Dew Short Quotes

We've searched our database for all the quotes and captions related to Dew Short. Here they are! All 34 of them:

I can write the saddest poem of all tonight. Write, for instance: "The night is full of stars, and the stars, blue, shiver in the distance." The night wind whirls in the sky and sings. I can write the saddest poem of all tonight. I loved her, and sometimes she loved me too. On nights like this, I held her in my arms. I kissed her so many times under the infinite sky. She loved me, sometimes I loved her. How could I not have loved her large, still eyes? I can write the saddest poem of all tonight. To think I don't have her. To feel that I've lost her. To hear the immense night, more immense without her. And the poem falls to the soul as dew to grass. What does it matter that my love couldn't keep her. The night is full of stars and she is not with me. That's all. Far away, someone sings. Far away. My soul is lost without her. As if to bring her near, my eyes search for her. My heart searches for her and she is not with me. The same night that whitens the same trees. We, we who were, we are the same no longer. I no longer love her, true, but how much I loved her. My voice searched the wind to touch her ear. Someone else's. She will be someone else's. As she once belonged to my kisses. Her voice, her light body. Her infinite eyes. I no longer love her, true, but perhaps I love her. Love is so short and oblivion so long. Because on nights like this I held her in my arms, my soul is lost without her. Although this may be the last pain she causes me, and this may be the last poem I write for her.
Pablo Neruda
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
Stephen Fry
Tonight I can write the saddest lines. Write, for example,'The night is shattered and the blue stars shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms I kissed her again and again under the endless sky. She loved me sometimes, and I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is shattered and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight searches for her as though to go to her. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. Like my kisses before. Her voide. Her bright body. Her inifinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my sould is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda
Every atom you possess has almost certainly passed through several stars and been part of millions of organisms on its way to becoming you. We are each so atomically numerous and so vigorously recycled at death that a significant number of our atoms - up to a billion for each of us, it has been suggested - probably once belonged to Shakespeare. A billion more each came from Buddha and Genghis Khan and Beethoven, and any other historical figure you care to name. So we are all reincarnations - though short-lived ones. When we die, our atoms will disassemble and move off to find new uses elsewhere - as part of a leaf or other human being or drop of dew.
Bill Bryson (A Short History of Nearly Everything)
Tonight I Can Write Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Why have I thought the dew Ephemeral when I Shall rest so short a time, myself, On earth?
Adelaide Crapsey (Verse)
The scent of flowers grew stronger and came from all sides; the grass was drenched with dew; a nightingale struck up in a lilac bush close by and then stopped on hearing our voices; the starry sky seemed to come down lower over our heads.
Leo Tolstoy (Great Short Works of Leo Tolstoy)
AN ASS having heard some Grasshoppers chirping, was highly enchanted; and, desiring to possess the same charms of melody, demanded what sort of food they lived on to give them such beautiful voices. They replied, "The dew." The Ass resolved that he would live only upon dew, and in a short time died of hunger.
Aesop (Aesop's Fables (Illustrated))
An ambitious, paradoxical world we live in - of short attention spans paired with the massive fear of being forgotten too soon.
Sreesha Divakaran (Wine, Fire, Satin, Dew)
The Ass And The Grasshopper   AN ASS having heard some Grasshoppers chirping, was highly enchanted; and, desiring to possess the same charms of melody, demanded what sort of food they lived on to give them such beautiful voices. They replied, "The dew." The Ass resolved that he would live only upon dew, and in a short time died of hunger.
Aesop (Aesop's Fables (Illustrated))
Because they are so long-lived, atoms really get around. Every atom you possess has almost certainly passed through several stars and been part of millions of organisms on its way to becoming you. We are each so atomically numerous and so vigorously recycled at death that a significant number of our atoms—up to a billion for each of us, it has been suggested—probably once belonged to Shakespeare. A billion more each came from Buddha and Genghis Khan and Beethoven, and any other historical figure you care to name. (The personages have to be historical, apparently, as it takes the atoms some decades to become thoroughly redistributed; however much you may wish it, you are not yet one with Elvis Presley.) So we are all reincarnations—though short-lived ones. When we die our atoms will disassemble and move off to find new uses elsewhere—as part of a leaf or other human being or drop of dew. Atoms, however, go on practically forever.
Bill Bryson (A Really Short History of Nearly Everything (Young Adult))
There was no wind, and, outside now of the warm air of the cave, heavy with smoke of both tobacco and charcoal, with the odor of cooked rice and meat, saffron, pimentos, and oil, the tarry, wine-spilled smell of the big skin hung beside the door, hung by the neck and all the four legs extended, wine drawn from a plug fitted in one leg, wine that spilled a little onto the earth of the floor, settling the dust smell; out now from the odors of different herbs whose names he did not know that hung in bunches from the ceiling, with long ropes of garlic, away now from the copper-penny, red wine and garlic, horse sweat and man sweat died in the clothing (acrid and gray the man sweat, sweet and sickly the dried brushed-off lather of horse sweat, of the men at the table, Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew on the grass in the meadow by the stream.
Ernest Hemingway (For Whom The Bell Tolls - The Snows Of Kilimanjaro - Fiesta - The Short Happy Life Of Francis Macomber - Across The River And Into The Trees - The Old Man And The Sea)
Fireworks made of glass. An explosion of dew. Crescendo. Diminuendo. Silence. There are drugs that work the same, and while I am not suggesting that our founder purchased the glassworks to get more drops, it is clear that she had the seed planted, not once, but twice, and knew already the lovely contradictory nature of glass and she did not have to be told, on the day she saw the works at Darling Harbour, that glass is a thing in disguise, an actor, is not solid at all, but a liquid, that an old sheet of glass will not only take on a royal and purplish tinge but will reveal its true liquid nature by having grown fatter at the bottom and thinner at the top, and that even while it is as frail as the ice on a Parramatta puddle, it is stronger under compression than Sydney sandstone, that it is invisible, solid, in short, a joyous and paradoxical thing, as good a material as any to build a life from.
Peter Carey
A Donkey having heard some Grasshoppers chirping, was highly enchanted; and, desiring to possess the same charms of melody, demanded what sort of food they lived on to give them such beautiful voices. They replied, “The dew.” The Donkey resolved that he would live only upon dew, and in a short time died of hunger.
Aesop
At the top was a delightful alpine heath with short golden-green grass and scads of beautiful pink and purple flowers that Alice decided not to study more closely. Even though at second glance it became obvious that the glorious sunlight wasn't sparkling off their dew but the petals themselves: each blossom was a jewel, or maybe glass, and chimed gently in the wind.
Liz Braswell (Unbirthday)
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet). I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part. But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off. I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery). Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother. The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
So we are all reincarnations—though short-lived ones. When we die our atoms will disassemble and move off to find new uses elsewhere—as part of a leaf or other human being or drop of dew. Atoms, however, go on practically forever. Nobody actually knows how long an atom can survive, but according to Martin Rees it is probably about 1035 years—a number so big that even I am happy to express it in notation.
Bill Bryson (A Short History of Nearly Everything)
If you haven’t read the Book of Mormon lately, start now. Experiment upon the word.33 Read the entire book in a short time to remind yourself of major themes. Then start again, looking for patterns and connections and points of doctrine that prophets emphasize again and again. If you’ve never studied the four New Testament Gospels alongside Third Nephi, try that—you’ll enjoy the process. It is a wonderful way to study what the Savior repeatedly taught during His mortal ministry in the Holy Land and His postmortal ministry to those on the American continent. It is difficult to experiment on the word if we don’t know the word.
Sheri Dew (Women and the Priesthood: What One Mormon Woman Believes)
Blaine: WOULD YOU TRY ME WITH RIDDLES FROM YOUR BOOK? OUR TIME TOGETHER GROWS SHORT. Jake: Yes. I would try you with these riddles. Give me your understanding of the truth concerning each, Blaine. Blaine: IT IS FAIRLY SPOKEN, JAKE OF NEW YORK. I WILL DO AS YOU ASK. Jake: Listen, Blaine. In a tunnel of darkness lies a beast of iron. It can only attack when pulled back. What is it? Blaine: (without hesitation) A BULLET. Jake: Walk on the living, they don't even mumble. Walk on the dead, they mutter and grumble. What are they? Blaine: (without hesitation) FALLEN LEAVES. If Jake really knew in his heart that the game was lost, why did he feel such despair, such bitterness, such anger? Jake: (in his mind) Because he's a pain, that's why. Blaine is a really BIG pain, and I'd like to push his face in it, just once. I think even making him stop is second to that on my wish-list. (to Blaine) I am emeralds and diamonds, lost by the moon. I am found by the sun and picked up soon. What am I? Blaine: (still relentless, still unhesitating) DEW.
Stephen King (Wizard and Glass (The Dark Tower, #4))
1. For the space of one entire month (from full moon to full moon), a single leaf from a Mandrake must be carried constantly in the mouth. The leaf must not be swallowed or taken out of the mouth at any point. If the leaf is removed from the mouth, the process must be started again. 2. Remove the leaf at the full moon and place it, steeped in your saliva, in a small crystal phial that receives the pure rays of the moon (if the night is cloudy, you will have to find a new Mandrake leaf and begin the whole process again). To the moon-struck crystal phial, add one of your own hairs, a silver teaspoon of dew collected from a place that neither sunlight nor human feet have touched for a full seven days, and the chrysalis of a Death’s-head Hawk Moth. Put this mixture in a quiet, dark place and do not look at it or otherwise disturb it until the next electrical storm. 3. While waiting for the storm, the following procedure should be followed at sunrise and sundown. The tip of the wand should be placed over the heart and the following incantation spoken: ‘Amato Animo Animato Animagus.’ 4. The wait for a storm may take weeks, months or even years. During this time, the crystal phial should remain completely undisturbed and untouched by sunlight. Contamination by sunlight gives rise to the worst mutations. Resist the temptation to look at your potion until lightning occurs. If you continue to repeat your incantation at sunrise and sunset there will come a time when, with the touch of the wand-tip to the chest, a second heartbeat may be sensed, sometimes more powerful than the first, sometimes less so. Nothing should be changed. The incantation should be uttered without fail at the correct times, never omitting a single occasion. 5. Immediately upon the appearance of lightning in the sky, proceed directly to the place where your crystal phial is hidden. If you have followed all the preceding steps correctly, you will discover a mouthful of blood-red potion inside it.
J.K. Rowling (Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies (Pottermore Presents, #1))
Long term payday loans are loan service that offers quick and hassle free cash help to the borrowers along with the long period of repayments. Borrowers can easily repay their loan amount in terms of short monthly installments. The avail from this loan will assist them to satisfy their numerous monetary requirements easily at the time.
Henry Dew
What about a gun?” “LaVerne didn’t shoot guns.” He scanned the area in front of them. He’d never heard of a boy who didn’t shoot guns. “You’re from Texas, right?” “All my life.” “Then why didn’t your brother shoot?” “He just didn’t care for the sport, I guess. I don’t know.” He thought about her living in that cottage all by herself with nothing but a broomstick for protection. “When Maifest is over, I’m teaching you to shoot a gun.” “No, thank you. I don’t care to—” “Shhh.” He pulled up short, cocking an ear. “Somebody’s coming.” “I don’t hear—” Tossing the reins over Honey Dew’s head, he swung up behind Georgie. “Hang on.
Deeanne Gist (Love on the Line)
I do not wish to disclose the real name of the woman I had married. The issue is the least likely to induce archaeologists to engage in heated debates. But the copper plaque bearing her etched name is also the canvas of my heart. I have difficulty imagining that that canvas or the name on it will someday cease to exist. But the eternal abode where it abides is beyond the reach of historians. In this account I need a name for her—any name. So I'll call her Sisir or drops of dew because dewdrops are reminiscent of laughter as well as tears and because in dewdrops dawn's tidings melt into the morning.
Rabindranath Tagore (Haimanti: Of Autumn)
The door opened and Kitty jerked free from the remaining bands of sleep, hurling back to the dank night that surrounded her. Struggling to her feet, she gripped her stomach as the soldier entered. Closing the door, he stalked forward. Fear raged through her like a rabid animal.  She pressed harder against the wood. “Don’t touch me!” He lunged and covered her mouth. “Quiet!” Kitty writhed under his strong hands, struggling to get free. She tried to scream but his grasp was too tight. “Be still, Kitty, please!” All fight left her limbs in an instant and she dropped her arms to her sides. Blinking, she tried to clear the dream from her vision. It couldn’t be… He removed his hand from her mouth and stroked her cheek, his husky tone warm with concern. “Are you hurt?” She could hardly breathe. “I... I don’t believe it.” Her words quivered as much as her body.  “Believe.” Nathaniel studied her face and tucked a lock of hair behind her ear. “’Tis I.” Kitty took in quick short bursts of air and her voice cracked as tears burned her eyes. “I thought... I thought...”  “I was a fool.” He tugged her to him, holding her hard against his chest. His deep whisper caressed her heart. “Forgive me.” “Nay.” She pushed away from him, gazing up into his shadowed face. The words she harbored for so many weeks suddenly poured from her mouth like a river surging beyond its banks. “’Tis I who must beg forgiveness—” “Shhh.” He placed a finger to her lips. “There isn’t time, my love.” “But I must explain—” “Later. Come, we must take you away from here.” He tugged her toward the door.  “Not yet.” Kitty tugged at his arm. “I must get to Plymouth. They must know what’s coming.” “Nay, you mustn’t worry about Plymouth.” Nathaniel’s tone dropped. “The British believe you are the second courier.” A smile tilted one side of his mouth. “But you are not.” The meaning of his words settled upon her like dew. “So, the message has gotten through.” Nathaniel nodded and the solemn expression in his eyes softened to longing as his gaze lowered to her mouth. ***
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
The experiment had solved in short order the mystery of how ants could survive in a waterless world. As far as I know, they were the only insects that did survive, and they did it by forming with their bodies tight balls around grains of ice-nine. They would generate enough heat at the center to kill half their number and produce one bead of dew. The dew was drinkable. The corpses were edible.
Kurt Vonnegut Jr. (Cat's Cradle)
XX. Tonight I Can Write" Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not love her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Solution: To connect with the Kingdom of the World, pretend you are a tree, an animal, a stone, or a flower. What kind of spirit would you have? How would you move or stay rooted? What feelings or thoughts would you have? Go for a walk every day, even if it is only a short one. Notice the dew on the leaves. Search for rainbows when it rains. Watch the clouds move. Admire them. Without clouds, there is no rain, there is no life. Look at the bees. Thank them for their work when they cross your path. Without bees, there is no pollination; there is no life. Bees are disappearing. Talk to them about this. The more you observe and interact with nature, the more you’ll understand the connectedness of all the elements of the world, and the more nature will talk to you and heal you.
Milana Perepyolkina (Gypsy Energy Secrets: Turning a Bad Day into a Good Day No Matter What Life Throws at You)
But I was simultaneously able to be friends with Ted and still walk into my sophomore American history class and cite Abraham Lincoln as my authority for defending racial segregation in the South. I could read about the brutal lynching of Emmett Till in Mississippi in the summer of 1955 and, a few short months later, write my comment about the whipping of John C. Calhoun’s slave in Hofstadter’s American Political Tradition. I wish I could explain this, but it mystifies me even now.
Charles B. Dew (The Making of a Racist: A Southerner Reflects on Family, History, and the Slave Trade)
professor of archaeology at The Pennsylvania State University, watched the new arrival beside his site manager, assistant professor Amanda Jeffers. Hunter was a slender but weathered forty-five-year-old with longish curling salt and pepper hair that danced in the wind off the Atlantic as if it had a life of its own. Amber-tinted aviator glasses hid his mahogany eyes. He wore heavy work boots, khaki shorts that revealed calves taut as knotted hawsers, a vented white safari shirt, and a multi-pocketed canvas vest more suited to fly-fishing than digging. It had belonged to his father, a digger of another sort: a Pennsylvania coal miner and avid fly-fisherman. Hunter would never admit to being superstitious, but he’d worn the vest on every successful expedition since his father had died of black lung disease a decade ago. Behind Hunter and Jeffers, as if it had grown out of the ground, lay the stone foundations  of Carn Dewes, a prehistoric
Will North (Harm None (Davies & West #1))
the morning dew soon gone, beneath our passing soles
Roy Duffield (Bacchus Against the Wall)
Relationships, like dew on leaves, are delicate and fleeting. We must handle them with caution or else they will vanish.
Shree Shambav (Twenty + One - 21 Short Stories - Series II)
To think that I do not have her. To feel that I have lost her.   To hear the immense night, still more immense without her.   And the verse falls to the soul like dew to the pasture.   What does it matter that my love could not keep her. The night is starry and she is not with me.
Pablo Neruda (Nobel Literature Laureate Works ---Twenty Love Poems and the Song of Despair: Love is so short, forgetting is so long)
The guests prove to be very talkative, happy and at ease. As the old proverb says, dew is water that survives the ocean. This group of people endured the miseries of Hell, fighting against the devils, escaping and surviving so many disasters. And yet, deep in their hearts, they are happy. They deserve the enjoyment of a happy life every day.
Chen Zhongshi (Old Land, New Tales: Twenty Short Stories by Writers of the Shaanxi Region in China)
You needn’t have come to Hampshire in such a hurry.” “The threat of lawyers and Chancery Court impressed me with the need for haste,” he said darkly. Perhaps her telegram had been a bit dramatic. “I wasn’t really going to bring layers into it. I only wanted to gain your attention.” His reply was soft. “You always have my attention.” Kathleen wasn’t certain how to take his meaning. Before she could ask, the latch of the bathroom door clicked. The wood panels trembled as someone began to push his way in. Kathleen’s eyes flew open. She wedged her hands against the door, her nerves stinging in horror. A violent splash erupted behind her as Devon leaped from the bathtub and flattened a hand on the door to keep it from opening farther. His other hand slid around her to cover her mouth. That was unnecessary--Kathleen couldn’t have made a sound to save her life. She quivered in every limb at the feel of the large, steaming male at her back. “Sir?” came the valet’s puzzled voice. “Confound it, have you forgotten how to knock?” Devon demanded. “Don’t burst into a room unless it’s to tell me that the house is on fire.” Distantly Kathleen wondered if she might swoon. She was fairly certain that Lady Berwick would have expected it of her in such circumstances. Unfortunately her mind remained intractably awake. She swayed, her balance uncertain, and his body automatically compensated, hard muscles flexing to support her. He was pressed all along her, hot water seeping through the back of her riding habit. With every breath, she dew in the scents of soap and heat. Her heart faltered between every beat, too weak, too fast. Dizzily she focused on the large hand braced against the door. His skin was faintly tawny, the kind that would brown easily in the sun. One of his knuckles was scraped and raw--from lifting the carriage wheel, she guessed. The nails were short and scrupulously clean, but ink stains lingered in faint shadows on the sides of two fingers. “I beg your pardon, my lord,” the valet said. With an overdone respect that hinted at sarcasm, he added, “I’ve never known you to be modest before.” “I’m an aristocrat now,” Devon said. “We prefer not to flaunt our assets.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))