Destroying Statues Quotes

Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

My son, what you are attempting – shadow-travel across the world, carrying the statue of Athena – it may well destroy you.’ ‘Thanks for the encouragement.

The Statue of Liberty, that frequently malevolent bitch, has an enormous tumor in her gut that has spread to her brain and eyes. With regard to the Native Americans she has Alzheimer's or mad cow disease and can't remember her past, and her blind eyes can't see the terrifying plight of most of the Indian tribes. Meanwhile she blows China and stomps Cuba to death, choosing to forget the Native cultures she has already destroyed.

DO NOT FALL IN LOVE WITH PEOPLE LIKE ME Do not fall in love with people like me. People like me will love you so hard that you turn into stone, into a statue where people come to marvel at how long it must have taken to carve that faraway look into your eyes. Do not fall in love with people like me. We will take you to museums and parks and monuments and kiss you in every beautiful place so that you can never go back to them without tasting us like blood in your mouth. Do not come any closer. People like me are bombs. When our time is up, we will splatter loss all over your walls in angry colors that make you wish your doorway never learned our name. Do not fall in love with people like me. With the lonely ones. We will forget our own names if it means learning yours. We will make you think that hurricanes are gentle, that pain is a gift. You will get lost in the desperation, in the longing for something that is always reaching, but never able to hold. Do not fall in love with people like me. We will destroy your apartment. We will throw apologies at you that shatter on the floor and cut your feet. We will never learn how to be soft. We will leave. We always do.

The noblest calling in the world is motherhood. True motherhood is the most beautiful of all arts, the greatest of all professions. She who can paint a masterpiece, or who can write a book that will influence millions, deserve the plaudits and admiration of mankind; but she who rears successfully a family of healthy, beautiful sons and daughters whose immortal souls will exert influence throughout the ages long after paintings shall have faded, and books and statues shall have decayed or been destroyed, deserves the highest honor that man can give, and the choicest blessings of God.

Every record has been destroyed or falsified, every book has been re-written, every picture has been re-painted, every statue and street and building has been re-named, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

Title 'Yikin heykellerimi' ->'Destroy and shatter the statues you have built of me' O nation I am Kemal Mustafa If my thoughts and beliefs are not of this day and age If my wisdom isn't still the most authentic mentor Then let my tongue cleave to the roof of my palate I apoligize Forget everything I said Destroy and shatter the statues you have built of me If freedom isn’t still the supreme value If you’d rather have slaves stay chained Forget everything I said Destroy and shatter the statues you have built of me If you see no sense in living a civilized life If you want to be sent back in time to the middle ages and wish to put a crown on the head of a man who spits into the face of art Forget everything I said Destroy and shatter the statues you have built of me If the pain of war violence was not enough If peace at home, peace in the world has no meaning If to be awarded requires an arms race Forget everything I said Destroy and shatter the statues you have built of me If you miss the fez and the veil and prefer to light the night If you’re still hoping to find healing from a dervish, a sheik or an amulet Forget everything I said Destroy and shatter the statues you have built of me If you say women should not be equal to men and should be covered in black sheets in order to flee from the wrath of bigots If you say you don’t want to see our women and daughters to get an education just because you believe this is their fate Forget everything I said Destroy and shatter the statues you have built of me If freedom and democracy is too much for you to handle If you have a longing for the sultan of the Sultanate and are still not able to determine the significance of being a nation Be servants, stay on the path of religion and wait for şeyhülislam to lay down the law for you Forget everything I said Destroy and shatter the statues you have built of me And LEAVE ME ALONE… -Musafa Kemal Atatürk

She had set out to break him, as if, unable to equal his value, she could surpass it by destroying it, as if the measure of his greatness would thus become the measure of hers, as if…the vandal who smashed a statue were greater than the artist who made it, as if the murderer who killed a child were greater than the mother who had given it birth.

The Taliban kept spinning off in new and bizarre directions, however. On March 1 the movement announced its intention to destroy all the statues in Afghanistan that depicted human form.

Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right. I know, of course, that the past is falsified, but it would never be possible for me to prove it, even when I did the falsification myself. After the thing is done, no evidence ever remains. The only evidence is inside my own mind, and I don’t know with any certainty that any other human being shares my memories.

Every record has been destroyed or falsified, every book has been rewritten, every picture has been re-painted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?

Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. History has stopped. Nothing exists except in an endless present in which the Party is always right.

Do you realize that the past, starting from yesterday, has been actually abolished? If it survives anywhere, it's in a few solid objects with no words attached to them, like that lump of glass there. Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the party is always right.

The Buddhas in Afghanistan were older even than Islam. Thousands of Muslim soldiers had crossed Afghanistan to India over the centuries, but none of them had ever felt compelled to destroy the Buddhas. “When they have spared these statues for fifteen hundred years, all these Muslims who have passed by them, how are you a different Muslim from them?” Haider asked. “Maybe they did not have the technology to destroy them,” Omar speculated.

But this was not enough on its own to generate the kind of terror that Mao wanted. On 18 August, a mammoth rally was held in Tiananmen Square in the center of Peking, with over a million young participants. Lin Biao appeared in public as Mao's deputy and spokesman for the first time. He made a speech calling on the Red Guards to charge out of their schools and 'smash up the four olds' defined as 'old ideas, old culture, old customs, and old habits." Following this obscure call, Red Guards all over China took to the streets, giving full vent to their vandalism, ignorance, and fanaticism. They raided people's houses, smashed their antiques, tore up paintings and works of calligraphy. Bonfires were lit to consume books. Very soon nearly all treasures in private collections were destroyed. Many writers and artists committed suicide after being cruelly beaten and humiliated, and being forced to witness their work being burned to ashes. Museums were raided. Palaces, temples, ancient tombs, statues, pagodas, city walls anything 'old' was pillaged. The few things that survived, such as the Forbidden City, did so only because Premier Zhou Enlai sent the army to guard them, and issued specific orders that they should be protected. The Red Guards only pressed on when they were encouraged. Mao hailed the Red Guards' actions as "Very good indeed!" and ordered the nation to support them. He encouraged the Red Guards to pick on a wider range of victims in order to increase the terror. Prominent writers, artists, scholars, and most other top professionals, who had been privileged under the Communist regime, were now categorically condemned as 'reactionary bourgeois authorities." With the help of some of these people's colleagues who hated them for various reasons, ranging from fanaticism to envy, the Red Guards began to abuse them. Then there were the old 'class enemies': former landlords and capitalists, people with Kuomintang connections, those condemned in previous political campaigns like the 'rightists' and their children.

They talk about vandalism, about the destruction of statues, but is not the destruction of so many wonderful young men who were polychrome statues of incomparable beauty also vandalism? Is not a city in which there are no more beautiful men like a city in which all the statuary has been destroyed?

It was the Church, they told me, that had kept alive the Latin and Greek of the classical world in the benighted Middle Ages, until it could be picked up again by the wider world in the Renaissance. On holidays, we would visit museums and libraries where the same point was made. As a young child, I looked at the glowing gold of the illuminated manuscripts and believed in a more metaphorical illumination in ages of intellectual darkness. And, in a way, my parents were right to believe this, for it is true. Monasteries did preserve a lot of classical knowledge. But it is far from the whole truth. In fact, this appealing narrative has almost entirely obscured an earlier, less glorious story. For before it preserved, the Church destroyed. In a spasm of destruction never seen before—and one that appalled many non-Christians watching it—during the fourth and fifth centuries, the Christian Church demolished, vandalized and melted down a simply staggering quantity of art. Classical statues were knocked from their plinths, defaced, defiled and torn limb from limb. Temples were razed to their foundations and mutilated. A temple widely considered to be the most magnificent in the entire empire was leveled. Many of the Parthenon sculptures were attacked, faces were mutilated, hands and limbs were hacked off, and gods were decapitated. Some of the finest statues on the whole building were almost certainly smashed off then ground into rubble that was then used to build churches. Books—which were often stored in temples—suffered terribly. The remains of the greatest library in the ancient world, a library that had once held perhaps 700,000 volumes, were destroyed in this way by Christians. It was over a millennium before any other library would even come close to its holdings. Works by censured philosophers were forbidden and bonfires blazed across the empire as outlawed books went up in flames.

She had set out to break him, as if, unable to equal his value, she could surpass it by destroying it, as if the measure of his greatness would thus become the measure of hers, as if the vandal who smashed a statue were greater than the artist who had made it, as if the murderer who killed a child were greater than the mother who had given it birth.

Mahomet now proceeded to execute the great object of his religious aspirations, the purifying of the sacred edifice from the symbols of idolatry, with which it was crowded. All the idols in and about it, to the number of three hundred and sixty, were thrown down and de-stroyed. Among these, the most renowned was Hobal, an idol brought from Balka, in Syria, and fabled to have the power of granting rain. It was, of course, a great object of worship among the inhabitants of the thirsty desert. There were statues of Abraham and Ishmael also, represented with divining arrows in their hands ; "an outrage on their memories," said Mahomet, "being symbols of a diabolical art which they had never prac-ticed." In reverence of their memories, therefore, these statues were demolished. There were paintings, also, depicting angels in the guise of beautiful women. " The angels," said Mahomet, indignantly, " are no such beings. There are celestial houris provided in paradise for the solace of true believers ; but angels are ministering spirits of the Most High, and of too pure a nature to admit of sex." The paintings were accordingly obliterated. Even a dove, curiously carved of wood, he broke with his own hands, and cast upon the ground, as savoring of idolatry.

None of these men will bring about your death any time sooner, but rather they will teach you how to die. None of them will shorten your lifespan, but each will add the wisdom of his years to yours. In other words, there is nothing dangerous about talking to these people and it won’t cost you a penny. Take from them as much as you wish. It’s up to you to squeeze the most you can from their wisdom. What bliss, what a glorious old age awaits the man who has offered himself as a mate to these intellects! He will have mentors and colleagues from whom he may seek advice on the smallest of matters, companions ever ready with counsel for his daily life, from whom he may hear truth without judgment, praise without flattery, and after whose likeness he may fashion himself. They say ‘you can’t choose your parents,’ that they have been given to us by chance; but the good news is we can choose to be the sons of whomever we desire. There are many respectable fathers scattered across the centuries to choose from. Select a genius and make yourself their adopted son. You could even inherit their name and make claim to be a true descendant and then go forth and share this wealth of knowledge with others. These men will show you the way to immortality, and raise you to heights from which no man can be cast down. This is the only way to extend mortality – truly, by transforming time into immortality. Honors, statues and all other mighty monuments to man’s ambition carved in stone will crumble but the wisdom of the past is indestructible. Age cannot wither nor destroy philosophy which serves all generations. Its vitality is strengthened by each new generation’s contribution to it. The Philosopher alone is unfettered by the confines of humanity. He lives forever, like a god. He embraces memory, utilizes the present and anticipates with relish what is to come. He makes his time on Earth longer by merging past, present and future into one.

What is soft power? It is the ability to get what you want through attraction rather than coercion or payments. It arises from the attractiveness of a country’s culture, political ideals, and policies. When our policies are seen as legitimate in the eyes of others, our soft power is enhanced. America has long had a great deal of soft power. Think of the impact of Franklin Roosevelt’s Four Freedoms in Europe at the end of World War II; of young people behind the Iron Curtain listening to American music and news on Radio Free Europe; of Chinese students symbolizing their protests in Tiananmen Square by creating a replica of the Statue of Liberty; of newly liberated Afghans in 2001 asking for a copy of the Bill of Rights; of young Iranians today surreptitiously watching banned American videos and satellite television broadcasts in the privacy of their homes. These are all examples of America’s soft power. When you can get others to admire your ideals and to want what you want, you do not have to spend as much on sticks and carrots to move them in your direction. Seduction is always more effective than coercion, and many values like democracy, human rights, and individual opportunities are deeply seductive. As General Wesley Clark put it, soft power “gave us an influence far beyond the hard edge of traditional balance-of-power politics.” But attraction can turn to repulsion if we act in an arrogant manner and destroy the real message of our deeper values.

On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.

The Egyptians were by no means the only people of the ancient world to envisage an Afterlife. Indeed, there is an almost universal reluctance to accept that death might be the absolute end of all things. However, they were the only people to believe that the survival of the physical remains of the deceased was a virtual prerequisite for the survival of the spirits or life-force. Two spirits, the Ka and the Ba, would be released from the body at death; the Ka stayed close to the corpse in the tomb while the Ba was free to leave the tomb in the form of a human-headed bird. At the same time a third and entirely different aspect of the soul embarked upon the lengthy journey to the Afterlife. Both the Ka and the Ba, however, needed to be able to return to the body. If the corpse was destroyed these spirits were also destroyed and there could be no further hope of continuing life, although in an emergency they could take up residence in a substitute body such as a statue or even an illustration on the tomb wall. It was this deeply held belief which led to the development of elaborate mortuary rituals, including mummification, which were all designed as a practical means of preserving the body for all eternity.

Slow down. The Taliban were religious, in the sense that in their opinion a being called Allah really designed and created the world and everything in it, including them. They were also a cultus in that they believed that you should pray five times a day, study the Koran, fast during Ramadan, give a tenth of your income to the poor and visit Mecca at least once in your lifetime. It is a matter of record that they had the ancient statues at Bamyan destroyed. But Professor, who put up the statues? Buddhist monks, that's who. Possibly the monks were not religious, in the sense that they didn't believe in a designer-God but they were certainly part of a cultus and they had lots and lots of supernatural beliefs which you would think were Bad Things. So what you should have said is "Imagine no Taliban to blow up ancient statues. Imagine no ancient statues for the Taliban to blow up." This is absolutely emblematic of your confused attitude. When a religious organisation does something which annoys you, you take it for granted that it was Caused By Religion. But when a religious organisation does something which you quite like you don't think that "religion" had anything to do with it. You hardly spot that there was any religion involved at all.

ohnny Heart loved Francesca Valentine the way no one had ever loved anyone, and his love for her was so deep, that it consumed him. There's nothing left in that attic now, but a statue of them entwined with each other—that's all that's left to say that they were together once. But if you were to pull open the secret door in the attic, the door that no one knew about, you would find Johnny's hidden gallery—paintings and sketchings—all of Francesca Valentine. He loved her so much, he spent nearly every waking moment drawing or painting her. It was an obsession and he just couldn't quit. Johnny never wanted to be away from her. He never showed these painting or portraits to Francesca, in fear they weren't good enough. He kept trying to capture her just right. She'd never really know how beautiful she was to him. But if you were to look at the portraits you could see the love he had for this one girl, how deeply he romanticized her. And you'll know—because you'll be able to feel it—how hard it was for him to let her go. It was an impossibility. One that Frankie agreed with, too. She couldn't let go either. But holding on so tightly to each other, and feeling what they could never have, never keep, it destroyed them both, and she became one with her monster. It's Frankie and Johnny. For always.   And never.

Religious intolerance is an idea that found its earliest expression in the Old Testament, where the Hebrew tribe depicts itself waging a campaign of genocide on the Palestinian peoples to steal their land. They justified this heinous behavior on the grounds that people not chosen by their god were wicked and therefore did not deserve to live or keep their land. In effect, the wholesale slaughter of the Palestinian peoples, eradicating their race with the Jew's own Final Solution, was the direct result of a policy of religious superiority and divine right. Joshua 6-11 tells the sad tale, and one needs only read it and consider the point of view of the Palestinians who were simply defending their wives and children and the homes they had built and the fields they had labored for. The actions of the Hebrews can easily be compared with the American genocide of its native peoples - or even, ironically, the Nazi Holocaust. With the radical advent of Christianity, this self-righteous intolerance was borrowed from the Jews, and a new twist was added. The conversion of infidels by any means possible became the newfound calling card of religious fervor, and this new experiment in human culture spread like wildfire. By its very nature, how could it not have? Islam followed suit, conquering half the world in brutal warfare and, much like its Christian counterpart, it developed a new and convenient survival characteristic: the destruction of all images and practices attributed to other religions. Muslims destroyed millions of statues and paintings in India and Africa, and forced conversion under pain of death (or by more subtle tricks: like taxing only non-Muslims), while the Catholic Church busily burned books along with pagans, shattering statues and defacing or destroying pagan art - or converting it to Christian use. Laws against pagan practices and heretics were in full force throughrout Europe by the sixth century, and as long as those laws were in place it was impossible for anyone to refuse the tenets of Christianity and expect to keep their property or their life. Similar persecution and harassment continues in Islamic countries even to this day, officially and unofficially.

A few blocks farther on, we found Terminus, his World War I greatcoat peppered with shrapnel holes, his nose broken clean off his marble face. Crouching behind his pedestal was a little girl—his helper, Julia, I presumed—clutching a steak knife. Terminus turned on us with such fury I feared he would zap us into stacks of customs declaration forms. “Oh, it’s you,” he grumbled. “My borders have failed. I hope you’ve brought help.” I looked at the terrified girl behind him, feral and fierce and ready to spring. I wondered who was protecting whom. “Ah…maybe?” The old god’s face hardened a bit more, which shouldn’t have been possible for stone. “I see. Well. I’ve concentrated the last bits of my power here, around Julia. They may destroy New Rome, but they will not harm this girl!” “Or this statue!” said Julia.

there were solid gold and silver vessels and ornaments, crusted with gems, miles of jewel-sewn brocade, gorgeous pictures and statues that the troops just hacked and smashed, beautiful enamel and porcelain trampled underfoot, weapons and standards set with rubies and emeralds which were gouged and hammered from their settings—all this among the powder-smoke and blood, with native soldiers who’d never seen above ten rupees in their lives, and slum-ruffians from Glasgow and Liverpool, all staggering about drunk on plunder and killing and destruction. One thing I’m sure of: there was twice as much treasure destroyed as carried away, and we officers were too busy bagging our share to do anything about it. I daresay a philosopher would have made heavy speculation about that scene, if he’d had time to spare from filling his pockets. I

We shall never be able to do justice to Indian art, for ignorance and fanaticism have destroyed its greatest achievements, and have half ruined the rest. At Elephanta the Portuguese certified their piety by smashing statuary and bas-reliefs in unrestrained barbarity; and almost everywhere in the north the Moslems brought to the ground those triumphs of Indian architecture, of the fifth and sixth centuries, which tradition ranks as far superior to the later works that arouse our wonder and admiration today. The Moslems decapitated statues, and tore them limb from limb; they appropriated for their mosques, and in great measure imitated, the graceful pillars of the Jain temples.91 Time and fanaticism joined in the destruction, for the orthodox Hindus abandoned and neglected temples that had been profaned by the touch of alien hands.

Nicolas couldn’t stop looking at her with her head thrown back, her thick, black hair streaming in the wind, her body perfectly balanced as she guided the boat. With her head back, he could see her neck and the outline of her body beneath the shirt, almost as if she wore nothing at all. His body stirred, hardened. Nicolas didn’t bother to fight the reaction. Whatever was between them, the chemistry was apparent and it wasn’t going to go away. He could sit in the boat and admire the flawless perfection of her skin. Imagine the way it would feel beneath his fingertips, his palm. Dahlia’s head suddenly turned and her eyes were on him. Hot Wild. Wary. “Stop touching my breasts.” She lifted her chin, faint color stealing under her skin. He held up his hands in surrender. “I have no idea what you’re talking about.” “You know exactly what I’m talking about.” Dahlia’s breasts ached, felt swollen and hot, and deep inside her, a ravenous appetite began to stir. Nicolas was sitting across from her, looking the epitome of the perfect male statue, his features expressionless and his eyes cool, but she felt his hands on her body. Long caresses, his palms cupping her breasts, thumbs stroking her nipples until she shivered in awareness and hunger. “Oh, that.” “Yes, that.” She couldn’t help seeing the rigid length bulging beneath his jeans, and he made no effort to hide it. His unashamed display sent her body into overtime reaction so that she felt a curious throbbing where no throbbing needed to be. She grit her teeth together. “I can still feel you touching me.” He nodded thoughtfully. “I consider myself an innocent victim in this situation,” Nicolas said. “I’ve always had control, in fact I pride myself on self-discipline. You seem to have destroyed it. Permanently.” He wasn’t exactly lying to her. He couldn’t take his eyes or his mind from her body. It was an unexpected pleasure, a gift. He was devouring her with his eyes. With his mind. A part of her, the truly insane part—and Dahlia was beginning to believe there really was one—loved the way he was looking at her. She’d never experienced a man’s complete attention centered on her in a sexual way before. And he wasn’t just any man. He was . . . extraordinary. “Well, stop all the same,” she said, caught between embarrassment and pleasure. “I don’t see why my having a few fantasies should bother you.” “I’m feeling your fantasies. I think you’re projecting just a little too strongly.” His eyebrows shot up. “You mean you can actually feel what I’m thinking? My hands on your body? I thought you were reading my mind.” “I told you I could feel you touching me.” “That’s amazing. Has that ever happened before?” “No, and it better not happen again. Good grief, we’re strangers.” “You slept with me last night,” he pointed out. “Do you sleep with many strangers?” He was teasing her, but the question sent a dark shadow skittering through him.

Statues of Saints CHALLENGE “The Catholic use of statues of saints is idolatry.” DEFENSE Idolatry involves worshipping a statue as a god. That's not what Catholics do with statues. Statues of saints do not represent gods. They represent human beings or angels united with God in heaven. Even the least learned practicing Catholics are aware that statues of saints are not gods, and neither are the saints they represent. If you point to a statue of the Virgin Mary and ask, “Is this a goddess?” or “Is the Virgin Mary a goddess?” you should receive the answer “no” in both cases. If this is the case for the Virgin Mary, the same will be true of any saint. As long as one is not confusing a statue with a god, it is not an idol, and the commandment against idolatry is not violated. This was true in the Bible. At various points, God commanded the Israelites to make statues and images for religious use. For example, in the book of Numbers the Israelites were suffering from a plague of poisonous snakes, and God commanded Moses to make a bronze serpent and set it on a pole so that those bitten by the snakes could gaze upon the bronze serpent and live (Num. 21:6–9). The act of looking at a statue has no natural power to heal, so this was a religious use. It was only when, centuries later, people began to regard the statue as a god that it was being used as an idol and so was destroyed (2 Kings 18:4). God also commanded that his temple, which represented heaven, be filled with images of the inhabitants of heaven. Thus he originally ordered that craftsmen work images of cherubim (a kind of angel) into curtains of the Tent of Meeting (Exod. 26:1). Later, carvings of cherubim were made on the walls and doors of the temple (1 Kings 6:29–35). Statues were also made. The lid of the Ark of the Covenant included two statues of cherubim that spread their wings toward each other (Exod. 25:18–20), and the temple included giant, fifteen-foot tall statues of cherubim in the holy of holies (1 Kings 6:23–28). Since the Ascension of Christ, the saints have joined the angels in heaven (CCC 1023), making images of them in church appropriate as well.

Hekate in Byzantium (also Constantinople, now Istanbul, Turkey) It is probable that Hekate had an established presence in Byzantium from a time before the city was founded. Here Hekate was invoked by her title of Phosphoros by the local population for her help when Philip of Macedon (father of Alexander the Great) attacked the city in 340 BCE. Petridou summarises the account given by Hsych of Miletus: "Hecate, or so we are told, assisted them by sending clouds of fire in a moonless rainy night; thus, she made it possible for them to see clearly and fight back against their enemies. By some sort of divine instigation the dogs began barking[164], thus awakening the Byzantians and putting them on a war footing."[165] There is a slightly alternative account of the attack, recorded by Eustathios. He wrote that Philip of Macedon's men had dug secret tunnels from where they were preparing a stealth attack. However, their plans were ruined when the goddess, as Phosphoros, created mysterious torchlight which illuminated the enemies. Philip and his men fled, and the locals subsequently called the place where this happened Phosphorion. Both versions attribute the successful defence of the city to the goddess as Phosphoros. In thanksgiving, a statue of Hekate, holding two torches, was erected in Byzantium soon after. The support given by the goddess in battle brings to mind a line from Hesiod’s Theogony: “And when men arm themselves for the battle that destroys men, then the goddess is at hand to give victory and grant glory readily to whom she will.” [166] A torch race was held on the Bosphorus each year, in honour of a goddess which, in light of the above story, is likely to have been Phosphoros. Unfortunately, we have no evidence to clarify who the goddess the race was dedicated to was. Other than Phosphoros, it is possible that the race was instead held in honour of the Thracian Bendis, Ephesian Artemis or Hekate. All of which were also of course conflated with one another at times. Artemis and Hekate both share the title of Phosphoros. Bendis is never explicitly named in texts, but a torch race in her honour was held in Athens after her cult was introduced there in the fifth-century BCE. Likewise, torch-races took place in honour of Artemis. There is also a theory that the name Phosphoros may have become linguistically jumbled due to a linguistic influence from Thrace becoming Bosphorus in the process[167]. The Bosphorus is the narrow, natural strait connecting the Black Sea to the Sea of Marmara, separating the European side of Istanbul from the Asian side. The goddess with two torches shown on coins of the time is unnamed. She is usually identified as Artemis but could equally represent Hekate.

[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.

I once saw a striking contrast in the use made of material in Florence. I saw first in the Boboli gardens the two wonderful figures of the barbarians-you remember perhaps those antique stone statues. They are made of stone, consist of stone, represent the spirit of stone: you feel that stone has had the word! Then I went to the tombs of the Medici and saw what Michelangelo did to stone; there the stone has been brought to a super-life. It makes gestures which stone never would make; it is hysterical and exaggerated. The difference was amazing. Or go further to a man like Houdon and you see that the stone becomes absolutely acrobatic. There is the same difference between the Norman and Gothic styles. In the Gothic frame of mind stone behaves like a plant, not like a normal stone, while the Norman style is completely suggested by the stone. The stone speaks. Also an antique Egyptian temple is a most marvelous example of what stone can say; the Greek temple already plays tricks with stone, but the Egyptian temple is made of stone. It grows out of stone — the temple of Abu Simbel, for example, is amazing in that respect. Then in those cave temples in India one sees again the thing man brings into stone. He takes it into his hands and makes it jump, fills it with an uncanny sort of life which destroys the peculiar spirit of the stone. And in my opinion it is always to the detriment of art when matter has no say in the game of the artist. The quality of the matter is exceedingly important — it is all-important. For instance, I think it makes a tremendous difference whether one paints with chemical colors or with so-called natural colors. All that fuss medieval painters made about the preparation of their backgrounds or the making and mixing of their colors had a great advantage. No modern artist has ever brought out anything like the colors which those old masters produced. If one studies an old picture, one feels directly that the color speaks, the color has its own life, but with a modern artist it is most questionable whether the color has a life of its own. It is all made by man, made in Germany or anywhere else, and one feels it. So the projection into matter is not only a very important but an indispensable quality of art. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 948-949)

Huguenot party, as the French Protestants were called. The majority of the Parisian populace loathed and feared the Huguenots. Huguenots attacked Catholic churches, destroying precious relics and statues that they claimed were evidence of idolatry; they refused to attend Mass and worked openly to abolish sacred ceremonial processions.

You can be sure that the elite want to promote the liberal position as much as possible – because they can never be toppled by liberals. Liberals have been bred by the elite to be bland, banal, comfortable Last Men and Ignavi. The elite fear only the radicals – because the radicals are prepared to get their hands dirty. Why are there no statues of Robespierre? Because the elite despise him above all others, and they have succeeded in making the world ashamed of and disgusted by radicals. Like everything else, there are good radicals and bad radicals, but without radicals nothing ever changes. Why are the elite still in charge after destroying the world’s economy? Because they themselves are radicals (bad radicals), and they can never be toppled by weak liberals who’d rather go shopping than protesting.

Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right. I know, of course, that the past is falsified, but it would never be possible for me to prove it, even when I did the falsification myself.

Every record has been destroyed or falsified, every book has been rewritten, every picture has been re-painted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right. I

It is perfectly acceptable to remind the universe the reason She was created. And if any of the gods or goddesses toy with thee, it is perfectly acceptable for you to toy with them! Threaten to destroy or burn their effigies, their sacred books, statues, altars, and so forth, if they ignore your sincere entreaties.

Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered.

Do not identify with symbols, slogans, or statues because they can be destroyed and manipulated. Place your faith in freedom and decency because those ideals are eternal and cannot ever be taken from you.

It is perfectly acceptable to remind the universe the reason She was created. And if any of the gods or goddesses toy with thee, it is perfectly acceptable for you to toy with them! Threaten to destroy or burn their effigies, their sacred books, statues, altars, and so forth, if they ignore your since entreaties.

At her back a Madonna, fashioned of jet limewood. The Madonna holds a mammoth baby in swaddling clothes. The Christ Child it says on the sign, his arms stretched out at either side, his hands big with blessing it says on the sign, but to Leah there seems no blessing in it. It looks more like accusation. The baby is cruciform; he is the shape of the thing that will destroy him. He reaches out for Leah. He reaches out to stop any escape, to the right or to the left.

do it? Can you look into that young girl’s eyes and convince her that Robert E. Lee is there to encourage her? Do you think she will feel inspired and hopeful by that story? Do these monuments help her see a future with limitless potential? Have you ever thought that if her potential is limited, yours and mine are, too? We all know the answer to these very simple questions. When you look into this child’s eyes is the moment when the searing truth comes into focus for us. This is the moment when we know what is right and what we must do. We can’t walk away from this truth. And I knew that taking down the monuments was going to be tough, but you elected me to do the right thing, not the easy thing, and this is what that looks like. So relocating these Confederate monuments is not about taking something away from someone else. This is not about politics, this is not about blame or retaliation. This is not a naïve quest to solve all our problems at once. This is, however, about showing the whole world that we as a city and as a people are able to acknowledge, understand, reconcile, and most importantly, choose a better future for ourselves, making straight what has been crooked and making right what was wrong. Otherwise, we will continue to pay a price with discord, with division, and yes, with violence. To literally put the Confederacy on a pedestal in our most prominent places of honor is an inaccurate recitation of our full past, it is an affront to our present, and it is a bad prescription for our future. History cannot be changed. It cannot be moved like a statue. What is done is done. The Civil War is over, and the Confederacy lost and we are better for it. Surely we are far enough removed from this dark time to acknowledge that the cause of the Confederacy was wrong. And in the second decade of the twenty-first century, asking African Americans—or anyone else—to drive by property that they own occupied by reverential statues of men who fought to destroy the country and deny that person’s humanity seems perverse and absurd. Centuries-old wounds are still raw because they never healed right in the first place. Here is the essential truth: We are better together than we are apart. Indivisibility is our essence. Isn’t this the gift that the people of New Orleans have given to the world? We radiate

up at Athena’s statue, which proudly stands atop the Capitol Dome in DC, and every hair on your back will likely stand erect. It appears that Aeneas finally declared this new world empire when Bush stuck that, ‘Out of Context’ Virgil quote on the side of the Ishtar-gate-blue wall, deep within the bowels of ‘One World’ trade center. Having seen this Apollonian complex with my own eyes, I gotta say that Aeneas gave the destroyer more than he’d bargained for.

Where once there were deep forests and blue rivers and streams, the island was a barren land now. The forests were gone. The rivers had turned into dirty trickles of water. The climate had become hot and dusty as the rains no longer came on time. People started leaving the island. The houses, schools and palaces slowly fell silent as they were abandoned. With time, everyone forgot about this island. Many, many years later when explorers landed here, they found hundreds of statues strewn all over a bare island: a land destroyed by the king’s greed.

In early 1506 a peasant had been fixing up his vineyard near the Colosseum when he accidentally opened up a hole in the ground. There, he discovered a large statue of humans being slaughtered by giant serpents. Word reached the Vatican almost immediately. Experts were sent for, including Michelangelo. The statue was identified as the long-lost Laocoön, the most beloved statue in pagan Rome, thought destroyed by the barbarian hordes in the fifth century. It was originally commissioned by the victorious Greeks after they destroyed Troy. It shows the moment of death of Laocoön, the high priest of Troy, being killed by supernatural snakes sent by the Greek gods to prevent him and his sons from warning the Trojans not to bring the famous Trojan horse inside the city walls. Laocoön is best known for his warning: “Beware of Greeks bearing gifts.” After the serpents killed him and his sons, the Trojans did indeed bring the giant wooden horse into their city. When the hidden Greek soldiers came out of its hollow belly that night, it spelled the end of both Troy and the Trojans. Later, when the victorious Roman legions brought a close to the Greek Empire, they brought home the Laocoön as one of their favorite war trophies.

You want this thing, this dragonsoul, for sentimental purposes. Because you can't let go of the glory days, or you long for a memento. Something to stick up on your mantelpiece so you can look at it and remember a time when you were actually of use to the world around you, when you were more than relevant- when you were necessary. But you've got no imagination, no idea of the power contained in something like that. You can only see what it was: a part of an antique, as useless and outdated as the broken statues you passed along your way. But we... we have true vision. We're the ones who will take the potential nearly destroyed by the likes of you, nearly lost to the desert or even shattered by your own hand, and put it to a better use.

Do you realize that the past, starting from yesterday, has been actually abolished? If it survives anywhere, it’s in a few solid objects with no words attached to them, like that lump of glass there. Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

Al-Wahhab allied with Muhammed bin Saud, the founder of the state of Saudi Arabia, and provided religious and ideological backing to the newly formed state.  The Wahhabi Saudi troops took advantage of the chaos of the collapse of the Ottoman Empire after World War I to seize control over the holy cities of Mecca and Medina. It’s probably safe to say that the Shia will never forgive the Wahhabis for the zealotry they pursued upon taking the cities, which included obliterating centuries-old sacred Shia shrines and claiming that they were used to worship the Imams as gods and were therefore heretical.  In the Cemetery of al-Baqi in Medina, they utterly destroyed the tombs of the Imams Hasan, Ali ibn Husayn, Muhammed ibn Ali, and Jafar, as well as the tomb of Fatima, the daughter of Muhammad.  In Mecca, they destroyed the Cemetery of Mualla, where the ancestors of Muhammad and his first wife Khadija were buried.  These prominent destructions were part of a pattern of violence that witnessed the Wahhabi Saudis smash buildings, tombs and mosques associated with the history of the Prophet and his family and which were venerated by Shia.  In addition, they alienated Shia from governance and oppressed them throughout the kingdom[26].  This vandalism has been repeated time and time again by Wahhabis in other areas as well, including the much-publicized destruction of the Buddha statues of the Bamiyan Valley of Afghanistan by the Taliban in 2001[27] and the outbreak of violence in 2013 around the city of Timbuktu, where Wahhabi fundamentalists  destroyed holy artifacts and burned a priceless library of manuscripts before fleeing the arrival of French troops[28]. While the establishment of the Wahhabi school of thought created an intellectual form of anti-Shia ideology, it is probable that this philosophy would have remained isolated in the political backwater of the Nejd Sultanate (the core of modern Saudi Arabia) if not for the fall of the Ottoman Empire and the final abolition of the Caliphate. The Ottomans had claimed to be Caliphs of the Muslim world since 1453, the same year that they conquered Constantinople (Istanbul) from the Byzantine Empire, and they ruled over a considerable portion of the world's Sunnis, as well as the shrine cities of Mecca, Medina and Jerusalem.  After 1876, the Sultans had placed particular emphasis on their role as Caliphs in order to bolster their global position by asserting their Empire's "Muslim” character, and while this was never universally accepted by all Sunnis or Shias, Sunni Muslims everywhere at least could say that there was a government that claimed to represent the form of rule established by the Prophet and that provided legitimacy and continuity.

Every record has been destroyed or falsified, every book has been rewritten, every picture has been re-painted, every statue and street and building has been renamed, every date has been altered.

Orwell anticipated in the next Socialist society: Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

Sennacherib: I swiftly marched to Babylon which I was intent upon conquering. I blew like the onrush of a hurricane and enveloped the city like a fog. I completely surrounded it and captured it by breaching and scaling the walls. I did not spare his mighty warriors, young or old, but filled the city square with their corpses...I turned over to my men to keep the property of that city, silver, gold, gems, all the moveable goods. My men took hold of the statues of the gods in the city and smashed them. They took possession of the property of the gods. The statues of Adad and Shala, gods of the city Ekallati that Marduk-nadin-ahe, king of Babylonia, had taken to Babylon at the time of Tiglath Pileser I, King of Assyria, I brought out of Babylon after four hundred and eighteen years. I returned them to the city of Ekallati. The city and houses I completely destroyed from foundations to roof and set fire to them. I tore down both inner and outer city walls, temples, temple-towers made of brick and clay - as many as there were - and threw everything into the Arahtu canal. I dug a ditch inside the city and thereby levelled off the earth on its site with water. I destroyed even the outline of its foundations. I flattened it more than any flood could have done. In order that the site of that city and its temples would never be remembered, I devastated it with water so that it became a mere meadow.

The irony, of course, is that today’s immigrants are not risking their lives to reach America because they think it is striving for a solar/wind-powered managed economy or institutionalizes racial and ethnic reparatory college admissions and hiring or is systematically destroying the statues and monuments of its past; they are doing so because they sense its market capitalism and Constitution allow the lower and middle classes economic opportunities and freedoms rarely found elsewhere.

When one of Japan’s biggest conflicts, the Genpei War, exploded in 1180, the statue was once again destroyed.

In 855, slightly over a century after the completion of the statue’s construction, an earthquake struck the Japanese archipelago, destroying a part of the bronze Daibutsu. Its massive head fell to the ground.

We constantly seem to be tearing down statues of people whose accomplishments no longer fit the times. With the blind arrogance of a ‘now’ mentality, we destroy the great yardsticks of human culture.” My friend huffed out a sigh. “In the end, we’ll be playing with bones in the dirt and wondering what those shattered and misshapen lumps of concrete and metal actually were.

...I remember that his first question concerned the centuries-old Buddha statues that were dynamited by the Taliban in March of that year, shortly before our encounter. Two Taliban combatants from Kandahar confidently responded that worshiping anything outside of Islam was unacceptable and that therefore these statues had to be destroyed. My brother looked at them and said, this time in Pashto, ‘There are still many sun- worshippers in this country. Will you also try to get rid of the sun and drop darkness over the Earth?

It is obvious that this violence was not only one’s Christian duty; it was also, for many, a thoroughly enjoyable way to spend an afternoon. Those carrying out the attacks sang as they smashed the ancient marble and roared with laughter as they destroyed statues. In Alexandria, ‘idolatrous’ images were taken from private houses and baths, then burned and mutilated in a jubilant public demonstration. Once the assault was complete, the Christians ‘all went off, praising God for the destruction of such error of demons and idolatry’. Broken statues themselves were another cause for hilarity, their fragmented remains an occasion for ‘laughter and scorn’. Chants appeared celebrating these attacks. Coptic pilgrims who visited the city of Hermopolis in Egypt could join with fellow faithful as they sang a local hymn to the destruction. The humorously apposite insult was much enjoyed by God’s warriors. In Carthage, there was an annual religious ceremony in which the beard of a statue of Hercules was ceremonially gilded; at the beginning of the fifth century some Christians mockingly ‘shaved’ the statue’s beard off. It was, for them, a moment of much hilarity. For the watching polytheists it was a desecration.

In an Asiatic (Semitic) settlement (c. 1876–1560 B.C.) that was discovered at Avaris (Tell el-Dab’a), there is a monumental tomb where archaeologists found fragments of a colossal statue of an Asiatic dignitary that had been broken up. The statue had been deliberately destroyed and defaced. The original statue of the seated official was 150% of life size, approximately 2 m high, made of limestone and carved by Egyptian sculptors. This Asiatic man has a red mushroom-shaped hairstyle, yellow painted skin (traditional color of an Asiatic in Egyptian artwork), a long multi-colored cloak (red, white, and black stripes) which is non-Egyptian, and a throw stick (the Egyptian hieroglyph for a foreigner) held against his right shoulder. There is no name on the statue to identify the person, but the size of the statue indicates a person of great importance. Although some have suggested that this is Joseph, a more plausible explanation is that it is Jacob, the patriarch of the family. The clothing on the statue and its color are Asiatic; Joseph was clothed in Egyptian garments of fine linen (Genesis 41:42). The hairstyle on the statue is distinctly Asiatic; Joseph’s hairstyle would have almost certainly been Egyptian given that his brothers did not recognize him when they saw him (Genesis 42:8). Also, a fragment of the statue’s base shows that it was inscribed with the Egyptian word sntr = incense (a word used on funerary inscriptions), which signifies death. The statue was apparently built to commemorate a dead person. The style of the fragments that come from this statue are in harmony with statuary that came from a facility that produced statues during the reign of Amenemhat III, who came onto the throne the year Jacob died (1859 B.C.).34 It makes perfect sense that the statue is made to honor Jacob, who was not buried in Avaris but in Canaan (Genesis 47:29–30, 49:28–30).

Women's god-forms have been taken, forbidden and destroyed. Only God the Father was allowed. The father, the first male image, a divine being for a girl child until she learns that he has feet of clay. But by then the damage is done, the pattern set. Jonathan. Yes, he was just like my father, and I followed him blindly until he turned out to be another false idol. The Goddess had been here all the time. The images and statues are only a means of finding her. Inside, that's where our Goddess is hidden, in the last place we'd think of looking.

I remember that [my brother's] first question concerned the centuries-old Buddha statues that were dynamited by the Taliban in March of that year, shortly before our encounter. Two Taliban combatants from Kandahar confidently responded that worshiping anything outside of Islam was unacceptable and that therefore these statues had to be destroyed. My brother looked at them and said, this time in Pashto, "There are still many sun- worshippers in this country. Will you also try to get rid of the sun and drop darkness over the Earth?

The lust that drives others to enslave an empire, had become, in her limits, a passion for power over him. She had set out to break him, as if, unable to equal his value, she could surpass it by destroying it, as if the measure of his greatness would thus become the measure of hers, as if—he thought with a shudder—as if the vandal who smashed a statue were greater than the artist who had made it, as if the murderer who killed a child were greater than the mother who had given it birth. He remembered her hammering derision of his work, his mills, his Metal, his success, he remembered her desire to see him drunk, just once, her attempts to push him into infidelity, her pleasure at the thought that he had fallen to the level of some sordid romance, her terror on discovering that that romance had been an attainment, not a degradation. Her line of attack, which he had found so baffling, had been constant and clear—it was his self-esteem she had sought to destroy, knowing that a man who surrenders his value is at the mercy of anyone’s will; it was his moral purity she had struggled to breach, it was his confident rectitude she had wanted to shatter by means of the poison of guilt—as if, were he to collapse, his depravity would give her a right to hers. For the same purpose and motive, for the same satisfaction, as others weave complex systems of philosophy to destroy generations, or establish dictatorships to destroy a country, so she, possessing no weapons except femininity, had made it her goal to destroy one man. Yours was the code of life—he remembered the voice of his lost young teacher—what, then, is theirs?

The lust that drives others to enslave an empire, had become, in her limits, a passion for power over him. She had set out to break him, as if, unable to equal his value, she could surpass it by destroying it, as if the measure of his greatness would thus become the measure of hers, as if—he thought with a shudder—as if the vandal who smashed a statue were greater than the artist who had made it, as if the murderer who killed a child were greater than the mother who had given it birth.

The lust that drives others to enslave an empire, had become, in her limits, a passion for power over him. She had set out to break him, as if, unable to equal his value, she could surpass it by destroying it, as if the measure of his greatness would thus become the measure of hers, as if—he thought with a shudder—as if the vandal who smashed a statue were greater than the artist who had made it, as if the murderer who killed a child were greater than the mother who had given it birth. He remembered her hammering derision of his work, his mills, his Metal, his success, he remembered her desire to see him drunk, just once, her attempts to push him into infidelity, her pleasure at the thought that he had fallen to the level of some sordid romance, her terror on discovering that that romance had been an attainment, not a degradation. Her line of attack, which he had found so baffling, had been constant and clear—it was his self-esteem she had sought to destroy, knowing that a man who surrenders his value is at the mercy of anyone’s will; it was his moral purity she had struggled to breach, it was his confident rectitude she had wanted to shatter by means of the poison of guilt—as if, were he to collapse, his depravity would give her a right to hers.

I make things of beauty, not machines of war," you say. And indeed, when you say this, you are surrounded by robots that are clearly not made for war: stuffed animal robots, maid and butler robot, littler robots that look like toddlers. "THEN YOU ARE A FOOL," booms the statue looking down on you from far above. "FOR THE CRUCIBLE OF HISTORY HAS ALWAYS DESTROYED THE WEAK.

As early as November 1966, the Red Guard Corps of Beijing Normal University had set their sights on the Confucian ancestral home in Qufu County in Shandong Province. Invoking the language of the May Fourth movement, they proceeded to Qufu, where they established themselves as the Revolutionary Rebel Liaison State to Annihilate the Old Curiosity Shop of Confucius. Within the month they had totally destroyed the Temple of Confucius, the Kong Family Mansion, the Cemetery of Confucius (including the Master’s grave), and all the statues, steles, and relics in the area... In January 1967 another Red Guard unit editorialized in the People’s Daily: To struggle against Confucius, the feudal mummy, and thoroughly eradicate . . . reactionary Confucianism is one of our important tasks in the Great Cultural Revolution. And then, to make their point, they went on a nationwide rampage, destroying temples, statues, historical landmarks, texts, and anything at all to do with the ancient Sage... The Cultural Revolution came to an end with Mao’s death in 1976. In 1978 Deng Xiaoping (1904–97) became China’s paramount leader, setting China on a course of economic and political reform, and effectively bringing an end to the Maoist ideal of class conflict and perpetual revolution. Since 2000, the leadership in Beijing, eager to advance economic prosperity and promote social stability, has talked not of the need for class conflict but of the goal of achieving a “harmonious society,” citing approvingly the passage from the Analects, “harmony is something to be cherished” (1.12). The Confucius compound in Qufu has been renovated and is now the site of annual celebrations of Confucius’s birthday in late September. In recent years, colleges and universities throughout the country—Beijing University, Qufu Normal University, Renmin University, Shaanxi Normal University, and Shandong University, to name a few—have established Confucian study and research centers. And, in the opening ceremonies of the 2008 Olympics, the Beijing Olympic Committee welcomed guests from around the world to Beijing with salutations from the Analects, “Is it not a joy to have friends come from afar?” and “Within the fours seas all men are brothers,” not with sayings from Mao’s Little Red Book. Tellingly, when the Chinese government began funding centers to support the study of the Chinese language and culture in foreign schools and universities around the globe in 2004—a move interpreted as an ef f ort to expand China’s “soft power”—it chose to name these centers Confucius Institutes... The failure of Marxism-Leninism has created an ideological vacuum, prompting people to seek new ways of understanding society and new sources of spiritual inspiration. The endemic culture of greed and corruption—spawned by the economic reforms and the celebration of wealth accompanying them—has given rise to a search for a set of values that will address these social ills. And, crucially, rising nationalist sentiments have fueled a desire to fi nd meaning within the native tradition—and to of f set the malignant ef f ects of Western decadence and materialism. Confucius has thus played a variety of roles in China’s twentieth and twenty-first centuries. At times praised, at times vilified, he has been both good guy and bad guy. Yet whether good or bad, he has always been somewhere on the stage. These days Confucius appears to be gaining favor again, in official circles and among the people. But what the future holds for him and his teachings is difficult to predict. All we can say with any certainty is that Confucius will continue to matter.

But what about my house in Heaven?" I asked, my tone soft and piteous. "Whatever would I do there? It's filled with my memories of Obadiah. We built it together with our own hands. We laid the marble and carved the statues. I sewed the curtains, the bedclothes and the tapestries. I even created the flowers and the landscaping which surrounded our grand mansion beside the sea…" I begin to sob, and Arik pulls me close. I rest my cheek against his chest and close my eyes. "Wh-When we first got to Heaven--me an' Obadiah--we were all each other had. Everyone else was still down on earth, mournin' us. Our physical bodies had been destroyed by Hana's guillotines. Timothy knew that his own death was comin', and he had specifically asked for the two of us to go and make a place for him in Heaven. When we arrived, Heaven was beautiful, but empty. I was suddenly able to see again, and the colors…my heart just danced, y'know? I began to create right away: houses, flowers, animals…it was glorious. I was never happier. It filled up my heart and pushed out the anguish an' guilt that I felt about leavin' all of you behind on earth to suffer. Obadiah and I were filled with so much joy then. I had never seen him so happy. An' the horses, Arik…the horses were his…beautiful, winged creatures, completely dedicated to him, but forever free...he would never have dreamed of restraining them. We would sit on the lanai and watch them...these beautiful creatures, who had nothing in their hearts but love…" I snuggle closer as he presses my head against his chest and weeps with me.

The new converts, who called themselves Christians, after their leader whom they believed to be the Son of God, were questioning the old gods. Statues were being torn down, temples were being destroyed, and images were being defaced.

riots began occurring in the cities of one million or more people. It was started by people, backed by Evans, who claimed the rich and powerful financed Governor Massey’s win, and that the election results were all falsified by a vast right-wing conspiracy of power brokers. Some groups swarmed the various state capitol buildings and began to trash them, breaking statues, destroying offices, and even beating up some of the legislators and their staff. In other locations, cops attempted to stop the rioters, only to be accused of police brutality. Unionized workers brought production to a halt at factories, while others blocked a few ports to keep anything from coming in or going out. Evans was pleased with how everything was turning out so far.

A Nazarene, born of a virgin, in the town of Bethlehem, from the tribe of Judah, a Son of David. It did not matter what these chortling fools thought, the odds on fulfilling those prophecies alone were only possible for one man: Messiah. Artabanus was right about the prophet Daniel’s influence. The story of King Nebuchadnezzar II and his dream of a mighty statue of kingdoms to come was fresh on the minds of all Jews in the region. The dream image had foretold the kingdoms of Greece, Media-Persia, and now, Rome. But what was of more interest to Eleazar was the stone that was cut from the mountain of God without human hands. It hit the last kingdom of the statue and broke them all to pieces.   And in the days of those kings the God of heaven will set up a kingdom that shall never be destroyed. It shall break in pieces all these kingdoms and bring them to an end, and it shall stand forever. But the stone that struck the image became a great mountain and filled the whole earth.

On August 12, 1933, President Machado fled Cuba with ABC terrorists shooting at his laden airplane as it prepared to take off from the long hot runway. He left Cuba without any continuity of leadership and a smooth transfer of authority to the next administration became impossible in Havana. American envoy, Sumner Welles stepped into the vacuum and encouraged Carlos Manuel de Céspedes y Quesada to accept the office of Provisional President of Cuba. Céspedes was a Cuban writer and politician, born in New York City, son of Carlos Manual de Céspedes del Castillo who was a hero of the Cuban War of Independence. Wearing a spotlessly clean, crisp white suit, Céspedes was installed as the Provisional President of Cuba, on what was his 62nd birthday. This expedient political move failed to prevent the violence that broke out in the streets. Mobs looted and behaved with viciousness that lasted for six long hours and created a mayhem not witnessed since Cuba’s Independence from Spain. Students from the university ransacked the previously pro-Machado newspaper “Heraldo de Cuba.” The Presidential Palace was stormed and severely damaged, with the culprits leaving a “For Rent” sign hanging on the front gate. The temperament of the mob that rallied against the Machado supporters, including the hated Porristas who had been left behind, was ferocious. They wounded over 200 hapless souls and cost 21 people their lives. Five members of the Porristas as well as Colonel Antonio Jimenez, the head of Machado’s secret police, were summarily shot to death and trampled upon. The rioters then tied the mutilated body of Jimenez to the top of a car and paraded his bullet-riddled carcass through the streets of Havana, showing it off as a trophy. When the howling throng of incensed people finally dumped him in front of the hospital, it was determined that he had been shot 40 times. Students hammered away at an imposing bronze statue of Machado, until piece by piece it was totally destroyed. Shops owned by the dictator’s friends were looted and smashed, as were the homes of Cabinet members living in the affluent suburbs.

The idea and principle of religious tolerance, based on the Christian virtue of charity and its “neutral principles of law” approach to religious law, is so inimical to Sharia because religious tolerance prohibits discrimination in favor of Islam. Islam traditionally eschews missionary work of conversion by persuasion and ultimately resorts to the sword. It does not hesitate to destroy the symbols of other religions, like Buddhist statues in Afghanistan198 or Catholic monasteries in Iraq,199 regardless of historical importance or present-day practice. The killing and harassment of religious minorities in Muslim lands are well documented. Moderate Muslims claim that Islam is a religion of peace. Yet historically Islam has never spread into a nation peacefully, but only by the sword.200 This religious conversion by the sword is called jihad. As Andrew McCarthy points out, We still don’t get what jihad is. Jihad, whether it is done through violence, or whether it is done by stealthier measures, is always and everywhere about Sharia. It is about the implementation of Sharia, the spread of Sharia, and the defense of Sharia. Sharia is the Islamic legal and political framework. We would like to think of Islam as just another religion, just a set of religious principles that’s separate from our secular or societal life. It’s anything but. It is a full service, comprehensive, political, social, and economic system—a military system—that happens to have some spiritual elements. But its ambitions are actually authoritarian in the sense that you have a central Islamic state that controls everything, and it’s totalitarian in the sense that it really does want to control everything, every aspect. Jihad leads to implementation of Sharia law in all lands for all people. That’s what makes Sharia so dangerous. The two are inextricably intertwined. You can’t combat one of these without combatting both of them.

Discover what will destroy life, and you are a great man! — what will prolong it, and you are an imposter! Discover some invention in machinery that will make the rich more rich and the poor more poor, and they will build you a statue! Discover some mystery in art that will equalise physical disparities, and they will pull down their own houses to stone you!

The event that galvanized the rebel movement was the Islamic govern-ment’s law outlawing images, and its subsequent decision to destroy the Statue of Liberty because it was an image that they considered an idol. The original objective of the rebel movement was to liberate the United States and Canada. After years of fighting, their objective changed to the establishment of religious freedom. They have been fighting now for more than twenty years.

If challenged as to the truth of these statements he would probably have replied that they were certainly true because he had read them in a book; and if by any chance he had subsequently seen an elephant he would probably have said that it was not a ‘real’ elephant, since ‘real’ elephants had no knees. This uncritical adoration of book-learning was one of the most significant features of the so-called ‘Dark Ages’. There is a popular fallacy that the cause of the Dark Ages was the fact that the barbarians destroyed the civilization which they found, burning cities, breaking statues, and casting works of classical authors to the flames. In point of fact, the men who ushered in the Dark Ages were men like Theodoric and Cassiodorus, who were intent on restoring the cities, preserving the statues, and transcribing the classics. Their adoration of the ancient world was matched only by their inability to understand it, for by the time that they were born, classical culture was already dead.

short-lived German-supported Ukrainian state, which the Donetsk–Krivoy Rog Republic had resisted. Now, she said, it was a ridiculous irony that Ukrainians were destroying statues of Lenin when they should be grateful to him.

Many converted happily to Christianity, it is true. But many did not. Many Romans and Greeks did not smile as they saw their religious liberties removed, their books burned, their temples destroyed and their ancient statues shattered by thugs with hammers. This book tells their story; it is a book that unashamedly mourns the largest destruction of art that human history had ever seen. It is a book about the tragedies behind the “triumph” of Christianity.

If you had lived as a new Christian convert during the rule of the Roman Empire, one of your biggest challenges would have been dealing with the pagan philosophical propaganda that surrounded you. I call it paganosophy. In a Greco-Roman city, most statues depicted partial or total nudity. In the gymnasiums, male athletes worked out naked. In fact, the word gymnasium dates back to the Greek word gymnasion, which literally was a “school for training naked.” Pagan Greeks and Romans insisted there was nothing wrong with showing off a well chiseled body. This is an example of what Paul was speaking of when he wrote, “They worshipped and served the creature more than the Creator” (Rom. 1:25). Roman bathhouses were a popular place for men and women in the city to gather. There were times in history when men and women would occupy the same rooms in the bathhouse. At other times, cities would make decrees prohibiting it. We uploaded a highly viewed YouTube video that we taped in Beit She’an, Israel at the excavated ruins of this Roman city that was destroyed by an earthquake in the ninth century. The city’s ancient public toilets (latrines) had been unearthed. In Roman times there were public latrines in different cities for the benefit of the citizens, since only the wealthy could afford private latrines. The toilet seats, made of stone, were a couple feet long, with one end connected to the wall and the stones resting upon a base with water running beneath for drainage. There was enough space to allow a person to sit between each stone. No archaeological evidence indicated that dividers were used, and as people sat side by side on stones in a public latrine, they discussed business. Deals and contracts were made at the public toilet. Some of the terms we hear today were coined at the Roman toilet. When a person says they have to “do their business,” they’re using a term that originated from men who literally conducted business at the toilet. The signage at the Beit She’an site indicates that men and women shared the same large room, with men on one side of the room and women on the other. Today, we find ourselves returning to trends from the Roman Empire, where men are allowed to use women’s facilities, if they claim to identify as a woman that day. Attacks against women in their own facilities confirm that many of these males are there to take advantage of a ludicrous idea being promoted by the same spirits of the ancient Roman Empire.

Divine statues collapsed, a native kingdom was destroyed, and not a single believer remained.