“
I swear that woman had a previous career as a death-hunter selling tragic ballads down around the Seven Dials," said Will. "And I do wish she wouldn't sing about poisoning just after we've eaten.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
I thank everyone I don't love.
They don't cause me heartache
they don't make me write long letters
they don't disturb my dreams
I don't await them anxiously
I don't read their horoscopes in magazines
I don't dial their numbers
I don't think of them.
I thank them a lot
they don't turn my life upside down.
”
”
Dunya Mikhail (The War Works Hard)
“
[...]I am a romance slut, and there's nothing I can do about it. If a guy does or says something romantic, I'm all "Oh, please excuse me, kind sir, let me dial down my IQ and oh, if it would please sir, may I offer you this moist, yet helpless va-jay-jay that seems to have lost its way."
-The Chronicles of Abby Normal
”
”
Christopher Moore (Bite Me (A Love Story, #3))
“
Asking the head I have now to explain its own thinking is as pointless as dialing your own telephone number on your own telephone: Either way, you get an engaged signal. Or your own answer message, if you have that kind of phone system.
”
”
Nick Hornby (A Long Way Down)
“
Back in Georgie's attic, he yanks the phone out of the socket and begins scrolling down the names under dialed calls, praying to anyone who will listen. God. Baby Jesus. Saint Thomas the doubter. Saint Whoever, patron saint of losers. Praying, Please, please, don't let it be true.
The first name shatters him.
The second makes his head spin.
”
”
Melina Marchetta (The Piper's Son)
“
No matter what you or I achieve, in sports, business, or life, we can’t be satisfied. Life is too dynamic a game. We’re either getting better or we’re getting worse. Yes, we need to celebrate our victories. There’s power in victory that’s transformative, but after our celebration we should dial it down, dream up new training regimens, new goals, and start at zero the very next day.
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
At that moment, when I had the TV sound off, I was in a 382 mood; I had just dialed it. So although I heard the emptiness intellectually, I didn't feel it. My first reaction consisted of being grateful that we could afford a Penfield mood organ. But then I realized how unhealthy it was, sensing the absence of life, not just in this building but everywhere, and not reacting—do you see? I guess you don't. But that used to be considered a sign of mental illness; they called it 'absence of appropriate affect.' So I left the TV sound off and I sat down at my mood organ and I experimented. And I finally found a setting for despair. So I put it on my schedule for twice a month; I think that's a reasonable amount of time to feel hopeless about everything, about staying here on Earth after everybody who's smart has emigrated, don't you think?
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
I dialed the number slowly, wanting to get it right. Two rings, and he picked up.
"Yes," I said after his hello.
"Mclean?" he asked. "Is that you?"
"Yeah," I said, swallowing and looking out my open door, at the ocean. "The answer's yes."
"The answer . . ." he said slowly.
"You asked me to go out with you. I know you probably changed your mind. But you should know, the answer was yes. It's always been yes when it comes to you."
He was very quiet for a moment. "Where are you?"
I started crying again, my voice ragged. He told me to calm down. He told me it was going to be all right. And then, he told he'd be there soon.
”
”
Sarah Dessen (What Happened to Goodbye)
“
People don’t warn you that heartbreak is a chronic condition. Maybe it
quiets down a little over time, or you can muffle it with distance, but the ache
never quite dials down to zero. It’s there lurking in the background, ready to
flare back up the minute you let your guard down.
”
”
Adam Silvera (Here's to Us (What If It's Us, #2))
“
It isn't about miracles or proof or having God on speed dial. You want to be close to God? Reach down and help your neighbor. Faith without works is dead...
”
”
Sean Chercover (The Trinity Game (Daniel Byrne #1))
“
People will just knock each other down to dial 911 and be the big hero.
”
”
Chuck Palahniuk (Invisible Monsters)
“
The DJ opens his eyes and sees what he's done. By all rights, he should switch the song. But it's a long-distance dedication to the boy he loves down in Texas. He dials up the boy right now and holds his phone into the air.
Not all songs need to be for dancing. There will always be the next song, to draw the dancers back.
”
”
David Levithan (Two Boys Kissing)
“
If we have a choice between believing one of two things, both of which we have evidence for -- I'm unlovable, I'm lovable - often we choose the one that makes us feel bad. Why do we keep our radios tuned to the same static-ridden stations (the everyone's-life-is-better-than-mine, the I-can't-trust-people station, the nothing-works-out-for-me station) instead of moving the dial up or down? Change the station. Walk around the bars. Who's stopping us but ourselves?
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
The Gods confound the man who first found out
How to distinguish the hours---confound him, too Who in this place set up a sundial
To cut and hack my days so wretchedly
Into small pieces
! . . . I can't (even sit down to eat) unless the sun gives leave. The town's so full of these confounded dials . . .
”
”
Plautus
“
Sometimes at night I would look out and up at the glow rising up around me through the plastic and it would just make me shudder. It reminded me of larvae. We were like pale grubs in our eggs. When I got the horrors like that, I requested a little yellow pill from the dial-a-doc and flopped down into the fuzz along with everyone else.
”
”
Stevie O'Connor (In A Mirror City)
“
Love was like notches on a speaker that could be cranked up and down, the decibels of desire, the frequencies of feeling. Sometimes she thought that she might have cranked it all the way up and broken the dial before the music had even started.
”
”
Alice Pung (Her Father's Daughter)
“
The honeymoon phase is special in that it brings together the relief of reciprocated love with the excitement of a future still to be created. What we often don't realize is that the exuberance of the beginning is fueled by its undercurrent of uncertainty. We set out to make love more secure and dependable, but in the process, inevitably we dial down its intensity. On the path of commitment, we happily trade a little passion for a bit more certainty, some excitement for some stability.
”
”
Esther Perel (The State of Affairs: Rethinking Infidelity)
“
I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room.
Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.
”
”
Bob Dylan (Chronicles, Volume One)
“
I'd wander for days in the fog, scared I'd never see another thing, then there'd be that door, opening to show me the mattress padding on the other side to stop out the sounds, the men standing in a line like zombies among shiny copper wires and tubes pulsing light, and the bright scrape of arcing electricity. I'd take my place in the line and wait my turn at the table. The table shaped like a cross, with shadows of a thousand murdered men printed on it, silhouette wrists and ankles running under leather straps sweated green with use, a silhouette neck and head running up to a silver band goes across the forehead. And a technician at the controls beside the table looking up from his dial and down the line and pointing at me with a rubber glove.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
Remember those reserves I mentioned? Time to call them up. I pick up the phone and dial. A soothing greets me after the second ring. The perfect combination of strength and comfort, and I answer back. “Hi, Mom.” You thought I was calling someone else, didn’t you? Deep down—I’m a momma’s boy. I’m man enough to admit it. 'And trust me, I’m not the only one. Explains a lot, doesn’t it? That’s the reason your boyfriend can’t manage to get his socks or underwear actually in the hamper-because he grew up with mommy doing it for him.
”
”
Emma Chase
“
Graham: I said "Hi." And Karen just said, "Hi."
Karen: We were sort of quiet on the phone for a second. And then I said, "How come you've never made a move on me?"
I could hear him drinking a beer. I could hear him take a sip. He said, "I don't take shots I know I'll miss."
It was out of my mouth before I'd decided to say it. I said, "I don't think you'll miss, Dunne."
And then as soon as I said it, there was a dial tone.
Graham: I have never run anywhere faster then down that hall to her room.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
[I hear phone sex can work], I sent, [but I kind of doubt text-sex would.]
He sent me a picture shot down his pants. I snickered and sent him a picture of my mouth.
[autehigixuhi&^%$], he sent back. Then, [yeah, phone sex not satisfying. Also I think I dick-dialed Kentucky.]
”
”
K.D. Sarge (Louder Than Sirens, Louder Than Bells)
“
People don’t warn you that heartbreak is a chronic condition. Maybe it quiets down a little over time, or you can muffle it with distance, but the ache never quite dials down to zero. It’s there lurking in the background, ready to flare back up the minute you let your guard down.
”
”
Becky Albertalli (Here's to Us (What If It's Us #2))
“
They're headed for some place called the Great Barrier."
"A place that doesn't exist." Liv was shaking her head, checking the rotating dials on her wrist.
Link pushed away his plate, still covered with food. "So let me get this straight. We're gonna go down into the
Tunnels and find this moon outta time with Liv's fancy watch?"
"Selenometer." Liv didn't look up from copying numbers from the dials into her red notebook.
”
”
Kami Garcia
“
I began to see her mind like an old television set, one with a dial you had to change the channels. She'd gotten stuck between channels and all that was broadcasting in her mind was crackling white noise which drove her mad and scared me to death. The medicine was like turning down the volume. The channles might still be stuck but at least the set was no longer spewing the deafening static. The volume had to be lowered until the channels could work again
”
”
Mark Lukach (My Lovely Wife in the Psych Ward)
“
Genocide is only possible when dehumanization happens on a massive scale, and the perfect tool for this job is propaganda: it keys right into the neural networks that understand other people, and dials down the degree to which we empathize with them.
”
”
David Eagleman (The Brain: The Story of You)
“
These rotary dials were like meditation, they forced you to slow down and concentrate. If you polled the next number too soon, you had to start over from the top.
”
”
Rainbow Rowell (Landline)
“
The new technologies allow us to “dial down” human contact, to titrate its nature and extent.
”
”
Sherry Turkle (Alone Together: Why We Expect More from Technology and Less from Each Other)
“
[I]f the public wants the military to perform better, give more prudent advice to its civilian leadership, and spend taxpayer money more wisely, it must elect a Congress that will dial down a few notches its habitual and childish 'we support the troops!' mantra and start asking skeptical questions - and not accepting bland evasions or appeals to patriotism as a response.
”
”
Mike Lofgren (The Party Is Over: How Republicans Went Crazy, Democrats Became Useless, and the Middle Class Got Shafted)
“
Jay’s mom was a lot of great things that Violet admired, technologically savvy was definitely not one of them. She was one of those people who were loath to move into the twenty-first century and embrace all things modern. She was the only adult woman that Violet knew of who didn’t own a cell phone, and she refused to buckle beneath the pressure to pay good money for high-speed internet, so Jay was forced to plug his secondhand laptop into the phone line and use dial-up. Not because they couldn’t afford such luxuries, but because Ann Heaton wasn’t going down without a fight.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
You just seem so sad,” I said, dialing voice mail. “Like someone stole your favorite nine millimeter.”
“I’m not sad.” He started down the hall, then turned back. “Least not when I look at you.”
.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
But the experience of Asians in America isn’t just a scaled-back or dialed-down version of the Black experience. Instead of co-opting someone else’s experience or consciousness, he must define his own.
”
”
Charles Yu (Interior Chinatown)
“
By the time I got to the phone and dialed John's number, I was out of breath with excitement. "You are not going to believe this," I blurted out.
"What's the matter?" Hr sounded concerned.
"Are you sitting down?"
"Yeah, sure, Pattie. What's wrong?" God only knows what John was thinking at this point.
"GOD IS REAL!" I practically shouted in his ear. I waited for John to react in a dramatic way, almost disbelieving way. I expected him to say, "No way! C'mon! Get out of town!" After all, I thought I was telling him something he didn't already know, something that would turn his world upside down like it did mine.
”
”
Pattie Mallette (Nowhere but Up: The Story of Justin Bieber's Mom)
“
Qhuinn dived into the plane, pulled himself into the pilot’s seat, and tried to make sense of all the…fucking hell, there were a lot of dials. The only saving grace he had was that he’d—
Rat-tat-tat-tat!
—watched enough movies to know that the lever with the grip was the gas and the bow tie–shaped wheel was the thing you pulled up to go up, and pushed down to go down.
“Fuck,” he muttered as he stayed in a tuck position as much as he could.
”
”
J.R. Ward
“
Life is too dynamic a game. We’re either getting better or we’re getting worse. Yes, we need to celebrate our victories. There’s power in victory that’s transformative, but after our celebration we should dial it down, dream up new training regimens, new goals, and start at zero the very next day.
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
Bundle frowned. This business of the clocks was curious. She must get hold of Bill Eversleigh. He had been there, she knew. To think was to act with Bundle. She got up and went over to the writing desk. It was an inlaid affair with a lid that rolled back. Bundle sat down at it, pulled a sheet of notepaper towards her and wrote. Dear Bill,—
”
”
Agatha Christie (The Seven Dials Mystery)
“
On September 2, 2011, the bronze statue for the dial-painters was unveiled by the governor in Ottawa, Illinois. It is a statue of a young woman from the 1920s, with a paintbrush in one hand and a tulip in the other, standing on a clock face. Her skirt swishes, as though at any moment she might step down from her time-ticking pedestal and come to life.
”
”
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
“
In all of these cases, we use technology to “dial down” human contact, to titrate its nature and extent. People avoid face-to-face conversation but are comforted by being in touch with people—and sometimes with a lot of people—who are emotionally kept at bay. It’s another instance of the Goldilocks effect. It’s part of the move from conversation to mere connection.
”
”
Sherry Turkle (Reclaiming Conversation: The Power of Talk in a Digital Age)
“
Maybe my addictive tendencies weren't limited to my zest for things I could drink. Like maybe (I learned while working with my therapist) I had broader issues with control and addiction and using substances to dial down my anxiety. And maybe self-medication is a real dangerous way of trying to quiet the noise of a mental health disorder. And maybe alcoholism also runs in the family.
”
”
Anne T. Donahue (Nobody Cares)
“
At five o'clock I have to consciously dial myself down before reentering the house, like astronaut Buzz Aldrin preparing to unload the dishwasher immediately after returning from the moon. Don't talk about the moon, I remind myself. Ask everyone how their day was.
”
”
Miranda July (All Fours)
“
Not all divers succumb to panic as Drozd did. A great diver learns to stand down his emotions. At the moment he becomes lost or blinded or tangled or trapped, that instant when millions of years of evolution demand fight or flight and narcosis carves order from his brain, he dials down his fear and contracts into the moment until his breathing slows and his narcosis lightens and his reason returns. In this way he overcomes his humanness and becomes something else. In this way, liberated from instincts, he becomes a freak of nature. To
”
”
Robert Kurson (Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II)
“
The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that’s really real uncomfortable and they get embarrassed. It’s like there’s some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn’t happy. The worst-feeling thing that happened today was at lunch when Michael Pemulis told Mario he had an idea for setting up a Dial-a-Prayer telephone service for atheists in which the atheist dials the number and the line just rings and rings and no one answers. It was a joke and a good one, and Mario got it; what was unpleasant was that Mario was the only one at the big table whose laugh was a happy laugh; everybody else sort of looked down like they were laughing at somebody with a disability. The whole issue was far above Mario’s head…
”
”
David Foster Wallace (Infinite Jest)
“
I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first.
Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before.
The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking.
He waved me forward again, saying, “We’re here to help you. Please come outside.”
I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…”
The officer didn’t let me finish. “Come out here, honey. You’re safe now.”
It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Explaining how the two of them, up there in the Green Mountains, had managed to dial down life's urgencies and dial up its pleasures and richness, Gary put it beautifully and poetically: "We've discovered a way" he confided with a sense of gleeful wonderment, "to bend time." I imagined Tracy and me engaged in a similar conspiracy a dozen years or so from now.
”
”
Michael J. Fox (A Funny Thing Happened on the Way to the Future...)
“
October 6, 2017
“Here I sit next to the telephone.
I put my free hand on it . . . let it slide down . . . touch the holes in the dial that could put me in touch with all of them, my old pals.
We went deep together.
We went into the black together.
Would we come out of the black if we went in a second time?
I don’t think so.
Please God I don’t have to call them.
Please God.
”
”
Stephen King (It)
“
Boredom is that agitated space between relaxation and action; dialed down, it can become a pleasant kind of inertia or a meditative stillness, where it feels good to sit quietly with your own thoughts; cranked up a notch, it can produce creative release. But that middle place is the boredom itself – restlessness with no movement. A dull and desperate longing for something else. From Catastrophic Happiness.
”
”
Catherine Newman (Catastrophic Happiness: Finding Joy in Childhood's Messy Years)
“
The Catholic Church’s job is to call people to sanctity and to equip them for living saintly lives. Its mission is not to produce nice people, or people with hearts of gold, or people with good intentions; its mission is to produce saints, people of heroic virtue… To dial down the demands because they are hard, and most people have a hard time realizing them, is to compromise the very meaning and purpose of the Church.
”
”
Robert Barron (To Light a Fire on the Earth: Proclaiming the Gospel in a Secular Age)
“
Putin was a former KGB intelligence officer who’d been stationed in East Germany at the Dresden headquarters of the Soviet secret service. Putin has said in interviews that he dreamed as a child of becoming a spy for the communist party in foreign lands, and his time in Dresden exceeded his imagination. Not only was he living out his boyhood fantasy, he and his then-wife also enjoyed the perks of a borderline-European existence. Even in communist East Germany, the standard of living was far more comfortable than life in Russia, and the young Putins were climbing KGB social circles, making influential connections, networking a power base.
The present was bright, and the future looked downright luminous.
Then, the Berlin wall fell, and down with it crashed Putin’s world. A few days after the fall, a group of East German protestors gathered at the door of the secret service headquarters building. Putin, fearing the headquarters would be overrun, dialed up a Red Army tank unit stationed nearby to ask for protection. A voice on the other end of the line told him the unit could not do anything without orders from Moscow. And, “Moscow is silent,” the man told Putin.
Putin’s boyhood dream was dissolving before his eyes, and his country was impotent or unwilling to stop it. Putin despised his government’s weakness in the face of threat. It taught him a lesson that would inform his own rule: Power is easily lost when those in power allow it to be taken away.
In Putin’s mind, the Soviet Union’s fatal flaw was not that its authoritarianism was unsustainable but that its leaders were not strong enough or brutal enough to maintain their authority.
The lesson Putin learned was that power must be guarded with vigilance and maintained by any means necessary.
”
”
Matt Szajer (No: No)
“
I began to see her mind like an old television set, one with a dial you had to change the channels. She'd gotten stuck between channels and all that was broadcasting in her mind was crackling white noise which drove her mad and scared me to death. The medicine was like turning down the volume. The channels might still be stuck but at least the set was no longer spewing the deafening static. The volume had to be lowered until the channels could work again
”
”
Mark Lukach (My Lovely Wife in the Psych Ward)
“
A fool, a fool! I met a fool i' the forest,
A motley fool; a miserable world!
As I do live by food, I met a fool
Who laid him down and bask'd him in the sun,
Andrail'd on Lady Fortune in good terms,
In good set terms and yet a motley fool.
'Good morrow, fool,' quoth I. 'No, sir,' quoth he,
'Call me not fool till heaven hath sent me fortune:'
And then he drew a dial from his poke,
And, looking on it with lack-lustre eye,
Says very wisely, 'It is ten o'clock:
Thus we may see,' quoth he, 'how the world wags:
'Tis but an hour ago since it was nine,
And after one hour more 'twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot and rot;
And thereby hangs a tale.' When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer,
That fools should be so deep-contemplative,
And I did laugh sans intermission
An hour by his dial. O noble fool!
A worthy fool! Motley's the only wear.
”
”
William Shakespeare (As You Like It)
“
Money drives the Mercedes called Manhattan. Individuality and eccentricity take the bus. Gentrification, boutique hotels, prefab Olive Gardens and Home Depots are the coils tightening around the Chelsea. No more getting on bended knee to beg Stanley Bard to give you a room. In fact, the new owner, busy with intensive renovations, isn’t admitting anyone into the hotel. No doubt, if he does, it’ll be the moneyed elite, standing surrounded by their Louis Vuitton bags, checking in while dialing their iPhones. But that’s another story.
”
”
James Lough (This Ain't No Holiday Inn: Down and Out at the Chelsea Hotel 1980–1995)
“
There were two kinds of people in this world. Those whose thoughts and emotions were on a dial and those whose emotions were on a switch. He was a switchman himself and had spent his entire lifetime among switches.
Something either was or wasn’t. Had happened or hadn’t. You either could do it or couldn’t. It either worked or it didn’t. You were either happy or unhappy.
Dial people were different. Their emotions ran up and down a scale and you had to guess at what point they were and try to coax them to go in the direction you wanted.
”
”
Lisa Marie Rice (Midnight Man (Midnight, #1))
“
The body scan trains us to observe such sensations with interest and equanimity. But tuning in to these feelings is only a first step. The next step is to name them. Attaching a label to our interoceptive sensations allows us to begin to regulate them; without such attentive self-regulation, we may find our feelings overwhelming, or we may misinterpret their source. Research shows that the simple act of giving a name to what we’re feeling has a profound effect on the nervous system, immediately dialing down the body’s stress response.
”
”
Annie Murphy Paul (The Extended Mind: The Power of Thinking Outside the Brain)
“
Lorelai pulls me in closer and I feel her hair brush the side of my face.
Huh, she smells like bubblegum and oranges.
Wait. What the hell?
Oh great! I’m actually sniffing her hair now.
Yeah, that’s not super creepy at all!
Time to dial back the crazy.
It would be wrong to make a move, remember?
The song ends and suddenly The Ronettes’ ‘Be My Baby’ starts to play.
“Ah! I loooove thissss!” Lorelai declares as she grabs me and starts gyrating up and down.
It’s wrong to make a move. It’s wrong to make a move. It’s wrong to make a move.
Oh God …
”
”
Joanne McClean (Red Hair and a lot of Flair)
“
When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall.
After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.
”
”
Neal Stephenson (Seveneves)
“
What advice would you give to a smart, driven college student about to enter the “real world”? What advice should they ignore? [My advice:] Pursue every project, idea, or industry that genuinely lights you up, regardless of how unrelated each idea is, or how unrealistic a long-term career in that field might now seem. You’ll connect the dots later. Work your fucking ass off and develop a reputation for going above and beyond in all situations. Do whatever it takes to earn enough money, so that you can go all in on experiences or learning opportunities that put you in close proximity to people you admire, because proximity is power. Show up in every moment like you’re meant to be there, because your energy precedes anything you could possibly say. Ignore the advice to specialize in one thing, unless you’re certain that’s how you want to roll. Ignore giving a shit about what other people think about your career choices or what you do for a living—especially if what you do for a living funds your career choices. Ignore the impulse to dial down your enthusiasm for fear it’ll be perceived as unprofessional. And especially for women, ignore societal and familial pressures to get married and have kids.
”
”
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
“
Suddenly my heart again goes bangety-bang, bangety-bangety-bang, as if I myself were about to exit life in a hurry. And if I could, I would spring up, switch on the light, dial someone and shout right down into the hard little receiver, “It’s okay. I got away. It was goddamned close, I’ll tell ya. It didn’t get me, though. I smelled its breath, saw its red eyes in the dark, shining. A clammy hand touched mine. But I made it. I survived. Wait for me. Wait for me. Not that much is left to do.” Only there’s no one. No one here or anywhere near to say any of this to. And I’m sorry, sorry, sorry, sorry, sorry.
”
”
Richard Ford (Independence Day (Frank Bascombe, #2))
“
Ringrazio
tutti coloro che non amo
perché non mi fanno venire il mal di testa
non mi fanno scrivere lunghe lettere
non agitano i miei sogni
non li attendo con ansia
non leggo i loro oroscopi sul giornale
non compongo il loro numero di telefono
non li penso.
Li ringrazio molto
non mi mettono in subbuglio la vita”.
"I thank everyone I don't love.
They don't cause me heartache
they don't make me write long letters
they don't disturb my dreams
I don't await them anxiously
I don't read their horoscopes in magazines
I don't dial their numbers
I don't think of them.
I thank them a lot
they don't turn my life upside down.
”
”
Dunya Mikhail
“
Neil felt a half-second from losing his mind, but then Andrew said his name and Neil's thoughts ground to a startled halt. He was belatedly aware of his hand at his ear and his fingers clenched tight around his phone. He didn't remember pulling it from his pocket or making the decision to dial out. He lowered it and tapped a button, thinking maybe he'd imagined things, but Andrew's name was on his display and the timer put the call at almost a minute already. Neil put the phone back to his ear, but he couldn't find the words for the wretched feeling that was tearing away at him. In three months championships would be over. In four months he'd be dead. In five months the Foxes would be right back here for summer practices with six new faces. Neil could count his life on one hand now. On the other hand was the future he couldn't have: vice-captain, captain, Court. Neil had no right to mourn these missed chances. He'd gotten more than he deserved this year; it was selfish to ask for more. He should be grateful for what he had, and gladder still that his death would mean something. He was going to drag his father and the Moriyamas down with him when he went, and they'd never recover from the things he said. It was justice when he'd never thought he'd get any and revenge for his mother's death. He thought he'd come to terms with it but that hollow ache was back in his chest where it had no right to be. Neil felt like he was drowning. Neil found his voice at last, but the best he had was, "Come and get me from the stadium." Andrew didn't answer, but the quiet took on a new tone. Neil checked the screen again and saw the timer flashing at seventy-two seconds. Andrew had hung up on him. Neil put his phone away and waited. It was only a couple minutes from Fox Tower to the Foxhole Court, but it took almost fifteen minutes for Andrew to turn into the parking lot. He pulled into the space a couple inches from Neil's left foot and didn't bother to kill the engine. Kevin was in the passenger seat, frowning silent judgment at Neil through the windshield. Andrew got out of the car when Neil didn't move and stood in front of Neil. Neil looked up at him, studying Andrew's bored expression and waiting for questions he knew wouldn't come. That apathy should have grated against his raw nerves but somehow it steadied him. Andrew's disinterest in his psychological well-being was what had drawn Neil to him in the first place: the realization that Andrew would never flinch away from whatever poison was eating Neil alive.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Most of us come to therapy feeling trapped—imprisoned by our thoughts, behaviors, marriages, jobs, fears, or past. Sometimes we imprison ourselves with a narrative of self-punishment. If we have a choice between believing one of two things, both of which we have evidence for—I’m unlovable, I’m lovable—often we choose the one that makes us feel bad. Why do we keep our radios tuned to the same static-ridden stations (the everyone’s-life-is-better-than-mine station, the I-can’t-trust-people station, the nothing-works-out-for-me station) instead of moving the dial up or down? Change the station. Walk around the bars. Who’s stopping us but ourselves?
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
Mom?” Then again, louder. “Mom?”
She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared.
“I don’t feel good. Can I stay home today?”
No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?”
“I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again.
“I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?”
Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her.
Funny things, though. Not scary things.
“Can you tell me your name?” she repeated.
“Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?”
She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?”
Something tightened in my chest to the point of snapping.
“Mom, Mommy, why—”
“Stop it,” she hissed, “stop calling me that!”
“What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it.
“We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—”
“I live here!” I told her. “I live here! I’m Ruby!”
When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby.
“Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!”
She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.”
The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage.
She hadn’t even turned on the light for me.
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Even Ben thought it was strange-Sage had said he’d be down there. Ben wasn’t concerned, though. In fact, he looked a little giddy. “Maybe he decided not to come to Tokyo,” he chirped. “Oh well, we’ll do better with just the two of us.”
I loved Ben, but he was seriously transparent.
“We need Sage to get the Elixir, though.” Not that I cared about the Elixir at the moment. I was actually starting to worry. Where was Sage? Was he okay?
“He says we need him,” Ben scoffed. “I bet the dark lady will tell us everything we need.”
“Try his cell,” I told Rayna.
She pulled out her phone and dialed. “No answer.”
“Text him.”
“Maybe he just bailed,” Ben said.
Ben was just way too happy about this. I got it, but it was irritating.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
We sat at long tables side by side in a big
dusty room where we laughed and carried
on until they told us to pipe down and paint.
The running joke was how we glowed,
the handkerchiefs we sneezed into lighting
up our purses when we opened them at night,
our lips and nails, painted for our boyfriends
as a lark, simmering white as ash in a dark room.
"Would you die for science?" the reporter asked us,
Edna and me, the main ones in the papers.
Science? We mixed up glue, water and radium
powder into a glowing greenish white paint
and painted watch dials with a little
brush, one number after another, taking
one dial after another, all day long,
from the racks sitting next to our chairs.
After a few strokes, the brush lost its shape,
and our bosses told us to point it with
our lips. Was that science?
I quit the watch factory to work in a bank
and thought I'd gotten class, more money,
a better life, until I lost a tooth in back
and two in front and my jaw filled up with sores.
We sued: Edna, Katherine, Quinta, Larice and me,
but when we got to court, not one of us
could raise our arms to take the oath.
My teeth were gone by then. "Pretty Grace
Fryer," they called me in the papers.
All of us were dying.
We heard the scientist in France, Marie
Curie, could not believe "the manner
in which we worked" and how we tasted
that pretty paint a hundred times a day.
Now, even our crumbling bones
will glow forever in the black earth.
”
”
Eleanor Swanson
“
I would dance all day in my basement listening to Off the Wall. You young people really don’t understand how magical Michael Jackson was. No one thought he was strange. No one was laughing. We were all sitting in front of our TVs watching the “Thriller” video every hour on the hour. We were all staring, openmouthed, as he moonwalked for the first time on the Motown twenty-fifth anniversary show. When he floated backward like a funky astronaut, I screamed out loud. There was no rewinding or rewatching. No next-day memes or trends on Twitter or Facebook posts. We would call each other on our dial phones and stretch the cord down the hall, lying on our stomachs and discussing Michael Jackson’s moves, George Michael’s facial hair, and that scene in Purple Rain when Prince fingers Apollonia from behind. Moments came and went, and if you missed them, you were shit out of luck. That’s why my parents went to a M*A*S*H party and watched the last episode in real time. There was no next-day M*A*S*H cast Google hangout. That’s why my family all squeezed onto one couch and watched the USA hockey team win the gold against evil Russia! We all wept as my mother pointed out every team member from Boston. (Everyone from Boston likes to point out everyone from Boston. Same with Canadians.) We all chanted “USA!” and screamed “YES!” when Al Michaels asked us if we believed in miracles. Things happened in real time and you watched them together. There was no rewind. HBO arrived in our house that same year. We had
”
”
Amy Poehler (Yes Please)
“
Any country that enjoys fighting and bitching as a recreation as much as America does will always be, in some way or another, walking along a knife’s edge. We’re a nation that spends its afternoons watching white trash throw chairs at each other on Jerry Springer, its drive time listening to the partisan rantings of this or that hysterical political demagogue, and its late-night hours composing feverish blog entries full of anonymous screeds and denunciations. All of this shit is harmless enough so long as the power comes on every morning, fresh milk makes it to the shelves, there’s a dial tone, and your front yard isn’t underwater. But it becomes a problem when the magic grid goes down and suddenly there’s no more machinery between you and whomever you happen to get off on hating.
”
”
Matt Taibbi (Smells Like Dead Elephants: Dispatches from a Rotting Empire)
“
The science shows us that fears of a climate apocalypse are unfounded. Global warming is real, but it is not the end of the world. It is a manageable problem. Yet, we now live in a world where almost half the population believes climate change will extinguish humanity. This has profoundly altered the political reality. It makes us double down on poor climate policies. It makes us increasingly ignore all other challenges, from pandemics and food shortages to political strife and conflicts, or subsume them under the banner of climate change… If we don’t say stop, the current, false climate alarm, despite its good intentions, is likely to leave the world much worse off than it could be… We need to dial back on the panic, look at the science, face the economics, and address the issue rationally.
”
”
Bjørn Lomborg
“
The landscape was misty and vague. I was still on the hill-side upon which this house now stands, and the shoulder rose above me grey and dim. I saw trees growing and changing like puffs of vapour, now brown, now green; they grew, spread, shivered, and passed away. I saw huge buildings rise up faint and fair, and pass like dreams. The whole surface of the earth seemed changed—melting and flowing under my eyes. The little hands upon the dials that registered my speed raced round faster and faster. Presently I noted that the sun belt swayed up and down, from solstice to solstice, in a minute or less, and that consequently my pace was over a year a minute; and minute by minute the white snow flashed across the world, and vanished, and was followed by the bright, brief green of spring.”
―The Time Machine,
”
”
H.G. Wells
“
Am I better off dead
Am G
Am I better off a quitter
Cadd9 C
They say I'm better off now
Am G
Than i ever was with her
F Am G
As they take me to my local down the street
Em F Am G
I'm smiling but I'm dying trying not to drag my feet
Cadd9 C Am G
They say a few drinks will help me to forget her
Cadd9 C Am G
But after one too many I know that I'm never
F Am G
Only they can see where this is gonna end
Em F Am G
But they all think I'm crazy but to me it's perfect sense
[Chorus]
C
And my mates are all there trying to calm me down
G
'Cause I'm shouting your name all over town
Am
I'm swearing if i go there now
F
I can change your mind turn it all around
C
And I know that I'm drunk but I'll say the words
G
And she'll listen this time even though
Am
Dial her number and confess to her
F
I'm still in love but all i heard was nothing
”
”
The Script (For the First Time (Sheet Music))
“
Turner let the work speak for itself. Harper wanted to be certain about Elwood's comfort with his new detail. 'You don't look surprised,' the young white man said. 'It has to end up somewhere,' Elwood responded. 'How things are done. Spencer tells me where to go, and he kicks it up to Director Hardee.' Harper fiddled the dial after more rock and roll: Elvis popped up again. He was everywhere. 'It used to be worse in the old days,' Harper said, 'from what my aunt says. But the state cracked down and now we lay off the south-campus stuff.' Meaning, they old sold the black students' supplies. 'We had this god old boy who used to run Nickel, Roberts, who would've sold the air you breathe if he could've. Now that was a crook!' 'Beats cleaning the toilets,' Turner said. 'Beats cutting grass, if you ask me.' It was nice to be out, and Elwood said so.
”
”
Colson Whitehead (The Nickel Boys)
“
This love is like a dive under the ocean.
When I first saw you I was fascinated by the extensiveness and you were so beautiful. I did not believe you were so deep that I went downstairs. I wanted to know and see what you have - in the depths, all the way down to darkness. Until I was slowly breathed but I wanted to continue. I visit your paradise peacefully and peacefully. The place where the problem is not heavy and I'm free. But as a dive in the sea, my air gradually decreased. I had to go up and assemble a new hope. That's when I'm dialing again I'm stronger, and I can see the depth of your mystery. The ocean will be ashamed of the depth of my love. With every sinking and flight in your abyss, I feel the light of the world even though my breathing is getting dramatic. As I have this love for you, every time I feel, I'm trying to stop myself coming back and coming back to the sea you built in my heart.
”
”
Sphencer D. Perales
“
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.”
He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.”
Jack reached the top of the stairs.
And stopped dead.
There was a dragon standing in the darkened hallway.
At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly.
And yet the icy fear slipping down his spine said differently.
The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light.
The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks.
“Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.”
The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?”
He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.”
Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience.
“9-1-1, what’s your emergency?”
“Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.”
“We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“
Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again.
The dragon’s head turned towards the direction of upstairs.
Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
”
”
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
“
She was too narcoleptic to speak. Or move.
How long had this been going on? Was she like this yesterday? Had I missed her illness in my quest to prove to my brain that my dick wasn’t the one behind this train wreck’s wheel?
I touched her forehead again. It sizzled.
“Sweetheart.”
“Please get out.” The words clawed past her throat.
“Someone needs to take care of you.”
“That someone definitely isn’t you. You made that clear these past couple days.”
I said nothing.
She was right. I hadn’t bothered to check on her. Perhaps I’d wished she’d check on me.
In truth, she’d already gone beyond any expectations in trying to make whatever it was between us work.
Meanwhile, I’d shut her down. Repeatedly.
“Shortbread, let me get you some medicine and tea.”
“I don’t want you to nurse me to health. Do you hear me?” She must have hated that I’d seen her like this. Weak and ill. “Call Momma and Frankie. It’s them I want by my side.”
I swallowed but didn’t argue. I understood she didn’t want to feel humiliated. To be taken care of by the man who ensured she understood her insignificance to him.
How did her bullshit meter not fry? How could she think I really felt nothing toward her?
“First, I’ll get you medicine, tea, and water. Then I’ll call for Hettie to stay with you. Then I’ll notify your mother.” I tugged her comforter up to her chin. “No arguments.”
She tried to wave me out, groaning at the slightest movement. “Whatever. Just go. I don’t want to see your face.”
I gave her what she wanted, though as always, not in the way she expected. The sequence of actions didn’t proceed as promised.
First, I contacted Cara to dispatch the private jet to Georgia.
Then I called my mother-in-law and Franklin—separately—demanding their presence.
Only then did I enter the kitchen to grab water, tea, and ibuprofen for Shortbread’s fever.
Naturally, like the chronic idler he often proved to be, Oliver still sat at the island, now enjoying an extra-large slice of red velvet cake I was pretty sure was meant to be consumed by Dallas.
“What are you still doing here?” I demanded, collecting the things I needed for her.
He scratched his temple with the handle of his fork, brows pulled together. “You invited me here. You wanted to watch a soccer game, remember?”
I did not remember. I didn’t even remember my own address right now. “Get out.”
“What about the—”
I snatched the plate from his fingers, admitting to myself that I’d treaded into feral grounds. “This cake wasn’t for you to eat.”
“You’ve gone insane in the ten minutes you were gone.” Oliver gawked at me, wide-eyed. “What happened to you? Did Durban not get her hands on the latest Henry Plotkin book and take her anger out on you?”
Shit.
The Henry Plotkin book.
I shoved Oliver out with a fork still clutched in his grimy fist, dialing Hettie with my free hand.
She half-yawned, half-spoke. “Yes?”
“Dallas is ill. You need to come here and take care of her until my in-laws arrive in about two hours.”
“Oh, yeah?” Her energy returned tenfold. “And what the hell are you gonna do during this time?”
“Freeze my balls off.”(Chapter 58)
”
”
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
“
I dial her mum's number, then sit down cross-legged, facing the wall. When she comes on the line, she sounds uncertain, hesitant.
'Hey! Guess where I am?' I ask, my voice loud with false cheer.
'Rami told me. The Wellesly Hospital in Worthing. What's it like?'
'For a loony-bin it's actually quite decent,' I reply. 'I don't have Sky or an en-suite, and the menu isn't exactly à la carte, but you know...' I tail off.
There is a silence.
'Do you have your own room?' Jenna asks,
'Oh yeah, yeah. I have a lovely view of the sea between the bars of my window.'
She doesn't laugh.
'Have you started' -there is a pause as she searches for the right word -'threatment?'
'Yeah, yeah. We had group therapy today. Tomorrow we'll probably have art therapy - maybe I'll draw you a hourse and a garden. I know, perhaps they'll teach us to make baskets! Isn't that why they call us basket cases?'
'Flynn, stop,' Jennah softly implores.
'And we'll probably have music therapy the day after. Maybe I'll get to play the tambourine. Or the triangle. I've always wanted to play the triangle!'
'Flynn-'
'No, I'm serious! I'll ask for some manuscript paper and see if I can write a composition for tambourine and triangle. Then I can post if off to you to hand in for my next composition assignment.'
'Flynn, listen-'
'Hold on, hold on! I'm making a note to myself now: Find fellow insane musician and start composing the Flynn Laukonen Sonata for Tambourine and Triangle.'
'Flynn-'
'And then, when they let me out, if they ever let me out, perhaps you could pull a few strigns and organize for me and my tambourine buddy to give a recital. I'm not sure where though -how about the subway at Marble Arch tube? Nice and central, good acoustics-'
'What are the other people like?' Jennah cuts in, an edge to her voice. I notice she doesn't use the word patients. Clever Jennah. For a moment there you almost made me forget I was locked up in a mental institution.
'Round the bend, just like me,' I reply. 'I'm in excellent company. We'll be swapping suicide tips in no time at all!' I give a harsh laugh.
”
”
Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
“
In fact, there did not seem to be any limit to what Grof's LSD subjects could tap into. They seemed capable of knowing what it was like to be every animal, and even plant, on the tree of evolution. They could experience what it was like to be a blood cell, an atom, a thermonuclear process inside the sun, the consciousness of the entire planet, and even the consciousness of the entire cosmos. More than that, they displayed the ability to transcend space and time, and occasionally they related uncannily accurate precognitive information. In an even stranger vein they sometimes encountered nonhuman intelligences during their cerebral travels, discarnate beings, spirit guides from "higher planes of consciousness, " and other suprahuman entities. On occasion subjects also traveled to what appeared to be other universes and other levels of reality. In one particularly unnerving session a young man suffering from depression found himself in what seemed to be another dimension. It had an eerie luminescence, and although he could not see anyone he sensed that it was crowded with discarnate beings. Suddenly he sensed a presence very close to him, and to his surprise it began to communicate with him telepathically. It asked him to please contact a couple who lived in the Moravian city of Kromeriz and let them know that their son Ladislav was well taken care of and doing all right. It then gave him the couple's name, street address, and telephone number. The information meant nothing to either Grof or the young man and seemed totally unrelated to the young man's problems and treatment. Still, Grof could not put it out of his mind. "After some hesitation and with mixed feelings, I finally decided to do what certainly would have made me the target of my colleagues' jokes, had they found out, " says Grof. "I went to the telephone, dialed the number in Kromeriz, and asked if I could speak with Ladislav. To my astonishment, the woman on the other side of the line started to cry. When she calmed down, she told me with a broken voice: 'Our son is not with us any more; he passed away, we lost him three weeks ago.
”
”
Michael Talbot (The Holographic Universe)
“
From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.
”
”
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
“
Crazy ex stories are hard because they started out as love stories. And the key moment in a love story is the moment when you realize that—of all the improbable things!—there’s a person inside someone else! He or she is not just a character in the plotline of your life. You thought you were the only real one. You thought you were alone in the universe, twisting the dials on a radio in a postapocalyptic hut somewhere. Then one day you get a signal back. That’s a love story for you. I’m real. You’re real. Now what? But this isn’t a love story. This is a story about unreliable narrators, about the stories you tell yourself about the people you can’t have. In stories like that only one person is ever real. So you don’t get to tell this story. I’m the real one; you’re a character in my story. I’m the one who gets to tell this. Turning people into characters does a kind of violence to them. You lose a dimension or two pinning them down to the page. No, you say. Stop. Don’t move. This won’t work if you move. You are the story I tell about you. The instant you tell a story it stops being quite true.
”
”
Alexandra Petri (A Field Guide to Awkward Silences)
“
A guy comes to the lab. You lead him into a quiet room, sit him down in a comfortable chair, and leave him alone in front of a television. He straps a “strain gauge” (which is exactly what it sounds like) to his penis, puts a tray over his lap, and takes hold of a dial that he can tune up and down to register his arousal (“I feel a little aroused,” “I feel a lot aroused,” etc.). Then he starts watching a variety of porn segments. Some of it is romantic, some is violent, some matches his sexual orientation, some doesn’t. Some of it isn’t even humans, it’s bonobos copulating. He rates his level of arousal on the dial as he watches, and the device on his penis measures his erection. Then you look at the data to see how much of a match there is between how aroused he felt—his “subjective arousal”—and how erect he got—his “genital response.” Result: There will be about a 50 percent overlap between his genital response and his subjective arousal. It’s far from a perfect one-to-one correlation, but in behavioral science it’s exciting to find a relationship that strong. It’s highly statistically significant.
”
”
Emily Nagoski (Come As You Are: The Surprising New Science That Will Transform Your Sex Life)
“
The one-eyed guy waited thirty seconds, and then dialed his desk phone, and when it was answered he said, “She met a guy off the train. It was late. She waited five hours for it. She brought the guy here and he took a room.” There was the plastic crackle of a question, and the one-eyed clerk said, “Another big guy. A mean son of a bitch. He busted my balls on the room rate. I gave him 106, in the back corner.” Another crackling question, and another answer: “Not from here. I’m in the office.” Another crackle, but this time a different tone and a different cadence. An instruction, not a question. The one-eyed guy said, “OK.” And he put the phone down and struggled to his feet, and stepped out of the office, and took the lawn chair from outside 102, which was empty, and dragged it to a spot on the blacktop where he could see his own door and 106’s equally. Can you see his room from there? had been the question, and Move your ass somewhere you can watch him all night had been the instruction, and the one-eyed guy always obeyed instructions, if sometimes a little reluctantly, as at that point, as he adjusted his angle and dumped his bulk down on the uncomfortable plastic. Outside, in the nighttime air. Not his preferred way of doing things.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
No one was more curious and excited about other cultures and peoples than Caroline. She sometimes still remembered facts about cultures, ancient secrets and rituals, sites of ruins that excited her when she talked about them. But her knowledge was partial where it had once been whole, her frequency of recall erratic and often fuzzy, like a station she couldn’t quite get tuned in on the dial so that it was clear.
The drugs that had been given her on the night she was gang-raped in Cozumel had scrambled her memories permanently, and sent her knowledge into dark scattered corners where she could no longer access them at will. Most of the time, she couldn’t access them at all. When she did remember, she wrote it down on little notes she kept in her pockets. She had an I-Phone now, and sometimes she would transfer some of the notes to there, and to an I-Pad we kept around Sweet Caroline for that purpose. But Caroline still kept her paper notes, not trusting technology any more than I did. She took no chances, except the chance she’d taken on me, trusting me, letting me love her. From the outside, it might have appeared as though she needed me more than I needed her, but only to those who didn’t know I’d crossed a moral line from which I might never have returned had it not been for the strength and spirit of Caroline.
”
”
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
“
One: I used pre-commitment to stop switching tasks so much. Pre-commitment is when you realize that if you want to change your behavior, you have to take steps now that will lock in that desire and make it harder for you to crack later. One key step for me was buying a kSafe, which—as I mentioned briefly before—is a large plastic safe with a removable lid. You put your phone in it, put the lid back on, and turn the dial at the top for however long you want—from fifteen minutes to two weeks—and then it locks your phone away for as long as you selected. Before I went on this journey, my use of it was patchy. Now I use it every day without exception, and that buys me long stretches of focus. I also use on my laptop a program called Freedom, which cuts it off from the internet for as long as I select. (As I write this sentence, it’s counting down from three hours.) Two: I have changed the way I respond to my own sense of distraction. I used to reproach myself, and say: You’re lazy. You’re not good enough. What’s wrong with you? I tried to shame myself into focusing harder. Now, based on what Mihaly Csikszentmihalyi taught me, instead I have a very different conversation with myself. I ask: What could you do now to get into a flow state, and access your mind’s own ability to focus deeply? I remember what Mihaly taught me are the main components of flow, and I say to myself: What would be something meaningful to me that I could do now? What is at the edge of
”
”
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
“
I turned the dial up into the phone portion of the band on my ham radio in order to listen to a Saturday morning swap net. Along the way, I came across an older sounding chap, with a tremendous signal and a golden voice. You know the kind, he sounded like he should be in the broadcasting business. He was telling whoever he was talking with something about “a thousand marbles.” I was intrigued and stopped to listen to what he had to say. “Well, Tom, it sure sounds like you’re busy with your job. I’m sure they pay you well but it’s a shame you have to be away from home and your family so much. Hard to believe a young fellow should have to work sixty or seventy hours a week to make ends meet. Too bad you missed your daughter’s dance recital.” He continued, “Let me tell you something, Tom, something that has helped me keep a good perspective on my own priorities.” And that’s when he began to explain his theory of a “thousand marbles.” “You see, I sat down one day and did a little arithmetic. The average person lives about seventy-five years. I know, some live more and some live less, but on average, folks live about seventy-five years. “Now then, I multiplied 75 times 52 and I came up with 3,900 which is the number of Saturdays that the average person has in their entire lifetime. Now stick with me Tom, I’m getting to the important part. “It took me until I was fifty-five years old to think about all this in any detail,” he went on, “and by that time I had lived through
”
”
John C. Maxwell (Leadership Gold: Lessons I've Learned from a Lifetime of Leading)
“
Mario'd fallen in love with the
first Madame Psychosis programs because he felt like he was listening to someone sad read out
loud from yellow letters she'd taken out of a shoebox on a rainy p.m., stuff about heartbreak
and people you loved dying and U.S. woe, stuff that was real. It is increasingly hard to find valid
art that is about stuff that is real in this way. The older Mario gets, the more confused he gets
about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that's really
real uncomfortable and they get embarrassed. It's like there's some rule that real stuff can only
get mentioned if everybody rolls their eyes or laughs in a way that isn't happy. The worstfeeling thing that happened today was at lunch when Michael Pemulis told Mario he had an
idea for setting up a Dial-a-Prayer telephone service for atheists in which the atheist dials the
number and the line just rings and rings and no one answers. It was a joke and a good one, and
Mario got it; what was unpleasant was that Mario was the only one at the big table whose
laugh was a happy laugh; everybody else sort of looked down like they were laughing at
somebody with a disability. The whole issue was far above Mario's head, and he was unable to
understand Lyle's replies when he tried to bring the confusion up. And Hal was for once no
help, because Hal seemed even more uncomfortable and embarrassed than the fellows at
lunch, and when Mario brought up real stuff Hal called him Booboo and acted like he'd wet
himself and Hal was going to be very patient about helping him change.
”
”
David Foster Wallace (Infinite Jest)
“
to say that I saw ways to connect with Americans that Barack and his West Wing advisers didn’t fully recognize, at least initially. Rather than doing interviews with big newspapers or cable news outlets, I began sitting down with influential “mommy bloggers” who reached an enormous and dialed-in audience of women. Watching my young staffers interact with their phones, seeing Malia and Sasha start to take in news and chat with their high school friends via social media, I realized there was opportunity to be tapped there as well. I crafted my first tweet in the fall of 2011 to promote Joining Forces and then watched it zing through the strange, boundless ether where people increasingly spent their time. It was a revelation. All of it was a revelation. With my soft power, I was finding I could be strong. If reporters and television cameras wanted to follow me, then I was going to take them places. They could come watch me and Jill Biden paint a wall, for example, at a nondescript row house in the Northwest part of Washington. There was nothing inherently interesting about two ladies with paint rollers, but it baited a certain hook. It brought everyone to the doorstep of Sergeant Johnny Agbi, who’d been twenty-five years old and a medic in Afghanistan when his transport helicopter was attacked, shattering his spine, injuring his brain, and requiring a long rehabilitation at Walter Reed. His first floor was now being retrofitted to accommodate his wheelchair—its doorways widened, its kitchen sink lowered—part of a joint effort between a nonprofit called Rebuilding Together and the company that owned Sears and Kmart. This was the thousandth such home they’d renovated on behalf of veterans in need. The cameras caught all of it—the soldier, his house, the goodwill and energy being poured in.
”
”
Michelle Obama (Becoming)
“
The next morning I told Mom I couldn’t go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I’m sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What’s everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry—” “Who’s Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no raison d’être, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper . . . ” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn’t leave while I was still going. “ . . . domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity at school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years—
”
”
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
“
Open it.”
Obeying, she lifted the lid. The box was lined with red velvet. Pulling aside a protective layer of cloth, she uncovered a tiny gold pocket watch on a long chain, the casing delicately engraved with flowers and leaves. A glass window on the hinged front cover revealed a white enamel dial and black hour and minute markers.
“It belonged to my mother,” she heard Devon say. “It’s the only possession of hers that I have. She never carried it.” Irony edged his voice. “Time was never important to her.”
Kathleen glanced at him in despair. She parted her lips to speak, but his fingertips came to her mouth with gentle pressure.
“Time is what I’m giving you,” he said, staring down at her. His hand curved beneath her chin, compelling her to look at him. “There’s only one way for me to prove that I will love you and be faithful to you for the rest of my life. And that’s by loving you and being faithful to you for the rest of my life. Even if you don’t want me. Even if you choose not to be with me. I’m giving you all the time I have left. I vow to you that from this moment on, I will never touch another woman, or give my heart to anyone but you. If I have to wait sixty years, not a minute will have been wasted--because I’ll have spent all of them loving you.”
Kathleen regarded him with wonder, a perilous warmth rising until it pushed fresh tears from her eyes.
Cradling her face in both hands, Devon bent to kiss her in a brush of soft fire. “That being said,” he whispered, “I hope you’ll consider marrying me sooner rather than later.” Another kiss, slow and devastating. “Because I long for you, Kathleen, my dearest love. I want to sleep with you every night, and wake with you every morning.” His mouth caressed her with deepening pressure until her arms curled around his neck. “And I want children with you. Soon.”
The truth was there, in his voice, his eyes, on his lips. She could taste it.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
My head snaps around at the hiss, but it takes awhile to believe he’s real. How could he have gotten here? I take in the claw marks from some wild animal, the back paw he holds slightly above the ground, the prominent bones in his face. He’s come on foot, then, all the way from 13. Maybe they kicked him out or maybe he just couldn’t stand it there without her, so he came looking. “It was the waste of a trip. She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead.” I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. “She’s dead, you stupid cat. She’s dead.” A new sound, part crying, part singing, comes out of my body, giving voice to my despair. Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other. On the strength of this, I open the letter Haymitch gave me from my mother, dial the phone number, and weep with her as well. Peeta, bearing a warm loaf of bread, shows up with Greasy Sae. She makes us breakfast and I feed all my bacon to Buttercup.
”
”
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
“
I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.”
“Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.”
His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this.
Shit.
Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.”
Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes.
But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced.
I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride.
Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number.
Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is.
It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother.
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
”
”
Ernest Cline (Ready Player One)
“
The blinking message light on the phone screamed at us when we walked into the bedroom of our suite. Marlboro Man audibly exhaled, clearly wishing the world--and his brother and the grain markets and the uncertainties of agriculture--would leave us alone already. I wish they’d leave us alone, too.
In light of the recent developments, though, Marlboro Man picked up the phone and dialed Tim to get an update. I excused myself to the bathroom to freshen up and put on a champagne satin negligee in an effort to thwart the external forces that were trying to rob me of my husband’s attention. I brushed my teeth and spritzed myself with Jil Sander perfume before opening the door to the bedroom, where I would seduce my Marlboro Man away from his worries. I knew I could win if only I applied myself.
He was just getting off the phone when I entered the room.
“Dammit,” I heard him mumble as he plopped down onto the enormous king-size bed.
Oh no. Jil Sander had her work cut out for her.
I climbed on the bed and lay beside him, resting my head on his arm. He draped his arm across my waist. I draped my leg around his.
He sighed. “The markets are totally in the shitter.”
I didn’t know the details, but I did know the shitter wasn’t a good place.
I wanted to throw out the usual platitudes. Don’t worry about it, try not to think about it, we’ll figure it out, everything will be okay. But I didn’t know enough about it. I knew he and his brother owned a lot of land. I knew they worked hard to pay for it. I knew they weren’t lawyers or physicians by profession and didn’t have a whole separate income to supplement their ranching operation. As full-time ranchers, their livelihoods were completely reliant on so many things outside of their control--weather, market fluctuations, supply, demand, luck. I knew they weren’t home free in terms of finances--Marlboro Man and I had talked about it. But I didn’t understand enough about the ramifications of this current wrinkle to reassure him that everything would be okay, businesswise. And he probably didn’t want me to.
So I did the only thing I could think of to do. I assured my new husband everything would be okay between us by leaning over, turning off the lamp, and letting the love between us--which had zero to do with markets or grains--take over.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
His phone dinged again. “This crazy-ass voicemail. It’s all jacked—Wait, when did you call me?”
“Please don’t listen to that,” I blurted.
He grinned. “Okay, now I have to hear it. Was this last night? Were you drunk? Did you drunk-dial me?” he teased. But it was too late, he’d already lifted the phone.
Bile rose in my throat and the room became a thousand degrees hotter. “Please. Don’t.”
“Why? What’s wrong?” He grew quiet and listened. “I don’t hear anything. Wait. You didn’t mean to call, did you? Is that another guy?”
I put my face in my hands. Cade was quiet as he listened. And I prayed for a giant black hole to open and swallow me.
His phone made a soft thump as he tossed it onto the coffee table. The couch moved with him as he settled back.
“You can uncover your face now.” His tone didn’t sound angry but I still couldn’t face him. His hands slid around my wrists and gently tugged, forcing me to lower them.
I swallowed the lump in my throat, annoyed that I didn’t even have my own car to leave.
“Was that your roommate?” he asked.
I nodded, my face still tucked down.
“And…her boyfriend?”
“No, her best friend.”
“So you told your roommate about me?”
I could hear the smile in his voice and looked up.
“I mean, I assume you don’t know a bunch of ‘therapy dog’ guys named Cade, but I could be wrong.”
“You aren’t pissed about what you heard?”
“All I heard were some friends teasing you…about me. They think you want me. Bad.” He grinned.
“And what I said?”
“Were you serious? Because to me you sounded annoyed, maybe even defensive. And considering you stayed home last night and are with me tonight, I don’t think you really planned a, how did you put it? ‘Weekend fuckfest.’ ” He bit back a smile.
“You were never supposed to hear that.” I crossed my arms. “And I expected you to be upset, not tease me about it.”
He grabbed my hand. “C’mon, I’m sorry. Did you want to have a weekend fuckfest? I don’t want to interfere with your plans.” He tugged my hand, urging me to look up. “Look, we can have one. I’m game. Don’t stop on account of me.”
“Shut up.”
His hand made its way to my arm and he slid me along the leather couch, and tucked me into him. “Quit being all grumpy. I’m RSVPing to your fuckfest. I mean, I’ve never had one, but it seems pretty self-explanatory.”
“You’re an asshole.” And by that I really meant the most perfect fucking guy ever. Who hears something like that and plays it totally cool?
“So, am I also supposed to bend you over a table or something? Because I think your roommate might have mentioned that as well.”
I shoved him back while trying hard not to smile. “I hate you.”
He laughed and scooped me into his lap. “If it makes you feel any better, my roommate knows I have the hots for you too.”
I rolled my eyes
”
”
Renita Pizzitola (Just a Little Flirt (Crush, #2))
“
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!”
I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened.
We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks.
I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back.
“What’s that, Davy?” I said. “What’s that song?”
…Round…round…get around…wha wha wha-oooooo…
“What’s that song?” I asked him, close to panic that I might never know.
“Haven’t you heard that yet? All the high-school guys are singin’ it.”
…Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip…
“What’s the name of it?” I demanded, standing at the center of ecstasy.
“It’s on the radio all the time. It’s called—”
Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street.
“—by the Beach Boys,” Davy Ray finished.
“What?”
“The Beach Boys. That’s who’s singin’ it.”
“Man!” I said. “That sounds…that sounds…”
What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth?
“Cool,” Davy Ray supplied.
It would have to do.
…Yeah the bad guys know us and they leave us alone…I get arounnnnddddd…
I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
”
”
Robert McCammon (Boy's Life)
“
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Marlboro Man answered, “Hello?” He must have been almost asleep.
“Um…um…hi,” I said, squinting in shame.
“Hey there,” he replied.
“This is Ree,” I said. I just wanted to make sure he knew.
“Yeah…I know,” he said.
“Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.”
He chuckled. “Where are you?”
“Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.”
Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.”
“Hang tight,” he said. “I’ll be right there.”
Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship.
“Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say.
He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before.
And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog.
It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
As Dean dialed and Mike watched, Dusty left her perch on the couch and came to him. He looked down at her, again sliding an arm around her waist as both her arms circled his middle. “So, Debbie’s derailed. Wanna go upstairs and celebrate
”
”
Kristen Ashley (Games of the Heart (The 'Burg, #4))
“
This was not an academic matter. Biology, as George Wald had said, was a unique science because it could not define its subject matter. Nobody had a definition for life. Nobody knew what it was, really. The old definitions-- an organism that showed ingestion, excretion, metabolism, reproduction, and so on-- were worthless. One could always find exceptions. The group had finally concluded that energy conversion was the hallmark of life. All living organisms in some way took in energy-- as food, or sunlight-- and converted it to another form of energy, and put it to use. (Viruses were the exception to this rule, but the group was prepared to define viruses as nonliving.) For the next meeting, Leavitt was asked to prepare a rebuttal to the definition. He pondered it for a week, and returned with three objects: a swatch of black cloth, a watch, and a piece of granite. He set them down before the group and said, "Gentleman, I give you three living things." He then challenged the team to prove that they were not living. He placed the black cloth in the sunlight; it became warm. This, he announced, was an example of energy conversion-radiant energy to heat. It was objected that this was merely passive energy absorption, not conversion. It was also objected that the conversion, if it could be called that, was not purposeful. It served no function. "How do you know it is not purposeful?" Leavitt had demanded. They then turned to the watch. Leavitt pointed to the radium dial, which glowed in the dark. Decay was taking place, and light was being produced. The men argued that this was merely release of potential energy held in unstable electron levels. But there was growing confusion; Leavitt was making his point. Finally, they came to the granite. "This is alive," Leavitt said. "It is living, breathing, walking, and talking. Only we cannot see it, because it is happening too slowly. Rock has a lifespan of three billion years. We have a lifespan of sixty or seventy years. We cannot see what is happening to this rock for the same reason that we cannot make out the tune on a record being played at the rate of one revolution every century. And the rock, for its part, is not even aware of our existence because we are alive for only a brief instant of its lifespan. To it, we are like flashes in the dark." He held up his watch. His point was clear enough, and they revised their thinking in one important respect. They conceded that it was possible that they might not be able to analyze certain life forms. It was possible that they might not be able to make the slightest headway, the least beginning, in such an analysis. ==========
”
”
Anonymous
“
light, high vibration thoughts. “I am God” or “Light, light” or “Up, up, up” are good ones to lighten your energy. Conversely, you can ask the energy to be turned down by seeing an etheric dial and see yourself turning it down until the ringing stops. I decided to experiment with
”
”
Julia Cannon (Soul Speak ~ The Language of Your Body)
“
We now know that when bacteria break down fibre, they produce chemicals called short chain fatty acids (SCFAs); these trigger an influx of anti-inflammatory cells that bring a boiling immune system back down to a calm simmer. Without fibre, we dial our immunostats to higher settings, predisposing us to inflammatory disease. To make matters worse, when fibre is absent, our starving bacteria react by devouring whatever else they can find-including the mucus layer that covers the gut. As the layer disappears, bacteria get closer to the gut lining itself, where they can trigger responses from the immune cells underneath. And without the restraining influence of the SCFAs, those responses can easily build to extreme proportions.
”
”
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
“
A truly thoughtful lover would not attempt to arouse you with the subtlety of a chimp trying to dial a rotary phone.
”
”
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)