“
Dexter, I love you so much. So, so much, and I probably always will. I just don't like you anymore. I'm sorry.
”
”
David Nicholls (One Day)
“
Are those the only options? Nothing or forever?
”
”
Sarah Dessen (This Lullaby)
“
Can I say something?'
'Go on'
'I'm a little drunk'
'Me too. That's okay.'
'Just....I missed you, you know.'
'I missed you too.'
'But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-'
'same here.'
'I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-'
'same here.'
'-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'-
-'You know what happens you have a family, your responsibilities change, you lose touch with people'
'It won't be like that, I promise.'
'Do you?'
'Absolutely'
'You swear? No more disappearing?'
'I won't if you won't.'
Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.
”
”
David Nicholls (One Day)
“
I'm not sure what I am. I just know there's something dark in me. I hide it. I certainly don't talk about it, but it's there always, this Dark Passenger. And when he's driving, I feel alive, half sick with the thrill of complete wrongness. I don't fight him, I don't want to. He's all I've got. Nothing else could love me, not even... especially not me. Or is that just a lie the Dark Passenger tells me? Because lately there are these moments when I feel connected to something else... someone. It's like the mask is slipping and things... people... who never mattered before are suddenly starting to matter. It scares the hell out of me.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
I am unlovable...I have tried to involve myself in other people, in relationships, and even - in my sillier moments - in love. But it doesn't work. Something in me is broken or missing and sooner or later the other person catches me Acting or one of Those Nights comes along.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
Plastic ware," he said slowly, "like knives and forks and spoons?"
I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually,
"Yeah, I guess.Just the basics, you know."
"Did you need plastic ware?" he asked.
I shrugged.
"Because," he went on, and I fought the urge to squirm, "it's so funny, because I need
plastic ware. Badly."
"Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here."
He looked at the bag again, then at me. And then, slowly, the smile I knew and
dreaded crept across his
face. "You bought me plastic ware," he said. "Didn't you?'
"No," I growled, picking at my license plate.
"You did!" he hooted, laughing out loud. "You bought me some forks. And knives.
And spoons.
Because—"
"No," I said loudly.
"—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush
creep across my
face. Stupid Lissa. I could have killed her.
"It was on sale," I told him again, as if this was some kind of an excuse.
"You love me," he said simply, taking the bag and adding it to the others.
"Only seven bucks," I added, but he was already walking away, so sure of himself. "It
was on clearance,
for God's sake."
"Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
”
”
Sarah Dessen (This Lullaby)
“
He loved her, and he would love her until the day he was too old for loving--but he could not have her. So he tasted the deep pain that is reserved only for the strong, just as he had tasted for a little while the deep happiness.
”
”
F. Scott Fitzgerald (Winter Dreams)
“
Nothing else loves me, nor ever will. Not even - especially - me. I know what I am and that's not a thing to love.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
And so as much as I can, I care about her, dear Deborah. It's probably not love, but I would rather she were happy.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
Dexter, I love you so much. So, so much, and I probably always will.' Her lips touched his cheek. 'I just don't like you anymore. I'm sorry.
”
”
David Nicholls (One Day)
“
Now I know the truth. Ethan's love won't fix me. I have to do that myself. So, no, his love isn't the cure. But it is something to live for. Without him, I might not want to fix myself. Ethan Dexter makes me want to be a better person. To be brave.
”
”
Kristen Callihan (The Game Plan (Game On, #3))
“
Sylvie's sort of pregnant. Well not sort of. She is. Pregnant. Actually pregnant with a baby.'
'Oh Dexter! Do you know the father? I'm kidding! Congratulations, Dex. God, aren't you meant to space your bombshells out a bit. Not just drop them all at once?'
She held his face in both hands, looked at it.
'You're getting married?-'
'Yes'
-'And you're going to be a father?'
'I know! Fuck me a father!'
'Is that allowed? I mean will they let you?'
'Apparently'
'I think it's wonderful. Fucking hell, Dexter, I turn my back for one minute...!'
She hugged him once again her arms high round his neck. She felt drunk, full of affection and a certain sadness too, as if something was coming to an end. She wanted to say something along these lines, but thought it best to do this through a joke.
'Of course you've destroyed any chance I had of future happiness, but I'm delighted for you, really.
”
”
David Nicholls (One Day)
“
O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.
”
”
William Shakespeare (Hamlet)
“
So they were pen pals now, Emma composing long, intense letters crammed with jokes and underlining, forced banter and barely concealed longing; two-thousand-word acts of love on air-mail paper. Letters, like compilation tapes, were really vehicles for unexpressed emotions and she was clearly putting far too much time and energy into them. In return, Dexter sent her postcards with insufficient postage: ‘Amsterdam is MAD’, ‘Barcelona INSANE’, ‘Dublin ROCKS. Sick as DOG this morning.’ As a travel writer, he was no Bruce Chatwin, but still she would slip the postcards in the pocket of a heavy coat on long soulful walks on Ilkley Moor, searching for some hidden meaning in ‘VENICE COMPLETELY FLOODED!!!!
”
”
David Nicholls
“
If only I was capable of love, how I would have loved Harry.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
Hello there, officer, just out for a walk. Lovely evening for a dismemberment, isn't it?
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
It’s like everyone has a central dilemma in their life, and mine was can you be in a committed, mature, loving adult relationship and still get invited to threesomes?" - Dexter Mayhew
”
”
David Nicholls (One Day)
“
Apparently the police were hot on the trail of the Tamiami Butcher. There were no specifics available, but Captain Matthews got a lovely sound bite. He made it seem like he would personally make the arrest as soon as he finished his coffee.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
They never reminisced about the time they had to drive halfway back to Indianapolis because I’d left Dexter Poindexter, my terry-cloth penguin (threadbare, ravaged by love—as who amongst us is not)
”
”
Karen Joy Fowler (We Are All Completely Beside Ourselves)
“
Morse poured himself a can of beer. "Champagne's a lovely drink, but it makes you thirsty, doesn't it?
”
”
Colin Dexter (The Way Through The Woods (Inspector Morse, #10))
“
In the beginning the stories were long and colored, but as he grew old and his eyes clouded, the stories were told in only a few words, and she came to understand that all the colors had fallen away from him, leaving only the moments. A woman who performed tricks in the air, an animal pulling a boat under water, dead children who spoke in bones. A man who loved bottles.
”
”
Pete Dexter (Deadwood)
“
Dexter the Magnificent, who doth bestride the world like a Colossus, many lovely corpses at his feet, brought to you in live color just in time for the evening news. Oh, Mama, who is that large and handsome man with the bloody saw? Why, that's Dexter Morgan, dear, the horrible man they arrested a little while ago. But Mama, why is he smiling? He likes his work, dear. Let that be a lesson to you--always find a worthy job that keeps you happy.
”
”
Jeff Lindsay (Dexter by Design (Dexter, #4))
“
Have only this consolation--that he was never a fiend or even truly a madman, but only an eager, studious, and curious boy whose love of mystery and of the past was his undoing. He stumbled on things no mortal ought ever to know, and reached back through the years as no one ever should reach; and something came out of those years to engulf him.
”
”
H.P. Lovecraft (The Case of Charles Dexter Ward)
“
You think you know who you are, you think you have your identity down pat, signed and sealed in a box that you call "me," and then you realize you're attracted to musicians-that "dexterous" is sexy to you-and you have to rethink everything you know about yourself.
”
”
Taylor Jenkins Reid (One True Loves)
“
You think you know who you are, you think you have your identity down pat, signed and sealed in a box that you call “me,” and then you realize you’re attracted to musicians—that “dexterous” is sexy to you—and you have to rethink everything you know about yourself.
”
”
Taylor Jenkins Reid (One True Loves)
“
Manufacturers have long chosen plastic for their products on the basis of price and functionality., But creating a more sustainable relationship with plastics will require a new dexterity on our part. It will require us to think about the entire life cycle of the products we create and use.
”
”
Susan Freinkel (Plastic: A Toxic Love Story – An Engaging Analysis of Cultural Dependency and the Resulting Environmental Crisis)
“
I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I?
Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge.
But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.
”
”
Katherine Dunn (Geek Love)
“
A number of terrible things about falling in love make it not worth the time and the effort. But the worst of these is that we can never truly fall in love with a person, but only what we think that person is - more precisely, we fall in love with an image of a person that we create in our minds based on a few inconsequential traits: hair color; bloodline; timbre of voice; preference in music or literature. We are so quick to make a judgment on first sight, and it is so easy for us to decide that the object of our love is unquestionably perfect. And while people can only be human at best, these same fallible humans are more than capable of imagining each other to be infallible gods.
Any relationship we have with another human being is an ongoing process of error correction, altering this image that we see in our mind's eye whenever we lay love-blinded eyes on our beloved. It changes bit by bit until it matches the beloved herself, who is invariably less than perfect, often unworthy of love, and often incapable of giving love. This is why any extended interpersonal relationship other than the most superficial, be it a friendship, a romance, or a tie between father and daughter, must by necessity involve disappointment and pain. When the woman you worship behaves as a human being eventually will, she does not merely disappoint; she commits sacrilege, as if the God we worship were to somehow damn Himself.
”
”
Dexter Palmer (The Dream of Perpetual Motion)
“
But I can tell you this: that I am deeply proud of Rebecca. That she made a split-second decision to save the life of her son, turning the wheel of her vehicle so that her side of it would be impacted by an oncoming car instead of his. She gave her life in the exercise of the greatest gift that God grants us—the ability to change the trajectory of history.
”
”
Dexter Palmer (Version Control)
“
Love, no matter how high or low its form, must be requited, or the lover suffers.
”
”
Dexter Palmer (The Dream of Perpetual Motion)
“
sometimes in your works, give people the opportunity to express their ignorance; then you prove the wrong with your works.
”
”
Ernest Agyemang Yeboah
“
I love Halloween. The one time of the year when everyone wears a mask, not just me
”
”
Dexter Morgan
“
Once upon a time, in a land of verdant fields and stone castles, an evil queen and a lovely maiden… You know what? Never mind the introduction, let’s just skip to the action! “Mirror,
”
”
Tyler Shaw (Funny Stories for Kids: Lily White and the Horrible Dwarves)
“
At any other time it's better. You can do the things you feel you should; you're an expert at going through the motions. Your handshakes with strangers are firm and your gaze never wavers; you think of steel and diamonds when you stare. In monotone you repeat the legendary words of long-dead lovers to those you claim to love; you take them into bed with you, and you mimic the rhythmic motions you've read of in manuals. When protocol demands it you dutifully drop to your knees and pray to a god who no longer exists. But in this hour you must admit to yourself that this is not enough, that you are not good enough. And when you knock your fist against your chest you hear a hollow ringing echo, and all your thoughts are accompanied by the ticks of clockwork spinning behind your eyes, and everything you eat and drink has the aftertaste of rust.
”
”
Dexter Palmer (The Dream of Perpetual Motion)
“
He would talk, and I would talk, and he would talk, and each of our words sounded out the deepest secret depths inside us. There are some forms of love that words can do no justice to. There are some scars that can't be seen. Perfection is in itself an imperfection. He had flaws. He was sick. He needed help. Is not everyone sick, at one time or another? That was part of his beauty, his sickness. If he had not been sick, he would not have been beautiful, in the way that consumptives are, burning themselves up in brilliant flashes of light . . . I don't expect you to be able to understand. Love is strong enough to resurrect the dead. I don't like the word scar, because it implies intent and blame. A soul as powerful as his had to burn. I have never known a love like this. You don't know. I would have done anything at all for him. You don't know. It feels so goddamn good to be needed, to have someone tell you that he has a gaping hole in him whose shape is made to fit you . . . I saw that he was burning a piece of art on me, a signature on my psyche because it filled the hole in his own, and he wanted to make me his.
”
”
Dexter Palmer (The Dream of Perpetual Motion)
“
He smiled at me, the irritating, superior kind of smile that I would love to try sometime when I wasn’t in disguise. “You didn’t read your history, did you?” he said. “I don’t think this chapter was assigned. What are you talking about?
”
”
Jeff Lindsay (Dexter by Design (Dexter, #4))
“
If you are white, you have an obligation to at least understand where the concept of whiteness comes from and to decide how you will proceed with that knowledge. I hope your journey will include an intentional choice to acquire dexterity.
”
”
Sheryll Cashin (Loving: Interracial Intimacy in America and the Threat to White Supremacy)
“
When I live in the age of miracles," Allan said, "your mother was the greatest miracles of all. Just by standing near me she made me better than I am. she brought out that in me that makes me best. I'd think, I don't deserve her, and then I'd think again and say, wait, yes I do.Because her mere presence made me become someone who deserved her love. Do you see?
”
”
Dexter Palmer (The Dream of Perpetual Motion)
“
David Abrams’s Fobbit, Giorgio Agamben’s The Open, Omnia Amin and Rick London’s translations of Ahmed Abdel Muti Hijazi’s poetry, Peter Van Buren’s We Meant Well, Donovan Campbell’s Joker One, C. J. Chivers’s The Gun, Seth Connor’s Boredom by Day, Death by Night, Daniel Danelo’s Blood Stripes, Kimberly Dozier’s Breathing the Fire, Nathan Englander’s What We Talk About When We Talk About Anne Frank, Siobhan Fallon’s You Know When the Men Are Gone, Nathaniel Fick’s One Bullet Away, Dexter Filkins’s The Forever War, David Finkel’s The Good Soldiers, Jim Frederick’s Black Hearts, Matt Gallagher’s Kaboom, Jessica Goodell’s Shade It Black, J. Glenn Gray’s The Warriors, Dave Grossman’s On Killing and On Combat, Judith Herman’s Trauma and Recovery, Kirsten Holmstedt’s Band of Sisters, Karl Marlantes’s Matterhorn, Colum McCann’s Dancer, Patrick McGrath’s Trauma, Jonathan Shay’s Odysseus in America and Achilles in Vietnam, Roy Scranton’s essays and fiction, the Special Inspector for Iraq Reconstruction Report Hard Lessons, Bing West’s The Strongest Tribe and No True Glory, Kayla Williams’s Love My Rifle More Than You.
”
”
Phil Klay (Redeployment)
“
In the past I was a vicious hunter. I would stalk my prey with pinpoint accuracy. Ever since Monica came into my life I’ve abstained from the game. It almost feels strange to stand here and look to the crowd knowing I could pick one and f*ck them into oblivion. I won’t though. I may love her, but that isn’t the reason. If I were to pick someone for the sake of revenge sex then I’m giving control to Monica and Dalton for betraying me. I’m strong enough to wait. A good hunter is always patient and never stalks in anger.'
'I always crack it until Tobias stops flinching at the sound. It’s never the same amount of times. I don’t want it to become obvious so I always do it a few more times to create a sense of surprise.
I coil up the leather and with the flick of my wrist I set a perfect line against Monica’s back. She yelps in pain and surprise, and Tobias joins her. He thought he’d get the first blow.
I breathe through the pounding in my cock. It beats in time with my rapidly beating heart.
I flick my wrist again taking Monica across the shoulder. I see Tobias tense as she screams. Mustn’t allow the slaves to think they are taking even turns. The blow’s shock is what makes my cock burn for release. I palm my balls as they tighten, threatening to shoot my release up the stock of my dick. I inhale through my nose and breathe out my mouth until I regain my control.
I flick my wrist again and hit Monica across her thighs. She screams bloody murder at the ceiling and I smile to myself. It hurts like a bitch, but the marks will fade. I never break skin. This is my passion- my gift.
”
”
Erica Chilson (Dexter (Mistress & Master of Restraint, #3))
“
I want to say that yes, it was worth it; that I could suffer through pain and torture for her and go through a lot more than what Puck and his friends are capable of, and I can do it for all of eternity; suffer, until she realizes how much I love her.
But she’s gone before I can say any of it.
I wait till she’s left.
And then I reach for my wallet.
Hidden inside one of the flaps is a piece of paper that barely conceals a razorblade. Its frayed edges still have my blood on them. The blood is from the previous cuts I’ve made and I carry it around like a trophy, like Dexter carries around his victims’ blood on slides. I use that blade to give myself a cut and it starts bleeding. Right away, it feels as though the pressure that has been building inside me ever since that confrontation with Puck is lifted.
I feel free again.
”
”
Kady Hunt (Seven Cuts)
“
With failing bravado, Dexter tried to laugh. "You sound like you're dumping me!"
She smiled sadly. "I suppose I am in a way. You're not who you used to be, Dex, I really, really liked the old one. I'd like him back, but in the meantime, I'm sorry, but I don't think you should phone me anymore." She turned and, a little unsteadily, began to walk off down the side alley in the direction of Leicester Square.
For a moment, Dexter had a fleeting but perfectly clear memory of himself at his mother's funeral, curled up on the bathroom floor while Emma held onto him and stroked his hair.Yet somehow he had managed to treat this as nothing, to throw it all away for dross. He followed a little way behind her. "Come on, Em, we're still friends aren't we? I know I've been a little weird, it's just..." She stopped for a moment, but didn't turn round, and he knew that she was crying. "Emma?"
Then very quickly she turned, walked up to him and pulled his face to hers, her cheek warm and wet against his, speaking quickly and quietly in his ear, and for one bright moment he thought he was to be forgiven.
"Dexter, I love you so much. So, so much, and I probably always will." Her lips touched his cheek. "I just don't like you anymore. I'm sorry."
And then she was gone, and he found himself on the street, standing alone in this back alley trying to imagine what he would possibly do next.
”
”
David Nicholls (One Day)
“
No one mentions that now, and I suppose no one is inclined to bring it up, particularly not my father, who in other matters loves those things most that he can no longer touch or see, things washed clean of flaws and ambiguity by the years he has held them in his memory, reshaping them as he brings them out, again and again, telling his stories until finally the stories, and the things in them, are as perfect and sharp as the edge of the knife he keeps in his pocket.
”
”
Pete Dexter (The Paperboy)
“
The thing that's hard about it—the thing that makes it so hard when the person you love has been taken from you, not by something evil you could have seen coming but by random, pure chance—is that you find yourself suddenly living through a history other than the one you expected to live, through no fault of your own. I feel . . . it's hard to describe, but I feel weirdly outside of time. Ever since the accident I've had these moments when I felt like a visiting guest in this world, not a permanent resident. Like sometimes I look in a mirror and I feel like I can almost see through the version of me on the other side of the glass. And sometimes I feel like I can see the history I used to be in more clearly than the history I'm in now—the real history is one where Philip and Sean and I are all together, being a family and doing whatever family things people do, and this one's like . . . like a fake version of events that I've been yanked into, where everything's gone wrong.
”
”
Dexter Palmer (Version Control)
“
And yet Rebecca felt that it was hard to tell whether the secret algorithms of Big Data did not so much reveal you to yourself as they tried to dictate to you what you were to be. To accept that the machines knew you better than you knew yourself involved a kind of silent assent: you liked the things Big Data told you you were likely to like, and you loved the people it said you were likely to love. To believe entirely in the data entailed a slight diminishment of the self, small but crucial and, perhaps, irreversible.
”
”
Dexter Palmer (Version Control)
“
Her voice never stops: even when I sleep, it is a shining silver thread running through most of my dreams and all my nightmares, whispering, beseeching, threatening: One word from you is all I want. Just speak one word, and we'll begin. Name, rank, and serial number, perhaps the misquoted lyrics from a popular song: anything will do. From there we'll move with slow cautious steps to gentle verbal sparring, twice-told tales, descriptions of the scarred and darkest places of our old and worn-out souls. I'll love you back; I'll tell you secrets—
”
”
Dexter Palmer (The Dream of Perpetual Motion)
“
You must, in order that it shall speak to you, take a thing during a certain time as the only one that exists, as the only phenomenon which through your diligent and exclusive love finds itself set down in the center of the universe. . . . Don’t be frightened at the expression “fate” … I call fate all external events (illnesses, for example, included) which can inevitably step in to interrupt and annihilate a disposition of mind and training that is by nature solitary. . . .
That went through me like an arrow, when I learned it, but like a flaming arrow that, while it pierced my heart through, left it in a conflagration of clear sight. There are few artists in our day who grasp this stubbornness, this vehement obstinacy. But I believe that without it one remains always at the periphery of art, which is rich enough as it is to allow us pleasant discoveries, but at which, nevertheless, we halt only as a player at the green table who, while he now and again succeeds with a “coup”, remains none the less at the mercy of chance, which is nothing but the docile and dexterous ape of the law.
”
”
Rainer Maria Rilke
“
After five or six blocks he pulled around me and, as he flipped me off, juked his steering wheel slightly to frighten me into running up on the sidewalk. Although I admired his spirit and would have loved to oblige him, I stayed on the road. There is never any point in trying to make sense of the way Miami drivers go about getting from one place to another. You just have to relax and enjoy the violence—and of course, that part was never a problem for me. So I smiled and waved, and he stomped on his accelerator and disappeared into traffic at about sixty miles per hour over the speed limit.
”
”
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
“
He leaned in, held his breath so as not to make a noise, went close to her, inhaled the scent that emanated from the pores of her forehead; inhaled the air that bounced back from her head. He stopped there, listening intently to the blood flowing, heart beating, pulse pulsating, her hair drifting slowly below her ear resting where the carotid artery was. He closed his eyes as if picturing everything. Like a dexterous doctor discerning the malfunction in a patient or an adroit maestro listening to every note to discern where the one note is missing.
He stacked everything neatly in his head, still the intent hearing continued. Finally, a smile came to his face just as easily as breath came to him. A ecstatic smoke rose in his head, he had heard the murmur of her thoughts, she was in a peaceful world now. She had drifted into slumber, through the doors to the dream worlds, nothing was troubling her now.
He was filled with an air of comfort and triumph, he was there when she needed it. He was happy that nothing bothered her anymore, how he wanted to ostracize the world just a few moments before!? He wanted to drag this drab world out of her dreamy gleaming eyes, petal covered, almond eyes.
She was stumbling in her own world now, as he sat beside her bed.
He kissed her forehead, whisked the world with those thin lips of his; he whisked that pile of rubble.
He leaned to the side and below, not knowing which side; right or left, it didn't matter; whispered in her ear: "I love you". A smile played on her lips as if she heard that. Again he kissed her forehead, had a good look at her closed eyes. His taverns, he thought; where he got drunk, placed so adjacent to each other.
He was happy, that she was happy, she was happy so he was happy. The rest of the world didn't matter; No! No! There was no "Rest" she was his world the whole and entire of it, there was no "Rest of the world".
He got up collected his phone, which played slow Beethoven, turned it off, switched the lamp off, pulled the blanket over her, got up, patted the dog along, made out of her room; into her balcony. He didn't want to go yet, he stood there as many thoughts danced in front of him, slow in the moonlight.
”
”
Teufel Damon
“
sandy-haired, friendly, smiling, small-town attorney of Pennington, had been born in 1950 in a roach-infested Newark slum. His father had been a construction worker fully employed through World War II and Korea creating new factories, dockyards and government offices along the Jersey Shore. But with the ending of the Korean War, work had dried up. Cal was five when his mother walked out of the loveless union and left the boy to be raised by his father. The latter was a hard man, quick with his fists, the only law on many blue-collar jobs. But he was not a bad man and tried to live by the straight and narrow, and to raise his toddler son to love Old Glory, the Constitution and Joe DiMaggio. Within two years, Dexter Senior had acquired a trailer home so that he could move where the work was available. And that was how the boy was raised, moving from construction site to site, attending whichever school would take him, and then moving on. It was the age of Elvis Presley, Del Shannon, Roy Orbison and the Beatles, over from a country Cal had never heard of. It was also the age of Kennedy, the Cold War and Vietnam. His formal education was fractured to the point of near nonexistence, but he became wise in other ways: streetwise, fight-wise. Like his departed mother, he did not grow tall, topping out at five feet eight inches. Nor was he heavy and muscular like his father, but his lean frame packed fearsome stamina and his fists a killer punch. By seventeen, it looked as if his life would follow that of his father, shoveling dirt or driving a dump truck on building sites. Unless . . . In January 1968 he turned eighteen, and the Vietcong launched the Têt Offensive. He was watching TV in a bar in Camden. There was a documentary telling him about recruitment. It mentioned that if you shaped up, the Army would give you an education. The next day, he walked into the U.S. Army office in Camden and signed on. The master sergeant was bored. He spent his life listening to youths doing everything in their power to get out of going to Vietnam. “I want to volunteer,” said the youth in front of him. The master sergeant drew a form toward him, keeping eye contact like a ferret that does not want the rabbit to get away. Trying to be kindly, he suggested
”
”
Frederick Forsyth (The Cobra)
“
St. Bernard, with the sharpness of his wit and zeal, has stigmatized the vices of the rebellious people. "Who is ignorant," says the monk of Clairvaux, "of the vanity and arrogance of the Romans? a nation nursed in sedition, untractable, and scorning to obey, unless they are too feeble to resist. When they promise to serve, they aspire to reign; if they swear allegiance, they watch the opportunity of revolt; yet they vent their discontent in loud clamors, if your doors, or your counsels, are shut against them. Dexterous in mischief, they have never learned the science of doing good. Odious to earth and heaven, impious to God, seditious among themselves, jealous of their neighbors, inhuman to strangers, they love no one, by no one are they beloved; and while they wish to inspire fear, they live in base and continual apprehension. They will not submit; they know not how to govern faithless to their superiors, intolerable to their equals, ungrateful to their benefactors, and alike impudent in their demands and their refusals. Lofty in promise, poor in execution; adulation and calumny, perfidy and treason, are the familiar arts of their policy
”
”
Edward Gibbon (The History of the Decline & Fall of the Roman Empire Volume 7)
“
Pedro Algorta, a lawyer, showed me the fat dossier about the murder of two women. The double crime had been committed with a knife at the end of 1982, in a Montevideo suburb.
The accused, Alma Di Agosto, had confessed. She had been in jail more than a year, and was apparently condemned to rot there for the rest of her life.
As is the custom, the police had raped and tortured her. After a month of continuous beatings they had extracted several confessions. Alma Di Agosto's confessions did not much resemble each other, as if she had committed the same murder in many different ways. Different people appeared in each confession, picturesque phantoms without names or addresses, because the electric cattle prod turns anyone into a prolific storyteller. Furthermore, the author demonstrated the agility of an Olympic athlete, the strength of a fairground Amazon, and the dexterity of a professional matador. But the most surprising was the wealth of detail: in each confession, the accused described with millimetric precision clothing, gestures, surroundings, positions, objects.....
Alma Di Agosto was blind.
Her neighbours, who knew and loved her, were convinced she was guilty:
'Why?' asked the lawyer.
'Because the papers say so.'
'But the papers lie,' said the lawyer.
'But the radio said so too,' explained the neighbours.
'And the TV!
”
”
Eduardo Galeano
“
Gentleman,” I purr smoothly in greeting.
Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable.
While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress.
I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait.
“Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing.
No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy.
“I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot.
“And who are you, Ma’am?” Ezra asks respectfully.
“Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling.
“Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment.
I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely.
“What did you say to upset her?” Ezra accuses Cortez.
“Nothing,” Cort complains in confusion.
“Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
”
”
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
“
It started with Isabella trying to escape from Dexter, who Miles led you to believe at the beginning wasn’t a good guy, except he tries to keep Isabella comfortable and he never touches her. But she’s being held against her will, so that didn’t engender any warm and fuzzy feelings between them. In fact, the insults she lobbed at him were fantastic, like, You pikey pillock. [...] Dexter, for his part, took them all in stride and never retaliated, not even when she told him his mother must have been a slag. Yikes.
The only time Dexter exerted any force was when he came in to bring her food and she used her feminine charm on him. Poor Dexter was stupid enough to believe it might be real. Wishful thinking on his part. Except when Isabella did get close to him, she felt a little something and it startled her. [...] She kneed him in the groin anyway and ran away. Dexter recovered quickly enough to catch her. That’s when he started sleeping in her room to make sure she didn’t escape. And that was when things started to get interesting. Isabella meant to lure him into believing she was interested in him to gain his trust, but the more she got to know him, the more she can’t help but like him.
I read their exchanges as they talked late into every night, with him on the floor and her on the bed, asking all sorts of questions from his family to how he felt about politics. [...] [Dexter] possessed a calm reassurance about himself and a deep understanding of people and situations. [...]
Poor Isabella thought she was getting the upper hand in all of this, but it didn’t take her long to realize she was losing ground. She began looking forward to their nights spent talking and sometimes playing Stop the Bus, a card game she used to play with her father. Dexter began using these moments to gain her trust, to start telling her the truth of her situation. It was enough that when they were discovered by two men clad in black who claimed to be there to rescue Isabella, she chose to flee with Dexter after some kick-butt fight scenes.
[...]
Isabella and Dexter fled to France. They almost kind of had a moment there. Isabella was furious with him because she felt like he was hiding something from her. She goes to slap him, but he grabs her hand before she can make contact. The unspoken words and emotion between them were totally hot. You thought he was going to kiss her, and so did she. She found herself yearning for it and she hated herself for it. [...]
While in Paris, Isabella discovered a clue in her father’s journal that led them to Colorado. It had to do with a town legend involving a tree where lovers carved their names. It was said any pair to carve their name into the Aspen tree would only be parted by death. I loved that he used an Aspen tree. That was where they began to see how intertwined their lives were. Dexter’s mother’s name and Isabella’s father’s name were carved together into the tree long before either of them was born, but Isabella’s father’s name was crossed out.
At first, I was grossed out thinking that they might be siblings, but Dexter was ten years older than Isabella, and his mother died before Isabella was born. But their parents were lovers. Interesting. [...]
While they tried to figure out who might have crossed out Isabella’s father’s name, Isabella and Dexter started dancing on the edge of their feelings. Miles made the cabin they were staying in at the Ranch one room, not just one bedroom. A large, single room with only a bathroom for any privacy. Inch by inch, the sexual tension between them grew. Little touches here and there. But more than that, there was an emotional connection. Isabella began to let down her guard. She owned how afraid she was that her life had been a lie. But on the flipside, she had this desperate hope her father was innocent. More than that, she longed to be able to trust someone, but she didn’t know how.
”
”
Jennifer Peel (My Not So Wicked Boss (My Not So Wicked, #3))
“
She bent over the table and proceeded to tip the pitcher over each plate and spill a thick white goo over everything. It covered the turkey and the yams and puddled all over each plate. Roughly the texture of heavy whipping cream. Decker couldn’t, by god, tell what that was supposed to be.
“What is that?” he asked. “Gravy?”
Stung, Araceli backed away from the table and clutched the pitcher to her heart.
“Is los mash potatoes!” she cried and ran to the kitchen in humiliation. They could hear her crying in there.
Dexter rose. “God. Damn. It,” he announced. “Look here. This is my country. This is my country. We been here, working this land, forever. We made our lives here. We planted crops here. We had our children and - and we buried our loved ones here. Right here! Is it too goddamned much to ask that somebody pay the slightest fucking attention to our traditions and history and stop wrecking everything? Could you learn the language? Could you cook a simple meal that anybody from here would recognize as real food? Am I asking too much?”
He was red in the face and shaking. He was embarrassed about the whole thing - ashamed of his comment to Araceli, ashamed to have shown his emotions, ashamed that he had tears in the corners of his eyes. Outbursts were simply not the West Linden way.
Reverend Visser just stared at his own hands with his head bowed. Juan fingered the arrowhead, spun it around and around with one finger. He didn’t want to eat the goopy mash potatoes either. “Yeah, Jefe. That’s what Geronimo said.
”
”
Luis Alberto Urrea (The Water Museum)
“
They claim love conquers all. I used to believe that. Used to think that if someone just loved me enough, it would make everything better. Now I know the truth. Ethan’s love won’t fix me. I have to do that myself. So, no, his love isn’t the cure. But it is something to live for. Without him, I might not want to fix myself. Ethan Dexter makes me want to be a better person. To be brave.
”
”
Kristen Callihan (The Game Plan (Game On, #3))
“
Conversation with a Butterfly:
You see one day I was sitting on the porch all to myself,
Contemplating on what to do, I had no money, no wealth,
That's when I saw a butterfly come down from the sky,
With wings so beautiful, so pleasant to the eye,
I wanted to touch them, but I thought twice,
I knew my fingerprint alone could create just a slight,
Unevenness in her weight, which would surely affect her flight,
I told the butterfly that she was lovely and brought me some cheer,
But it would soon leave when she disappeared,
You see I wish I could soar, and have wings such as yours,
I wish I could be as wealthy as she is beautiful and so much more,
The butterfly just looked with a tear in her eye,
I wasn't always this beautiful and I am at the end of my life,
This is just the reward of a long struggle,
I never gave up and now I am humble,
I never complained about where God placed me,
You see he gave me struggles and doors placed just for me,
I knew that I couldn't have what others had so I focused on my own,
I never gave up and now others envy me alone,
Not knowing what I had to go through for the finished product,
I just hung true to my faith and that for me was enough,
So don't get stuck in my life because you don't know it,
Work your process and the end result will show it,
That you and I are the same,
See you are a butterfly, just by a different name,
”
”
Dexter Newby
“
used with sufficient suavity and dexterity, love can even serve, it turns out, as another name for what under normal circumstances would be called cruelty.
”
”
David Bentley Hart (That All Shall Be Saved: Heaven, Hell, and Universal Salvation)
“
Fish and the old woman
An old woman, selling fish,
Crying at all those who passed by,
“Try my fish that you shall relish,”
Most of them ignored her calls but many asked why?
She answered all whys, all ifs, all questions,
As long as you were someone she thought would buy,
And I stood there listening to her witty quotations,
That addressed all doubts and answered every why,
Her greasy hands often patted and placed the fish in order,
In the round wicker basket that was wet but clean,
And in this fish market she looked much wiser and older,
Her face was round, her eyes sharp, with a body frame that was lean,
Few minutes passed, unlike the fish she was unable to catch a reliable prospect,
Then a man stopped and looked at her basket full of fish,
And she had found her much needed suspect,
The providence had granted her her wish,
She turned the fish around and showed him the best ones,
Her greasy hands held them with twin feelings,
A feeling that still wanted to retain the best ones,
And a feeling that was willing to let go of the few in her commercial dealings,
And there was her struggle, and her eyes revealed it clearly,
She shuffled the best ones around and then mixed them with the rest,
And she did this with a professional dexterity,
Creating a mix of the good fish and the best,
Because to her all customers are the same,
They all deserve to savour the fish that she thinks are the finest,
So she had to indulge in this necessary hypnotic game,
And she performed it in ways sharp and tidiest,
She scrubbed off the scales carefully,
And cleaned them with a unique fondness,
And when ready she handed them to the man lovingly,
He held them with a sense of quickness,
And walked away, leaving behind the old woman and her basket full of fish,
Who once again shouted in her typical melody, “Try my fish that you shall relish,
The fish that will make the tastiest dish,
The fish from the lake that breeds the best fish!”
While I watched her and her teary eyes,
Because she missed the fish that were being taken away,
Away from her everyday, with her daily lot gone a part of her in that basket dies,
But she does not let her feelings give in or sway,
Because this is who she is, the seller of life and joy,
Who shouts on the bridge on a cold November day,
For she too has a home, where she has to feed her girl and her always waiting boy,
It has been so for many decades, and was so today,
In the evening when the wicker basket is dry with no fish left in it,
She lifts the basket, mops the floor, and places it on her head,
Well I guess not all of us can do it,
Because she carries the physical load over the head that with a million thoughts is also fed,
Yet she walks with a smile and vivaciousness that is radiant,
Because she sells the fish that are the best,
And in the wicker basket they look magnificent and brilliant,
I guess for her, the fish and the basket are her test,
Where fate pushes her to the extreme every day,
But she never gets tired to shout and say,
“Try my fish that you shall relish any day,
Why not let that day be today, your luckiest day!”
With the old woman gone, the bridge is still crowded but the spot is empty,
So, I turn around and look at it, and I hear her echoes,
And I feel a wave of humility induced by my realisation of her piety,
Towards a different God, the God she invokes often in her melody that resides there in the form of her echoes,
I may never see her again, or maybe I will,
Whenever I cross the bridge, the bridge that leads people to their destinations,
But for me it begins there and it ends there too, there time holds still,
Because we all respect her courage and we love her melodious incantations!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
You are their real father,' she said. You are the man they look up to, listen to, and love. You are exactly the father they need.
”
”
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
“
Asking for help in the military is changing. Before, it used to be seen as weak or shameful. It was synonymous with you could no longer handle your load. Fortunately now, it is not normally seen that way. When your household, career, religious beliefs, Dojo, friends, family, or associates view asking for help as being weak, then shame will prevent you from asking for help. We hold in high regard the people and things closest to us. Those inside our circle, especially our circle that we choose. There is no shame in doing a thing of which everyone you love already approves. In other words, you have to feel like it's not acceptable to feel shame. Sometimes this shame and the negative environment is created unintentionally; when the people you surround yourself with never admit mistakes, never have problems, and never forgive mistakes. These create a negative environment. A better description of it is a misleading environment.
”
”
Dexter A. Daniels (Consistent, Not Different: Why We Stray from the Path and Reasons to Return)
“
Heidi Schindler is Heidi Klauss now. Forty-one years old, she lives in a suburb of Frankfurt with a husband and four children, and is reasonably happy, certainly happier than she expected to be at twenty-three. The paperback copy of Howards End is still on the shelf in the spare bedroom, forgotten and unread, with the letter tucked neatly just inside the cover, next to an inscription in small, careful handwriting that reads: To dear Dexter. A great novel for your great journey. Travel well and return safely with no tattoos. Be good, or as good as you are able. Bloody hell, I’ll miss you. All my love, your good friend Emma Morley, Clapton, London, April 1990
”
”
David Nicholls (One Day)
“
I told my stomach that I am more than my hunger. I exceed the sum total of any want that is merely physical. And we have standards, damn it! Would we really settle for anything less than excellence, out of mere convenience? Apparently we would. Seven minutes later I was wiping the last tendrils of grease from my chin and throwing away the meager detritus of my shameful downfall. Lo, how far the proud Dexter has fallen, I thought, and I heard the burbling echo as my stomach replied, And loving it.
”
”
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
“
Nothing else loves me, or ever will. Not even—especially—me. I know what I am and that is not a thing to love.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
His shoulders were straight, his back erect. He looked like a man. Like a king. It was impossible for such a thing to have occurred; and when would it have happened? Otho was a drunk and a womanizer. What did he know of love? Dorian spun Celaena with speed and dexterity, and she snapped into his arms, her shoulders rising with exhilaration. But she wasn’t in love with him—Otho hadn’t said that. He had seen no attachment on her part. And Celaena would never be that stupid. It was Dorian who was the fool—Dorian who would have his heart broken, if he did actually love her. Unable to look at his friend any longer, the Captain of the Guard left the ball. Kaltain watched in rage and agony as Lillian Gordaina and the Crown Prince of Adarlan danced and danced and danced. Even with a much more concealing mask, she would have recognized the upstart. And what sort of a person wore gray to a ball? Kaltain looked down at her dress and smiled. Bright shades of blue, emerald, and soft brown, her gown and matching peacock mask had cost as much as a small house. It was all a gift from Perrington, of course, along with the jewelry that decorated much of her neck and arms. It was certainly not the dull, drab mess of crystal that the conniving harlot wore. Perrington stroked her arm, and Kaltain turned to him with fluttering eyelashes. “You look handsome tonight, my love,” she said, adjusting a gold chain across his red tunic. His face quickly matched the color of his clothes. She wondered if she could bear the repulsion of kissing him. She could always keep refusing, just as she had for the past
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood
Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry—seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings—these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.
”
”
Aldous Huxley (Eyeless in Gaza)
“
As I know very well, it is incredibly easy to put a body where it will never be found—especially here in the tropical splendor that I call home. Practically right outside my front door was a delightful aquatic graveyard that was nearly bottomless. And then there was the Everglades, with its lovely gator holes, and the scrublands so full of sinkholes—South Florida was truly a corpse disposer’s Paradise.
”
”
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
“
Dexter, I love you so much. So, so much, and I probably always will.’ Her lips touched his cheek. ‘I just don’t like you anymore. I’m sorry.
”
”
David Nicholls (One Day)
“
Once cheated, wife or husband feels the same; and where there’s marriage without love, there will be love without marriage. (Benjamin Franklin, Poor Richard’s Almanack)
”
”
Colin Dexter (The Remorseful Day (Inspector Morse, #13))
“
high-church atheist” (as I called him), yet with a deep love for the Methodist Hymnal, the King James’ Bible, the church music of Byrd, Tallis, Purcell, etc, the sight of candles, and the smell of incense.
”
”
Colin Dexter (Inspector Morse: A Mysterious Profile (Mysterious Profiles))
“
One of the finest drummers I’ve ever heard, Ringo Starr has earned for himself the love and respect of music lovers worldwide as a daedal drummer and lively singer. He rolled smoothly on the drums in a song like The Beatles’ A DAY IN THE LIFE. On HERE COMES THE SUN, he hit the skins with dexterity and vim. His voice as a singer carries the weight of sempiternal melody, as it ought to be distributed on the edge of clarity. His song PHOTOGRAPH runs deep in me with the sweet but gentle rage of bacchanal principles.
”
”
Nkwachukwu Ogbuagu
“
Soon our culture's oldest dreams will be made real. Even the thought of sending a kind of flying craft to the moon is no longer nothing more than a child's fantasy. At this moment in the cities below us, the first mechanical men are being constructed that will have the capability to pilot the ship on its maiden voyage. But no one has asked if this dream we've had for so long will lose its value once it's realized. What will happen when those mechanical men step out of their ship and onto the surface of this moon, which has served humanity for thousands of years as our principal icon of love and madness? When they touch their hands to the ground and perform their relentless analyses and find no measurable miracles, but a dead gray world of rocks and dust? When they discover that it was the strength of millions of boyhood daydreams that kept the moon aloft, and that without them that murdered world will fall, spiraling slowly down and crashing into the open sea?
”
”
Dexter Palmer (The Dream of Perpetual Motion)
“
My lover’s alluring propensities took on a vivacity I had difficulty conceding. His passion magnified a thousand-fold within my consciousness as I closed my eyes to this wanton dexterity. I desired him, and he wanted me. Under this euphoric ecstasy, I relinquished my person to his coveted demands. My Apollo, my Phoebus, who never failed to brighten my person and radiate my soul, had coiled me into his solicitous web of ardent devotion. My coverings fell away with every inhalation of his loving elixir. My lover had exposed my nakedness to the gazing eyes of the unseen voyeur and stalker. They alone were granted dispensation to witness the audacity between my lover and me. Our fiery gazes never left or strayed from each other. Bewitched by his blueish-green eyes, my soul was bare to him. His oral stimulation had fostered me to arch my back in a balletic pose as his hands supported the small of my back. Watched through the submerged glass, we felt like Poseidon’s pleasure slaves, performing solely for his gratification. I was awed by our agility and reminded of a supple aquatic dance performance I had witnessed during my extensive travels. My former ballet training surged through me as I saw myself swirling and pirouetting across the room, and Andy’s thickness gyrated within the core of my being. The ecstasy and the agony of my dance pedagogy had transformed into the art of intercourse. The grace of movement and the beauty of love had merged into a seraphic epiphany – a unity of the Godhead within and without. At the precise moment of our orgasmic exultations, I finally grasped my chaperone’s universal knowledge: that the divine and I are but one and the same. It was then I comprehended my guardian’s god-like comportment. Andy knew his birth-right, and he wore his divinity with pride and honour. All of that I saw in him as it came gushing to the forefront. He was indeed a Phoebus Apollo, a sun god beheld in a darkened chamber. There and then, I made a secret covenant to myself, like an apostle to the Son of God - I would follow in his footsteps. My Valet’s sanctity swirled within me, flooding my kernel with beatific sows of celestial grace. Overjoyed by his tokens of affection, I too released my passion into his garnering gulf. Streams of my succulent splendour oozed from his enticing lips. It was only when we shared the final droplets of my luscious deposits that he liberated his engorgement from my sopping honeycomb. I supped at his dripping remains before sharing my fill with him, so we could both partake in this sexual liturgy of heavenly Eucharist. We did not relinquish our performance after the lights and music had disappeared, but remained entwined in darkness, savouring the inseparable devotion that had once been the domain of Apollo and his beloved Hyacinth.
”
”
Young (Turpitude (A Harem Boy's Saga Book 4))
“
January 2013 Continuation of Andy’s Message (part two) …It was great to skinny dip in such a beautiful environment. It was difficult not to fall prey to these two attractive, brown-skinned boys with their enticing brown eyes, exotic smiles and seductive charms. In turn, they found my masculinity irresistible. That evening we frolicked under the silvery moon. Amidst the gentle rolling waves, we lay on the shoreline. I was in heaven when they enveloped me in a dizzying spell of unbridled resignation. Both of them took turns lapping at the fiber of my existence, teasing and caressing my engorgement with agile dexterity. I could no longer hold off my essence and sprayed on their faces. We shared my dripping rivulets in a passionate three-way kiss. When they continued suckling my penis, I was steered back to life. I had to possess their tenderness. I took turns pleasuring their puckering fissures as they begged for my stiffness with irrepressible gusto. Boy, did they love my proclivity! The louder their groans, the harder I pounded. When I withdrew from one, the other was poised for insertion. They couldn’t get enough of my onslaught. I was in ecstasy as I whisked back and forth between these two insatiable accomplices. The more acute my plundering, the more uncontrollable their hardness throbbed. Anak, no longer able to withhold his enthusiasm, spewed into Taer’s throat while I plucked away at his friend’s rucking furrow. Taer’s twitching tightness had me deposit my fill into his receiving orifice. Anak wasted no time in devouring the oozing drippage around my pulsating phallus, still enshrouded within his buddy’s tunnel. To pleasure himself, the unquenchable Taer wanted my bobbing organ down his throat. I obliged. In a trancelike delirium, the Filipino released jets of potent effusions onto his slender abdomen. Our tongues swirled in erotic kisses as we shared our libations in frantic elation. Unwilling to relinquish this enchanted evening, we dove into the shimmering ocean, only to emerge rejuvenated, ready to resume the sequel of our sexcapade.
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Young (Turpitude (A Harem Boy's Saga Book 4))
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MIND BODY AND SOUL
The restlessness of our ravenous appetence distends into a fascination of poised determination. My lips again sift down the caramel facet of her goddess-like fortune. Here and now in a fervently dexterous and sinuous groom of pulsating fusion my hands corrugate down and up her soft and round buttocks, utterly satisfying my lady’s love. Launching through the isthmus of interstices towards the Sierra Nevada I cause the ravine of her chasm to quake like the flitting of a cello. The sensation of her medicinally efficacious touch clutches me with a servile verve of wondrous amour. Flowing passed the brim of our firmamental love she now abides with me in the au jus loosening of her fluid fusillade.
Her small fingers reach out and strum down the virile colonnade of my detailed abdomen. The gradual and immeasurable placement of our love thoroughly nourishes our unalterable existence, freeing our spirits from the destructive mentality of mortality. Fastened to her bosom while advancing over and passed her creamy quadriceps we pivot in an andante rendition of mutual alignment. Having her here beside me to feed upon my presence fortifies me, lifting me to that highest altitude where she continues to take haven in me with all of her mind, body, and soul.
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Luccini Shurod
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And now,” said Wyatt when the headwaiter and the other waiters had gone, “what do you think we were doing in Worthington’s?”
“It was Sara’s guess that you were buying a ring,” said Andrew.
“As usual,” said Wyatt, “Sara was right.”
“May we see it?” said Sara.
Verna hesitated a moment, then took a box from her purse and opened it, showing them a gold ring set with a small but exquisitely cut diamond.
“It’s beautiful!” said Sara. “But why aren’t you wearing it?”
“I don’t know,” said Verna. “I suppose because I feel a little awkward about it. After all, I’m not exactly a young and blushing bride-to-be.”
“Because you have a son?” said Wyatt. “That has nothing to do with it. As for the rest, knowing your talent, I’m sure you could blush if you thought it was necessary. So, as a favor to Sara as well as me, won’t you wear it?”
“Since you ask me so nicely, yes,” said Verna and, taking off her glove, put the ring on. “It really is lovely, darling,” she said, holding it up. “Thank you.”
“No,” said Wyatt. “Thank you.” And leaning over, he kissed her lightly on the cheek. “All of which calls for a small celebration, which, with my usual foresight, I have of course provided for.”
He signaled to the headwaiter, who brought over a silver ice bucket with a bottle of champagne in it, which he twirled dexterously to chill before opening.
“On an occasion like this,” Wyatt went on, “I think the young people should be permitted to join us, don’t you, my dear?”
“I certainly do,” said Verna, smiling at the two of them.
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Robert Newman (The Case of the Murdered Players)
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We have to stop, Genevieve. Did your brothers tell you to apply perfume to your breasts?” He didn’t realize the extent of his non sequitur until he beheld the confusion in her eyes. “They did not.” “Your scent is stronger here.” He nuzzled her throat. “Jasmine and insanity.” A lovely combination. Her pulse raced at the base of her throat, matching the throbbing behind his falls. “Genevieve.” He swallowed and tried again. “Your nightgown sports a number of bows, my dear.” She smoothed her hands back through his hair, a caress that rippled over his skull, down his spine, and went right, straight to his bollocks. “Elijah, what—?” He untied the first bow with his teeth, mostly in the hope that, because teeth were not as dexterous as fingers, some sanity might return between bows number one and six. “Never, ever put the bows on your nightgown or your chemise in the front,” he warned as he undid bows two and three in a similar fashion. “A man can take only so much temptation.” He
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Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
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We were together until recently, but we just…” She shrugged. “We just never got married.” “Was that by choice?” Her gaze shot up and zoned in on him. They stared into each other’s eyes for a long beat, and Dexter waited impatiently for her to respond. “No. There was a time I wanted to get married and have more children, but that’s not what Russell wanted.
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Sharon C. Cooper (When Love Calls (Jenkins Family & Friends Novella))
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God, it's like I have something, deep down inside of me, that i think is undeserving of love.
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Jeff Lindsay
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Well,” I said pleasantly, “if you know a way to make a database hurry up, I’m sure we’d all love to hear it.” “Goddamn it, you’re not even trying!” she said. I will freely admit that nine times out of ten, I would have had a little more patience with Deborah’s patently impossible request and rotten attitude. But with things as they were lately, I really didn’t want to knuckle my forehead and leap into worshipful compliance. I took a deep breath instead and spoke with audible patience and steely control. “Deborah. I am doing my job the best I can. If you think you can do it better, then please feel free to try.” She ground her teeth even harder, and for a moment I thought the canines might splinter and burst through her cheeks. But happily for her dental bill, they did not. She just glared at me instead, and then nodded her head twice, very hard. “All right,” she said. And then she turned around and walked rapidly away without even looking back at me to snarl one last time. I sighed. Perhaps I should have stayed home in bed, or at least checked my horoscope. Nothing seemed to be going right. The whole world was slightly off-kilter, leaning just a bit out of its normal axis. It had a strange and mean tint to it, too, as if it had sniffed out my fragile mood and was probing for further weakness. Ah,
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Jeff Lindsay (Double Dexter (Dexter #6))
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IT ALL STARTED SO PEACEFULLY, JUST A FEW SHORT WEEKS AGO, on a lovely day in early autumn. I had driven in to work as I always did, through the happy carnage that is rush hour in Miami. It had been a bright and pleasant day: sun shining, temperature in the seventies, the other drivers cheerfully honking their horns and screaming death threats, and I’d steered through it with a blissful feeling of belonging. I had pulled into a spot in the parking lot at police HQ, still completely unaware of the lurking terror that awaited me, and carefully carried a large box of doughnuts into the building and up to the second floor. I’d arrived at my desk punctually, at my usual time. And I made it all the way into a seated position in my chair, a cup of vile coffee in one hand and a jelly doughnut in the other, before I ever for a moment suspected that today would be anything other than one more day of peaceful routine among the newly dead of Our Fair City. And then the phone on my desk began to buzz, and because I was stupid enough to answer it, everything changed forever.
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Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
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Yes, I heard it sing, and then it stretched in languorous glee and began to bat-wing its way up the shadowed twisty stairs, and in spite of the bright glare of the fluorescent lights It touched everything with perfect Darkness as it rolled up out of the basement and began at last to stretch its lovely wicked tendrils into every corner of daytime Dexter and out, into the wicked weary world around us until the temperature in the room began to drop just like the colors of the spectrum, and reality slid down into the cool shadows of Nighttime Truth and everything was once again bathed in a cool and dreadful twilight of so-very-soon delight that finally, at last, was about to unfold into utter long-awaited bliss. It
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Jeff Lindsay (Dexter Is Dead (Dexter, #8))
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She sees me. For the first time, she looks at ME and she sees ME and she knows me for who I really am and at last at last I can show her how I can care for her like no one else ever could, show her that this was meant to be, this was how it was always supposed to be, and at last at last I can show her my Truth, my Self, my Reason for Being. I can show her my love. And so I will know that she will always see my love I take her eye and I will keep it with me forever so I will remember, too. And so she will really and truly see how I love her I put my love there where her eye used to be. And then I am done. And I feel the sadness again. Because nothing is forever. But love is supposed to be forever, and I want this love to last. And so she will know that, and so this love will be forever and can never change and never end, and so it can never be anything else, there is one more thing. Nothing else can ever happen that will tarnish this matchless love or make this perfect moment less than forever. It’s important. And so I kill her.
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Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
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Of course, it was completely reasonable. To know me is to love me, and I was very fond of me, too. A list of my finer qualities would easily occupy almost half the front side of a three-by-five card. Although the list does taper off rather dramatically after “good with a knife.” But such sterling traits would mean nothing to a shallow clot like Robert; he was all about surface appearances. And speaking of, I had been told on more than one occasion that I am not completely horrible to look upon, for those who like that sort of thing. It meant nothing to me, since the only purpose of good looks is to acquire sex, and I am largely uninterested. But it clearly meant something to Robert. Even with half of Hollywood to pick from, he had settled on Dexter.
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Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
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WE MUST DEVELOP AND MAINTAIN THE CAPACITY TO FORGIVE. HE WHO IS DEVOID OF THE POWER TO FORGIVE IS DEVOID OF THE POWER TO LOVE. THERE IS SOME GOOD IN THE WORST OF US AND SOME EVIL IN THE BEST OF US. WHEN WE DISCOVER THIS, WE ARE LESS PRONE TO HATE OUR ENEMIES.” —Martin Luther King Jr., from “Loving Your Enemies,” a sermon delivered at the Dexter Avenue Baptist Church in Montgomery, Alabama,
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Stephen Mansfield (Mansfield's Book of Manly Men: An Utterly Invigorating Guide to Being Your Most Masculine Self)
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Everything is about disclosure.... chemistry... love.... reaction... you can't do anything....
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A pain... a biatch... pain the ass... two women... what next?
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Deyth Banger
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... Lies and lies... lies
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not understanding properly
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Dexter always keep's a distance... always he lies... soona.... that's how it follows
“It’s simple human nature to keep little secrets about ourselves. We all do it.” – Dexter
“I have to keep my secret safe otherwise my life – her life – will never be the same.”
“She’s not as comfortable lying to the world as I am.” – Dexter
“Even if I’ve put Deb in the uncomfortable position of lying for me, at least I’ve kept the bigger truth from her.” – Dexter
“When you’re losing control of your entire life it helps to focus on what you’re good at – my little secret.” – Dexter
“I shouldn’t be doing a kill now. The irony is that’s the only way I can maintain control, the only way I can keep this from Deb.” – Dexter
“How careless were you? One first class, one-way ticket to Kiev, Ukraine, leaving in less than two hours? Very careless.” – Dexter
“We do everything by the book. We’re cops, not killers.” – Deb
“Being a killer would feel so very good right about now.” – Dexter
“When will she believe me? What happens if she never does?” – Dexter
“If you think she’s upset now, that’s nothing compared to how she’d feel if she learned what you are. She’d be terrified.” – Harry
“Dex, she loves who she thinks you are. If she ever saw the real you, she’d never get over it.” – Harry
“I need control. I’m trying to make things go back to the way they were.” – Dexter
“Oh my God! An employee and a pervert. I don’t know which wall you go to.” – Quinn
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Deyth Banger
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I stepped toward the car, trying to plan what to do, which was impossible because I did not know what they wanted, or even who they were. It was no longer believable that it was merely a random crazy—not if he knew where I lived. But who was it? Who had any reason to act like this? Among the living, I mean, because there were plenty of former victims who might have loved to come after me, but they were all far beyond any sort of action at all, other than decomposition. I
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Jeff Lindsay (Dexter is Delicious (Dexter, #5))
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What a lovely family you have, brother,” he said. “Domestic perfection.” “I still don’t know why you’re here,” I said. “Don’t you?” Brian said. “Wasn’t I obvious?” “Painfully obvious,” I said. “But not at all clear.
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Jeff Lindsay (Dexter is Delicious (Dexter, #5))
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What a lovely family you have, brother,” he said. “Domestic perfection.” “I still don’t know why you’re here,” I said. “Don’t you?” Brian said. “Wasn’t I obvious?” “Painfully obvious,” I said. “But not at all clear.” “Is it so hard to believe that I want to belong to a family?” he said. “Yes.” He cocked his head to the side and looked at me with perfect emptiness. “But isn’t that what brought us together the first time?” he said. “Isn’t it completely natural?” “It might be,” I said. “But we’re not.” “Alas, too true,” he said with his usual melodramatic flair. “But nevertheless, I found myself thinking about it. About you. My only blood relative.” “As far as we know,” I said, and to my surprise I heard him say the same words at the same time, and he smiled broadly as he realized it, too.
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Jeff Lindsay (Dexter is Delicious (Dexter, #5))
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And so, overcome by remorse and the beauty of all that, I should let her go,” Alana purred. “Family and church and puppies and flowers—how lovely your world must be, Sergeant. But it’s somewhat darker than that for the rest of us.” She looked at Samantha. “Of course, it does have its moments.
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Jeff Lindsay (Dexter is Delicious (Dexter, #5))
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Your lovely wife,” he said, tilting his head down the hall toward Rita, probably to make sure I knew he meant Rita and not one of my other lovely wives, “Rita, has enlisted me to help you search for a new house.
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Jeff Lindsay (Double Dexter (Dexter #6))
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Charley wondered how it happened that men of the cloth always seemed to misunderstand the ways of the Lord. If you wanted protection you had to ask for money or love, and He would give you protection instead. Prayer was a study in misdirection...
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Pete Dexter (Deadwood)
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As goddess of life, Inanna was also goddess of life, fertility and sexuality. That is, she had charge over whether or not those qualities existed in a given society… Therefore, neither love nor procreation can take place where Inanna is not worshipped.
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Miriam Robbins Dexter (Whence the Goddesses: A Source Book)
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Her Majesty the Queen is here
And loyal subjects raise a cheer
His Royal Highness by her side
A Royal welcome to Chirnside
God bless them both in all they do
And praise and glory be to you
God bless the men from Windsor Locks
And pretty girls in summer frocks
Bless all whose intellect and skill
Have just extended Dexter's Mill
Bless all the people they employ
May skill and safety be their joy
May their customers come drovin'
For their Hydraspun Nonwoven
Bless the good folk of Berwickshire
Who make the products we require
Lord, look down in love and pity
On all your folk in tea bag city
Bless our food and bless our table
Help us do what we are able
To make the world a better place
And so bless all the human race
["Grace At The Queen's Royal Visit," Tea, A Magazine, December 1994, p 6]
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Bill Patterson
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He was known for being a bit more hardcore in his play than the other Doms. Hell, some of the subs called him Dexter—the undercover sadist. He wasn’t undercover, damn it. He put that shit right out there.
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Lexi Blake (From Sanctum with Love (Masters and Mercenaries, #10))
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His hair had not grown back in the last hour, but he had at least changed out of the orange coverall and into a white terry-cloth robe and he was lying there in the middle of the bed shaved, shaking, and sweating heavily with a half-empty bottle of Skyy Vodka lying beside him. Deborah didn't even slow down at the door. She charged right over to the bed and sat beside him, taking his only hand in her only hand. Love among the ruins.
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Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
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All in all, he felt more milked than loved.
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Pete Dexter (Deadwood)
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The Blasters proved to be the most prominent and popular of these acts by far. Originally a quartet, the band was bred in Downey, just down the freeway from East L.A. In their teens, brothers Phil and Dave Alvin were bitten by the blues bug; they became habitués of the L.A. club the Ash Grove, where many of the best-known folk and electric blues performers played, and they sought out the local musicians who could teach them their craft, learning firsthand from such icons as Big Joe Turner, T-Bone Walker, and Little Richard’s saxophonist Lee Allen (who would ultimately join the band in the ’80s). But the Blasters’ style was multidimensional: they could play R&B, they loved country music, and they were also dyed-in-the-wool rockabilly fans who were initially embraced by the music’s fervent L.A. cultists. Their debut album, 1980’s American Music, was recorded in a Van Nuys garage by the Milan, Italy–born rockabilly fanatic Rockin’ Ronnie Weiser, and released on his indie label Rollin’ Rock Records, which also issued LPs by such first-generation rockabilly elders as Gene Vincent, Mac Curtis, Jackie Waukeen Cochran, and Ray Campi. By virtue of Phil Alvin’s powerful, unmannered singing and Dave Alvin’s adept guitar playing and original songwriting, the Blasters swiftly rose to the top of a pack of greasy local bands that also included Levi and the Rockats (a unit fronted by English singer Levi Dexter) and the Rockabilly Rebels (who frequently backed Ray Campi). Los Lobos were early Blasters fans, and often listened to American Music in their van on the way to their own (still acoustic) gigs. Rosas says, “We loved their first record, man. We used to play the shit out of that record. Dave [Hidalgo] was the one who got a copy of it, and he put it on cassette.
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Chris Morris (Los Lobos: Dream in Blue)
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No one, myself included, ever considers that life doesn’t give two shits about what you planned for it. Mine certainly didn’t. Yet, there I was, beating myself up for not living up to those expectations I had set for myself as though my life’s dream board had caught fire. The mere thought of me not having reached certain milestones yet made me feel like it directly reflected on my successes in life. Therefore, I had to accept that this was my life—for now. It was nothing more than a resting place and not the final destination. And the only way it could have ever been the final destination as if I had chosen to settle there, and I refused to do that.
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Danielle Dexter (Stupid Love)