Deserve Image Quotes

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You don’t deserve my image in your head. You don’t deserve my memories in your chest.
Coco J. Ginger
Relax into your creativity. Allow your mind to paint the pictures of words and colors, images and lines, rhythm and melodies. Lean into your passion without strife and allow your heart to sing as you create. Share your gifts with the world as we all deserve to absorb the beauty and awes of art.
C. Toni Graham
Don't believe everything you read. It's very difficult to be accepting of our own bodies. This topic deserves it's own book, but since I'm not qualified to write it, I won't. Instead I'll just say this: The pictures staring out at you from the supermarket checkout stands, the images we are all supposed to aspire to? They lie
Ally Carter
The mere fact that I exist means that I deserve to be here and to express myself any damn why I please.
Euphoria Godsent
At the beginning of the semester, when you asked who I loved the most, an image of my mother popped in my head. When you asked me who I loved the most for the second time, it wasn’t an image of my mother. Instead, it was replaced by an image of a strawberry blonde with big, blue eyes. It took me a long time to figure out the exact moment I fell in love with her, partly because I denied that I did until it was too late. I fucked up so badly and did so many things wrong, to the point of no return, so I let her go. The selfless part inside of me wants to say I did the right thing, and the selfish part of me thinks I made the biggest mistake of my life. I guess the selfless side won out because, every time I look at her and see what I did, I realize I don’t deserve her. I was never supposed to fall in love with her, but that was the best mistake of my life. I will always love her; I have ever since I purposely bumped into her in the hallway.
Sarah Brianne (Nero (Made Men, #1))
We are not to look to what men in themselves deserve but to attend to the image of God which exists in all and to which we owe all honor and love.
John Calvin (Institutes of the Christian Religion, 2 Vols)
We do not have to spend money and go hungry and struggle and study to become sensual; we always were. We need not believe we must somehow earn good erotic care; we always deserved it. Femaleness and its sexuality are beautiful. Women have long secretly suspected as much. In that sexuality, women are physically beautiful already; superb; breathtaking. Many, many men see this way too. A man who wants to define himself as a real lover of women admires what shows of her past on a woman's face, before she ever saw him, and the adventures and stresses that her body has undergone, the scars of trauma, the changes of childbirth, her distinguishing characteristics, the light is her expression. The number of men who already see in this way is far greater than the arbiters of mass culture would lead us to believe, since the story they need to tell ends with the opposite moral.
Naomi Wolf (The Beauty Myth)
what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose
Rupi Kaur (The Sun and Her Flowers)
With my guitar, I could write my own stories, my own poems, and my own destiny. No one could take away the feelings, the emotions or the truth of my notes. They could hide secrets and provoke images of words that never should be whispered. I could compose the melody of my aching heart and write into it my own happily ever after since no one seemed to think after all my suffering I deserved one. That's okay, I would make my own.
Christine Zolendz (Saving Grace (Mad World, #2))
He sighed profoundly, and flung himself - there was a passion in his movements which deserves the word - on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship - it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stopped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer's evening were woven web-like about his body.
Virginia Woolf (Orlando)
It wasn't a perfect body but it was the body she deserved. Not just from every bar of chocolate or bag of crisps or laden plate of food that she'd eaten. This body was also testament to all the hours in the gym and cycling up hills on her bike and glugging down two litres of water a day and learning to love vegetables and fruits that didn't come as optional extra with a pastry crust. She'd earned this body. This was her body and she had to stop giving it such a hard time.
Sarra Manning (You Don't Have to Say You Love Me)
THIS IS WHAT A MAN LOOKS LIKE. HE DOES NOT HAVE TO BE AESTHETICALLY PLEASING; HE DOES NOT HAVE TO BE MUSCULAR; HE DESERVES NOT TO BE PHOTOSHOPPED. HE IS HUMAN, AND HE HAS BLEMISHES. HERE HE STANDS, VISIBLE. HE SEES YOU ALL, COUNTLESS INVISIBLE OTHERS LIKE HIM. THIS BODY IS ACCEPTABLE — PUBESCENT, AWKWARD, MARRED. YOU DON’T HAVE TO BE INVISIBLE. WE ARE ALL GOOD ENOUGH. THERE IS NOTHING WRONG WITH OUR BODIES.
Agnostic Zetetic
If life gives you a passport size dream, don't frame it... Order for a reprint... Go for the bigger picture of you! You deserve a bigger and bright image of you... Go and soar like an eagle!
Israelmore Ayivor (Daily Drive 365)
Many women have tried to compare to you, but they are only flawed imitations. You deserve the worlds admiration.
Delano Johnson (Love Quotes)
It is only too clear that man is not at home in this universe, and yet he is not good enough to deserve a better.
Greil Marcus (Mystery Train: Images of America in Rock 'n' Roll)
Since all people are in the image of God, all deserve to be treated with the dignity the image affords.
John H. Walton (Genesis (The NIV Application Commentary))
The ringtone was a dead giveaway, emphasis on dead . . . creepy organ music. She didn’t even have to glance at the image of fanged bunny slippers on the screen to know who was calling. She just sighed, thumbed it on, and held it to her ear. “Claire! I need you here immediately. Something’s wrong with Bob.” Myrnin, her mad-scientist, blood-addicted boss, sounded actually shaken. “I can’t get him to eat his insects, and I used his favorites. He just sits there.” “Bob,” she repeated, looking at Shane in wide-eyed disbelief. “Bob the spider.” “Just because he’s a spider doesn’t mean he deserves any less concern! Claire, you have a way with him. He likes you.” Just what she needed. Bob the spider liked her. “You do realize that he’s a year old, at least. And spiders don’t live that long.” “You think he’s dead?” Myrnin sounded horrified. So wrong. “Is he curled up?” “No. He’s just quiet.” “Well, maybe he’s not hungry.” “Will you come?” Myrnin asked. He sounded calmer now, but also oddly needy. “It’s been very lonely here these past few days. I’d like your company, at least for a little while.” When she hesitated, he used the pity card. “Please, Claire.” “Fine,” she sighed. “I’m bringing Shane.” After a second of silence, he said, flatly, “Goody,” and hung up.
Rachel Caine
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected and tortured after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves again. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me?
Ray Bradbury (Fahrenheit 451)
For whatever deserves to exist deserves also to be known, for knowledge is the image of existence and things mean and splendid exist alike.
Francis Bacon
Storm had never wished to own Tom, only to protect him. He’d fought all his life to deserve Tom, to belong to Tom, to live up to the image Tom had of him. To put it simply, he was wholeheartedly Tom’s, and Tom was too good to be his.
Alexandra Almeida (Unanimity (Spiral Worlds, #1))
We’re hungry for acceptance—from ourselves even more than from others—for love, for fulfillment, for peace. We’re hungry for a life we think we don’t deserve or can’t have, for the person we know we can be if only we’d give ourselves the chance.
Mary DeTurris Poust (Cravings: A Catholic Wrestles with Food, Self-Image, and God)
If you grow up with a wholly negative self-image, thinking you’re some kind of reject, an unlovable savage, you think you deserve to be beaten.
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
Because when you kiss your first boy or girl, you don't want to be so caught up in your lack of self-worth that you forget to enjoy the kiss, that you forget that you deserve the pleasure of that moment. You don't want to be so caught up in your lack of self-worth that you become an object of his or her desire, a grateful unworthy slave to his or her attention.
Jamie Le Fay (Disillusion (Ahe'ey, #3))
Satan has long been known as the Adversary, but God fears women even more than He fears the devil–and is right to. She, with her power to bring life into the world, was truly made in the image of the Creator, not man, and in all ways has proved Herself a more deserving object of man’s worship than Christ, that unshaven fanatic who lusted for the end of the world. God saves–but not now, and here. His salvation is on layaway. Like all grifters, He asks you to pay now and take it on faith that you will receive later. Whereas women offer a different sort of salivation, more immediate and fulfilling. They don’t put off their love, for a distant, ill-defined eternity but make a gift of it in the here and now, frequently to those who deserve it least
Joe Hill (Horns)
What great gravity is this that drew my soul towards yours? What great force, that though I went falsely, went kicking, went disguising myself to earn your love, also disguised, to earn your keeping, your resting, your staying, your will fleshed into mine, rasped by a slowly revealed truth, the barter of my soul, the soul that I fear, the soul that I loathe, the soul that: if you will love, I will love. I will redeem you, if you will redeem me? Is this our purpose, you and I together to pacify each other, to lead each other toward the lie that we are good, that we are noble, that we need not redemption, save the one that you and I invented of our own clay? I am not scared of you, my love, I am scared of me. I went looking, I wrote out a list, I drew an image, I bled a poem of you. You were pretty and my friends believed I was worthy of you. You were clever, but I was smarter, perhaps the only one smarter, the only one able to lead you. You see, love, I did not love you, I loved me. And you were only a tool that I used to fix myself, to fool myself, to redeem myself. And though I have taught you to lay your lily hand in mine, I walk alone, for I cannot talk to you, lest you talk it back to me, lest I believe that I am not worthy, not deserving, not redeemed. I want desperately for you to be my friend. But you are not my friend; you have slid up warmly to the man I wanted to be, the man I pretended to be, and I was your Jesus and, you were mine. Should I show you who I am, we may crumble. I am not scared of you my love, I am scared of me. I want to be known and loved anyway. Can you do this? I trust by your easy breathing that your are human like me, that you are fallen like me, that you are lonely, like me. My love, do I know you? What is this great gravity that pulls us so painfully toward each other? Why do we not connect? Will we be forever in fleshing this out? And how will we with words, narrow words, come into the knowing of each other?
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
What I did as an influencer was strap a jet pack on the idea that I—the person in the photograph—deserve to benefit from that image more than people who create and sell images of me without my consent.
Paris Hilton (Paris: The Memoir)
Is it really true that you’re not perfect just the way you are? Can you see all the judgments that you have about yourself? Every judgment is just an opinion — it’s just a point of view — and that point of view wasn’t there when you were born. Everything you think about yourself, everything you believe about yourself, is because you learned it. You learned the opinions from Mom, Dad, siblings, and society. They sent all those images of how a body should look; they expressed all those opinions about the way you are, the way you are not, the way you should be. They delivered a message, and you agreed with that message. And now you think so many things about what you are, but are they the truth? You see, the problem is not really knowledge; the problem is believing in a distortion of knowledge — and that is what we call a lie. What is the truth, and what is the lie? What is real, and what is virtual? Can you see the difference, or do you believe that voice in your head every time it speaks and distorts the truth while assuring you that what you believe is the way things really are? Is it really true that you’re not a good human, and that you’ll never be good enough? Is it really true that you don’t deserve to be happy? Is it really true that you’re not worthy of love?
Miguel Ruiz (The Fifth Agreement: A Practical Guide to Self-Mastery (A Toltec Wisdom Book))
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers and swimmers instead of examiners, critics, knowers and imaginative creators, the word 'intellectual' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally 'bright,' did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn't it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of a well-read man? Me? I won't stomach them for a minute. And so when houses were finally fireproofed completely, all over the world [...] there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors.
Ray Bradbury (Fahrenheit 451)
Dear Fathers of the Fatherless Children, Chief Guardians work so hard to provide for our children because we want nothing but the best for our sons and daughters, as you should too. Chief Guardians always give our everything and the little fuel we have left without asking for anything in return. What saddens me, fathers of the fatherless children is that most of the Chief Guardians are on government assistance because they do not have the help they deserve from you. Are you comfortable with the government taking care of your children? Chief Guardians sacrifice so much for our children. We sacrifice so much because our babies are our blueprint, they are an image of us.
Charlena E. Jackson (Dear fathers of the fatherless children)
Sometimes I want to quit - not performing, but being a woman altogether. I want to throw my hands in the air after reading a mean Twitter comment and say, "All right, you got me. You figured me out. I'm not pretty. I'm not thin. I don't deserve love. I have no right to use my voice. I will start wearing a burka and move to a small town upstate and wait tables at a pancake house." So much has changed about me since I was that confident, happy girl in high school. In the years since then, I've experienced a lot of desperation and self-doubt, but in a way, I've come full circle. I know my worth. I embrace my power. I say if I'm beautiful. I say if I'm strong. You will not determine my story. I will. I'll speak and share and fuck and love, and I will never apologise for it. I am amazing for you, not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. And I am all of you.
Amy Schumer (The Girl with the Lower Back Tattoo)
Only then will women be able to talk about what “beauty” really involves: the attention of people we do not know, rewards for things we did not earn, sex from men who reach for us as for a brass ring on a carousel, hostility and scepticism from other women, adolescence extended longer than it ought to be, cruel aging, and a long hard struggle for identity. And we will learn that what is good about “beauty”—the promise of confidence, sexuality, and the self-regard of a healthy individuality—are actually qualities that have nothing to do with “beauty” specifically, but are deserved by and, as the myth is dismantled, available to all women. The best that “beauty” offers belongs to us all by right of femaleness. When we separate “beauty” from sexuality, when we celebrate the individuality of our features and characteristics, women will have access to a pleasure in our bodies that unites us rather than divides us. The beauty myth will be history.
Naomi Wolf (The Beauty Myth: How Images of Beauty Are Used Against Women)
What sinners need (shall we say deserve?) is love and healing, not torture and death. We are worthy of God’s love and healing not on the basis of personal merit but because of the image we bear: the very image of God. Original blessing is more original than original sin!
Brian Zahnd (Sinners in the Hands of a Loving God: The Scandalous Truth of the Very Good News)
Never treat people with disdain, they all deserve your respect irrespective of their faith or religion
Sunday Adelaja
I wanted to look at her once more, to capture the image of her sweet face and take it with me to hell. But I didn’t deserve that last bit of comfort.
Celia Aaron (Dark Protector)
We should not regard what a man is and what he deserves: but we should go higher – that it is God who has placed us in the world for such a purpose that we be united and joined together. He has impressed his image in us and has given us a common nature, which should incite us to providing one for the other. The man who wishes to exempt himself from providing for his neighbors should face himself and declare that he no longer wishes to be a man, for as long as we are human creatures we must contemplate as in a mirror our face in those who are poor, despised, exhausted, who groan under their burdens . .
John Calvin
I whispered this observation to Sadie as we stood beside the big screen with its marching images of Miz Mimi. She was crying, too, but had to step off the stage and into the wings as laughter first fought with and then overcame her tears. Safely back in the shadows, she looked at me reproachfully . . . and then gave me the finger. I decided I deserved it. I wondered if Miz Mimi would still think Sadie and I were getting along famously.
Stephen King (11/22/63)
Freedom of speech . It doesn't mean you should falsely accuse others, without proof or facts. It doesn't mean oppressing others, insulting others , tainting and ruining others reputation and life, because you strongly feel they deserve it.
D.J. Kyos
The past keeps drawing him back, there is just so much of it. Too much to bear. The past is a weight that pulls him down beneath dark and cloudy waters. An image comes unbidden to his mind. A vision of a wheel, and the wheel no longer turns. It is not that I prefer the company of the dead, he thinks, it is that the dead are the only company I have, the only company I deserve. There is another existence, a wheel that still turns, and I can see it, but I see it as if through a veil.
Jake Ozga (Into Dark Water)
I know, it’s a lotto take in. Never thought you’d be this happy, did you? Or this lucky. Blimey, go ahead and envy yourself. Countless other people will, I assure you.” A laugh escaped me even as my eyes became so shiny, his image started to blur. “You might be the most conceited man I’ve ever met, and I’ve met millions of them.” His low, seductive laugh coincided with his hands settling on my hips. “Then I deserve a spanking, don’t I? Here, I’ll start things off.” - Ian and Veritas
Jeaniene Frost (Shades of Wicked (Night Rebel, #1))
She, with her power to bring life into the world, was truly made in the image of the Creator, not man, and in all ways has proved Herself a more deserving object of man’s worship than Christ, that unshaven fanatic who lusted for the end of the world.
Joe Hill (Horns)
Gudrun Zomerland has written about trauma as “the shaking of a soul.” “The German word for trauma [is] ‘Seelenerschütterung.’ The first part, ‘Seele’ means soul. . . . ‘Erschütterung’ is something that shakes us out of the ordinary flow and out of our usual sense of time into an extraordinary state.”32 Trauma, then, is a soul-shaking experience that ruptures the continuity of our lives and tosses us into an alternate existence. When this soul shaking occurs frequently and early in life, as a result of prolonged neglect, what was originally an extraordinary state gradually becomes ordinary. It is the world as we know it—unsafe, unreliable, and frightening. This is a profound loss and a lingering sorrow that is difficult to hold. The failure of the world to offer us comfort in the face of trauma causes us to retreat from the world. We live on our heels, cautiously assessing whether it is safe to step in; we rarely feel it is. One man I worked with slowly revealed how he expected less than zero from life. He deserved nothing. He had a hard time asking for salt at a restaurant. His persistent image in therapy was of a small boy hiding behind a wall. It was not safe for him to venture into the world. He was terrified of being seen. I know, because I lived this way for forty years, wary and determined to prevent further pain by remaining on the margins of life, untouchable and seemingly safe.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
ADAPTIVE SURVIVAL STYLE CORE DIFFICULTIES The Connection Survival Style Disconnected from physical and emotional self Difficulty relating to others The Attunement Survival Style Difficulty knowing what we need Feeling our needs do not deserve to be met The Trust Survival Style Feeling we cannot depend on anyone but ourselves Feeling we have to always be in control The Autonomy Survival Style Feeling burdened and pressured Difficulty setting limits and saying no directly The Love-Sexuality Survival Style Difficulty integrating heart and sexuality Self-esteem based on looks and performance
Laurence Heller (Healing Developmental Trauma: How Early Trauma Affects Self-Regulation, Self-Image, and the Capacity for Relationship)
The great imaginative artists have always sailed "in the wind's eye," and brought back with them words or sounds or images to "counterbalance human woes." That they themselves were subject to more than their fair share of these woes deserves our appreciation, understanding, and very careful thought.
Kay Redfield Jamison (Touched with Fire: Manic-Depressive Illness and the Artistic Temperament)
But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollows of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flesh of tattered flags kindling in the doom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumn trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore. It seemed now as if, touched by human penitence and all its toil, divine goodness had parted the curtain and displayed behind it, single, distinct, the hare erect; the wave falling; the boat rocking; which, did we deserve them, should be ours always. But alas, divine goodness, twitching the cord, draws the curtain; it does not please him; he covers his treasures in a drench of hail, and so breaks them, so confuses them that it seems impossible that their calm should ever return or that we should ever compose from their fragments a perfect whole or read in the littered pieces the clear words of truth. For our penitence deserves a glimpse only; our toil respite only. The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer.
Virginia Woolf (To the Lighthouse)
What more easily explained and natural? With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man’s mind. Who knows who might be the target of the well-read man?
Ray Bradbury (Fahrenheit 451)
Being Indian is living with a wound that’s never healed. The violence, the alcoholism, the unemployment—White people think that's who we are, who we've always been, that somehow we deserve this. No matter how many of us they see who don't fit that image, they continue to believe it. And you want to know the worst thing? A lot of Indians believe it too.
William Kent Krueger (Windigo Island (Cork O'Connor, #14))
Satan has long been known as the Adversary, but God fears women even more than He fears the devil—and is right to. She, with her power to bring life into the world, was truly made in the image of the Creator, not man, and in all ways has proved Herself a more deserving object of man’s worship than Christ, that unshaven fanatic who lusted for the end of the world.
Joe Hill (Horns)
Would the behavior of the United States during the war—in military action abroad, in treatment of minorities at home—be in keeping with a “people’s war”? Would the country’s wartime policies respect the rights of ordinary people everywhere to life, liberty, and the pursuit of happiness? And would postwar America, in its policies at home and overseas, exemplify the values for which the war was supposed to have been fought? These questions deserve thought. At the time of World War II, the atmosphere was too dense with war fervor to permit them to be aired. For the United States to step forward as a defender of helpless countries matched its image in American high school history textbooks, but not its record in world affairs. It had opposed the Hatian revolution for independence from France at the start of the nineteenth century. It had instigated a war with Mexico and taken half of that country. It had pretended to help Cuba win freedom from Spain, and then planted itself in Cuba with a military base, investments, and rights of intervention. It had seized Hawaii, Puerto Rico, Guam, and fought a brutal war to subjugate the Filipinos. It had “opened” Japan to its trade with gunboats and threats. It had declared an Open Door Policy in China as a means of assuring that the United States would have opportunities equal to other imperial powers in exploiting China. It had sent troops to Peking with other nations, to assert Western supremacy in China, and kept them there for over thirty years.
Howard Zinn (A People's History of the United States: 1492 to Present)
All human beings have a share of the logos, and all have roles to play in the vast design that is the world. But this is not to say that all humans are equal or that the roles they are assigned are interchangeable. Marcus, like most of his contemporaries, took it for granted that human society was hierarchical, and this is borne out by the images he uses to describe it. Human society is a single organism, like an individual human body or a tree. But the trunk of the tree is not to be confused with the leaves, or the hands and feet with the head. Our duty to act justly does not mean that we must treat others as our equals; it means that we must treat them as they deserve. And their deserts are determined in part by their position in the hierarchy.
Marcus Aurelius (Meditations)
Hence we may, with proper precautions, regard a certain humility as the overall characteristic of medieval art. Of the art; not always of the artists. Self-esteem may arise within any occupation at any period. A chef, a surgeon, or a scholar, may be proud, even to arrogance, of his skill; but his skill is confessedly the means to an end beyond itself, and the status of the skill depends wholly on the dignity or necessity of that end. I think it was then like that with all the arts. Literature exists to teach what is useful, to honour what deserves honour, to appreciate what is delightful. The useful, honourable, and delightful things are superior to it: it exists for their sake; its own use, honour, or delightfulness is derivative from theirs. In that sense the art is humble even when the artists are proud; proud of their proficiency in the art, but not making for the art itself the high Renaissance or Romantic claims. Perhaps they might not all have fully agreed with the statement that poetry is infima inter omnes doctrinas.17 But it awoke no such hurricane of protest as it would awake today. In this great change something has been won and something lost. I take it to be part and parcel of the same great process of Internalisation18 which has turned genius from an attendant daemon into a quality of the mind. Always, century by century, item after item is transferred from the object’s side of the account to the subject’s. And now, in some extreme forms of Behaviourism, the subject himself is discounted as merely subjective; we only think that we think. Having eaten up everything else, he eats himself up too. And where we ‘go from that’ is a dark question.
C.S. Lewis (The Discarded Image: An Introduction to Medieval and Renaissance Literature)
We can’t go from zero to sixty in a day or even a week when it comes to shifting our food-habit gears. We have to take baby steps, starting with an increasing awareness of our habits and a willingness to chip away at the ones that aren’t doing us any good. Slowly, with time and commitment, we move away from the rat-race, multitasking mentality to a place where we want to give our meals and ourselves the time and attention we deserve.
Mary DeTurris Poust (Cravings: A Catholic Wrestles with Food, Self-Image, and God)
That the Old Testament represents God chiefly as angry Judge and vicious Warrior is a false stereotype. While these images are not absent, they are more than balanced by striking portrayals of God as Lover or Husband, infatuated with Israel beyond all reason or deserving. God is not too proud to grieve terribly over Israel's unfaithfulness, nor to be giddy over her return home. ... [This covenant's] primary quality is love at the highest pitch of intensity.
Ellen F. Davis (Getting Involved with God: Rediscovering the Old Testament)
I remember thinking: if the day becomes more violent, who do you blame? The English, whose behaviour on the square could be said to have been so provocative that they deserved whatever they got? The Italians, whose welcome consisted in inflicting injuries upon their visitors? Or can you place some of the blame on these men with their television equipment and their cameras, whose misrepresentative images served only to reinforce what everyone had come to expect.
Bill Buford
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Complaining and whining - even a mere cry in bodily pain - is unworthy of you, especially if you know you have deserved the pain; thus a criminal's death may be ennobled (its disgrace averted) by the resoluteness with which he dies. - Kneeling down or prostrating oneself on the ground, even as an outward sign o9f veneration for holy things, is contrary to the dignity of humanity, as is invoking these in the presence of images; for you then humble yourself, not before an Ideal presented by your own reason, but before an Idol of your own making.
Immanuel Kant (The Doctrine of Virtue: Part 2 of The Metaphysic of Morals)
Malcolm Muggeridge, once a keen British social and cultural critic who in his old age became something of a religious fanatic. While working on his own documentary on Mother Teresa for the BBC, aired in 1969, he felt he had experienced an authentic miracle: After filming footage in a dark residence called the House of the Dying, Muggeridge was astounded to discover, when later viewing the footage, that the images were in fact clearly visible. Muggeridge himself exclaimed: "It's divine light! It's Mother Teresa. You'll find that it's divine light, old boy" (MT 27). (I like that "old boy" remark-so distinctively British.) Unfortunately, Muggeridge's cameraman, Ken Macmillan, calmly pointed out that the effect was the result of a new kind of film created by Kodak. But Muggeridge's "miracle" had by this time already spread and is still being talked about. To Hitchens, however, the significance of the episode is very different: "It is the first unarguable refutation of a claimed miracle to come not merely from another supposed witness to said miracle but from its actual real-time author. As such, it deserves to be more widely known than it is" (MT 27). But, alas, the average person is far more inclined to believe in "miracles," however fake, than in the debunking of miracles, however real.
S.T. Joshi (The Unbelievers: The Evolution of Modern Atheism)
Authoritarians rise when economic, social, political, or religious change makes members of a formerly powerful group feel as if they have been left behind. Their frustration makes them vulnerable to leaders who promise to make them dominant again. A strongman downplays the real conditions that have created their problems and tells them that the only reason they have been dispossessed is that enemies have cheated them of power. Such leaders undermine existing power structures, and as they collapse, people previously apathetic about politics turn into activists, not necessarily expecting a better life, but seeing themselves as heroes reclaiming the country. Leaders don’t try to persuade people to support real solutions, but instead reinforce their followers’ fantasy self-image and organize them into a mass movement. Once people internalize their leader’s propaganda, it doesn’t matter when pieces of it are proven to be lies, because it has become central to their identity. As a strongman becomes more and more destructive, followers’ loyalty only increases. Having begun to treat their perceived enemies badly, they need to believe their victims deserve it. Turning against the leader who inspired such behavior would mean admitting they had been wrong and that they, not their enemies, are evil. This, they cannot do.
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)
He sighed profoundly, and flung himself—there was a passion in his movements which deserves the word—on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth’s spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship—it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out.
Virginia Woolf (Orlando: A Biography)
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
I wondered how I would come to love a woman, and with both pleasure and terror, I would think that somewhere in the world there was some laughing, singing girl who would one day become my wife. In my mind, I could see her dancing and playing and flirting in preparation for that day of awe and wonder when we would meet and in mutual ecstasy declare, “I shall live with you forever.” How much of my father would I bring to that singing girl’s life? How much of my mother? And how many days would it take before I, Tom Wingo, child of storm, would silence her laughter and song for all time? How long would it take for me to end the dance of that laughing girl who would not know the doubts and imperfections I brought to the task of loving a woman? I loved the image of this girl long before I ever met her and wanted to warn her to beware the day when I would come into her life. Somewhere in America she was waiting out her childhood innocent of her destiny. She did not know that she was on a collision course with a boy so damaged and bewildered he would spend his whole life trying to figure out how love was supposed to feel, how it manifested itself between two people, and how it could be practiced without rage and sorrow and blood. I was thirteen years old when I decided that this wonderful girl deserved much better and I would warn her long before I interfered with her lovely passage and transfiguring dance.
Pat Conroy (The Prince of Tides)
All of us deserve better than what thinness takes. We deserve a new paradigm of health: one that acknowledges its multifaceted nature and holds t-cell counts and blood pressure alongside mental health and chronic illness management. We deserve a paradigm of personhood that does not make size or health a prerequisite for dignity and respect. We deserve more places for thin people to heal from the endless social messages that tell them at once that their bodies will never be perfect enough to be beautiful and simultaneously that their bodies make them inherently superior to fatter people. We deserve spaces for thin people to build their self-confidence with one another so that the task no longer falls to fat people who are already contending with widespread judgment, harassment, and even discrimination. We deserve more spaces for fat people too—fat-specific spaces and fat-only spaces, where we can have conversations that can thrive in specificity, acknowledging that our experiences of external discrimination are distinct from internal self-confidence and body image issues (though we may have those too). We deserve those separate spaces so that we can work through the trauma of living in a world that tells all of us that our bodies are failures—punishing thin people with the task of losing the last ten pounds and fat people with the crushing reality of pervasive social, political, and institutional anti-fatness. We deserve more spaces to think and talk critically about our bodies as they are, not as we wish they were, or as an unforgiving and unrealistic culture pressures them to change. We deserve spaces and movements that allow us to think and talk critically about the messages each of us receive about our bodies—both on a large scale, from media and advertising, and on a small scale, interpersonally, with friends and family. But we can only do this if we acknowledge the differences in our bodies and the differences in our experiences that spring from bodies. We deserve to see each other as we are so that we can hear each other. And the perfect, unreachable standard of thinness is taking that from us.
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
Religious intolerance is an idea that found its earliest expression in the Old Testament, where the Hebrew tribe depicts itself waging a campaign of genocide on the Palestinian peoples to steal their land. They justified this heinous behavior on the grounds that people not chosen by their god were wicked and therefore did not deserve to live or keep their land. In effect, the wholesale slaughter of the Palestinian peoples, eradicating their race with the Jew's own Final Solution, was the direct result of a policy of religious superiority and divine right. Joshua 6-11 tells the sad tale, and one needs only read it and consider the point of view of the Palestinians who were simply defending their wives and children and the homes they had built and the fields they had labored for. The actions of the Hebrews can easily be compared with the American genocide of its native peoples - or even, ironically, the Nazi Holocaust. With the radical advent of Christianity, this self-righteous intolerance was borrowed from the Jews, and a new twist was added. The conversion of infidels by any means possible became the newfound calling card of religious fervor, and this new experiment in human culture spread like wildfire. By its very nature, how could it not have? Islam followed suit, conquering half the world in brutal warfare and, much like its Christian counterpart, it developed a new and convenient survival characteristic: the destruction of all images and practices attributed to other religions. Muslims destroyed millions of statues and paintings in India and Africa, and forced conversion under pain of death (or by more subtle tricks: like taxing only non-Muslims), while the Catholic Church busily burned books along with pagans, shattering statues and defacing or destroying pagan art - or converting it to Christian use. Laws against pagan practices and heretics were in full force throughrout Europe by the sixth century, and as long as those laws were in place it was impossible for anyone to refuse the tenets of Christianity and expect to keep their property or their life. Similar persecution and harassment continues in Islamic countries even to this day, officially and unofficially.
Richard C. Carrier (Sense and Goodness Without God: A Defense of Metaphysical Naturalism)
Then there is the butterfly-or is it a moth? Humbert's inability to differentiate between the two,his indifference, implies a moral carelessness. This blind indifference echoes his callous attitude towards Lolita's nightly sobs. Those who tell us Lolita is a little vixen who deserved what she got should remember her nightly sobs in the arms of her rapist and jailer, because you see, as Humbert reminds us with a mixture of relish and pathos, "she had absolutely nowhere else to go." This came to mind when we were discussing in our class Humbert's confiscation of Lolita's life. The first thing that struck us in reading Lolita-in fact it was on the very first page-was how Lolita was given to us as Humbert's creature. We only see her in passing glimpses. "What I had madly possessed," he informs us, "was not she, but my own creation, another fanciful Lolita-perhaps, more real than Lolita . . . having no will, no consciousness-indeed no real life of her own." Humbert pins Lolita by first naming her, a name that becomes the echo of his desires. To reinvent her, Humbert must take from Lolita her own real history and replace it with his own, turning Lolita into a reincarnation of his lost, unfulfilled young love. Humbert's solipsization of Lolita. Yet she does have a past. Despite Humbert's attempts to orphan Lolita by robbing her of her history. Lolita has a tragic past, with a dead father and a dead two-year-old brother. And now also a dead mother. Like my students, Lolita's past comes to her not so much as a loss but as a lack, and like my students, she becomes a figment in someone else's dream. When I think of Lolita, I think of that half-alive butterfly pinned to the wall. The butterfly is not an obvious symbol, but it does suggest that Humbert fixes Lolita in the same manner that the butterfly is fixed; he wants her, a living breathing human being, to become stationary, to give up her life for the still life he offers her in return. Lolita's image is forever associated in the minds of her readers with that of her jailer. Lolita on her own has no meaning; she can only come to life through her prison bars. This is how I read Lolita. Again and again as we discussed Lolita in that class. And more and more I thought of that butterfly; what linked us so closely was this perverse intimacy of victim and jailer.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
I think the greatest problem with religious systems such as Christianity is their pessimistic view of human nature. If you teach a generation of children that they are sinful creatures by nature, that left on their own they are morally corrupt, deserving of eternal torment in hell, that they are not to be trusted to think their own (selfish, evil) thoughts, all of this can become—has become—a self-fulfilling prophecy. Whole segments of the population grow up with a negative self-image, thinking they really are rotten, in need of a savior or father figure. They are told they are bad, so they act like it. Their religion exaggerates and demonizes normal human feelings, turning them into cosmic struggles with evil, creating devils to be fought instead of problems to be solved.
Dan Barker
What more easily explained and natural? With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word "intellectual," of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own class who was exceptionally 'bright', did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn't it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against.
Ray Bradbury (Fahrenheit 451)
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
He wants to tell her that he is not hopeless, that he is not filled with hatred or violence, that he is not a number, a 300 or 600 or any hundred, but just a kid with no one and nothing, and who would do anything to make it otherwise. Just tell me how, he wants to scream. He wants to tell her what it's like to have the same dream night after night, that he's playing tag with his little sister, laughing, happy - then waking up and not knowing if the image in his head is a dim memory, or just something his mind cooked up to fill the black hole. Do you know what it's like to have no past? he wants to ask. And behind it all, like a ringing in his ears, is the question that really nags at him all the time, the one that has haunted him since he was six years old and his family evaporated. He wants to ask it, then and there and for good: What did I do wrong back then? What did I do to deserve this life?
Edward Humes (No Matter How Loud I Shout: A Year in the Life of Juvenile Court)
He sighed profoundly, and flung himself — there was a passion in his movements which deserves the word — on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth’s spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding, or the deck of a tumbling ship — it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stepped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer’s evening were woven web-like about his body.
Virginia Woolf (Orlando)
Good Lord, Gray thought. Here he held this woman in his arms while she made him out to be some sort of…not a saint, exactly, but a man possessing a shred of honor. And all the while she trembled against his body, soft and damp and warm, never suspecting the dozens of ways in which he longed to dishonor them both. Would she still allow him to hold her like this, encircled in his arms, her backside pressed against his swelling groin, if she could read his thoughts? If she knew that when she titled her head to bury her face in his sleeve, she gave him a direct view of the alabaster curve of her neck, the carved ivory of her collarbone, and the exquisite image that would haunt his dreams-the soft, rose-scented valley between her breasts? God, what a lecherous bastard he was. He’d been ashamed of many things in his life, but never before had he felt so ashamed simply to be a man, a part of this violent, brutish race of creatures who flogged one another, beat helpless boys with marlinespikes, and lusted after unsuspecting governesses while they were overset with emotion. This woman was bred for better things, deserved better things. Better than this ship, this life. Better than a base, craving creature like him.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Last Words to Miriam ~ By D. H. Lawrence Yours is the shame and sorrow But the disgrace is mine; Your love was dark and thorough, Mine was the love of the sun for a flower He creates with his shine. I was diligent to explore you, Blossom you stalk by stalk, Till my fire of creation bore you Shrivelling down in the final dour Anguish—then I suffered a balk. I knew your pain, and it broke My fine, craftsman’s nerve; Your body quailed at my stroke, And my courage failed to give you the last Fine torture you did deserve. You are shapely, you are adorned, But opaque and dull in the flesh, Who, had I but pierced with the thorned Fire-threshing anguish, were fused and cast In a lovely illumined mesh. Like a painted window: the best Suffering burnt through your flesh, Undressed it and left it blest With a quivering sweet wisdom of grace: but now Who shall take you afresh? Now who will burn you free, From your body’s terrors and dross, Since the fire has failed in me? What man will stoop in your flesh to plough The shrieking cross? A mute, nearly beautiful thing Is your face, that fills me with shame As I see it hardening, Warpening the perfect image of God, And darkening my eternal fame.
D.H. Lawrence
At the risk of oversimplifying a topic that deserves entire books, we can summarize like this: During enslavement, many Black cooks learned their way around kitchens because their lives could depend on having that knowledge and skill. After slavery was abolished, many took to slinging fried chicken (or cooking in general) as one way to make a living. Interestingly, it wasn’t until Black folks began navigating their supposed freedoms-applying to schools, looking for paid work, seeking housing-that cartoonish, offensive images of Black folks eagerly consuming chicken or stealing chickens began to appear in essays, comics, advertisements, and postcards, perpetuating a narrative by white society that Black people were subhuman and needed to be controlled, policed, and locked out of mainstream opportunities. Exacerbated by the deep white resentment of Black people’s increasing social and political mobility (this period saw the largest representation of Black people in Congress than any time since), the idea took root that being Black meant that you loved fried chicken so much that you couldn’t resist it. This narrative is a painful legacy of slavery that wasn’t of our own making and is ironic, given that people all over the world get down with wings and things. But the essence of this stereotype persists. We know folks who refuse to eat fried chicken around white people, or chefs who don’t cook it in their restaurants, because they feel that’s the only thing certain diners expect from them…American fried chicken tastes good. It’s also complicated.
Jon Gray (Ghetto Gastro Presents Black Power Kitchen)
Yes, but what about the firemen, then?” asked Montag. “Ah.” Beatty leaned forward in the faint mist of smoke from his pipe. “What more easily explained and natural? With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man’s mind. Who knows who might be the target of the well-read man? Me? I won’t stomach them for a minute. And so when houses were finally fireproofed completely, all over the world (you were correct in your assumption the other night) there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior; official censors, judges, and executors. That’s you, Montag, and that’s me.
Ray Bradbury (Fahrenheit 451)
I have seen elsewhere houses in ruins, and statues both of gods and men: these are men still. 'Tis all true; and yet, for all that, I cannot so often revisit the tomb of that so great and so puissant city,—[Rome]— that I do not admire and reverence it. The care of the dead is recommended to us; now, I have been bred up from my infancy with these dead; I had knowledge of the affairs of Rome long before I had any of those of my own house; I knew the Capitol and its plan before I knew the Louvre, and the Tiber before I knew the Seine..... .... Finding myself of no use to this age, I throw myself back upon that other, and am so enamoured of it, that the free, just, and flourishing state of that ancient Rome (for I neither love it in its birth nor its old age) interests and impassionates me; and therefore I cannot so often revisit the sites of their streets and houses, and those ruins profound even to the Antipodes, that I am not interested in them. Is it by nature, or through error of fancy, that the sight of places which we know to have been frequented and inhabited by persons whose memories are recommended in story, moves us in some sort more than to hear a recital of their—acts or to read their writings? It pleases me to consider their face, bearing, and vestments: I pronounce those great names betwixt my teeth, and make them ring in my ears: Of things that are in some part great and admirable, I admire even the common parts: I could wish to see them in familiar relations, walk, and sup. It were ingratitude to contemn the relics and images of so many worthy and valiant men as I have seen live and die, and who, by their example, give us so many good instructions, knew we how to follow them. And, moreover, this very Rome that we now see, deserves to be beloved.
Michel de Montaigne (The Complete Essays)
Byron’s diabolism, if indeed it deserves the name, was of a mixed type. He shared, to some extent, Shelley’s Promethean attitude, and the Romantic passion for Liberty; and this passion, which inspired his more political outbursts, combined with the image of himself as a man of action to bring about the Greek adventure. And his Promethean attitude merges into a Satanic (Miltonic) attitude. The romantic conception of Milton’s Satan is semi-Promethean, and also contemplates Pride as a virtue. It would be difficult to say whether Byron was a proud man, or a man who liked to pose as a proud man – the possibility of the two attitudes being combined in the same person does not make them any less dissimilar in the abstract. Byron was certainly a vain man, in quite simple ways: I can’t complain, whose ancestors are there, Erneis, Radulphus – eight-and-forty manors (If that my memory doth not greatly err) Were their reward for following Billy’s banners. His sense of damnation was also mitigated by a touch of unreality: to a man so occupied with himself and with the figure he was cutting nothing outside could be altogether real. It is therefore impossible to make out of his diabolism anything coherent or rational. He was able to have it both ways, it seems; and to think of himself both as an individual isolated and superior to other men because of his own crimes, and as a naturally good and generous nature distorted by the crimes committed against it by others. It is this inconsistent creature that turns up as the Giaour, the Corsair, Lara, Manfred and Cain; only as Don Juan does he get nearer to the truth about himself. But in this strange composition of attitudes and beliefs the element that seems to me most real and deep is that of a perversion of the Calvinist faith of his mother’s ancestors.
T.S. Eliot (On Poetry and Poets)
I've asked a number of analytic metaphysicians whether they can distinguish their enterprise from naïve naïve naive auto-anthropology of their clan, and have not received any compelling answers. The alternative is sophisticated naïve anthropology (both auto- and hetero-)-- the anthropology that reserves judgment about whether any of the theorems produced by the exercise deserve to be trusted--and this is a feasible and frequently valuable project. I propose that this is the enterprise to which analytic metaphysicians should turn, since it requires rather minimal adjustments to their methods and only one major revision of their raison d'être : they must rollback their pretensions and acknowledge that their research is best seen as a preparatory reconnaissance of the terrain of the manifest image, suspending both belief and disbelief the way anthropologists do when studying an exotic culture: let's pretend for the nonce that the natives are right, and see what falls out. Since at least a large part of philosophy’s task, in my vision of the discipline, consists in negotiating the traffic back and forth between the manifest and scientific images, it is a good idea for philosophers to analyze what they are up against in the way of focus options before launching into their theory-building and theory-criticizing. One of the hallmarks of sophisticated naïve anthropology is its openness to counterintuitive discoveries. As long as you're doing naïve anthropology, counterintuitiveness (to the natives) counts against your reconstruction; when you shift gears and begin asking which aspects of the naïve “theory” are true, counterintuitiveness loses its force as an objection and even becomes, on occasion, a sign of significant progress. In science in general, counterintuitive results are prized, after all.
Daniel C. Dennett (Intuition Pumps And Other Tools for Thinking)
With awareness we can easily understand why relationships don’t work — with our parents, with our children, with our friends, with our partner, and even with ourselves. Why doesn’t the relationship with ourselves work? Because we are wounded and we have all that emotional poison that we can hardly handle. We are full of poison because we grew up with an image of perfection that is not true, which does not exist, and in our mind it isn’t fair. We have seen how we create that image of perfection to please other people, even though they create their own dream that has nothing to do with us. We try to please Mom and Dad, we try to please our teacher, our minister, our religion, and God. But the truth is that from their point of view, we are never going to be perfect. That image of perfection tells us how we should be in order to acknowledge that we are good, in order to accept ourselves. But guess what? This is the biggest lie we believe about ourselves, because we are never going to be perfect. And there is no way that we can forgive ourselves for not being perfect. That image of perfection changes the way we dream. We learn to deny ourselves and reject ourselves. We are never good enough, or right enough, or clean enough, or healthy enough, according to all those beliefs we have. There is always something the Judge can never accept or forgive. That is why we reject our own humanity; that is why we never deserve to be happy; that is why we are searching for someone who abuses us, someone who will punish us. We have a very high level of self-abuse because of that image of perfection. When we reject ourselves, and judge ourselves, and find ourselves guilty and punish ourselves so much, it looks like there is no love. It looks like there is only punishment, only suffering, only judgment in this world. Hell has many different levels. Some people are very deep in hell and other people are hardly in hell, but still they are in hell. There are very abusive relationships in hell and relationships with hardly any abuse. You are no longer a child, and if you have an abusive relationship, it is because you accept that abuse, because you believe you deserve it. You have a limit to the amount of abuse you will accept, but no one in the whole world abuses you more than you abuse yourself. The limit of your self-abuse is the limit you will tolerate from other people. If someone abuses you more than you abuse yourself, you walk away, you run, you escape. But if someone abuses you a little less than you abuse yourself, perhaps you stay longer. You still deserve that abuse.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
ASSERTIVE The Assertive type believes time is money; every wasted minute is a wasted dollar. Their self-image is linked to how many things they can get accomplished in a period of time. For them, getting the solution perfect isn’t as important as getting it done. Assertives are fiery people who love winning above all else, often at the expense of others. Their colleagues and counterparts never question where they stand because they are always direct and candid. They have an aggressive communication style and they don’t worry about future interactions. Their view of business relationships is based on respect, nothing more and nothing less. Most of all, the Assertive wants to be heard. And not only do they want to be heard, but they don’t actually have the ability to listen to you until they know that you’ve heard them. They focus on their own goals rather than people. And they tell rather than ask. When you’re dealing with Assertive types, it’s best to focus on what they have to say, because once they are convinced you understand them, then and only then will they listen for your point of view. To an Assertive, every silence is an opportunity to speak more. Mirrors are a wonderful tool with this type. So are calibrated questions, labels, and summaries. The most important thing to get from an Assertive will be a “that’s right” that may come in the form of a “that’s it exactly” or “you hit it on the head.” When it comes to reciprocity, this type is of the “give an inch/take a mile” mentality. They will have figured they deserve whatever you have given them so they will be oblivious to expectations of owing something in return. They will actually simply be looking for the opportunity to receive more. If they have given some kind of concession, they are surely counting the seconds until they get something in return. If you are an Assertive, be particularly conscious of your tone. You will not intend to be overly harsh but you will often come off that way. Intentionally soften your tone and work to make it more pleasant. Use calibrated questions and labels with your counterpart since that will also make you more approachable and increase the chances for collaboration. We’ve seen how each of these groups views the importance of time differently (time = preparation; time = relationship; time = money). They also have completely different interpretations of silence. I’m definitely an Assertive, and at a conference this Accommodator type told me that he blew up a deal. I thought, What did you do, scream at the other guy and leave? Because that’s me blowing up a deal. But it turned out that he went silent; for an Accommodator type, silence is anger. For Analysts, though, silence means they want to think. And Assertive types interpret your silence as either you don’t have anything to say or you want them to talk. I’m one, so I know: the only time I’m silent is when I’ve run out of things to say. The funny thing is when these cross over. When an Analyst pauses to think, their Accommodator counterpart gets nervous and an Assertive one starts talking, thereby annoying the Analyst, who thinks to herself, Every time I try to think you take that as an opportunity to talk some more. Won’t you ever shut up?
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
According to the book of Genesis, “God created man in his own image.” According to Aristotle, “men create the gods after their own image.” As should be clear by now, Aristotle seems to have been onto something, especially when it comes to the minds of gods. So, in theory, some of the more basic features of the human mind should be fairly standard equipment in gods, especially the gods of “primitive” religions. That seems to be the case, and one of these features deserves special consideration: the part of the human mind shaped by the evolutionary dynamic known as “reciprocal altruism.” In light of this dynamic, much about the origin of religion, and for that matter much about contemporary religion, makes a new kind of sense. Thanks to reciprocal altruism, people are “designed” to settle into mutually beneficial relationships with other people, people whom they can count on for things ranging from food to valuable gossip to social support, and who in turn can count on them. We enter these alliances almost without thinking about it, because our genetically based emotions draw us in. We feel gratitude for a favor received, along with a sense of obligation, which may lead us to return the favor. We feel growing trust of and affection for people who prove reliable reciprocators (aka “friends”), which keeps us entwined in beneficial relationships. This is what feelings like gratitude and trust are for—the reason they’re part of human nature. But of course, not everyone merits our trust. Some people accept our gifts of food and never reciprocate, or try to steal our mates, or exhibit disrespect in some other fashion. And if we let people thus take advantage of us day after day, the losses add up. In the environment of our evolution, these losses could have made the difference between surviving and not surviving, between prolifically procreating and barely procreating. So natural selection gave us emotions that lead us to punish the untrustworthy—people who violate our expectations of exchange, people who seem to lack the respect that a mutually beneficial relationship demands. They fill us with outrage, with moral indignation, and that outrage—working as “designed” —impels us to punish them in one way or another, whether by actually harming them or just by withholding future altruism. That will teach them! (Perhaps more important, it will also teach anyone else who is watching, and in the ancestral hunter-gatherer environment, pretty much everyone in your social universe was watching.) This is the social context in which the human mind evolved: a world full of neighbors who, to varying degrees, are watching you for signs of betrayal or disrespect or dishonesty—and who, should they see strong evidence of such things, will punish you. In such a social universe, when misfortune comes your way, when someone hits you or ridicules you or suddenly gives you the cold shoulder, there’s a good chance it’s because they feel you’ve violated the rules of exchange. Maybe you’ve failed to do them some favor they think they were due, or maybe you’ve shown them disrespect by doing something that annoys them. Surely it is no coincidence that this generic explanation of why misfortune might emanate from a human being is also the generic explanation of why misfortune emanates from gods. In hunter-gatherer religions—and lots of other religions—when bad things happen, the root cause is almost always that people in one sense or another fail to respect the gods. They either fail to give gods their due (fail, say, to make adequate sacrifices to ancestral spirits), or they do things that annoy gods (like, say, making a noise while cicadas are singing). And the way to make amends to the aggrieved gods is exactly the way you’d make amends to aggrieved people: either give them something (hence ritual sacrifice), or correct future behavior so that it doesn’t annoy them (quit making noises while cicadas are singing).
Robert Wright (The Evolution of God)
Even the Augustinians, I would note, seem prepared to acknowledge this much: because God has forgiven us and has commanded us to forgive others, we have an obligation to forgive; we have no right, that is, not to forgive. But why , I would ask of them, has God commanded us to forgive others? Is it not precisely because, given the Christian view of the world, forgiveness is the just and proper response to sin? Is it not because the sinner, who yet retains the image of God, deserves forgiveness?
Thomas Talbott (The Inescapable Love of God)
Intellectual Fascism – 2/3 Take, by way of illustration, two well-educated, presumably liberal, intelligent people in our culture who are arguing with each other about some point. What, out of irritation and disgust, is one likely to call the other? A "filthy black," a "dirty Jew bastard," or a "black-eyed runt"? Heavens, no. But a "stupid idiot," a "nincompoop," a "misinformed numbskull"? By all means, yes. And will the note of venom, of utter despisement that is in the detractor's voice, be any different from that in the voice of the out-and-out fascist with his racial, religious, and political epithets? Honestly, now: will it? Suppose the individual against whom a well-educated, presumably liberal, intelligent person aims scorn actually is stupid, or misinformed. Is this a crime? Should he, perforce, curl up and die because he is so afflicted? Is she an utterly worthless, valueless blackguard for not possessing the degree of intelligence and knowledge that her detractor thinks she should possess? And yet - let us be ruthlessly honest with ourselves, now! - isn't this exactly what the presumably liberal person is saying and implying - that the individual whose traits she dislikes doesn't deserve to live? Isn't this what we (for it is not hard to recognize our own image here, is it?) frequently are alleging when we argue with, criticize, and judge others in our everyday living? The facts, in regard to higher-order fascism, are just as clear as those in regard to lower-order prejudice. For just as everyone in our society cannot be, except through the process of arbitrary genocide or "eugenic" elimination, Aryan, or tall, or white, so cannot everyone be bright, or artistically talented, or successful in some profession. In fact, even if we deliberately bred only higher intelligent and artistically endowed individuals to each other, and forced the rest of the human race to die off, we still would be far from obtaining a race of universal achievers: since, by definition, topflight achievement can only be attained by a relatively few leaders in most fields of endeavour, and is a "relative" rather than an "absolute" possibility. The implicit goals of intellectual fascism, then, are, at least in today's world, impractical and utopian. Everyone cannot be endowed with artistic or intellectual genius; only a small minority can be. And if we demand that all be in that minority, to what are we automatically condemning those who clearly cannot be? Obviously: to being blamed and despised for their "deficiencies"; to being lower-class citizens; to having self-hatred and minimal self-acceptance. Even this, however, hardly plumbs the inherent viciousness of intellectual fascism. For whereas lower-order or politico-economic fascism at least serves as a form of neurotic defensiveness for those who uphold its tenets, higher-order fascism fails to provide such defences and actually destroys them. Thus, politico-social fascists believe that others are to be despised for not having certain "desirable" traits - but that they are not to be applauded for having them. From a psychological standpoint, they compensate for their own underlying feelings of inadequacy by insisting that they are super-adequate and those who are not like them are subhumans. Intellectual Fascists start out with a similar assumption but more often than not get blown to bits by their own homemade explosives. For although they can at first assume that they are bright, talented, and potentially achieving, they must eventually prove that they are. Because, in the last analysis, they tend to define talent and intelligence in terms of concrete achievement, and because outstanding achievement in our society is mathematically restricted to a few, they rarely can have real confidence in their own possession of the values they have "arbitrarily deified".
Albert Ellis
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This life is so full of confusion already, that there's no need to add chaos to chaos. (...) Destroying is better than creating when we're not creating those few, truly necessary things. But then is there anything so clear and right that it deserves to live in this world? (...) We're smothered by images, words and sounds that have no right to exist, coming from, and bound for, nothingness. Of any artist truly worth the name we should ask nothing except this act of faith: to learn silence. (...) Our true mission is... sweeping away the thousands of miscarriages that everyday... obscenely... try to come to the light. And you would actually dare leave behind you a whole film, like a cripple who leaves behind his crooked footprint. Such a monstrous presumption to think that others could benefit from the squalid catalogue of your mistakes! And how do you benefit from stringing together the tattered pieces of your life? Your vague memories, the faces of people that you were never able to love...
Frederico Fellini
[I]f I can be sure of any aspect of your character, it is that you are not as I. Since all I can do here is imagine you in my image, of course I have failed. I was as fossil fuels made me. They kept my lights on. Hence I who imagine myself to be open-minded will appear to you as deservedly dead, fossilized in the stratum of my own period’s prejudices.
William T. Vollmann (No Good Alternative: Volume Two of Carbon Ideologies)
India needs a progressive leader to represent her locally as well as internationally.She needs a dignified ,vociferous statesman , to represent her, talk for her, talk about her, talk to her and bring out the best out of her. I support a progressive, hate-free government for the future of my country. Every human deserves due respect and honour for being all that he or she is, however it cannot be denied an ounce of learning (with all humility) certainly aids in building a strong nation in every aspect. For eons India is known for her ideals, her diversity , and that she cherishes freedom and equality. Now any one who she calls her leader cannot be allowed to puncture the constitutional fabric and infringe on the privileges she has enjoyed for years ,especially after independence. Fellow citizens need to rise from sleep, that apathetic stupor, to realisation of the danger that she was plunged into in the recent past ,and the imminent danger posed to the constitutional fabric, the economy of India, and the image of India. India needs to rise above the constant bickering within her walls, as the wise saying goes, a house divided within herself cannot stand. The torch of peace that we light within our walls will help us glow and light the world. Awaiting results.
Henrietta Newton Martin
India needs a progressive leader to represent her locally as well as internationally.She needs a dignified ,vociferous statesman , to represent her, talk for her, talk about her, talk to her and bring out the best out of her. I support a progressive, hate-free government for the future of my country. Every human deserves due respect and honour for being all that he or she is, however it cannot be denied an ounce of learning (with all humility) certainly aids in building a strong nation in every aspect. For eons India is known for her ideals, her diversity , and that she cherishes freedom and equality. Now any one who she calls her leader cannot be allowed to puncture the constitutional fabric and infringe on the privileges she has enjoyed for years ,especially after independence. Fellow citizens need to rise from sleep, that apathetic stupor, to realisation of the danger that she was plunged into in the recent past ,and the imminent danger posed to the constitutional fabric, the economy of India, and the image of India. India needs to rise above the constant bickering within her walls, as the wise saying goes, a house divided within herself cannot stand. The torch of peace that we light within our walls will help us glow and light the world.
Henrietta Newton Martin
So, you see, it’s not just picking out images that speak to your dreams and aspirations, It’s really believing in your goals, really convincing yourself that they are attainable, and really knowing that you deserve to have them come true. There’s no such thing as an impossible dream, but there are people who are afraid to dream. Dare to dream big.
Mark Victor Hansen (Chicken Soup for the Soul : The Chicken Soup for the Soul Stories that Changed Your Lives)
One crude but unquestionable indication of his greatness was his power to create permanent images. All through his work there are images which are as impossible to forget, once you have seen them, as some of the grandest and simplest passages in music or poetry. The most beautiful single shot I have seen in any movie is the battle charge in The Birth of a Nation. I have heard it praised for its realism, and that is deserved; but it is also far beyond realism. It seems to me to be a perfect realization of a collective dream of what the Civil War was like, as veterans might remember it fifty years later, or as children, fifty years later, might imagine it. I have had several clear mental images of that war, from almost as early as I can remember, and I didn’t have the luck to see “The Birth of a Nation” until I was in my early twenties; but when I saw that charge, it was merely the clarification, and corroboration, of one of those visions, and took its place among them immediately without seeming to be of a different kind or order. It is the perfection that I know of, of the tragic glory that is possible, or used to be possible, in war; or in war as the best in the spirit imagines or remembers it.
James Agee (Agee on Film, Vol. 1: Essays and Reviews)
We all deserve to have a relationship with God
Sunday Adelaja
It's easy to be worried about the media's influence on our lives. But there is a need for us to also simply be kind to ourselves, to be kind to our bodies. Not just because we deserve more respect and more self-care, but also because the world deserves more of our attention, and we just can't give it out if it's diverted to obsessing over our thighs.
Rosie Molinary (Hijas Americanas: Beauty, Body Image, and Growing Up Latina)
Even at this point, say Ressler and others, these potential hosts of monsters can be turned around through the (often unintentional) intervention of people who show kindness, support, or even just interest. I can say from experience that it doesn’t take much. Ressler’s theories on the childhoods of the worst killers in America have an unlikely ideological supporter, psychiatrist and child-advocate Alice Miller. Her emotionally evocative books (including The Drama Of The Gifted Child and The Untouched Key) make clear that if a child has some effective human contact at particularly significant periods, some recognition of his worth and value, some “witness” to his experience, this can make an extraordinary difference. I have learned that the kindness of a teacher, a coach, a policeman, a neighbor, the parent of a friend, is never wasted. These moments are likely to pass with neither the child nor the adult fully knowing the significance of the contribution. No ceremony attaches to the moment that a child sees his own worth reflected in the eyes of an encouraging adult. Though nothing apparent marks the occasion, inside that child a new view of self might take hold. He is not just a person deserving of neglect or violence, not just a person who is a burden to the sad adults in his life, not just a child who fails to solve his family’s problems, who fails to rescue them from pain or madness or addiction or poverty or unhappiness. No, this child might be someone else, someone whose appearance before this one adult revealed specialness or lovability, or value. This value might be revealed through appreciation of a child’s artistic talent, physical ability, humor, courage, patience, curiosity, scholarly skills, creativity, resourcefulness, responsibility, energy, or any of the many attributes that children bring us in such abundance. I had a fifth-grade teacher, Mr. Conway, who fought monsters in me. He showed kindness and recognized some talent in me at just the period when violence was consuming my family. He gave me some alternative designs for self-image, not just the one children logically deduce from mistreatment (“If this is how I am treated, then this is the treatment I am worthy of”). It might literally be a matter of a few hours with a person whose kindness reconnects the child to an earlier experience of self, a self that was loved and valued and encouraged.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Now she saw herself mirrored through him and he was an image of her insides, what she would settle for, how little she thought she deserved. I don't love you, she thought. I never did.
Jana Casale (How to Fall Out of Love Madly)
This moderate and restrained removal of images gradually gave way to more active iconoclasm. Inevitably, the crucifix became targeted for destruction. As an object used for personal devotion and veneration, it was—to certain reformers’ minds—particularly inclined to lead the faithful into idolatrous acts and so especially deserving of desecration (or perhaps more aptly, ritual purification). In Advent of 1526, the gilded cross—possibly a gift from Charlemagne—that had been a prominent adornment of the Strasbourg Cathedral was removed and probably melted down to provide alms for the city’s poor.
Robin M. Jensen (The Cross: History, Art, and Controversy)
The good news is that God treats the believer not as our sin deserves, but as God’s love through Christ requires.
Dick Keyes (Beyond Identity: Finding your ‘self’ in the image and character of God)
This is the reality of discipline. It happens on the move, but it does not have to be off the cuff. Habits of pausing help with that... The point is often not so that they can calm down but so that I can. They are image-bearers of God and deserve a parent who is going to approach them in love, not the explosive anger and frustration that I am so naturally prone to.
Justin Whitmel Earley (Habits of the Household: Practicing the Story of God in Everyday Family Rhythms)
Microaggression complaints arise from a culture of victimhood in which individuals and groups display a high sensitivity to slight, have a tendency to handle conflicts through complaints to authorities and other third parties, and seek to cultivate an image of being victims who deserve assistance.
Bradley Campbell (The Rise of Victimhood Culture: Microaggressions, Safe Spaces, and the New Culture Wars)
The work of the kingdom can’t be hit-and-run evangelism,” she said. If Christians want to win souls for Jesus, they can start by showing grace to those who don’t deserve it; by showing kindness to the culture; by seeing in everyone, especially our enemies, “the image and likeness of God.” None of this can be accomplished with a mentality of fear, Bunker said. She pleaded with her audience to overcome it.
Tim Alberta (The Kingdom, the Power, and the Glory: American Evangelicals in an Age of Extremism)
For example, sociologists Bradley Campbell and Jason Manning write that not long ago, the U.S. had a “dignity culture,” in which people believed in their worth regardless of what others thought of them. Recently, they argue, American culture has moved toward a “victimhood culture” in which people “seek to cultivate an image of being victims who deserve assistance.” In this new culture, they argue, there is status in being a victim of slights—especially when these slights are announced on social media.
Jean M. Twenge (Generations: The Real Differences Between Gen Z, Millennials, Gen X, Boomers, and Silents—and What They Mean for America's Future)
we are not to look to what men in themselves deserve, but to attend to the image of God, which exists in all, and to which we owe all honour and love.
John Calvin (Institutes of the Christian Religion)
Aren’t you going to insist that we pray, Gerry?' the Captain asked as he took a bite. 'This food doesn’t deserve to be blessed,' the Doctor responded grimly, 'but if it makes you feel any better, I already prayed.
J Grace Pennington
And it is amazing how often the most trustworthy trustees are those who have personally experienced the worst that idolatry and injustice can do. There is good news for all those who have been thrown into the pit by the Nietzschean power plays of every human structure and system—God does not forget his image bearers even in the deepest and darkest prison. And there is hard news for those who seem like the children of privilege, the ones who are handed the robe and ring even before they deserve it; they too will be broken by the very institutions they thought they would rule, and will have to choose whether to forgive and serve them nonetheless, to seek destructive dominance, or to descend into a hell of their own disappointment. It might seem like it should not be this way. Surely institutional problems require institutional solutions. But this is not the witness of Scripture. Instead, over and over, both the most likely suspects and the most unlikely ones are called by God to become trustees. God works through the favorite son Joseph, and God works through the Canaanite prostitute Rahab. God calls Saul, the tall and dominant warrior, and God calls David, the youngest son keeping the sheep. Esther and Ruth, Nehemiah and Ezekiel, Hezekiah and Jeremiah—the story of the institutions of the world hinges not on institutions but on persons. It hinges on image bearers, and on their very personal responses to the injustice and idolatry that surround them, whether they become caught up in god playing or humbled in worship, corroded by cynicism or sustained by hope, bitter or forgiving. So the institutions of our time will be changed not by impersonal institutional forces; they will be changed by trustees, the image bearers who face their institutions’ failings, forgive them and lead toward a better way. One of them is named S. Kandaswamy. One of them could be you.
Andy Crouch (Playing God: Redeeming the Gift of Power)