Diana Quotes

We've searched our database for all the quotes and captions related to Diana. Here they are! All 100 of them:

I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
When the day shall come that we do part," he said softly, and turned to look at me, "if my last words are not 'I love you'-ye'll ken it was because I didna have time.
Diana Gabaldon
For where all love is, the speaking is unnecessary
Diana Gabaldon (Outlander (Outlander, #1))
Don't be afraid. There's the two of us now.
Diana Gabaldon (Outlander (Outlander, #1))
I think we ought to live happily ever after.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I'm going up to my room now, where I may die.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
A witty woman is a treasure; a witty beauty is a power.
George Meredith (Diana of the Crossways)
Ye are Blood of my Blood, and Bone of my Bone, I give ye my Body, that we Two might be One. I give ye my Spirit, 'til our Life shall be Done.
Diana Gabaldon (Outlander (Outlander, #1))
I can bear pain myself, he said softly, but I couldna bear yours. That would take more strength than I have.
Diana Gabaldon (Outlander (Outlander, #1))
Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own.
Diana Gabaldon (Outlander (Outlander, #1))
I hope your bacon burns.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I wanted to teach myself some life lessons at the age of 60 and one of them was that you don’t give up.
Diana Nyad
You must admit I have a right to live in a pigsty if I want.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Where did you learn to kiss like that?” I said, a little breathless. He grinned and pulled me close again. “I said I was a virgin, not a monk,” he said, kissing me again. “If I find I need guidance, I’ll ask.
Diana Gabaldon (Outlander (Outlander, #1))
Yes, you are nosy. You're a dreadfully nosy, horribly bossy, appallingly clean old woman. Control yourself. You're victimizing us all.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I feel ill," [Howl] announced. "I'm going to bed, where I may die.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Go to bed, you fool," Calcifer said sleepily. "You're drunk." "Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
If I give you a hint and tell you it's a hint, it will be information.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
My shining dishonesty will be the salvation of me.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Ye werena the first lass I kissed," he said softly. "But I swear you'll be the last.
Diana Gabaldon (Outlander (Outlander, #1))
A heart's a heavy burden.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Forgiveness is not a single act, but a matter of constant practice.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
You are my courage, as I am your conscience," he whispered. "You are my heart---and I your compassion. We are neither of us whole, alone. Do ye not know that, Sassenach?
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple. "And Sassenach," he whispered, "Your face is my heart.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Catholics don't believe in divorce. We do believe in murder. There's always Confession, after all. --Brianna Fraser to Roger MacKenzie
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
I will find you," he whispered in my ear. "I promise. If I must endure two hundred years of purgatory, two hundred years without you - then that is my punishment, which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest." His voice dropped, nearly to a whisper, and his arms tightened around me. Lord, ye gave me a rare woman, and God! I loved her well.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
And I mean to hear ye groan like that again. And to moan and sob, even though you dinna wish to, for ye canna help it. I mean to make you sigh as though your heart would break, and scream with the wanting, and at last to cry out in my arms, and I shall know that I've served ye well.
Diana Gabaldon (Outlander (Outlander, #1))
So you were going to rescue the Prince! Why did you pretend to run away? To deceive the Witch?" "Not likely! I'm a coward. Only way I can do something this frightening is to tell myself I'm not doing it!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Blood of my Blood," he whispered, "and bone of my bone. You carry me within ye, Claire, and ye canna leave me now, no matter what happens, You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I wilna let ye go.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Really, these wizards! You'd think no one had ever had a cold before! Well, what is it?" she asked, hobbling through the bedroom door onto the filthy carpet. "I'm dying of boredom," Howl said pathetically. "Or maybe just dying.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I make that four horses and ten men just to get rid of one old woman. What did you do to the King?
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
To love someone enough to let them go, you had to let them go forever or you did not love them that much.
Diana Wynne Jones (Fire and Hemlock)
It has always been forever, for me, Sassenach
Diana Gabaldon (Voyager (Outlander, #3))
Does it ever stop? The wanting you?" "Even when I've just left ye. I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.
Diana Gabaldon (Outlander (Outlander, #1))
You're tearin' my guts out, Claire.
Diana Gabaldon (Outlander (Outlander, #1))
You are safe," he said firmly. "You have my name and my family, my clan, and if necessary, the protection of my body as well. The man willna lay hands on ye again, while I live.
Diana Gabaldon (Outlander (Outlander, #1))
A hedgehog? And just how does a hedgehog make love?" he demanded. No, I thought. I won't. I will not. But I did. "Very carefully," I replied, giggling helplessly. So now we know just how old that one is, I thought.
Diana Gabaldon (Outlander (Outlander, #1))
Typical! I break my neck trying to get here, and I find you peacefully tidying up!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Interesting things did seem to happen, but always to somebody else.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I am a believer in free will. If my dog chooses to hate the whole human race except myself, it must be free to do so.
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
I'm delirious. Spots are crawling before my eyes." "Those are spiders.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
You've no right to walk into people's castles and take their guitars.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
D'ye think I don't know?" he asked softly. "It's me that has the easy part now. For if ye feel for me as I do for you-then I'm asking you to tear out your heart and live without it.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
I think we ought to live happily ever after," and she thought he meant it. Sophie knew that living happily ever after with Howl would be a good deal more hair-raising than any storybook made it sound, though she was determined to try. "It should be hair-raising," added Howl. "And you'll exploit me," Sophie said. "And then you'll cut up all my suits to teach me.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
It is quite a risk to spank a wizard for getting hysterical about his hair.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I had one last try. "Does it bother you that I'm not a virgin?" He hesitated a moment before answering. "Well, no," he said slowly, "so long as it doesna bother you that I am." He grinned at my drop-jawed expression, and backed toward the door. "Reckon one of us should know what they're doing," he said. The door closed softly behind him; clearly the courtship was over.
Diana Gabaldon (Outlander (Outlander, #1))
I assure you, my friends, I am cone sold stober.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
If it was a sin for you to choose me . . . then I would go to the Devil himself and bless him for tempting ye to it.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I willna let ye go
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
No you sick, stupid creep, I love you. I shouldn't. I shouldn't. You're sick inside, Caine, sick! But I love you. - Diana
Michael Grant (Lies (Gone, #3))
When the day shall come, that we do part," he said softly, and turned to look at me, "if my last words are not 'I love you'—ye'll ken it was because I didna have time.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
Oh, Claire, ye do break my heart wi' loving you.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman.
Diana Gabaldon (Outlander (Outlander, #1))
Do ye not understand?"he said, in near desparation. "I would lay the world at your feet, Claire-and I have nothing to give ye!" He honestly thought it mattered.
Diana Gabaldon (Voyager (Outlander, #3))
Lying on the floor, with the carved panels of the ceiling flickering dimly above, I found myself thinking that I had always heretofore assumed that the tendency of eigh­teenth-century ladies to swoon was due to tight stays; now I rather thought it might be due to the idiocy of eighteenth-century men.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Take it from me, Fate doesn't care most of the time.
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
Then let amourous kisses dwell On our lips, begin and tell A Thousand and a Hundred score A Hundred and a Thousand more
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Carry out a random act of kindness, with no expectation of reward, safe in the knowledge that one day someone might do the same for you.
Diana, Princess of Wales
She said 'Over my dead body!' so I took her at her word.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I've got a hangover." "No, you hit your head on the floor." "I can't stay. I've got to rescue that fool Sophie.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I swore an oath before the altar of God to protect this woman. And if you're tellin' me that ye consider your own authority to be greater than that of the Almighty, then I must inform ye that I'm not of that opinion, myself.
Diana Gabaldon (Outlander (Outlander, #1))
There are things that I canna tell you, at least not yet. And I'll ask nothing of ye that ye canna give me. But what I would ask of ye---when you do tell me something, let it be the truth. And I'll promise ye the same. We have nothing now between us, save---respect, perhaps. And I think that respect has maybe room for secrets, but not for lies. Do ye agree?
Diana Gabaldon (Outlander (Outlander, #1))
I prayed all the way up that hill yesterday, he said softly. Not for you to stay; I didna think that would be right. I prayed I'd be strong enough to send ye away. He shook his head, still gazing up the hill, a faraway look in his eyes. I said 'Lord, if I've never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay.' He pulled his eyes away from the cottage and smiled briefly at me. Hardest thing I ever did, Sassenach.
Diana Gabaldon
Your face is my heart Sassenach, and the love of you is my soul
Diana Gabaldon (Drums of Autumn (Outlander, #4))
That's why I love spiders. 'If at first you don't succeed, try, try, try again.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
...sitting and waiting is one of the most miserable occupations known to man - not that it usually is known to men; women do it much more often.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
In the land of Ingary where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be born the eldest of the three. Everyone knows you are the one who will fail first, and worst, if the three of you set out to seek your fortunes.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Things are going round and round in my head--or maybe my head is going round and round in things.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
A fickle heart is the only constant in this world
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I can't abide people who go soft over animals and then cheat every human they come across!
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
Sometimes our best action result in things that are most regrettable.
Diana Gabaldon (Outlander (Outlander, #1))
You don’t owe prettiness to anyone. Not to your boyfriend/spouse/partner, not to your co-workers, especially not to random men on the street. You don’t owe it to your mother, you don’t owe it to your children, you don’t owe it to civilization in general. Prettiness is not a rent you pay for occupying a space marked ‘female’.
Erin McKean
Howl’s voice was presently heard shouting weakly, “Help me, someone! I’m dying from neglect up here!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Lord, ye gave me a rare woman, and God! I loved her well.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Once you've chosen a man, don't try to change him', I wrote with more confidence. 'It can't be done. More important-don't let him try to change you.
Diana Gabaldon (Voyager (Outlander, #3))
And if your life is a suitable exchange for my honor, why is my honor not a suitable exchange for your life?
Diana Gabaldon (Outlander (Outlander, #1))
Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
By now it was clear that Howl was in a mood to produce green slime any second. Sophie hurriedly put her sewing away. "I'll make some hot buttered toast," she said. "Is that all you can do in the face of tragedy??" Howl asked. "Make toast!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
It was a beautiful bright autumn day, with air like cider and a sky so blue you could drown in it.
Diana Gabaldon (Outlander (Outlander, #1))
Nobody gets praised for the right reasons.
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
To see the years touch ye gives me joy", he whispered, "for it means that ye live.
Diana Gabaldon
I like to be a free spirit. Some don't like that, but that's the way I am.
Diana, Princess of Wales
I shook so that it was some time before I realized that he was shaking too, and for the same reason. I don't know how long we sat there on the dusty floor, crying in each others arms with the longing of twenty years spilling down our faces.
Diana Gabaldon (Voyager (Outlander, #3))
We are bound, you and I, and nothing on this earth shall part me from you.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
I was crying for joy, my Sassenach,' he said softly. He reached out slowly and took my face between his hands. "And thanking God that I have two hands. That I have two hands to hold you with. To serve you with, to love you with. Thanking God that I am a whole man still, because of you.
Diana Gabaldon (Outlander (Outlander, #1))
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly. I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'" I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'" He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..." He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?" I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house. "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath. "Have I not...just been...saying so?
Diana Gabaldon (Outlander (Outlander, #1))
Damn right I begrudge! I grudge every memory of yours that doesna hold me, and every tear ye've shed for another, and every second you've spent in another man's bed!
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Why, what's the matter wi' the poor child?" she demanded of Jamie. "Has she had an accident o' some sort?" "No, it's only she's married me," he said, "though if ye care to call it an accident, ye may.
Diana Gabaldon (Outlander (Outlander, #1))
Murtagh was right about women. Sassenach, I risked my life for ye, committing theft, arson, assault, and murder into the bargain. In return for which ye call me names, insult my manhood, kick me in the ballocks and claw my face. Then I beat you half to death and tell ye all the most humiliating things have ever happened to me, and ye say ye love me." He laid his head on his knees and laughed some more. Finally he rose and held out a hand to me, wiping his eyes with the other. "You're no verra sensible, Sassenach, but I like ye fine. Let's go.
Diana Gabaldon (Outlander (Outlander, #1))
It wasn't a thing I had consciously missed, but having it now reminded me of the joy of it; that drowsy intimacy in which a man's body is accessible to you as your own, the strange shapes and textures of it like a sudden extension of your own limbs.
Diana Gabaldon (Voyager (Outlander, #3))
Okay. Now my skin is really prickling. I've read all the Harry Potter books, all five of them. I don't remember any half-blood prince. "What's this?" Trying to sound casual, I point at the ad, "What's Harry Potter and the Half-Blood Prince?" "That's the latest book," Garth the other trainee, says. "It came out ages ago." I can't help gasping. "There's a sixth Harry Potter?" "There's a seventh out soon!" Diana steps forward eagerly. "And guess what happens at the end of book six-" "Shh!" exclaims Nicole, the other nurse. "Don't tell her!
Sophie Kinsella (Remember Me?)
I do know it, my own. Let me tell ye in your sleep how much I love you. For there's no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
I meant it, Claire,' he said quietly. 'My life is yours. And it's yours to decide what we shall do, where we go next. To France, to Italy, even back to Scotland. My heart has been yours since first I saw ye, and you've held my soul and body between your two hands here, and kept them safe. We shall go as ye say.
Diana Gabaldon (Outlander (Outlander, #1))
More about Howl? Sophie thought desperately. I have to blacken his name! Her mind was such a blank that for a second it actually seemed to her that Howl had no faults at all. How stupid! 'Well, he's fickle, careless, selfish, and hysterical,' she said. 'Half the time I think he doesn't care what happens to anyone as long as he's alright--but then I find out how awfully kind he's been to someone. Then I think he's kind just when it suits him--only then I find out he undercharges poor people. I don't know, Your Majesty. He's a mess.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I wept bitterly, surrendering momentarily to my fear and heartbroken confusion, but slowly I began to quiet a bit, as Jamie stroked my neck and back, offering me the comfort of his broad, warm chest. My sobs lessened and I began to calm myself, leaning tiredly into the curve of his shoulder. No wonder he was so good with horses, I thought blearily, feeling his fingers rubbing gently behind my ears, listening to the soothing, incomprehensible speech. If I were a horse, I'd let him ride me anywhere.
Diana Gabaldon (Outlander (Outlander, #1))
But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it's as though knowing that everything is possible, suddenly nothing is necessary.
Diana Gabaldon (Outlander (Outlander, #1))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Time is a lot of the things people say that God is. There's always preexisting, and having no end. There's the notion of being all powerful-because nothing can stand against time, can it? Not mountains, not armies. And time is, of course, all-healing. Give anything enough time, and everything is taken care of: all pain encompassed, all hardship erased, all loss subsumed. Ashes to ashes, dust to dust. Remember, man, that thou art dust; and unto dust thou shalt return. And if time is anything akin to God, I suppose that memory must be the devil.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!" He grasped my hands, fixing me with a steady blue gaze. "Aye, I would," he said. "But I wasna carrying your child." The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away. "You can't tell," I said, at last. "It's much too soon to be sure." He snorted briefly, and a tiny flicker of amusement lit his eyes. "And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days." "You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!" "Didn't you?" "No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late. "Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does." He lifted one brow, and cupped a broad hand gently beneath my breast. "Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you." I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me. Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky. "Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))