Desi Quotes

We've searched our database for all the quotes and captions related to Desi. Here they are! All 100 of them:

When you give yourself to me, completely, I will bite you. Until then, my love, I will only nibble on you.”~Cole
Tina Carreiro (Power of the Moon (Power of the Moon #1))
Desi, babe. Still playing your little games, I see. Now why don't you be a good Daimon and show yourself to me? (Kyrian)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
By the time I finish with the two of you, you will be begging me to let you die. (Desiderius) Desi dearest, I have never begged a day in my life, and the sun will surely splinter before I ever plead for anything from the likes of you. (Kyrian)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Desi, Desi, Desi what am I going to do with you? (Kyrian) Don't you dare take that flippant tone with me! (Desiderius) Why ever not? (Kyrian) Because I am not some scared little Daimon to run cringing from you. I am your worst nightmare. (Desiderius) Must you resort to cliches? C'mon, Desidisastrous, couldn't you think of anything more original than that B-movie dialogue staple? (Kyrian)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Samia, it appeared, had become one of those desis who drink Pepsi in Pakistan and lassi in London.
Kamila Shamsie (Salt and Saffron)
I’m going back to bed,” Grandma said when Mooner and Dougie left. “This doesn’t look too interesting. I liked it better the other night when you were on the floor with the bounty hunter.” Morelli gave me the same kind of look Desi always gave Lucy when she’d just done something incredibly stupid. “It’s a long story,” I said. “I bet.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
Desi este ingrozitor cand intelegi, viata se scrie in ciorna, iar noua nu ne este dat sa-i corectam paginile.
Ernesto Sabato (Antes del fin)
Sve uspomene sa kaputa stresi, samo budi to što jesi, tu gde si, šta god da se desi ti budi ok. I nikad ne saznaj kako to boli kad nekoga voliš, a mrziš; kad mrziš, a voliš i lomiš se da izdrziš. Ostaje nada da ce nekad negde neko hteti da shvati mene, moja lutanja, maštanja i sanjanja, i znati da ih prati. I ko zna, možda jednom nađeš me - tamo gde prestajem ja gde počinješ ti, gde stali smo mi, gde sada su drugi. Ali srešćeš samo stranca, slučajnog prolaznika i pogled leden, iako te je taj neznanac nekada voleo više od sebe. (Jedan)
Marko Šelić
You cannot control who you love, Desi, but you can always control how hard you fight, okay?
Maurene Goo (I Believe in a Thing Called Love)
A long time ago in a kingdom by the sea there lived a princess as tall and bright as a sunflower.
Jeanne Desy (The Princess Who Stood on Her Own Two Feet)
Ni za jednu životnu stazu ne postoji vodič, svaka je neispitana, neponovljiva, zato je u životu avantura pravilo, a ne izuzetak, jer je putovanje kroz neispitane predjele, koje niko poslije nas ne može ponoviti, sve se staze potiru, uvijek nanovo se stvara nova konfiguracija, uvijek se ukazuje drugi pejzaž, druga klima, za svakog posebno. Zato moram da budem svoj vlastiti vodič, prvi i posljednji putnik na putu kojim samo ja mogu proći. Lako ću pregaziti opasne bujice ne gazeći ni do članaka, ili ću se udaviti u smiješnom potočiću, kao niko. Ali ne mogu da čekam, ne mogu da stojim, i sve ću vidjeti tek kad se desi.
Meša Selimović (Tišine)
Desi este stiintific recunoscut faptul ca este imposibil pentru o fiinta umana sa traiasca fara somn si aiba mintea clara, totusi, studentii la medicina, ingroziti ignorau in mod patologic acest fapt. Cofeina ii ajuta, desigur, si multi masurau noaptea cu ajutorul numarului cestilor de cafea
Erich Segal (Doctors)
Scara la cer Un fir de paianjen Atârna de tavan. Exact deasupra patului meu. În fiecare zi observ Cum se lasa tot mai jos. Mi se trimite si Scara la cer - zic, Mi se arunca de sus. Desi am slabit îngrozitor de mult Sunt doar fantoma celui ce am fost Ma gândesc ca trupul meu Este totusi prea greu Pentru scara asta delicata. - Suflete, ia-o tu înainte. Pâs! Pâs!
Marin Sorescu (Poezii (Romanian Edition))
De multe ori am fost uimit de faptul ca fiecare, desi se iubeste pe sine insusi mai mult decat pe toti ceilalti, pune totusi mai putin pret pe propria parere despre sine decat pe parerea celorlalti despre el.
Marcus Aurelius
Plakalo mi se. Upalio sam sveću da ne budem sam i da ne budem ružan svetlu, ako mi se to desi.
Žarko Laušević (Godina prođe, dan nikad)
Tidak ada yang tahu bagaimana kenangan bekerja. Keluar masuk ingatan seenaknya sendiri.
Desi Puspitasari (The Strawberry Surprise)
My story would satisfy Desi's craving for ruined women -- I was now the most damaged of them all.
Gillian Flynn (Gone Girl)
Ako se desi nesto lose,pijes da zaboravis;ako se desi nesto lepo,pijes da proslavis;a ako se nista ne desava,pijes da bi se nesto desilo.
Charles Bukowski (Women)
Americans can handle one person from anywhere. They had Desi Arnaz from Cuba. And Tin Tan from México. And Rita Moreno from Puerto Rico. But as soon as there are too many of us, they throw up their hands. No, no, no! We were only just curious. We are not actually interested in you people.
Cristina Henríquez
Si daca ramuri bat în geam Si se cutremur plopii, E ca în minte sa te am Si-ncet sa te apropii. Si daca stele bat în lac Adâncu-i luminându-l, E ca durerea mea s-o-mpac Inseninându-mi gândul. Si daca norii desi se duc De iese-n luciu luna, E ca aminte sa-mi aduc De tine-ntotdeuna.
Mihai Eminescu
no one could ever push you to write or become a writer, except yourself.
Desi Puspitasari
Fiction is a great combination between experience and imagination.
Desi Puspitasari
She thought of the old I Love Lucy television show and the Desi Arnez line: Lucy, you have some 'splaining to do.
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
Our learning is a journey, both individually and collectively. But then life too is a journey. A journey where the ride is more important than the destination.
Desi Anwar
Melakukan kebodohan seperti ini hingga tidak bertemu. Ini cara baru memelihara rindu.
Desi Puspitasari (The Strawberry Surprise)
Situatia de srestin e tot una cu statutul de aristocrat. De ce?Pentru ca isi are temeiul in cele mai ,senoriale' insusiri:libertatea si increderea. Ce este nobilul si feudalul?Mai presus de toate orice om liber. Ce inseamna credinta?Incredere in Domnul, desi lumea e rea, in ciuda nedreptatii, in pofida josniciei, cu toate ca de pretutindeni nu vin decat semnale negative.
Nicolae Steinhardt
Ljubav se ne rađa iz nekog razloga. Ni ne umire s razlogom. Ili te razloge niko ne zna. Nikad ne znamo zašto se rodila. Jednako kao što ne znamo uzrok njene smrti. Prosto, i jedni i drugo se - desi. Ili ne desi. Bez zasluge i bez krivice. Na prvi pogled tako prosto, a ustvari komplikovano, nerazmrsivo.
Nura Bazdulj-Hubijar (Spavaj Anđela (Amanet, #2))
Tina auntie had a rating system of the prettiest desi girls and handsomest desi boys in her head at all times. She was like a walking Indian version of People magazine. Needless to say, Sweetie did not rank anywhere on her list. In fact, she was probably on some anti-list of some kind, knowing Tina auntie. “Top Ten Fat Feminist Desi Girls to Keep Your Boys Away from Before They Go Over to the Dark Side” or “Five Girls Whose Bodies Do Not Match Their Pretty Faces—BEWARE.
Sandhya Menon (There's Something about Sweetie)
So to hell with dignity. Dignity has got nothing on Rita Hayworth singing “Put the Blame on Mame” in Gilda, and absolutely nothing on Mae West in anything. It seems far more exciting to be a Siren beckoning with her song or Calypso captivating on her island than to be Penelope, the archetype of female fidelity, weaving and unweaving at her loom, sending her suitors away, waiting for the errant Odysseus to return, waiting while he luxuriates in lotusland, waiting while, as one correspondent to The New York Times Book Review put it, he “commits adultery with various gorgeous, high-class women,” waiting for her husband like Lucy waits for Desi at the end of the day, or Alice waits for Ralph at the end of the night. Bad girls don’t wait around—one doesn’t get to go everywhere by sitting by the phone.
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
..Ona se verovatno tačno seća na kom smo se sastanku poljubili?... Ja, priznajem, ne... Jer svoj život sam počeo da brojim tek od tog poljupca, pa nadalje... Bilo je od našeg prvog izlaska milion penala, onih filmskih situacija, pri susretu, u kolima, na stepeništu, ali nekako sam se plašio da je poljubim, slutio sam da bi to moglo da pokvari sve? I bio sam u pravu... Prvim poljupcem, kao tamnocrvenim carskim pečatom, u momentu je poništila haotičnu hrpu mojih uspomena, i iz pretenciozne Biografije Mog Momčenja prezrivo iscepila sve one stranice na kojima se pominju devojke, ljubav, strast... Koliko samo promašenih tema? Iz jedne naizgled prozaične popodnevne gužve nadošla je lagano i nezadrživo, kao talas, osmehnula se, potopila me zagrljajem, i tiho se povukla ka tamnoj pučini svoje tajanstvenosti... Da... A more ume nemilosrdno da se primiri... Katkad me, eto, oseka danima i danima ostavi nasukanog i samog... Ali delići Onog Talasa zapali su u svaku božiju pukotinu Ove Stare Stene... I, ma šta da se desi... U meni će zauvek ostati ona so...
Đorđe Balašević (Jedan od onih života)
Ni za jednu zivotnu stazu ne postoji vodic, svaka je neispitana, neponovljiva, zato je u zivotu avantura pravilo, a ne izuzetak, jer je putovanje kroz neispitane predjele, koje niko poslije nas ne moze ponoviti, sve se staze potiru, uvijek nanovo se stvara nova konfiguracija, uvijek se ukazuje drugi pejzaz, druga klima, za svakog posebno. Zato moram da budem vlastiti vodic, prvi i posljednji putnik na putu kojim samo ja mogu proci. lako cu pregaziti opasne bujice ne gazeci do clanka ili cu se udaviti u smijesnom potocicu, kao niko. Ali ne mogu da stojim, i sve cu vidjeti tek kad se desi.
Meša Selimović (Tišine)
I kill my loneliness by reading and (then) writing, damn.
Desi Puspitasari
Mothers show their daughters how to become strong, fathers make them
Rafia Shujaat (Desi Flavors)
If you don't know what to do, don't do anything.
Desi Arnaz
Desi rarely says jackfuck or shitbag; he says swine, which sounds more poisonous on his lips.
Gillian Flynn (Gone Girl)
A bead of cold sweat dangled on my fingertip before dripping onto the doorbell. What if I got electrocuted from my wet fingers? I would die literally inches from my first high school party. And everyone would be like, oh, poor thing was so nervous, what a tragedy. Death by sweat.
Lindsey Leavitt (A Farewell to Charms (Princess for Hire, #3))
Kau menggunakan penilaian manusia, Bung. Matamu tidak sedalam mata Tuhan. Ia bisa melihat apa yang tertutup. Apa yang terlihat baik belum tentu sepenuhnya baik. Apa yang terlihat buruk, bisa jadi ia baik.
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Seorang laki-laki budiman demi mengalihkan rasa sedih tidak akan sampai mengabaikan perempuan yang disayanginya.
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Kamu tidak tahu bagaimana sulitnya perempuan menjaga hati.
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Aku patah hati lalu minggat naik sepeda rongsok. Aku terdengar begitu menyedihkan ya, Pak?
Desi Puspitasari (On a Journey)
Aku hanya jatuh cinta.” Aku berusaha menjawab dalam nada biasa. “Tapi, begitulah.
Desi Puspitasari (On a Journey)
Pe urma, un timp, am surzit, era grozav, nu mai auzeam nimic, facusem dopuri de ceara, solide, eram ca o sticla plina cu simplitatea pura si libera a starii mele, aratam cu degetul la ureche: “sunt surd, ce sa-i faci!”, zâmbeam nevinovat, ceilalti întelegeau, unii ma si compatimeau desi pareau bucurosi ca ei aud, scapasem, n-aveau decât sa se distinga ei în mozaicul lor de întrebari si de raspunsuri gata desenate, n-aveau decât sa-ti teoretizeze singuri teoria, sa-ti toace varza sonora printre dulcile bucurii ale dresajului. Nenorocirea e ca, într-o buna zi, poc! mi-au pleznit dopurile si am început iar sa aud, as fi putut în schimb sa nu vorbesc, sa ma autoamutesc, dar mi se parea aiurea, ar fi fost necinstit si apoi, oricât te-ai amuti, cuvintele tot le auzi, ele ti se strecoara nestingherite prin maduva, asa ca mi-am vazut de treburile mele.
Gellu Naum (Zenobia)
Trecutul e scris cu cerneala simpatica. Ai nevoie de caldura ca sa-i vezi literele reconturate, dupa ce multa vreme au stat ascunse ca si cum n-ar fi fost. Trebuie sa-i apropii coala alba si intinsa de o flacara sau sa sufli abur din propria gura peste el, pentru ca invizibilul sa se transforme in vizibil si, incetul cu incetul, in fraze cu sens. Desi, de cele mai multe ori, cateva cuvinte esentiale raman sterse, albe, loc gol si taina nedezlegata, cufundate pentru totdeauna in apele nemiscate ale timpului in care inotam. Ale timpului in care ne inecam.
Ioana Pârvulescu (Inocenții)
Cu siguranta, nu-l ura. Nu, ura trecuse cu mult timp in urma si cam tot de atunci se nascuse senzatia de rusine pentru ca avusese fata de el un sentiment care s-ar fi putut numi astfel. Respetul fata de el, generat de credinta ca avea calitati de pret, desi cu greu acceptat la inceput, incetase de la un timp a-l mai considera in neconcordanta cu simtamintele ei, iar acum respectul acesta crescuse, se modificase, devenise un soi de prietenie, datorita marturiilor ce-i fusesera atat de favorabile si datorita luminii atat de bune in care se plasase in ziua aceea. [...] Il respecta, il stima, ii era recunoscatoare, ii dorea numai binele, ar fi vrut doar sa stie cat dorea el ca binele acela sa fie legat de ea si in ce masura ar fi fost spre fericirea amandurora sa-si foloseasca puterile, pe care-si imagina ca inca le mai are, pentru a-l face sa-si reinnoiasca cererea.
Jane Austen
A single prop that does not look real to an audience can louse you up. The same is true of the smallest flaw in setting up the motivation in a story line.
Desi Arnaz
Lelaki sejati tidak berbicara mengenai laki-laki lain.
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Minta Tuhan jangan terlalu suka memberi beban masalah kepada umat-Nya! Bisa tidak Ia melakukan itu?
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Aggi berjalan pulang sendiri menuju tempat parkir. Saat melaju, kendaraannya terasa lebih ringan. Satu helmnya menggantung kesepian di setang motor.
Desi Puspitasari (The Strawberry Surprise)
Lalu, hubungan stroberi dengan cinta?” “Ada kaitannya dengan masa lalu.
Desi Puspitasari (The Strawberry Surprise)
Koboi, angkat teleponmu. Rubi Tuesday sedang berbicara di jalur satu; aku merindukanmu.
Desi Puspitasari (On a Journey)
Foto pelarian ini akan tampak bagus dalam hitam-putih.” Timur menurunkan kamera yang menutupi sebagian wajah.
Desi Puspitasari (The Strawberry Surprise)
Bagaimana itu hidup? Seperti sebuah perempatan jalan. Tempat untuk bilang “hai” dan “da-dah”.
Desi Puspitasari (On a Journey)
Semoga rindu dan kesedihanmu segera berganti dengan rasa bahagia.
Desi Puspitasari (On a Journey)
Aku belum selesai bicara. Paris itu, baiklah, Paris sering dijuluki Kota Cinta. Sedangkan, Yogyakarta adalah kota tempat jatuh cinta dan patah hati. Lalu, jatuh cinta kembali.
Desi Puspitasari (The Strawberry Surprise)
Kamu galak sekali waktu itu.” “Kamu gombal sekali waktu itu.” “Biasanya perempuan suka.” “Aku bukan jenis perempuan biasanya.
Desi Puspitasari (The Strawberry Surprise)
Kita hidup dalam ajaran Islam. Ada kewajiban memuliakan orangtua.
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
... kebahagiaan adalah menginginkan, menikmati, dan mengapresiasi apa yang sudah kita miliki.
Desi Anwar
I’ll be interested to hear what the swine has to say for himself,” he says. Desi rarely says jackfuck or shitbag; he says swine, which sounds more poisonous on his lips.
Gillian Flynn (Gone Girl)
You’d be my pariah, and I’d love you no matter what, and I’d shield you from everything,” Desi said.
Gillian Flynn (Gone Girl)
Behind Desi was a long, polished end table bearing several silver-framed photos. In the center was an oversize one of Desi and Amy back in high school,
Gillian Flynn (Gone Girl)
Would Nick ever have thought of something like this for you?” Desi breathes into my ear as the tulips sway under a mechanized dusting of water from above.
Gillian Flynn (Gone Girl)
Desi realitatea concreta, fizica, a mortii ne distruge, ideea de moarte ar putea sa ne salveze.
Irvin D. Yalom (Love's Executioner and Other Tales of Psychotherapy)
See that carefully. What you are holding is a desi katta, a locally made pistol. It can explode after two shots, and you have already made one. The next one, it might go off in your hand.
Ashwini Rudra (Delhi via Lucknow: Once, love travelled this route)
Exista doua feluri de a simti singuratatea: a te simti singur în lume si a simti singuratatea lumii. Cînd te simti singur, traiesti o drama pur individuala; sentimentul parasirii este posibil chiar în cadrul unei splendori naturale. In acest caz, intereseaza numai nelinistile subiectivitatii tale. A te simti aruncat si suspendat în lume, incapabil de a te adapta ei, consumat în tine însuti, distrus de propriile tale deficiente sau exaltari, chinuit de insuficientele tale, indiferent de aspectele exterioare ale lumii, care pot fi stralucitoare sau sumbre, tu ramînînd în aceeasi drama launtrica, iata ce înseamna singuratate individuala.  Sentimentul singuratatii cosmice, desi se petrece tot într-un individ, deriva nu atît din framîntarea lui pur subiectiva cat din senzatia parasirii acestei lumi, a neantului exterior. Este ca si cum toate splendorile acestei lumi ar disparea deodata pentru ca monotonia esentiala a unui cimitir s-o simbolizeze. Sînt multi care se simt torturati de viziunea unei lumi parasite, iremediabil abandonate unei singuratati glaciale, pe care n-o ating, macar, nici slabele reflexe ale unei lumini crepusculare. Care sînt mai nefericiti, acei care simt singuratatea în ei, sau aceia care o simt în afara, în exterior? Imposibil de raspuns. Si apoi, de ce sa ma chinuiasca ierarhia singuratatii? A fi singur, în orice fel, nu e destul? Dau în scris, pentru toata lumea care va veni dupa mine, ca n-am în ce sa cred pe acest pamînt si ca unica scapare este uitarea absoluta. As vrea sa uit de tot, sa ma uit complet, sa nu mai stiu nimic de mine si de lumea aceasta. Adevaratele confesiuni nu se pot scrie decît cu lacrimi. Dar lacrimile mele ar îneca aceasta lume, precum focul meu interior ar incendia-o. N-am nevoie de nici un sprijin, de nici un îndemn si de nici o compatimire, caci desi sînt cel mai decazut om, ma simt totusi atît de puternic, atît de tare si de fioros! Caci sînt singurul om care traiesc fara speranta. Or, aceasta este culmea eroismului, paroxismul si paradoxul eroismului. Suprema nebunie! Toata pasiunea haotica si dezorientata din mine ar trebui s-o canalizez pentru a uita totul, pentru a nu mai fi nimic, pentru a scapa de spirit si de constiinta. Am si eu o speranta: speranta uitarii absolute. Dar aceasta mai e speranta, nu e ea disperare? Nu-i aceasta speranta negarea tuturor sperantelor viitoare? Vreau sa nu mai stiu nimic, nici macar sa stiu ca nu stiu nimic.
Emil M. Cioran
Desi has loved me ever since the lie, I know he pictures making love to me, how gentle and reassuring he would be as he plunged into me, stroking my hair. I know he pictures me crying softly as I give myself to him.
Gillian Flynn (Gone Girl)
Žena neće šutjeti ni na kakvu vrstu devijacije ili slabosti, nipodaštavanja ili nedostatka koji nađe u svojoj kući i u svojoj porodici. Ako se to ne desi, onda je njena vjera tanka, u njenoj ličnost se nalazi slabost, a u njenoj svijesti je nedostatak.
محمد علي الهاشمي (The Ideal Muslimah: The True Islamic Personality of the Muslim Woman as Defined in the Qur’an and Sunnah)
Am inteles in ziua aceea ce inseamna sa fi om rau. M-am gandit ca tata, desi tipa, injura si bate cu pumnul in masa, e un om bun, fiindca n-ar putea sa faca rau niciunei pisici, si am simtit, nu stiu de ce, ca pe un copil poti sa il bati daca nu e cuminte, dar unui animal n-ai voie sa ii faci rau niciodata.
Cella Serghi (Pânza de păianjen)
Stine bahkan tidak perlu menunduk membaca halaman buku. Dia menatapku sambil mengucapkan kalimat kesukaannya. “Koboi, angkat teleponmu. Rubi Tuesday sedang berbicara di jalur satu; aku merindukanmu.” Stine terus saja menatapku. “Aku juga merindukanmu, Rubi. Terima kasih. Itu saja, Pak Wili.” Dia kembali duduk.
Desi Puspitasari (On a Journey)
I was thinking: to write and being a writer are two kind of diferrences things. To write is a please. Being a writer is about taking it as a job, as a consequency, as a responsibility. And being a writer is about ENDLESSLY passion. If you don’t like it, just don’t do it. If you can’t do it, just take it as a please.
Desi Puspitasari
[...]. desi ii placea trecutul, intunericul pe care-l ascunde inauntrul sau, linistea pe care ti-o da prin faptul ca nu te invata nimic, faptul ca-l pierzi, deplinatatea lui satula, care nu mai cere nimic, viitorul ii placuse intotdeauna mai mult. In el vedea un om in papauci, care merge pe apa fara sa lase nicio urma. [...]
Melania G. Mazzucco
Engkau boleh saja membual tentang kaki telanjangmu Yang telah menempuh jutaan mil. Gaya kupu-kupu mu yang mengarungi laut penuh hiu, Atau kebolehanmu memanjat tebing-tebing terjal Dengan sepotong tali terikat di pinggangmu. Namun jika kau tak pernah menjelajah ke dalam batinmu sendiri, Engkau bagaikan tak pernah pergi ke mana pun.
Desi Anwar (Romantic Journey: Notebook of a Traveller)
Even though I'm an ordinary writer, I too, have trouble when it come to writing along the way. But at least I manage to self-publish my book with no errors (hopefully). Just check out Agatha Christie, an author who also has a learning disability. She managed to be succesful. And I hope that I would be successful as her and Abishek Bachan.
Simi Sunny
Waktu itu Minggu malam. Aku tersentak bangun pada pukul satu dini hari. Sayup-sayup terdengar dari jauh peluit kereta. Nguuuoooong. Dalam kondisi kesepian dan merasa seperti ada yang hilang, aku yang tetap tidur telentang tanpa bergerak-gerak mengeja puisi ‘Saddest Poem’ milik Pablo Neruda dalam patahan-patahan bait yang tidak berlompatan.
Desi Puspitasari (The Strawberry Surprise)
What a writer needs? A friend. A friend that’ll accompany beside solitude itself.
Desi Puspitasari
Laki-laki sejati lebih memilih adu jotos! Adu fisik! Tidak adu kata!
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Kalau sudah cinta untuk apa berlama-lama?
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Perasaanku tidak lebih penting daripada perasaanmu.
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
Memangnya kalau sudah rajin Tahajud bisa bertemu Tuhan? Bisa mengobrol dengan Tuhan?
Desi Puspitasari (Kutemukan Engkau di Setiap Tahajudku)
He, Aggi,” panggil Timur. Aggi berhenti dan menoleh. “Apa kamu akan merindukan aku?” “Tidak tahu. Akan kuberi tahu kamu nanti.
Desi Puspitasari (The Strawberry Surprise)
He, Stroberi Masam! Berhenti merengut!
Desi Puspitasari (The Strawberry Surprise)
Laki-laki selai kacang, laki-laki permen karet stroberi, laki-laki stroberi varian flamboyan. Lalu, apa jenis stroberi untukku, Aggi?
Desi Puspitasari (The Strawberry Surprise)
Dengan gerakan pelan telapak tangan Timur merangkul telapak tangan Aggi. Berdiri begitu rapat. Tanpa kentara, Aggi balas menggenggam telapak tangan kokoh laki-laki itu.
Desi Puspitasari (The Strawberry Surprise)
DEEN: What about you? KIRAN: Hmm . . . seeing the future! KIRAN: I want to be able to see the future. DEEN: Feeling anxious about the future? KIRAN: Yeah. Always. KIRAN: Especially lately. DEEN: How’s your mom, btw? KIRAN: To be determined. KIRAN: It’s just a waiting game now. DEEN: OKAY I know my real answer now!!! DEEN: Healing powers. DEEN: Definitely healing powers. KIRAN: Heh KIRAN: You’re a good guy, Deen. DEEN: Only for you.
Farah Naz Rishi (It All Comes Back to You)
... dar in "Pivnita de ceapa" a lui Schmuh nu se gasea nimic de mancare si cine voia sa manance ceva trebuia sa mearga in alta parte, la Fischl si nu in "Pivnita de ceapa", fiindca aici nu se taia decat ceapa. Si de ce asa? Pentru ca pivnita se numea astfel si ce era cu totul iesit din comun pentru ca aceasta ceapa, ceapa taiata, cand o privesti cu atentie... nu, clientii lui Schmuh nu mai vedeau nimic sau doar unii dintre ei nu mai vedeau nimic, li se scurgeau ochii, nu pentru ca aveau inimile prea pline; caci unde scrie ca daca ti-e inima plina, trebuie sa iti planga ochii, unora nu le reuseste niciodata asa ceva, mai ales in deceniile din urma, de aceea secolul nostru se va numi candva, in viitor, secolul lipsit de lacrimi, desi a fost multa suferinta - si tocmai din acest motiv, din cauza lipsei lacrimilor, oamenii, cei care isi puteau permite, se duceau la "Pivnita de ceapa", se lasau serviti de patron cu o scandura de tocat, cu un cutit de bucatarie si cu o ceapa ordinara de camp sau gradina care-i costa douasprezece marci, o taiau atat de marunt pana ce sucul reusea. Ce reusea? Reusea ceea ce lumea si suferinta acestei lumi nu reuseau sa produca: omeneasca lacrima rotunda. Si atunci se puneau pe plans. In sfarsit se punea lumea, din nou, pe plans. Se plangea serios, dezlantuit, in toata legea. Apa curgea si lua totul cu ea. Apoi venea ploaia. Apoi cadea roua... Si dupa acea calamitate naturala de douasprezece marci si optzeci de pfenigi, oamenii satui de plans incep sa vorbeasca. Inca ezitand, mirati de propria lor limba goala, dupa ce savureaza ceapa, clientii pivnitei se predau vecinilor lor, acolo, pe lazile incomode imbracate in iuta, se lasa intrebati, isi schimba felul de a fi cum iti intorci paltonul.
Günter Grass
Kamu bertanya apa aku merasa sedih waktu itu? Kamu tahu ‘Saddest Poem’ milik Neruda, Timur? Sampai sekarang aku bahkan masih bisa mengingat bagian-bagiannya yang waktu itu berulang-ulang selalu kueja menemani ... kesedihan.
Desi Puspitasari (The Strawberry Surprise)
Desi mi-e groaza de paradoxuri, sunt de parere ca norocul insusi este cel mai mare ghinion care poate lovi un om in zilele noastre, pentru ca... da, pentru ca in noua sute nouazeci si noua de cazuri dintr-o mie, ne lipseste capacitatea de a-l folosi in asa fel incat sa profitam de el, si nu sa ne faca rau. In vremea noastra ne-am dezvatat sa manevram cu indemanare miraculosul , asta-i! Ne purtam la masa norocului ca taranul la ospatul regelui.
Henrik Pontoppidan (Per cel norocos)
I felt more comfortable when you were cursing like a sailor and calling me filthy names." "Are you conceding defeat?" She tried to keep the hopeful tone from her voice when he tucked his laptop into his leather briefcase. "Of course not." His dark eyes flashed with mirth. "I have a business meeting in half an hour which I had hoped to conduct here, but I'm too much of a gentleman to intrude on your privacy while you crush the hearts of ten sad and lonely men. I look forward to battling with you tomorrow, Miss Patel. May the best man win." After the door closed behind him, she sat back in her chair surrounded by his warmth and the intoxicating scent of his cologne. She knew his type. Hated it. Arrogant. Cocky. Egotistical. Ultra-competitive. Fully aware of how devastatingly handsome he was. A total player. She would have swiped left if his profile had popped up on desi Tinder. So why couldn't she stop smiling?
Sara Desai (The Marriage Game (Marriage Game, #1))
Ah, well,' the Wizard said. 'I gather from all this-I shall make a note-that sometimes one must sacrifice for love.' Mirabelle looked intently at the Wizard. 'On the other hand,' the cat said at last, 'sometimes one must refuse to sacrifice.
Jeanne Desy (The Princess Who Stood on Her Own Two Feet)
Stroberi itu asam. Seperti perempuan Prancis yang suka menggerutu. Muka mereka masam sekali. Jadi, stroberi itu.” Thomas membuat ekspresi seperti orang tercekik karena racun. Mata setengah terpejam, kepala terteleng ke samping, dan melet. “Blaaah ....
Desi Puspitasari (The Strawberry Surprise)
Kylee laughed. "Nothing with you is normal. But speaking of abnormal, I saw this movie where these two girls liked the same boy, and one girl was a werewolf, and the other was a dragon, although she didn't know it yet, and it turned out the boy was a killer of, like, magical creatures, so both girls died and he took the head cheerleader to prom." "That sounds like a stupid movie," I said. "It actually was. But the boy had this shirt off a lot. I guess hunting magical creatures is great for stomach muscles.
Lindsey Leavitt (A Farewell to Charms (Princess for Hire, #3))
Apa itu rindu? Jarak yang membentang tanpa alat komunikasi. Itu artinya susah payah. Aku harus mencari telepon umum yang sulitnya setengah ampun. Telepon umum pertama, kabelnya putus. Telepon umum kedua, gagang teleponnya lengket. Telepon umum ketiga, tombol angkanya soak (angka 5 dan 9-nya bolong). Telepon umum keempat, jaraknya puluhan ribu kilometer barulah bisa digunakan dengan baik. Bisa saja aku menggunakan fasilitas telepon di minimarket di pangkalan bensin, tetapi aku selalu lupa mampir ke sana. Tidak ada yang buka 24 jam dan aku selalu ingat saat telah tengah malam. Aku jadi berpikir mengenai kemungkinan lain. Aku akan menulis surat panjang. Panjang sekali karena aku akan bercerita mengenai segala hal. Dan, sekali dalam sepekan, atau sekali dalam sebulan, aku akan mendorong masuk surat tebal tersebut ke dalam kotak surat (atau aku akan mengirimkannya langsung melalui kantor pos). Selanjutnya, aku akan mengayuh sepeda, pergi melanjutkan perjalanan tanpa mengharap balasan. Aku sedang tidak memiliki alamat pasti, bukan?
Desi Puspitasari (On a Journey)
Daca vrei ca un om sa fie fericit politiceste, nu-i infatisa doua laturi ale unei probleme, caci s-ar framanta, prezinta-i o singura latura, sau chiar nici una, e si mai bine. Lasa-l sa uite c-ar exista primejdia razboiului. Daca guvernul e incapabil, birocratic si ahtiat de impozite, lasa-l sa ramana asa, decat sa-i faci pe oameni sa se necajeasca din pricina asta. Avem nevoie de liniste, Montag. Da-le oamenilor concursuri la care castiga cei care-si aduc aminte cuvintele celor mai polulare cantece, sau de numele capitalelor diferitelor state, sau de recolta de porumb obtinuta in Iowa acum un an. Umple-le mintea cu date ne-inflamabile, impaneaza-le-o cu “fapte” pana ajung sa se simta ghiftuiti, dar grozav de “informati”; atunci au sa-si inchipuie ca gandesc, au sa aiba iluzia miscarii, fara sa se miste. Si-au sa fie fericiti, deoarece “faptele” de acest gen raman neschimbate. Nu trebuie sa le dai vreo materie nesigura, ca filozofia sau sociologia, cu care sa incerce sa-si explice lucrurile. I-ar apuca stenahoria. Orice om capabil sa monteze si sa demonteze un perete de televiziune – si mai toti oamenii sunt capabili acum de asa ceva – este mai fericit decat un om care icearca sa sa masoare, sa fixeze in calcule si ecuatii universul, ce nu se lasa masurat si calculat fara a-l face pe om sa se simta singur ca un animal. Stiu prea bine ca asa se intampla, fiindca am incercat eu insumi. La naiba cu toate astea! Traiasca seratele si cluburile, acrobatii si magicienii, petrecaretii, limuzinele cu reactie, elicopterele-motociclete, pornografia si stupefiantele, tot ce poate simula reflexele automate. Daca piesa e de proasta calitate, daca filmul nu spune nimic, daca spectacolul e lipsit de miez, faceti-mi o injectie cu theremina, si-am sa cred ca piesa ma emotioneaza, desi in realitate va fi doar o reactie tactila la o anumita vibratie. Nu-mi pasa, imi lace sa ma distrez copios!
Ray Bradbury (Fahrenheit 451)
Aggi mengambil gambar dari hidangan di atas meja; makaroni stroberi, segelas es teh, dan semangkuk buah stroberi segar. Kini dia mendongak. Beralih mencari subjek gambar yang lain. Saat cincin fokus diputar dan patahan gambar menjadi satu, Timur menoleh. Aggi tidak menurunkan kamera. Terus mengintip dari jendela bidik. Timur menggerakkan bibir. Berkata tanpa suara. “Je ... tu ... aime.
Desi Puspitasari (The Strawberry Surprise)
Aku menyebut Thomas laki-laki selai kacang.” “Bagaimana bisa?” “Dia tidak suka stroberi. Dia suka selai kacang. Kamu tahu bagaimana pendapatku mengenai selai kacang?” Timur menggeleng. “Huwek!” Aggi mengernyitkan kening dan mengerutkan ujung hidung. Lalu, dia merendahkan nada suara. “Et alors, les fraises est trop infantile! Je ne l’aime pas! [Jadi, stroberi itu terlalu kekanak-kanakan! Aku tidak suka!]
Desi Puspitasari (The Strawberry Surprise)
Iubeste pe aproapele tau ca pe tine insuti" e o vorba mai intortocheata decat pare, desi e citata frecvent, ca un subinteles elementar al moralei crestine. In genere, "ca pe tine insuti" e luat drept o forma de superlativ. Se porneste, cu alte cuvinte, de la presupozitia ca ne iubim enorm, si suntem invitati sa aplicam si "aproapelui" acelasi tratament. Dar ne iubim, intr-adevar, atat de mult? In realitate, cand suntem singuri cu noi insine, stim foarte bine cat ne poate pielea. Stim foarte bine ce pacate avem, cat cantarim, care ne sunt penumbrele. Singura diferenta dintre judecata de sine si cea purtata asupra altora e ca cea dintai e insotita, aproape intotdeauna, de o generoasa indulgenta. Ne stim defectele, dar stim, de asemenea, ca, in ciuda lor, suntem oameni de treaba. Viata noastra e plina de derapaje, de minciuni, micimi, vicii, ganduri inavuabile, turpitudini de toate calibrele. Dar cu toate astea, simtim ca dracul nu e chiar atat de negru, ca suntem recuperabili, ca, in adanc, adapostim un suflet bun si o inima curata... Intr-o prima instanta, "iubirea aproapelui" nu pretinde de la noi altceva decat sa privim defectele celuilalt cu aceeasi indulgenta, cu aceeasi intelegatoare complicitate cu care privim propriile noastre defecte. Sa credem in fondul lui bun, in dreptul lui la compasiune si iertare. Dar adagiul crestin se preteaza si la o interpretare simetrica, pornita din unghiul aproapelui: "Nu te iubi altfel decat iti iubesti aproapele!" Ia-ti oarecare distanta fata de eul tau, fii putin mai indiferent cu sufletelul tau, renunta la mila de sine si reflecteaza, din cand in cand, la tine insuti asa cum ai reflecta asupra altuia. Pe scurt: dupa ce ai facut efortul de a nu-ti iubi aproapele mai putin ingaduitor decat te iubesti pe tine, incearca, acum, sa nu te iubesti pe tine mai mult decat iti iubesti, indeobste, aproapele.
Andrei Pleșu (Despre ingeri)
We stood in the wings together, side by side. Reed's mouth was still agape. "It makes sense when you think about it," I mused. "You get two people together who have you-know-what, and sparks are going to fly." Reed's cue was about to start. He pointed at me and said, "Tonight. There's a party. And we're going to talk." "Yes" "Because this is crazy." "Totally." "Okay. Well." He tugged a strand of my hair. "Good luck out there." "You're not supposed to say that." "Fine. How about..." He squinted at me. "Here's looking at you kid." The smile melted off my face. "What did you say?" "It's a line. From a movie." He shrugged and burst onto the stage with a hee-haw. It was a line. From Casablanca. The same line KARL had said to me when I was Elsa. The same like Karl didn't recognize when I said it to him as Floressa. Which meant... nothing. Right? Lots of people know that line. Just because Reed said it, and Reed was a sub, it didn't mean he was... he was... "You're on," the stage manager whispered. I stumbled onto the stage. The lights were too bright. The theater was packed. Reed gave me a quick, crooked smile, and I knew. My crush on Karl was less complicated than I thought, because it wasn't Karl I'd been with that day in the garden. Now my crush on Reed... ? THAT was a scandal all on its own.
Lindsey Leavitt (The Royal Treatment (Princess for Hire, #2))
As the conference continued it occurred to me finally that it wasn't really about Indian history as it was written, but really about rewriting it by taking a fresh look at race, ethnicity, gender, and a mix of sociocultural questions... I just couldn't believe how far along the desi scene was, not just socially but intellectually, how many people were out there thinking about it. This whole event so far rocked my world, muddled me still more, and delivered a series of tiny epiphanies, all at the same time. To be honest, I was quite intimidated by the dialogue going on, as well as by the passion and conviction of these people on so many subjects which I, frankly, had never really even thought about. ...A history of a people in transit -- what could that be card catalogued under? And the history of the ABCD. Everyone seemed to know about this ABCD thing -- that didn't seem very confused to me! And it was a relatively new phenomenon; it had never occurred to me that things going on now could have a history already. The moments that made up my life in the present tense seemed so fleetingly urgent and self-contained to me: I'd always felt my life had very little to do with my parents' and especially their parents' histories...and that it would have very little effect on anything to come. But the way these people were talking -- about desis in Hollywood; South Asian Studies departments; the relatively new Asian Indian slot on the census -- was hummingly sculpting the air, as if they were making history as they spoke. Making it, messily but surely, even simply by speaking. I was feeling it, too -- a sense of history in the making. But where did I fit in to any of it? And how come no one had told me?
Tanuja Desai Hidier (Born Confused (Born Confused #1))
You're certainly not dressed like you're running a business." Eyes blazing, she glared. "What's wrong with how I'm dressed?" "An apron and a pink tracksuit with Juicy written across the ass are hardly serious business attire and they certainly don't scream swipe right on desi Tinder." Sam didn't know if there was such a thing as Tinder for people of South Asian descent living abroad, but if it did exist, he and Layla would definitely not have been a match. Layla gave a growl of frustration. "You may be surprised to hear that I don't live my life seeking male approval. I'm just getting over a breakup so I'm a little bit fragile. Last night, I went out with Daisy and drank too much, smoked something I thought was a cigarette, danced on a speaker, and fell onto some loser named Jimbo, whose girlfriend just happened to be an MMA fighter and didn't like to see me sprawled on top of her man. We had a minor physical altercation and I was kicked out of the bar. Then I got dumped on the street by my Uber driver because I threw up in his cab. So today, I just couldn't manage office wear. It's called self-care, and we all need it sometimes. Danny certainly wouldn't mind." "Who's Danny?" The question came out before he could stop it. "Someone who appreciates all I've got going here-" she ran a hand around her generous curves- "and isn't hung up on trivial things like clothes." She tugged off the apron and dropped it on the reception desk. "I'm not hung up on clothes, either," Sam teased. "When I'm with a woman I prefer to have no clothes at all." Her nose wrinkled. "You're disgusting." "Go home, sweetheart." Sam waved a dismissive hand. "Put your feet up. Watch some rom-coms. Eat a few tubs of ice cream. Have a good cry. Some of us have real work to do.
Sara Desai (The Marriage Game (Marriage Game, #1))
Am ranit si am fost ranit, Apoi am vrut sa invat si am invatat ca asta nu se termina niciodata daca vrei sa fii om." "...ce-i care-si ascund adevarata natura risca sa uite de ea si sfarsesc prin a fi altcineva." " - Ti-e dor de trecut? - Da. - De ce? - Trecutul e sigur. Acolo nu mi se mai poate intampla nimic. - Eu iubesc prezentul. - De ce? - E imprevizibil. - Vezi? Suntem diferiti... Ce iubesti la mine? - Tot ce nu pot fi eu..." " - Pai si...iertati-ma.. din ce traiti? - Am copii, - Ah.. Misto. Pai si cu ce v-ati ocupat? Ce meserie aveati? - M-am ocupat cu fericirea." "Mama ta este aici si acolo. Mama ta este viata si inainte de viata." "Copiii sunt mai aproape de Dumnezeu, pentru ca ei nu se indoiesc. Indoiala vine cu varsta. ...Oare unde ne pierdem harul? Unde se rupe firul care, odata intrerupt naste indoiala? Sunt multe raspunsuri, stiu. Prea multe corecte, niciunul adevarat." "Nu alergati dupa bani cu orice pret. Banii trebuie sa va fie doar mijloc, nu scop. Scopul vostru trebuie sa fie cunoasterea. Cu cat veti sti mai multe, cu atat veti fi mai inalti. Orice carte citita, orice lectie invatata se va aseza sub voi si va va ridica deasupra celorlalti. Veti domina cu mintea. Nu e nimic mai frumos decat asta." "Poate ca iubirea e atunci cand, dupa ce ai stins lumina la baie si ti-ai vazut ochii obositi in oglinda, alti ochi ii privesc pe ai tai de undeva din intunericul apropiat. Si esti impacat cu asta si nu mai tanjesti dupa nimic altceva." "Intelegerea nevoilor reale ale persoanei iubite, asta este pariul unei relatii. Sa mergi adanc in sufletul celui langa care traiesti si sa nu transformi o relatie intr-o mecanica a sabloanelor..." "Iubirea incepe cu intrebari simple pe care le rostim si sfarseste cu intrebari la fel de simple pe care nu le punem niciodata." " - Da' de ce nu-si spun nimic? Stau asa lipiti si-si amesteca mainile... - Sunt la inceput, astia doi. Abia s-au cunoscut. N-au curaj sa-si spuna lucruri si lasa mainile sa vorbeasca pentru ei." "Cel mai frumos lucru al dumnezeirii este ca Dumnezeu se afla si in sufletele celor care il contesta, fara ca acestia sa i se poata opune." "Ati vazut filmele alea in care oamenii, ca sa se razbune, mai trag niste gloante in cadavrul dusmanului lor, desi stiu ca acesta e mort? Ei bine, oricate gloante ai descarca in cadavrul unei iubiri pierdute, n-o sa-ti potolesti setea..." "Esti singur in vartejul suferintei tale si daca vrei sa iesi trebuie sa tragi aer in piept si sa te scufunzi pana se sfarseste. Mai degraba iubeste-o pana cand iubirea ti se face apa si se scurge prin toti porii. Iubeste-o in absenta. Va fi ca si cum te-ai arunca de nebun intr-un zid. De sute, de mii de ori. Neclintit, zidul iti va rupe oasele, pielea ti-o vei zdreli, iti vei sfasia hainele pana cand te vei fi prelins in praful de la poalele lui. Un somn lung te va cuprinde, apoi te vei trezi ca dupa un cosmar pe care vei incerca sa-l rememorezi. Soarele diminetii nu-ti va da timp si vei uita. Cu fiecare zi care va trece, vei mai fi uitat putin cate putin... Vindeca-te singur. E tot ce poti face pentru tine.
Tudor Chirilă (Exerciţii de echilibru)
1. ‘’Astfel, esenta lumanarii nu este ceara care lasa urme, ci lumina.’’ 2. ‘’Cel ce iubeste doar aproprierea dragostei, nu va cunoaste niciodata intalnirea cu ea.’’ 3. ‘’Caci am aflat ca omul este asemenea unei citadele. Rastoarna zidurile pentru a-si gasi libertatea, dar nu mai e decat fortareata nimicita, deschisa inspre stele. Atunci incepe spaima de a nu mai fi.’’ 4. ‘’Si am inteles ca au nevoie de liniste. Caci numai in liniste adevarul fiecaruia se leaga si prinde radacini. Caci ceea ce e important, inainte de toate,…, este timpul.’’ 5. ‘’ …limbajul nu contine nimic care sa fie vrednic de interes. Invata sa asculti nu zarva cuvintelor, nici rationamentele ce le permit sa se insele. Invata sa privesti mai departe.’’ ‘’Iata pentru ce am dispretuit dintotdeauna, ca fiind zadarnica, zarva cuvintelor. Si nu m-am increzut in artificiile limbajului. ‘’ 6. ‘’ Caci abilitatea nu este decat un cuvant gol. In creatie nu exista ocoluri. Creezi ceea ce faci si nimic mai mult. Iar daca pretinzi ca urmarind un scop, te indrepti spre un altul, deosebit de primul, doar cel pe care cuvintele il inseala te va crede abil.’’ 7. ‘’Caci fiecare iubeste in felul sau aceeasi imagine. Doar un limbaj insuficient ii opune pe oameni unii altora, caci dorintele lor nu difera. N-am intalnit niciodata pe cel care sa doreasca dezordinea sau josnicia sau ruina. Imaginea care-i framanta si pe care ar vrea s-o intemeieze se aseamana de la un capat la celalat al universului, dar caile de atingere a ei difera.’’ 8. ‘’ Desigur, cu cat munca pe care o consumi in numele dragostei este mai grea, cu atat mai mult te exalta. Cu cat dai mai mult, cu atat cresti mai mult. Dar trebuie sa existe cineva care sa primeasca. A pierde nu inseamna niciodata a darui.’’ 9. ‘’ Caci, o data mai mult, am aflat ca logica ucide viata. Si ca nu contine nimic prin ea insasi… Dar facatorii de formule s-au inselat asupra omului. Au confundat formula, care este umbra plata a cedrului, cu cedrul, din volumul, greutatea si culoarea lui, cu incarcatura sa de pasari si frunzisul sau, care nu s-ar putea exprima si cuprinde in cuvinte firave…Caci aceia confunda formula care desemneaza, cu obiectul desemnat. Si cum ar putea suporta ceea ce nu se poate formula, sau nu s-a implinit inca, sau intra in contradictie cu un alt adevar? Cum sa stie ca, intr-un limbaj care formuleaza dar nu cuprinde, doua adevaruri se pot opune?’’ 10. ‘’ Dar daca nu te ating, te construiesc ca pe un templu. Si te inalt in lumina. Si tacerea ta inchide in ea campiile. Iar eu te iubesc dincolo de mine sau tine. Si inventez imnuri pentru a-ti celebra imperiul…Nu esti decat o treapta in drumul meu spre eternitate.’’ 11. ‘’ Dar cei pe care ii numesc liberi si hotarand numai pentru ei insisi, inexorabil singuri, aceia nu sunt condusi, plutesc fara vant in panze, iar rezistenta lor nu este decat capriciu incoerent. Cei pe care ii urasc, sunt, mai ales, cei care nu exista cu adevarat. Rasa de caini ce se cred liberi, fiind liberi de a-si schimba opiniile, de a nega (cum ar putea sti ca neaga, de vreme ce ei insisi sunt judecatori?), liberi de a trisa, de a renega si de a se vinde , si pe care ii fac sa-si schimbe parerile doar aratandu-le troaca atunci cand le e foame.’’ 12. ‘’Caci dragostea nu-ti e data ca un cadou al acestui obraz, la fel cum linistea si calmul nu sunt produs al privelistii, ci al ascensiunii reusite, al muntelui dominat, al instalarii tale in cer. La fel- dragostea. Iluzia este ca o intalnesti, cand de fapt se invata.Si se inseala cel care rataceste prin viata, pentru a fi cucerit, cunoscand prin scurte fioruri , gustul tumultului inimii si visand sa intalneasca marea febra ce il va incinge pentru totdeauna, desi ea nu este decat o desarta victorie a inimii sale. De asemenea, nu te odihnesti in dragoste, daca ea nu se transforma din zi in zi, ca in maternitate.
Antoine de Saint-Exupéry