Destiny Ghost Quotes

All night I dreamt of bonfires and burn piles and ghosts of men, and spirits behind those birds of flame. I cannot tell anymore when a door opens or closes, I can only hear the frame saying, Walk through.

Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows. So we grapple with the mysteries, each in our own way.

My life will end someday, but it will end at my convenience.

And I was your moon because I shined brighter than any other star in your universe and you were my darkness. Without you I could not see the depth of my light and with you I could set the night a glow. So we needed one another—the dark and the light. Your fear. My courage. Connected, but separated. Different, but the same. A synergy that made no sense, but every bit of sense. We were neither a beginning, nor an end. We were somewhere in between our madness at sunset and the reality we awakened to with each sunrise. We were the ghosts of timing and fate. We were neither fantasy, nor reality--- we were a purpose somewhere in between.

Pnin slowly walked under solemn pines. The sky was dying. He did not believe in an autocratic God. He did believe, dimly, in a democracy of ghosts. The souls of the dead, perhaps, formed committees, and these, in continuous session, attended the destinies of the quick.

Without spiritual self-renewal, it is extremely difficult to live within each moment. Without spiritual self-renewal, we live with the ghosts of the past and carry them with us to the future, effectively robbing ourselves of the present and never fulfilling our destiny and purpose.

We all carry many selves, but in the end, these are just phantoms of possibility, nothing more than ghosts of broken destinies.

What to keep of all these reels of film, what to throw away? If we could only take 1 memory on our journey, what would we choose? At the expense of what or whom? And most importantly, how to choose among all these shadows, all these spectres, all these titans? Who are we, when all is said and done? Are we the people we once were or the people we wish we had been? Are we the pain we caused others or the pain we suffered at the hands of others? The encounters we missed or those fortuitous meetings that changed the course of our destiny? Our time behind the scenes that saved us form our vanity or the moment in the limelight that warmed us? We are all of these things, we are the whole life that we have lived, its highs and lows, its fortunes and its hardships, we are the sum of the ghosts that haunt us... we are a host of characters in one, so convincing in every role we played that it is impossible for us to tell who we really were, who we have become, who we will be.

In the mid–path of my life, I woke to find myself in a dark wood,' writes Dante, in The Divine Comedy, beginning a quest that will lead to transformation and redemption. A journey through the dark of the woods is a motif common to fairy tales: young heroes set off through the perilous forest in order to reach their destiny, or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by wolves, ghosts, and wizards — but helpers also appear along the way, good fairies and animal guides, often cloaked in unlikely disguises. The hero's task is to tell friend from foe, and to keep walking steadily onward.

Believe. Believe in your destiny and the star from which it shines. Believe you have been sent from God as an arrow shot from His own bow. It is the single universal trait that the great of this earth have all shared, while the shadows are fraught with ghosts who roam the winds with mournful wails of regret on their lips. Believe as if your life depended on it... for indeed it does.

There are countless ingredients that make up the human body and mind, like all the components that make up me as an individual with my own personality. Sure, I have a face and voice to distinguish myself from others, but my thoughts and memories are unique only to me, and I carry a sense of my own destiny. Each of those things are just a small part of it. I collect information to use in my own way. All of that blends to create a mixture that forms me and gives rise to my conscience.

For a more than miffed Midnight, fate was for emperors, fools and soppy lovers: - fate was the self-important egotism of those doing well, the sheer unbearable arrogance of the living and loved.

The future wafts in and out of my world like a ghost - like a lumbering beast, begging to be tamed. For so long it sat locked in mystery, surrounding me, fickle as the wind. I see it now for the noose it is, the game that never satisfies, the warrior that always kills. The past proved to be set in stone, the immovable rock of my existence that cast its shadow into the valley of death. But it is the future’s bright light that draws me in, the blinding rays that pull me forward with bionic, magnetic, force. They row me towards my destiny with indescribable power, to a fate questionably determined - washed in the patina of hope.

Sometimes, we expect life to work a certain way and when it doesn’t we blame others or see it as a sign, rather than face the pain of the choices we should or shouldn’t have made. Real healing won’t begin until we stop saying, “God prevented this or that.” Often in our attempt to protect ourselves from pain, we leave things to fate and don’t take chances. Or, we don’t work hard enough to keep the blessings we are given. Maybe, we didn't recognize a blessing, until it was too late. Often, it is the lies we tell ourselves that keeps us stuck in a delusion of not being responsible for our lives. We leave it all up to God. The truth is we are not leaves blowing toward our destiny without any control. To believe this is to take away our freedom of choice and that of others. The final stage of grief is acceptance. This can’t be reached through always believing God willed the outcomes in our lives, despite our inaction or actions. To think so is to take the easy escape from our accountability. Sometimes, God has nothing to do with it. Sometimes, we just screwed up and guarded our heart from accepting it, by putting our outcome on God as the reason it turned out the way it did. Faith is a beautiful thing, but without work we can give into a mysticism of destiny that really doesn't teach us lessons or consequences for our actions. Life then becomes a distorted delusion of no accountability with God always to blame for battles we walked away from, won or loss.

The wafts in and out of my world like a ghost- like a lumbering beast, begging to be tamed. For so long it sat locked in mystery, surrounding me, fickle as the wind. I see it now for the noose it is, the game that never satisfies, the warrior that always kills. The past proved to be set in stone, the immovable rock of my existence that cast its shadow into the valley of death. But it is the future’s bright light that draws me in, the blinding rays that pull me forward with bionic, magnetic, force. They row me towards my destiny with indescribable power, to a fate questionably determined-washed in the patina of hope.

Americans had an apt phrase to describe a situation like ours, where your strength grows but your options become ever more limited: Manifest Destiny. “Destiny drives you forward but ties your hands. Indeed,

In Paris the swaying lanterns are lit in the streets; lights shine through water, fuzzy, diffuse. Saint-Just sits by an insufficient fire, in a poor light. He is a Spartan after all, and Spartans don’t need home comforts. He has begun his report, his list of accusations; if Robespierre saw it now, he would tear it up, but in a few days’ time it will be the very thing he needs. Sometimes he stops, half-glances over his shoulder. He feels someone has come into the room behind him; but when he allows himself to look, there is nothing to see. It is my destiny, he feels, forming in the shadows of the room. It is the guardian angel I had, long ago when I was a child. It is Camille Desmoulins, looking over my shoulder, laughing at my grammar. He pauses for a moment. He thinks, there are no living ghosts. He takes hold of himself. Bends his head over his task. His pen scratches. His strange letterforms incise the paper. His handwriting is minute. He gets a lot of words to the page.

What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside? If you will listen I will tell you a story-one whose ghost cannot be banished by the comfort of a roaring fire, I will tell you the story of how we found ourselves in a realm where dreams are formed, destiny is chosen, and magic is as real as your handprint in the snow. I will tell you how we unlocked the Pandora's box of ourselves, tasted freedom, stained our souls with blood and choice, and unleashed a horror on the world that destroyed its dearest Order. These pages are a confession of all that has led to this cold, gray dawn. What will be now, I cannot say. Is your heart beating faster? Do the clouds seem to be gathering on the horizons? Does the skin on your neck feel stretched tight, waiting for a kiss you both fear and need? Will you be scared? Will you know the truth? Mary Dowd, April 7, 1871

Once I am sure there's nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense, musty, unignorable silence, Brewed God knows how long. Hatless, I take off My cycle-clips in awkward reverence. Move forward, run my hand around the font. From where I stand, the roof looks almost new - Cleaned, or restored? Someone would know: I don't. Mounting the lectern, I peruse a few Hectoring large-scale verses, and pronounce 'Here endeth' much more loudly than I'd meant. The echoes snigger briefly. Back at the door I sign the book, donate an Irish sixpence, Reflect the place was not worth stopping for. Yet stop I did: in fact I often do, And always end much at a loss like this, Wondering what to look for; wondering, too, When churches will fall completely out of use What we shall turn them into, if we shall keep A few cathedrals chronically on show, Their parchment, plate and pyx in locked cases, And let the rest rent-free to rain and sheep. Shall we avoid them as unlucky places? Or, after dark, will dubious women come To make their children touch a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort will go on In games, in riddles, seemingly at random; But superstition, like belief, must die, And what remains when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky, A shape less recognisable each week, A purpose more obscure. I wonder who Will be the last, the very last, to seek This place for what it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber, randy for antique, Or Christmas-addict, counting on a whiff Of gown-and-bands and organ-pipes and myrrh? Or will he be my representative, Bored, uninformed, knowing the ghostly silt Dispersed, yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation - marriage, and birth, And death, and thoughts of these - for which was built This special shell? For, though I've no idea What this accoutred frowsty barn is worth, It pleases me to stand in silence here; A serious house on serious earth it is, In whose blent air all our compulsions meet, Are recognized, and robed as destinies. And that much never can be obsolete, Since someone will forever be surprising A hunger in himself to be more serious, And gravitating with it to this ground, Which, he once heard, was proper to grow wise in, If only that so many dead lie round.

If the ghost that haunts the towns of Ypres and Arras and Albert is the staturory British Tommy, slogging with rifle and pack through its ruined streets to this well-documented destiny ‘up the line’, then the ghost of Boulogne and Etaples and Rouen ought to be a girl. She’s called Elsie or Gladys or Dorothy, her ankles are swollen, her feet are aching, her hands reddened and rough. She has little money, no vote, and has almost forgotten what it feels like to be really warm. She sleeps in a tent. Unless she has told a diplomatic lie about her age, she is twenty-three. She is the daughter of a clergyman, a lawyer or a prosperous businessman, and has been privately educated and groomed to be a ‘lady’. She wears the unbecoming outdoor uniform of a VAD or an army nurse. She is on active service, and as much a part of the war as Tommy Atkins.

I beg you, by these silent realms, to weave again the destiny of one who died too soon. For we the living will be yours one day and all we hope and feel and touch and dream, all we hold dear, will wither and be gone. For at the end, with pennies on our eyes, we die, and rot. And then, as hollow ghosts we'll dwell below: our last, our final home.

As long as you react, your enemy holds your destiny in the palm of his hand. When you force him to react, you hold his neck in yours.

Imagination must be allowed to run free in our subconscious mind and when ready, it reveals its ideals to us in our conscious state.

There was a coldness and loneliness in the world, and I felt that I had lost something without getting anything in return...

What violent, good luck you had. When you bought your home you received stolen property, but the blood had dried, the war forgotten, and it seemed your god himself had granted you this land.

If character is destiny, I was fated to be carried off into the desert. From the deck of the ship I had imagined my own ghost and seen my unvanishing footsteps. When you don't belong anywhere it doesn't matter where you are or where you go, if you stay or move on. You arrive at a place where the view forwards and backwards is the same, where the sun rises in the east one day and the west the next, where you stop planning and live like the birds and beasts by intuition and instinct.

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.

Maybe I flatter myself when I think that I have things in common with Hamlet, that I have an important mission, that I'm temporarily mixed up about how it should be done. Hamlet had one big edge on me. His father's ghost told him exactly what he had to do, while I am operating without instructions. But from somewhere something is trying to tell me where to go, what to do there, and why to do it. Don't worry, I don't hear voices. But there is this feeling that I have a destiny far away from the shallow and preposterous posing that is our life in New York. And I roam. And I roam.

If atoms were no longer tiny bits of matter but ghosts of swirling energy, if the universe operated as a whole rather than as a machine with countless separate parts, if time can bend and two particles separated by billions of light years can communicate instantly, disregarding the speed of light, our understanding of the human body needs to be totally reframed.

And this, I realized, is the excruciating scrupulosity, the same maddening, meticulous attention to every last detail that makes you great, that keeps you going and got you through and now is dragging you down. Standing with E. I. Lonoff over the disobedient arm of his record player, I understood the celebrated phenomenon for the first time: a man, his destiny, and his work—all one. What a terrible triumph!

Because who knows? Who knows anything? Who knows who’s pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother’s last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows.

Life, said Tarde, is the search for the impossible by way of the useless. Let us always search for the impossible, since that is our destiny, and let us search for it by way of the useless, since no path goes by any other way, but let us rise to the consciousness that nothing we search for can be found, and that nothing along the way deserves a fond kiss or memory. We weary of everything, said the scholiast, except understanding. Let us understand, let us keep understanding, and let us make ghostly flowers out of this understanding, shrewdly entwining them into wreaths and garlands which are also doomed to wilt.

They came to the high stone shaft with the face of Sul; they descended to the terrace below. And here Caradog waited, leaning on his silver-tipped rod and eying the horizon, until the delicate slip of the new moon moved out from behind the shoulder of Mount Damyake, with the mysterious, shadowy ghost of the old moon cradle inside it, like an egg inside its egg cup. "Now it is time," he said. "Blame it!" expostulated Dido. "It ain't right for me to die! Have you thought of that, mister? You're and old gager; you've lived nigh on fourscore years, I shouldn't wonder. You did a whole lot of things and learned a lot o' stuff --- though mussy knows, you ain't put it to very good use. But I haven't hardly done nothing! And I ain't learned much, neither, except the use of the globes that Mr. Holy taught me, and how to curtsy and cut up whales." At the thought of Mr. Holystone her voice, to her shame, began to wobble dangerously; she stopped speaking and drew a deep breath. "Cease repining, child, and go down those steps," said Caradog. "Do not quarrel with your destiny. If Sul wishes you to die, then it is your time." Dido remembered the story that Bran had told about the man who picked up the necklace. Well, if it is my destiny, she thought, best not to make a pother about it.

But several predictions made about the information age were spectacularly untrue. For example, many futurists predicted the “paperless office,” that is, that the computer would make paper obsolete. Actually, the opposite has occurred. A glance at any office shows you that the amount of paper is actually greater than ever. Some also envisioned the “peopleless city.” Futurists predicted that teleconferencing via the Internet would make face-to-face business meetings unnecessary, so there would be no need to commute. In fact, the cities themselves would largely empty out, becoming ghost towns, as people worked in their homes rather than their offices.

I grabbed Constantine and my fingers scrabbled for any bare skin I could find, pushing cloak and shirt aside for unhampered touch, face digging into a warm throat like I was going to nest there. “He took it, he took it, tried to take all of it.” “Shhh.” Constantine's arms wrapped around me, and a bare palm pressed against the back of my neck. Relief so strong that it felt like he would choke on it pushed against me. “I have them.” I shuddered and let the ghosts of the connections in his fingers settle over the top of all that was broken, lighting destroyed pathways everywhere on me—like a trunk that had survived a forest fire, but all its branches had burned.

We suffer many dire consequences when we are unwilling to feel. The price of emotional repression is a constant, wasteful expenditure of energy that leaves many of us depressed and taciturn. Perpetually enervated, more and more of us sink into the apathy and ennui of the “seen that - been there - done that” syndrome. When this occurs, we forfeit our destiny of growing into the vitally expressive and life-celebratory beings we were born to be. Our war on feelings forces our emotions to turn against us. Much of our unnecessary suffering is caused by the ghosts of our murdered emotions wafting into consciousness and haunting us as hurtful thinking. Denied emotions taint our thoughts with fearful worry, dour self-doubt, and angry self-criticism. We also risk “acting out” our emotions unconsciously when we are unwilling to feel them. Sarcasm, criticality, habitual lateness, and “forgotten” commitments are common unconscious expressions of anger. Ironically, these passive-aggressive behaviors leave us in even greater emotional pain because they cause others to distrust and dislike us. The epidemics of overeating, over-medicating, and overworking that plague America are also rooted in our mass retreat from feeling. When we are feeling-phobic, we are compelled to distract ourselves from our emotions with mood-altering substances, workaholism or constant busyness. Many of us, as Anne Wilson Schaef points out in When Society Becomes An Addict, are addicted to at least one self-destructive substance or process.

The unreal is the illogical. And this age seems to have a capacity for surpassing even the acme of illogicality, of anti-logicality: it is as if the monstrous reality of the war had blotted out the reality of the world. Fantasy has become logical reality, but reality evolves the most a-logical phantasmagoria. An age that is softer and more cowardly than any preceding age suffocates in waves of blood and poison-gas; nations of bank clerks and profiteers hurl themselves upon barbed wire; a well-organized humanitarianism avails to hinder nothing, but calls itself the Red Cross and prepares artificial limbs for the victims; towns starve and coin money out of their own hunger; spectacled school-teachers lead storm-troops; city dwellers live in caves; factory hands and other civilians crawl out on their artificial limbs once more to the making of profits. Amid a blurring of all forms, in a twilight of apathetic uncertainty brooding over a ghostly world, man like a lost child gropes his way by the help of a small frail thread of logic through a dream landscape that he calls reality and that is nothing but a nightmare to him. The melodramatic revulsion which characterizes this age as insane, the melodramatic enthusiasm which calls it great, are both justified by the swollen incomprehensibility and illogicality of the events that apparently make up its reality. Apparently! For insane or great are terms that can never be applied to an age, but only to an individual destiny. Our individual destinies, however, are as normal as they ever were. Our common destiny is the sum of our single lives, and each of these single lives is developing quite normally, in accordance, as it were, with its private logicality. We feel the totality to be insane, but for each single life we can easily discover logical guiding motives. Are we, then, insane because we have not gone mad?

Jesus Hollywood believed in a lot of things. He believed that the stars in the sky were only ghostly images of dead things. He believed in the grass on the side of the highway as he whipped by. He believed in the sound of a gun cocking. He believed that the heart gave up long before it stopped beating. He believed last words and bedside confessions were only half-assed last-ditch efforts at Redemption signalling imminent death. He believed in lust and rage and that pain is the only proof that one is alive. Jesus Hollywood believed that there was no God, no gods, no Divine Being and he certainly believed that Heaven was only a placating fabrication. He believed Love At First Sight was a myth; that Love was masquerading as Lust. He believed Karma was for those too afraid to be selfish. He believed that Luck and Chance, along with Fate and Destiny, were words the weak used to explain away their inaction. He believed that if you wore a long-sleeved shirt, you could win every game of cards with the right poker face and a few extra cards stashed up your sleeves. Jesus Hollywood certainly did not believe in love. And now, Jesus Hollywood believed he was fucked.

But what he liked above all was to cycle in the dusk along a certain path skirting meadows. There, he would sit on a fence looking at the wispy salmon-pink clouds turning to a dull copper in the pale evening sky and think about things. What things? That cockney girl with her soft hair still in plaits whom he once followed across the common, and accosted and kissed, and never saw again? The form of a particular cloud? Some misty sunset beyond a Black Russian fir-wood (o, how much I would give for such a memory coming to him!)? The inner meaning of grass-blade and star? The unknown language of silence? The terrific weight of a dew-drop? The heartbreaking beauty of a pebble among millions and millions of pebbles, all making sense, but what sense? The old, old question of Who are you? To one’s own self grown strangely evasive in the gloaming, and to God’s world around to which one has never been really introduced. Or perhaps, we shall be nearer the truth in supposing that while Sebastian sat on that fence, his mind was a turmoil of words and fancies, incomplete fancies and insufficient words, but already he knew that this and only this was the reality of his life, and that his destiny lay beyond that ghostly battlefield which he would cross in due time.

The final major area of untapped power for the Negro is in the political arena. Negro population is burgeoning in major cities as tides of migrants flow into them in search of employment and opportunity. These new migrants have substantially higher birth rates than characterize the white population. The two trends, along with the exodus of the white population to the suburbs, are producing fast-gathering Negro majorities in the large cities. The changing composition of the cities must be seen in the light of their political significance. Particularly in the North, the large cities substantially determine the political destiny of the state. These states, in turn, hold the dominating electoral votes in presidential contests. The future of the Democratic Party, which rests so heavily on its coalition of urban minorities, cannot be assessed without taking into account which way the Negro vote turns. The wistful hopes of the Republican Party for large city influence will also be decided not in the boardrooms of great corporations but in the teeming ghettos. Its 1964 disaster with Goldwater, in which fewer than 6 percent of Negroes voted Republican, indicates that the illustrious ghost of Abraham Lincoln is not sufficient for winning Negro confidence, not so long as the party fails to shrink the influence of its ultra-right wing.

The bitterest tragic element in life to be derived from an intellectual source is the belief in a brute Fate or Destiny; the belief that the order of nature and events is controlled by a law not adapted to man, nor man to that, but which holds on its way to the end, serving him if his wishes chance to lie in the same course, — crushing him if his wishes lie contrary to it, — and heedless whether it serves or crushes him. This is the terrible idea that lies at the foundation of the old Greek tragedy, and makes the; Oedipus and Antigone and Orestes objects of such hopeless commiseration. They must perish, and there is no over-god to stop or to mollify this hideous enginery that grinds and thunders, and takes them up into its terrific system. (...) But this terror of contravening an unascertained and unascertainable will, cannot coexist with reflection: it disappears with civilization, and can no more be reproduced than the fear of ghosts after childhood. It is discriminated from the doctrine of Philosophical Necessity herein: that the last is an Optimism, and therefore the suffering individual finds his good consulted in the good of all, of which he is a part. But in Destiny, it is not the good of the whole or the best will that is enacted, but only one particular will. Destiny properly is not a will at all, but an immense whim; and this is the only ground of terror and despair in the rational mind, and of tragedy in literature. Hence the antique tragedy, which was founded on this faith, can never be reproduced.

[T]here was a prophetic medieval Italian abbot, Joachim of Floris, who in the early thirteenth century foresaw the dissolution of the Christian Church and dawn of a terminal period of earthly spiritual life, when the Holy Ghost, the Holy Spirit, would speak directly to the human heart without ecclesiastical mediation. His view, like that of Frobenius, was of a sequence of historic stages, of which our own was to be the last; and of these he counted four. The first was, of course, that immediately following the Fall of Man, before the opening of the main story, after which there was to unfold the whole great drama of Redemption, each stage under the inspiration of one Person of the Trinity. The first was to be of the Father, the Laws of Moses and the People of Israel; the second of the Son, the New Testament and the Church; and now finally (and here, of course, the teachings of this clergyman went apart from the others of his communion), a third age, which he believed was about to commence, of the Holy Spirit, that was to be of saints in meditation, when the Church, become superfluous, would in time dissolve. It was thought by not a few in Joachim’s day that Saint Francis of Assisi might represent the opening of the coming age of direct, pentecostal spirituality. But as I look about today and observe what is happening to our churches in this time of perhaps the greatest access of mystically toned religious zeal our civilization has known since the close of the Middle Ages, I am inclined to think that the years foreseen by the good Father Joachim of Floris must have been our own. For there is no divinely ordained authority any more that we have to recognize. There is no anointed messenger of God’s law. In our world today all civil law is conventional. No divine authority is claimed for it: no Sinai; no Mount of Olives. Our laws are enacted and altered by human determination, and within their secular jurisdiction each of us is free to seek his own destiny, his own truth, to quest for this or for that and to find it through his own doing. The mythologies, religions, philosophies, and modes of thought that came into being six thousand years ago and out of which all the monumental cultures both of the Occident and of the Orient - of Europe, the Near and Middle East, the Far East, even early America - derived their truths and lives, are dissolving from around us, and we are left, each on his own to follow the star and spirit of his own life.

Life has handed you a lot: ghostly parents, a father who is prideful and made mistakes regarding the way you were brought into the universe, a bond to the Angels that is yet to be fully understood, a changed destiny, and a bullshit job of bringing peace to all.  Well, too bad.  That’s what you have to work with.  So all you can do now is make the best of it and whining about being evil all the time just slows you down. 

April 8 His Resurrection Destiny Ought not Christ to have suffered these things, and to enter into His glory? Luke 24:26 Our Lord’s Cross is the gateway into His life: His Resurrection means that He has power now to convey His life to me. When I am born again from above (rv mg), I receive from the risen Lord His very life. Our Lord’s Resurrection destiny is to bring “many sons unto glory.” The fulfilling of His destiny gives Him the right to make us sons and daughters of God. We are never in the relationship to God that the Son of God is in; but we are brought by the Son into the relation of sonship. When Our Lord rose from the dead, He rose to an absolutely new life, to a life He did not live before He was incarnate. He rose to a life that had never been before; and His resurrection means for us that we are raised to His risen life, not to our old life. One day we shall have a body like unto His glorious body, but we can know now the efficacy of His resurrection and walk in newness of life. I would know Him in “the power of His resurrection.” “As Thou hast given Him power over all flesh, that He should give eternal life to as many as Thou hast given Him.” “Holy Spirit” is the experimental name for Eternal Life working in human beings here and now. The Holy Spirit is the Deity in proceeding power Who applies the Atonement to our experience. Thank God it is gloriously and majestically true that the Holy Ghost can work in us the very nature of Jesus if we will obey Him.

Iffin we meant to see each other, again, it gonna happen.

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation

The doctor did not inquire what might've been the source of the trauma, as if the lesions and scars on the Old Musician intimated the blunt force of ideology, that politics is not mere rhetoric in this place of wars and revolutions and violent coups but a bludgeon with which to forge one's destiny." -The Music of the Ghosts, p. 9

I showed Lola Max’s profile and she eagerly said she’d “seen him on there,” which I didn’t love. I had thought of these men as offerings from Mother Destiny—hand-selected possible partners, chosen especially for me (“It’s not cock couture,” Lola said).

When we take a first glance, yes. All we see is a splotch of paint. But therein lies the work of an artist. It is our destiny to create something out of that. See the beauty in the details of the ridges in the paint left on the canvas by the bristles of the brush; but also, the artist sees far beyond that. The artist is the one who allows that splotch to become something beautiful.

She didn’t speak because, like me, she was used to the sermons and family dinners replete with complaint about murderous American meddling; worry over Muslim land and lives lost; praise of Hitler and rage against Israel; self-reproach about the pathetic state of our own imperial destiny. Like me, she’d heard many times that a figure would rise among us to overthrow the illegitimate rule of these Europeans and neo-Europeans, that we were destined to take the world back from these spiritual ghosts one day. They’d turned their back on God for money, and we knew that could only end badly. They were a category of human with no measure beyond themselves. They honored nothing. It was no surprise the very planet itself was dying under the watch of their shortsighted empire. The day would come when we would take it all back and restore to it a rightful holiness

He glanced that way, and a small hand waving a book appeared over the top of a garment rack. "Time of Unutterable Algorithms." The hand disappeared, then reappeared. It looked empty at first, but then, as Meddy moved her wrist, Milo caught a slight flash from one knuckle. "Ring of Wildest Abandon." Then Meddy's head and shoulders appeared as she climbed up and leaned over the top of the rack. With her other arm, she brandished a carved walking stick. "Eglantine's Patent Blackthorn Wishing Stick, guaranteed to offer considered advice before granting requests. What about you?" Milo laughed. He held up the red case. " Slywhisker's Crimson Casket of Relics, including the Ocher Pages of Invisible Wards, the Ever-Sharp Inscriber of Rose-colored Destinies, and the Flask of Winds and Voids" Meddy whistled. "You don't mess around." "I learned from the best.

Man defies and denies the gods, though still acknowledging their quality as ghosts; once cast out from time, he will be so far from them that he will no longer even retain the idea of gods. And it is as a punishment for forgetting them that he will then experience his complete downfall. A man who seeks to be more than he is will not fail to be less. The disequilibrium of tension will sooner or later yield to that of slackness and abandonment. Once we have posited this symmetry, we must take the next step and acknowledge that there is a certain mystery in downfall. For example, the fallen man has nothing to do with the failure; rather he suggests the notion of someone supernaturally stricken, as if some baleful power had beset him and taken possession of his faculties The spectacle of downfall prevails over that of death: all beings die; only man has the vocation to fall. He is on a precipice overhanging life (as life, indeed, overhangs matter). The farther from life he moves, whether up or down, the closer he comes to his ruin. Whether he transfigures or disfigures himself, in either case he loses his way. And we must add that he cannot avoid this loss without short-changing his destiny.

Smile Before Pills (Sonnet 1402) The only permanence we have is each other, The only paradise we have is each other. Heaven is as real as we are to each other, Most potent medicine we have is each other. One moment of love is time eternal, 100 years of hate are but ghost of wild past. One rebellion of love is destiny in making, 100 rituals of hate are just monkeys' mass. A smile works faster than a pill, both metaphorically and physiologically. Pills take hours to reach your bloodstream, while a smile triggers instant release of neurochemicals, which alleviates pain and facilitates immunity. Sure, pills and prescriptions are a scientific boon, They achieve wonders where organic powers fall short. Yet, there is no prescription for a mannerless medico, There is no pharmaceutical cure for a medical upstart.

One moment of love is time eternal, 100 years of hate are but ghost of wild past. One rebellion of love is destiny in making, 100 rituals of hate are just monkeys' mass.

Offspring of some wretched tribe, he prowls the boulevards of the West. Cherishing one country after the next, he no longer hopes for any; stuck in a timeless twilight citizen of the world--and of no world--he is ineffectual, nameless, powerless... Peoples without a destiny cannot give one to their sons who, thirsting for other horizons, attach themselves to a fate and ultimately exhaust it to finish their days as ghosts of their admirations and their exhaustions. Having nothing to love at home, they locate their love elsewhere, in other lands, where their fervor astonishes the natives. Overworked, the feelings erode and disintegrate, admiration first of all... And the Alien who dispersed himself on so many highways of the world, exclaims: "I have set up countless idols for myself, have raised too many altars everywhere, and I have knelt before a host of gods. Now, weary of worship, I have squandered my share of delirium. One has resources only for the absolutes of one's breed; a soul--like a country--flourishes only within its frontiers. I am paying for having crossed them, for having made the Indefinite into a fatherland, and foreign divinities into a cult, for having prostrated myself before ages which excluded my ancestors. Where I come from I can no longer say: in the temples I am without belief; in the cities, without ardor; among my kind, without curiosity; on the earth, without certitudes. Give me a specific desire and I could shake the world to its foundations. Release me from this shame of actions which makes me perform, every morning, the farce of resurrection and, every night, that of entombment; in the interval, nothing but this torment in the shroud of ennui... I dream of wanting--and all I want seems to me worthless. Like a vandal corroded by melancholy, I proceed without a goal, self without a self, toward some unknown corner... in order to discover an abandoned god, a god who is his own atheist, and to fall asleep in the shadow of his last doubts and his last miracles.

The line of our life only solidifies behind us, it becomes coherent as it fossilizes into the simplicity of destiny, while the lives that could have been, that could have diverged, moment by moment, from the life that triumphed, are dotted, ghostly lines: creodes, quantum differences, translucid and fascinating like stems vegetating in the greenhouse.

While Logan sat in the carriage, Drew and the baby entered the bordello, and for the second time that night, the place went ghostly quiet. Few babies patronized Gertie’s.

Around it, the elements of a world were settling into place. An odd structure. I looked back to the time when I had first built that set, positioning various ghosts there, most of whom had never taken substance. I found my way back there, the same even today. As before, isolation, sadness, the impossibility of my settling down, of accepting one destiny among so many others I’d have found equally uninviting.

Here is the place that separates life and death, sanity and madness, that is between darkness and light. Your soul has been traumatized and needs rest. This is the best place for that.” - The Woman in White

Live from a place of love. It conquers all that is evil.

he wrote a trenchant warning of the “far-reaching consequences over the wider destiny, not only of South Africa, but of all Negro Africa” that would flow from the fact that Britain had set up the new, independent Union of South Africa with an all-white legislature.

When most people judge others, it seems that they have an invisible belief gauge they rate someone on; If you believe in too many things you are considered a crackpot (aliens, fairys, bigfoot, gods, psychics, luck, magic, lake monsters, ghosts), but if you believe in too little you are considered insensitive (no God, no love at first sight, no destiny, no soul mates). Some people claim to have evidence for their beliefs, some people believe without any evidence. It is a real mixed up world to have a belief gauge in.

The time was long gone for seeing ghosts from the past, for fantasising about destiny. She had made her decision many years ago – and there was surely no way of ever going back.

For a Westerner living today, it is hard to imagine that ancient cultures were incapable of even conceiving the notion of nothingness and that this mental category was simply absent from their world. This was the case, however, in the Middle Ages, and most particularly in the Germanic world. There is also something else: the idea of temporality that we have manufactured, of how it is established, of its total cessation, as we all know, is something that exclusively haunts the modern mentality. History, as a science, would not have assumed the astonishing importance it has today without this temporality. The Völuspá, the gem of the Poetic Edda, introduces history into its story of the mythic events of the world with the battle of the Aesir against the Vanir, but Ragnarok, which it describes in apocalyptic terms, is not viewed even for an instant as an ending. To the contrary, it is immediately followed by a universal regeneration that relaunches the destinies of a primordial couple eloquently named Li Life and Liffthrasir Undying or Greedy to Live.

Genetics are not destiny. Neither is environment. The two together pack a powerful punch,