Desserts Love Quotes

We've searched our database for all the quotes and captions related to Desserts Love. Here they are! All 100 of them:

If I were seducing you, I’d have you spread out like fine cuisine, working my way through the menu. From appetizer… to dessert.
Lotchie Burton (Gabriel's Fire (The Men of Thorne Enterprises #2))
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air smelled like a promise, all of Oxford shone like an illumination, and he was falling in love.
R.F. Kuang (Babel)
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
She asked if I loved another woman, so I answered honestly and said, “Dinner was great, but I could go for dessert.
Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
That dress…was a very, very good decision. I could write an entire poem on the virtues of your legs alone. You are a feast for the senses.” I laughed. “I don’t know about a feast. Maybe just an hors d'oeuvre.” He took my hand and wrapped it around his arm. “Not an hors d'oeuvre. The dessert. And I plan to spoil my appetite.
Colleen Houck
The family. We were a strange little band of characters trudging through life sharing diseases and toothpaste, coveting one another's desserts, hiding shampoo, borrowing money, locking each other out of our rooms, inflicting pain and kissing to heal it in the same instant, loving, laughing, defending, and trying to figure out the common thread that bound us all together.
Erma Bombeck
What I had come to love about book club (besides the fabulous desserts and free liquor) was how in hearing so many opinions about the same book, your own opinion expanded, as if you'd read the book several times instead of just once.
Lorna Landvik (Angry Housewives Eating Bon Bons)
Why do we have to listen to our hearts?” the boy asked, when they had made camp that day. “Because, wherever your heart is, that is where you’ll find your treasure.” “But my heart is agitated,” the boy said. “It has its dreams, it gets emotional, and it’s become passionate over a woman of the dessert. It asks things of me, and it keeps me from sleeping many nights when I’m thinking about her.” “Well, that’s good. Your heart is alive. Keep listening to what it has to say.
Paulo Coelho (The Alchemist)
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter. I see it now though. Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further. And then he touches me again, and my convictions disappear like smoke in the wind. This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct? Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him. Tomorrow. What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever. Just one last time, Sweets. Just one last fix. That’s all I need. And that is why I now understand addiction.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
Just about every available female--and some unavailable--seemed to think the way to his heart was through his blood sugar levels.
Kelly Moran (Puppy Love (Redwood Ridge, #1))
I'm a mess," he said, halfway joking but halfway not. "I'm demanding and temperamental and I'm terribly high maintenance." I laughed without even meaning to. "Do you honestly think I don't know all that by now?" "Then how could you possibly love me?" I held him tighter, kept kissing his neck. "How can I not?
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
There are two kinds of people in the world: those who love chocolate, and communists.
Leslie Moak Murray
He wondered if there was a rule that you had to love all of someone, or whether you could pick out only the best parts, like piling your plate full of desserts at a buffet table and leaving the vegetables to go cold in their little metal bins.
Jennifer E. Smith (You Are Here)
It does not make you less of a woman to need a man. To need one to exist, yes, this is nonsense. To need one to give one scope and importance, this is dishonest. But to need a man, one man, to bring joy and passion? This is life
Nora Roberts (Summer Desserts (Great Chefs, #1))
They had fun together these days, they really did. It was as if marriage had been a long, complicated meal, and now there was this lovely dessert.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Nina sat down next to Alys. “Would you um … like some tea?” “With honey?” Alys asked. “I, uh … I think we have sugar?” “I only like tea with honey and lemon.” Nina looked like she might tell Alys exactly where she could put her honey and lemon, so Matthias said hurriedly, “How would you like a chocolate biscuit?” “Oh, I love chocolate!” Nina’s eyes narrowed. “I don’t remember saying you could give away my biscuits.” “It’s for a good cause,” Matthias said, retrieving the tin. He’d purchased the biscuits in the hope of getting Nina to eat more. “Besides, you’ve barely touched them.” “I’m saving them for later,” said Nina with a sniff. “And you should not cross me when it comes to sweets.” Jesper nodded. “She’s like a dessert-hoarding dragon.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It's simple: Women who pick at their food hate sex. Women who suck the meat off of lobster claws, order (and finish) dessert- these are the women who are going to rip your clothes off and come back for seconds.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Most people live their lives laying prostrate before a false god, waiting for a cue to rise. There are no cues, only decisions. Shall I have dessert? Shall I have the best of the wine? Shall I love the person next to me? They can all be brought to your table. Rise, I say, rise and look within to the truth, to the light, and tell it your decision.
Lawren Leo (Love's Shadow: Nine Crooked Paths)
He put the blinker on, pulled out onto the avenue. "Well, that was nice," she said, sitting back. They had fun together these days, they really did. It was as if marriage had been a long, complicatd meal, and now there was this lovely dessert.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
I loved those little bits of luxury in my day. Dresses made to my exact measurements, exotic desserts flown in simply because it was Thursday, and an endless supply of beautiful things were all perks; and they were easily my favorite parts of the job.
Kiera Cass (The Heir (The Selection, #4))
I should have asked why any room in the house was better than home to me when she entered it, and barren as a desert when she went out again—why I always noticed and remembered the little changes in her dress that I had noticed and remembered in no other woman’s before—why I saw her, heard her, and touched her (when we shook hands at night and morning) as I had never seen, heard, and touched any other woman in my life?
Wilkie Collins (The Woman in White)
I believe that 'love' and 'wrong' are two deeply unrelated words that should never be thrown into the same sentence together. Like 'dessert' and 'broccoli.
Cat Winters (The Steep & Thorny Way)
You need a place just a click over middle range. Don’t want to go all-out first time, but you don’t want to run on the cheap either. You want atmosphere, but not stuffy. A nice established place.” “Bob, you’re going to give me an ulcer.” “This is all ammunition, Cart. All ammo. You want to be able to order a nice bottle of wine. Oh, and after dinner, if she says how she doesn’t want dessert, you suggest she pick one and you’ll split it. Women love that. Sharing dessert’s sexy. Do not go on and on about your job over dinner. Certain death. Get her to talk about hers, and what she likes to do. Then—” “Should I be writing this down?
Nora Roberts (Vision in White (Bride Quartet, #1))
He tasted like a dark, decadent dessert. I had a feeling I could live on that taste alone for months; that his kiss was something I could become addicted to.
Nichole Chase (Suddenly Royal (The Royals, #1))
Each day when you wake up you have a choice: You can have a good day, or you can have a bad day. So you might as well have a good one.
Christy Jordan (Come Home to Supper: Over 200 Casseroles, Skillets, and Sides (Desserts, Too!) to Feed Your Family with Love)
After all, a love of art is a fine thing for a young boy, but art is long—and life can be pretty damned long too, without our just desserts!
Vincent Price (I Like What I Know: A Visual Autobiography)
I love the little ways he shows he cares, like giving me the last piece from his favorite sushi roll or only stealing a single bite of dessert before handing it over, although I know we both suffer from the same unfortunate sweet tooth.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
You accept that the shadows on the wall are real, love. I have no idea how to make you turn around and see the light.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
That's what dessert means to me: a dollop of sweet love in an otherwise cold world.
Sarah Strohmeyer (Sweet Love)
At first happiness might seem like just desserts for biological fitness (more accurately, the states that would have led to fitness in the environment in which we evolved). We are happier when we are healthy, well-fed, comfortable, safe, prosperous, knowledgeable, respected, non-celibate, and loved. Compared to their opposites, these objects of striving are conducive to reproduction. The function of happiness would be to mobilize the mind to seek the keys to Darwinian fitness. When we are unhappy, we work for the things that make us happy; when we are happy, we keep the status quo. The problem is, how much fitness is worth striving for?
Steven Pinker (How the Mind Works)
You told me it would take the life of the person I love the most.' 'It is,' Wolfric replied. 'It's taking you.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Noah is the crème de la crème of fuckable men. He’s the hot caramel sauce on a Sundae. The frosting on the cake. The… dammit, now I want my first dessert.
V. Theia (Forever Love: A Taboo Love Companion)
I’m hopelessly, irrevocably in love with you, June Bailey. The desperate, aching kind of love. The kind there’s no coming back from. The kind there’s no way out of. The kind that’s going to be the death of me one day. I fall more in love with June than I ever thought possible as we clutch each other in a moonlit graveyard on her eighteenth birthday, with my mother on my mind, and the scent of sweet desserts dancing in the air.
Jennifer Hartmann (June First)
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love. 'It's so odd,' Robin said. Back then they'd already passed the point of honesty; they spoke to one another unfiltered, unafraid of the consequences. 'It's like I've known you forever.' 'Me too,' Ramy said. 'And that makes no sense,' said Robin, drunk already, though there was no alcohol in the cordial. 'Because I've known you for less than a day, and yet...' 'I think,' said Ramy, 'its' because when I speak, you listen.' 'Because you are fascinating.' 'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands.
R.F. Kuang (Babel)
Only those who will love longer than they expected to can truly love pecan pie, which doesn't explain its status as death rows most requested last dessert, or why chopped pecans, corn syrup, directions from the Karo bottle's cherry-red side are what mercy taste like to some. But there you have it.
Kate Lebo (A Commonplace Book of Pie)
After that, he turns back to me, locks his gaze with mine, and asks simply, “How is someone supposed to confess their love? Should I have ordered up dinner or dessert for us? Have you eaten? I haven’t even thought to ask.” What?!
R.S. Grey (To Have and to Hate)
Baking calms me; it’s stabilizing. It’s what I do when I don’t want to think about anything hard. It is an activity that requires very little from you—you just follow the directions, and then at the end you have created something. From ingredients to an actual dessert. It’s like magic. Poof, deliciousness.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Baking calms me; it's stabilizing. It's what I do when I don't want to think about anything hard. It is an activity that requires very little from you- you just follow the directions, and then at the end you have created something. From ingredients to an actual dessert. It's like magic. Poof, deliciousness.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I heard some more arguing, then Vaughn opened the door and peeked inside. He looked directly at me, with a nonchalance that implied he’d come to ask what would be our favorable dessert. When he saw the scene playing before him, he grinned. “Finally, some tough love.
L.J. Shen (Broken Knight (All Saints High, #2))
If you are not appetisers, main course and dessert, you are dating the wrong diner...
Virginia Alison
Beauty isn’t a one size fits all. No one is more or less. We’re all just different, which is good, because so are men.
Shannon Guymon (You Belong with Me (Love and Dessert Trilogy, #1))
Life had hurt her, but it hadn’t beaten her. Every time life had thrown a new punch her way, she’d just turned around
Shannon Guymon (You Belong with Me (Love and Dessert Trilogy, #1))
thought of drugs the way he thought of desserts, which he also loved: a consumable that had been forbidden to him as a child and which was now freely available.
Hanya Yanagihara (A Little Life)
I like this marriage thing, because it's the best of all of us. We get to be the whole meal. The appetizer, the entree, the luxurious dessert... And yes, the peas and the carrots.
Cassie Mae (Doing It for Love (All About Love, #1))
The blade gleamed in his hand, making my knees go so weak that I had to hold onto the car. Even watching him use a butter knife on an unsuspecting piece of toast was enough to make my whole body burn, inciting an erection under the table that would last long past dessert.
Nicole Castle (Chance Assassin: A Story of Love, Luck, and Murder (Chance Assassin, #1))
If I can't read, if I can't make a simple Indian pudding, then I don't see the point in living much more, really. Because aside from a good book, and perhaps, a fresh morning in a dew-covered garden, few things in life give me as much pleasure as magic of making a truly spectacular dessert.
Sarah Strohmeyer (Sweet Love)
There is always a little uncertainty when you love someone,” Grandpa says, polishing off the last of his dessert. “Sometimes that’s part of the magic. Sometimes it means heartbreak. But when you feel strongly enough about someone to endure their bad fish …” He smiles and pats his heart. “Nothing like it, ne?
Sarah Kuhn (I Love You So Mochi)
When you go out to dinner, it is customary to order an appetizer in addition to the entrée. The appetizer is just an excuse for an extra meal. “Let’s see, I will start with the eighty buffalo wings, and do you have a low-cal blue cheese? Because I don’t want to fill up too much.” It would be embarrassing trying to explain what an appetizer is to someone from a starving country. “Yeah, the appetizer—that’s the food we eat before we have our food. No, no, you’re thinking of dessert—that’s food we have after we have our food. We eat tons of food. Sometimes there’s so much we just stick it in a bag and bring it home. Then we throw it out the next day. Maybe give it to the dog.
Jim Gaffigan (Food: A Love Story)
Joy begets joy, nice begets nice. She believes with her whole heart that if you do something lovely and thoughtful for someone--especially when it's unexpected--they'll realize how good that feels, and they will start doing the same for others.
Christina Tosi (Dessert Can Save the World: Stories, Secrets, and Recipes for a Stubbornly Joyful Existence)
In five minutes, I’m taking you to bed and I’m making love to you until you collapse.” She gasped as the area between her legs moistened and throbbed. He smiled. “You like the idea of that?” “Yes,” she said again. “Me too.” He gestured at her half-full plate. “Eat, then we go to the bedroom for dessert and you should know, baby, I’m gonna have at least two helpings.
Marysol James (Killer Curves (Dangerous Curves #3))
I want a love that makes me burn and melt and gives me every gooey feeling in the world. I want a morning kisses and late-night talk kind of love. I want a eat dessert naked in bed kind of love." I take a deep breath. "I want a man who chooses to love me --in good times and bad, because I'm going to chose to love him right back. We won't be perfect, nothing's perfect but it would be my kind of perfect love.
Marquita Valentine (Burn for You (Boys of the South, #5))
STRESSED is DESSERTS spelled backwards. So when you're stressed, just grab a couple of cookies. Everything in the world feels right, when the delicious smelling, buttery soft, sweet melts into each corner of your mouth...oh, and the crunch of the chocolate chips...pure heaven!!
Priyanka R
What I would like to say to you in conclusion is this: romance is the dessert. If you are hungry, you need to be working on the main meal - yourself. That means learning how to fulfill yourself first, and once you have achieved that, then you will be ready for dessert!" - Raeleen
Belinda Jones
Let’s start over shall we? Hello gorgeous. I’m Justin McKinley. I’m head baker at Le Chef Petite. I’d love to get to know you better. Can I seduce you with my vast knowledge of sweet and sensual desserts?” Alicia couldn’t help it. She giggled. One of those girly, I’ve-been-flirting bubbly
Lea Barrymire (Justin's Desserts (Fated Mates, Inc., #2))
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love.
R.F. Kuang (Babel)
You meet that chick yet?” “Who?” “Emily. The coffee shop chick.” “Briefly.” “You should make that shit less brief. Woman’s fuckin’ hot as hell, the right kinda pain in the ass and so sweet she made my motherfuckin’ teeth hurt. Jenna’s it for me. But if she wasn’t, I’d be drinkin’ coffee for every meal and eaten the coffee chick’s pussy for dessert.
Norma Jeanne Karlsson (Mugs of Love (Stories of Love #1))
On holidays, I cave in to the memory of love, and associate desserts and eating with the love I experienced at my grandmother's table. She was a great cook, and sweets crowded the side console cabinet during Thanksgiving and Christmas. I have no answer as to how to overcome this. I will try until I die, every day. Just keep trying to be well. Enough said.
André Leon Talley (The Chiffon Trenches)
So we each had a piece of chocolate for dessert. I’d almost forgotten how much I love chocolate, how there’s something about it that makes life a little more wonderful.
Susan Beth Pfeffer (Life as We Knew It (Last Survivors, #1))
In fact, for dessert, I’ll skip the rest of the cake and take one order of sexy single dad, please.
Lauren Blakely (The Sexy One (One Love, #1))
He's a waiter, not a Mafia stooge, so what's he going to do? Blac pepper them to death? Compliment them into a coma? Run them over with the dessert trolley?
Marian Keyes (Watermelon (Walsh Family, #1))
It would be embarrassing trying to explain what an appetizer is to someone from a starving country. “Yeah, the appetizer—that’s the food we eat before we have our food. No, no, you’re thinking of dessert—that’s food we have after we have our food. We eat tons of food. Sometimes there’s so much we just stick it in a bag and bring it home. Then we throw it out the next day. Maybe give it to the dog.
Jim Gaffigan (Food: A Love Story)
There is always a little uncertainty when you love someone,” Grandpa says, polishing off the last of his dessert. “Sometimes that’s part of the magic. Sometimes it means heartbreak. But when you feel strongly enough about someone to endure their bad fish …” He smiles and pats his heart. “Nothing like it, ne?” I find myself smiling and nodding back. I consider his words, turning them over in my mind. And
Sarah Kuhn (I Love You So Mochi)
It was her. No one had eyes like that. Eyes as pure as the sky on a fresh, wintery morning. Ones that sucked him in and refused to let go. No one had her touch. Feather light and warm. A touch that sizzled his insides and brought him to his knees. And no one had that pure, simple, cherry-vanilla scent. The sweetness that was only her, like she was a dessert made just for him. To lick, nibble, and enjoy.
Justine Dell (Recaptured Dreams)
When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
And can we get a tarte normande, the kind you used to love as a little girl?" The mere mention has my mouth watering and my heart aching. I can almost taste the tarts my mother used to make, with apples from the trees in our garden, loads of freshly grated cinnamon, and a dollop of whipped cream on top. "And can we look for treasure on the beach?" "Yes, sweet child." "And can we throw rocks in the water and look for starfish in the tide pools?
Sarah Jio (All the Flowers in Paris)
Forestalling pleasure is an inventive technique for getting double the juice from half the fruit. Indeed, some events are more pleasurable to imagine than to experience (most of us can recall an instance in which we made love with a desirable partner or ate a wickedly rich dessert, only to find that the act was better contemplated than consummated), and in these cases people may decide to delay the event forever. For instance, volunteers in one study were asked to imagine themselves requesting a date with a person on whom they had a major crush, and those who had had the most elaborate and delicious fantasies about approaching their heartthrob were least likely to do so over the next few months.
Daniel Todd Gilbert (Stumbling on Happiness)
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
West couldn't stop staring at Lady Clare. He had the feeling if he reached out to touch her, he would come away with his fingers scorched. That hair, blazing from beneath a simple gray traveling bonnet... he'd never seen anything like it. Bird-of-paradise red, with glimmers of crimson dancing amid the pinned-up locks. Her skin was flawless ivory except for a tender spray of freckles sprinkled across her nose, like a finishing spice on some luxurious dessert. She had the look of someone who had been nurtured: educated and well dressed. Someone who had always been lovingly sheltered. But there was a shadow in her gaze... the knowledge that there were some things no human being could be protected from. God, those eyes... light gray, with striations like the rays of tiny stars.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
At the stomp of boots on grass, I ease my eyes open. Aithinne leans down with a grin. “You didn’t die. See? I told you it was easy.” She offers me a hand and I take it, rising unsteadily to my feet. “I’ve been bitten by some demonic woodland creature. My legs have been shredded by razor-sharp trees. We almost died. Easy? I’m getting you a damn dictionary.” I inspect my bleeding arm. The cut bisects five of the marks Lonnrach made, and I feel inexplicably proud of that. Good. Replace the old, bad memories with new badges. Start over. “A dictionary,” she repeats. “Is that a type of dessert?” For the love of—“It’s a type of book that explains the meaning of words.” “Oh. That sounds terribly dull. I was really hoping for dessert.” I’m hoping to end this rescue with my sanity intact.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
They say the way to a man's heart is through his stomach, right?" I said. "How about Tristan and I make you and Jax a romantic dinner? And you bake him a cake for dessert. We'll warm him up with a gourmet meal, but once he tastes your cake, he'll be putty in your hands.
Kristie Cook (Wrath (Soul Savers, #5))
I know you see me as some crazy old bitch nagging at you,” she said, “but you forget the reason I ride you so hard and give you so much shit is because I love you. Everything I have ever done I’ve done from a place of love. If I don’t punish you, the world will punish you even worse. The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.” My favorite thing to eat as a kid, and still my favorite dessert of all time, was custard and jelly, what Americans would call Jell-O.
Trevor Noah (Born A Crime: Stories from a South African Childhood)
I tilt my head slightly to one side, taking in her blue sleeveless dress which ends a few inches above her knees. She looks exquisite. Definitely perfect for dessert. “I know what I want to eat and it’s not lemon cake.” I say thickly. Heat flares up in her eyes and I know the cake has been forgotten. She wants to be dessert.
E.R. Wade (Stay With Me (Stay With Me, #1))
What I mean to say is that you can make a choice, be reasonably satisfied with it, and still regret that which you did not choose. Maybe it's like ordering dessert. You have it narrowed down to either a warm peanut butter torte or strawberries jubilee. You choose the torte, and it's delicious. But you still wonder about those strawberries...
Gabrielle Zevin (In the Age of Love and Chocolate (Birthright, #3))
The family. We were a strange little band of characters trudging through life sharing diseases and toothpaste, converting one another's desserts, hiding shampoo, borrowing money, locking each other out of our rooms, inflicting pain and kissing to heal it in the same instant, loving, laughing, defending and trying to figure out the common thread that bound us all together.
Erma Bombeckk
I pound my fist into my palm, furrowing my brow.My dad chokes on his dessert. I am emboldened. "I want to wear the maroon and gold-the same maroon and gold you two wore when you fell in love all those years ago. Without that maroon and gold, you never would have fallen in love at prom, and I never would have been born. I am maroon and gold." The drama builds. "I have spirit! Yes I do! I've got spirit, how 'bout you?" At this, I wildly wave fierce spirit fingers and heartily attempt the splits. Key word: attempt. "Ow!" I cry, my crotch a foot from the floor, pain burning my groin. At this, neither of my parents can hold it anymore and, along with their eye rolling and head shaking, there is gut-wrenching laughter. I fall over to one side-sweet relief.
Alecia Whitaker (The Queen of Kentucky)
But now, at Dulverton, we dined upon the rarest and choicest victuals that ever I did taste. Even now, at my time of life, to think of it gives me appetite, as once and awhile to think of my first love makes me love all goodness. Hot mutton pasty was a thing I had often heard of from very wealthy boys and men, who made a dessert of dinner; and to hear them talk of it made my lips smack, and my ribs come inwards.
R.D. Blackmore (Lorna Doone)
We sample the dishes we create together and Rowan presses the gold star from his cheek to the top of a fresh page in a stained, dog-eared notebook where he jots down ideas and feedback on everything we make. And then he declares that it’s time for dessert, the course where he needs the most help. When I try to protest that I’m full, he laughs me off. “I know you can take more,” he says with a smirk, then strides off in the direction of the fridge.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy #1))
He is staring at me but his face is still unreadable. “What the fuck?” he growls. “I’m sorry. But he’s like…” “Your hero?” He arches an eyebrow at me. I close my eyes and suck on my lip. God, I really said that. I’m such an idiot. “I only meant as like a dessert-hero,” I whisper. “A dessert-hero?” he rests his chin on his hand as he continues to stare at me. “My mistake. I didn’t realize there was such a thing.” I bite back a laugh. “You know how much I love dessert,” I whisper.
Sadie Kincaid (Ryan Renewed (New York Ruthless, #5))
One morning Jeanette, bucking Daddy on some point, hit on the argument probably every child in the world has used against his or her parents: 'I didn't ask to be born'. Daddy had an answer for it. 'I know you didn't ask to be born, honey, and as your father responsible for gettin' you into the world, I owe you something'. I owe you three hots and a cots, which is to say, I owe you three meals a day and a place to sleep. That's what I'm obliged for, and that's what I'm lookin' to see you get.' He nodded several times, overcome by the seriousness of this obligation, then leaned back in his chair with a curl to his mouth like a villain's mustache. ''Course, nobody says the meals has got to be chicken. S'pose I just give you bread and water? An' s'pose I let you sleep on the floor'? 'No, Daddy'! 'That's all I'm obliged for, honey. Everything else is gratis. Everything else I do for you is 'cause I want to, not 'cause I have to'. For days afterward, because Daddy had a tenacious mind of the sort that doesn't easily turn loose one idea and go on to another, he would set a plate in front of Jeanette with, 'See, I ain't obliged to give you this. I could give you bread and water and soup with just a little bit of fat floatin' in it, just to keep you alive. That's all I'm asked to give you. But you get more, right? You get this nice plateful, and I imagine when it comes to dessert, you'll have some of that, will you? All right, dessert, and all the other good stuff. But just remember, the good stuff I do for you is because I want to, because I'm your daddy and I love you and I want to, not because I have to'. The subtext to this was that it was not enough for us, the children, to behave in minimal ways either, that filial respect and dutifulness might be all that was basically required of us, but the good stuff, like doing well in school and sticking together as a family and paying attention to what Mommy and Daddy were trying to each us, we would do because we loved them and wanted them to love us.
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
We were always looking for the perfect man. Even those of us who were not signed up for the traditional, heteronormative experience were nevertheless fascinated with the anthropological, unicorn-like search for one. Married or single, we were either searching for him or trying to mold him from one we already had. This perfect specimen would consist of the following essential attributes: He shared his food and always ordered dessert. When we recommended a book, he bought it without needing a friend to second our suggestion first. He knew how to pack a diaper bag without being told. He was a Southern gentleman with a mother from the East Coast who fostered his quietly progressive sensibilities. He said “I love you” after 2.5 months. He didn’t get drunk. He knew how to do taxes. He never questioned our feminist ideals when we refused to squish bugs or change oil. He didn’t sit down to put on his shoes. He had enough money for retirement. He wished vehemently for male-hormonal birth control. He had a slight unease with the concept of women’s shaved vaginas, but not enough to take a stance one way or another. He thought Mindy Kaling was funny. He liked throw pillows. He didn’t care if we made more money than him. He liked women his own age. We were reasonable and irrational, cynical and naïve, but always, always on the hunt. Of course, this story isn’t about perfect men, but Ardie Valdez unfortunately didn’t know that yet when, the day after Desmond’s untimely death, Ardie’s phone lit up: a notification from her dating app.
Chandler Baker (Whisper Network)
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love. 'It's so odd,' Robin said. Back then they'd already passed the point of honesty; they spoke to one another unfiltered, unafraid of the consequences. 'It's like I've known you forever.' 'Me too,' Ramy said. 'And that makes no sense,' said Robin, drunk already, though there was no alcohol in the cordial. 'Because I've known you for less than a day, and yet...' 'I think,' said Ramy, 'it's because when I speak, you listen.' 'Because you are fascinating.' 'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands.
R.F. Kuang (Babel)
I had meant to take her to my favorite pastry shop after dinner. I'd known happiness there once, or maybe not happiness, but the vision of it. I wanted to see whether the place had changed at all, or whether I had changed, or whether, just by sitting with her I could make up for old loves I'd gotten so close to but had never been bold enough to seize. Always got so very close, and always turned my back when the time came. Manfred and I had dessert here so many times, especially after the movies, and before Manfred, Maud and I, because it was so hot on summer nights that we'd stop to drink fizzy lemonades here, night after night, happy to be together drinking nothing stronger. And Chloe, of course, on those cold afternoons on Rivington Street so many years ago. My life, my real life, had not even happened yet, and all of this was rehearsal still. Tonight, I thought, relishing Joyce's words and feeling exquisitely sorry for myself, the time has come for me to set out on my journey westward. Then I thought of Saint Augustine's words: "Sero te amavi! Late have I loved you!
André Aciman (Enigma Variations)
Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
He has already mastered (or become quite proficient at) a number of skills and techniques such as braises, fricassees, roasting, searing, and sautéing. He was already well versed in pie and pastry making, so teaching him laminated pastry and more difficult cakes and confectionary has proceeded much faster than I anticipated. (I suspect Helena feels the same, though she always pretends to be nonplussed at his progress.) His knowledge and interest in the dishes of other cultures also continues to surprise me. His empanadas, it seems, were only the tip of the bavarois. He makes a delightful curry after the East Indian style, and his fried plantains (both the sweet maduros and the crispy double-fried green ones) have become my new favorite snack before our evening meal. You would love them, Nanay, I am certain. Nanay, I've also taught him most of the rice dishes in my repertoire (as Helena continues to find rice to be rather lowly---though she eats risotto and paella readily enough when they're on the table), and although he was surprised when I first showed him plain, unadulterated rice as you make it, he soon gobbled it up and has been experimenting with more Eastern-inspired rice dishes and desserts and puddings ever since.
Jennieke Cohen (My Fine Fellow)
Why do you always call me by my full name?” “I don’t know. I guess that’s how I think of you in my head.” “Oh, so you’re saying you think about me a lot?” I laugh. “No, I’m saying that when I think about you, which isn’t very often, that’s how I think of you. On the first day of school, I always have to explain to teachers that Lara Jean is my first name and not just Lara. And then, do you remember how Mr. Chudney started calling you John Ambrose because of that? ‘Mr. John Ambrose.’” In a fake hoity-toity English accent, John says, “Mr. John Ambrose McClaren the Third, madam.” I giggle. I’ve never met a third before. “Are you really?” “Yeah. It’s annoying. My dad’s a junior, so he’s JJ, but my extended family still calls me Little John.” He grimaces. “I’d much rather be John Ambrose than Little John. Sounds like a rapper or that guy from Robin Hood.” “Your family’s so fancy.” I only ever saw John’s mom when she was picking him up. She looked younger than the other mothers, she had John’s same milky skin, and her hair was longer than the other moms’, straw-colored. “No. My family isn’t fancy at all. My mom made Jell-O salad last night for dessert. And, like, my dad only has steak cooked well-done. We only ever take vacations we can drive to.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Driven by heartache, she beat the eggs even more vigorously until the glossy meringue quickly formed into stiff, bird's beak peaks. "Philippe, do you have any orange liqueur?" Marie asked, rummaging through her brother's pantry. "Here it is," Philippe said, handing a corked bottle to her. "What are you making?" "A bûche de Noël," Danielle said, concentrating on her task. Carefully measuring each rationed ingredient, she combined sugar and flour in another bowl, grated orange zest, added the liqueur, and folded the meringue into the mixture. "It's not Christmas without a traditional Yuletide log." Marie ran a finger down a page of an old recipe book, reading directions for the sponge cake, or biscuit. "'Spread into a shallow pan and bake for ten minutes.'" "I wouldn't know about that," Philippe said. "I don't celebrate your husband's holiday," he said pointedly to Marie. "Let's not dredge up that old argument, mon frère," Marie said, softening her words with a smile. "I converted for love." A knock sounded at the front door. Danielle threw a look of concern toward Philippe, who hurried to answer it. "Then we'll cool it," Danielle said, trying to stay calm. "And brush the surface with coffee liqueur and butter cream frosting, roll it like a log, and decorate." She thought about the meringue mushrooms she had made with Nicky last year, and how he had helped score the frosting to mimic wood grains.
Jan Moran (Scent of Triumph)
My mother had been baking more often in general, but she took plates of desserts to the carpentry studio, where her boss, thank God, had a sweet tooth. He just loved the cheesecake, she'd tell me, shining. He ate all of my oatmeal cookies. Some charmed combination of the woodwork, and the studio people, and the splinter excising time with her son kept her going back to Silver Lake even when she hit her usual limits, and every night, tucked into bed, I would send out a thank-you prayer to the carpentry boss for taking in what I could not. But this morning I was the only one, and it was the weekend, and carpentry rested, and the whole kitchen smelled of hometown America, of Atlanta's orchards and Oregon's berry bushes, of England's pie legacy, packed with the Puritans over the Mayflower.
Aimee Bender (The Particular Sadness of Lemon Cake)
From the passenger seat Kitty sighs heavily and rests her head against the window. “What’s up with you?” Peter asks. “The bridesmaids won’t let me go on the bachelorette night,” she says. “I’m the only one left out.” I narrow my eyes at the back of her head. “That’s bullshit!” Peter looks at me in the rearview mirror. “Why won’t you guys let her go?” “We’re going to a karaoke bar! We can’t bring Kitty in because she’s too young. Honestly, I think I was barely allowed to go.” “Why can’t you guys just go to a restaurant like we’re doing?” “Because that’s not a real bachelorette.” Peter rolls his eyes. “It’s not like you guys are going to a strip club or something--wait, did you change your mind? Are you going to a strip club?” “No!” “Then what’s the big deal? Just go somewhere else.” “Peter, it’s not my decision. You’ll have to take it up with Kristen.” I smack the back of Kitty’s arm. “Same goes for you, you little fiend! Quit trying to weasel your way in by manipulating Peter. He has no power here.” “Sorry, kid,” Peter says. Kitty slumps in her seat and then straightens. “What if I came to the bachelor night instead?” she suggests. “Since you’re just going to a restaurant?” Peter stutters, “Uh--uh, I don’t know, I’d have to talk to the guys…” “So you’ll ask? Because I like steak too. I like it so much. I’ll order steak with a baked potato on the side, and for dessert I’ll have a strawberry sundae with whipped cream.” Kitty beams a smile at Peter, who smiles back weakly. When we get to the elementary school and she hops out, perky and puffed up like a chickadee, I lean forward in my seat and say into Peter’s ear, “You just got played.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Sadie had learned the rules of Revelare magic while growing up at her grandmother’s feet, her grubby little toddler hands searching for earthworms as Gigi explained why mustard seed helped people talk about their feelings and how star anise could bond two people together. The sweet tang of tangerine rinds scented the air as her little fingernails were perpetually stained orange. And always, Gigi warned her how their creations would speak to them. If you were in love, things tended to turn out too sweet. If dinner was bland, you needed some adventure. And if you burned a dessert—well, something wicked this way comes. Sadie listened to those lessons among the bitter rutabagas and wild, climbing sweet peas, drinking in every word, and letting them take root in her heart. She grew up comfortable with the knowledge that she was strange, weaving the magic around her like ribbons on a maypole.
Breanne Randall (The Unfortunate Side Effects of Heartbreak and Magic)
I was sixteen back then, and I was going to a party with my girlfriend and Earl. Earl was driving, and his new squeeze was in the passenger seat. I was in the back, holding hands with mine. That was such a big thing at that age, clasping the hand of someone you loved. A heady declaration, the closing of a circuit, the joining of two souls. When you get older you don't seem to do it so much. Your hands are generally busy with other things, and every relationship goes through an accelerated evolution. Everyone you meet has an apartment, and either self-confidence or a desperate lack of it: Either tends to make you rush through the hand-holding stage. Sure, you may do it later, but it's not the same. It's like eating your appetizer after your dessert. When you're a grown-up, the only time you get to trace slowly through that delicious progression is when you're having an affair, which I guess is why so many people have affairs. A trip back in time, to when everything had weight, through the medium of unfaithfulness.
Michael Marshall Smith (One of Us)
... If I am correct... ... the secret to this sauce is honey and balsamic vinegar ." "Got it one, sir! Both ingredients have a mild sweetness that adds a layer of richness to the dish. The tartness of the vinegar ties it all together, ensuring the sweetness isn't too cloying and giving the overall dish a clean, pure aftertaste. The guide told me that Hokkaido bears really love their honey... ... so I tried all kinds of methods to add it to my recipe!" "Is that how he gave his sauce a rich, clean flavor powerful enough to cause the Gifting? Unbelievable! That's our Master Yukihira!" Something doesn't add up. A little honey and vinegar can't be enough to create that level of aftertaste. There has to be something else to it. But what? "...?! I got it! I know what you did! You caramelized the honey!" CARAMELIZATION Sugars oxidize when heated, giving them a golden brown color and a nutty flavor. Any food that contains sugar can be caramelized, making caramelization an important technique in everything from French cooking to dessert making. "I started out by heating the honey until it was good and caramelized. Then I added some balsamic vinegar to stretch it and give it a little thickness. Once that was done, I poured it over some diced onions and garlic that I'd sautéed in another pan, added some schisandra berries and then let it simmer. After it had reduced, I poured bear stock over it and seasoned it with a little salt... The result was a deep, rich sauce perfect for emphasizing the natural punch of my Bear-Meat Menchi Katsu!" "Oho! You musta come up with that idea while I was relaxing with my cup o' chai! Not bad, Yukihira-chin! Not bad at all! Don'tcha think?" "Y-yes, sir..." Plus, there is no debating how well honey pairs well with bear meat. The Chinese have long considered bear paws a great delicacy... ... because of the common belief that the mellow sweetness of the honey soaks into a bear's paw as it sticks it into beehives and licks the honey off of it. What a splendid idea pairing honey with bear meat, each accentuating the other... ... then using caramelization and balsamic vinegar to mellow it to just the right level. It's a masterful example of using both flavor subtraction and enhancement in the same dish!
Yūto Tsukuda (食戟のソーマ 22 [Shokugeki no Souma 22] (Food Wars: Shokugeki no Soma, #22))
DICK’S DESIRE Dick's eyes- Soft, cold, and blue- Meet Devonshire's- Dark, sexy, and yearning. Turning away- Dick grabs two packets of sugar- While Devonshire's eyes- Are still upon him- Pondering his every move. Is Dick a playboy, A ladies' man, A mans' man, Or a killer? Does his sex long for, Something hard- Or something soft? Does he need cream in his coffee- The screaming splash of a man, Or the sweet flow of a woman? Finishing up at the bar- Dick turns to leave- Meets Devonshire's gaze again- Hot, thirsty, and longing- But full of trepidation. Following the flow of etiquette- Dick shoots out of the cafe, Past Devonshire, And into a world of dashed hopes, And regrets. But Devonshire- No longer of two worlds- Rises in pursuit- Goes after Dick, And taps him on the shoulder. Dick gives a turn, Raises his shoulders, And smiles with interest- Taking Devonshire's hand, And asking his name. Devonshire answers- Desire. Dick invites Devonshire to dinner, Where he eats everything, Swallowing Dick's life stories, And devouring his misgivings. For dessert, Devonshire takes Dick home, Into his bed, Against his flesh, And gives Dick all of him- His deepest desires, The love in his eyes, And the fire in his soul.
Giorge Leedy (Uninhibited From Lust To Love)
A grown woman tasting a spoonful of Georgia's Mousse au Citron at a late afternoon lunch, then suddenly standing and announcing that she needed to reconcile with her estranged sister before it was too late. She'd hastened away, leaving her coat, one hundred euros to pay the bill, and the mostly uneaten mousse at the table. After devouring Georgia's beet and goat cheese tart one bitter winter evening, an American man with an engagement ring nestled on top of a slice of Georgia's cherry clafoutis looked across the table at his girlfriend and said later that he could suddenly see clearly that she was not the love of his life. He'd hastened back to the kitchen to remove the ring from the dessert where it was waiting to be served at the right moment. They left the restaurant with the ring in his pocket and his girlfriend in tears. There had been others. Many others, now that she thought of it. It had been a bit of a joke among the kitchen staff, that Georgia's dishes could cause more breakups and engagements and family feuds and reconciliations than the restaurant had ever seen. She'd never really put it all together before, but now that she thought of it... "I think my cooking might give people clarity somehow," Georgia said in surprise.
Rachel Linden (Recipe for a Charmed Life)
There was only one Mama, and the world has lost her, but it keeps turning. But for me, I live in that void where her love and her voice and her kindness used to be. And in so many ways, even moving forward, I’m standing still. I am suddenly aware of everyone’s compassion, this collective kindness for which I was unprepared. It penetrates the wall I use to insulate my grief and hide the lingering pain. I hate that these tears keep assaulting me when I least expect them. That sadness ambushes me. That the desolation Mama’s absence creates inside of me is inescapable, even here at Thanksgiving dinner in front of Rhyson’s family before we’ve even served dessert. And I hate this awkward quiet while they all try to figure out if it’s okay to move on or if they wait for me to get it together. Only this time I can’t. I’m trapped in this moment while I reach for my composure in vain. Breathing in and deeply usually helps, but I’m too far gone. My heart is too raw today. A sob erupts into the silence. I’m horrified that my body is betraying me this way. That my emotions are this undisciplined, wet spill over my cheeks. I squeeze the linen napkin in my lap until I’m sure I’ll draw blood from it, but the tears won’t stop. The pain doesn’t stop. I leak it. I lose it. I cannot stop it. I cover my face with
Kennedy Ryan (My Soul to Keep (Soul, #1))
With the heady scent of yeast in the air, it quickly becomes clear that Langer's hasn't changed at all. The black-and-white-checked linoleum floor, the tin ceiling, the heavy brass cash register, all still here. The curved-front glass cases with their wood counter, filled with the same offerings: the butter cookies of various shapes and toppings, four kinds of rugelach, mandel bread, black-and-white cookies, and brilliant-yellow smiley face cookies. Cupcakes, chocolate or vanilla, with either chocolate or vanilla frosting piled on thick. Brownies, with or without nuts. Cheesecake squares. Coconut macaroons. Four kinds of Danish. The foil loaf pans of the bread pudding made from the day-old challahs. And on the glass shelves behind the counter, the breads. Challahs, round with raisins and braided either plain or with sesame. Rye, with and without caraway seeds. Onion kuchen, sort of strange almost-pizza-like bread that my dad loves, and the smaller, puffier onion rolls that I prefer. Cloverleaf rolls. Babkas. The wood-topped cafe tables with their white chairs, still filled with the little gossipy ladies from the neighborhood, who come in for their mandel bread and rugelach, for their Friday challah and Sunday babka, and take a moment to share a Danish or apple dumpling and brag about grandchildren.
Stacey Ballis (Wedding Girl)
Probably, we should all hate you,” he was saying to Cade. “Illinois played against Northwestern that year for our homecoming, and you totally slaughtered us—” He broke off at the sound of a knock on the interior door to the suite. A woman in her early twenties, dressed in a skirt and a black T-shirt with “Sterling Restaurants” in red letters, walked into the suite pushing a three-tiered dessert cart. “Sweet Jesus, it’s here,” Charlie whispered reverently. Brooke fought back a smile. The dessert cart was something Sterling Restaurants had introduced a year ago, as a perk for all of the skyboxes and luxury suites at the sports arenas they collaborated with. Needless to say, it had been a huge success. Four kinds of cake (chocolate with toffee glaze, carrot cake, traditional cheesecake, and a pineapple-raspberry tart), three types of cookies (chocolate chip, M&M, and oatmeal raisin), blond brownies, dark chocolate brownies, lemon squares, peach cobbler, four kinds of dessert liquors, taffy apples, and, on the third tier, a make-your-own sundae bar with all the fixings. “Wow. That is some spread,” Vaughn said, wide-eyed. Simultaneously, the men sprang forward, bulldozed their way through the suite door, and attacked the cart like a pack of starving Survivor contestants. All except for one. Cade stayed right there, on the terrace. He leaned back against the railing, stretching out his tall, broad-shouldered frame. “Whew. I thought they’d never leave
Julie James (Love Irresistibly (FBI/US Attorney, #4))
When we first started dating, my talent in the kitchen was a turn-on. The prospect of me in the kitchen, wearing a skimpy apron and holding a whisk in my hand- he thought that was sexy. And, as someone with little insight into how to work her own sex appeal, I pounced on the opportunity to make him want and need me. I spent four days preparing my first home-cooked meal for him, a dinner of wilted escarole salad with hot bacon dressing, osso bucco with risotto Milanese and gremolata, and a white-chocolate toasted-almond semifreddo for dessert. At the time, I lived with three other people in a Columbia Heights town house, so I told all of my housemates to make themselves scarce that Saturday night. When Adam showed up at my door, as the rich smell of braised veal shanks wafted through the house, I greeted him holding a platter of prosciutto-wrapped figs, wearing nothing but a slinky red apron. He grabbed me by the waist and pushed me into the kitchen, slowly untying the apron strings resting on my rounded hips, and moments later we were making love on the tiled kitchen floor. Admittedly, I worried the whole time about when I should start the risotto and whether he'd even want osso bucco once we were finished, but it was the first time I'd seduced someone like that, and it was lovely. Adam raved about that meal- the rich osso bucco, the zesty gremolata, the sweet-and-salty semifreddo- and that's when I knew cooking was my love language, my way of expressing passion and desire and overcoming all of my insecurities. I learned that I may not be comfortable strutting through a room in a tight-fitting dress, but I can cook one hell of a brisket, and I can do it in the comfort of my own home, wearing an apron and nothing else. Adam loved my food, and he loved watching me work in the kitchen even more, the way my cheeks would flush from the heat of the stove and my hair would twist into delicate red curls along my hairline. As the weeks went by, I continued to seduce him with pork ragu and roasted chicken, creamed spinach and carrot sformato, cannolis and brownies and chocolate-hazelnut cake.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
went to her workshop three times a week to paint with Kirsten. She rarely frequented the Lark House dining room, preferring to eat out at local restaurants where the owners knew her, or in her apartment, when her daughter-in-law sent the chauffeur around with one of her favorite dishes. Irina kept only basic necessities in her kitchen: fresh fruit, oatmeal, whole-grain bread, honey. Alma and Seth often invited Irina to their ritual Sunday lunch at Sea Cliff, where the family paid the matriarch homage. To Seth, who had previously used any pretext not to arrive before dessert—for even he was unable to consider not putting in an appearance at all—Irina’s presence made the occasion infinitely more appealing. He was still stubbornly pursuing her, but since he was meeting with little success he also went out with previous girlfriends willing to put up with his fickleness. He was bored with them and did not succeed in making Irina jealous. As his grandmother often said and the family often repeated, why waste ammunition on vultures? It was yet another enigmatic saying often used by the Belascos. To Alma, these family reunions began with a pleasant sense of anticipation at seeing her loved ones, particularly her granddaughter, Pauline (she saw Seth frequently enough), but often ended up being a bore, since every topic of conversation became a pretext for getting angry, not from any lack of affection, but out of the bad habit of arguing over trivialities. Seth always looked for ways to challenge or scandalize his parents; Pauline brought to the table yet another cause she had embraced, which she explained in great detail, from genital mutilation to animal slaughterhouses; Doris took great pains to offer her most exquisite culinary experiments, which were veritable banquets, yet regularly ended up weeping in her room because nobody appreciated them; good old Larry meanwhile performed a constant balancing act to avoid quarrels. The grandmother took advantage of Irina to dissipate tension, because the Belascos always behaved in a civilized fashion in front of strangers, even if it was only a humble employee from
Isabel Allende (The Japanese Lover)
We would like to go and see the field that Millet…shows us in his Springtime, we would like Claude Monet to take us to Giverny, on the banks of the Seine, to that bend of the river which he hardly lets us distinguish through the morning mist. Yet in actual fact, it was the mere chance of a connection or family relation that give…Millet or Monet occasion to pass or to stay nearby, and to choose to paint that road, that garden, that field, that bend in the river, rather than some other. What makes them appear other and more beautiful than the rest of the world is that they carry on them, like some elusive reflection, the impression they afforded to a genius, and which we might see wandering just as singularly and despotically across the submissive, indifferent face of all the landscapes he may have painted.’ It should not be Illiers-Combray that we visit: a genuine homage to Proust would be to look at our world through his eyes, not look at his world through our eyes. To forget this may sadden us unduly. When we feel interest to be so dependent on the exact locations where certain great artists found it, a thousand landscapes and areas of experience will be deprived of possible interest, for Monet only looked at a few stretches of the earth, and Proust’s novel, though long, could not comprise more than a fraction of human experience. Rather than learn the general lesson of art’s attentiveness, we might seek instead the mere objects of its gaze, and would then be unable to do justice to parts of the world which artists had not considered. As a Proustian idolater, we would have little time for desserts which Proust never tasted, for dresses he never described, nuances of love he didn’t cover and cities he didn’t visit, suffering instead from an awareness of a gap between our existence and the realm of artistic truth and interest. The moral? There is no great homage we could pay Proust than to end up passing the same verdict on him as he passed on Ruskin, namely, that for all its qualities, his work must eventually also prove silly, maniacal, constraining, false and ridiculous to those who spend too long on it. ‘To make [reading] into a discipline is to give too large a role to what is only an incitement. Reading is on the threshold of the spiritual life; it can introduce us to it: it does not constitute it.
Alain de Botton (How Proust Can Change Your Life)
I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?
Sarah Jio (Morning Glory)