β
Hope is the thing with feathers
That perches in the soul
And sings the tune without the words
And never stops at all.
β
β
Emily Dickinson
β
If I can stop one heart from breaking, I shall not live in vain.
β
β
Emily Dickinson
β
Forever is composed of nows.
β
β
Emily Dickinson
β
That it will never come again is what makes life so sweet.
β
β
Emily Dickinson
β
If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry.
β
β
Emily Dickinson
β
Not knowing when the dawn will come
I open every door.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
This is my letter to the world
That never wrote to me
β
β
Emily Dickinson
β
A little Madness in the Spring Is wholesome even for the King.
β
β
Emily Dickinson
β
Morning without you is a dwindled dawn.
β
β
Emily Dickinson
β
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
β
β
Emily Dickinson (Selected Letters)
β
I dwell in possibilityβ¦
β
β
Emily Dickinson
β
Nature is a haunted house--but Art--is a house that tries to be haunted.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I'm nobody! Who are you?
Are you nobody, too?
Then there βs a pair of usβdonβt tell!
They βd banish us, you know.
How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
To live is so startling it leaves little time for anything else.
β
β
Emily Dickinson
β
Bring me the sunset in a cup.
β
β
Emily Dickinson
β
I am out with lanterns, looking for myself.
β
β
Emily Dickinson
β
Pardon My Sanity In A World Insane
β
β
Emily Dickinson
β
A Word is Dead
A word is dead
When it is said,
Some say.
I say it just
Begins to live
That day.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Beauty is not caused. It is.
β
β
Emily Dickinson
β
I know nothing in the world that has as much power as a word. Sometimes I write one, and I look at it, until it begins to shine.
β
β
Emily Dickinson
β
The soul should always stand ajar, ready to welcome the ecstatic experience.
β
β
Emily Dickinson
β
Because I could not stop for Death β
He kindly stopped for me β
The Carriage held but just Ourselves β
And Immortality.
β
β
Emily Dickinson
β
Dogs are better than human beings because they know but do not tell.
β
β
Emily Dickinson
β
The Heart wants what it wants - or else it does not care
β
β
Emily Dickinson
β
Heart, we will forget him,
You and I, tonight!
You must forget the warmth he gave,
I will forget the light.
β
β
Emily Dickinson
β
Truth is so rare, it is delightful to tell it.
β
β
Emily Dickinson
β
Hold dear to your parents for it is a scary and confusing world without them.
β
β
Emily Dickinson
β
The dearest ones of time, the strongest friends of the soul--BOOKS.
β
β
Emily Dickinson
β
One need not be a chamber to be haunted.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
We turn not older with years but newer every day.
β
β
Emily Dickinson
β
How happy is the little stone
That rambles in the road alone,
And doesn't care about careers,
And exigencies never fears;
Whose coat of elemental brown
A passing universe put on;
And independent as the sun,
Associates or glows alone,
Fulfilling absolute decree
In casual simplicity.
β
β
Emily Dickinson
β
There is no Frigate like a Book
To take us Lands away
Nor any Coursers like a Page
Of prancing Poetry β
This Traverse may the poorest take
Without oppress of Toll β
How frugal is the Chariot
That bears a Human soul.
β
β
Emily Dickinson (Selected Poems)
β
Oh phosphorescence. Now thereβs a word to lift your hat to... To find that phosphorescence, that light within β is the genius behind poetry.
β
β
William Luce (The Belle of Amherst)
β
The lovely flowers
embarrass me.
They make me regret
I am not a bee...
β
β
Emily Dickinson
β
Till I loved I never lived.
β
β
Emily Dickinson
β
I don't profess to be profound; but I do lay claim to common sense.
β
β
Emily Dickinson
β
I felt it shelter to speak to you.
β
β
Emily Dickinson
β
Unable are the loved to die. For love is immortality.
β
β
Emily Dickinson
β
A great hope fell
You heard no noise
The ruin was within.
β
β
Emily Dickinson
β
Life is a spell so exquisite that everything conspires to break it.
β
β
Emily Dickinson
β
If I can stop one Heart from breaking,
I shall not live in vain;
If I can Ease one life the Aching,
Or cool one Pain
Or help one fainting Robin
Unto his Nest again,
I shall not live in Vain.
β
β
Emily Dickinson
β
We never know how high we are till we are called to rise. Then if we are true to form our statures touch the skies.
β
β
Emily Dickinson (Collected Poems of Emily Dickinson)
β
Write me of hope and love, and hearts that endured.
β
β
Emily Dickinson
β
That I shall love always,
I argue thee
that love is life,
and life hath immortality
β
β
Emily Dickinson
β
Love is anterior to life, posterior to death, initial of creation, and the exponent of breath.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chilliest land
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
But a Book is only the Heart's Portrait- every Page a Pulse.
β
β
Emily Dickinson
β
An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.
β
β
Emily Dickinson
β
Find ecstasy in life; the mere sense of living is joy enough.
β
β
Emily Dickinson
β
I must go in, the fog is rising.
β
β
Emily Dickinson
β
Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Rooseveltβs eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they havenβt time to read.
β
β
David McCullough
β
We outgrow love like other things and put it in a drawer, till it an antique fashion shows like costumes grandsires wore.
β
β
Emily Dickinson
β
Solitude never hurt anyone. Emily Dickinson lived alone, and she wrote some of the most beautiful poetry the world has ever known... then went crazy as a loon."
Lisa Simpson
β
β
Matt Groening
β
A wounded dear leaps the highest
β
β
Emily Dickinson
β
Behavior is what a man does, not what he thinks, feels, or believes.
β
β
Emily Dickinson
β
The sun just touched the morning;
The morning, happy thing,
Supposed that he had come to dwell,
And life would be all spring.
β
β
Emily Dickinson (The Collected Poems of Emily Dickinson)
β
Judge tenderly of me.
β
β
Emily Dickinson
β
I have been bent and broken, but -I hope- into a better shape.
β
β
Emily Dickinson
β
How do most people live without any thought? There are many people in the world,--you must have noticed them in the street,--how do they live? How do they get strength to put on their clothes in the morning?
β
β
Emily Dickinson
β
To make a prairie it takes a clover and one bee,
One clover, and a bee,
And revery.
The revery alone will do,
If bees are few.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
If you were coming in the fall,
I'd brush the summer by,
With half a smile and half a spurn,
As housewives do a fly.
If I could see you in a year,
I'd wind the months in balls,
And put them each in separate drawers,
Until their time befalls.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Tell all the Truth but tell it slant--
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind--
β
β
Emily Dickinson
β
Those who have not found the heaven below,
will fail of it above.
β
β
Emily Dickinson (The Collected Poems of Emily Dickinson)
β
My love for those I love -- not many -- not very many, but don't I love them so?
β
β
Emily Dickinson
β
To be aliveββis Power.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
She died--this was the way she died;
And when her breath was done,
Took up her simple wardrobe
And started for the sun.
Her little figure at the gate
The angels must have spied,
Since I could never find her
Upon the mortal side.
β
β
Emily Dickinson (Selected Poems)
β
That love is all there is, Is all we know of love.
β
β
Emily Dickinson
β
Anger as soon as fed is dead-
'Tis starving makes it fat.
β
β
Emily Dickinson (Selected Poems)
β
To see her is a pictureβ
To hear her is a tuneβ
To know her an Intemperance
As innocent as Juneβ
To know her notβAfflictionβ
To own her for a Friend
A warmth as near as if the Sun
Were shining in your Hand.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
They say that God is everywhere and yet we always think of him as somewhat of a recluse.
β
β
Emily Dickinson
β
There's a certain slant of light,
On winter afternoons,
That oppresses, like the weight
Of cathedral tunes.
β
β
Emily Dickinson
β
The possible's slow fuse is lit by the Imagination.
β
β
Emily Dickinson
β
The brain is wider than the sky,
For, put them side by side,
The one the other will include
With ease, and you beside.
β
β
Emily Dickinson
β
in this short life
that only lasts ah hour
how much-how little-is
within our power.
β
β
Emily Dickinson
β
Dying is a wild night and a new road.
β
β
Emily Dickinson
β
I am nobody! Who are you? Are you a nobody, too?
β
β
Emily Dickinson
β
People need hard times and oppression to develop psychic muscles.
β
β
Emily Dickinson
β
He ate and drank the precious words,
His spirit grew robust;
He knew no more that he was poor,
Nor that his frame was dust.
He danced along the dingy days,
And this bequest of wings
Was but a book. What liberty
A loosened spirit brings!
β
β
Emily Dickinson
β
Men chase by night those they will not greet by day.
β
β
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
β
I can wade Griefβ
Whole Pools of itβ
I'm used to thatβ
But the least push of Joy
Breaks up my feetβ
And I tipβdrunkenβ
Let no Pebbleβsmileβ
'Twas the New Liquorβ
That was all!
β
β
Emily Dickinson (Final Harvest: Emily Dickinson's Poems)
β
Much Madness Is Divinest Sense
Much Madness is divinest Sense β
To a discerning Eye β
Much Sense β the starkest Madness β
'Tis the Majority
In this, as All, prevail β
Assent β and you are sane β
Demur β you're straightway dangerous β
And handled with a Chain β
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
My friends are my estate.
β
β
Emily Dickinson
β
This is the truth. You will know because it hurts.
β
β
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
β
All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
β
β
Nathan Reese Maher
β
Faith is a fine invention
When gentlemen can see,
But microscopes are prudent
In an emergency.
β
β
Emily Dickinson
β
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
β
β
Jennifer Donnelly (A Northern Light)
β
I died for beauty, but was scarce
Adjusted in the tomb,
When one who died for truth was lain
In an adjoining room.
He questioned softly why I failed?
βFor beauty,β I replied.
βAnd I for truth,βthe two are one;
We brethren are,β he said.
And so, as kinsmen met a night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names.
β
β
Emily Dickinson (The Collected Poems of Emily Dickinson)
β
My best Acquaintances are those
With Whom I spoke no Word
β
β
Emily Dickinson
β
I felt a Cleaving in my Mindβ
As if my Brain had splitβ
I tried to match itβSeam by Seamβ
But could not make it fit.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
open me carefully
β
β
Emily Dickinson (Selected Letters)
β
Whenever a thing is done for the first time, it releases a little demon.
β
β
Emily Dickinson
β
And you read your emily dickinson,
And I my robert frost.
And we note our place with bookmarkers
That measure what weve lost.
β
β
Paul Simon
β
A power of Butterfly must be -
The Aptitude to fly
Meadows of Majesty concedes
And easy Sweeps of Sky -
β
β
Emily Dickinson
β
I cannot live with you,
It would be life,
And life is over there
Behind the shelf
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
The longer you live, the harder it becomes. To grab them. Each little moment as it arrives. To be living in something other than the past or the future. To be actually here.
Forever, Emily Dickinson said, is composed of nows. But how do you inhabit the now you are in? How do you stop the ghosts of all the other nows from getting in? How, in short, do you live?
β
β
Matt Haig (How to Stop Time)
β
The Soul selects her own Society.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I think of love, and you, and my heart grows full and warm, and my breath stands still.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
your brain is wider than the sky
β
β
Emily Dickinson
β
How wrong Emily Dickinson was! Hope is not "the thing with feathers." The thing with feathers has turned out to be my nephew. I must take him to a specialist in Zurich.
β
β
Woody Allen (Without Feathers)
β
To hope means to be ready at every moment for that which is not yet born, and yet not become desperate if there is no birth in our lifetime.
β
β
Emily Dickinson
β
I'll tell you how the sun rose, a ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.
The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
"That must have been the sun!
β
β
Emily Dickinson
β
November always seemed to me the Norway of the year.
β
β
Emily Dickinson
β
Luck is not chance, it's toil; fortune's expensive smile is earned.
β
β
Emily Dickinson
β
She could become a spinster, like Emily Dickinson, writing poems full of dashes and brilliance, and never gaining weight.
β
β
Jeffrey Eugenides (The Marriage Plot)
β
I'll tell you something. Once I was very fond of a poem by Emily Dickinson or somebody. I only remember one line of it, but it goes, 'The soul selects her own society.' I used to tell it to everybody. Once I quoted it to a friend of mine, and he said, 'Maybe, but the body gets thrown into bed with the goddamnedest people.
β
β
Peter S. Beagle (A Fine and Private Place)
β
How strange that nature does not knock, and yet does not intrude!
β
β
Emily Dickinson
β
Till it has loved, no man or woman can become itself.
β
β
Emily Dickinson
β
I wish you a kinder sea.
β
β
Emily Dickinson
β
The Truth must dazzle gradually or every man be blind.
β
β
Emily Dickinson
β
I hope you love birds too. It is economical. It saves going to heaven.
β
β
Emily Dickinson
β
The poet lights the light and fades away. But the light goes on and on.
β
β
Emily Dickinson
β
For Emily Dickinson every philosophical idea was a potential lover. Metaphysics is the realm of eternal seduction of the spirit by ideas.
β
β
Charles Simic
β
A letter always seemed to me like immortality because it is the mind alone without corporeal friend.
β
β
Emily Dickinson
β
Heart, we will forget him!
You and I, to-night!
You may forget the warmth he gave,
I will forget the light.
When you have done, pray tell me,
That I my thoughts may dim;
Haste! lest while youβre lagging,
I may remember him!
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Freedom granted by your rulers is just a chain with a little slack.
β
β
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
β
Wild NightsβWild Nights!
Were I with thee
Wild Nights should be
Our luxury!
Futileβthe windsβ
To a heart in portβ
Done with the compassβ
Done with the chart!
Rowing in Edenβ
Ah, the sea!
Might I but moorβ Tonightβ
In thee!
β
β
Emily Dickinson (Selected Poems)
β
My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,
So huge, so hopeless to conceive,
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
β
β
Emily Dickinson (Dickinson: Poems)
β
Love is its own rescue; for we, at our supremest, are but its trembling emblems.
β
β
Emily Dickinson
β
I hope your rambles have been sweet, and your reveries spacious
β
β
Emily Dickinson
β
Old age comes on suddenly, and not gradually as is thought.
β
β
Emily Dickinson
β
One need not be a Chamber β to be Haunted β
One need not be a House β
The Brain has Corridors β surpassing
Material Place β
β
β
Emily Dickinson (Selected Poems)
β
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
β
β
Billy Collins (Picnic, Lightning)
β
Your error is fundamental to the human psyche: you have allowed yourself to believe that others are mechanisms, static and solvable, whereas you are an agent.
β
β
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
β
There is no frigate like a book to take us lands away...
β
β
Emily Dickinson
β
Opinion is a fitting thing but truth outlasts the sun - if then we cannot own them both, possess the oldest one.
β
β
Emily Dickinson
β
Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I canβt explain β I donβt need to. I know that if thereβs a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. Iβm here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.
β
β
Maurice Sendak
β
They say that 'home is where the heart is.' I think it is where the house is, and the adjacent buildings.
β
β
Emily Dickinson
β
If your Nerve, deny you
Go above your Nerve
β
β
Emily Dickinson
β
Forever is composed of nows..
β
β
Emily Dickinson
β
Do we not each dream of dreams? Do we not dance on the notes of lost
memories? Then are we not each dreamers of tomorrow and yesterday, since dreams
play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?
β
β
Nathan Reese Maher
β
Inebriate of Air β am I β
And Debauchee of Dew β
Reeling β thro endless summer days β
From Inns of Molten Blue β
β
β
Emily Dickinson (Selected Poems)
β
Forever β is composed of Nows β (690)
Forever β is composed of Nows β
βTis not a different time β
Except for Infiniteness β
And Latitude of Home β
From this β experienced Here β
Remove the Dates β to These β
Let Months dissolve in further Months β
And Years β exhale in Years β
Without Debate β or Pause β
Or Celebrated Days β
No different Our Years would be
From Anno Dominies β
β
β
Emily Dickinson (The Poems of Emily Dickinson)
β
I held a jewel in my fingers
And went to sleep.
The day was warm, and winds were prosy;
I said: "'T will keep."
I woke and chid my honest fingers,β
The gem was gone;
And now an amethyst remembrance
Is all I own.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Tell all the truth but tell it slant.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Art is a house that tries to be haunted.
β
β
Emily Dickinson
β
I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading β treading β till it seemed
That Sense was breaking through β
And when they all were seated,
A Service, like a Drum β
Kept beating β beating β till I thought
My Mind was going numb β
And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space β began to toll,
As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race
Wrecked, solitary, here β
And then a Plank in Reason, broke,
And I dropped down, and down β
And hit a World, at every plunge,
And Finished knowing β then β
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Success is counted sweetest
By those who neβer succeed.
To comprehend a nectar
Requires sorest need.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I see thee better in the dark
I do not need a light.
β
β
Emily Dickinson
β
You ask of my companions. Hills, sir, and the sundown, and a dog as large as myself.
β
β
Emily Dickinson
β
Her fury had nothing else to eat and so it began to eat her.
β
β
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
β
I HIDE myself within my flower
That wearing on your breast,
You, unsuspecting, wear me tooβ
And angels know the rest.
I hide myself within my flower,
That, fading from your vase,
You, unsuspecting, feel for me
Almost a loneliness...
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
To see the Summer Sky
Is Poetry, though never in a Book it lieβ
True Poems fleeβ
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
That Love is all there is
Is all we know of Love,
It is enough, the freight should be
Proportioned to the groove.
β
β
Emily Dickinson
β
They say that βtime assuages,ββ
Time never did assuage;
An actual suffering strengthens,
As sinews do, with age.
Time is a test of trouble,
But not a remedy.
If such it prove, it prove too
There was no malady.
β
β
Emily Dickinson (The Collected Poems of Emily Dickinson)
β
Todo lo que sabemos del amor es que el amor es todo lo que hay.
β
β
Emily Dickinson
β
Celebrity is the chastisement of merit and the punishment of talent.
β
β
Emily Dickinson
β
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldnβt sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs.
Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensualityβs skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sunβs rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot.
Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is?
It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, βBut weβve been making love for days.
β
β
J. Ruth Gendler (The Book of Qualities)
β
These are all direct quotes, except every time they use a curse word, I'm going to use the name of a famous American poet:
'You Walt Whitman-ing, Edna St. Vincent Millay! Go Emily Dickinson your mom!'
'Thanks for the advice, you pathetic piece of E.E. Cummings, but I think I'm gonna pass.'
'You Robert Frost-ing Nikki Giovanni! Get a life, nerd. You're a virgin.'
'Hey bro, you need to go outside and get some fresh air into you. Or a girlfriend.'
I need to get a girlfriend into me? I think that shows a fundamental lack of comprehension about how babies are made.
β
β
John Green
β
Fame is a fickle food upon a shifting plate.
β
β
Emily Dickinson
β
The truth I do not dare to know I muffle with a jest.
β
β
Emily Dickinson
β
Your absence insanes me so-- I do not feel so peaceful, when you are gone from me.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
Till I loved I never liked enough.
β
β
Emily Dickinson
β
I lost a world the other day. Has anybody found? You'll know it by the rows of stars around it's forehead bound. A rich man might not notice it; yet to my frugal eye of more esteem than ducats. Oh! Find it, sir, for me!
β
β
Emily Dickinson (Final Harvest: Emily Dickinson's Poems)
β
I wonder if it hurts to live,
And if they have to try,
And whether, could they choose between,
They would not rather die.
β
β
Emily Dickinson
β
A soft Sea washed around the House
A Sea of Summer Air
And rose and fell the magic Planks
That sailed without a care β
For Captain was the Butterfly
For Helmsman was the Bee
And an entire universe
For the delighted crew.
β
β
Emily Dickinson
β
We never know how high we are
Till we are called to rise;
And then, if we are true to plan,
Our statures touch the skies.
The heroism we recite
Would be a daily thing,
Did not ourselves the cubits warp
For fear to be a king.
β
β
Emily Dickinson
β
I felt a Cleaving in my Mindβ
As if my Brain had splitβ
I tried to match itβSeam by Seamβ
But could not make it fit.
The thought behind, I strove to join
Unto the thought beforeβ
But Sequence ravelled out of Sound
Like Ballsβupon a Floor.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I measure every Grief I meet
With narrow, probing, Eyes;
I wonder if It weighs like Mine,
Or has an Easier size.
I wonder if They bore it long,
Or did it just begin?
I could not tell the Date of Mine,
It feels so old a pain.
I wonder if it hurts to live,
And if They have to try,
And whether, could They choose between,
It would not be, to die.
I note that Some --
gone patient long --
At length, renew their smile.
An imitation of a Light
That has so little Oil.
I wonder if when Years have piled,
Some Thousands -- on the Harm
Of early hurt -- if such a lapse
Could give them any Balm;
Or would they go on aching still
Through Centuries above,
Enlightened to a larger Pain
By Contrast with the Love.
The Grieved are many,
I am told;
The reason deeper lies, --
Death is but one
and comes but once,
And only nails the eyes.
There's Grief of Want
and Grief of Cold, --
A sort they call "Despair";
There's Banishment from native Eyes,
In sight of Native Air.
And though I may not guess the kind
Correctly, yet to me
A piercing Comfort it affords
In passing Calvary,
To note the fashions of the Cross,
And how they're mostly worn,
Still fascinated to presume
That Some are like My Own.
β
β
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
β
The bustle in a house
The morning after death
Is solemnest of industries
Enacted upon earth,--
The sweeping up the heart,
And putting love away
We shall not want to use again
Until eternity
β
β
Emily Dickinson
β
The Heart is the Capital of the Mindβ
The Mind is a single Stateβ
The Heart and the Mind together make
A single Continentβ
Oneβis the Populationβ
Numerous enoughβ
This ecstatic Nation
Seekβit is Yourself.
β
β
Emily Dickinson
β
If your Nerve, deny youβ
Go above your Nerveβ
He can lean against the Grave,
If he fear to swerveβ
That's a steady postureβ
Never any bend
Held of those Brass armsβ
Best Giant madeβ
If your Soul seesawβ
Lift the Flesh doorβ
The Poltroon wants Oxygenβ
Nothing moreβ
β
β
Emily Dickinson
β
One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.
Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.
Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.
Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.
The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
A precious, mouldering pleasure βt is
To meet an antique book,
In just the dress his century wore;
A privilege, I think.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Good-bye, she thinks. Good-bye, kuye lam. I will write your name in the ruin of them. I will paint you across history in the color of their blood.
β
β
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
β
I fear a Man of frugal speech -
I fear a Silent Man -
Haranguer - I can overtake -
Or Babbler - entertain -
But He who weigheth - While the Rest -
Expend their furthest pound -
Of this Man - I am wary -
I fear that He is Grand -
β
β
Emily Dickinson
β
Call me crazy, but there is something terribly wrong with this city.
β
β
Nathan Reese Maher
β
She had always loved the stars. But in the desert of winter it was impossible to forget that they were cold, and distant, and did not care.
β
β
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
β
I will write your name in the ruin of them. I will paint you across history in the color of their blood.
β
β
Seth Dickinson (The Monster Baru Cormorant (The Masquerade, #2))
β
A charm invests a face
Imperfectly beheld,β
The lady dare not lift her veil
For fear it be dispelled.
But peers beyond her mesh,
And wishes, and denies,β
Lest interview annul a want
That image satisfies.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Who loves you most, and loves you best, and thinks of you when others rest? 'Tis Emilie.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
This is the Hour of Lead β
Remembered, if outlived,
As Freezing persons, recollect the Snow β
First β Chill β then Stupor β then the letting go β
β
β
Emily Dickinson (Selected Poems)
β
There is an hour when you realize: here is what you have been given. More than this, you won't receive. And what this is, what your life has come to, will be taken from you. In time.
β
β
Joyce Carol Oates (Wild Nights!: Stories About the Last Days of Poe, Dickinson, Twain, James, and Hemingway)
β
To travel far, there is no better ship than a book.
β
β
Emily Dickinson
β
Fortune befriends the bold.
β
β
Emily Dickinson
β
Witchcraft was hung, in History,
But History and I
Find all the Witchcraft that we need
Around us, every Day -
β
β
Emily Dickinson
β
Some keep the Sabbath going to church, I keep it staying at home, with a bobolink for a chorister, and an orchard for a dome.
β
β
Emily Dickinson
β
There are people you know all your life who never really make a difference to who you are; others arrive for a short time and change everything.
β
β
Miranda Dickinson (Fairytale of New York)
β
A Word that Breathes Distinctly
Has not the Power to Die
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I would like more sisters, that the taking out of one, might not leave such stillness.
β
β
Emily Dickinson
β
I canβt help but ask, βDo you know where you are?β
She turns to me with a foreboding glare. βDo you?
β
β
Nathan Reese Maher
β
Her breast is fit for pearls,
But I was not a "Diver" -
Her brow is fit for thrones
But I have not a crest,
Her heart is fit for home-
I- a Sparrow- build there
Sweet of twigs and twine
My perennial nest.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
I like a look of agony, because I know it's true
β
β
Emily Dickinson
β
Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labour, and my leisure too,
For his civility.
We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.
Since then 'tis centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
β
β
Emily Dickinson
β
Eroticism is mystique; that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.
β
β
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
β
Oh my darling one, how long you wander from me, how weary I grow of waiting and looking, and calling for you; sometimes I shut my eyes, and shut my heart towards you, and try hard to forget you because you grieve me so, but you'll never go away, oh you never will.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
I took my Power in my Hand --
And went against the World --
'Twas not so much as David -- had --
But I -- was twice as bold --
I aimed by Pebble -- but Myself
Was all the one that fell --
Was it Goliath -- was too large --
Or was myself -- too small?
β
β
Emily Dickinson
β
The Brain - is wider than the Sky -
For - put them side by side -
The one the other will contain
With ease - and You - beside -
The Brain is deeper than the sea -
For- hold them - Blue to Blue -
The one the other will absorb -
As Sponges - Buckets - do -
The Brain is just the weight of God -
For - Heft them - Pound for Pound -
And they will differ - if they do -
As Syllable from Sound.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
I miss you, mourn for you, and walk the streets alone- often at night, beside, I fall asleep in tears, for your dear face, yet not one word comes back to me. If it is finished, tell me, and I will raise the lid to my box of Phantoms, and lay one more love in; but if it lives and beats still, still lives and beats for me, then say so, and I will strike the strings to one more strain of happiness before I die.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
There is a stillness between us, a period of restlessness that ties my stomach
in a hangmanβs noose. It is this same lack in noise that lives, there! in the
darkness of the grave, how it frightens me beyond all things.
β
β
Nathan Reese Maher
β
THE soul should always stand ajar,
That if the heaven inquire,
He will not be obliged to wait,
Or shy of troubling her.
Depart, before the host has slid
The bolt upon the door,
To seek for the accomplished guest, --
Her visitor no more.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
The Soul selects her own Societyβ
Thenβshuts the Doorβ
To her divine Majorityβ
Present no moreβ
Unmovedβshe notes the Chariotsβpausingβ
At her low Gateβ
Unmovedβan Emperor be kneeling
Upon her Matβ
I've known herβfrom an ample nationβ
Choose Oneβ
Thenβclose the Valves of her attentionβ
Like Stoneβ
β
β
Emily Dickinson (Selected Poems)
β
He fumbles at your spirit
As players at the keys
Before they drop full music on;
He stuns you by degrees.
Prepares your brittle substance
For the ethereal blow
by fainter hammers, further heard,
Then nearer, then so slow
Your breath has time to straighten
Your brain to bubble cool,-
Deals one imperial thunderbolt
That scalps your naked soul.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Faithβis the Pierless Bridge
Supporting what We see
Unto the Scene that We do notβ
Too slender for the eye
It bears the Soul as bold
As it were rocked in Steel
With Arms of Steel at either sideβ
It joinsβbehind the Veil
To what, could We presume
The Bridge would cease to be
To Our far, vacillating Feet
A first Necessity.
β
β
Emily Dickinson
β
It might be lonelier
Without the Loneliness β
I'm so accustomed to my Fate β
Perhaps the Other β Peace β
Would interrupt the Dark β
And crowd the little Room β
Too scant β by Cubits β to contain
The Sacrament β of Him β
I am not used to Hope β
It might intrude upon β
Its sweet parade β blaspheme the place β
Ordained to Suffering β
It might be easier
To fail β with Land in Sight β
Than gain β My Blue Peninsula β
To perish β of Delight β
F535 (1863) J405
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Love is like the wild rose-briar;
Friendship like the holly-tree.
The holly is dark when the rose-briar blooms,
But which will bloom most constantly?
The wild rose-briar is sweet in spring
,Its summer blossoms scent the air;
Yet wait till winter comes again,
And who will call the wild-briar fair?
Then, scorn the silly rose-wreath now,
And deck thee with holly's sheen,
That, when December blights thy brow,
He still may leave thy garland green.
β
β
Emily Dickinson
β
I need you more and more, and the great world grows wider, and dear ones fewer and fewer, every day that you stay away. My heart goes wandering around and calls for Susie...My heart is full of you; none other than you are in my thoughts, yet when I seek to say to you something not for the world, words fail me. If you were here, we need not talk at all for our eyes would whisper for us and, your hand fast in mine, we would not ask for language.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
I had been hungry all the years-
My noon had come, to dine-
I, trembling, drew the table near
And touched the curious wine.
'Twas this on tables I had seen
When turning, hungry, lone,
I looked in windows, for the wealth
I could not hope to own.
I did not know the ample bread,
'Twas so unlike the crumb
The birds and I had often shared
In Nature's diningroom.
The plenty hurt me, 'twas so new,--
Myself felt ill and odd,
As berry of a mountain bush
Transplanted to the road.
Nor was I hungry; so I found
That hunger was a way
Of persons outside windows,
The entering takes away.
β
β
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
β
Oh Susie, I often think that I will try to tell you how very dear you are, and how I'm watching for you, but the words won't come, though the tears will, and I sit down disappointed. Yet, darling, you know it all-- then why do I seek to tell you? I do not know. In thinking of those I love, my reason is all gone from me, and I do fear sometimes that I must make a hospital for the hopelessly insane, and chain myself up there so I won't injure you.
β
β
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
β
It was not death, for I stood up,
And all the dead lie down;
It was not night, for all the bells
Put out their tongues, for noon.
It was not frost, for on my flesh
I felt siroccos crawl,
Nor fire, for just my marble feet
Could keep a chancel cool.
And yet it tasted like them all;
The figures I have seen
Set orderly, for burial,
Reminded me of mine,
As if my life were shaven
And fitted to a frame,
And could not breathe without a key;
And I was like midnight, some,
When everything that ticked has stopped,
And space stares, all around,
Or grisly frosts, first autumn morns,
Repeal the beating ground.
But most like chaos,--stopless, cool,
Without a chance or spar,--
Or even a report of land
To justify despair.
β
β
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
β
At first she thought the writing would be easy. She was extremely confident in her ability to dream, to imagine, and she supposed that expressing her dreams in words, in writing, would be entirely natural, like drawing breath. She had read widely from the time she was a child, and she knew how to recognize something that was well written. She admired certain lines and passages so much that she had taken complete possession of them and committed them to memory. She could recite βThe Gettysburg Addressβ and βThe Twenty-Third Psalm.β She could recite βJabberwockyβ and Emily Dickinsonβs βFurther in summer that the birdsβ and Wallace Stevensβs βSunday Morning.β She knew by heart the final paragraph of Joyceβs βThe Dead,β and if challenged she could say in whole the parts of both Romeo and Juliet. And she knew many Kiowa stories and many long prayers in Navajo. These were not feats of memory in the ordinary sense; it was simply that she attended to these things so closely that they became a part of her most personal experience. She had assumed them, appropriated them to her being.
But to write! She discovered that was something else again.
β
β
N. Scott Momaday (The Ancient Child)