“
You play, you win, you play, you lose. You play. It’s the playing that’s irresistible. Dicing from one year to the next with the things you love, what you risk reveals what you value.
”
”
Jeanette Winterson (The Passion)
“
Sooner or later, fate puts us together with all the people, one by one, who show us what we could, and shouldn’t, let ourselves become. Sooner or later we meet the drunkard, the waster, the betrayer, the ruthless mind, and the hate-filled heart. But fate loads the dice, of course, because we usually find ourselves loving or pitying almost all of those people. And it’s impossible to despise someone you honestly pity, and to shun someone you truly love.
”
”
Gregory David Roberts
“
He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.”
“Not all men are destined for greatness,” I reminded him.
“Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?”
“This is philosophy, Fool. I have never had time to study such things.”
“No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
Hay relaciones en las que las palabras dice amistad, pero los ojos gritan romance.
”
”
Woody Allen
“
Surely the day will come when color means nothing more than the skin tone, when religion is seen uniquely as a way to speak one's soul; when birth places have the weight of a throw of the dice and all men are born free, when understanding breeds love and brotherhood.
”
”
Josephine Baker
“
When you are in love you know no fear or hatred. when you are fearful there is no possibility of love or hatred. And when there is hate, there is only hate.
”
”
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))
“
Man is a rope stretched between the animal and the Superman--a rope over an abyss.
A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting.
What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING.
I love those that know not how to live except as down-goers, for they are the over-goers.
I love the great despisers, because they are the great adorers, and arrows of longing for the other shore.
I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive.
I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going.
I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going.
I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing.
I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge.
I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more.
I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to.
I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself.
I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb.
I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going.
I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones.
I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God.
I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge.
I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going.
I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going.
I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds.
Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--
”
”
Friedrich Nietzsche (Thus Spoke Zarathustra)
“
You can never hate strongly unless you have loved strongly
”
”
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))
“
Are you afraid?" Volker questioned while sitting at the table and getting comfortable.
"No. But I have incredible luck with dice and I am ruthless. You will lose, gentlemen. I will destroy your lands, take your women, ravish your men, and make your children my slave labor. I will own every castle, house, and farm that is within my reach. I won't be satisfied until I own all of it and you. I will destroy you all, gentlemen, and, to be quite blunt, I don't think you can handle it."
Van covered his mouth to keep from laughing out loud and he didn't dare look at his sister. Verner stepped back, motioning to the table. "Now I must insist."
"As you wish." Irene sighed and stood. She glanced at Van and gave him a quick wink before turning back to his uncle. "I do hope you're a 'sobber,' Mr. Van Holtz. Nothing I love more than the lamenting of the men I annihilate."
"I can't believe you made him cry."
"I did not. He just teared up a little."
"Yeah. I think it was when you told him, 'I now control your ports and own your manhood.'"
"His wife laughed.
”
”
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
“
Come, lady, come; you have lost the heart of Signior Benedick.
BEATRICE
Indeed, my lord, he lent it me awhile; and I gave him use for it, a double heart for his single one: marry, once before he won it of me with false dice, therefore your grace may well say I have lost it.
DON PEDRO
You have put him down, lady, you have put him down.
BEATRICE
So I would not he should do me, my lord, lest I should prove the mother of fools.
”
”
William Shakespeare (Much Ado About Nothing)
“
My father could throw up a fistful of dice to make a decision, but my mother had an agony for every hour. I guess they balanced, as two people who love each other should.
”
”
Robert McCammon (Boy's Life)
“
A certain wise man once said that God didn't play dice with the universe, but that man was wrong. Sometimes I think He must even try Russian roulette.
”
”
Daína Chaviano (The Island of Eternal Love)
“
Existe una ley en algún lugar que dice que cuando una persona está totalmente enamorada de otra, es inevitable que la otra lo esté también. Amor ch'a null'amato amar perdona. .
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
The dice of love are shouting and madness.
”
”
Sappho
“
Love is one of society's many socially accepted forms of madness.
”
”
Luke Rhinehart (The Dice Man)
“
The Clock on the Morning Lenape Building
Must Clocks be circles?
Time is not a circle.
Suppose the Mother of All Minutes started
right here, on the sidewalk
in front of the Morning Lenape Building, and the parade
of minutes that followed--each of them, say, one inch long--
headed out that way, down Bridge Street.
Where would Now be? This minute?
Out past the moon?
Jupiter?
The nearest star?
Who came up with minutes, anyway?
Who needs them?
Name one good thing a minute's ever done.
They shorten fun and measure misery.
Get rid of them, I say.
Down with minutes!
And while you're at it--take hours
with you too. Don't get me started
on them.
Clocks--that's the problem.
Every clock is a nest of minutes and hours.
Clocks strap us into their shape.
Instead of heading for the nearest star, all we do
is corkscrew.
Clocks lock us into minutes, make Ferris wheel
riders of us all, lug us round and round
from number to number,
dice the time of our lives into tiny bits
until the bits are all we know
and the only question we care to ask is
"What time is it?"
As if minutes could tell.
As if Arnold could look up at this clock on
the Lenape Building and read:
15 Minutes till Found.
As if Charlie's time is not forever stuck
on Half Past Grace.
As if a swarm of stinging minutes waits for Betty Lou
to step outside.
As if love does not tell all the time the Huffelmeyers
need to know.
”
”
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
“
¿No está enojado?
–Estoy contento, –dijo. –Ellos van a ser capaces de cuidar uno del otro cuando yo me haya ido, o por lo menos puedo esperar eso. Él dice que ella no lo ama, pero seguramente ella llegara a amarlo con el tiempo. Will es fácil de amar y él le ha dado todo su corazón. Lo puedo ver. Espero que no se lo rompa.
”
”
Cassandra Clare
“
I know you not quite well
Yet I foolishly surrender my mind to you.
Slowly and carefully you have cast a spell
Now my virgin heart only longs for you.
There is no need to push, I am already falling.
Once proudly tall, I’m no longer standing.
Knowing well that I am doomed to misery,
I will roll the dice and take delight in my suffering.
”
”
Kamand Kojouri
“
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?”
They were silent. Samuel looked at Lindsey.
“Buckley,” my father called from the adjoining room, “come play Monopoly with me.”
My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.
“See this shoe?” my father said.
Buckley nodded his head.
“I want you to listen to everything I say about it, okay?”
“Susie?” my brother asked, somehow connecting the two.
“Yes, I’m going to tell you where Susie is.”
I began to cry up in heaven. What else was there for me to do?
“This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.”
“Is that a dog?”
“Yes, that’s a Scottie.”
“Mine!”
“Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?”
“The shoe?” Buckley asked.
“Right, and I’m the car, your sister’s the iron, and your mother is the cannon.”
My brother concentrated very hard.
“Now let’s put all the pieces on the board, okay? You go ahead and do it for me.”
Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.
“Let’s say the other pieces are our friends?”
“Like Nate?”
“Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?”
“They can’t play anymore?”
“Right.”
“Why?” Buckley asked.
He looked up at my father; my father flinched.
“Why?” my brother asked again.
My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back.
“Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?”
Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.
My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand.
Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
”
”
Alice Sebold (The Lovely Bones)
“
Calla, calla, princesa —dice el hada madrina—;
en caballo, con alas, hacia acá se encamina,
en el cinto la espada y en la mano el azor,
el feliz caballero que te adora sin verte,
y que llega de lejos, vencedor de la Muerte,
a encenderte los labios con un beso de amor
”
”
Rubén Darío
“
He loved that anxiety, that terrible and oppressive anxiety which he experienced during the game of dice, during the suspense of high stakes.
”
”
Hermann Hesse (Siddhartha)
“
—Si, en avión privado —mascullé, pasándome el dorso de la mano bajo los ojos.
—No necesito un avión privado, solo un coche.
Me quedé en silencio un momento.
—¿Lo dices en serio? —pregunté, sorprendida.
—Pues claro que lo digo en serio. —Casi pareció ofendido.
—¿Vendrías a buscarme? ¿Solo... porque estoy llorando?
—No puedo seguir aquí de brazos cruzados sabiendo que tú estás así de mal.
”
”
Joana Marcús (Antes de diciembre (Meses a tu lado, #1))
“
Naturalists tell of a noble race of horses that instinctively open a vein with their teeth, when heated and exhausted by a long course, in order to breathe more freely. I am often tempted to open a vein, to procure for myself everlasting liberty.
Cento volte ho impugnato una lama per conficcarmela nel cuore. Si dice di una nobile razza i cavalli,che quando si sentono accaldati e affaticati, si aprono istintivamente una vena, per respirare più liberamente. Spesso anche io vorrei aprirmi una vena che mi desse libertà eterna.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
Love that bore me I bear back to my Origin with no loss, I float over the vomiter
thrilled with my deathlessness, thrilled with this endlessness I dice and bury,
come Poet shut up eat my word, and taste my mouth in your ear.
”
”
Allen Ginsberg (Kaddish and Other Poems)
“
Sooner or later, fate puts us together with all the people, one by one, who show us what we could, and shouldn’t, let ourselves become. Sooner or later we meet the drunkard, the waster, the betrayer, the ruthless mind, and the hate-filled heart. But fate loads the dice, of course, because we usually find ourselves loving or pitying almost all of those people. And it’s impossible to despise someone you honestly pity, and to shun someone you truly love.
”
”
Gregory David Roberts (Shantaram)
“
What had happened was this. When still young, I had gotten the idea from somewhere that I might be able to write... Maybe the deadly notion came from liking to read so much. Maybe I was in love with the image of being a writer. Whatever. It had been a really bad idea. Because I couldn't write, at least not by the bluntly and frequently expressed standards of anyone in a position to offer any encouragement and feedback.
”
”
Paul Di Filippo (Fuzzy Dice)
“
Te quiero…te adoro –dice–. Iré adonde digas: Estambul, Singapur, Honolulú. Pero ahora tengo que irme…se está haciendo tarde.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
I want you today, tomorrow, next week and for the rest of my life.
”
”
I.A. Dice (The Sound of Salvation)
“
Despite the earnest belief of most of his fans, Einstein did not win his Nobel Prize for the theory of relativity, special or general. He won for explaining a strange effect in quantum mechanics, the photoelectric effect. His solution provided the first real evidence that quantum mechanics wasn’t a crude stopgap for justifying anomalous experiments, but actually corresponds to reality. And the fact that Einstein came up with it is ironic for two reasons. One, as he got older and crustier, Einstein came to distrust quantum mechanics. Its statistical and deeply probabilistic nature sounded too much like gambling to him, and it prompted him to object that “God does not play dice with the universe.” He was wrong, and it’s too bad that most people have never heard the rejoinder by Niels Bohr: “Einstein! Stop telling God what to do.
”
”
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
“
I shared my office on 57th Street with Dr Jacob Ecstein, young (thirty-three), dynamic (two books published), intelligent (he and I usually agreed), personable (everyone liked him), unattractive (no one loved him), anal (he plays the stock market compulsively), oral (he smokes heavily), non-genital (doesn’t seem to notice women), and Jewish (he knows two Yiddish slang words). Our mutual secretary was a Miss Reingold. Mary Jane Reingold, old (thirty-six), undynamic (she worked for us), unintelligent (she prefers Ecstein to me), personable (everyone felt sorry for her), unattractive (tall, skinny, glasses, no one loved her), anal (obsessively neat), oral (always eating), genital (trying hard), and non-Jewish (finds use of two Yiddish slang words very intellectual). Miss Reingold greeted me efficiently.
”
”
Luke Rhinehart (The Dice Man)
“
The world, my friend Govinda, is not imperfect, or on a slow path towards perfection: no, it is perfect in every moment, all sin already carries the divine forgiveness in itself, all small children already have the old person in themselves, all infants already have death, all dying people the eternal life. It is not possible for any person to see how far another one has already progressed on his path; in the robber and dice-gambler, the Buddha is waiting; in the Brahman, the robber is waiting. In deep meditation, there is the possibility to put time out of existence, to see all life which was, is, and will be as if it was simultaneous, and there everything is good, everything is perfect, everything is Brahman. Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me. I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it.
”
”
Hermann Hesse (Siddhartha)
“
—Cuando hablas de lo que te gusta, se te iluminan los ojos —dice, sonriendo de lado.
Me pongo roja sin saber muy bien por qué y me encojo de hombros.
—También empiezo a parlotear sin parar.
—Me gusta mucho oírte hablar, Brooke.
”
”
Joana Marcús (La última nota (Canciones para ella, #1))
“
I had known contentment before, brief snatches of time in which I pursued solitary pleasure: skipping stones or dicing or dreaming. But in truth, it had been less a presence than an absence, a laying aside of dread: my father was not near, nor boys. I was not hungry, or tired, or sick. This feeling was different.
”
”
Madeline Miller (The Song of Achilles)
“
Succede continuamente. Ogni giorno, in ogni parte del mondo qualche milione di persone dice al milione che ha incontrato: «Non so perché sto raccontando tutte queste cose proprio a te, che ti conosco appena». E invece sa benissimo quello che fa.
”
”
Diego De Silva (La donna di scorta)
“
He llegado a la conclusión de que no hay reglas fijas en la vida. Haz lo que tengas que hacer para sobrevivir. Si eso significa huir del amor de tu vida para preservar tu salud mental, hazlo. Si eso significa romper el corazón de alguien para no romper el tuyo; hazlo. La vida es complicada, demasiado para que haya absolutos. Estamos todos tan rotos. Escoge una persona, sacúdelos y escucharás el ruido de sus pedazos rotos. Piezas que nuestros padres rompieron, o nuestras madres o nuestros amigos, desconocidos, o nuestros amores. Olivia ha dejado de sonar tanto como solía hacerlo. El amor es una herramienta dada por Dios, me dice. Atornilla las cosas en el lugar que están sueltas, y realizas limpieza de todas las piezas rotas que no necesitas más.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
¿Qué pasa que a veces alguien dice algo y conquista para siempre a otra persona?
”
”
Manuel Puig (Kiss of the Spider Woman)
“
Tú no eres la primera —dice Peter—. Pero eres la más especial para mí, porque eres la chica que amo, Lara Jean.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Como dice una canción, me ha rozado el alma y me la ha cambiado, ¿cómo perdonarle el haber hecho nacer en mí las ganas de querer y de que me quieran?
”
”
Marc Levy (L'étrange voyage de Monsieur Daldry)
“
Es una verdad universal que cuando una mujer dice que ha estado pensando, el hombre tiene que preocuparse
”
”
Maya Banks (Never Love a Highlander (McCabe Trilogy, #3))
“
Quien no ha perdido a quien quiere mientras le dice todo está bien, no pasa nada, no sabe lo que es el amor.
”
”
David Trueba (Tierra de campos)
“
Hipótesis: Pese a lo que dice todo el mundo, el sexo nunca será más que una actividad medianamente agradable... oh. Oh
”
”
Ali Hazelwood (The Love Hypothesis)
“
This out of all will remain –
They have lived and have tossed:
So much of the game will be gain,
Though the gold of the dice has been lost.
”
”
Jack London (Love of Life (Short Story Collection))
“
Pero justo cuando se está dando la vuelta la escucha a su espalda, una palabra que es una puerta que se abre, un final y un principio al mismo tiempo,un deseo.
-Espera-dice Oliver.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
Ti cercherò sempre
sperando di non trovarti mai
mi hai detto all’ultimo congedo
Non ti cercherò mai
sperando sempre di trovarti
ti ho risposto
Al momento l’arguzia speculare
fu sublime
ma ogni giorno che passa
si rinsalda in me
un unico commento
e il commento dice
due imbecilli
”
”
Michele Mari (Cento poesie d'amore a Ladyhawke)
“
Por una vez deberías permitirte pensar en todo lo que pasó, porque lo que sientes, lo que crees que sientes y lo que dices que no sientes te está privando de mucho. Tienes que cerrar el capítulo.
”
”
Carolina Pineda (Encierro)
“
«Sucedió como en un pasaje de Cortázar: “Lo que mucha gente llama amar consiste en elegir una mujer y casarse con ella”. Fue lo que pasó con Soledad. Nos elegimos como se eligen prendas de ropa. “A Beatriz no se la elige, a Julieta no se la elige”, dice Cortázar: “No elegís la lluvia que te va a calar hasta los huesos cuando salís de un concierto”. Al ver a Laura sentí eso. No elegí: Amé. Llovió encima de mí.»
”
”
Juan Villoro
“
There is a talent in finding
the right information at the right time,
a happiness in pleasing someone else.
Love is the best teacher in this journey.
It is simple:
you take the initiative and throw the dice.
/The Invitation
”
”
Joyce Akesson
“
dear samantha
i’m sorry
we have to get a divorce
i know that seems like an odd way to start a love letter but let me explain:
it’s not you
it sure as hell isn’t me
it’s just human beings don’t love as well as insects do
i love you.. far too much to let what we have be ruined by the failings of our species
i saw the way you looked at the waiter last night
i know you would never DO anything, you never do but..
i saw the way you looked at the waiter last night
did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication.
after Elizabeth and i broke up we spent three days dividing everything we had bought together
like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away
this is not true
after two praying mantises mate, the nervous system of the male begins to shut down
while he still has control over his motor functions
he flops onto his back, exposing his soft underbelly up to his lover like a gift
she then proceeds to lovingly dice him into tiny cubes
spooning every morsel into her mouth
she wastes nothing
even the exoskeleton goes
she does this so that once their children are born she has something to regurgitate to feed them
now that.. is selflessness
i could never do that for you
so i have a new plan
i’m gonna leave you now
i’m gonna spend the rest of my life committing petty injustices
i hope you do the same
i will jay walk at every opportunity
i will steal things i could easily afford
i will be rude to strangers
i hope you do the same
i hope reincarnation is real
i hope our petty crimes are enough to cause us to be reborn as lesser creatures
i hope we are reborn as flies
so that we can love each other as hard as we were meant to.
”
”
Jared Singer
“
Mi giro verso di lui, lentamente, e ha occhi enormi, completamente spalancati.
C’è paura. Ci stiamo ancora guardando. E ho questa sensazione allo stomaco come di una spirale che stringe.
«Sei tu» dico.
«Lo so, sono in ritardo» dice.
”
”
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
“
—Mira, no entiendo todo lo que hemos pasado juntos, lo que significa todo esto. Pero lo que sí sé... —Se enjuga una lágrima de la cara—, lo que sé es que algún día lo echaré de menos, incluso las partes más duras, incluso los horrores. Te echaré de menos —le dice mirándolo a los ojos—, este momento, aquí y ahora.
Bradwell la mira como memorizando su cara.
—Conseguiré llegar —le dice Pressia a modo de despedida.
—Lo que quiero es que consigas volver —replica el otro.
”
”
Julianna Baggott (Fuse (Pure, #2))
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Being rich towards God means
...growing a soul that is increasingly healthy and good.
... loving and enjoying the people around you.
...learning about your gifts and passion and doing good work to improve the world.
...becoming generous with your stuff.
...making that which is temporary become the servant of that which is eternal.
...savoring every roll of the dice and every trip around the board.
”
”
John Ortberg (When the Game Is Over, It All Goes Back in the Box)
“
io, mio caro, non credo nell'amore universale. L'amore esiste in dosi modiche. Si possono amare forse cinque fra uomini e donne, dieci magari, talvolta financo quindici. E anche questo solo assai di rado. Ma se uno arriva e mi dice che ama tutto il Terzo mondo, o ama l'America Latina, o ama il sesso femminile, quello non è amore ma retorica. Pura demagogia. Slogan. Non siamo nati per amare più di una manciata di persone.
”
”
Amos Oz (Judas)
“
Julie le ha dicho a Faye que cree que los amantes pasan por tres fases distintas cuando empiezan a conocerse bien. Primero intercambian anécdotas y gustos. Después se cuentan las cosas en que creen. Y luego cada uno examina la relación entre lo que el otro dice que cree y lo que hace en realidad.
”
”
David Foster Wallace (Girl With Curious Hair)
“
—Estamos marcados. Tú y yo. Estamos tan enamorados, Charlie. ¿Todavía lo sientes? ¿Hago que tu corazón se acelere?
—Estos no son nuestros tatuajes —dice.
Niego. —Marcados —repito. Levanto el dedo índice como si estuviera haciendo un gesto por encima de su hombro—. Justo allí. Permanentemente. Por siempre.
”
”
Colleen Hoover (Never Never (Never Never, #1))
“
Estoy confundido. No consigo leer tus señales. Unas veces si, otras no. Dices que me quieres, pero dices que no quieres. Si te decidieras, sería fantástico, pero me estás haciendo pensar una cosa y, a continuación, al final acabas yendo en una dirección completamente diferente. No sólo ahora, todo el tiempo.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Hap
If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love's loss is my hate's profiting!”
Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so. How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan. . . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.
”
”
Thomas Hardy (Wessex Poems)
“
In the game of cards, he would always get the worst hand. In the game of dice, he always got the worst numbers. By the age 7 he had already accepted that luck was not his thing. But for the first time, he wanted to get that perfect hand. For the first time he wanted to be the one, to be the one whom she would like over all others.
”
”
Naren Singh
“
If you threw Elvis and a scarecrow in a blender, topped the whole thing off with Seagram's 7 and pressed dice, you would make my dad. He's got tar black hair and shoulder blades that cut through his undershirt like clipped wings. He looks like a gray-skinned, skinny-rat cowboy and I would be lying if I didn't say that I am, maybe sorta kinda, keep it secret, in love with him.
And you would be, too, you would, if you met him before drink number five or six. Just meet him then. Get lost before things get ugly.
”
”
Andrea Portes (Hick)
“
Él dice que los regalos no son importantes, pero yo pienso que sí lo son; no por cuánto cuesten, sino por la oportunidad que nos dan de decir te entiendo.
”
”
David Levithan (My True Love Gave to Me: Twelve Holiday Stories)
“
He said, where there is love, there is my grace.
”
”
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))
“
learning was useless if there was no love; that sacrifices were meaningless without purity of heart; and gifts worthless if bestowed on the undeserving.
”
”
Anand Neelakantan (Ajaya: Roll of the Dice (Epic of the Kaurava Clan #1))
“
«Dove sei» dice, «quando mi scrivi?»
«Di solito qui. Ogni tanto alla scrivania.»
«Ah» dice, annuendo. E poi mi chino su di lui e lo bacio dolcemente sul collo, appena sotto la mascella. Si gira verso di me e deglutisce.
«Ciao» dico.
Sorride. «Ciao.»
E poi lo bacio, e lui ricambia il bacio, e con le mani mi stringe i capelli. E ci baciamo come se respirassimo.
”
”
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
“
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
”
”
Virginia Woolf (Flush)
“
dear samantha
i’m sorry
we have to get a divorce
i know that seems like an odd way to start a love letter but let me explain:
it’s not you
it sure as hell isn’t me
it’s just human beings don’t love as well as insects do
i love you.. far too much to let what we have be ruined by the failings of our species
i saw the way you looked at the waiter last night
i know you would never DO anything, you never do but..
i saw the way you looked at the waiter last night
did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication.
after Elizabeth and i broke up we spent three days dividing everything we had bought together
like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away
this is not true
after two praying mantises mate, the nervous system of the male begins to shut down
while he still has control over his motor functions
he flops onto his back, exposing his soft underbelly up to his lover like a gift
she then proceeds to lovingly dice him into tiny cubes
spooning every morsel into her mouth
she wastes nothing
even the exoskeleton goes
she does this so that once their children are born she has something to regurgitate to feed them
now that.. is selflessness
i could never do that for you
so i have a new plan
i’m gonna leave you now
i’m gonna spend the rest of my life committing petty injustices
i hope you do the same
i will jay walk at every opportunity
i will steal things i could easily afford
i will be rude to strangers
i hope you do the same
i hope reincarnation is real
i hope our petty crimes are enough to cause us to be reborn as lesser creatures
i hope we are reborn as flies
so that we can love each other as hard as we were meant to
”
”
Jared Singer
“
Her gaze went with her, into a room with walls of frozen earth, and a floor the same, the latter split from corner to corner, and a fissure opened in it from which a flame column rose four or five times the size of a man. There was bitter cold off it rather than heat, and no reassuring flicker in its heart. Instead its innards churned upon themselves, turning over and over some freight of stuff which she failed to recognize at first, but her appalled stare rapidly interpreted. There was a body in the fire, hacked limb from limb, human enough that she recognized it as flesh, but no more than that. Baphomet's doing presumably, some torment visited on a transgressor. Boone said the Baptizer's name even now, and she readied herself for sight of its face. She had it too, but from inside the flame, as the creature there--not dead, but alive, not Midian's subject, but its creator--rolled its head over in the turmoil of flame and looked her way. This was Baphomet. This diced and divided thing. Seeing its face, she screamed. No story or movie screen, no desolation, no bliss, had prepared her for the maker of Midian. Sacred it must be, as anything so extreme must be sacred. A thing beyond things. Beyond love or hatred or their sum, beyond the beautiful or the monstrous or their sum. Beyond, finally, her mind's power to comprehend or catalog.
”
”
Clive Barker (Cabal)
“
Pero el problema es que, como dices, oímos hablar tanto del amor en todas partes, a todo el mundo, que al final le quitamos todo su valor y nos conformamos con el primer sucedáneo que nos llega.
”
”
Javier Ruescas (Prohibido creer en historias de amor)
“
Dormire, dormire; ecco l'unica tregua. Ma poi al risveglio, svaniti gli ultimi brandelli del sogno in corso, quel senso di angoscia, di condanna. Il pensiero cerca subito intorno: perché? perché? Lei! E allora il cuore prende a battere, il cervello si riempie di quel pensiero ossessionante, fisso, profondo, che invade tutta la coscienza e la chiude senza lasciare scampo. A qualsiasi cosa pensi, o meglio cerchi di pensare, c'è sempre lei di mezzo, che sbarra la strada. Egli si dice: è assurdo, non vale la pena, non merita, sì sì, tutti ottimi argomenti. Ma il giorno che rinunciasse, che non insistesse più, che trasformasse l'ansia in dolore cocente, quel giorno che cosa gli resterebbe? Il vuoto, la solitudine, la prospettiva di un futuro sempre più squallido e morto. Dio, aiutami!
”
”
Dino Buzzati (Un amore)
“
The moment I was old enough to play board games I fell in love with Snakes and Ladders. O perfect balance of rewards and penalties O seemingly random choices made by tumbling dice Clambering up ladders slithering down snakes I spent some of the happiest days of my life. When in my time of trial my father challenged me to master the game of shatranji I infuriated him by preferring to invite him instead to chance his fortune among the ladders and nibbling snakes.
All games have morals and the game of Snakes and Ladders captures as no other activity can hope to do the eternal truth that for every ladder you climb a snake is waiting just around the corner and for every snake a ladder will compensate. But it's more than that no mere carrot-and-stick affair because implicit in the game is the unchanging twoness of things the duality of up against down good against evil the solid rationality of ladders balances the occult sinuousities of the serpent in the opposition of staircase and cobra we can see metaphorically all conceivable opposition Alpha against Omega father against mother here is the war of Mary and Musa and the polarities of knees and nose... but I found very early in my life that the game lacked one crucial dimension that of ambiguity - because as events are about to show it is also possible to slither down a ladder and lcimb to truimph on the venom of a snake... Keeping things simple for the moment however I recrod that no sooner had my mother discovered the ladder to victory represented by her racecourse luck than she was reminded that the gutters of the country were still teeming with snakes.
”
”
Salman Rushdie
“
Celebrities are often driven by a deep narcissistic quest to fuel their insatiable ego—a personality trait that often leads them to the entertainment industry in the first place. As Ellen DeGeneres once joked when hosting the Oscars, “We know that the most important thing in the world is love and friendship and family…and if people don’t have those things, well then, they usually get into show business.”294
”
”
Mark Dice (The Illuminati in Hollywood: Celebrities, Conspiracies, and Secret Societies in Pop Culture and the Entertainment Industry)
“
Love at first sight must be glorious. I wouldn’t know, since at first there was no sight. Smell, yeah — the tangy, salty scent of horses. Plenty of other sensations too. But I’ll get to that. The point I want to make up front is that by the time I laid eyes on Sinclair Youngblood Powers — in the flesh, that is — I was already in love with him. Nothing could change that. Not even the fact that he was dead." ~ Dice
”
”
Nina Malkin (Swoon (Swoon, #1))
“
A serving-man, proud in heart and mind; that curled
my hair; wore gloves in my cap; served the lust of
my mistress' heart, and did the act of darkness with
her; swore as many oaths as I spake words, and
broke them in the sweet face of heaven: one that
slept in the contriving of lust, and waked to do it:
wine loved I deeply, dice dearly: and in woman
out-paramoured the Turk: false of heart, light of
ear, bloody of hand; hog in sloth, fox in stealth,
wolf in greediness, dog in madness, lion in prey.
Let not the creaking of shoes nor the rustling of
silks betray thy poor heart to woman: keep thy foot
out of brothels, thy hand out of plackets, thy pen
from lenders' books, and defy the foul fiend.
Still through the hawthorn blows the cold wind:
Says suum, mun, ha, no, nonny.
Dolphin my boy, my boy, sessa! let him trot by.
Storm still.
”
”
William Shakespeare (King Lear)
“
—Estás despierto, despierto de verdad.
Asiente y dice:
—Más o menos.
—Me alegro de que hayas vuelto. —Y es verdad, no cabe en sí de felicidad—. ¡Has vuelto de veras!
—Nunca me fui.
—Me salvaste en el río.
—Y tú a mí aquí.
”
”
Julianna Baggott (Fuse (Pure, #2))
“
To my mother, the world was a vast quilt whose stitches were always coming undone. Her worrying somehow worked like a needle, tightening those dangerous seams. If she could imagine events through to their worst tragedy, then she seemed to have some kind of control over them. As I said, it was her way. My father could throw up a fistful of dice to make a decision, but my mother had an agony for every hour. I guess they balanced, as two people who love each other should.
”
”
Robert McCammon (Boy's Life)
“
Penso che sia incredibile come cambia tutto quando incontri la persona che ami, incredibile quanto velocemente quel a persona ti possa bastare. Ti senti avvolto e riscaldato dal pensiero di lei, tutto diventa più leggero, anche se sei al lavoro e sono le quattro e venti del pomeriggio e fuori piove.
Sei in macchina in autostrada, sei stanco, i vestiti ti stanno scomodi, ma pensi a lei e sorridi da solo, poi ti guardi nel o specchietto per vedere se sei abbastanza bel o per lei. Mandi messaggi e se non ti risponde subito è perché è in riunione o non ha sentito, certo non perché non ha voglia. È venerdì sera, la vedi e pensi che sei fortunato perché per due giorni è tutta tua. È tua a colazione, è tua dopo pranzo nel letto, mentre cerchi di vedere un film. Ti dice che martedì sera le va di cucinare per te e che ti aspetta a casa verso le nove, e tu al e otto e quarantacinque fai le scale di casa sua a due gradini al a volta, al egro e innamorato, perché hai voglia di baciarla e di sentire il suo odore.
Quando entri in casa sua c’è già un buon profumo e non sai trovare le parole per dire a te stesso
quanto sei felice, e quando sei solo in bagno ti guardi al o specchio e ti fai i complimenti per quanto lei è bela.
”
”
Fabio Volo (Le prime luci del mattino)
“
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.”
Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!”
I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head.
He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit.
The hilt vibrated in the wood of the ornate mantel next to his head.
“So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.”
I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest.
He laughed, dark eyes glittering with exhilaration.
I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give.
He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest.
Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck.
“Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply.
I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again.
“Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!”
His hands were suddenly cruelly tight on my waist.
“There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?”
Dreamfever
”
”
Karen Marie Moning
“
Lara Jean es una adolescente que vive con sus dos hermanas y su padre tranquilamente, pero todo se pone fuera de control cuando alguien envía las cartas que ella había escrito a cada chico del que se había enamorado y en las que ella dice todo lo que piensa.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
—Dice que hay una piedra dentro de usted. Una piedra blanca y dura. Grande como el puño de un niño. No sabe de dónde ha venido.
—¿Una piedra? —dijo Satsuki.
—En la piedra hay algo escrito, pero está en japonés y no puede leerlo. Hay trazados unos pequeños caracteres en tinta negra. Es algo muy antiguo, usted debe de llevar muchos años viviendo con ello en su interior. Debe deshacerse de esa piedra. Si no lo hace, esa piedra permanecerá, ella sola, incluso después de que usted haya muerto y hayan incinerado su cuerpo. (Tailandia)
”
”
Haruki Murakami (After the Quake)
“
As Amani frantically diced the ingredients for her Pan seared Mahi-Mahi with Mango Salsa, she recalled her first meeting with him during a class he taught on the presentation of food and organization the previous year. Amani had been immediately drawn to the tall, serious Californian, and not just because of his looks. With dark wavy hair, strong features and the deepest blue eyes she had ever seen short of Paul Newman’s, David Spencer was everything Amani admired in a man, and then some.
http://omadisonpress.com/romance/all-...
”
”
Joanna Hynes (love and my iron chef)
“
One chance. That’s all I want. One chance to start over and show him how much I could love him. I never had anyone in my life who I truly loved. The feelings stir within me, waiting for an outlet. Logan would be happy with me. I’d make sure of it if he’d only let me in.
”
”
I.A. Dice (Too Wrong (Hayes Brothers #2))
“
- Usted no es lo que se dice discreto, lord Ralston -escupió su nombre-. Para ser alguien que se preocupa tanto por la reputación de su hermana, debería tener más cuidado -le clavó el dedo enguantado en el hombro-. ¡He leído la nota! Sé que va a encontrarse con su... su...
- ¿Mi...? -la presionó.
- ¡Su... amante! -con cada sílaba le clavó el dedo con más fuerza.
Él le cogió el dedo al llegar al final de la palabra y se lo apartó. sus ojos azules brillaron de una manera peligrosa.
- ¿Se atreve a reprenderme? ¿está cuestionando mi comportamienro? ¿Quién se cree que es?
- Soy la mujer que eligió para guiar a su hermana en la sociedad. Y no le permitiré que arruine sus posibilidades por una noche de...
- ¿No me permitirá qué? ¿ No era usted la que coqueteaba desvergonzadamente con un dandi borracho ante los ojos de todo el que quisiera ver?
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
Forse, io amo in lei la natura, la personificazione di quanto c'è di bello nella natura; ma non è che io abbia una volontà mia propria: attraverso me, c'è ad amarla non so quale forza elementare, la creazione intera; tutta la natura infonde quest'amore nell'anima mia, e mi dice: ama!
”
”
Leo Tolstoy
“
He had lived in an apartment with books touching the ceilings, and rugs thick enough to hide dice; then in a room and a half with dirt floors; on forest floors, under unconcerned stars; under the floorboards of a Christian who, half a world and three-quarters of a century away, would have a tree planted to commemorate his righteousness; in a hole for so many days his knees would never wholly unbend; among Gypsies and partisans and half-decent Poles; in transit, refugee, and displaced persons camps; on a boat with a bottle with a boat that an insomniac agnostic had miraculously constructed inside it; on the other side of an ocean he would never wholly cross; above half a dozen grocery stores he killed himself fixing up and selling for small profits; beside a woman who rechecked the locks until she broke them, and died of old age at forty-two without a syllable of praise in her throat but the cells of her murdered mother still dividing in her brain; and finally, for the last quarter century, in a snow-globe-quiet Silver Spring split-level: ten pounds of Roman Vishniac bleaching on the coffee table; Enemies, A Love Story demagnetizing in the world’s last functional VCR; egg salad becoming bird flu in a refrigerator mummified with photographs of gorgeous, genius, tumorless great-grandchildren.
”
”
Jonathan Safran Foer (Here I Am)
“
Einstein came to distrust quantum mechanics. Its statistical and deeply probabilistic nature sounded too much like gambling to him, and it prompted him to object that “God does not play dice with the universe.” He was wrong, and it’s too bad that most people have never heard the rejoinder by Niels Bohr: “Einstein! Stop telling God what to do.
”
”
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
“
KATIE: Cuando alguien dice que es una larga historia quiere decir que es una historia corta y tonta de la que no tiene ganas de hablar o que le da demasiada vergüenza contar. ¿Por qué no hablas con él?
ROSIE: Porque ya no me importa lo que haga o lo que deje de hacer. Es muy libre de hacer lo que quiera con su vida y yo no tengo nada que ver. Además, no
quiere oír lo que tengo que decirle.
KATIE: Nuestro vecino Rupert dice: «Los errores son los portales del
descubrimiento».
ROSIE: Eso no lo dice Rupert. Lo dijo James Joyce.
KATIE: ¿James qué? ¿Le conozco?
ROSIE: Está muerto.
KATIE: Vaya, lo siento, ¿le conocías bien?
ROSIE: ¿Qué demonios os enseñan en el colegio?
KATIE: Ahora mismo educación sexual. Un aburrimiento mortal.
”
”
Cecelia Ahern (Love, Rosie)
“
Pero después, cuando estoy en sus brazos, como ahora mismo, es como si estuviera atrapado en un torno. Tengo ganas de levantarme y salir a dar una vuelta. «Qué impaciente eres, Mark», me dice ella. «¿Por qué no te relajas nunca?» «Es que me apetece dar un paseíto.» «Pero si fuera hace un frío que pela.» «Aun así. Igual compro algo para hacer un revuelto luego.» «Pues vete tú», dice ella, medio soñando; afloja el abrazo, da media vuelta y procura volver a conciliar el sueño. Y yo me visto y salgo por la puerta. ¿Cómo le explicas a alguien a quien quieres que, a pesar de todo, necesitas más? ¿Cómo? Se supone que el amor contiene todas las respuestas, y que nos lo da todo. All you need is love. Pero eso es una puta mentira: yo necesito algo, pero no es amor.
”
”
Irvine Welsh (Skagboys)
“
Sin quitarme los ojos de encima, acercó aún más su pupitre.
- ¿Sabes una cosa?
- ¿Qué?
- Que he entrado en tu blog.
Ay, Dios. ¿Cómo lo había encontrado? Un momento; la pregunta que debía hacerme era la siguiente: ¿por qué lo había encontrado? Mi blog no podía buscarse a través de Google...Estaba flipando en colores.
- Ya estás acosándome otra vez, ¿no? ¿Tengo que llamar a la poli para que te ponga una orden de alejamiento?
- Ni en sueños, gatita - Sonrió - Ah, espera, que ya salgo en ellos, ¿verdad?
Puse los ojos en blanco.
- Más bien apareces en mis pesadillas, Daemon.
(pág.154)
- ¿Me estás preguntando si me atraen las humanas? - dijo. El pelo le caía hacia delante en ondas. Unas gotitas de agua le recorrían los mechones y acababan salpicándome la mejilla - ¿O si eres tú la que me atrae?
Con las manos apoyadas en la roca, fue acercándose a mí lentamente. Muy pronto nos separaban sólo unos milímetros...Sentía su respiración como si fuera la mía, y cuando movió las caderas abrí los ojos y ahogué un grito.
Vaya que si funcionaba la cosa...Me despejó la duda de un plumazo.
(pág. 240)
- Sí que es importante el helado - dije.
- Es mi vida entera.- Dee tiró el monedero a Daemon, pero erró el objetivo - ¡Y tú me lo has quitado!
(pág. 258 NUNCA TE METAS ENTRE DEE Y SU COMIDA, Y MENOS SI SE TRATA DE HELADO)
- ¿Lo estás pasando bien con...Ash?
- ¿Y tú con tu amiguito el pulpo?
Me mordí el larbio.
- Qué simpático eres, como siempre.
...
- Estás...muy guapa, por cierto. Demasiado guapa para estar con ese idiota.
Me sonrojé y bajé la vista.
- ¿Te has tomado algo?
- Pues no, la verdad. ¿Por qué me lo preguntas, si puede saberse?
- Porque nunca me dices nada agradable.
- Touché.
(pág. 303)
- Recuérdame...que no te haga enfadar nunca más ¡La leche! ¿Eres agente secreto en tus ratos libres?
... Me recorrió la espalda con sus brazos y hundió una mano en los rizos que se me habían soltado del moño.
- No me has hecho caso - susurró contra mi hombro.
- Nunca te hago caso.
(pág. 327)
Daemon murmuró algo en un idioma desconocido. Era una lengua dulce y bonita. Mágica. De otro planeta.
Podría haberlo despertado, pero no lo hice sin saber demasiado bien por qué. La emoción que sentía por el contacto con su piel era más fuerte que todo lo demás.
Daemon tenía una mano en el borde de mi camiseta, y los dedos encima del pedazo de piel que había entre el borde de la camiseta y la cinturilla de los pantalones de pijama. La mano empezaba a abrirse paso por debajo de la camiseta, a través de mi estómago, en la parte en que este empieza a descender. El pulso se me desbocó. Me rozó las costillas con la punta de los dedos. Su cuerpo se movió y sentí su rodilla contra mí.
(pág. 338) O.O o_O OMG
- Gatita
- Ni aunque fueras el último ser con aspecto humano sobre la faz de la Tierra ¿Ahora lo entiendes? ¿Capiche?
...
- Ademñas, no me atraes nada - Mentira podrida - Pero vamos, nada de nada. Eres...
De repente Daemon estaba delante de mí, a apenas un centímetro de mi rostro.
- ¿Qué soy?
- Ignorante
-¿Y qué más?
- Prepotente, controlador...-...- Y un...cretino.
- Venga ya, gatita, seguro que puedes hacerlo mejor - ... - Todavía no me creo que no te sientas atraída por mí.
(pág. 360)
- Seguro que hasta sueñas conmigo - Bajó la vista hacia mis labios y sentí que se despegaban - Seguro que escribes mi nombre en tus libretas, una y otra vez, rodeado por un corazoncito.
Me reí.
- En tus sueños, Daemon. Eres la última persona a la que...
Daemon me besó
(pág.361)
Una sonrisa pícara se le asomó a los labios.
- ¿Te das cuenta de que me encantan los retos?
Me reí entre dientes y me volví hacia la puerta mientras le dedicaba un gesto grosero con el dedo corazón.
- Y a mí, Daemon; y a mí.
(pág. 414)
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
I tried on the measured nobility of Milton’s epic verse. Gaining confidence, I added the romantic sensuality of a Byron matured by a Keatsish celebration of the language. Stirring all this, I seasoned the mixture with a dash of Yeats’s brilliant cynicism and a pinch of Pound’s obscure, scholastic arrogance. I chopped, diced, and added such ingredients as Eliot’s control of imagery, Dylan Thomas’s feel for place, Delmore Schwartz’s sense of doom, Steve Tem’s touch of horror, Salmud Brevy’s plea for innocence, Daton’s love of the convoluted rhyme scheme, Wu’s worship of the physical, and Edmond Ki Fererra’s radical playfulness. In the end, of course, I threw this entire mixture out and wrote the Cantos in a style all my own. — IF IT HAD not been for Unk the slumyard bully, I probably still would be on Heaven’s Gate, digging
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
I like to ensure that I have music and art all around me. My personal favorite is old maps. What I love about old maps is that they are both beautiful and imperfect. These imperfections represent that some of the most talented in history were still very wrong (early cartography was very difficult). As the majority of my work is analysis and advisory, I find it a valuable reminder that my knowledge is limited. No matter how much data or insight I have, I can never fully “map out” any business. Yet, despite the incompleteness of these early cartographers, so much was learned of the world. So much done and accomplished. Therefore, these maps, or art pieces, serve as something to inspire both humility and achievement. This simple environmental factor helps my productivity and the overall quality of my work. Again, it’s like adding positive dice to my hand that are rolled each day.
”
”
Evan Thomsen (Don’t Chase The Dream Job, Build It: The unconventional guide to inventing your career and getting any job you want)
“
{...} I was okay with things the way they were. No, not okay: I longed and suffered and pined with the rest of humanity. Sometimes I was happy enough with the book I was reading or the book I was writing, and the life I was stuck inside felt like a house on a rainy day. But most of the time I was just plain dying to get out. All I needed—all I have ever needed—was someone to challenge me, to serve as a goad, an instigator, a stirrer of the pot. I hated trouble, but I loved troublemakers. I hated chance and uncertainty, but I was drawn to those who showed up on your doorstep with their own pair of dice.
”
”
Michael Chabon (Manhood for Amateurs)
“
Thus he gambled with high stakes and mercilessly, hating himself, mocking himself, won thousands, threw away thousands, lost money, lost jewelry, lost a house in the country, won again, lost again. That fear, that terrible and petrifying fear, which he felt while he was rolling the dice, while he was worried about losing high stakes, that fear he loved and sought to always renew it, always increase it, always get it to a slightly higher level, for in this feeling alone he still felt something like happiness, something like an intoxication, something like an elevated form of life in the midst of his saturated, lukewarm, dull life.
”
”
Hermann Hesse (Siddhartha)
“
«Il Signore non è mai tanto serio. Infatti, è piuttosto difficile dice che altro Egli sia oltre che infinito amore. E l'amore più puro è anche letizia, non ti pare? Perché non puoi amare nessuno, senza andare d'accordo con lui, giusto? E non puoi andare d'accordo di continuo con chicchessia, a meno che tu non possa anche ridere bonariamente di lui. E' vero o non è vero? E senza dubbio noi siamo dei buffi animaletti che si rivoltolano nella coppa della marmellata, e Dio deve amarci tanto più in quanto ridestiamo il Suo senso umoristico»
«Non avevo mai pensato al Signore come a un umorista» disse padre Stone
«Il creatore dell'ornitorinco, del cammello, dello struzzo e dell'uomo? Oh, ma andiamo!» Padre Peregrine scoppiò a ridere.
”
”
Ray Bradbury (The Martian Chronicles)
“
Lolita credeva, con una sorta di celestiale fiducia, in tutte le réclame e i consigli che apparivano su “Movie Love” o “Screen Land” – lo Sterasil stermina i foruncoli, o “Niente camicia fuori dai jeans, ragazze: Jill dice che proprio non si deve!”. Se un cartello stradale diceva “VISITATE IL NOSTRO NEGOZIO DI REGALI” dovevamo visitarlo, dovevamo comprare le curiosità indiane, le bambole, la bigotteria di rame, le caramelle a forma di cactus. Le parole “novità e souvenir” l’ipnotizzavano con la loro cadenza anapestica. Se l’insegna di un caffè proclamava Bibite Ghiacciate, automaticamente Lo si eccitava, anche se le bibite erano ghiacciate dappertutto. Erano dedicate a lei, tutte quelle reclamé: la consumatrice ideale, soggetto e oggetto di ogni odioso manifesto.
”
”
Vladimir Nabokov (Lolita)
“
Your character and soul, intelligence and creativity, love and experiences, goodness and talents, your bright and lovely self are entwined with your body, and she has delivered the whole of you to this very day. What a partner! She has been a home for your smartest ideas, your triumphant spirit, your best jokes. You haven’t gotten anywhere you’ve ever gone without her. She has served you well. Your body walked with you all the way through childhood—climbed the trees and rode the bikes and danced the ballet steps and walked you into the first day of high school. How else would you have learned to love the smell of brownies, toasted bagels, onions and garlic sizzling in olive oil? Your body perfectly delivered the sounds of Stevie Wonder, Whitney Houston, and Bon Jovi right into your memories. She gave you your first kiss, which you felt on your lips and in your stomach, a coordinated body venture. She drove you to college and hiked the Grand Canyon. She might have carried your backpack through Europe and fed you croissants. She watched Steel Magnolias and knew right when to let the tears fall. Maybe your body walked you down the aisle and kissed your person and made promises and threw flowers. Your body carried you into your first big interview and nailed it—calmed you down, smiled charmingly, delivered the right words. Sex? That is some of your body’s best work. Your body might have incubated, nourished, and delivered a whole new human life, maybe even two or three. She is how you cherish the smell of those babies, the feel of their cheeks, the sound of them calling your name. How else are you going to taste deep-dish pizza and French onion soup? You have your body to thank for every good thing you have ever experienced. She has been so good to you. And to others. Your body delivered you to people who needed you the exact moment you showed up. She kissed away little tears and patched up skinned knees. She holds hands that need holding and hugs necks that need hugging. Your body nurtures minds and souls with her presence. With her lovely eyes, she looks deliberately at people who so deeply need to be seen. She nourishes folks with food, stirring and dicing and roasting and baking. Your body has sat quietly with sad, sick, and suffering friends. She has also wrapped gifts and sent cards and sung celebration songs to cheer people on. Her face has been a comfort. Her hands will be remembered fondly—how they looked, how they loved. Her specific smell will still be remembered in seventy years. Her voice is the sound of home. You may hate her, but no one else does.
”
”
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
“
Listen, my friend! [Siddhartha speaking] I am a sinner and you are a sinner, but someday the sinner will be Brahma again, will someday attain Nirvana, will someday become a Buddha. Now this ‘someday’ is illusion; it is only a comparison. The sinner is not on the way to a Buddha-like state; he is not evolving, although our thinking cannot conceive things otherwise. No, the potential Buddha already exists in the sinner; his future is already there. The potential hidden Buddha must be recognized in him, in you, in everybody. The world, Govinda, is not imperfect or slowly evolving along a long path to perfection. No, it is perfect at every moment; every sin already carries grace within it, all small children are potential old men, all sucklings have death within them, all dying people—eternal life. It is not possible for one person to see how far another is on the way; the Buddha exists in the robber and dice player; the robber exists in the Brahmin. During deep meditation it is possible to dispel time, to see simultaneously all the past, present and future, and then everything is good, everything is perfect, everything is Brahman. Therefore, it seems to me that everything that exists is good, death as well as life, sin as well as holiness, wisdom as well as folly. Everything is necessary, everything needs only my agreement, my assent, my loving understanding; then all is well with me and nothing can harm me. I learned through my body and soul that it was necessary for me to sin, that I needed lust, that I had to strive for property and experience nausea and the depths of despair in order to learn not to resist them, in order to learn to love the world, and no longer compare it with some kind of desired imaginary world, some imaginary vision of perfection, but to leave it as it is, to love it and be glad to belong to it….
”
”
Henry Miller (Stand Still Like the Hummingbird (New Directions Paperbook))
“
... If I am correct...
... the secret to this sauce is
honey
and
balsamic vinegar
."
"Got it one, sir! Both ingredients have a mild sweetness that adds a layer of richness to the dish. The tartness of the vinegar ties it all together, ensuring the sweetness isn't too cloying and giving the overall dish a clean, pure aftertaste.
The guide told me that Hokkaido bears really love their honey...
... so I tried all kinds of methods to add it to my recipe!"
"Is that how he gave his sauce a rich, clean flavor powerful enough to cause the Gifting? Unbelievable! That's our Master Yukihira!"
Something doesn't add up. A little honey and vinegar can't be enough to create that level of aftertaste. There has to be something else to it. But what?
"...?!
I got it! I know what you did! You caramelized the honey!"
CARAMELIZATION
Sugars oxidize when heated, giving them a golden brown color and a nutty flavor.
Any food that contains sugar can be caramelized, making caramelization an important technique in everything from French cooking to dessert making.
"I started out by heating the honey until it was good and caramelized. Then I added some balsamic vinegar to stretch it and give it a little thickness. Once that was done, I poured it over some diced onions and garlic that I'd sautéed in another pan, added some schisandra berries and then let it simmer.
After it had reduced, I poured bear stock over it and seasoned it with a little salt...
The result was a deep, rich sauce perfect for emphasizing the natural punch of my Bear-Meat Menchi Katsu!"
"Oho! You musta come up with that idea while I was relaxing with my cup o' chai! Not bad, Yukihira-chin! Not bad at all! Don'tcha think?"
"Y-yes, sir..."
Plus, there is no debating how well honey pairs well with bear meat. The Chinese have long considered bear paws a great delicacy...
... because of the common belief that the mellow sweetness of the honey soaks into a bear's paw as it sticks it into beehives and licks the honey off of it.
What a splendid idea pairing honey with bear meat, each accentuating the other...
... then using caramelization and balsamic vinegar to mellow it to just the right level.
It's a masterful example of using both flavor subtraction and enhancement in the same dish!
”
”
Yūto Tsukuda (食戟のソーマ 22 [Shokugeki no Souma 22] (Food Wars: Shokugeki no Soma, #22))
“
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused?
It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles?
He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be.
The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy.
'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.'
'Billy just loves to read all the time...'
'Isn't Joan sweet? She always likes to let the other person win.'
'Sylvia's so pretty and so grown up; she just loves all the time to dress up.'
It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . .
Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery.
What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
”
”
Luke Rhinehart (The Dice Man)
“
As the pumping engines for the circulatory system, ventricles must have a particular ovoid, lemonlike shape for strong, swift ejection of blood. If the end of the left ventricle balloons out, as it does in takotsubo hearts, the firm, healthy contractions are reduced to inefficient spasms—floppy and unpredictable. But what’s remarkable about takotsubo is what causes the bulge. Seeing a loved one die. Being left at the altar or losing your life savings with a bad roll of the dice. Intense, painful emotions in the brain can set off alarming, life-threatening physical changes in the heart. This new diagnosis was proof of the powerful connection between heart and mind. Takotsubo cardiomyopathy confirmed a relationship many doctors had considered more metaphoric than diagnostic. As a clinical cardiologist, I needed to know how to recognize and treat takotsubo cardiomyopathy. But years before pursuing cardiology, I had completed a residency in psychiatry at the UCLA Neuropsychiatric Institute. Having also trained as a psychiatrist, I was captivated by this syndrome, which lay at the intersection of my two professional passions. That background put me in a unique position that day at the zoo. I reflexively placed the human phenomenon side by side with the animal one. Emotional trigger … surge of stress hormones … failing heart muscle … possible death. An unexpected “aha!” suddenly hit me. Takotsubo in humans and the heart effects of capture myopathy in animals were almost certainly related—perhaps even the same syndrome with different names.
”
”
Barbara Natterson-Horowitz (Zoobiquity: What Animals Can Teach Us About Health and the Science of Healing)
“
She leaned over and the table and reached for the discarded dice, depositing them in a small leather dice box. As she straightened, she felt Sebastian's hand skim gently over her corseted back, and the hairs on her nape lifted in response. "The hour is late," he said, his tone far softer than the one he had used with Cam. "You should go to bed---you must be exhausted after all you've done today."
"I haven't done all that much." She shrugged uneasily, and his hand made another slow, unnerving pass along her spine.
"Oh yes, you have. You're pushing yourself a bit too hard, pet. You need to rest."
She shook her head, finding it difficult to think clearly when he was touching her. "I've been glad of the chance to work a bit," she managed to say. "It keeps me from dwelling on...on..."
"Yes, I know. That's why I've allowed it." His long fingers curved around the back of her neck.
Her breath shortened as the warmth of his hand transferred to her skin.
"You need to go to bed," he continued, his own breathing not quite steady as he eased her closer. His gaze drifted slowly from her face to the round outline of her breasts, and back again, and a low, humorless laugh escaped him. "And I need to go there with you, damn it. But since I can't... Come here."
"Why?" she asked, even as he secured her against the edge of the table and let his legs intrude amid the folds of her skirts.
"I want to torture you a little."
Evie stared at him with round eyes, while her heart pumped liquid fire through her veins. "When you---" She had to clear her throat and try again. "When you use the word 'torture,' I'm sure you mean it in a figurative sense."
He shook his head, his eyes filled with light smoke. "Literal, I'm afraid."
"What?"
"My love," he said gently, I hope you didn't assume that the next three months of suffering was to be one-sided? Put your hands on me."
"Wh-where?"
"Anywhere.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna.
He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind.
"When will I see you again, my Lord?"
He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye."
"Even on earth?"
He nods. "Especially there. It is a unique place. Even the gods pray to take birth there."
"Why that, my Lord?"
He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine.
"One quest always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion."
"Will I get lost in this illusion, my Lord?"
"Of course. It is to be expected. You will be lost for a long time.
”
”
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))