Warrens, the engine-room of Lockless, where no guest would ever visit. And when we did appear in the polite areas of the house, as we did during the soirées, we were made to appear in such appealing dress and grooming so that one could imagine that we were not slaves at all but mystical ornaments, a portion of the manor’s charm. But I now knew the truth—that Maynard’s folly, though more profane, was unoriginal. The masters could not bring water to boil, harness a horse, nor strap their own drawers without us. We were better than them—we had to be. Sloth was literal death for us, while for them it was the whole ambition of their lives. It occurred to me then that even my own intelligence was unexceptional, for you could not set eyes anywhere on Lockless and not see the genius in its makers—genius in the hands that carved out the columns of the portico, genius in the songs that evoked, even in the whites, the deepest of joys and sorrows, genius in the men who made the fiddle strings whine and trill at their dances, genius in the bouquet of flavors served up from the kitchen, genius in all our lost, genius in Big John. Genius in my mother.
Ta-Nehisi Coates (The Water Dancer)
You are a son, a brother, a nephew, a cousin--I don't know what--to no end of people. I am just a man. Here I stand before you. A man with a mind. Did it ever occur to you how a man who had never heard a word of warm affection or praise in his life would think on matters on which you would think first with or against your class, your domestic tradition--your fireside prejudices?... Did you ever consider how a man like that would feel? I have no domestic tradition. I have nothing to think against. My tradition is historical. What have I to look back to but that national past from which you gentlemen want to wrench away your future? Am I to let my intelligence, my aspirations towards a better lot, be robbed of the only thing it has to go upon at the will of violent enthusiasts? You come from your province, but all this land is mine--or I have nothing. No doubt you shall be looked upon as a martyr some day--a sort of hero--a political saint. But I beg to be excused. I am content in fitting myself to be a worker. And what can you people do by scattering a few drops of blood on the snow? On this Immensity. On this unhappy Immensity! I tell you...[what] it needs is not a lot of haunting phantoms that I could walk through--but a man!
Joseph Conrad (Under Western Eyes)
Hey.’ Annabeth slid next to me on the bench. ‘Happy birthday.’ She was holding a huge misshapen cupcake with blue icing. I stared at her. ‘What?’ ‘It’s August eighteenth,’ she said. ‘Your birthday, right?’ I was stunned. It hadn’t even occurred to me, but she was right. I had turned sixteen this morning – the same morning I’d made the choice to give Luke the knife. The prophecy had come true right on schedule, and I hadn’t even thought about the fact that it was my birthday. ‘Make a wish,’ she said. ‘Did you bake this yourself?’ I asked. ‘Tyson helped.’ ‘That explains why it looks like a chocolate brick,’ I said. ‘With extra-blue cement.’ Annabeth laughed. I thought for a second then blew out the candle. We cut it in half and shared, eating with our fingers. Annabeth sat next to me and we watched the ocean. Crickets and monsters were making noise in the woods, but otherwise it was quiet. ‘You saved the world,’ she said. ‘We saved the world.’ ‘And Rachel is the new Oracle, which means she won’t be dating anybody.’ ‘You don’t sound disappointed,’ I noticed. Annabeth shrugged. ‘Oh, I don’t care.’ ‘Uh-huh.’ She raised an eyebrow. ‘You got something to say to me, Seaweed Brain?’ ‘You’d probably kick my butt.’ ‘You know I’d kick your butt.’ I brushed the cake off my hands. ‘When I was at the River Styx, turning invulnerable … Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal.’ Annabeth kept her eyes on the horizon. ‘Yeah?’ ‘Then up on Olympus,’ I said, ‘when they wanted to make me a god and stuff, I kept thinking –’ ‘Oh, you so wanted to.’ ‘Well, maybe a little. But I didn’t, because I thought – I didn’t want things to stay the same for eternity, because things could always get better. And I was thinking …’ My throat felt really dry. ‘Anyone in particular?’ Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. ‘You’re laughing at me,’ I complained. ‘I am not!’ ‘You are so not making this easy.’ Then she laughed for real, and she put her hands around my neck. ‘I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.’ When she kissed me, I had the feeling my brain was melting right through my body.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up. This curious event occurred last March, just before Princeton eliminated the Virginia Military Institute, the year's Southern Conference champion, from the NCAA championships. The game was played in Philadelphia and was the last of a tripleheader. The people there were worn out, because most of them were emotionally committed to either Villanova or Temple-two local teams that had just been involved in enervating battles with Providence and Connecticut, respectively, scrambling for a chance at the rest of the country. A group of Princeton players shooting basketballs miscellaneously in preparation for still another game hardly promised to be a high point of the evening, but Bradley, whose routine in the warmup time is a gradual crescendo of activity, is more interesting to watch before a game than most players are in play. In Philadelphia that night, what he did was, for him, anything but unusual. As he does before all games, he began by shooting set shots close to the basket, gradually moving back until he was shooting long sets from 20 feet out, and nearly all of them dropped into the net with an almost mechanical rhythm of accuracy. Then he began a series of expandingly difficult jump shots, and one jumper after another went cleanly through the basket with so few exceptions that the crowd began to murmur. Then he started to perform whirling reverse moves before another cadence of almost steadily accurate jump shots, and the murmur increased. Then he began to sweep hook shots into the air. He moved in a semicircle around the court. First with his right hand, then with his left, he tried seven of these long, graceful shots-the most difficult ones in the orthodoxy of basketball-and ambidextrously made them all. The game had not even begun, but the presumably unimpressible Philadelphians were applauding like an audience at an opera.
John McPhee (A Sense of Where You Are: Bill Bradley at Princeton)
Exactly who Merowdis was referring to when she said ‘just us’ wasn’t clear. The dogs and Apple assumed she meant them. The trees were quite sure she was addressing them. A spider making a web in a patch of bramble thought she must be addressing him and that this was, in some sense, an overture of friendship. In reply he left off the first web and began another, the second web being a well-argued treatise on the importance of friendship and what friends owed each other. That Merowdis could not read what he had written, indeed was not capable of distinguishing it from any other spider web in the woods, did not occur to him. (If you ever get a chance to learn what is written in spider webs, take it. Spiders have been writing since the world began and know many interesting things.)
Susanna Clarke (The Wood at Midwinter)
It didn’t occur to him to think that better is not the same as well. Was he fooling himself? He would not have said so. Even at twenty-two, when his diagnosis was confirmed, he was realistic. Most suffer. Everyone dies. He knew how, if not when. Now more than ever, he was determined to cheat the Fates of entertainment, but naturally, his time would come. When it did, he believed he would accept death as Socrates had: with cool philosophical distance. He would say something funny, or profound, or loving. Then he would let life fall gracefully from his hands. Horseshit, as James Earp would say, of the highest order. The truth is this. On the morning of August 14, 1878, Doc Holliday believed in his own death exactly as you do—today, at this very moment. He knew that he was mortal, just as you do. Of course, you know you’ll die someday, but … not quite the same way you know that the sun will rise tomorrow or that dropped objects fall. The great bitch-goddess Hope sees to that. Sit in a physician’s office. Listen to a diagnosis as bad as Doc’s. Beyond the first few words, you won’t hear a thing. The voice of Hope is soft but impossible to ignore. This isn’t happening, she assures you. There’s been a mix-up with the tests. Hope swears, You’re different. You matter. She whispers, Miracles happen. She says, often quite reasonably, New treatments are being developed all the time! She promises, You’ll beat the odds. A hundred to one? A thousand to one? A million to one? Eight to five, Hope lies. Odds are, when your time comes, you won’t even ask, “For or against?” You’ll swing up on that horse, and ride.
Mary Doria Russell (Doc)
To deny the reported six million (approximately) Jews who died, or the 11 million people in total, is to ignore all the eyewitness accounts from Holocaust survivors, the non-Jewish witnesses of the millions who died the open-air massacres around Europe, the concentration camp guards, Nazi officers who admitted to gassings and other related crimes immediately after WW2, and the universal agreement of all mainstream historians who have studied this historical event inside out – not to mention every single scientist who has ever analyzed forensic evidence retrieved from the Nazi genocide. Not even the most corrupt courtroom on Earth could ignore this much evidence – for collectively these confirmations of the Holocaust equate to irrefutable proof that the reported death toll is indeed correct. It is possibly the most well-documented crime of the 20th Century, but remember for religious extremists, Nazi apologists or other anti-Semites it would never matter how much evidence you put in front of them. They would always deny the Holocaust because to admit the event occurred would be to stop believing the Jews are inferior to them. It would also require such bigots to admit the very uncomfortable truth to themselves: that their ‘own kind’ did these despicable things to the Jewish people.
James Morcan (Debunking Holocaust Denial Theories)
The suspicion that a calamity might also be a punishment is further useful in that it allows an infinity of speculation. After New Orleans, which suffered from a lethal combination of being built below sea level and neglected by the Bush administration, I learned from a senior rabbi in Israel that it was revenge for the evacuation of Jewish settlers from the Gaza Strip, and from the mayor of New Orleans (who had not performed his own job with exceptional prowess) that it was god’s verdict on the invasion of Iraq. You can nominate your own favorite sin here, as did the “reverends” Pat Robertson and Jerry Falwell after the immolation of the World Trade Center. In that instance, the proximate cause was to be sought and found in America’s surrender to homosexuality and abortion. (Some ancient Egyptians believed that sodomy was the cause of earthquakes: I expect this interpretation to revive with especial force when the San Andreas Fault next gives a shudder under the Gomorrah of San Francisco.) When the debris had eventually settled on Ground Zero, it was found that two pieces of mangled girder still stood in the shape of a cross, and much wondering comment resulted. Since all architecture has always involved crossbeams, it would be surprising only if such a feature did not emerge. I admit that I would have been impressed if the wreckage had formed itself into a Star of David or a star and crescent, but there is no record of this ever having occurred anywhere, even in places where local people might be impressed by it. And remember, miracles are supposed to occur at the behest of a being who is omnipotent as well as omniscient and omnipresent. One might hope for more magnificent performances than ever seem to occur.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Shall I stop in to check on Bella before I go?” “Not dressed like that. You would give her palpitations if she knew you were going into danger for her benefit.” “Luckily, I am mostly immune to Bella’s powers and could cure such palpitations with a thought,” Gideon mused. Jacob raised a brow, taking the medic’s measure. He could not recall the last time he had heard the Ancient crack wise about anything. It was not a wholly unpleasant experience, and it amused the Enforcer. “I . . . am aware of what is occurring between you and Legna, as you know,” Jacob mentioned with casual quiet. “I am only recently Imprinted myself, but should you require—” He broke off, suddenly uncomfortable. “Of course, you probably know far more about Imprinting than I ever will.” He is reaching out to you. Legna’s soft encouragement made Gideon suddenly aware of that fact. It was one of those nuances he would have missed completely, rusty as he was with matters of friendship and how to relate better to others. “I am glad for the offer of any help you can provide,” Gideon said quickly. “In fact, I had wanted to ask you . . . something . . .” What did I want to ask him? he asked Legna urgently. I do not know! I did not tell you to engage him, just to graciously accept his offer. Oh. My apologies. Still, you are clever enough to think of something, are you not? Legna knew he was baiting her, so she laughed. Ask him why it is you seem to constantly irritate me. I will ask him no such thing, Magdelegna. Well then, you had better come up with an alternative, because that is the only suggestion I have. “Yes?” Jacob was encouraging neutrally, trying to be patient as the medic seemed to gather his thoughts. “Do you find that your mate tends to lecture you incessantly?” he asked finally. Jacob laughed out loud. “You know something, I can actually advise you about that, Gideon.” “Can you?” The medic actually sounded hopeful. “Give up. Now. While you still have your sanity. Arguing with her will get you nowhere. And, also, never ever ask questions that refer to the whys and wherefores of women, females, or any other feminine-based criticism. Otherwise you will only earn an argument at a higher decibel level. Oh, and one other thing.” Gideon cocked a brow in question. “All the rules I just gave you, as well as all the ones she lays down during the course of your relationship, can and will change at whim. So, as I see it, you can consider yourself just as lost as every other man on the planet. Good luck with it.” “That is not a very heartening thought,” Gideon said wryly, ignoring Legna’s giggle in his background thoughts.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
It means what it says," he managed, staring at her again. "There's not a lot of subtlety in this particular strip." She took the paper back from him and stuck it in her pocket. It was something she intended to keep forever. "You've used me rather lavishly in your work recently." She had to tilt back her head in order to keep her eyes level with his. Grant thought she looked more regal than ever. If she turned her thumb down, she could throw him to the lions. "Didn't it occur to you to ask permission first?" "Artist's privilage." He felt the light spray hit his back, saw it dampen her hair. "Where the hell did you go?" he heard himself demand. "Where the hell have you been?" Her eyes narrowed. "That's my business, isn't it?" "Oh,no." He grabbed her arms and shook. "Oh,no,it's not.You're not going to walk out on me." Gennie set her teeth and waited until he'd stopped shaking her. "If memory serves,you did the walking figuratively before I did it literally." "All right! I acted like an idiot. You want an apology?" he shouted at her. "I'll give you any kind you want. I'll-" He broke off, his breath heaving. "Oh,God,first." And his mouth crushed down on hers, his fingers digging into her shoulders. The groan that was wrenched from him was only one more sign of a desperate need. She was here,she was his.He'd never let her go again.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Callum’s eyes flash with emotion. I cannot tell whether it’s anger or hurt. “Blake doesn’t protect anyone. Not without a price.” “Has it ever occurred to you that he’s not as bad as you make him out to be?” “He is every bit as bad as I make him out to be! And I leave for a few days, and I come back, and you’re wearing his collar?” “I had no choice.” “I thought you said there was always a choice. And what? You chose him?” His voice is dark, and his breathing shallow. “Did he touch you?
Lauren Palphreyman (The Wolf King)
My grandfather...The last thing he said to my mother was "Your mother loves you"...Years later it occurred to me that when someone says what my grandfather did, what they mean, what would be far more accurate, is "She is trying to love you as best she can." This might be okay with you, or it might now be what you need at all...and now I am forty years old...I don't have a daughter and I don't know if I ever will. But if I do, we will not carry this sadness forward. I'm tired of holding it.
Jessica Francis Kane (Rules for Visiting)
A foreboding grew on me; I sensed that if I did not reply, some tragedy would occur. At last I began weakly, “Anarchy …” “That is not governance, but the lack of it. I taught you that it precedes all governance. Now list the seven sorts.” “Attachment to the person of the monarch. Attachment to a bloodline or other sequence of succession. Attachment to the royal state. Attachment to a code legitimizing the governing state. Attachment to the law only. Attachment to a greater or lesser board of electors, as framers of the law. Attachment to an abstraction conceived as including the body of electors, other bodies giving rise to them, and numerous other elements, largely ideal.” “Tolerable. Of these, which is the earliest form, and which the highest?” “The development is in the order given, Master,” I said. “But I do not recall that you ever asked before which was highest.” Master Malrubius leaned forward, his eyes burning brighter than the coals of the fire. “Which is highest, Severian?
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
What I want you to understand is that when I heard your words, it was as if every single second we had spent together up to that point was a lie. Every word, every touch, every kiss. You were looking at me, but you wanted him. I was this…thing to be endured to keep your family safe. You would allow me to touch you, to make love to you all the while wishing for Colin. I thought all that passion we had between us was a complete figment of my imagination and it was a bitter pill to swallow. I hated you. Worse than I’d ever hated anyone in my life. I was determined to make you pay. I’d keep you shackled to me forever as punishment. Keep you away from your true love.” Bree stared at him, unable to fathom such cruelty. Who was this man she loved that was capable of such a thing? “And then?” He took a deep shaky breath and leaned against the edge of the desk, crossing his arms over his chest. “Then I spent all my energy trying to prove to myself by looking at you that you were lying to me, to justify what I was doing by picking up little gestures or flickers in your eyes that would prove to me that you felt nothing for me.” Bree rolled her eyes and gave a tearful snort. “And did you, after how hard I fought for you, did you get what you wanted? Did you prove to yourself what a lying bitch I am?” “No. Of course not. So I started to doubt what I heard.” “After living with Bernardo for all your life it had just occurred to you that he just may have tampered with the fucking thing?” Bree bit out, furiously.
E. Jamie (The Betrayal (Blood Vows, #2))
The freedom of God's people did not occur in a vacuum. There were consequences. There was truth-telling. And there was a disturbingly costly justice. There could be no liberation without it. You might ask yourself if you can ever really be free if you have not received justice for your bondage. But as Bayard Rustin said, "When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him." Justice does not always come in the manner we long for, but there is always a path to it.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
I know women are the only ones who can give birth, but once the baby’s born, why the hell should our roles be so different? Breastfeeding, I get, but what about everything else? Don’t tell me you need more time to figure out how to be a dad. Like, what have you been doing for the last nine months? Don’t just sit there and watch. This isn’t a field trip! You say you’ve got work, but what about me? I’ve got work, too! Well, I did. I know it paid nothing compared to what you make …. Anyway, isn’t that what paternity leave is for? I’m not saying take it right now, but did it occur to you that maybe I could work and you could stay at home? Did it even occur to you? Why should I act so grateful just because you changed your daughter’s diaper one time? Has it ever crossed your mind that maybe I’m worn out? Maybe it has, but, what, you think that’s just part of being a mom? Do you think he knows how it feels, Sheeba? Do you think he gets it? Even though he’s maybe eight inches away, blissfully asleep, he’s more of a stranger than some random politician I’ve never met or some stray dog somewhere in Brazil. I feel more alone with him than I do when I’m on my own.
Emi Yagi (Diary of a Void)
How long should we wait before we decide whether or not a person has developed a clinical depression during his or her life? Suppose, for example, that an individual with a strong family history of depression dies in an auto accident at the age of twenty-one without ever having had an episode of clinical depression. We might conclude that she or he did not inherit the tendency for depression. But if that individual had not died, she or he might have developed an episode of depression later on in life, since a first episode of depression can often occur when you are older than twenty-one.
David D. Burns (Feeling Good: Overcome Depression and Anxiety with Proven Techniques)
The member of the Nazi hierarchy most gifted at solving problems of conscience was Himmler. He coined slogans, like the famous watchword of the S.S., taken from a Hitler speech before the S.S. in 1931, “My Honor is my Loyalty”—catch phrases which Eichmann called “winged words” and the judges “empty talk”—and issued them, as Eichmann recalled, “around the turn of the year,” presumably along with a Christmas bonus. Eichmann remembered only one of them and kept repeating it: “These are battles which future generations will not have to fight again,” alluding to the “battles” against women, children, old people, and other “useless mouths.” Other such phrases, taken from speeches Himmler made to the commanders of the Einsatzgruppen and the Higher S.S. and Police Leaders, were: “To have stuck it out and, apart from exceptions caused by human weakness, to have remained decent, that is what has made us hard. This is a page of glory in our history which has never been written and is never to be written.” Or: “The order to solve the Jewish question, this was the most frightening order an organization could ever receive.” Or: We realize that what we are expecting from you is “superhuman,” to be “superhumanly inhuman.” All one can say is that their expectations were not disappointed. It is noteworthy, however, that Himmler hardly ever attempted to justify in ideological terms, and if he did, it was apparently quickly forgotten. What stuck in the minds of these men who had become murderers was simply the notion of being involved in something historic, grandiose, unique (“a great task that occurs once in two thousand years”), which must therefore be difficult to bear. This was important, because the murderers were not sadists or killers by nature; on the contrary, a systematic effort was made to weed out all those who derived physical pleasure from what they did. The troops of the Einsatzgruppen had been drafted
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
You are a son, a brother, a nephew, a cousin--I don't know what--to no end of people. I am just a man. Here I stand before you. A man with a mind. Did it ever occur to you how a man who had never heard a word of warm affection or praise in his life would think on matters on which you would think first with or against your class, your domestic tradition--your fireside prejudices?... Did you ever consider how a man like that would feel? I have no domestic tradition. I have nothing to think against. My tradition is historical. What have I to look back to but that national past from which you gentlemen want to wrench away your future? Am I to let my intelligence, my aspirations towards a better lot, be robbed of the only thing it has to go upon at the will of violent enthusiasts? You come from your province, but all this land is mine--or I have nothing. No doubt you shall be looked upon as a martyr some day--a sort of hero--a political saint. But I beg to be excused. I am content in fitting myself to be a worker. And what can you people do by scattering a few drops of blood on the snow? On this Immensity. On this unhappy Immensity! I tell you," he cried, in a vibrating, subdued voice, and advancing one step nearer the bed, "that what it needs is not a lot of haunting phantoms that I could walk through--but a man!
Joseph Conrad
Did It Ever Occur to You That Maybe You’re Falling in Love? BY AILISH HOPPER We buried the problem. We planted a tree over the problem. We regretted our actions toward the problem. We declined to comment on the problem. We carved a memorial to the problem, dedicated it. Forgot our handkerchief. We removed all “unnatural” ingredients, handcrafted a locally-grown tincture for the problem. But nobody bought it. We freshly-laundered, bleached, deodorized the problem. We built a wall around the problem, tagged it with pictures of children, birds in trees. We renamed the problem, and denounced those who used the old name. We wrote a law for the problem, but it died in committee. We drove the problem out with loud noises from homemade instruments. We marched, leafleted, sang hymns, linked arms with the problem, got dragged to jail, got spat on by the problem and let out. We elected an official who Finally Gets the problem. … We watched carefully for the problem, but our flashlight died. We had dreams of the problem. In which we could no longer recognize ourselves. We reformed. We transformed. Turned over a new leaf. Turned a corner, found ourselves near a scent that somehow reminded us of the problem, In ways we could never Put into words. That Little I-can’t-explain-it That makes it hard to think. That Rings like a siren inside.
Ayana Elizabeth Johnson (All We Can Save: Truth, Courage, and Solutions for the Climate Crisis)
I Love You' Early on, I noticed that you always say it to each of your children as you are getting off the phone with them just as you never fail to say it to me whenever we arrive at the end of a call. It's all new to this only child. I never heard my parents say it, at least not on such a regular basis, nor did it ever occur to me to miss it. To say I love you pretty much every day would have seemed strangely obvious, like saying I'm looking at you when you are standing there looking at someone. If my parents had started saying it a lot, I would have started to worry about them. Ofcourse, I always like hearing it from you. That is never a cause for concern. The problem is I now find myself saying it back if only because just saying good-bye then hanging up would make me seem discourteous. But like Bartleby, I would prefer not to say it so often, would prefer instead to save it for special occasions, like shouting it out as I leaped into the red mouth of a volcano with you standing helplessly on the smoking rim, or while we are desperately clasping hands before our plane plunges into the Gulf of Mexico, which are only two of the examples I had in mind, but enough, as it turns out, to make me want to say it to you now, and what better place than in the final couplet of a poem where, as every student knows, it really counts.
Billy Collins (Aimless Love: New and Selected Poems)
… where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliché, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire—meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in … this was civilization as I saw it, colossal and jagged …
Bret Easton Ellis (American Psycho (Vintage Contemporaries))
faith does not come through witnessing supernatural works or miracles, but through God’s Word: “Faith cometh by hearing, and hearing by the word of God” (Romans 10:17). You may ask, “What is the specific word that produces faith?” It is the word that reveals who our heavenly Father is. This is how we discover who He is—by seeing and believing for ourselves who He claims to be—and this occurs most often as God meets us in our trials. Where Was God? So why did God lead the Israelites to the waters of bitterness at Marah? Why did He not provide fresh water? Considering that He took control of an entire sea of water for them, it should have been easy for Him to change the waters at Marah! All He had to do was speak, and those waters would have been purified before the Israelites ever arrived. Why did
David Wilkerson (Knowing God by Name: Names of God That Bring Hope and Healing)
Art historian Sarah Lewis studies creative achievement, and described Geim’s mindset as representative of the “deliberate amateur.” The word “amateur,” she pointed out, did not originate as an insult, but comes from the Latin word for a person who adores a particular endeavor. “A paradox of innovation and mastery is that breakthroughs often occur when you start down a road, but wander off for a ways and pretend as if you have just begun,” Lewis wrote. When Geim was asked (two years before the Nobel) to describe his research style for a science newsletter, he offered this: “It is rather unusual, I have to say. I do not dig deep—I graze shallow. So ever since I was a postdoc, I would go into a different subject every five years or so. . . . I don’t want to carry on studying the same thing from cradle to grave. Sometimes I joke that I am not interested in doing re-search, only search.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
I understand you.—You do not suppose that I have ever felt much.—For four months, Marianne, I have had all this hanging on my mind, without being at liberty to speak of it to a single creature; knowing that it would make you and my mother most unhappy whenever it were explained to you, yet unable to prepare you for it in the least.— It was told me,—it was in a manner forced on me by the very person herself, whose prior engagement ruined all my prospects; and told me, as I thought, with triumph.— This person's suspicions, therefore, I have had to oppose, by endeavouring to appear indifferent where I have been most deeply interested;—and it has not been only once;—I have had her hopes and exultation to listen to again and again.— I have known myself to be divided from Edward for ever, without hearing one circumstance that could make me less desire the connection.—Nothing has proved him unworthy; nor has anything declared him indifferent to me.— I have had to contend against the unkindness of his sister, and the insolence of his mother; and have suffered the punishment of an attachment, without enjoying its advantages.— And all this has been going on at a time, when, as you know too well, it has not been my only unhappiness.— If you can think me capable of ever feeling—surely you may suppose that I have suffered NOW. The composure of mind with which I have brought myself at present to consider the matter, the consolation that I have been willing to admit, have been the effect of constant and painful exertion;—they did not spring up of themselves;—they did not occur to relieve my spirits at first.— No, Marianne.—THEN, if I had not been bound to silence, perhaps nothing could have kept me entirely—not even what I owed to my dearest friends—from openly shewing that I was VERY unhappy.
Jane Austen (Sense and Sensibility)
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard. This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell. This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?” “Nah I had to go relieve myself.” After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.” After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.
William S. Burroughs
This afternoon, I went to my doctor. She did a check-up, then asked me questions about my life, including what sort of contraception Miles and I were using. I grew embarrassed, admitting the truth: pulling out. It was what I had used with almost every man. What if you get pregnant? Would you be okay with that? I tried to answer in an easy way, but soon my sentences got twisted up. After the appointment, I walked in the streets and called Teresa. I brought up my worries over paths not taken, and she said everyone had those, but often when you looked back on your life, you saw that the choices you made and the paths you went down were the right ones. She said it wasn’t a matter of choosing one life over another, but being sensitive to the life that wants to be lived through you. You need tension in order to create something—the sand in the pearl. She said my questioning and doubts were the sand. She said they were good and forced me to live with integrity, to interrogate what was important to me, and so to live the meaning of my life, rather than resort to convention. Then to try and discover and live my values, even if it may not seem like I’m moving forward in my life, while my friends appear to be moving forward in theirs—ticking off all the boxes. Ask only whether you are living your values, not whether the boxes are ticked. After our call, I realized the thing I always do: I try to imagine different futures for myself, what I would most like to occur. I don’t know why I do this, when any of the things I’ve hoped for—whenever I have actually got them—are nothing like what I imagined they’d be. Then why don’t I spend time acclimating myself to what actually occurred? Why not make peace with the way things are, given what I know about life from actually living? Instead I spin fantasies, when the only happiness I have ever known has occurred without my design.
Sheila Heti (Motherhood)
where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliché, was some kind of bad joke.
Bret Easton Ellis (American Psycho (Vintage Contemporaries))
Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself. “I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one you walked in with untenable. Perhaps–I’m just suggesting an offhand possibility–you could change to thinking of me as The Sagacious Old Mentor, a kind of Machiavellian Nestor, say, and yourself as The Ingenuous But Promising Young Protégé, a young Alexander, who someday will put all these teachings into practice and far outshine the master. Do you get the idea? Or–this is repugnant, but it could be used as a last resort–The Silently Indignant Young Man, who tolerates the ravings of a Senile Crank but who will leave this house unsullied by them. I call this repugnant because if you ever used it you’d cut yourself off from much that you haven’t learned yet. “It’s extremely important that you learn to assume these masks wholeheartedly. Don’t think there’s anything behind them: ego means I, and I means ego, and the ego by definition is a mask. Where there’s no ego–this is you on the bench–there’s no I. If you sometimes have the feeling that your mask is insincere–impossible word!–it’s only because one of your masks is incompatible with another. You mustn’t put on two at a time. There’s a source of conflict, and conflict between masks, like absence of masks, is a source of immobility. The more sharply you can dramatize your situation, and define your own role and everybody else’s role, the safer you’ll be. It doesn’t matter in Mythotherapy for paralytics whether your role is major or minor, as long as it’s clearly conceived, but in the nature of things it’ll normally be major. Now say something.
John Barth (The End of the Road)
So you've nearly done it, huh?" I said, a trifle inanely but just trying to make conversation. "Yes" said the girl. She said it slowly, as two syllables, as if it hadn't previously occurred to her. There was something serenely mindless in her manner. "Did you ever feel like giving up?" The girl thought for a moment. "No," she said simply. "Really?" I found this amazing. "Did you never think, 'Jeez, this is too much. I don't know that I want to go through with this'?" She thought again, with an air of approaching panic. These were obviously questions that had never penetrated her skull. Her partner came to her rescue. "We had a couple of low moments in the early phases," he said, "but we put our faith in the Lord and His will prevailed." "Praise Jesus," whispered the girl, almost inaudibly. "Ah," I said, and made a mental note to lock my door when I went to bed. "And God bless Allah for the mashed potatoes!" said Katz happily and reached for the bowl for the third time.
Bill Bryson
Did this really happen?” Tabitha asked. “No, dear,” Yaltha said. “It’s not meant to be a factual story, but it’s still true.” “I don’t see how,” Tabitha said. I wasn’t sure I did either. “I mean that the story can happen inside us,” Yaltha said. “Think of it—the life you’re living can be torn apart like Osiris’s and a new one pieced together. Some part of you might die and a new self will rise up to take its place.” Tabitha scrunched her face. Yaltha said, “Right now you are a girl in your father’s house, but soon that life will die and a new one will be born—that of a wife.” She turned her gaze on me. “Do not leave it to fate. You must be the one who does the resurrecting. You must be Isis re-creating Osiris.” My aunt nodded at me, and I understood. If my life must be torn apart by this betrothal, then I must try to reassemble it according to my own design. That night I lay on my bed determined to become free of my betrothal by a divorce before the marriage ritual ever occurred. It would be difficult, nearly impossible. A
Sue Monk Kidd (The Book of Longings)
I’m scared all the time and don’t tell me that courage is going forward when you’re scared because it’s not like that. I was scared of the carriages and the people at the inns. The only thing I did right was find the dust-wife.” “Ah, Lady Fox.” He shook his head. “I think finding her makes up for anything else you did wrong.” “Maybe, but you…you did what you could to make it right.” She didn’t know how to say what was in her head, that Fenris was a good man and maybe the weakness of being good was that evil didn’t occur to you. That never in a thousand years would she have dreamed that Vorling was intentionally hurting her sister. It had never even crossed her mind. “And then you did your best to make sure no one else suffered.” He snorted. “By jumping into a fairy fort. Not the best idea I’ve ever had.” Marra clasped her hands together. They seemed much colder now that Fenris had released them. “Well, if you hadn’t, we never would have met.” “No, we wouldn’t have.” His eyes held hers for just a moment too long, and in the end, Marra’s dropped first.
T. Kingfisher (Nettle & Bone)
I had what might truly be called an object in life: to be a reformer of the world … This did very well for several years, during which the general improvement going on in the world and the idea of myself as engaged with others in struggling to promote it, seemed enough to fill up an interesting and animated existence. But the time came when I awakened from this as from a dream … In this frame of mind it occurred to me to put the question directly to myself: ‘Suppose that all your objects in life were realised; that all the changes in institutions and opinions that you are looking forward to, could be completely effected at this very instant; would this be a great joy and happiness to you?’ And an irrepressible self-consciousness distinctly answered: ‘No!’ At this my heart sank within me; the whole foundation on which my life was constructed fell down. All my happiness was to have been found in the continual pursuit of this end. The end had ceased to charm, and how could there ever again be any interest in the means? I seemed to have nothing left to live for.
John Stuart Mill (Autobiography)
You see actually, now it occurs to me, my writing, my writing is also a guard against suicide, as if I run from myself in my writing, but at the same time I ask, what's to become of me? The person I was before and who I am right now, the writing helps cure, the way confession cures Catholics, the way the Wailing Wall cures Jews, the way confessing doubts and secrets and worries to a mute old willow would cure our forbears, and when all's said and done, the way relaxing and talking about whatever's on their mind cures Freud's patients . . Actually that writing of mine is like I run line to line, all so clearly beautiful on the typewriter, I never know what I've written, I'm always chasing some thought, there beyond my reach, I want to catch up to it, but it's always one step ahead of me, just as when I raced to catch the train to Grandma's as a child, as I raced home from school, as I raced out of the house at home, out of myself, along the river, and for that matter as I always did run wherever I happened to be, out and away, ran from girlfriends to buddies to play cards, only to run from the buddies after a while, into the darkness, and when I stopped, I saw I needed to keep running, always from myself, because neither as a child nor as a young man did I ever, ever find any aims, and all my jobs, always jobs that kept me on the run...
Bohumil Hrabal (In-House Weddings (Writings From An Unbound Europe))
He did not look like a pirate. He looked... familiar. There was something there, in the handsome angles and deep, wicked shadows, the hollows of his cheeks, the straight line of his lips, the sharp line of his jaw- in need of a shave. Yes, there was something there- a whisper of recognition. He wore a pin-striped cap dusted with snow, the brim of which cast his eyes into darkness. They were a missing piece. She would never know from where the instinct came- perhaps from a desire to discover the identity of the man who would end her days- but she could not stop herself from reaching up and pushing the hat back from his face to see his eyes. Only later it would occur to her that he did not try to stop her. His eyes were hazel, a mosaic of browns and greens and greys, framed by long, dark lashes, spiked with snow. She would have known them anywhere, even if they were far more serious now than she'd ever seen them before. Shock coursed through her, followed by a thick current of happiness. He was not a pirate. "Michael?" He stiffened at the sound of his name, but she did not take the time to wonder why. She flattened her palm against his cold cheek- an action at which she would later marvel- and laughed, the sound muffled by the snow falling around them. "It is you, isn't it?" He reached up, pulling her hand from his face. He wasn't wearing gloves, and still, he was so warm. And not at all clammy.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
The story of The Rape of the Lock, sylphs and all, could have been told, though not so effectively, in prose. The Odyssey and the Comedy have something to say that could have been said well, though not equally well, without verse. Most of the qualities Aristotle demands of a tragedy could occur in a prose play. Poetry and prose, however different in language, overlapped, almost coincided, in content. But modern poetry, if it ‘says’ anything at all, if it aspires to ‘mean’ as well as to ‘be’, says what prose could not say in any fashion. To read the old poetry involved learning a slightly different language; to read the new involves the unmaking of your mind, the abandonment of all the logical and narrative connections which you use in reading prose or in conversation. You must achieve a trance-like condition in which images, associations, and sounds operate without these. Thus the common ground between poetry and any other use of words is reduced almost to zero. In that way poetry is now more quintessentially poetical than ever before; ‘purer’ in the negative sense. It not only does (like all good poetry) what prose can’t do: it deliberately refrains from doing anything that prose can do. Unfortunately, but inevitably, this process is accompanied by a steady diminution in the number of its readers. Some have blamed the poets for this, and some the people. I am not sure that there need be any question of blame. The more any instrument is refined and perfected for some particular function, the fewer those who have the skill, or the occasion, to handle it must of course become. Many use ordinary knives and few use surgeons’ scalpels. The scalpel is better for operations, but it is no good for anything else. Poetry confines itself more and more to what only poetry can do; but this turns out to be something which not many people want done. Nor, of course, could they receive it if they did. Modern poetry is too difficult for them. It is idle to complain; poetry so pure as this must be difficult. But neither must the poets complain if they are unread. When the art of reading poetry requires talents hardly less exalted than the art of writing it, readers cannot be much more numerous than poets. The explication of poetry is already well entrenched as a scholastic and academic exercise. The intention to keep it there, to make proficiency in it the indispensable qualification for white-collared jobs, and thus to secure for poets and their explicators a large and permanent (because a conscript) audience, is avowed. It may possibly succeed. Without coming home any more than it now does to the ‘business and bosoms’ of most men, poetry may, in this fashion, reign for a millennium; providing material for the explication which teachers will praise as an incomparable discipline and pupils will accept as a necessary moyen de parvenir. But this is speculation.
C.S. Lewis (An Experiment in Criticism)
Dr. Syngmann: But someone must have made it all. Don't you think so, John? Pastor Jón: Thou shalt love the Lord thy God with all thy heart and so on, said the late pastor Lens. Dr. Syngmann: Listen, John, how is it possible to love God? And what reason is there for doing so? To love, is that not the prelude to sleeping together, something connected with the genitals, at its best a marital tragedy among apes? It would be ridiculous. People are fond of their children, all right, but if someone said he was fond of God, wouldn't that be blasphemy? Pastor Jón once again utters that strange word 'it' and says: I accept it. Dr. Syngmann: What do you mean when you say you accept God? Did you consent to his creating the world? Do you think the world as good as all that, or something? This world! Or are you all that pleased with yourself? Pastor Jón: Have you noticed that the ewe that was bleating outside the window is now quiet? She has found her lamb. And I believe that the calf here in the homefield will pull through. Dr. Syngmann: I know as well as you do, John, that animals are perfect within their limits and that man is the lowest rung in the reverse-evolution of earthly life: one need only compare the pictures of an emperor and a dog to see that, or a farmer and the horse he rides. But I for my part refuse to accept it. Pastor Jón Prímus: To refuse to accept it - what is meant by that? Suicide or something? Dr. Syngmann: At this moment, when the alignment with a higher humanity is at hand, a chapter is at last beginning that can be taken seriously in the history of the earth. Epagogics provide the arguments to prove to the Creator that life is an entirely meaningless gimmick unless it is eternal. Pastor Jón: Who is to bell the cat? Dr. Syngmann: As regards epagogics, it is pleading a completely logical case. In six volumes I have proved my thesis with incontrovertible arguments; even juridically. But obviously it isn't enough to use cold reasoning. I take the liberty of appealing to this gifted Maker's honour. I ask Him - how could it ever occur to you to hand over the earth to demons? The only ideal over which demons can unite is to have a war. Why did you permit the demons of the earth to profess their love to you in services and prayers as if you were their God? Will you let honest men call you demiurge, you, the Creator of the world? Whose defeat is it, now that the demons of the earth have acquired a machine to wipe out all life? Whose defeat is it if you let life on earth die on your hands? Can the Maker of the heavens stoop so low as to let German philosophers give Him orders what to do? And finally - I am a creature you have created. And that's why I am here, just like you. Who has given you the right to wipe me out? Is justice ridiculous in your eyes? Cards on the table! (He mumbles to himself.) You are at least under an obligation to resurrect me!
Halldór Laxness (Under the Glacier)
If you are an evangelical reading this book, then I would ask you to look around and see what your witness has wrought. The nation is polarized. The candidates you back want to take us back to a mythical time—apparently the 1950s—that honestly did not exist. The bile and hatred of some of the leaders you emulate make it impossible for people to believe whatever witness you have left. While you are clinging to God and guns, mothers are clinging to pictures of children who have been shot dead in classrooms, in streets, in malls, in cars. More people go hungry today than ever before. Inequality is mounting. Calls for law and order mean more Black and Brown bodies dead at the hands of the police. The nation’s infrastructure is failing. Disdain for science has left America behind during a pandemic, while the rest of the world moves forward. The president you followed slavishly declared “American carnage” in his inaugural speech. Look around. You helped make this carnage we now experience. All of these things have occurred because evangelicals, through religious lobbying and interference, supported the political structures that curtailed, limited, or struck down truly important issues. The polarization we are experiencing in government has stymied progress. That polarization has taken on a resemblance to ideological and theological battles. Your nationalistic evangelicalism is hurting others. Your racism is actively engaged in killing bodies and souls. My analysis and prognostications may be dire, but it is never too late to make amends.
Anthea Butler (White Evangelical Racism: The Politics of Morality in America)
, like this: In healthy forests, which we might imagine to exist mostly above ground, and be wrong in our imagining, given as the bulk of the tree, the roots, are reaching through the earth below, there exists a constant communication between those roots and mycelium, where often the ill or weak or stressed are supported by the strong and surplused. By which I mean a tree over there needs nitrogen, and a nearby tree has extra, so the hyphae (so close to hyphen, the handshake of the punctuation world), the fungal ambulances, ferry it over. Constantly. This tree to that. That to this. And that in a tablespoon of rich fungal duff (a delight: the phrase fungal duff, meaning a healthy forest soil, swirling with the living the dead make) are miles and miles of hyphae, handshakes, who get a little sugar for their work. The pronoun who turned the mushrooms into people, yes it did. Evolved the people into mushrooms. Because in trying to articulate what, perhaps, joy is, it has occurred to me that among other things—the trees and the mushrooms have shown me this—joy is the mostly invisible, the underground union between us, you and me, which is, among other things, the great fact of our life and the lives of everyone and thing we love going away. If we sink a spoon into that fact, into the duff between us, we will find it teeming. It will look like all the books ever written. It will look like all the nerves in a body. We might call it sorrow, but we might call it a union, one that, once we notice it, once we bring it into the light, might become flower and food. Might be joy.
Ross Gay (The Book of Delights: Essays)
Gareth?" "What is it, dearest?" She took a deep breath and reached up to touch his cheek. "I ... love you." "Oh, Juliet ..."  He actually blushed, so pleased was he by her long-overdue admission. "You couldn't have chosen a nicer time to tell me." "I should have told you ages ago, when I first knew. But I couldn't admit it then, not even to myself." "And when did you first know?" "When you took that bullet meant for the little boy. When you nearly died trying to save him — and all of us on that coach. I think I started to love you then. I think I've loved you ever since. I just ... haven't told you." "But — what about Charles?" She gave him a patient little smile. "I'll be honest, Gareth. Once, I was like everyone else in that I was always comparing the two of you. But as I've grown to know you, those comparisons have happened less and less, and when they do occur ... well, you always come out on top."  She leaned up to kiss the smile just breaking out on his face. "Lately, I've come to realize that Charles and I would never have been this happy together. We were too much alike. You, on the other hand ... well, I've never had as much fun with anyone as I have with you." "Oh, Juliet. I don't know what to say."  He was grinning fiercely. "But I will tell you this. I've always been sure." "Of what?" "That I love you." "Are you, now?" she asked, trying to muster a grin even as a tear leaked from one eye. She knuckled it away. Sniffled. Heavens, she was beginning to bawl like a baby. "Yes. And you know something else, my dear, darling little wife? I'm going to take you upstairs and prove it." Laughing,
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Changing Expectations by Estimating Probability A step in correcting your inaccurate expectations is to figure out how likely it is that what you fear will occur. Here are four ways to estimate the probability of an event: 1. Remember past experiences. If you are afraid that no one will speak with you at the party, think about other parties you have attended. Have you ever been to a social gathering where no one spoke to you? Chances are that you probably have not. 2. Look at general rules. If you are worried about spilling something, look at your general experience with how people deal with spills. When someone else spilled, did everyone laugh and gossip about that person? Most likely, they didn’t. Spills happen all the time, especially at parties where people are carrying food and drinks. The general rule about spills is that they are usually cleaned up quickly without much fuss. 3. Think about alternate explanations. What you expect is only one possibility. There are also many other possibilities for why something happens. For instance, if a friend from summer camp stops e-mailing you, you might think he or she has decided you are not a good friend. However, there are many other possibilities. He or she simply may be very busy or maybe he or she has forgotten that you wrote last. 4. Practice role reversal. This is one of the best methods for realizing how critical you are of yourself. Pretend that whatever you fear actually happens to someone else. For instance, if you are afraid your friend will hate your gift, imagine that he or she gives you a gift that you don’t like. What would you think? Chances are you would be happy to have a friend who gives you gifts.
Heather Moehn (Social Anxiety (Coping With Series))
It comes from a very ancient democracy, you see..." "You mean, it comes from a world of lizards?" "No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." "Odd," said Arthur, "I thought you said it was a democracy." "I did," said Ford. "It is." "So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" "It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." "You mean they actually vote for the lizards?" "Oh yes," said Ford with a shrug, "of course." "But," said Arthur, going for the big one again,** "why?"** "Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?" "What?" "I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" "I'll look. Tell me about the lizards." Ford shrugged again. "Some people say that the lizards are the best thing that ever happened to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." "But that's terrible," said Arthur. "Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
Douglas Adams
Jon,” she was saying to the boy across the table from her. “I am in so much pain from stubbing my toe! I need aspirin.” “What’s aspirin?” asked the boy, sounding panicked. He was obviously Nephilim, through and through and through. Magnus could tell without seeing his runes. In fact, he was prepared to bet the boy was a Cartwright. Magnus had known several Cartwrights through the centuries. The Cartwrights all had such distressingly thick necks. “You buy it in a pharmacy,” said the girl. “No, don’t tell me, you don’t know what a pharmacy is either. Have you ever left Idris in your whole life?” “Yes!” said Jon, possibly Cartwright. “On many demon-hunting missions. And once Mama and Papa took me to the beach in France!” “Amazing,” said the girl. “I mean that. I’m going to explain all of modern medicine to you.” “Please don’t do that, Marisol,” said Jon. “I did not feel good after you explained appendectomies. I couldn’t eat.” Marisol made a face at her plate. “So what you’re saying is, I did you a huge favor.” “I like to eat,” said Jon sadly. “Right,” said Marisol. “So, I don’t explain modern medicine to you, and then a medical emergency occurs to me. It could be solved with the application of a little first aid, but you don’t know that, and so I die. I die at your feet. Is that what you want, Jon?” “No,” said Jon. “What’s first aid? Is there a . . . second aid?” “I can’t believe you’re going to let me die when my death could so easily be avoided, if you had just listened,” Marisol went on mercilessly. “Okay, okay! I’ll listen.” “Great. Get me some juice, because I’ll be talking for a while. I’m still very hurt that you even considered letting me die,” Marisol added as Jon scrambled up and made for the side of the room where the unappetizing food and potentially poisonous drinks were laid out. “I thought Shadowhunters had a mandate to protect mundanes!” Marisol shouted after him. “Not orange juice. I want apple juice!
Cassandra Clare (Tales from the Shadowhunter Academy)
The brain is wired to minimize loss . . . [and] to keep you alive. [It] makes the assumption that because you were alive yesterday, what you did previously is safe. Therefore, repeating the past is good for survival. As a result, doing things differently, even if it seems like an improvement, is risky. Perpetuating past behaviors, from the brain’s reptilian perspective, is the safest way. This is why innovation is difficult for most individuals and organizations. Put another way, the brain wants its problems and predicaments solved first because it can’t deal with anything new or different until they are addressed. The brain has no incentive to come up with new ideas if it doesn’t have to. As long as your brain knows you have another out, it will always be content with keeping you alive by coming up with the same ideas that it used before. This suggests that when you decide to get scrappy, a shift occurs and seems to unlock a door. Once that new door opens, you are more capable than ever of getting innovative because your brain has been activated to manage discomfort or challenges first. You’re able to work on a new, perhaps more advanced, level with heightened energy and focus. It’s that initial commitment, that literal act of saying, “I’m going for it!” that stimulates your mind in new and clever ways and ultimately leads to the generation of fresh ideas. Let’s go back to the Greg Hague story. 1. He had a huge goal, which was to pass the Arizona state bar exam. 2. There was a limited time frame as he had only four and a half months to study. 3. He was all in: “I flat out made up my mind I was going to pass.” He decided to go despite the odds. 4. He had to figure out a way to learn a ton of information in a short period of time. His brain adapted, shifted, and developed an entirely new learning system in order to absorb more material, which helped him to pass the Arizona bar and get the top score in the state. It’s weird, right? But it happened.
Terri L. Sjodin (Scrappy: A Little Book About Choosing to Play Big)
He saw a man who was certainly Weston, to judge from his height and build and coloring and features. In that sense he was quite recognizable. But the terror was that he was also unrecognizable. He did not look like a sick man: but he looked very like a dead one. The face which he raised from torturing the frog had that terrible power which the face of a corpse sometimes has of simply rebuffing every conceivable human attitude one can adopt towards it. The expressionless mouth, the unwinking stare of the eyes, something heavy and inorganic in the very folds of the cheek, said clearly: “I have features as you have, but there is nothing in common between you and me.” It was this that kept Ransom speechless. What could you say—what appeal or threat could have any meaning—to that? And now, forcing its way up into consciousness, thrusting aside every mental habit and every longing not to believe, came the conviction that this, in fact, was not a man: that Weston’s body was kept, walking and undecaying, in Perelandra by some wholly different kind of life, and that Weston himself was gone. It looked at Ransom in silence and at last began to smile. We have all often spoken—Ransom himself had often spoken—of a devilish smile. Now he realized that he had never taken the words seriously. The smile was not bitter, nor raging, nor, in an ordinary sense, sinister; it was not even mocking. It seemed to summon Ransom, with a horrible naïveté of welcome, into the world of its own pleasures, as if all men were at one in those pleasures, as if they were the most natural thing in the world and no dispute could ever have occurred about them. It was not furtive, nor ashamed, it had nothing of the conspirator in it. It did not defy goodness, it ignored it to the point of annihilation. Ransom perceived that he had never before seen anything but halfhearted and uneasy attempts at evil. This creature was wholehearted. The extremity of its evil had passed beyond all struggle into some state which bore a horrible similarity to innocence. It was beyond vice as the Lady was beyond virtue.
C.S. Lewis (The Space Trilogy: Out of the Silent Planet, Perelandra, That Hideous Strength)
Ironically,” she commented, “this will be the first time I’ve ever done anything to please my father.” With a sympathetic murmur, Matthew gathered Daisy close against him. He knew her father as well as anyone, having become well acquainted with the man’s tempers, his self-absorption, his impossible standards. And yet he understood what it had required for Bowman to build a great fortune from scratch, the sacrifices he’d had to make. Bowman had discarded everything that would have gotten in the way of achieving his goals. Including closeness with his wife and children. For the first time it occurred to Matthew that Bowman and his family would benefit from someone acting as a mediator, to ease their communications with each other. If such a thing were in his power, he would find a way to do it. “You,” he whispered in Daisy’s hair, “are the best thing he’s ever done. Someday he’ll realize that.” He felt her smile against his skin. “I doubt it. But it’s nice of you to say so. You don’t have to be concerned on that account, you know. I reconciled myself to the way he was a long time ago.” Once again Matthew was taken unaware by the extent of the feelings she inspired in him, his own limitless desire to fill her with happiness. “Whatever you need,” he whispered, “Whatever you want, I’ll get it for you. Just tell me.” Daisy stretched comfortably, a pleasant shiver running through her limbs. She touched his lips with her fingers, tracing the smoothness. “I want to know what your five-dollar wish was for.” “Is that all?” He smiled beneath her exploring fingertips. “I wished you would find someone who wanted you as much as I did. But I knew it wouldn’t come true.” The candlelight slid over Daisy’s delicate features as she raised her head to look at him. “Why not?” “Because I knew no one could ever want you as much as I do.” Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both. “What was your wish?” Matthew asked, combing his fingers through the fall of shimmering hair. “That I could find the right man to marry.” Her tender smile stopped his heart. “And then you appeared.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
In the weeks that followed, Elizabeth discovered to her pleasure that she could ask Ian any question about any subject and that he would answer her as fully as she wished. Not once did he ever patronize her when he replied, or fend her off by pointing out that, as a woman, the matter was truly none of her concern-or worse-that the answer would be beyond any female’s ability to understand. Elizabeth found his respect for her intelligence enormously flattering-particularly after two astounding discoveries she made about him: The first occurred three days after their wedding, when they both decided to spend the evening at home, reading. That night after supper, Ian brought a book he wanted to read from their library-a heavy tome with an incomprehensible title-to the drawing room. Elizabeth brought Pride and Prejudice, which she’d been longing to read since first hearing of the uproar it was causing among the conservative members of the ton. After pressing a kiss on her forehead, Ian sat down in the high-backed chair beside hers. Reaching across the small table between them for her hand, he linked their fingers together, and opened his book. Elizabeth thought it was incredibly cozy to sit, curled up in a chair beside him, her hand held in his, with a book in her lap, and she didn’t mind the small inconvenience of turning the pages with one hand. Soon, she was so engrossed in her book that it was a full half-hour before she noticed how swiftly Ian turned the pages of his. From the corner of her eye, Elizabeth watched in puzzled fascination as his gaze seemed to slide swiftly down one page, then the facing page, and he turned to the next. Teasingly, she asked, “Are you reading that book, my lord, or only pretending for my benefit?” He glanced up sharply, and Elizabeth saw a strange, hesitant expression flicker across his tanned face. As if carefully phrasing his reply, he said slowly, “I have an-odd ability-to read very quickly.” “Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.” A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said.
Judith McNaught (Almost Heaven (Sequels, #3))
You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone." Her pleasure died instantly. Had this just been about teaching her a lesson? Anger roared up in her. How dare he? Remembering the pistol, she shoved it up under his chin and cocked the hammer. "And if he does, the woman has a right to defend herself. Don't you agree?" The surprise on his face was immensely gratifying, but it didn't last long. Eyes narrowing, he leaned closer to hiss, "Go ahead then. Fire." She swallowed. Though there was no ball, the powder alone would do serious damage. She could never... While she hesitated, he removed the pistol from her numb fingers. His glittering gaze bore into her. "Never brandish a gun unless you're prepared to use it." She crossed her arms over her chest, feeling suddenly exposed. "Most men would be cowed by the very sight of a pistol," she muttered. "I wasn't." "You're not most men," she said tightly. He acknowledged that with a curt nod. Then he walked over to one of the pots, aimed down at the dirt, and fired. When the smoke cleared from the muzzle flash, he noted the lack of a hole in the dirt and faced her. "Powder." He glared at her. "Did it occur to you that unless you fired at point-blank range, you might merely anger the man you're aiming for?" "I only need it for men who get close to me," she bit out. "All the same, the next time you need to protect yourself, forget the pistol and bring your knee up between the man's legs as hard as you can. It'll make your point just as effectively and give you plenty of time to escape." Color flooded her cheeks. Since she had brothers, she knew what he meant, but it wasn't something she would ever have thought to do. A pity, for it would have served her well with Ned. "Why are you telling me this?" "I want you to know how to defend yourself if someone's taking liberties." "Even if the someone is you?" A strange light glinted in his eyes as he pocketed her pistol. "Especially if it's me." What did he mean by that? "Mr. Pinter, about our kiss..." "I was making a point," he said tersely. "Nothing more. Complain to your brothers about it and get me dismissed if you must, but don't worry-regardless of what you do, it won't happen again.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
It was 1996, and the word “appropriation” never occurred to either of them. They were drawn to these references because they loved them, and they found them inspiring. They weren’t trying to steal from another culture, though that is probably what they did. Consider Mazer in a 2017 interview with Kotaku, celebrating the twentieth-anniversary Nintendo Switch port of the original Ichigo: kotaku: It is said that the original Ichigo is one of the most graphically beautiful low-budget games ever made, but its critics also accuse it of appropriation. How do you respond to that? mazer: I do not respond to that. kotaku: Okay…But would you make the same game if you were making it now? mazer: No, because I am a different person than I was then. kotaku: In terms of its obvious Japanese references, I mean. Ichigo looks like a character Yoshitomo Nara could have painted. The world design looks like Hokusai, except for the Undead level, which looks like Murakami. The soundtrack sounds like Toshiro Mayuzumi… mazer: I won’t apologize for the game Sadie and I made. [Long pause.] We had many references—Dickens, Shakespeare, Homer, the Bible, Philip Glass, Chuck Close, Escher. [Another long pause.] And what is the alternative to appropriation? kotaku: I don’t know. mazer: The alternative to appropriation is a world in which artists only reference their own cultures. kotaku: That’s an oversimplification of the issue. mazer: The alternative to appropriation is a world where white European people make art about white European people, with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world, don’t you? I’m terrified of that world, and I don’t want to live in that world, and as a mixed-race person, I literally don’t exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Koreatown, Los Angeles. And as any mixed-race person will tell you—to be half of two things is to be whole of nothing. And, by the way, I don’t own or have a particularly rich understanding of the references of Jewishness or Koreanness because I happen to be those things. But if Ichigo had been fucking Korean, it wouldn’t be a problem for you, I guess?
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
It occurred to me, not for the first time, how much simpler our lives would be if we could date each other. That delousing kit cost eleven dollars! “Do you ever think it would be easier if we could go out with girls?” I said aloud. Svetlana didn’t answer right away. “I find most of the lesbians I know a bit intimidating,” she said, finally. “And I don’t really share their aesthetic sense—or they seem not to value aesthetics that much. I just don’t think I’d fit in. Especially since I’m always lusting after boys.” That was something I thought about, too: the physical response I felt to Ivan, the dull electric jolt, some heavy, slow machinery starting to turn in my chest and between my legs. I had never felt those things with relation to a girl. On the other hand, I usually hadn’t felt them in Ivan’s presence, either; it was more when he wasn’t there. And how much was that physical feeling worth? Was it really enough to counterbalance all the disadvantages? You couldn’t just talk to Ivan like he was a normal person; he didn’t hear, or he didn’t understand, or he went off somewhere and you couldn’t find him. Also, all his friends thought I was crazy. Instead of dealing with those people, how much more fun and relaxing it would be to pet Svetlana’s shining golden hair, to tell her how pretty she was and to watch her get more pretty, as she always did when someone complimented her. Her body wanted to be complimented, and I knew just what to tell her, so why couldn’t I? “But girls are more beautiful, and so much easier to sort of negotiate with. And the lust for boys never seems to work out well for me. So it just feels like girls are at least something to think about.” Again, Svetlana didn’t answer right away. “I would feel squeamish with anything beyond kissing and playing with each other’s breasts,” she said after a moment. I realized that I, too, had only been thinking about kissing and playing with each other’s breasts. What else did lesbians even do? Other than oral sex, which was apparently horrible. The way people talked about it on sit-coms: “Does he like . . . deep-sea diving?” You had to be altruistic to do it—a generous lover. That said, oral sex with a boy also seemed likely to be disgusting. Guys themselves seemed to think so. Wasn’t that why they went around yelling “cocksucker” at people who cut them off in traffic? “Do you not feel squeamish when you think about sex with a guy?” I asked. “I do, but it feels exciting. The idea of being penetrated and dominated.
Elif Batuman (Either/Or)
Elizabeth’s breakfast had cured Ian’s hunger, in fact, the idea of ever eating again made his stomach churn as he started for the barn to check on Mayhem’s injury. He was partway there when he saw her off to the left, sitting on the hillside amid the bluebells, her arms wrapped around her knees, her forehead resting atop them. Even with her hair shining like newly minted gold in the sun, she looked like a picture of heartbreaking dejection. He started to turn away and leave her to moody privacy; then, with a sigh of irritation, he changed his mind and started down the hill toward her. A few yards away he realized her shoulders were shaking with sobs, and he frowned in surprise. Obviously there was no point in pretending the meal had been good, so he injected a note of amusement into his voice and said, “I applaud your ingenuity-shooting me yesterday would have been too quick.” Elizabeth started violently at the sound of his voice. Snapping her head up, she stared off to the left, keeping her tear-streaked face averted from him. “Did you want something?” “Dessert?” Ian suggested wryly, leaning slightly forward, trying to see her face. He thought he saw a morose smile touch her lips, and he added, “I thought we could whip up a batch of cream and put it on the biscuit. Afterward we can take whatever is left, mix it with the leftover eggs, and use it to patch the roof.” A teary chuckle escaped her, and she drew a shaky breath but still refused to look at him as she said, “I’m surprised you’re being so pleasant about it.” “There’s no sense crying over burnt bacon.” “I wasn’t crying over that,” she said, feeling sheepish and bewildered. A snowy handkerchief appeared before her face, and Elizabeth accepted it, dabbing at her wet cheeks. “Then why were you crying?” She gazed straight ahead, her eyes focused on the surrounding hills splashed with bluebells and hawthorn, the handkerchief clenched in her hand. “I was crying for my own ineptitude, and for my inability to control my life,” she admitted. The word “ineptitude” startled Ian, and it occurred to him that for the shallow little flirt he supposed her to be she had an exceptionally fine vocabulary. She glanced up at him then, and Ian found himself gazing into a pair of green eyes the amazing color of wet leaves. With tears still sparkling on her long russet lashes, her long hair tied back in a girlish bow, her full breasts thrusting against the bodice of her gown, she was a picture of alluring innocence and intoxicating sensuality. Ian jerked his gaze from her breasts and said abruptly, “I’m going to cut some wood so we’ll have it for a fire tonight. Afterward I’m going to do some fishing for our supper. I trust you’ll find a way to amuse yourself in the meantime.” Startled by his sudden brusqueness, Elizabeth nodded and stood up, dimly aware that he did not offer his hand to assist her.
Judith McNaught (Almost Heaven (Sequels, #3))
Live seeking God, and then you will not live without God." And more than ever before, all within me and around me lit up, and the light did not again abandon me. And I was saved from suicide. When and how this change occurred I could not say. As imperceptibly and gradually the force of life in me had been destroyed and I had reached the impossibility of living, a cessation of life and the necessity of suicide, so imperceptibly and gradually did that force of life return to me. And strange to say the strength of life which returned to me was not new, but quite old the same that had borne me along in my earliest days. I quite returned to what belonged to my earliest childhood and youth. I returned to the belief in that Will which produced me and desires something of me. I returned to the belief that the chief and only aim of my life is to be better, i.e. to live in accord with that Will, and I returned to the belief that I can find the expression of that Will in what humanity, in the distant past hidden from, has produced for its guidance: that is to say, I returned to a belief in God, in moral perfection, and in a tradition transmitting the meaning of life. There was only this difference, that then all this was accepted unconsciously, while now I knew that without it I could not live. What happened to me was something like this: I was put into a boat (I do not remember when) and pushed off from an unknown shore, shown the direction of the opposite shore, had oars put into my unpracticed hands, and was left alone. I rowed as best I could and moved forward; but the further I advanced towards the middle of the stream the more rapid grew the current bearing me away from my goal and the more frequently did I encounter others, like myself, borne away by the stream. There were a few rowers who continued to row, there were others who had abandoned their oars; there were large boats and immense vessels full of people. Some struggled against the current, others yielded to it. And the further I went the more, seeing the progress down the current of all those who were adrift, I forgot the direction given me. In the very centre of the stream, amid the crowd of boats and vessels which were being borne down-stream, I quite lost my direction and abandoned my oars. Around me on all sides, with mirth and rejoicing, people with sails and oars were borne down the stream, assuring me and each other that no other direction was possible. And I believed them and floated with them. And I was carried far; so far that I heard the roar of the rapids in which I must be shattered, and I saw boats shattered in them. And I recollected myself. I was long unable to understand what had happened to me. I saw before me nothing but destruction, towards which I was rushing and which I feared. I saw no safety anywhere and did not know what to do; but, looking back, I perceived innumerable boats which unceasingly and strenuously pushed across the stream, and I remembered about the shore, the oars, and the direction, and began to pull back upwards against the stream and towards the shore. That shore was God; that direction was tradition; the oars were the freedom given me to pull for the shore and unite with God. And so the force of life was renewed in me and I again began to live.
Leo Tolstoy (A Confession)
A Typical Description of an NDE (Near Death Experience) I asked Ring to describe for me a typical NDE. He told me: The first thing is a tremendous feeling of peace, like nothing else you have experienced. Most people say like never before and never again. People say [that it is] the peace that passes all understanding. Then there is the sense of bodily separation and sometimes the sense of actually being out of the body. There are studies that show that people can sometimes report veridically what is in their physical environment, e.g., the lint on the light fixtures above themselves. They could see in a three-hundred-sixty-degree panoramic vision. They had extraordinary acuity. Often when they went further into the experience, they went to a dark place that is sometimes described as a tunnel, but not always. They usually feel that there is a sense of motion; that they are moving through something that is vast almost beyond imagination. And yet they feel they don't have the freedom to go anywhere. They feel as if they were being propelled. The extreme sense of motion often seems to be one of acceleration. Some describe that they have felt as if they were moving a the speed of light or faster. One NDEr described this as superluminal-moving beyond the speed of light with tremendous accelerated motion through a kind of cylindrical vortex, and then, in the distance, the person describes a dot of light that suddenly grows larger, more brilliant, and all encompassing. Ring continued: At this stage of the experience there is an encounter with light. It seems to be a living light exuding pure love, complete acceptance, and total understanding. The individual feels that he is made of that light, that he has always been there, and that he has stepped out of time and stepped into eternity. This feeling is accompanied by a sense of absolute perfection. Being out of time introduces another aspect of the experience: a sense of destiny. Ring explained: Then there is a panoramic light review in which you see everything that has ever happened to you in your life. Not [only] just what you have done but the effects of your actions on others, the effects of your thoughts on others. The whole thing is laid out for you without being judged but with a complete understanding of why things were the way they were in your life. The best metaphor I can suggest for this is: as if you were the character in someone else's novel. There would be one moment outside of time where you would have the perspective of the author of that novel, and you have a sense of omniscience about that character. Why he did the things that he did, why he had affected others, and so on. It is a profound moment outside of time when this realization occurs. You see the whole raison d'etre of your life. You may also see scenes or fragments of scenes of your life if you choose to go back to your body. In other words, it is not only that you have flashbacks but you also seem to have flash-forwards of events that will occur almost at though there is a kind of blueprint for your life. And it is up to you at that moment. You have free choice because it is often left to you whether to go back to your life or to leave it behind. The people we talk with of course always make the choice to go back or sometimes are sent back.
Fred Alan Wolf (The Dreaming Universe: A Mind-Expanding Journey into the Realm Where Psyche and Physics Meet)
The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
The traditional hospital practice of excluding parents ignored the importance of attachment relationships as regulators of the child’s emotions, behaviour and physiology. The child’s biological status would be vastly different under the circumstances of parental presence or absence. Her neurochemical output, the electrical activity in her brain’s emotional centres, her heart rate, blood pressure and the serum levels of the various hormones related to stress would all vary significantly. Life is possible only within certain well-defined limits, internal or external. We can no more survive, say, high sugar levels in our bloodstream than we can withstand high levels of radiation emanating from a nuclear explosion. The role of self-regulation, whether emotional or physical, may be likened to that of a thermostat ensuring that the temperature in a home remains constant despite the extremes of weather conditions outside. When the environment becomes too cold, the heating system is switched on. If the air becomes overheated, the air conditioner begins to work. In the animal kingdom, self-regulation is illustrated by the capacity of the warm-blooded creature to exist in a broad range of environments. It can survive more extreme variations of hot and cold without either chilling or overheating than can a coldblooded species. The latter is restricted to a much narrower range of habitats because it does not have the capacity to self-regulate the internal environment. Children and infant animals have virtually no capacity for biological self-regulation; their internal biological states—heart rates, hormone levels, nervous system activity — depend completely on their relationships with caregiving grown-ups. Emotions such as love, fear or anger serve the needs of protecting the self while maintaining essential relationships with parents and other caregivers. Psychological stress is whatever threatens the young creature’s perception of a safe relationship with the adults, because any disruption in the relationship will cause turbulence in the internal milieu. Emotional and social relationships remain important biological influences beyond childhood. “Independent self-regulation may not exist even in adulthood,” Dr. Myron Hofer, then of the Departments of Psychiatry and Neuroscience at Albert Einstein College of Medicine in New York, wrote in 1984. “Social interactions may continue to play an important role in the everyday regulation of internal biologic systems throughout life.” Our biological response to environmental challenge is profoundly influenced by the context and by the set of relationships that connect us with other human beings. As one prominent researcher has expressed it most aptly, “Adaptation does not occur wholly within the individual.” Human beings as a species did not evolve as solitary creatures but as social animals whose survival was contingent on powerful emotional connections with family and tribe. Social and emotional connections are an integral part of our neurological and chemical makeup. We all know this from the daily experience of dramatic physiological shifts in our bodies as we interact with others. “You’ve burnt the toast again,” evokes markedly different bodily responses from us, depending on whether it is shouted in anger or said with a smile. When one considers our evolutionary history and the scientific evidence at hand, it is absurd even to imagine that health and disease could ever be understood in isolation from our psychoemotional networks. “The basic premise is that, like other social animals, human physiologic homeostasis and ultimate health status are influenced not only by the physical environment but also by the social environment.” From such a biopsychosocial perspective, individual biology, psychological functioning and interpersonal and social relationships work together, each influencing the other.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
Yes, Fraulein,' he said to Hannah. 'How gauche of you to have been born in another county. It is almost a capital offense. Here in this house we believe that one must be severely punished for the happenstance of one's birth.' His face was a jester's mask of mockery, but there was a tightness about his eyes, a tense set to his smile. 'What a dilemma for the English, though- we agree with Germany on so many things, including the patent inferiority of anyone who is not US. Darling Mum, did it ever occur to you that to the rest of the world, WE are foreigners?' 'The very idea!' Lady Liripip said with a nervous titter.
Laura L. Sullivan (Love by the Morning Star)