Devastating Mother Quotes

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Everything about her is captivating, like the aftermath of a storm. People aren’t supposed to get pleasure out of the destruction Mother Nature is capable of, but we want to stare anyway. Charlie is the devastation left in the wake of a tornado.
Colleen Hoover (Never Never (Never Never, #1))
Devastated should be reserved for mothers
Colleen Hoover (Losing Hope (Hopeless, #2))
He gave her a sly, sideways look. "Did you bring it?" "My list? Heavens, no. What can you be thinking?" His smile widened. "I brought mine." Daphne gasped. "You didn't!" "I did. Just to torture Mother. I'm going peruse it right in front of her, pull out my quizzing glass—" "You don't have a quizzing glass." He grinned—the slow, devastatingly wicked smile that all Bridgerton males seemed to possess. "I bought one just for this occasion." "Anthony, you absolutely cannot. She will kill you. And then, somehow, she'll find a way to blame me." "I'm counting on it.
Julia Quinn (The Duke and I (Bridgertons, #1))
She gave the word devastated a whole new meaning. I truly believed, at that point, that the word devastated should be reserved for mothers. I no longer believe that. The word devastated should be reserved for brothers, too.
Colleen Hoover (Losing Hope (Hopeless, #2))
Right then, in that moment, Dex The Dick grinned. Grinned. And sweet mother of God, it was devastating. So completely catastrophic I just stood there and absorbed the nuclear bomb going off in front of me, defenseless.
Mariana Zapata (Under Locke)
She flashes me a smile so devastating that it could even make an atheist believe in God.
Sonya Sones (What My Girlfriend Doesn't Know (What My Mother Doesn't Know, #2))
When a husband loses his wife, they call him a widower. When a wife loses her husband, they call her a widow. And when somebody’s parents die, they call them an orphan. But there is no name for a parent, a grieving mother, or a devastated father who have lost their child. Because the pain behind the loss is so immeasurable and unbearable, that it cannot be described in a single word. It just cannot be described.
Bhavya Kaushik (The Other Side of the Bed)
First of all, this goes no further than this room." "Agreed," she said quickly. Anthony looked pointedly at Simon. "Of course," he replied. "Mother would be devastated if she learned the truth." "Actually," Simon murmured, "I rather think your mother would applaud our ingenuity, but since you have quite obviously known her longer, I bow to your discretion." Anthony shot him a frosty look. "Second, under no circumstances are the two of you to be alone together. Ever." "Well, that should be easy," Daphne said, "as we wouldn't be allowed to be alone if we were courting in truth, anyway." Simon recalled their brief interlude in the hall at Lady Danbury's house, and found it a pity that he wasn't to be allowed any more private time with Daphne, but he recognized a brick wall when he saw one, especially when said wall happened to be named Anthony Bridgerton. So he just nodded and murmured his assent. "Third—" "There is a third?" Daphne asked.             "There would be thirty if I could think of them," Anthony growled.                                        "Very well," she acceded, looking most aggrieved. "If you must.
Julia Quinn (The Duke and I (Bridgertons, #1))
Think twice before you pull your trouser and rape a woman; she may be your mother, sister or friend, and you know the consequences that follows.
Michael Bassey Johnson
I enjoy solitude. It's probably selfish, but why bother about it. Life is much too important, as Oscar Wilde said, to be taken seriously. I feel so sorry for those mothers who are devastated by loneliness when their children fly the coop and don't want to live at home anymore. They feel lost, but look what exciting things can be done. Life isn't long enough to do all you could accomplish. And what a privilege to be alive. In spite of all the pollutions and horrors, how beautiful this world is. Supposing you only saw the stars once every year. Think what you would think. The wonder of it!
Tasha Tudor (The Private World of Tasha Tudor)
The most effective weapon a parent has to control a child is the withdrawal of love or its threat. A young child between the ages of three and six is too dependent on parental love and approval to resist this pressure. Robert's mother, as we saw earlier, controlled him by "cutting him out." Margaret's mother beat her into submission, but it was the loss of her father's love that devastated her. Whatever the means parents use, the result is that the child is forced to give up his instinctual longing, to suppress his sexual desires for one parent and his hostility toward the other. In their place he will develop feelings of guilt about his sexuality and fear of authority figures. This surrender constitutes an acceptance of parental power and authority and a submission to the parents' values and demands. The child becomes "good", which means that he gives up his sexual orientation in favor of one directed toward achievement. Parental authority is introjected in the form of a superego, ensuring that the child will follow his parents' wishes in the acculturation process. In effect, the child now identifies with the threatening parent. Freud says, "The whole process, on the one hand, preserves the genital organ wards off the danger of losing it; on the other hand, it paralyzes it, takes its function away from it.
Alexander Lowen (Fear Of Life)
After seeing the devastation on the East coast. I've concluded that Sticks and Stone might break our bones. But Mother Nature can really tear up your stuff,
Stanley Victor Paskavich (Return to Stantasyland)
Becoming a mother isn’t about securing your own happiness. It’s about taking the chance of being terrified and even devastated for the sake of a child.
Colleen Hoover (Finding Perfect (Hopeless, #2.6))
Occasionally a matrimonial epidemic appears, especially toward spring, devastating society, thinning the ranks of bachelordom, and leaving mothers lamenting for their fairest daughters.
Louisa May Alcott (An Old-Fashioned Girl)
She's watching me: strands of hair stand between me and a full view of her face. She's beautiful, but in a shameful way. One I'm not sure I'm supposed to appreciate. Everything about her is captivating, like the aftermath of a storm. People aren't supposed to get pleasure out of the destruction Mother Nature is capable of, but we want to stare anyway. Charlie is the devastation left in the wake of a tornado.
Colleen Hoover (Never Never (Never Never, #1))
And from those brief moments I was living with a certainty that I was exactly where I should be, where everything is deeply quiet and deeply alive. I thought about the many aspects in this life that I could not control or understand despite how much I wanted to or tried. How my father’s life, my mother’s life, the lives around me and the figures from the past they are not mine to determine, not mine to map out no matter how much they shaped what I had become however much we were connected. I could only help in small ways, I could listen and piece together and recount. But what was truly mine was only a little, no, a miniscule speck of it all. And while this is a sort of devastation to me, when I knew it would take some time to fully accept, it felt nice at least to be on the way in spite of not knowing exactly how far I had come nor how far I have left to go.
Alexandra Chang (Days of Distraction)
If the Constitution were really the triumph of reason over darkness, as it is often treated, it probably wouldn’t have failed so miserably that a devastating civil war would break out less than one hundred years later. But that happened. And if the fixes applied to the Constitution after that war ended in 1865 were so redemptive, I imagine that my mother—born in 1950 in Mississippi—would have been allowed to go inside her ostensibly “public” library while she was growing up, which of course she was not.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
You want to know what I’m afraid of? I’m afraid of every morning when I wake up that this will be the day when I can no longer move for myself. I know it’s coming. It’s just a matter of time until I have no choice, except to have someone else clothe me, feed me. Change my diaper. And I can’t stand it. (Adron) Then why don’t you kill yourself? Why are you still here? (Livia) Because every time I think of doing that, I can hear my family praying over me while I was in the hospital. I hear my mother weeping, my father begging me not to die on them. I could never intentionally hurt them that way. It would devastate them both, and while I’m a pathetic asshole, I’m not that selfish. (Adron)
Sherrilyn Kenyon (In Other Worlds (The League: Nemesis Rising, #3.5; Were-Hunter, #0.5; The League: Nemesis Legacy, #2))
[The incestuous father...] may be unconsciously seeking revenge against either his wife or his mother for what he considers a variety of emotional crimes against him.
Susan Forward (Betrayal of Innocence: Incest and Its Devastation)
We had a little slave boy whom we had hired from some one, there in Hannibal. He was from the Eastern Shore of Maryland, and had been brought away from his family and his friends, half way across the American continent, and sold. He was a cheery spirit, innocent and gentle, and the noisiest creature that ever was, perhaps. All day long he was singing, whistling, yelling, whooping, laughing - it was maddening, devastating, unendurable. At last, one day, I lost all my temper, and went raging to my mother, and said Sandy had been singing for an hour without a single break, and I couldn't stand it, and wouldn't she please shut him up. The tears came into her eyes, and her lip trembled, and she said something like this - 'Poor thing, when he sings, it shows that he is not remembering, and that comforts me; but when he is still, I am afraid he is thinking, and I cannot bear it. He will never see his mother again; if he can sing, I must not hinder it, but be thankful for it. If you were older, you would understand me; then that friendless child's noise would make you glad.' It was a simple speech, and made up of small words, but it went home, and Sandy's noise was not a trouble to me any more.
Mark Twain (The Autobiography of Mark Twain)
I'm a survivor. I was thinking about what you said, and you're absolutely right - I have to let go to continue. This devastating news is not going to slow me down. I'm my own person. I always have been. I've never believed in those people who blame everything on their parents - you know, I'm a fuck-up because my father was a fuck-up. Or I'm a drunk because my mother was an alcoholic. So my father was a hit man? Maybe. So he murdered my mother? Maybe. I don't know any of these things for a fact. But I'm accepting them, and I'm beginning to realize they're not part of who I am.
Jackie Collins (Lethal Seduction (Madison Castelli #1))
Because mothers make us, because they map our emotional terrain before we even know we are capable of having an emotional terrain, they know just where to stick the dynamite. With a few small power plays - a skeptical comment, the withholding of approval or praise - a mother can devastate a daughter. Decades of subtle undermining can stunt a daughter, or so monopolize her energy that she in effect stunts herself. Muted, fearful, riddled with self-doubt, she can remain trapped in daughterhood forever, the one place she feels confident she knows the rules.
Rebecca Walker (Baby Love: Choosing Motherhood After a Lifetime of Ambivalence)
Being raised by a narcissist is a special kind of crazy. It is a pure and lasersharp form of psychological and emotional abuse. But even more devastatingly, it is an invisible abuse. Neither the perpetrator nor the victim even knows it‟s happening. The perpetrator, the narcissist, doesn‟t think she‟s abusing anyone because, by definition, she‟s perfect, remember, and perfect people don‟t do imperfect things like abuse people. And the abuse victim, the daughter – this would be you – doesn‟t realise she‟s abused because she believes her mother‟s lies and thinks that everything is her fault, that she is the one who is broken.
Danu Morrigan (You're Not Crazy—It's Your Mother! Understanding and Healing for Daughters of Narcissistic Mothers)
I am the Daughter of Night. I am the Child of Darkness Forthcoming. Come to my mother or become prey for the beasts of devastation in the Year of the Skulls.
Glen Cook (Water Sleeps (The Chronicles of the Black Company, #8))
At one hundred, surely you learn to overcome loss and grief—or do they hound you till the bitter end? At one hundred, siblings forget, sons forget, loved ones forget, no one remembers anything, even the most devastated forget to remember. Mothers and fathers have long since died. Does anyone remember?
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
Attacks by the Witch mother are like tornadoes: random, devastating, and unpredictable. Naturally, her children are on constant alert for changes in the atmosphere that might indicate when and where she will “Turn.
Christine Ann Lawson (Understanding the Borderline Mother)
A couple of years ago, I read the findings of a study on the effects of divorced and separated parents talking negatively about their exes in the presence of their children. What I remember about the study most vividly is really just one thing: that it's devastating for a child to hear one parent speak ill of the other. In fact, so much so that the researchers found it was less psychologically damaging if a parent said directly to the child "You are a worthless piece of shit" than it was for a parent to say "Your mother/father is a worthless piece of shit." I don't remember if they had any theories about why that was so, but it made sense to me. I think we all have something sturdier inside of us that rears up when we're being attacked that we simply can't call upon when someone we love is being attacked, especially if that someone is our parent, half of us-the primal other- and the person doing the attacking is the other half, the other primal other.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
I don’t presume to grasp Aboriginal knowledge fully. It comes from a way of knowing the earth—an epistemology—different from that of my own culture. It speaks of being attuned to the blooming of the bitterroot, the running of the salmon, the cycles of the moon. Of knowing that we are tied to the land—the trees and animals and soil and water—and to one another, and that we have a responsibility to care for these connections and resources, ensuring the sustainability of these ecosystems for future generations and to honor those who came before. Of treading lightly, taking only what gifts we need, and giving back. Of showing humility toward and tolerance for all we are connected to in this circle of life. But what my years in the forestry profession have also shown me is that too many decision-makers dismiss this way of viewing nature and rely only on select parts of science. The impact has become too devastating to ignore. We can compare the condition of the land where it has been torn apart, each resource treated in isolation from the rest, to where it has been cared for according to the Secwepemc principal of k̓wseltktnews (translated as “we are all related”) or the Salish concept of nə́c̓aʔmat ct (“we are one”). We must heed the answers we’re being given.
Suzanne Simard (Finding the Mother Tree: Discovering the Wisdom of the Forest)
There’s a word for the first blush of youthful love free of desire. For longing to be with someone so much you would rather throw yourself to the tides than be without them. For the stale but steady relationship between faithful members of an arranged marriage. For how to feel about someone you thought was everything but ended up never feeling the same way about you. For the poison left over when you love someone and it ends so badly you cannot release the feelings. For the love between a mother and her children, a father and his children, a grandmother and her progeny, the love between two dear friends, the love that is the first building block of a lifelong affair. There’s even a word for a love so devastating nothing before or after is ever seen the same.
Kiersten White (Illusions of Fate)
On Friday night, you stole the life of an exceptional being, the love of my life, the mother of my son, but you will not have my hate. I don’t know who you are and I don’t want to know. You are dead souls. If that God for whom you blindly kill made us in his image, every bullet in my wife’s body will have been a wound in his heart. So, no, I will not give you the satisfaction of hating you. That is what you want, but to respond to your hate with anger would be to yield to the same ignorance that made you what you are. You want me to be scared, to see my fellow citizens through suspicious eyes, to sacrifice my freedom for security. You have failed. I will not change. I saw her this morning. At last, after days and nights of waiting. She was as beautiful as when she went out on Friday evening, as beautiful as when I fell madly in love with her more than twelve years ago. Of course I’m devastated by grief, I grant you that small victory, but it will be short-lived. I know that she will be with us every day and that we will see each other in the paradise of free souls to which you will never have access. There are only two of us – my son and myself – but we are stronger than all the armies of the world. Anyway, I don’t have any more time to waste on you, as I must go to see Melvil, who is waking up from his nap. He is only seventeen months old. He will eat his snack as he does every day, then we will play as we do every day, and all his life this little boy will defy you by being happy and free. Because you will not have his hate either.
Antoine Leiris (Vous n'aurez pas ma haine)
When Jordan was cut from the varsity team, he was devastated. His mother says, “I told him to go back and discipline himself.
Carol S. Dweck (Mindset: How You Can Fulfil Your Potential)
She was her father’s daughter but she’d inherited her mother’s black anger. It burned through her sometimes like a chemical fire, brief and devastating and utterly unstoppable.
Amber Sparks (The Unfinished World and Other Stories)
you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know
Nikki Giovanni
More seriously-and this is probably why there has been a lot of garbage talked about a lost generation-it was easy to see, all over the landscape of contemporary fiction, the devastating effect of the Thatcher years. So many of these writers wrote without hope. They had lost all ambition, all desire to to wrestle with the world. Their books dealt with tiny patches of the world, tiny pieces of human experience-a council estate, a mother, a father, a lost job. Very few writers had the courage or even the energy to bite off a big chunk of the universe and chew it over. Very few showed any linguistic or formal innovation. Many were dulled and therefore dull. (And then, even worse, there were the Hooray Henries and Sloanes who evidently thought that the day of the yuppie novel, and the Bellini-drinking, okay-yah fiction had dawned. Dukedoms and country-house bulimics abounded. It was plain that too may books were being published; that too many writers had found their way into print without any justification for it at all; that too many publishers had adopted a kind of random, scattergun policy of publishing for turnover and just hoping that something would strike a cord. When the general picture is so disheartening, it is easy to miss the good stuff. I agreed to be a judge for "Best of Young British Novelists II" because I wanted to find out for myself if the good stuff really was there. In my view, it is...One of my old schoolmasters was fond of devising English versions of the epigrams of Martial. I remember only one, his version of Martial's message to a particularly backward-looking critic: "You only praise the good old days We young 'uns get no mention. I don't see why I have to die To gain your kind attention.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
Thinking about adults putting on a happy face for children, or worse, being unable to put on the happy face, is devastating. That we maintain this dishonesty with them, that we must. I have a longing to protect the kids from coming into some consciousness of the fact that taking care of them is difficult. I always imagined that keeping that fact from them was an essential part of good mothering.
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
Because she knew that something happened to you when your mother didn’t hold you close, or tell you all the time that you were the best thing ever, or even notice when you were home: a little part of you sealed over. You didn’t need her. You didn’t need anyone. And, without even knowing you were doing it, you waited. You waited for anyone who got close to you to see something they didn’t like in you, something they hadn’t seen initially, and to grow cold and disappear, like so much sea mist, too. Because there had to be something wrong, didn’t there, if even your own mother didn’t really love you? It was why she hadn’t been devastated when Marty left. Why would she be? He couldn’t hurt her. The only thing Jess really cared about was those two children, and letting them know they were okay by her. Because even if the whole world was throwing rocks at you, if you still had your mother or father at your back, you’d be okay. Some deep-rooted part of you would know you were loved. That you deserved to be loved. Jess hadn’t done much to be proud of in her life, but the thing she was most proud of was that Tanzie knew it. Strange little bean that she was, Jess knew she knew it. She was still working on Nicky.
Jojo Moyes (One Plus One)
Any child whose most devastating fear is abandonment will insist on connecting with their mother and do anything to feel close to her, including compromising parts of themselves. When they give up on bringing her back to life, they will try to restore the connection through the renunciation of their own aliveness. They will meet the mother in her deadness and thus will develop their own emotional deadness.
Galit Atlas (Emotional Inheritance: A Therapist, Her Patients, and the Legacy of Trauma)
When a mother attempts to bind a grown daughter to her, whether by fear or neediness or illness or rage, the consequences can be devastating. To continue trying to please an unpleasable mother threatens an adult daughter's mental health and all of her relationships. And yet such daughters keep coming back to their mothers, without the daughters' altering that relationship and their bitter or anguished reactions to it.
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
Sally wasn't crying about their dead mother or her cancer. She was crying because her husband, Alfonso, had left her after twenty years for a young woman. It seemed a brutal thing to do, just after her mastectomy. She was devastated, but no, she wouldn't ever divorce him, even though the woman was pregnant and he wanted to marry her. "They can just wait until I die. I'll be dead soon, probably next year..." Sally wept but the ocean drowned out the sound.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
Most parents thought they were being good parents. They learned from their parents or their grandparents, many of whom were severely traumatized and emotionally disconnected coming out of the devastation of a 1918 influenza pandemic and two world wars.
Tara Bianca (The Flower of Heaven: Opening the Divine Heart Through Conscious Friendship & Love Activism)
In a few dreams, I’d answer the phone and hear a long silence, which I interpreted as my mother’s speechless disdain. Or I heard crackling static, and cried out, “Mom? Dad?” into the receiver, desperate and devastated that I couldn’t hear what they were saying. And other times, I was just reading transcripts of dialogues between the two of them, typed on aging onionskin paper that fell apart in my hands. Occasionally I’d spot my parents in places like the lobby of my apartment building or on the steps of the New York Public Library. My mother seemed disappointed and rushed, as though the dream had pulled her away from an important task. “What happened to your hair?” she asked me in the Starbucks on Lexington Avenue, then she trotted down the hall to the restroom.
Ottessa Moshfegh (My Year of Rest and Relaxation)
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
I’d lost the greatest man I’d ever known. Everyone needed me to be strong, to be okay. My mother and sister, my friends, my town. They didn’t need to be worried about how deep this chasm of grief went. But tonight, right now, I could allow myself to be what I was. Devastated.
Lucy Score (Things We Left Behind (Knockemout, #3))
When I learned my mom was going to die of cancer at the age of forty-five, I felt the same way. I didn’t even believe in God, but I still felt that he owed me something. I had the gall to think How dare he? I couldn’t help myself. I’m a selfish brute. I wanted what I wanted and I expected it to be given to me by a God in whom I had no faith. Because mercy had always more or less been granted me, I assumed it always would be. But it wasn’t. It wasn’t granted to my friend whose eighteen-year-old daughter was killed by a drunk driver either. Nor was it granted to my other friend who learned her baby is going to die of a genetic disorder in the not-distant future. Nor was it granted to my former student whose mother was murdered by her father before he killed himself. It was not granted to all those people who were in the wrong place at the wrong time when they came up against the wrong virus or military operation or famine or carcinogenic or genetic mutation or natural disaster or maniac. Countless people have been devastated for reasons that cannot be explained or justified in spiritual terms. To do as you are doing in asking If there were a God, why would he let my little girl have to have possibly life-threatening surgery?— understandable as that question is—creates a false hierarchy of the blessed and the damned. To use our individual good or bad luck as a litmus test to determine whether or not God exists constructs an illogical dichotomy that reduces our capacity for true compassion. It implies a pious quid pro quo that defies history, reality, ethics, and reason. It fails to acknowledge that the other half of rising—the very half that makes rising necessary— is having first been nailed to the cross. That
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
I pray that the world never runs out of dragons. I say that in all sincerity, though I have played a part in the death of one great wyrm. For the dragon is the quintessential enemy, the greatest foe, the unconquerable epitome of devastation. The dragon, above all other creatures, even the demons and the devils, evokes images of dark grandeur, of the greatest beast curled asleep on the greatest treasure hoard. They are the ultimate test of the hero and the ultimate fright of the child. They are older than the elves and more akin to the earth than the dwarves. The great dragons are the preternatural beast, the basic element of the beast, that darkest part of our imagination. The wizards cannot tell you of their origin, though they believe that a great wizard, a god of wizards, must have played some role in the first spawning of the beast. The elves, with their long fables explaining the creation of every aspect of the world, have many ancient tales concerning the origin of the dragons, but they admit, privately, that they really have no idea of how the dragons came to be. My own belief is more simple, and yet, more complicated by far. I believe that dragons appeared in the world immediately after the spawning of the first reasoning race. I do not credit any god of wizards with their creation, but rather, the most basic imagination wrought of unseen fears, of those first reasoning mortals. We make the dragons as we make the gods, because we need them, because, somewhere deep in our hearts, we recognize that a world without them is a world not worth living in. There are so many people in the land who want an answer, a definitive answer, for everything in life, and even for everything after life. They study and they test, and because those few find the answers for some simple questions, they assume that there are answers to be had for every question. What was the world like before there were people? Was there nothing but darkness before the sun and the stars? Was there anything at all? What were we, each of us, before we were born? And what, most importantly of all, shall we be after we die? Out of compassion, I hope that those questioners never find that which they seek. One self-proclaimed prophet came through Ten-Towns denying the possibility of an afterlife, claiming that those people who had died and were raised by priests, had, in fact, never died, and that their claims of experiences beyond the grave were an elaborate trick played on them by their own hearts, a ruse to ease the path to nothingness. For that is all there was, he said, an emptiness, a nothingness. Never in my life have I ever heard one begging so desperately for someone to prove him wrong. This is kind of what I believe right now… although, I do not want to be proved wrong… For what are we left with if there remains no mystery? What hope might we find if we know all of the answers? What is it within us, then, that so desperately wants to deny magic and to unravel mystery? Fear, I presume, based on the many uncertainties of life and the greatest uncertainty of death. Put those fears aside, I say, and live free of them, for if we just step back and watch the truth of the world, we will find that there is indeed magic all about us, unexplainable by numbers and formulas. What is the passion evoked by the stirring speech of the commander before the desperate battle, if not magic? What is the peace that an infant might know in its mother’s arms, if not magic? What is love, if not magic? No, I would not want to live in a world without dragons, as I would not want to live in a world without magic, for that is a world without mystery, and that is a world without faith. And that, I fear, for any reasoning, conscious being, would be the cruelest trick of all. -Drizzt Do’Urden
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
At one hundred, surely you learn to overcome loss and grief—or do they hound you till the bitter end? At one hundred, siblings forget, sons forget, loved ones forget, no one remembers anything, even the most devasted forget to remember. Mothers and fathers have long since died. Does anyone remember?
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
At one hundred, surely you learn to overcome loss and grief— or do they hound you till the bitter end? At one hundred, siblings forget, sons forget, loved ones forget, no one remembers anything, even the most devastated forget to remember. Mothers and fathers have long since died. Does anyone remember?
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
that it’s devastating for a child to hear one parent speak ill of the other. In fact, so much so that the researchers found it was less psychologically damaging if a parent said directly to the child You are a worthless piece of shit than it was for a parent to say Your mother/father is a worthless piece of shit.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
I didn’t know you involved yourself in political issues.” She glanced at him wryly. “Of course you didn’t. You don’t know a lot about me.” He scowled as he turned his attention to the circle and watched his mother dance, resplendent in her beautiful buckskins. No, he didn’t know a lot about Cecily, but he did know how devastated she’d been to discover he’d paid her way through college, absorbed all her expenses out of pity for her situation. He was sorry for how much that had hurt her. But over the past two years, he’d deliberately distanced himself from her. He wondered why… “I had dinner with Senator Holden last week,” she said conversationally, deliberately trying to irritate him. “He wanted to point me toward some special collections for the museum.” He stared at his mother in the circle, but he was frowning, deep in thought. “I don’t like Holden,” he said curtly. “Yes, I know. You’ll be delighted to hear that he returned your sentiment,” she said with a chuckle at his scowl.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Age is no excuse. I feel tremendous guilt ever time we rewatch the home video. How could I not have known better? What a stupid idiot. How could I have not sensed what Mom needed? That she needed all of us to be serious, to be taking the situation as hard as we possibly could, to be devastated. She needed us to be nothing without her.
Jennette McCurdy (I'm Glad My Mom Died)
Elhers Danlos Syndrome. I had never heard of it and didn’t know whether to be delighted to finally know what we were dealing with or devastated to read about the condition. It is essentially a connective tissue disorder characterised by joint hypermobility and there is no cure, but his symptoms can be managed. It can be hereditary or can appear for the first time.
Josiah Hartley (The Boy Between: A Mother and Son's Journey From a World Gone Grey)
It all goes back to our earliest experiences and the way they shape the rest of our lives. Did you know babies can pick out their mother's face minutes after they're born? Forty weeks in utero means they're already pretty bonded, so being abandoned is a big thing. Even though your kids were given away the minute they are born, they're still going to remember it at some level, and it's still going to be devastating for them.
Martin Sixsmith (The Lost Child of Philomena Lee: A Mother, Her Son and A Fifty-Year Search)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
Well,” he sighed, squeezing my hand back. “I guess we were both running away in different ways.” “What do you mean?” Dad shook his head. “Your mother took a Mustang. I took a whiskey bottle.” He reached up and readjusted his glasses, an unconscious habit-he always did it when he was making a point. “I was so devastated by what your mother did to me that I forgot how horrible drinking is. I forgot to look on the bright side.” “Dad,” I said, “I don’t think there is a bright side to divorce. It’s a pretty sucky thing all around.” He nodded. “Maybe that’s true, but there are a lot of bright sides to my life. I have a job I like, a nice house in a good neighborhood, and a wonderful daughter.” I rolled my eyes. “Oh God,” I muttered. “Don’t go all Lifetime movie on me. Seriously.” “I’m sorry,” he said, smiling. “But I mean it. A lot of people would kill for my life, but I didn’t even consider that. I took it-and you-for granted. I’m so, so sorry for that, Bumblebee.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
In Stalin’s famous words, one death is a tragedy; one million deaths is a statistic. In this case, it is not even a particularly good statistic. The very incomprehensibility of what a million horrible and violent deaths might mean, and the impossibility of producing an appropriate response, is perhaps the reason that the events following partition have yielded such a great and moving body of fictional literature and such an inadequate and flimsy factual history. What does it matter to the readers of history today whether there were 200,000 deaths, or 1 million, or 2 million? On that scale, is it possible to feel proportional revulsion, to be five times more upset at 1 million deaths than at 200,000? Few can grasp the awfulness of how it might feel to have their fathers barricaded in their houses and burnt alive, their mothers beaten and thrown off speeding trains, their daughters torn away, raped and branded, their sons held down in full view, screaming and pleading, while a mob armed with rough knives hacked off their hands and feet. All these things happened, and many more like them; not just once, but perhaps a million times. It is not possible to feel sufficient emotion to appreciate this monstrous savagery and suffering. That is the true horror of the events in the Punjab in 1947: one of the vilest episodes in the whole of history, a devastating illustration of the worst excesses to which human beings can succumb. The death toll is just a number.
Alex von Tunzelmann (Indian Summer: The Secret History of the End of an Empire)
When we are children or teenagers, most of us experience something which has devastating effects on our growth and own identity. It's happens when we are compared to others. "you are like your father, you're like your mother, you are like your friends... it always has a negative meaning. It's not too late to stop comparing yourself to others, it's a challenging lesson to learn and to carry on a daily basis, it's painful and it takes time for results to be seen, so start today. Start now.
Marino Baccarini
I was pregnant, and then I wasn’t,” she said softly. “I was in love, and then I wasn’t. You did that. You took those things from me. My family was collateral damage in a drive-by ordered by you.” “I’ve hated you longer than I’ve done much of anything else. No one hired me. I’m here because it’s the only way I’m still a mother to her. I can still be an angry mother even though she’s not here. But I’m not even doing that right.” Eve hung her head in defeat. She felt the numbness crawl over her again. Claim me. I have nothing left. Beckett dropped his arms and turned to face her. “Eve.” The odd sound of her name on his lips brought her eyes to his face. He was devastated. “What’s her name?” Beckett asked in an unsteady voice. Eve bit her lip. She’d never told anyone. “Anna.” Eve’s long-dry eyes filled with tears. Beckett made no move to cover himself or call for help. “That’s a beautiful name. Anna’s very lucky to have such a dedicated mother. Once you’re a mom, that title’s yours for-fucking-ever—like a president.” He reached over and chose the quietest pistol from the wall. He held it out to her. “No one will hear this one, so you should be able to get out of here. I’m so sorry. I caused you the most unimaginable pain. It would be my honor to die at your hand, if it gives you even a moment’s peace.” Eve stared at the gun for a long while. “That’s the worst part,” she whispered, her voice soaked with defeat. “I’m not strong enough. I’ve killed so many. I can kill anyone. But I can’t kill you.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Even Mary had to let her child go…You have to wonder, as Mary watched Jesus on the cross, did she look back and ask herself if she had made a mistake? God had told her she would be the mother of the Savior. You can’t get more devastated than Mary, watching her Son—the Savior—die…But Jesus’ path wasn’t for Mary to determine. Her greatest ability as a mother was to be His mother. To love Him, nurture Him, care for Him. She embraced her destiny, then let Him go to embrace His. You have to let your children embrace theirs.
Susan May Warren (Evergreen (Christiansen Family, #3.5))
I am gratified by how much pain I can endure for him. Punishments that once would have had me panicked and screaming and begging, I now suffer through without a peep. I have come to crave the whipping and the paddling, because they give me a chance to prove my devotion. He doesn’t seem to notice how high my pain tolerance is now, which is devastating, because all I want to do is make him proud of me. I accept that he’s killed me. He lied to me when he said he wouldn’t kill me. He killed Tamara. The girl who loved the smiles on people’s faces, and coffeeshops, and books, and music; the girl who dreamed about someday making a difference…she’s dead. I can’t be myself anymore, because I can’t stand to be locked up in that room alone anymore. I need Master. I am alone in the world without him. Sarah doesn’t visit me in my head anymore, and neither does the dark tormenting voice that blamed me for destroying my mother. I thought I was making a difference in the world, and now I know that I failed at that. I never touched a single soul out there
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
We’re lonely. Mother Teresa called loneliness the leprosy of the Western world, maybe even more devastating than Calcutta poverty.9 Loneliness drives us to talk about ourselves to excess and to turn conversations toward ourselves. It makes us grasp on to others, thinking their role is to meet our needs, and it shrinks the space we have in our souls for welcoming others in. That loneliness would keep us from listening, and others from listening to us, is a tragedy, because being listened to is one of the great assurances in this universe that we are not alone.
Adam S. McHugh (The Listening Life: Embracing Attentiveness in a World of Distraction)
Her mother had told her once that Alice had worn an old jumper of her dad’s for weeks and weeks after he died and refused to take it off, kicking and screaming when Frannie finally pulled it off over her head. Alice didn’t remember that at all. Instead she remembered how at the afternoon tea after the funeral she’d got told off by one of her mum’s tennis friends for sticking her fingers in the cheesecake, and how Elisabeth had been doing it, too, even more than she was, but she didn’t get into trouble. Instead of remembering grief and devastation, she remembered the terrible injustice of the cheesecake.
Liane Moriarty (What Alice Forgot)
didn’t know how to be mad at people yet, so I just aped the behaviour I had seen at home: speaking to someone in tight, terse little sentences until they went insane. It was how my mother fought with me, how I fought with my younger brothers, and how they fought with their friends. It’s not that we weren’t capable of warmth, as a family. But we were regularly seduced by the concept of being wronged. People were always wronging us. That the most recent economic crisis had devastated my parents’ business and depleted their investments was yet more proof that the world was out to get the Murrays. We were responding, at that time, by giving the world the cold shoulder.
Caroline O'Donoghue (The Rachel Incident)
A couple of years ago, I read the findings of a study on the effects of divorced and separated parents talking negatively about their exes in the presence of their children. I tried to locate it when I was writing this column so I could cite it properly and quote it directly, but I had no luck. That’s fine because what I remember about the study most vividly is really just one thing: that it’s devastating for a child to hear one parent speak ill of the other. In fact, so much so that the researchers found it was less psychologically damaging if a parent said directly to the child You are a worthless piece of shit than it was for a parent to say Your mother/ father is a worthless piece of shit.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
His father, a civil servant, had raised him and his sister singlehanded after their mother’s death; the sickly old man had worked overtime in order to send Ryuji to school; despite everything, Ryuji had grown up into a strong, healthy man; late in the war his home had been destroyed in an air raid and his sister had died of typhus shortly after; he had graduated from the merchant-marine high school and was just starting on his career when his father died too; his only memories of life on shore were of poverty and sickness and death, of endless devastation; by becoming a sailor, he had detached himself from the land for ever. ... It was the first time he had talked of these things at such length to a woman.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
Sometimes you must do things out of love that devastate the senses. This wasn't easy, Elymas. I know blindness. I know how suddenly the specks in the stones you can't see become something you would die for. From the way you grope this cloud of mist I know you're trying to imagine the color of the stars right now, the blue-white shine that once ignited your hands with power, but can conjur only the upturned bellies of poisoned frogs, your mother's dying lips. Don't you know how small this life is? Even the stars are just the sweat Christ shakes from his brow. When you make crooked the path to eternity, you send your brother to oblivion, to the buried speck in the midnight desert stone. This time, no magic will save you. You will have to find your life in the dark. Today you will have to be led by the hand.
Tania Runyan
When we talk about shootings in this country, we invariably fix our thoughts on the dead, but seldom do we discuss the wounded, the ones who survive the bullets and go on living, often with devastating permanent injuries: a shattered elbow that renders an arm useless, a pulverized kneecap that turns a normal stride into a painful limp, or a blown-apart face patched together with plastic surgery and a prosthetic jaw. Then there are the victims whose bodies were never touched by gunfire but who go on suffering from the inner wounds of loss—a maimed sister, a brain-injured brother, a dead father. And if your father is dead because your mother shot and killed him, and if you go on loving your mother in spite of that, it is almost certain that you will gradually succumb to living in a state of so many crossed mental wires that a part of you will begin to shut down.
Paul Auster (Bloodbath Nation)
What I failed to see was that, by ending my life, I would cause interminable pain to my family and friends. I could not understand the heartbreak it would cause those around me. Nor did I consider that my brother, Joseph, might live the rest of his life in continual rage, or that my sister, Libby, might shut herself off from the world and fall into perpetual depression, silence, and sadness mistakenly blaming themselves for my death as many family members do when they lose someone they love to suicide. I certainly held no understanding of the enormous pain my mother and father would suffer because they lost their oldest son in such a terrifying and devastating way. They would not have a chance to watch me mature, marry, and perhaps have children. Instead, all of their hopes, aspirations, and dreams for me would be destroyed with my decision to end my life by jumping off the Golden Gate Bridge.
Kevin Hines
I asked him what he thought would happen if he were to honestly tell Kayla about the strain he felt, and he said, “She would be devastated and furious if I tried to talk to her about it.” I believed sharing his honest feelings might have enraged someone in his past, but it didn’t sound like how Kayla would respond. It sounded more like what he had told me about his angry mother, who was quick to blow up if people didn’t do what she wanted. When I told Jake that maybe this safe new relationship was giving him a chance to finally be loved for himself, he was uncomfortable with the reference to his emotional needs. He looked embarrassed and said, “When you say it like that, I sound pitiful and needy.” During childhood, Jake had gotten the message from his mother that showing any emotional needs meant he was weak. Further, if he didn’t act how she wanted him to, he felt inadequate and unlovable.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
Neil Gaiman (Norse Mythology)
What are the final lessons learned? I came to the conclusion that the most powerful human motive by far is the striving for attachment to loved ones in perpetuity. Humans will do anything for this, including blowing themselves (and others) to pieces. I learned that tribalism is universal. It may start with the attachment to another (typically, the mother and disinterest in those who are not her), and it may be furthered by the division of in-group as those we recognize and out-group as the rest, but our capacity for symbolism established in- and outgroups in us all, and we view their actions completely differently. We need, if we are to survive, a sense both of humanity as a tribe and of humanity’s potential for radical violence. If we delude ourselves that we are the civilized entity we appear to be on the surface, we are doomed to repeat the mistakes of the past, only with more powerful and devastating weapons.
Donald G. Dutton (The Psychology of Genocide, Massacres, and Extreme Violence: Why Normal People Come to Commit Atrocities (Praeger Security International))
The big lie of American capitalism is that corporations work in their own best interests. In fact they’re constantly doing things that will eventually bring them to their knees. Most of these blunders involve toxic chemicals that any competent chemist should know to be dangerous. They pump these things into the environment and don’t even try to protect themselves. The evidence is right there in public, almost as if they’d printed up signed confessions and sprinkled them out of aeroplanes. Sooner or later, someone shows up in a Zodiac and points to that evidence, and the result is devastation far worse than what a terrorist, a Boone, could manage with bombs and guns. All the old men within twenty miles who have come down with tumors become implacable enemies. All the women married to them, all the mothers of damaged children, and even those of undamaged ones. The politicians and the news media trample each other in their haste to pour hellfire down on that corporation. The transformation can happen overnight and it’s easy to bring about. You just have to show up and point your finger.
Neal Stephenson (Zodiac)
If you accidentally put your hand on a hot stove, your body reacts instantly. Yet in that instant your brain is actually assessing the pain and giving it the intensity you perceive as objectively real. And by not renouncing their control over it people get lost in their pain. “What can I do? My mother just died, and I’m devastated. I can’t even get out of bed in the morning.” In such a statement there seems to be a direct link between cause (the death of a loved one) and effect (depression). But, in fact, the trail followed between cause and effect isn’t a straight line; the whole person enters the picture, with a wealth of factors from the past. It’s as if pain enters a black box before we feel it, and in that box the pain is matched up with everything we are—our whole history of emotions, memories, beliefs, and expectations. If you are self-aware, the black box isn’t so sealed off and hidden. You know that you can affect what goes on inside it. But when we suffer, we victimize ourselves. Why is the pain a 10 instead of a 1? Because it just is, that’s why. In truth, suffering persists only to the extent that we
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
If you accidentally put your hand on a hot stove, your body reacts instantly. Yet in that instant your brain is actually assessing the pain and giving it the intensity you perceive as objectively real. And by not renouncing their control over it people get lost in their pain. “What can I do? My mother just died, and I’m devastated. I can’t even get out of bed in the morning.” In such a statement there seems to be a direct link between cause (the death of a loved one) and effect (depression). But, in fact, the trail followed between cause and effect isn’t a straight line; the whole person enters the picture, with a wealth of factors from the past. It’s as if pain enters a black box before we feel it, and in that box the pain is matched up with everything we are—our whole history of emotions, memories, beliefs, and expectations. If you are self-aware, the black box isn’t so sealed off and hidden. You know that you can affect what goes on inside it. But when we suffer, we victimize ourselves. Why is the pain a 10 instead of a 1? Because it just is, that’s why. In truth, suffering persists only to the extent that we allow ourselves to remain lost in our own creation.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
You can make quite a life for yourself hosting charity dinners and collecting art. You can find a way to be happy with whatever the truth is. Until your daughter dies. Connor was diagnosed with late-stage breast cancer two and a half years ago, when she was thirty-nine. She was given months to live. I knew what it was like to realize that the one you love would leave this earth well before you. But nothing could prepare me for the pain of watching my child suffer. I held her when she puked from the chemo. I wrapped her in blankets when she was so cold she was crying. I kissed her forehead like she was my baby again, because she was forever my baby. I told her every single day that her life had been the world’s greatest gift to me, that I believed I was put on earth not to make movies or wear emerald-green gowns and wave at crowds but to be her mother. I sat next to her hospital bed. “Nothing I have ever done,” I said, “has made me as proud as the day I gave birth to you.” “I know,” she said. “I’ve always known that.” I had made a point of not bullshitting her ever since her father died. We had the sort of relationship where we believed each other, believed in each other. She knew she was loved. She knew that she had changed my life, that she had changed the world. She made it eighteen months before she passed away. And when they put her in the ground next to her father, I broke like I have never broken before. The devastating luxury of panic overtook me. And it has never left.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Amar reached for my hand and put something in my palm. I looked down: string. “For conquering,” he said. I stretched the string into a taut line. “Conquering what? Insects?” “No. Your enemies.” The stars. Fate. The string drooped in my fingers. “Why do you hate them?” he asked. “If Akaran has its eyes and ears in Bharata, then you already know,” I said darkly, thinking of the horoscope that had shadowed the past seventeen years. “Do you believe the horoscope?” “No.” I meant it. There was no proof. Sometimes, I still thought it was a hateful rumor born of Mother Dhina’s jealousy. “Then why hate the stars?” “For what they did. Or, I guess, what they made other people do,” I said softly. “For making me hated without reason and without evidence. Wouldn’t you hate distant jailers?” “I don’t believe they’re jailers. I believe the stars.” “Then you’re a fool to marry me.” He laughed. “I believe them, but I choose to read them differently.” “I don’t see any happy way to explain death and destruction.” “Doesn’t death make room for life? Autumn trees die to make room for new shoots. And destruction is part of that cycle. After all, a devastating forest fire lets the ground start anew.” I stared at him. No one had ever said anything like that in Bharata. No one had ever challenged the stars. And yet, the light contoured him, clung to him, like the stars knew and believed everything he said. Maybe I believed him too. All I had done was curse the stars from a distance. I’d never thought to reinterpret what they meant. I turned around, as if seeing the night sky for the first time.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
I stepped somewhat apprehensively into 2020, unaware of what was to happen, of course, thinking little about the newly-emerged coronavirus, but knowing myself to be at a tipping point in my life. I had come so very far over the years, the decades, from my birthplace in the United Kingdom, to Thailand, Japan and then back to Thailand to arrive at an age—how had I clocked up so many turns under the sun?—at which most people ask for nothing more than comfort, security and love, or at least loving kindness. Instead, I was slowly extricating myself, physically and emotionally, from a marriage that had, over the course of more than a decade, slowly, almost imperceptibly, deteriorated from complacency to conflict, from apathy to antagonism, from diversity to divergence as our respective outlooks on life first shifted and then conflicted. Instrumental in exacerbating this had been my decision to travel as and where I could after witnessing my mother’s devastating and terminal descent into dementia. For reasons which even now I cannot recall with any accuracy, the first destination for this reborn, more daring me was Tibet, thus initiating a new love affair, this time with the culture and majesty of the Himalayan swathe, and the awakening within me of a quest for the spiritual. I had, over the years, been a teacher, a lecturer, a consultant and an advisor, but I now wanted to inspire and release my verbal and photographic creativity, to capture the places I visited and the experiences I had in words and images—and if possible to have the wherewithal of sharing them with like-minded people.
Louisa Kamal (A Rainbow of Chaos: A Year of Love & Lockdown in Nepal)
Dolphins felt top-heavy, that year, most of the time, and wanted to lie down. When their heads weren’t on top they still felt top-heavy, but metaphysically. In public places they felt sad. They went into restrooms, hugged themselves, and quietly went, ‘Eeeee eee eeee.’ Weekends they went to playgrounds alone. They sat in the top of slides—the enclosed part, where it glowed a little because of the colored plastic—and felt very alert and awake but also very sad and immature. Sometimes they fell asleep and a boy’s mother would prod the dolphin with a broom and the dolphin would go down the slide while still asleep. At the bottom they would feel ashamed and go home and lie in bed. They felt so sad that they believed a little that it was their year to be sad, which made them feel better in a devastated, hollowed-out way. Life was too sad and it was beautiful to really feel it for once; to be allowed to feel it, for one year. When dolphins had these thoughts, usually on weekends at night, it was like dreaming, like a pink flower in a soft breeze on a field was lightly dreaming them. The sadness was like a pink forest that got less dense as you went in and then changed into a field, which the dolphins walked into alone. Sometimes the sadness was like a knife against the face. It made the dolphins cry and not want to move. But sometimes a young dolphin would feel very lonely and ugly and it was beautiful how alone it felt, and it would become restless with how perfect and elegant its sadness was and go away for a long time and then return and sit in its room and feel very alone and beautiful.
Tao Lin (Eeeee Eee Eeee)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating.
Philip Gibbs
Open it.” Obeying, she lifted the lid. The box was lined with red velvet. Pulling aside a protective layer of cloth, she uncovered a tiny gold pocket watch on a long chain, the casing delicately engraved with flowers and leaves. A glass window on the hinged front cover revealed a white enamel dial and black hour and minute markers. “It belonged to my mother,” she heard Devon say. “It’s the only possession of hers that I have. She never carried it.” Irony edged his voice. “Time was never important to her.” Kathleen glanced at him in despair. She parted her lips to speak, but his fingertips came to her mouth with gentle pressure. “Time is what I’m giving you,” he said, staring down at her. His hand curved beneath her chin, compelling her to look at him. “There’s only one way for me to prove that I will love you and be faithful to you for the rest of my life. And that’s by loving you and being faithful to you for the rest of my life. Even if you don’t want me. Even if you choose not to be with me. I’m giving you all the time I have left. I vow to you that from this moment on, I will never touch another woman, or give my heart to anyone but you. If I have to wait sixty years, not a minute will have been wasted--because I’ll have spent all of them loving you.” Kathleen regarded him with wonder, a perilous warmth rising until it pushed fresh tears from her eyes. Cradling her face in both hands, Devon bent to kiss her in a brush of soft fire. “That being said,” he whispered, “I hope you’ll consider marrying me sooner rather than later.” Another kiss, slow and devastating. “Because I long for you, Kathleen, my dearest love. I want to sleep with you every night, and wake with you every morning.” His mouth caressed her with deepening pressure until her arms curled around his neck. “And I want children with you. Soon.” The truth was there, in his voice, his eyes, on his lips. She could taste it.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
As it happened, the child’s mother was a radiologist. The tumor looked malignant—the mother had already studied the scans, and now she sat in a plastic chair, under fluorescent light, devastated. “Now, Claire,” the surgeon began, softly. “Is it as bad as it looks?” the mother interrupted. “Do you think it’s cancer?” “I don’t know. What I do know—and I know you know these things, too—is that your life is about to—it already has changed. This is going to be a long haul, you understand? You have got to be there for each other, but you also have to get your rest when you need it. This kind of illness can either bring you together, or it can tear you apart. Now more than ever, you have to be there for each other. I don’t want either of you staying up all night at the bedside or never leaving the hospital. Okay?” He went on to describe the planned operation, the likely outcomes and possibilities, what decisions needed to be made now, what decisions they should start thinking about but didn’t need to decide on immediately, and what sorts of decisions they should not worry about at all yet. By the end of the conversation, the family was not at ease, but they seemed able to face the future. I had watched the parents’ faces—at first wan, dull, almost otherworldly—sharpen and focus. And as I sat there, I realized that the questions intersecting life, death, and meaning, questions that all people face at some point, usually arise in a medical context. In the actual situations where one encounters these questions, it becomes a necessarily philosophical and biological exercise. Humans are organisms, subject to physical laws, including, alas, the one that says entropy always increases. Diseases are molecules misbehaving; the basic requirement of life is metabolism, and death its cessation. While all doctors treat diseases, neurosurgeons work in the crucible of identity: every operation on the brain is, by necessity, a manipulation of the substance of our selves, and every conversation with a patient undergoing brain surgery cannot help but confront this fact. In addition, to the patient and family, the brain surgery is
Paul Kalanithi (When Breath Becomes Air)
A True Story Let me tell you about Wendy. For more than ten years, Wendy struggled unsuccessfully with ulcerative colitis. A thirty-six-year-old grade school teacher and mother of three, she lived with constant cramping, diarrhea, and frequent bleeding, necessitating occasional blood transfusions. She endured several colonoscopies and required the use of three prescription medications to manage her disease, including the highly toxic methotrexate, a drug also used in cancer treatment and medical abortions. I met Wendy for an unrelated minor complaint of heart palpitations that proved to be benign, requiring no specific treatment. However, she told me that, because her ulcerative colitis was failing to respond to medications, her gastroenterologist advised colon removal with creation of an ileostomy. This is an artificial orifice for the small intestine (ileum) at the abdominal surface, the sort to which you affix a bag to catch the continually emptying stool. After hearing Wendy’s medical history, I urged her to try wheat elimination. “I really don’t know if it’s going to work,” I told her, “but since you’re facing colon removal and ileostomy, I think you should give it a try.” “But why?” she asked. “I’ve already been tested for celiac and my doctor said I don’t have it.” “Yes, I know. But you’ve got nothing to lose. Try it for four weeks. You’ll know if you’re responding.” Wendy was skeptical but agreed to try. She returned to my office three months later, no ileostomy bag in sight. “What happened?” I asked. “Well, first I lost thirty-eight pounds.” She ran her hand over her abdomen to show me. “And my ulcerative colitis is nearly gone. No more cramps or diarrhea. I’m off everything except my Asacol.” (Asacol is a derivative of aspirin often used to treat ulcerative colitis.) “I really feel great.” In the year since, Wendy has meticulously avoided wheat and gluten and has also eliminated the Asacol, with no return of symptoms. Cured. Yes, cured. No diarrhea, no bleeding, no cramps, no anemia, no more drugs, no ileostomy. So if Wendy’s colitis tested negative for celiac antibodies, but responded to—indeed, was cured by—wheat gluten elimination, what should we label it? Should we call it antibody-negative celiac disease? Antibody-negative wheat intolerance? There is great hazard in trying to pigeonhole conditions such as Wendy’s into something like celiac disease. It nearly caused her to lose her colon and suffer the lifelong health difficulties associated with colon removal, not to mention the embarrassment and inconvenience of wearing an ileostomy bag. There is not yet any neat name to fit conditions such as Wendy’s, despite its extraordinary response to the elimination of wheat gluten. Wendy’s experience highlights the many unknowns in this world of wheat sensitivities, many of which are as devastating as the cure is simple.
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
You do have money, don’t you? You never paid your fare yesterday. It’s six pounds, eight. If you haven’t the coin, I’ll have no choice but to hold you for ransom once we reach Tortola.” Her fare. Sophia sipped her tea with relief. If Mr. Grayson was this concerned over six pounds, he surely had no idea he was harboring a runaway heiress with nearly one hundred times that amount strapped beneath her stays. She suppressed a nervous laugh. “Yes, of course I can pay my passage. You’ll have your money today, Mr. Grayson.” “Gray.” “Mr. Grayson,” she said, her voice and nerves growing thin, “I scarcely think that my moment of…of indisposition gives you leave to make such an intimate request, that I address you by your Christian name. I certainly shall not.” He clucked softly, wrapping the handkerchief around his fingers. With hypnotic tenderness, he reached out, drawing the fabric across her temple. “Now, sweetheart-surely my parents can be credited with greater imagination than you imply. Christening me ‘Gray Grayson’?” He chuckled low in his throat. “Everyone aboard this ship calls me Gray. Sorry to disappoint you, but it’s no particular privilege. There’s but one woman on earth permitted to address me by my Christian name.” “Your mother?” He grinned again. “No.” She blinked. “Oh, now don’t look so disappointed,” he said. “It’s my sister.” Sophia slanted her gaze to her lip, cursing herself for playing into his charm. If the sight of him drove the wits from her skull, the solution was plain. She mustn’t look. But then he pressed the handkerchief into her hand, covering her fingers with his own, and Sophia could not retrieve the small, defeated sigh that fell from her lips. His touch devastated her resolve completely. His hand was like the rest of him. Brute strength, neatly groomed. She heartily wished she’d thought to put on gloves. He leaned closer, his scent intruding through the pervasive smell of seawater-wholly masculine and faintly spicy, like pomade and rum. “And sweetheart, if I did make an intimate request of you”-his thumb swept boldly over the delicate skin of her wrist-“you’d know it.” Sophia sucked in her breath. “So call me Gray.” He released her hand abruptly. Disappointment-unbidden, imprudent, unthinkable emotion-cinched in Sophia’s chest. Distance from this man was precisely what she wished. Well, if not precisely what she wished, it was exactly what she needed. He looked at her as though he’d laid all her secrets bare, and her body as well. She pushed the tankard back at him, leaving him no choice but to take it from her hands. “I shall continue to address you as propriety demands, Mr. Grayson.” She cast him a sharp look. “And you certainly are not at liberty to call me ‘sweetheart.’” He donned an expression of wide-eyed innocence. “That isn’t what it stands for, then?” Teasing the handkerchief from her clenched fist, he ran his thumb over the embroidered monogram. S.H. “You see?” He traced each letter with the pad of his finger. “Sweet. Heart. I thought surely that must be it. Because I know your name is Jane Turner.” His lips curved in that insolent grin. “Unless…don’t tell me. It was a gift?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Researchers who separated primate mothers and infants experimentally, observed that the loss of contact was devastating and the ill effects could last through generations.
Gabrielle Palmer (The Politics of Breastfeeding: When Breasts are Bad for Business)
Colette looked at me and smiled. It struck me in that moment that Amber’s mouth had been just like her mother’s, and suddenly I was fifteen again, and in love again, and devastated.
Matthew Crow
There are beatings, murders, summary executions, mutinies; only the progress of the pestilence prevents complete anarchy. Men become too ill to kill, then too ill to work. A helmsman with a neck bubo is strapped to the helm; a ship’s carpenter with a bloody cough, to his bench. A rigger shaking with fever is lashed to the mast. Gradually each escaping vessel becomes a menagerie of grotesques. Everywhere there are delirious men who talk to the wind and stain their pants with bloody anal leakages; and weeping men who cry out for absent mothers and wives and children; and cursing men who blaspheme God, wave their fists at an indifferent sky, and burble blood when they cough. There are men who ooze pus from facial and body sores and stink to high heaven; lethargic men who stare listlessly into the cruel, gray sea; mad men who laugh hysterically and dig filthy fingernails into purple, mottled flesh; and dead men, whose bloated bodies roll back and forth across pitching decks until they hit a rail or mast and burst open like piñatas.
John Kelly (The Great Mortality: An Intimate History of the Black Death, the Most Devastating Plague of All Time)
You will need to come in as soon as possible, the sooner we treat this, the better the chance of recovery…” Rose began to cry. “Will I die?” The doctor didn’t reply. Treatment began only days later, Rose took to it really well, phoning Kelly was the hardest part of telling the news, but Kelly supported her mother, offering to take some time out and come home to take care of her. Rose went into remission, the cancer was brought under control and Jim planned a holiday for her in Spain. Madeleine McCann a three-year-old child went missing in Portugal. Heavy flooding devastated Hull and Sheffield at least three people died. Four fire fighters were feared dead in the ‘Atherstone fire disaster.
Ruth Watson-Morris
Even after Wes’s full recovery and the opportunity to unwind on a Fijian surfing safari, the close call seemed to set Steve back emotionally. The devastation of losing his mother and then nearly losing his best friend weighed heavily on his mind. Steve was not worried about his own mortality and was always very open about it. But the recent events only gave him more cause to think about life and death. “I can’t even think of anything happening to you or Bindi,” Steve told me. “I just wouldn’t cope.” Seeing Wes lying in a hospital bed made Steve so emotional. It never ceased to amaze me how tough Steve was on the outside, but how deeply loving he was on the inside. He showed his feelings more than any man I ever met. Years after he lost his dog Chilli to a shooting accident (a local man accidentally killed her while he was hunting pigs), he still mourned. During our nighttime conversations, we spoke at great length about spirituality and belief. Steve’s faith had been tremendously tested. At times he would lash out and blame God, and sometimes he would proclaim that he did not believe in God at all. I knew he was just lashing out, and I’d try to use humor to get him back on track. “You can’t have it both ways,” I would gently remind him. When bad things happened to good people, or when innocent animals experienced human cruelty, it shook Steve to the core. His strong feelings demanded deep spiritual answers, and he searched for them all his life.
Terri Irwin (Steve & Me)
I remember when my kitten got run over. My mother was devastated. She put it in a green garbage bag and cried and cried. She said she couldn't stop picturing that little cat. Tumbling and tumbling and tumbling.
Sandra Tsing Loh (The Madwoman in the Volvo: My Year of Raging Hormones)
If their mother complained that he hadn't brought back enough, he'd say, Better to eat a small piece of fish with flavor than a large one without. He'd witnessed a famine of devastating proportions, never taking a single meal for granted.
Jhumpa Lahiri
What I am trying to tell you,” Trinka said softly, looking back at him, “is that there are good ways to live, and bad ones. This is not a matter of opinion; it is objective truth. The Empire fights the Wilders because we need their land; that’s true. But there are other reasons. We fight them because they are unworthy. They are not fit to share this world – this divine gift – with folk who do not murder children. With people who do not rape women, or make slaves of the weak. The Wilders are undeserving of the gift of life, of divine choice. They are not fit to be called Children of Bræa. Their way of life is a blight upon the earth. They may look like men, but they live, and behave, like beasts. “If they were able to learn to live like civilized folk,” she sighed, “then we would make it our business to teach them; indeed, I would account it our duty to bring them into the light. We have tried. It has been more than a century since we first began settling the frontiers beyond the mountains, and in the three-score years since Duncala, we have tried many times to bring them the gift of civilization. But if they will not learn to act like civilized men, then civilized men are not obliged to tolerate them. The whole of Bræa’s creation, her divine intent, and her gift of choice to all of us – the gift of choice that grants us the possibility, and therefore the obligation, of bettering ourselves! – cries out against tolerating what by any reasoned definition is utter, bestial depravity. “We are Bræa’s heirs, the inheritors of her divine design. We are not obliged to endure depravity,” she said gravely. “We are obliged to redeem it, if we can; but if we cannot, then our obligation – to ourselves, our posterity, and the Holy Mother’s design – is to end it.” She cocked her head. “In this wise, it might help to think of the Wilders as little different from the hordes of Bardan, whose legacy of death and devastation ended the ancient world, and plunged all into darkness for twice a thousand years.” Her fist clenched involuntarily. “We will not suffer the darkness again, Esuric Mason. My brothers...my former comrades, I mean...they will not allow it.” She looked down at her hands. For a wonder, they were steady. “I will not allow it,” she whispered. - The Wizard's Eye (Hallow's Heart, Book II; Forthcoming)
D. Alexander Neill
Sitting there, I remembered two things about going to mass with my father: he never took Communion because of his and my mother's divorce, and he always tapped his heart three times, with solemn insistence, after the recitation of the Apostles' Creed. I asked him about his ritual once. His eyes filled with such alarm that I instantly knew his heart tapping had something to do with a loss or devastation: his parents' early death, his divorce, his wounding in Vietnam. There was no reason for me to invade that space. Maybe that was the best simple explanation for religion: it filled our spaces.
Tom Bissell (Apostle: Travels Among the Tombs of the Twelve)
Once upon a time, the Heart of the Forest broke in two. And the two halves disappeared into the mortal world of the humans, bringing destruction and devastation with them. The husk that was left behind, the Heartless, poisoned the ground where it fell, and now Faery knows only war. But the war was over now. Everything was supposed to go back to normal, or so Here thought. He often thought it inconvenient that he wasn't alive before the war. He didn't have the proper image of what normal was. He blamed his harpy mother for that, but never out loud. Only in the safety of his own head.--The Harpy's Son
Jessa Forest (All Worlds Wayfarer: Through Other Eyes (All Worlds Wayfarer Anthologies, #1))
Persuading him to do so is no easy task. In this attempt, Menenius is joined by Volumnia, who shares his frustration that the stiff-necked Coriolanus could not dissemble just long enough to be elected. “Lesser had been/The taxings of your dispositions,” she tells her son, “if/You had not showed them how ye were disposed/Ere they lacked power to cross you” (3.2.20–23). Coriolanus’s response is “Let them hang,” to which his mother adds, “Ay, and burn too” (3.2.23–24). But cursing the people will not solve the problem. The only intelligent course of action, she says, is for Coriolanus to do what, in effect, the elite have always known how to do: to speak To th’ people, not by your own instruction, Nor by th’ matter which your heart prompts you, But with such words that are but roted in Your tongue, though but bastards and syllables Of no allowance to your bosom’s truth. (3.2.52–57) Just lie. Everyone shares this view, she assures him: “Your wife, your son, these senators, the nobles” (3.2.65). It is in Coriolanus’s power to solve the crisis he has provoked. The price he needs to pay is simply to behave, for once, like a politician. But for him this price is unbearably high. Everything in Coriolanus’s being—the fierce integrity and pride and spirit of command he has imbibed from his mother—rebels against playing so degrading a part. And the conflict is all the more unbearable because it is precisely his mother who now urges him to debase himself. “I prithee now, sweet son,” she tells him, as thou hast said My praises made thee first a soldier, so To have my praise for this, perform a part Thou hast not done before. (3.2.107–10) Volumnia understands perfectly well that her son’s sense of his manhood is at stake and that he has shaped his whole identity from the beginning by trying to please her. The scars that cover his body were never meant for theatrical display before the people; they were adornments offered only to her. But now, devastatingly enough, she tells him that he has been trying too hard: “You might have been enough the man you are/With striving less to be so” (3.2.19–20). Or, rather, he hears from his mother a demand for a different, even more painful form of masochism. She wants him, in his view, to be a beggar, a knave, a weeping schoolboy, or a whore. Worse still, she wants his “throat of war” to be turned “into a pipe/Small as an eunuch” (3.2.112–14). All right, he says, for her and her alone, he will in effect castrate himself: “Mother, I am going to the marketplace
Stephen Greenblatt (Tyrant: Shakespeare on Politics)
His mother knew before he told her because he lost his voice and his appetite, and spent the entire night tossing and turning in his bed. But when he began to wait to the answer to his first letter, his anguish was complicated by diarrhea and green vomit. He became disoriented and suffered from sudden fainting spells, and his mother was terrified because his condition did not resemble the turmoil of love so much as the devastation of cholera….because he had the weak pulse, the hoarse breathing, and the pale perspiration of a dying man. But his examination revealed that he had no fever, no pain anywhere, and that his only concrete feeling was an urgent desire to die. All that was needed was shrewd questioning, first of the patient and then of his mother, to conclude once again that the symptoms of love were the same as those of cholera.
Gabriel García Márquez (Love in the Time of Cholera)
At age fifteen, when I accompanied my mother and her three sisters to see the movie premiere of Waiting to Exhale, I knew what it meant, then, when Bernadine, after being newly separated from her cheating husband, went to the hairdresser and asked her stylist to chop off nearly every inch of her beautiful luxurious mane. Even though I didn’t have the emotional maturity to understand the devastation of losing a marriage, I knew how much effort it took to grow that length and thickness of hair and keep it beautiful. I knew how much Black women and girls envied having long, thick hair in a world where white women’s ability to grow and regrow hair like weeds was the standard of beauty. Chopping it all off meant she was going through something exceedingly terrible.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
The legislature insisted the penitentiary be racially segregated, but the lessees had resisted, saying it was impractical and would reduce productivity. So black women were mixed with male prisoners and subsequently some became pregnant. It’s not clear whether their children’s fathers were other inmates or prison officials, but this detail was not important to legislators who, in 1848, passed a new law declaring that all children born in the penitentiary of African Americans serving life sentences would become property of the state. The women would raise the kids until the age of ten, at which point the penitentiary would place an ad in the newspaper. Thirty days later, they would be auctioned on the courthouse steps “cash on delivery.” The proceeds were used to fund schools for white children. No recorded details remain about what it was like to raise a child in the prison or to have her taken away forever. We don’t know what became of the children or their mothers. The only prison documents left are sparse penitentiary logs showing the particulars of the sales. Sometimes the mother herself isn’t even noted. What was the mixture of the feeling of devastation over losing one’s child along with the twisted hope that life as a slave might be an improvement over life in a prison?
Shane Bauer (American Prison: A Reporter's Undercover Journey into the Business of Punishment)
I’ve always thought that the supreme relationship is the one between mother and child, and the bond of mothers and sons can be devastatingly intimate like no other relationship on earth.
Katherine Clark (My Exaggerated Life: Pat Conroy)
I understand that she was very unhappy, and maybe she was so devastated by her mother's death that she couldn't stand to face it. But who just abandons their family in that way? What kind of person decides that they can throw everything away and reinvent themselves? As if you could just discard the parts of your life that you didn't want anymore.
Dan Chaon (Await Your Reply)
In a blink of a life my brother James, mother and I lost a vital part of our tiny family. We were devastated. I felt completely bereft. And then 9/11 happened. And I had written the only book in the world about the group behind the devastating attack.
Simon Reeve (Step By Step)
She gets her stubbornness from me and her intelligence from her mother,” my father said. His words made me pause in the library, just out of sight.  I would argue that I had his intelligence. “Books, the written word, captivate me.  But I forgot them all when my wife first spoke to me.  We were wed twelve years before she passed.  I learned a few things in those years.  When a woman leaves a room in a storm, best wait till the thunder fades before you walk out lest you risk being struck by lightning.  Or worse, a frying pan.” Lord
M.J. Haag (Devastation (Beastly Tales, #3))