Dickinson Emily Quotes

Hope is the thing with feathers That perches in the soul And sings the tune without the words And never stops at all.

If I can stop one heart from breaking, I shall not live in vain.

Forever is composed of nows.

That it will never come again is what makes life so sweet.

If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry.

Not knowing when the dawn will come I open every door.

A little Madness in the Spring Is wholesome even for the King.

This is my letter to the world That never wrote to me

Morning without you is a dwindled dawn.

If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?

I dwell in possibility…

Nature is a haunted house--but Art--is a house that tries to be haunted.

I'm nobody! Who are you? Are you nobody, too? Then there ’s a pair of us—don’t tell! They ’d banish us, you know. How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog!

To live is so startling it leaves little time for anything else.

Bring me the sunset in a cup.

Pardon My Sanity In A World Insane

A Word is Dead A word is dead When it is said, Some say. I say it just Begins to live That day.

Beauty is not caused. It is.

I know nothing in the world that has as much power as a word. Sometimes I write one, and I look at it, until it begins to shine.

I am out with lanterns, looking for myself.

The soul should always stand ajar, ready to welcome the ecstatic experience.

Because I could not stop for Death – He kindly stopped for me – The Carriage held but just Ourselves – And Immortality.

Dogs are better than human beings because they know but do not tell.

The Heart wants what it wants - or else it does not care

Heart, we will forget him, You and I, tonight! You must forget the warmth he gave, I will forget the light.

Truth is so rare, it is delightful to tell it.

Hold dear to your parents for it is a scary and confusing world without them.

The dearest ones of time, the strongest friends of the soul--BOOKS.

One need not be a chamber to be haunted.

We turn not older with years but newer every day.

There is no Frigate like a Book To take us Lands away Nor any Coursers like a Page Of prancing Poetry – This Traverse may the poorest take Without oppress of Toll – How frugal is the Chariot That bears a Human soul.

How happy is the little stone That rambles in the road alone, And doesn't care about careers, And exigencies never fears; Whose coat of elemental brown A passing universe put on; And independent as the sun, Associates or glows alone, Fulfilling absolute decree In casual simplicity.

Oh phosphorescence. Now there’s a word to lift your hat to... To find that phosphorescence, that light within — is the genius behind poetry.

The lovely flowers embarrass me. They make me regret I am not a bee...

Till I loved I never lived.

I don't profess to be profound; but I do lay claim to common sense.

I felt it shelter to speak to you.

A great hope fell You heard no noise The ruin was within.

Unable are the loved to die. For love is immortality.

Life is a spell so exquisite that everything conspires to break it.

If I can stop one heart from breaking, I shall not live in vain; If I can ease one life the aching, Or cool one pain, Or help one fainting robin Unto his nest again, I shall not live in vain.

We never know how high we are till we are called to rise. Then if we are true to form our statures touch the skies.

Write me of hope and love, and hearts that endured.

That I shall love always, I argue thee that love is life, and life hath immortality

Love is anterior to life, posterior to death, initial of creation, and the exponent of breath.

But a Book is only the Heart's Portrait- every Page a Pulse.

Hope is the thing with feathers That perches in the soul, And sings the tune without the words, And never stops at all, And sweetest in the gale is heard; And sore must be the storm That could abash the little bird That kept so many warm. I've heard it in the chilliest land And on the strangest sea; Yet, never, in extremity, It asked a crumb of me.

An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.

Find ecstasy in life; the mere sense of living is joy enough.

I must go in, the fog is rising.

We outgrow love like other things and put it in a drawer, till it an antique fashion shows like costumes grandsires wore.

A wounded dear leaps the highest

Behavior is what a man does, not what he thinks, feels, or believes.

The sun just touched the morning; The morning, happy thing, Supposed that he had come to dwell, And life would be all spring.

Judge tenderly of me.

How do most people live without any thought? There are many people in the world,--you must have noticed them in the street,--how do they live? How do they get strength to put on their clothes in the morning?

I have been bent and broken, but -I hope- into a better shape.

To make a prairie it takes a clover and one bee, One clover, and a bee, And revery. The revery alone will do, If bees are few.

If you were coming in the fall, I'd brush the summer by, With half a smile and half a spurn, As housewives do a fly. If I could see you in a year, I'd wind the months in balls, And put them each in separate drawers, Until their time befalls.

My love for those I love -- not many -- not very many, but don't I love them so?

Those who have not found the heaven below, will fail of it above.

To be alive──is Power.

Tell all the Truth but tell it slant-- Success in Circuit lies Too bright for our infirm Delight The Truth's superb surprise As Lightning to the Children eased With explanation kind The Truth must dazzle gradually Or every man be blind--

That love is all there is, Is all we know of love.

She died--this was the way she died; And when her breath was done, Took up her simple wardrobe And started for the sun. Her little figure at the gate The angels must have spied, Since I could never find her Upon the mortal side.

Anger as soon as fed is dead- 'Tis starving makes it fat.

They say that God is everywhere and yet we always think of him as somewhat of a recluse.

To see her is a picture— To hear her is a tune— To know her an Intemperance As innocent as June— To know her not—Affliction— To own her for a Friend A warmth as near as if the Sun Were shining in your Hand.

The possible's slow fuse is lit by the Imagination.

There's a certain slant of light, On winter afternoons, That oppresses, like the weight Of cathedral tunes.

The brain is wider than the sky, For, put them side by side, The one the other will include With ease, and you beside.

in this short life that only lasts ah hour how much-how little-is within our power.

I am nobody! Who are you? Are you a nobody, too?

Dying is a wild night and a new road.

People need hard times and oppression to develop psychic muscles.

Solitude never hurt anyone. Emily Dickinson lived alone, and she wrote some of the most beautiful poetry the world has ever known... then went crazy as a loon." Lisa Simpson

He ate and drank the precious words, His spirit grew robust; He knew no more that he was poor, Nor that his frame was dust. He danced along the dingy days, And this bequest of wings Was but a book. What liberty A loosened spirit brings!

My friends are my estate.

Much Madness Is Divinest Sense Much Madness is divinest Sense — To a discerning Eye — Much Sense — the starkest Madness — 'Tis the Majority In this, as All, prevail — Assent — and you are sane — Demur — you're straightway dangerous — And handled with a Chain —

Men chase by night those they will not greet by day.

I can wade Grief— Whole Pools of it— I'm used to that— But the least push of Joy Breaks up my feet— And I tip—drunken— Let no Pebble—smile— 'Twas the New Liquor— That was all!

All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.

My best Acquaintances are those With Whom I spoke no Word

I felt a Cleaving in my Mind— As if my Brain had split— I tried to match it—Seam by Seam— But could not make it fit.

I died for beauty, but was scarce Adjusted in the tomb, When one who died for truth was lain In an adjoining room. He questioned softly why I failed? “For beauty,” I replied. “And I for truth,—the two are one; We brethren are,” he said. And so, as kinsmen met a night, We talked between the rooms, Until the moss had reached our lips, And covered up our names.

Faith is a fine invention When gentlemen can see, But microscopes are prudent In an emergency.

open me carefully

Whenever a thing is done for the first time, it releases a little demon.

I cannot live with you, It would be life, And life is over there Behind the shelf

I'll tell you how the sun rose, a ribbon at a time. The steeples swam in amethyst, The news like squirrels ran. The hills untied their bonnets, The bobolinks begun. Then I said softly to myself, "That must have been the sun!

My life closed twice before its close; It yet remains to see If Immortality unveil A third event to me, So huge, so hopeless to conceive, As these that twice befell. Parting is all we know of heaven, And all we need of hell.

Do we not each dream of dreams? Do we not dance on the notes of lost memories? Then are we not each dreamers of tomorrow and yesterday, since dreams play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?

And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.

I felt a Funeral, in my Brain, And Mourners to and fro Kept treading – treading – till it seemed That Sense was breaking through – And when they all were seated, A Service, like a Drum – Kept beating – beating – till I thought My Mind was going numb – And then I heard them lift a Box And creak across my Soul With those same Boots of Lead, again, Then Space – began to toll, As all the Heavens were a Bell, And Being, but an Ear, And I, and Silence, some strange Race Wrecked, solitary, here – And then a Plank in Reason, broke, And I dropped down, and down – And hit a World, at every plunge, And Finished knowing – then –

Forever – is composed of Nows – (690) Forever – is composed of Nows – ‘Tis not a different time – Except for Infiniteness – And Latitude of Home – From this – experienced Here – Remove the Dates – to These – Let Months dissolve in further Months – And Years – exhale in Years – Without Debate – or Pause – Or Celebrated Days – No different Our Years would be From Anno Dominies –

I measure every Grief I meet With narrow, probing, Eyes; I wonder if It weighs like Mine, Or has an Easier size. I wonder if They bore it long, Or did it just begin? I could not tell the Date of Mine, It feels so old a pain. I wonder if it hurts to live, And if They have to try, And whether, could They choose between, It would not be, to die. I note that Some -- gone patient long -- At length, renew their smile. An imitation of a Light That has so little Oil. I wonder if when Years have piled, Some Thousands -- on the Harm Of early hurt -- if such a lapse Could give them any Balm; Or would they go on aching still Through Centuries above, Enlightened to a larger Pain By Contrast with the Love. The Grieved are many, I am told; The reason deeper lies, -- Death is but one and comes but once, And only nails the eyes. There's Grief of Want and Grief of Cold, -- A sort they call "Despair"; There's Banishment from native Eyes, In sight of Native Air. And though I may not guess the kind Correctly, yet to me A piercing Comfort it affords In passing Calvary, To note the fashions of the Cross, And how they're mostly worn, Still fascinated to presume That Some are like My Own.

One need not be a chamber to be haunted, One need not be a house; The brain has corridors surpassing Material place. Far safer, of a midnight meeting External ghost, Than an interior confronting That whiter host. Far safer through an Abbey gallop, The stones achase, Than, moonless, one's own self encounter In lonesome place. Ourself, behind ourself concealed, Should startle most; Assassin, hid in our apartment, Be horror's least. The prudent carries a revolver, He bolts the door, O'erlooking a superior spectre More near.

Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.

Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I can’t explain — I don’t need to. I know that if there’s a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. I’m here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.

Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.