β
Hope is the thing with feathers
That perches in the soul
And sings the tune without the words
And never stops at all.
β
β
Emily Dickinson
β
If I can stop one heart from breaking, I shall not live in vain.
β
β
Emily Dickinson
β
Forever is composed of nows.
β
β
Emily Dickinson
β
That it will never come again is what makes life so sweet.
β
β
Emily Dickinson
β
If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry.
β
β
Emily Dickinson
β
Not knowing when the dawn will come
I open every door.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
A little Madness in the Spring Is wholesome even for the King.
β
β
Emily Dickinson
β
This is my letter to the world
That never wrote to me
β
β
Emily Dickinson
β
Morning without you is a dwindled dawn.
β
β
Emily Dickinson
β
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
β
β
Emily Dickinson (Selected Letters)
β
I dwell in possibilityβ¦
β
β
Emily Dickinson
β
Nature is a haunted house--but Art--is a house that tries to be haunted.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I'm nobody! Who are you?
Are you nobody, too?
Then there βs a pair of usβdonβt tell!
They βd banish us, you know.
How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
To live is so startling it leaves little time for anything else.
β
β
Emily Dickinson
β
Bring me the sunset in a cup.
β
β
Emily Dickinson
β
Pardon My Sanity In A World Insane
β
β
Emily Dickinson
β
A Word is Dead
A word is dead
When it is said,
Some say.
I say it just
Begins to live
That day.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Beauty is not caused. It is.
β
β
Emily Dickinson
β
I am out with lanterns, looking for myself.
β
β
Emily Dickinson
β
I know nothing in the world that has as much power as a word. Sometimes I write one, and I look at it, until it begins to shine.
β
β
Emily Dickinson
β
Because I could not stop for Death β
He kindly stopped for me β
The Carriage held but just Ourselves β
And Immortality.
β
β
Emily Dickinson
β
The soul should always stand ajar, ready to welcome the ecstatic experience.
β
β
Emily Dickinson
β
Dogs are better than human beings because they know but do not tell.
β
β
Emily Dickinson
β
The Heart wants what it wants - or else it does not care
β
β
Emily Dickinson
β
Heart, we will forget him,
You and I, tonight!
You must forget the warmth he gave,
I will forget the light.
β
β
Emily Dickinson
β
Truth is so rare, it is delightful to tell it.
β
β
Emily Dickinson
β
Hold dear to your parents for it is a scary and confusing world without them.
β
β
Emily Dickinson
β
The dearest ones of time, the strongest friends of the soul--BOOKS.
β
β
Emily Dickinson
β
One need not be a chamber to be haunted.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
We turn not older with years but newer every day.
β
β
Emily Dickinson
β
There is no Frigate like a Book
To take us Lands away
Nor any Coursers like a Page
Of prancing Poetry β
This Traverse may the poorest take
Without oppress of Toll β
How frugal is the Chariot
That bears a Human soul.
β
β
Emily Dickinson (Selected Poems)
β
How happy is the little stone
That rambles in the road alone,
And doesn't care about careers,
And exigencies never fears;
Whose coat of elemental brown
A passing universe put on;
And independent as the sun,
Associates or glows alone,
Fulfilling absolute decree
In casual simplicity.
β
β
Emily Dickinson
β
Oh phosphorescence. Now thereβs a word to lift your hat to... To find that phosphorescence, that light within β is the genius behind poetry.
β
β
William Luce (The Belle of Amherst)
β
The lovely flowers
embarrass me.
They make me regret
I am not a bee...
β
β
Emily Dickinson
β
Till I loved I never lived.
β
β
Emily Dickinson
β
I don't profess to be profound; but I do lay claim to common sense.
β
β
Emily Dickinson
β
I felt it shelter to speak to you.
β
β
Emily Dickinson
β
A great hope fell
You heard no noise
The ruin was within.
β
β
Emily Dickinson
β
Unable are the loved to die. For love is immortality.
β
β
Emily Dickinson
β
Life is a spell so exquisite that everything conspires to break it.
β
β
Emily Dickinson
β
If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.
β
β
Emily Dickinson
β
We never know how high we are till we are called to rise. Then if we are true to form our statures touch the skies.
β
β
Emily Dickinson (Collected Poems of Emily Dickinson)
β
Write me of hope and love, and hearts that endured.
β
β
Emily Dickinson
β
That I shall love always,
I argue thee
that love is life,
and life hath immortality
β
β
Emily Dickinson
β
Love is anterior to life, posterior to death, initial of creation, and the exponent of breath.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
But a Book is only the Heart's Portrait- every Page a Pulse.
β
β
Emily Dickinson
β
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chilliest land
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.
β
β
Emily Dickinson
β
Find ecstasy in life; the mere sense of living is joy enough.
β
β
Emily Dickinson
β
I must go in, the fog is rising.
β
β
Emily Dickinson
β
We outgrow love like other things and put it in a drawer, till it an antique fashion shows like costumes grandsires wore.
β
β
Emily Dickinson
β
Solitude never hurt anyone. Emily Dickinson lived alone, and she wrote some of the most beautiful poetry the world has ever known... then went crazy as a loon."
Lisa Simpson
β
β
Matt Groening
β
Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Rooseveltβs eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they havenβt time to read.
β
β
David McCullough
β
A wounded dear leaps the highest
β
β
Emily Dickinson
β
Behavior is what a man does, not what he thinks, feels, or believes.
β
β
Emily Dickinson
β
The sun just touched the morning;
The morning, happy thing,
Supposed that he had come to dwell,
And life would be all spring.
β
β
Emily Dickinson (The Collected Poems of Emily Dickinson)
β
Judge tenderly of me.
β
β
Emily Dickinson
β
How do most people live without any thought? There are many people in the world,--you must have noticed them in the street,--how do they live? How do they get strength to put on their clothes in the morning?
β
β
Emily Dickinson
β
I have been bent and broken, but -I hope- into a better shape.
β
β
Emily Dickinson
β
To make a prairie it takes a clover and one bee,
One clover, and a bee,
And revery.
The revery alone will do,
If bees are few.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
If you were coming in the fall,
I'd brush the summer by,
With half a smile and half a spurn,
As housewives do a fly.
If I could see you in a year,
I'd wind the months in balls,
And put them each in separate drawers,
Until their time befalls.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Those who have not found the heaven below,
will fail of it above.
β
β
Emily Dickinson (The Collected Poems of Emily Dickinson)
β
My love for those I love -- not many -- not very many, but don't I love them so?
β
β
Emily Dickinson
β
Tell all the Truth but tell it slant--
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind--
β
β
Emily Dickinson
β
To be aliveββis Power.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
That love is all there is, Is all we know of love.
β
β
Emily Dickinson
β
She died--this was the way she died;
And when her breath was done,
Took up her simple wardrobe
And started for the sun.
Her little figure at the gate
The angels must have spied,
Since I could never find her
Upon the mortal side.
β
β
Emily Dickinson (Selected Poems)
β
Anger as soon as fed is dead-
'Tis starving makes it fat.
β
β
Emily Dickinson (Selected Poems)
β
To see her is a pictureβ
To hear her is a tuneβ
To know her an Intemperance
As innocent as Juneβ
To know her notβAfflictionβ
To own her for a Friend
A warmth as near as if the Sun
Were shining in your Hand.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
They say that God is everywhere and yet we always think of him as somewhat of a recluse.
β
β
Emily Dickinson
β
The possible's slow fuse is lit by the Imagination.
β
β
Emily Dickinson
β
There's a certain slant of light,
On winter afternoons,
That oppresses, like the weight
Of cathedral tunes.
β
β
Emily Dickinson
β
The brain is wider than the sky,
For, put them side by side,
The one the other will include
With ease, and you beside.
β
β
Emily Dickinson
β
in this short life
that only lasts ah hour
how much-how little-is
within our power.
β
β
Emily Dickinson
β
I am nobody! Who are you? Are you a nobody, too?
β
β
Emily Dickinson
β
Dying is a wild night and a new road.
β
β
Emily Dickinson
β
People need hard times and oppression to develop psychic muscles.
β
β
Emily Dickinson
β
He ate and drank the precious words,
His spirit grew robust;
He knew no more that he was poor,
Nor that his frame was dust.
He danced along the dingy days,
And this bequest of wings
Was but a book. What liberty
A loosened spirit brings!
β
β
Emily Dickinson
β
My friends are my estate.
β
β
Emily Dickinson
β
Much Madness Is Divinest Sense
Much Madness is divinest Sense β
To a discerning Eye β
Much Sense β the starkest Madness β
'Tis the Majority
In this, as All, prevail β
Assent β and you are sane β
Demur β you're straightway dangerous β
And handled with a Chain β
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I can wade Griefβ
Whole Pools of itβ
I'm used to thatβ
But the least push of Joy
Breaks up my feetβ
And I tipβdrunkenβ
Let no Pebbleβsmileβ
'Twas the New Liquorβ
That was all!
β
β
Emily Dickinson (Final Harvest: Emily Dickinson's Poems)
β
Men chase by night those they will not greet by day.
β
β
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
β
All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
β
β
Nathan Reese Maher
β
Faith is a fine invention
When gentlemen can see,
But microscopes are prudent
In an emergency.
β
β
Emily Dickinson
β
My best Acquaintances are those
With Whom I spoke no Word
β
β
Emily Dickinson
β
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
β
β
Jennifer Donnelly (A Northern Light)
β
I felt a Cleaving in my Mindβ
As if my Brain had splitβ
I tried to match itβSeam by Seamβ
But could not make it fit.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I died for beauty, but was scarce
Adjusted in the tomb,
When one who died for truth was lain
In an adjoining room.
He questioned softly why I failed?
βFor beauty,β I replied.
βAnd I for truth,βthe two are one;
We brethren are,β he said.
And so, as kinsmen met a night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names.
β
β
Emily Dickinson (The Collected Poems of Emily Dickinson)
β
This is the truth. You will know because it hurts.
β
β
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
β
open me carefully
β
β
Emily Dickinson (Selected Letters)
β
Whenever a thing is done for the first time, it releases a little demon.
β
β
Emily Dickinson
β
I'll tell you how the sun rose, a ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.
The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
"That must have been the sun!
β
β
Emily Dickinson
β
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
β
β
Billy Collins (Picnic, Lightning)
β
Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I canβt explain β I donβt need to. I know that if thereβs a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. Iβm here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.
β
β
Maurice Sendak
β
Forever β is composed of Nows β (690)
Forever β is composed of Nows β
βTis not a different time β
Except for Infiniteness β
And Latitude of Home β
From this β experienced Here β
Remove the Dates β to These β
Let Months dissolve in further Months β
And Years β exhale in Years β
Without Debate β or Pause β
Or Celebrated Days β
No different Our Years would be
From Anno Dominies β
β
β
Emily Dickinson (The Poems of Emily Dickinson)
β
I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading β treading β till it seemed
That Sense was breaking through β
And when they all were seated,
A Service, like a Drum β
Kept beating β beating β till I thought
My Mind was going numb β
And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space β began to toll,
As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race
Wrecked, solitary, here β
And then a Plank in Reason, broke,
And I dropped down, and down β
And hit a World, at every plunge,
And Finished knowing β then β
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldnβt sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs.
Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensualityβs skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sunβs rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot.
Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is?
It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, βBut weβve been making love for days.
β
β
J. Ruth Gendler (The Book of Qualities)
β
I measure every Grief I meet
With narrow, probing, Eyes;
I wonder if It weighs like Mine,
Or has an Easier size.
I wonder if They bore it long,
Or did it just begin?
I could not tell the Date of Mine,
It feels so old a pain.
I wonder if it hurts to live,
And if They have to try,
And whether, could They choose between,
It would not be, to die.
I note that Some --
gone patient long --
At length, renew their smile.
An imitation of a Light
That has so little Oil.
I wonder if when Years have piled,
Some Thousands -- on the Harm
Of early hurt -- if such a lapse
Could give them any Balm;
Or would they go on aching still
Through Centuries above,
Enlightened to a larger Pain
By Contrast with the Love.
The Grieved are many,
I am told;
The reason deeper lies, --
Death is but one
and comes but once,
And only nails the eyes.
There's Grief of Want
and Grief of Cold, --
A sort they call "Despair";
There's Banishment from native Eyes,
In sight of Native Air.
And though I may not guess the kind
Correctly, yet to me
A piercing Comfort it affords
In passing Calvary,
To note the fashions of the Cross,
And how they're mostly worn,
Still fascinated to presume
That Some are like My Own.
β
β
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
β
One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.
Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.
Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.
Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.
The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labour, and my leisure too,
For his civility.
We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.
Since then 'tis centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
β
β
Emily Dickinson