Dictionary With Double Quotes

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Maybe language is kind, giving us these double meanings. Maybe it's trying to teach us a lesson, that we can always be two things at once.
David Levithan (The Lover's Dictionary)
Logic, n. The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding. The basic of logic is the syllogism, consisting of a major and a minor premise and a conclusion - thus: Major Premise: Sixty men can do a piece of work sixty times as quickly as one man. Minor Premise: One man can dig a post-hole in sixty seconds; Therefore- Conclusion: Sixty men can dig a post-hole in one second. This may be called syllogism arithmetical, in which, by combining logic and mathematics, we obtain a double certainty and are twice blessed.
Ambrose Bierce (The Unabridged Devil's Dictionary)
yarn, n. Maybe language is kind, giving us these double meanings. Maybe it's trying to teach us a lesson, that we can always be two things at once. Knit me a sweater out of your best stories. Not the day's petty injustices. Not the glimmer of a seven-eights-forgotten moment from your past. Not something that somebody said to somebody, who then told it to you. No, I want a yarn. It doesn't have to be true.
David Levithan (The Lover's Dictionary)
No camera, no recording device, no laptop, none of this palm pilot nonsense or a cell phone. Paper and pencil, a book, maybe a bilingual dictionary. Anything beyond that (a) can be stolen, and (b) intimidates people you encounter. The more double-A batteries you carry, the more you distance yourself from the people you're writing about.
Tom Miller
Maybe language is kind, giving us these double meanings. Maybe it’s trying to teach us a lesson, that we can always be two things at once.
David Levithan (The Lover's Dictionary)
And because they had mass, they became simpler,” said Beatty. “Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books leveled down to a sort of paste pudding norm, do you follow me?” “I think so.” Beatty peered at the smoke pattern he had put out on the air. “Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume.
Ray Bradbury (Fahrenheit 451)
What a vapid job title our culture gives to those honorable laborers the ancient Egyptians and Sumerians variously called Learned Men of the Magic Library, Scribes of the Double House of Life, Mistresses of the House of Books, or Ordainers of the Universe. 'Librarian' - that mouth-contorting, graceless grind of a word, that dry gulch in the dictionary between 'libido' and 'licentious' - it practically begs you to envision a stoop-shouldered loser, socks mismatched, eyes locked in a permanent squint from reading too much microfiche. If it were up to me, I would abolish the word entirely and turn back to the lexicological wisdom of the ancients, who saw librarians not as feeble sorters and shelvers but as heroic guardians. In Assyrian, Babylonian, and Egyptian cultures alike, those who toiled at the shelves were often bestowed with a proud, even soldierly, title: Keeper of the Books. - p.113
Miles Harvey (The Island of Lost Maps: A True Story of Cartographic Crime)
Fawcett also shared with me a passion for words and we would trawl the dictionary together and simply howl and wriggle with delight at the existence of such splendours as ‘strobile’ and ‘magniloquent’, daring and double-daring each other to use them to masters in lessons without giggling. ‘Strobile’ was a tricky one to insert naturally into conversation, since it means a kind of fir-cone, but magniloquent I did manage. I, being I, went always that little bit too far of course. There was one master who had berated me in a lesson for some tautology or other. He, as what human being wouldn’t when confronted with a lippy verbal show-off like me, delighted in seizing on opportunities to put me down. He was not, however, an English teacher, nor was he necessarily the brightest man in the world. ‘So, Fry. “A lemon yellow colour” is precipitated in your test tube is it? I think you will find, Fry, that we all know that lemons are yellow and that yellow is a colour. Try not to use thee words where one will do. Hm?’ I smarted under this, but got my revenge a week or so later. ‘Well, Fry? It’s a simple enough question. What is titration?’ ‘Well, sir…, it’s a process whereby…’ ‘Come on, come on. Either you know or you don’t.’ ‘Sorry sir, I am anxious to avoid pleonasm, but I think…’ ‘Anxious to avoid what?’ ‘Pleonasm, sir.’ ‘And what do you mean by that?’ ‘I’m sorry, sir. I meant that I had no wish to be sesquipedalian.’ ‘What?’ ‘Sesquipedalian, sir.’ ‘What are you talking about?’ I allowed a note of confusion and bewilderment to enter my voice. ‘I didn’t want to be sesquipedalian, sir! You know, pleonastic.’ ‘Look, if you’ve got something to say to me, say it. What is this pleonastic nonsense?’ ‘It means sir, using more words in a sentence than are necessary. I was anxious to avoid being tautologous, repetitive or superfluous.’ ‘Well why on earth didn’t you say so?’ ‘I’m sorry, sir. I’ll remember in future, sir.’ I stood up and turned round to face the whole form, my hand on my heart. ‘I solemnly promise in future to help sir out by using seven words where one will do. I solemnly promise to be as pleonastic, prolix and sesquipedalian as he could possibly wish.’ It is a mark of the man’s fundamental good nature that he didn’t whip out a knife there and then, slit my throat from ear to ear and trample on my body in hobnailed boots. The look he gave me showed that he came damned close to considering the idea.
Stephen Fry (Moab Is My Washpot (Memoir #1))
Johnson’s decision to employ these particular men was partly motivated by charity. He rotated them as his needs (or theirs) dictated, and offered accommodation to those who could not afford lodgings elsewhere. The amanuenses were his servants, but also his companions—dogsbodies with the status of intimates, hirelings who doubled as friends. Their presence in the background is a reminder
Henry Hitchings (Defining the World: The Extraordinary Story of Dr Johnson's Dictionary)
Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books levelled down to a sort of paste pudding norm [...]. [...] Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations, Digests. Tabloids. Everything boils down to the gag, the snap ending. [...] Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet [...] was a one-page digest in a book that claimed: "now at least you can read all the classics; keep up with your neighbors". Do you see? Out of the nursery into the college and back to the nursery; there's your intellectual pattern for the past five centuries or more. [...] Speed up the film, Montag, quick. Click? Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man's mind around about so fast under the pumping hands of publishers, exploiters, broadcasters, that the centrifuge flings off all unnecessary, time-wasting thought! [...] School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts? [...] The zipper displaces the button and a man lacks just that much time to think while dressing at dawn, a philosophical hour, and thus a melancholy hour. [...] Life becomes one big pratfall, Montag; everything bang, boff, and wow!
Ray Bradbury (Fahrenheit 451)
The spectrum of hatred against “irregardless” might be unmatched. Everyone claims to hate the word “moist,” but the dislike is general and jokey: ew, gross, “moist,” bleh. People’s hatred of “irregardless” is specific and vehemently serious: it cannot mean “without regard to” but must mean “with regard to,” so it’s nonsensical and shouldn’t exist; it’s a double negative and therefore not allowable by anyone with sense and judgment; it’s a redundant blend of “irrespective” and “regardless,” and we don’t need it; it is illogical and therefore not a word; it is a hallmark of uneducated speech and shouldn’t be entered into the dictionary. All of these complaints point in one direction: “irregardless” is evidence that English is going to hell, and you, Merriam-Webster, are skipping down the easy path, merrily swinging the handbasket. The truth is I felt for the complainant. “Irregardless” was just wrong, I thought—I knew this deep down at a molecular level, and no dictionary entry was going to convince me otherwise. But sharing my personal linguistic beef with the world was not part of the job, so I buttoned my yap and answered the correspondence. Yes, it’s entered, I said, but please note that it’s marked “nonstandard” (which is a fancy way of saying it’s not accepted by most educated speakers of English) and we have a very long usage paragraph after the one-word definition that explains you should use “regardless” instead. We are duty-bound to record the language as it is used, I concluded, gritting my teeth and mentally sprinkling scare quotes throughout the entire sentence.
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
W (double U) has, of all the letters in our alphabet, the only cumbrous name, the names of the others being monosyllabic.
Ambrose Bierce (The Devil's Dictionary)
Duplicity (Noun) Deceitfulness in speech or conduct; double-dealing. Synonyms: deceit, deception, fraud, guile, trickery. The state or quality of having two elements or parts; being twofold or double. —Dictionary.com
Douglas E. Richards (Time Frame (Split Second, #2))
Readers new to Sedgwick might also benefit from some preliminary practice with long and syntactically complex sentences like this one, which might require an English, French, Scots or Yiddish dictionary as well as an alertness to the non-arbitrary associations that cluster around certain words and grammatical, rhetorical and syntactic strategies; which you might have to read repeatedly and break down into its relevant clauses; which may be more akin to a poem or prose poem than regular academic writing; and which might, therefore, require a sensitivity to the oblique and obscure, to rhythm, tone, form, nuance, double entendres and various kinds of imagery: skills which readers with literary passions might, perhaps, find less intimidating
Stepfather—January 6, 1980 In addition to imitation mayonnaise, fake fur, sugar substitutes and plastic that wears like iron, the nuclear family has added another synthetic to its life: step-people. There are stepmothers, stepfathers, stepsons and stepdaughters. The reception they get is varied. Some are looked upon as relief pitchers who are brought in late but are optimistic enough to try to win the game. Some are regarded as double agents, who in the end will pay for their crimes. There are few generalizations you can make about step-people, except they’re all locked into an awkward family unit none of them are too crazy about. I know. I’ve been there. Perhaps you’ve heard of me. I became a hyphenated child a few years after my “real” father died. I was the only stepchild in North America to have a stepfather who had the gall to make me go to bed when I was sleepy, do homework before I went to school, and who yelled at me for wearing bedroom slippers in the snow. My real father wouldn’t have said that. My stepfather punished me for sassing my mother, wouldn’t allow me to waste food and wouldn’t let me spend money I didn’t have. My real father wouldn’t have done that. My stepfather remained silent when I slammed doors in his face, patient when I insisted my mother take “my side” and emotionless when I informed him he had no rights. My real father wouldn’t have taken that. My stepfather paid for my needs and my whims, was there through all my pain of growing up...and checked himself out of the VA hospital to give me away at my wedding. My real father...was there all the time, and I didn’t know it. What is a “real” mother, father, son or daughter? “Real” translates to something authentic, genuine, permanent. Something that exists. It has nothing to do with labor pains, history, memories or beginnings. All love begins with one day and builds. “Step” in the dictionary translates to “a short distance.” It’s shorter than you think.
Erma Bombeck (Forever, Erma)
Doppelgänger—double-walker. The word had originally had mildly supernatural connotations—“a wraith of one alive,” said Kenzo’s German-Japanese dictionary—but it had come to mean simply a double, or an uncanny look-alike.
Akimitsu Takagi (Tattoo Murder Case (Soho crime))
Last night I was lying on the bed doing a double crostic and looked up a quotation in the paperbacked Quotation Dictionary that I carry around with me specifically for that purpose. I immediately became lost in the book and read all the Shakespeare ones right through very slowly. There was hardly a line there that I didn't immediately know but seeing the miraculous words in print again doomed me to a long trance of nostalgia, a stupor of melancholy, like listening to really massive music, music that moans and thunders and plumbs fathomless depths. i wandered through the book for a long time but no other writer hit me with quite the same regard as William S. What a stupendous God he was, he is. What chance combination of genes went to the making of that towering imagination, that brilliant gift of words, that staggering compassion, that understanding of all human frailty, that total absence of pomposity, that wit, that pun, that joy in words and the later agony. It seems that he wrote everything worth writing and the rest of his fraternity have merely fugued on his million themes.
Richard Burton (The Richard Burton Diaries)
It is very unfair in any writer to employ ignorance and malice together; because it gives his answerer double work.Swift.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
AMBS [only in 1755 edition] (AMBS)  ACE.n.s.[from ambo, Lat. and ace.]A double ace; so called when two dice turn up the ace. I had rather be in this choice, than throw ambs ace for my life.Shakesp.All’s well that ends well.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
The poet is happiest with the simplest of things: sourdough toast and apricot jam, an etymology dictionary, and a biography of Josef Stalin (also a poet, in his younger pre-purge days). He is interested and amused by just about anything lying around: last month’s light bill (especially the four-color chart explaining hot water usage), the Thai menu (with typos) at lunch, an old airplane boarding pass. His ADD serves him well. The poet is an introvert, but not really. He reaches out to every parcel of the planet, because everything is subject to him (he delights in this double meaning).
Jon Obermeyer
I have new words for the dictionary. to knock boots, phr., to have sexual intercourse tracks, n., contract (as in “I got a track to kill him”) to do, v., to fuck to do, v., to kill clean, adj., handsome to Brodie, v., to jump, usually from a building or a bridge; taken from a Mr. Brodie who claimed to have jumped off the Brooklyn Bridge to lash, v., to urinate chronic, n., marijuana, esp. high-quality smudge, n., black person Ape Avenue, n., Eighth Avenue (police slang) puppy, n., handgun (Jamaican word) scrambler, n., low-level runner for a drug dealer cocola, n., black person (Puerto Rican word) spliv, n., black person to be hung like a horse, phr., to have influential connections in the police department; also a guy who is hung like a horse ground ball, phr., something easy or simple to pull a train, v., to have group sex, gang-bang stinger, n., drug dealer to inflash, v., to inform (as in “he inflash me with the bitch’s scenario”) to double, v., to double-park to sleep in a tent, exp., to have a large penis to be built like a tripod, phr., to have a large penis dixie cup, n., a person who is considered disposable her, she, pron., wife
Susanna Moore (In the Cut)
tableau /tablo/ I. nm 1. (œuvre d'art) picture; (peinture) painting voir aussi: galerie, vieux 2. (description) picture • brosser un ~ sombre de la situation | to paint a black picture of the situation • et pour achever or compléter le ~ | and to cap it all 3. (spectacle) picture • des enfants jouant dans un jardin, quel ~ charmant! | children playing in a garden, what a charming picture! • le ~ général est plus sombre | the overall picture is more gloomy • en plus, il était ivre, tu vois un peu le ~○! | on top of that he was drunk, you can just imagine! 4. (présentation graphique) table, chart • ‘voir ~’ | ‘see table’ • ~ des marées | tide table • ~ des températures | temperature chart • ~ synchronique/synoptique | historical/synoptic chart • ~ à double entrée | (Ordinat) two-dimensional array • présenter qch sous forme de ~ | to present sth in tabular form 5. blackboard • écrire qch au ~ | to write sth on the blackboard • passer or aller au ~ | to go (up) to the blackboard 6. (affichant des renseignements) board; (Rail) indicator board • ~ des départs/arrivées | departures/arrivals indicator • ~ horaire | timetable 7. (support mural) board • ~ des clés | key rack • ~ pour fusibles | fuse box 8. (liste) register (GB), roll (US) 9. short scene II. Idiomes 1. jouer or miser sur les deux tableaux | to hedge one's bets 2. gagner/perdre sur tous les tableaux | to win/to lose on all counts
Synapse Développement (Oxford Hachette French - English Dictionary)