Desert Camel Quotes

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The camel has a big dumb ugly hump. But in the desert, where prettier, more streamlined beasts die quickly of thirst, the camel survives quite nicely. As legend has it, the camel carries its own water, stores it in its stupid hump. If individuals, like camels, perfect their inner resources, if we have the power within us, then we can cross any wasteland in relative comfort and survive in arid surroundings without relying on the external. Often, moreover, it is our "hump" - that aspect of our being that society finds eccentric, ridiculous, or disagreeable - that holds our sweet waters, our secret well of happiness, the key to our equanimity in malevolent climes.
Tom Robbins (Still Life with Woodpecker)
It is a well-known fact that of all the species on earth Homo sapiens is among the most adaptable. Settle a tribe of them in a desert and they will wrap themselves in cotton, sleep in tents, and travel on the backs of camels; settle them in the Arctic and they will wrap themselves in sealskin, sleep in igloos, and travel by dog-drawn sled. And if you settle them in a Soviet climate? They will learn to make friendly conversation with strangers while waiting in line; they will learn to neatly stack their clothing in their half of the bureau drawer; and they will learn to draw imaginary buildings in their sketchbooks. That is, they will adapt.
Amor Towles (A Gentleman in Moscow)
I thirst for love like a camel thirsts for water. I’m going through a desert right now, but I’m searching for the oasis of my life.
Jarod Kintz (Write like no one is reading 3)
I've crossed these sands many times," said one of the camel drivers one night. "But the desert is so huge, and the horizons so distant, that they make a person feel small, and as if he should remain silent." The boy understood intuitively what he meant, even without ever having set foot in the desert before. Whenever he saw the sea, or a fire, he fell silent, impressed by their elemental force.
Paulo Coelho (The Alchemist)
The body, so to speak, is simply the riding-animal of the soul, and perishes while the soul endures. The soul should take care of the body, just as a pilgrim on his way to Mecca takes care of his camel; but if the pilgrim spends his whole time in feeding and adorning his camel, the caravan will leave him behind, and he will perish in the desert.
Abu Hamid al-Ghazali (The Alchemy of Happiness)
Once they rode camels in the desert; once they drove caravans across Europe. They eat screams and drink pain. You had your horrors at the Overlook, Danny, but at least you were spared these folks.
Stephen King (Doctor Sleep (The Shining, #2))
Are you in a desert? Then be a camel! Be compatible with the reality!
Mehmet Murat ildan
The wise camel is not swayed by desert mirages; instead, it trudges on, in search for true water.
Ridley Pearson (The Return (Kingdom Keepers: The Return #1))
Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.
Italo Calvino (Invisible Cities)
Mars will not be our new home; it will be our new hotel! Because for a new place to be our own home, we need to see the things we used to see: An autumn lake, a bird singing in the misty morning or even desert camels walking in the sunset!
Mehmet Murat ildan
Just like a caravan of camels walking in the desert, be durable against the adversities of life and walk with decisive steps.
Mehmet Murat ildan
I often feel like a camel in the mountains, and a goat in the desert. Ah, but that’s life, no?
Jarod Kintz (Ah, but that's life, no?)
If you want to know what surrealism means, watch the camel caravans traveling in the desert under the moonlight!
Mehmet Murat ildan
If not prevented, desertification of the world can one day make the camels as the best and the sole cars of our civilisation!
Mehmet Murat ildan
As a camel beareth labour, and heat, and hunger, and thirst, through deserts of sand, and fainteth not; so the fortitude of a man shall sustain him through all perils.
Akhenaton King of Egypt 14th century BC
Mrs. Margaret sigh heavy. Then she standing up, and starting make her own tea. She drink it in very thirsty way, like angry camel in the desert.
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
My father said the weakest camel draws the wolves.” “Mine told me to hide until the wolves go away,” Abban replied.
Peter V. Brett (The Desert Spear (Demon Cycle, #2))
When even camels can't manage a desert, you know you've found a tough part of the world.
Bill Bryson
Once you get into the desert, there’s no going back,” said the camel driver. “And, when you can’t go back, you have to worry only about the best way of moving forward.
Paulo Coelho (The Alchemist)
Try all you might to learn a woman's place. You have found it already. It is in the desert, with the stars shining on your skin. It is on the back of a camel, with a sword gripped tight in your fist. It is on the throne of Egypt-it is in the reach of your empire-it is in my arms, and in my heart. You made your place, and it is your by right, Zenobia, my love.
Libbie Hawker (Daughter of Sand and Stone)
A blanket could be used to wrap up all the love I have to offer you, so it’ll be easier for you to carry it across the desert. You’d better get walking, because me and my camel won’t be stopping until we have to pee.

Jarod Kintz (Blanket)
Loretta folded her arms. She felt like a heroine in a movie, confronted by a jealous husband in a kitchen while outside the camera is aching to draw back and show a wonderland of adventures waiting for her—long, frantic rides on trains, landscapes of wounded soldiers, a lovely white desert across which a camel caravan draped voluptuously in veils moves slowly with a kind of mincing melancholy, the steamy jungles of India opening before British officers in white, young officers, the mysteries of English drawing-rooms cracking before the quick, humorless smirk of a wise young woman from America. . . .
Joyce Carol Oates
The doctor says, What’s this? That’s an application to join the White Fathers, missionaries to the nomadic tribes of the Sahara and chaplains to the French Foreign Legion. Oh, yeh? French Foreign Legion, is it? Do you know the preferred form of transportation in the Sahara Desert? Trains? No. It’s the camel. Do you know what a camel is? It has a hump. It has more than a hump. It has a nasty, mean disposition and its teeth are green with gangrene and it bites. Do you know where it bites? In the Sahara? No, you omadhaun. It bites your shoulder, rips it right off. Leaves you standing there tilted in the Sahara.
Frank McCourt (Angela's Ashes)
Nietzsche’s words that relate to this with respect to masks and the processes of life. He speaks of three stages in the life of the spirit incarnate in each of us. Three transformations of the spirit, he calls it. The first is that of the camel which gets down on its knees and asks, “Put a load on me.” That’s the period of these dear little children. This is the just-born life that has come in and is receiving the imprint of the society. The primary mask. “Put a load on me. Teach me what I must know to live in this society.” Once heavily loaded, the camel struggles to its feet and goes out into the desert — into the desert of the realization of its own individual nature. This must follow the reception of the culture good. It must not precede it. First is humility, and obedience, and the reception of the primary mask. Then comes the turning inward, which happens automatically in adolescence, to find your own inward life. Nietzsche calls this the transformation of the camel into a lion. Then the lion attacks a dragon; and the dragon’s name is Thou Shalt. The dragon is the concretization of all those imprints that the society has put upon you. The function of the lion is to kill the dragon Thou Shalt. On every scale is a “Thou Shalt,” some of them dating from 2000 b.c., others from this morning’s newspaper. And, when the dragon Thou Shalt has been killed — that is to say, when you have made the transition from simple obedience to authority over your own life — the third transformation is to that of being a child moving spontaneously out of the energy of its own center. Nietzsche calls it a wheel rolling out of its own center.
Joseph Campbell (Trick or Treat: Hallowe'en, Masks, and Living Your Myth)
The CDC could recommend condomless sex with camels, and some people would go out and fuck desert horses. Try not to get sand in your vagina.
Jarod Kintz (Powdered Saxophone Music)
She tried to steal the desert. She’s guilty. Look no farther than her camel toe.
Jarod Kintz (This Book is Not for Sale)
Camels came into town from the desert, with long sad steps, carrying sand in their yellow hair, looking far into the distance, with eyes that had seen eternity.
Kurban Said (Ali and Nino: A Love Story)
All of these heaviest things the carrying spirit takes upon itself, like a loaded camel that hurries into the desert, thus it hurries into its desert.
Friedrich Nietzsche (Thus Spoke Zarathustra)
Don't tell the camel about the desert! Save your breath! Be born in the desert! Live in the desert! Only then can you speak to the camel about the desert!
Mehmet Murat ildan
Do not regret the passing of the camel and the caravan. The Sahara has changed, but it remains a desert without compromise, the world in its extreme. There is no place as dry and hot and hostile.
William Langewiesche (Sahara Unveiled: A Journey Across the Desert (Vintage Departures))
They glided out of the heat-haze on their camels like specters. There were twenty of them, and they were Tuareg. Their faces were hidden by black veils that left only slits for the eyes, and they wore purple robes that fluttered in the desert wind. They carried swords, muskets and seven-foot iron spears, and wore stilettos in sheaths on their left forearms. They were an impressive, sinister sight.
Michael Asher (Death in the Sahara: The Lords of the Desert and the Timbuktu Railway Expedition Massacre)
. . . it was these desperate inexperienced bitches, he thought, who never banded together but fought everyone and themselves and were like camels, they could go on for days without one sup of encouragement. Under their humps they had tanks of self-confidence so that they could cross any desert area of arid prickly pear without one compliment, or dewdrop as they called it in his family, to uphold them.
Henry Green (Party Going)
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
William Gaddis (The Recognitions)
One of the obvious implications is that a person will have to face the fact that she cannot meet other people’s expectations. This signals the end of what might be called the “camel” phase of human development. I believe it was Nietschze who suggested that for the first part of life, we are camels, trudging through the desert, accepting on our backs everybody’s “shoulds” and “don’ts.” Camels only know how to spit; they don’t think for themselves or talk back. As the camel dies, a lion is born in its place. Lions discover both their roar and the art of preening. The lion may be a little shaky at first, so support and encouragement are vital. But once the camel begins to die (e.g., signaled by depression), there is no turning back. Symptoms occupy the space between the death of the camel and the birth of the lion. A therapist can be a good midwife during this liminal phase.
Stephen Gilligan (The Courage to Love: Principles and Practices of Self-Relations Psychotherapy)
But the boy was quiet. He was at home with the silence of the desert, and he was content just to look at the trees. He still had a long way to go to reach the Pyramids, and someday this morning would just be a memory. But this was the present moment - the party the camel driver had mentioned - and he wanted to live it as he did the lessons of his past and hid dreams of the future. Although the vision of the date palms would someday be just a memory, right now it signified shade, water, and a refuge from the war. Yesterday, the camel's groan signaled danger, and now a row of date palms could herald a miracle. The world speaks many languages, the boy thought.
Paulo Coelho (The Alchemist)
...he knows it is a city, but he thinks of it as a camel from whose pack hang wineskins and bags of candies fruit, date wine, tobacco leaves, and already he sees himself as the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees' jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, half-revealed.
Italo Calvino (Invisible Cities)
So much had changed in the intervening years. So much had been lost. Tents had been replaced with concrete and mud-brick, camels with 4x4s, nomadic freedom with taxes and identity cards and paperwork and all manner of bureaucratic restrictions. For all that they remained Bedouin at heart, desert dwellers and desert travellers, and they had only to come out here for a few hours to remind themselves of the fact, to reconnect with their illustrious heritage.
Paul Sussman (The Hidden Oasis)
How should those of us of no great education challenge him at table when he compared the efficiency of lions and camels and arrived at the conclusion that the carnivorous lion was far less efficient than the camel in the desert, which ate plants and grass.
Heinz Linge (With Hitler to the End: The Memoirs of Adolf Hitler's Valet)
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
Who cares,' cried Van, 'who cares about all those stale myths, what does it matter—Jove or Jehovah, spire or cupola, mosques in Moscow, or bronzes and bonzes, and clerics, and relics, and deserts with bleached camel ribs? They are merely the dust and mirages of the communal mud.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
The hour passed in jewels and alleys and winds from the Egyptian desert. The sun was golden and the Nile was muddy where it lapped down to the deltas, and there was someone very young and very quick at the top of the pyramid, laughing, calling to him to come on up the shadowy side into the sun, and he was climbing, she putting her hand down to help him up the last step, and then they were laughing on camel back, loping toward the great stretched bulk of the Sphinx, and late at night, in the native quarter, there was the tinkle of small hammers on bronze and silver, and music from some stringed instruments fading away and away and away . . .
Ray Bradbury (Dandelion Wine)
why no other man shivers so horribly when the night-wind rattles the windows. When I came upon it in the ghastly stillness of unending sleep it looked at me, chilly from the rays of a cold moon amidst the desert’s heat. And as I returned its look I forgot my triumph at finding it, and stopped still with my camel to wait for the dawn.
H.P. Lovecraft (H. P. Lovecraft: The Complete Fiction)
Seeds achieve their highest potential in dirt. Birds achieve their highest potential in air. Fish achieve their highest potential in water. Stars achieve their highest potential in darkness. Serpents achieve their highest potential in grass. Monkeys achieve their highest potential in trees. Bats achieve their highest potential in caves. Flowers achieve their highest potential in soil. Worms achieve their highest potential in clay. Crocodiles achieve their highest potential in rivers. Sheep achieve their highest potential in pastures. Termites achieve their highest potential in woodlands. Sharks achieve their highest potential in oceans. Vultures achieve their highest potential in droughts. Sharks achieve their highest potential in oceans. Spiders achieve their highest potential in wildernesses. Camels achieve their highest potential in deserts. Wolves achieve their highest potential in forests. Foxes achieve their highest potential in bushes. Lions achieve their highest potential in jungles.
Matshona Dhliwayo
I don’t quite know why, but I felt somehow that Linda had been once more deceived in her emotions, that this explorer in the sandy waste had seen only another mirage. The lake was there, the trees were there, the thirsty camels had gone down to have their evening drink; alas, a few steps forward would reveal nothing but dust and desert as before.
Nancy Mitford (The Pursuit of Love (Radlett & Montdore, #1))
My months in the Scrubs were a kind of desert in time: beyond their strict and ascetic routines they were featureless, and it is hard in retrospect to know what one did on any day or even in any month. I had had, of course, some experience of deserts, even a taste for them, and knew how to fall back, like a camel on its fat, on an inner reserve of fantasy and contemplation.
Alan Hollinghurst (The Swimming-Pool Library)
The camel-breeding nomads’ labour was hard and required well-tested skills. They had to know how to exploit their pastures, drive camels from one grazing area to another, treat the animals when they were sick, milk the female camels, cut the wool and so on. Younger camels were trained to perform various tasks and to walk saddled and loaded. The bedouin dug and maintained wells in the desert.
Alexei Vassiliev (The History of Saudi Arabia)
There is a saying in the Middle East that goes something like this: “My grandfather rode a camel, my father drove a car, I travel on a jet, and my grandchild will ride a camel.” Not necessarily. The deserts of the Middle East and North Africa have more solar potential per square inch than any other region in the world—more energy potential, in fact, than all of the oil ever extracted from deep beneath its sand dunes. The
Jeremy Rifkin (The The Third Industrial Revolution: How Lateral Power Is Transforming Energy, the Economy, and the World)
Epilogue to Book I. Alas! the forbidden fruits were eaten, And thereby the warm life of reason was congealed. A grain of wheat eclipsed the sun Of Adam, l Like as the Dragon's tail 2 dulls the brightness of the moon. Behold how delicate is the heart, that a morsel of dust Clouded its moon with foul obscurity! When bread is "substance," to eat it nourishes us; When 'tis empty "form," it profits nothing. Like as the green thorn which is cropped by the camel, And then yields him pleasure and nutriment; When its greenness has gone and it becomes dry, If the camel crops that same thorn in the desert, It wounds his palate and mouth without pity, As if conserve of roses should turn to sharp swords. When bread is "substance," it is as a green thorn; When 'tis "form," 'tis as the dry and coarse thorn. And thou eatest it in the same way as of yore Thou wert wont to eat it, O helpless being, Eatest this dry thing in the same manner, After the real "substance" is mingled with dust; It has become mingled with dust, dry in pith and rind. O camel, now beware of that herb! The Word is become foul with mingled earth; The water is become muddy; close the mouth of the well, Till God makes it again pure and sweet; Yea, till He purifies what He has made foul. Patience will accomplish thy desire, not haste. Be patient, God knows what is best.
Jalal ad-Din Muhammad ar-Rumi (The Masnavi I Manavi of Rumi Complete 6 Books)
Have you heard the songs they sing here in Kilanga?” he asked. “They’re very worshipful. It’s a grand way to begin a church service, singing a Congolese hymn to the rainfall on the seed yams. It’s quite easy to move from there to the parable of the mustard seed. Many parts of the Bible make good sense here, if only you change a few words.” He laughed. “And a lot of whole chapters, sure, you just have to throw away.” “Well, it’s every bit God’s word, isn’t it?” Leah said. “God’s word, brought to you by a crew of romantic idealists in a harsh desert culture eons ago, followed by a chain of translators two thousand years long." Leah stared at him. “Darling, did you think God wrote it all down in the English of King James himself?” “No, I guess not.” “Think of all the duties that were perfectly obvious to Paul or Matthew in that old Arabian desert that are pure nonsense to us now. All that foot washing, for example. Was it really for God’s glory, or just to keep the sand out of the house?” Leah sat narrow-eyed in her chair, for once stumped for the correct answer. “Oh, and the camel. Was it a camel that could pass through the eye of a needle more easily than a rich man? Or a coarse piece of yarn? The Hebrew words are the same, but which one did they mean? If it’s a camel, the rich man might as well not even try. But if it’s the yarn, he might well succeed with a lot of effort, you see?” He leaned forward toward Leah with his hands on his knees. “Och, I shouldn’t be messing about with your thinking this way, with your father out in the garden. But I’ll tell you a secret. “When I want to take God at his word exactly, I take a peep out the window at His Creation. Because that, darling, He makes fresh for us every day, without a lot of dubious middle managers.
Barbara Kingsolver (The Poisonwood Bible)
I went to Cairo, to the Giza plateau, and stood beside desert nomads and their silk-draped camels at the foot of the Great Sphinx, all of us squinting up into its eternally open eyes. The sun hammered down on my head, the same sun that hammered down on the thousands of men who built these pyramids, and the millions of visitors who came after. Not one of them was remembered, I thought. All is vanity, says the Bible. All is now, says Zen. All is dust, says the desert.
Phil Knight (Shoe Dog)
Are you actually aware why there are camels in the desert and no giraffes?' asked Assad. ... 'The answer is simple. If there were giraffes in the desert they'd die of sorrow.' 'Aha! And why's that?' 'Because they're so tall, they'd know that there was just endless sand as far as the eye could see. Fortunately for the camel, it doesn't know this, so it trudges on assuming that an oasis is just around the corner.' Carl nodded. 'I understand. You feel like a giraffe in the desert, right?' 'Yes, a bit. Just right now.
Jussi Adler-Olsen (The Hanging Girl (Department Q, #6))
A shark does not ask for permission to rule the waters. A bear does not ask for permission to rule the woods. A wolf does not ask for permission to rule the forest. A camel does not ask for permission to rule the desert. A lion does not ask for permission to rule the jungle. Trees do not ask for permission to rule woodlands. Gravel does not ask for permission to rule mountains. Light does not ask for permission to rule summer. Wind does not ask for permission to rule autumn. Snow does not ask for permission to rule winter. Water does not ask for permission to rule the sea. Plants do not ask for permission to rule rainforests. Animals do not ask for permission to rule wildernesses. Stars do not ask for permission to rule the sky. Nature does not ask for permission to rule the world. An eagle achieves more than a turkey in a lifetime. A leopard achieves more than a hyena in a lifetime. A fox achieves more than a rabbit in a lifetime. A falcon achieves more than a vulture in a lifetime. A lion achieves more than a sheep in a lifetime. A leader achieves more than a student in a lifetime. A saint achieves more than a sinner in a lifetime. A prophet achieves more than a priest in a lifetime. A master achieves more than a disciple in a lifetime. A conqueror achieves more than a warrior in a lifetime. A hero achieves more than a villain in a lifetime. A maestro achieves more than an apprentice in a lifetime. A genius achieves more than a talent in a lifetime. A star achieves more than a critic in a lifetime. A legend achieves more than a champion in a lifetime.
Matshona Dhliwayo
while Prickle had the lean, weathered look of a dragon who’d been living on her own in the desert for two years. “Please,” Palm begged. “Can you help me?” Prickle surveyed her coldly. Palm remembered the fight they’d had the first day Smolder stopped by the kitchen to compliment the camel stew. Prickle had seen the spark between them long before Palm realized that it was mutual. She’d thought it was innocent enough, having a crush on the handsome SandWing prince, and that Prickle was overreacting. Until he came back … and then came back
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
Whence came Natohk?” rose the Shemite’s vibrant whisper. “Out of the desert on a night when the world was blind and wild with mad clouds driven in frenzied flight across the shuddering stars, and the howling of the wind was mingled with the shrieking of the spirits of the wastes. Vampires were abroad that night, witches rode naked on the wind, and werewolves howled across the wilderness. On a black camel he came, riding like the wind, and an unholy fire played about him, the cloven tracks of the camel glowed in the darkness. When Natohk dismounted before Set’s shrine by the oasis of Aphaka, the beast swept into the night and vanished. And I have talked with tribesmen who swore that it suddenly spread gigantic wings and rushed upward into the clouds, leaving a trail of fire behind it. No man has seen that camel since that night, but a black brutish man-like shape shambles to Natohk’s tent and gibbers to him in the blackness before dawn. I will tell you, Conan, Natohk is – look, I will show you an image of what I saw that day by Shushan when the wind blew aside his veil!
Robert E. Howard (The Coming of Conan the Cimmerian (Conan the Cimmerian, #1))
Many Englishmen have written about camels. When I open a book and see the familiar disparagement, the well-worn humour, I realize that the author's knowledge of them is slight, that he has never lived among the Bedu, who know the camel's worth: 'Ata Allah', or 'God's gift', they call her, and it is her patience that wins the Arab's heart. I have never seen a Bedu strike or ill-treat a camel. Always the camel's needs come first. It is not only that the Bedu's existence depends upon the welfare of his animals, but that he has a real affection for them.
Wilfred Thesiger
the impression made upon them by the first view of a camel equipped and loaded for the desert. Custom, so fatal to other novelties, affects this feeling but little. At the end of long journeys with caravans, after years of residence with the Bedawin, the Western-born, wherever they may be, will stop and wait the passing of the stately brute. The charm is not in the figure, which not even love can make beautiful; nor in the movement, the noiseless stepping, or the broad careen. As is the kindness of the sea to a ship, so that of the desert to its creature. It clothes him with all its mysteries;
Ben-Hur: A Tale of the Christ
Mecca is a lot farther away than the Pyramids. When I was young, all I wanted to do was put together enough money to start this shop. I thought that someday I’d be rich, and could go to Mecca. I began to make some money, but I could never bring myself to leave someone in charge of the shop; the crystals are delicate things. At the same time, people were passing my shop all the time, heading for Mecca. Some of them were rich pilgrims, traveling in caravans with servants and camels, but most of the people making the pilgrimage were poorer than I. “All who went there were happy at having done so. They placed the symbols of the pilgrimage on the doors of their houses. One of them, a cobbler who made his living mending boots, said that he had traveled for almost a year through the desert, but that he got more tired when he had to walk through the streets of Tangier buying his leather.” “Well, why don’t you go to Mecca now?” asked the boy. “Because it’s the thought of Mecca that keeps me alive. That’s what helps me face these days that are all the same, these mute crystals on the shelves, and lunch and dinner at that same horrible café. I’m afraid that if my dream is realized, I’ll have no reason to go on living.
Paulo Coelho (The Alchemist)
The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.
Matshona Dhliwayo
The waiting room, like most waiting rooms, was deserted and unremarkable. The benches were miserably uncomfortable, the ashtrays swollen with waterlogged cigarette butts, the air stale. On the walls were travel posters and most-wanted lists. The only other people there were an old man wearing a camel-color sweater and a mother with her four-year-old son. The old man sat glued in position, poring through a literary magazine. He turned the pages as slowly as if he were peeling away adhesive tape. Fifteen minutes from one page to the next. The mother and child looked like a couple whose marriage was on the rocks.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Or else you can say, like the camel driver who took me there: "I arrived here in my first youth, one morning, many people were hurrying along the streets toward the market, the women had fine teeth and looked you straight in the eye, three soldiers on a platform played the trumpet, and all around wheels turned and colored banners fluttered in the wind. Before then I had known only the desert and the caravan routes. In the years that followed, my eyes returned to contemplate the desert expanses and the caravan routes; but now I know this path is only one of the many that opened before me on that morning in Dorothea.
Italo Calvino (Invisible Cities)
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“ “Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.” “Yeah, well,” Daniel said. “He liked you.” They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!” It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel. No. She was finding her way to them. It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available. She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love. She was Lucinda. “Quick,” she said to Daniel. “Can we do another?” “Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“ “But my father paid you three zebra skins for the knife you had in your satchel!” Daniel grinned. “He drove a hard bargain.” “This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?” Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
Lauren Kate (Rapture (Fallen, #4))
The wine would be copious, the conversation scintillating, and the amenities deluxe. How could he say no? The answer, as always: money, money, money. Lewis relayed the cost, all inclusive, and, though the amount was staggering (Less checked twice to be sure it was not in Moroccan dirhams), he was, as always, already too much in love. Bedouin music was already playing in his ears; camels were already grunting in the darkness; he was already standing up from embroidered pillows and walking out into the desert night, champagne in hand, to let the floury Sahara warm his toes as, above him, the Milky Way glowed with his birthday candles. For it was somewhere in the Sahara that Arthur Less would turn fifty. He swore he would not be alone. Memories of his fortieth, wandering the broad avenues of Las Vegas, still came to him in worser moments. He would not be alone.
Andrew Sean Greer (Less (Arthur Less, #1))
A businessman buys a business and tries to operate it. He does everything that he knows how to do but just cannot make it go. Year after year the ledger shows red, and he is not making a profit. He borrows what he can, has a little spirit and a little hope, but that spirit and hope die and he goes broke. Finally, he sells out, hopelessly in debt, and is left a failure in the business world. A woman is educated to be a teacher but just cannot get along with the other teachers. Something in her constitution or temperament will not allow her to get along with children or young people. So after being shuttled from one school to another, she finally gives up, goes somewhere and takes a job running a stapling machine. She just cannot teach and is a failure in the education world. I have known ministers who thought they were called to preach. They prayed and studied and learned Greek and Hebrew, but somehow they just could not make the public want to listen to them. They just couldn’t do it. They were failures in the congregational world. It is possible to be a Christian and yet be a failure. This is the same as Israel in the desert, wandering around. The Israelites were God’s people, protected and fed, but they were failures. They were not where God meant them to be. They compromised. They were halfway between where they used to be and where they ought to be. And that describes many of the Lord’s people. They live and die spiritual failures. I am glad God is good and kind. Failures can crawl into God’s arms, relax and say, “Father, I made a mess of it. I’m a spiritual failure. I haven’t been out doing evil things exactly, but here I am, Father, and I’m old and ready to go and I’m a failure.” Our kind and gracious heavenly Father will not say to that person, “Depart from me—I never knew you,” because that person has believed and does believe in Jesus Christ. The individual has simply been a failure all of his life. He is ready for death and ready for heaven. I wonder if that is what Paul, the man of God, meant when he said: [No] other foundation can [any] man lay than that is laid, which is Jesus Christ. Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble; every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath built thereupon, he should receive a reward. If any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as by fire (1 Cor. 3:11-15). I think that’s what it means, all right. We ought to be the kind of Christian that cannot only save our souls but also save our lives. When Lot left Sodom, he had nothing but the garments on his back. Thank God, he got out. But how much better it would have been if he had said farewell at the gate and had camels loaded with his goods. He could have gone out with his head up, chin out, saying good riddance to old Sodom. How much better he could have marched away from there with his family. And when he settled in a new place, he could have had “an abundant entrance” (see 2 Pet. 1:11). Thank God, you are going to make it. But do you want to make it in the way you have been acting lately? Wandering, roaming aimlessly? When there is a place where Jesus will pour “the oil of gladness” on our heads, a place sweeter than any other in the entire world, the blood-bought mercy seat (Ps. 45:7; Heb. 1:9)? It is the will of God that you should enter the holy of holies, live under the shadow of the mercy seat, and go out from there and always come back to be renewed and recharged and re-fed. It is the will of God that you live by the mercy seat, living a separated, clean, holy, sacrificial life—a life of continual spiritual difference. Wouldn’t that be better than the way you are doing it now?
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
The TRPV1 sensor, which detects painful heat, is also tuned to the needs of its owners, and especially to their body temperatures. It activates at 45°C (113°F) in chickens, 42°C (108°F) in mice and humans, 38°C (100°F) in frogs, and 33°C (91°F) in zebrafish (which might have no use for a cold sensor but clearly benefit from a hot one). Each species has its own definition of hot. The temperature at which we live would be painful to a zebrafish. The temperature that would start to agonize a mouse wouldn’t bother a chicken. And even chickens are overshadowed by two species that have the least sensitive versions of TRPV1 thus far tested, enabling them to shrug off heat that other creatures can’t bear. For obvious reasons, one of these is the desert-dwelling Bactrian camel. Unexpectedly, the second is—drumroll, please—the thirteen-lined ground squirrel! The unassuming rodent that I held not only can cope with temperatures that are close to freezing but also can abide extreme heat.
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
To live a dispassionate and cultured life in the open air of ideas, reading, dreaming and thinking of writing -- a life so slow it constantly verges on tedium, but pondered enough never to find itself there. To live this life far from emotions and thought, living it only in the thought of emotions and in the emotion of thoughts. To goldenly stagnate in the sun, like a murky pond surrounded by flowers. To possess, in the shade, that nobility of spirit that makes no demands on life. To be in the whirl of the worlds like dust of flowers, sailing through the afternoon air on an unknown wind and falling, in the torpor of dusk, wherever it falls, lost among larger things. To be this with a sure understanding, neither happy nor sad, grateful to the sun for its brilliance and to the stars for their remoteness. To be no more, have no more, want no more... The music of the hungry beggar, the song of the blind man, the relic of the unknown wayfarer, the tracks in the desert of the camel without burden or destination...
Fernando Pessoa (The Book of Disquiet)
Just then he heard the sweet tinkle of bells followed by the sound of four camels plodding towards him from the main roadway. Two were snowy in complexion and all four were straddled by men also dressed in white. They approached the inn and the riders drew their mounts to a halt. Guo Jing noticed the finely embroidered cushions padding the saddles. Guo Jing was a child of the steppes deserts, but white camels were rare, and he had never seen such fine animals. He could not take his eyes off them. The riders were only a few years older than him, in their early twenties he guessed, each one as delicately handsome as the last. They leaped from the camels and made for the inn. Guo Jing was enraptured by their expensive robes, fringed at the neck by the finest fox fur. One of the young men glanced toward Guo Jing, blushed and lowered his head. Another glared at him and growled, “What are you staring at, little boy?” Flustered, Guo Jing looked away. He heard them laugh. “Congratulations,” one of them mocked in a girlish voice. “He likes you.
Jin Yong (A Hero Born (Legends of the Condor Heroes, #1))
I stepped from the desert doorway with nothing except the clothes on my back and a shoulder bag filled with notebooks—blue-lined paper pads bound together with rubber bands and stained with my sweat, with camel shit, by smears of my own blood. The pages crazed with jottings about devastating heat. The bearings for remote wells. Inked maps of pilgrim roads. The divinations of Bedouin fire cures. Mile upon mile of sentences from an austere kingdom still largely closed to the world. I walked along the concrete highway and spotted the first alcoholic artifacts I had seen in seven months (bottles, cans), past a large potash mine, and up the wrinkled coast to a tourist town. I saw women in colorful sarongs. Some drove cars. Nobody watched me. I floated out of a desert wadi like windblown trash. I found an ATM. I asked directions to a posh hotel with knockoff Mies van der Rohe tubular furniture in the lobby. Men gave camel rides to tourists outside. “And where”—asked the clerk, without the least curiosity, as I signed the paperwork—”are you coming from, Mr. Salopek?
Paul Salopek
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
And it was only then that I realized what I had let myself in for, and only then I realized how bloody thick I had been not to have predicted it. It would seem that the combination of elements--woman, desert, camels, aloneness--hit some soft sport in this era's passionless, heartless, aching psyche. It fired the imaginations of people who seem themselves as alienated, powerless, unable to do anything about a world gone mad. And wouldn't it be my luck to pick just this combination. The reaction was totally unexpected and it was very, very weird. I was now public property. I was now a kind of symbol. I was now an object of ridicule for small-minded sexists, and I was a crazy, irresponsible adventurer (though not as crazy as I would have been had I failed). But worse than all that, I was now a mythical being who had done something courageous and outside the possibilities that ordinary people could hope for. And that was the antithesis of what I wanted to share. That anyone could do anything. If I could bumble my way across a desert, then anyone could do anything. And that was true especially for women, who have used cowardice for so long to protect themselves that it has become a habit.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
A snake doesn't need feet in grass. A seed doesn't need eyes in soil. A bird doesn't need a parachute in air. A fish doesn't need a suit in water. A bee doesn't need sugar in a hive. A spider doesn't need thread in a bush. A flower doesn't need perfume in a garden. A bat doesn't need binoculars in a cave. A giraffe doesn't need a ladder in the woods. A cricket doesn't need a violin in nature. A camel doesn't need wheels in a desert. A wolf doesn't need a knife in a forest. A lion doesn't need a spear in a jungle. If you throw a bird off a cliff, you are helping it find its wings. If you throw a fish into water, you are helping it find its fins. If you throw a seed into soil, you are helping it find its roots. If you throw a bat into the dark, you are helping it find its eyes. If you throw a flower into dirt, you are helping it find its petals. If you throw a cub into the jungle, you are helping it find its fight. If you throw a camel into the desert, you are helping it find its stride. If you throw a scorpion into nature, you are helping it find its sting. If you throw a serpent into grass, you are helping it find its fangs. If you throw a wolf into the jungle, you are helping it find its bite.
Matshona Dhliwayo
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out—My God, why dost thou shame me? Hopelessly ascendant in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
William Gaddis (The Recognitions)
The Sailor-boy’s Gossip You say, dear mamma, it is good to be talking With those who will kindly endeavour to teach. And I think I have learnt something while I was walking Along with the sailor-boy down on the beach. He told me of lands where he soon will be going, Where humming-birds scarcely are bigger than bees, Where the mace and the nutmeg together are growing, And cinnamon formeth the bark of some trees. He told me that islands far out in the ocean Are mountains of coral that insects have made, And I freely confess I had hardly a notion That insects could world in the way that he said. He spoke of wide deserts where the sand-clouds are flying. No shade for the brow, and no grass for the feet; Where camels and travelers often lie dying, Gasping for water and scorching with heat. He told me of places away in the East, Where topaz, and ruby, and sapphires are found: Where you never are safe from the snake and the beast, For the serpent and tiger and jackal abound. I thought our own Thames was a very great stream, With its waters so fresh and its currents so strong; But how tiny our largest of rivers must seem To those he had sailed on, three thousand miles long. He speaks, dear mamma, of so many strange places, With people who neither have cities nor kings. Who wear skins on their shoulders, paint on their faces, And live on the spoils which their hunting-field brings. Oh! I long, dear mamma, to learn more of these stories, From books that are written to please and to teach, And I wish I could see half the curious glories The sailor-boy told me of down on the beach. Eliza Cook.
Charlotte M. Mason (Elementary Geography: Full Illustrations & Study Guides!)
I’m going to guide you across the desert,” the alchemist said. “I want to stay at the oasis,” the boy answered. “I’ve found Fatima, and, as far as I’m concerned, she’s worth more than treasure.” “Fatima is a woman of the desert,” said the alchemist. “She knows that men have to go away in order to return. And she already has her treasure: it’s you. Now she expects that you will find what it is you’re looking for.” “Well, what if I decide to stay?” “Let me tell you what will happen. You’ll be the counselor of the oasis. You have enough gold to buy many sheep and many camels. You’ll marry Fatima, and you’ll both be happy for a year. You’ll learn to love the desert, and you’ll get to know every one of the fifty thousand palms. You’ll watch them as they grow, demonstrating how the world is always changing. And you’ll get better and better at understanding omens, because the desert is the best teacher there is. “Sometime during the second year, you’ll remember about the treasure. The omens will begin insistently to speak of it, and you’ll try to ignore them. You’ll use your knowledge for the welfare of the oasis and its inhabitants. The tribal chieftains will appreciate what you do. And your camels will bring you wealth and power. “During the third year, the omens will continue to speak of your treasure and your Personal Legend. You’ll walk around, night after night, at the oasis, and Fatima will be unhappy because she’ll feel it was she who interrupted your quest. But you will love her, and she’ll return your love. You’ll remember that she never asked you to stay, because a woman of the desert knows that she must await her man. So you won’t blame her. But many times you’ll walk the sands of the desert, thinking that maybe you could have left … that you could have trusted more in your love for Fatima. Because what kept you at the oasis was your own fear that you might never come back. At that point, the omens will tell you that your treasure is buried forever. “Then, sometime during the fourth year, the omens will abandon you, because you’ve stopped listening to them. The tribal chieftains will see that, and you’ll be dismissed from your position as counselor. But, by then, you’ll be a rich merchant, with many camels and a great deal of merchandise. You’ll spend the rest of your days knowing that you didn’t pursue your Personal Legend, and that now it’s too late. “You must understand that love never keeps a man from pursuing his Personal Legend. If he abandons that pursuit, it’s because it wasn’t true love … the love that speaks the Language of the World.
Paulo Coelho (The Alchemist)
But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.
Hermann Hesse (The Glass Bead Game)
A man decides to be a lawyer and spends years studying law and finally puts out his shingle. He soon finds something in his temperament that makes it impossible for him to make good as a lawyer. He is a complete failure. He is 50 years old, was admitted to the bar when he was 30, and 20 years later, he has not been able to make a living as a lawyer. As a lawyer, he is a failure. A businessman buys a business and tries to operate it. He does everything that he knows how to do but just cannot make it go. Year after year the ledger shows red, and he is not making a profit. He borrows what he can, has a little spirit and a little hope, but that spirit and hope die and he goes broke. Finally, he sells out, hopelessly in debt, and is left a failure in the business world. A woman is educated to be a teacher but just cannot get along with the other teachers. Something in her constitution or temperament will not allow her to get along with children or young people. So after being shuttled from one school to another, she finally gives up, goes somewhere and takes a job running a stapling machine. She just cannot teach and is a failure in the education world. I have known ministers who thought they were called to preach. They prayed and studied and learned Greek and Hebrew, but somehow they just could not make the public want to listen to them. They just couldn’t do it. They were failures in the congregational world. It is possible to be a Christian and yet be a failure. This is the same as Israel in the desert, wandering around. The Israelites were God’s people, protected and fed, but they were failures. They were not where God meant them to be. They compromised. They were halfway between where they used to be and where they ought to be. And that describes many of the Lord’s people. They live and die spiritual failures. I am glad God is good and kind. Failures can crawl into God’s arms, relax and say, “Father, I made a mess of it. I’m a spiritual failure. I haven’t been out doing evil things exactly, but here I am, Father, and I’m old and ready to go and I’m a failure.” Our kind and gracious heavenly Father will not say to that person, “Depart from me—I never knew you,” because that person has believed and does believe in Jesus Christ. The individual has simply been a failure all of his life. He is ready for death and ready for heaven. I wonder if that is what Paul, the man of God, meant when he said: [No] other foundation can [any] man lay than that is laid, which is Jesus Christ. Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble; every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath built thereupon, he should receive a reward. If any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as by fire (1 Cor. 3:11-15). I think that’s what it means, all right. We ought to be the kind of Christian that cannot only save our souls but also save our lives. When Lot left Sodom, he had nothing but the garments on his back. Thank God, he got out. But how much better it would have been if he had said farewell at the gate and had camels loaded with his goods. He could have gone out with his head up, chin out, saying good riddance to old Sodom. How much better he could have marched away from there with his family. And when he settled in a new place, he could have had “an abundant entrance
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
He looks through the windscreen at nothing. They are returning to Cuba. The announcement came after the droids withdrew. An auto-animated voice. It did not proclaim their furlough a success or failure. Ibn al Mohammed does not know if the others will accept implantation. He believes they will not, as he will not. Temptation is legion, yet what does it mean? He is not of Satan’s world. What would implantation bring except ceaseless surveillance within a greater isolation? That, and the loss of his soul. Sun-struck and empty, so immense it frightens, the desert is awesome in its indifference. Even as he stares at it, Ibn al Mohammed wonders why he does so. The life that clings to it is sparse, invisible, death-threatened. Perhaps they will cast him out just here, he and all others who do not cooperate. No matter: he has lived in such a place. Sonora is not the same as Arabia, or North Africa, or The Levant, yet its climate and scant life pose challenges that to him are not unfamiliar. Ibn al Mohammed believes he would survive, given a tent, a knife, a vessel in which to keep water, a piece of flint. Perhaps they will grant these necessities. A knife, they might yet withhold. As if, wandering in so complete a desolation, he might meet someone he would want to hurt. As he watches, images cohere. Human figures made small by distance, yet he knows them. His mother, in a dark, loose-fitting, simple abaya. How does he recognize her, in the anonymous dress? Ibn al Mohammed has not seen his mother in a dozen years. He knows her postures, movements she was wont to make. He sees his sisters, also wearing abayas and khimars. What are they doing? Bending from the waist, they scrounge in the sand. Asna, the eldest, gentle Halima, Nasirah, who cared for him when he was young. They are gathering scraps and remants, camel chips for a fire. Where is their house? Why are they alone? It seems they have remained unmarried—yet what is he seeing? Is it a moment remembered, a vision of the past? Or are these ghosts, apparitions summoned by prophetic sight? Perhaps it is a mirage only. His sisters seem no older than when he left. Is it possible? His mother only appears to have aged. She is shrunken, her back crooked. Anah Kifah, who is patient and struggles. He wonders how they do not see the ship, this great craft that flies across the sky. The ship is in the sky, their eyes are on the ground. That is why they do not see it. Or his windscreen view is magnified, and Halima and Nasirah and Asna and Anah Kifah are much farther away than they seem, and the ship is a vanishing dot on an unremarked horizon. If he called, they would not hear. Also, there is the glass. Still, he wishes to call to them. What is best to say? “Mother … Mother.” Anah Kifah does not lift her head. His words strike the windscreen and fall at his feet, are carried away by wind, melt into air. “Nasirah? It is Ibn. Do you hear me? Halima? Halima, I can see you. I see all my sisters. I see my mother. Asna? How has it been with you? Do you hear me? It is Ibn. I am here—far away, yet here, and I shall come back. They cannot lock me always in a cage, God willing. In a month, in a year, I shall be free. Keep faith. Always know God is with you. God is great. God protects me. God gives me strength to endure their tortures. One day, God will speed my return.” The women do not lift their heads. They prod the sand, seemingly indifferent to what they find. Straining toward them, Ibn al Mohammed cries out, “Mother! Nasirah! I am alive! I am alive!” [pp. 160-162]
John Lauricella
Homo sapiens is among the most adaptable. Settle a tribe of them in a desert and they will wrap themselves in cotton, sleep in tents, and travel on the backs of camels;
Amor Towles (A Gentleman in Moscow)
The Bedu of Central Arabia herded camels in empty deserts where there were no mosques or schools. They produced warriors, not scholars, and their understanding of Islam was limited. The original idea behind the Ikhwan, or Brotherhood Movement, was to settle the Bedu in order to improve their religious practices.
David Rundell (Vision or Mirage: Saudi Arabia at the Crossroads)
The ancient Bedouins would say that just as camel droppings in the desert would tell them that camels passed by, and footsteps in the sand were proof that a creature had walked by, the Earth’s many valleys, mountains, oceans, and constellations point to the existence of a Creator.
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam (Studying Qur'an & Hadith Book 2))
Do You Like Animals? is a wild animal menagerie of fun as children view pictures and read stories about elephants, lions, leopards, rhinos, hippos, zebras, giraffes, camels, kangaroos, penguins, and much more. The book helps children meet the animals up close and learn fun facts about how they live in the wild. The author/illustrator viewed the animals in the jungles, bush, and deserts of Africa, Australia, and South America before writing about them and painting them in forms that would be enjoyable and educational for children. For example, children will learn why elephants have trunks, why giraffes and leopards have spots, whether zebras’ stripes are black-on-white or white-on-black, how long hippos can hold their breath, the amazing characteristics of howler monkeys’ tails, why some kangaroos have a pouch, whether ostriches really bury their heads in the sand, the types of camels that have either one or two humps… Through stories that rhyme and pictures painted with punch this book is a must for children who like to have fun while they learn!
M.S. Gatto (Do You Like Wild Animals?)
I withdraw once again in the contemplation of the desert and its sumptuous architecture. How is it possible to have such perfect curves with such pure lines, looking as if drawn for infinity but made of... sand, sculpted by the wind? The little wind furrows are almost the perfect mirror image of those left by the pulses of the sea in the sand of the estuaries and on the beaches.
Francoise Hivernel (50 Camels and She's Yours)
I went to Cairo, to the Giza plateau, and stood beside desert nomads and their silk-draped camels at the foot of the Great Sphinx, all of us squinting up into its eternally open eyes. The sun hammered down on my head, the same sun that hammered down on the thousands of men who built these pyramids, and the millions of visitors who came after.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
Fields of opium poppies surrounded the infrequent villages shining their fresh green leaves against the storm-inked sky. Purple lightning danced on the horizon. It had rained here already, and out in the desert we could smell the aromatic camel-thorn as if it was on fire. Yellow lupins mingled with big clumps of mauve and white iris. Kariz itself was pervaded by an overpowering scent, as sweet as bean- flowers, but more languid, more poetic. I walked out to try and place it. The opium flowers called me, glowing in the dusk like lamps of ice.
Robert Byron (The Road to Oxiana)
Listen. There are people who are saints, and temples thousands of years old, Laura, and camel trains crossing the deserts. Cities are broken to pieces, and people are climbing mountains and making pilgrimages to Mecca. There’s beauty and terror and so much more than we know. Nothing is this small.
Elizabeth Harrower (The Watch Tower)
Juan walked onto the bridge wing, the wind ruffling his light cotton shirt. He could taste the distant desert in the back of his throat as he drew a deep breath. Though drawn to the sea since he was a boy, the desert also held a similar fascination. Like the ocean, it was an element that was both inhospitable and indifferent, and yet, since time immemorial, men have ventured across it both for profit and exploration. Had he been born in a different time and a different place, Cabrillo could see himself leading camel caravans across the trackless Sahara or through Saudi Arabia’s Rub’ al-Khali, the Great Empty Quarter. It was the mystery of what lay beyond the next wave, or the next dune, that drew him.
Clive Cussler (Plague Ship (Oregon Files, #5))
The heart of the issue is the modern principle, that does not hold much water, death of us, sever from the bosom thine breast and dispersed, surmounted morals by sadist of uncivil. Mammoth falling gradually dying without remorse, history hidden on the hills and caves, decipher not, roots abandoned for modern indulgence, eyes see not, civilization dying in the orb of beauty when wine blinds us. Rivers moving upstream, oceans feeding rivers, deserts with dense pine trees, oasis with mackerels, the amazons’ sands with camel foot prints, the Savanah snow rain paint beauty of pandas. Mother is blinded by mammon, father drunk with savory of rum while it digs, it destroys the spirit while it penetrates the cudgel spell.
Tapiwanaishe Pamacheche (Depth of colour)
Each year more than two million pilgrims arrive in Mecca for the Hajj. They gather on an empty desert plain to pray; listen to sermons; and sacrifice thousands of goats, sheep, and camels. This immense, multinational congregation provides Saudi leaders with a rich opportunity to promote their views, demonstrate their special role in Islam, and host important Muslim leaders at a spiritually significant moment in their lives.
David Rundell (Vision or Mirage: Saudi Arabia at the Crossroads)
in the next dark place a camel harnessed to a pole went round and round, working a press which squeezed olive oil from loads of the fruit; the camel had a hood over his face, so that he wouldn’t see what he was doing, and might dream that he was out on the desert trails where he had been born.
Upton Sinclair (One Clear Call (The Lanny Budd Novels #9))
Once you get into the desert, there’s no going back,” said the camel driver. “And, when you can’t go back, you have to worry only about the best way of moving forward. The rest is up to Allah, including the danger.
Paulo Coelho (The Alchemist)
The cold air hit him like a door. It was freezing. That wasn’t what was supposed to happen in deserts, was it? Deserts were all hot sand and camels and . . . and . . . he struggled for a while, as a man whose geographical knowledge got severely cramped once you got off paved road . . . camels, yes, and dates. And possibly bananas and coconuts. But the temperature here made your breath tinkle in the air.
Terry Pratchett (Jingo (Discworld, #21))
In a road-mender’s hut near Vézelay they found a message scrawled on the wall: “La vie est un desert, la femme un chameau. Pour voir le desert il faut monter sur le chameau.” (“Life is a desert, woman is a camel. If you want to see the desert you have to ride the camel.”)
Amanda Vaill (Everybody Was So Young: Gerald and Sara Murphy: A Lost Generation Love Story)
Do you want to go to fairy tale world? Go to a desert, ride a camel, let the sun set, then the moon rise, and the mysterious shadows begin their dance! And here you are in the world of fairy tales!
Mehmet Murat ildan
Some people call camel “ship of the desert”. I have named our camel Selene, because she is pale like the moon. She is very good. You will become used to her soon.
Caroline Lawrence (The Roman Mysteries Complete Collection (The Roman Mysteries #1-17))
One of the most pleasant recollections of those busy days was a Babylonian dinner given by Present Morton to the friends of the expedition. The cards at our plates were written in the language of Nebuchadnezzar; the bread was of the shape of Babylonian bricks; the great tray of ice-cream was the colour of the desert sand over which sweet icy camels bore burdens of other sweet ices; and there was a huge cake, like the Tower of Babel; about it wandered miniature Arabs with miniature picks, and concealed within its several stages was an art treasure for each of the guests. Then and there, as the Director of the Expedition, I opened the excavations, and from the ruins of the huge cake I rescued and distributed its buried treasures - antiquities fresh from Tiffany's. Finally the host proposed a toast to the expedition, but it happened by some chance that no glass was at my plate. Imagine my consternation when the guests were raising their glasses and were expressing wishes for my success, and I could not respond! Did it portend failure? Was it destined that success be denied me?
Harriet Crawford (Sumer and the Sumerians)
Once you get into the desert, there's no going back," said the camel driver. "And, when you can't go back, you have to worry only about the best way of moving forward.
Paulo Coelho (The Alchemist)
Dear Nick, I Know we made this decision together. I know we both thought it would be less painful to break up before the distance did it for us. I really believed it was the right thing to do: that it wouldn't hurt as much this way. But I can't imagine anything could be harder than this. And I don't think I'm OK. I came back from New York and I was so devastated I shut myself away from my best friends, and now they've shut themselves away from me too. I've done everything I can to feel happy again. I've been to Morocco and ridden on camels and danced in the desert: I've chased my inner star. I've thrown myself into modelling and done whatever it takes to make new Friends at school so I'm not alone, even though I don't really understand them most of the time and I don't think they understand me either. I'm trying so hard to move on without you. But I'm not, Nick. I'm not moving anywhere. All the things I wrote in the last letter... they weren't true. Or they were, but it wasn't what I really meant. I was hiding behind Facts and figures because I didn't Know how to say this: Every day you're changing, you're growing, you're living, you're out there being you, and the only thing staying the same is me. I'm still here, holding on to you. Stuck in the past. Trapped in it. Burying myself in it. Drowning in it. And I don't know what to do to make it better. I miss you, Nick. I've missed you every day, every hour and every second since you've been gone. And I miss the bit of me you took with you. Harriet xxx
Holly Smale (All That Glitters (Geek Girl, #4))
The flat became more rolling, and the rolling became hills, and the hills became the Hoggar, its odd volcanic peaks and spires struggling through the almost irides- cent violet haze that seemed to emanate from them. They had never seen such a place, and rode enraptured. The camels stepped tenderly through the rocks, which had changed from smooth gravel to rough cobbles to razor-sharp stones, at first spaced well apart but then closer and hard to avoid. It slowed their progress, and at times the caravan stretched out over two kilometers, a great undulating jumble of humps and baskets and bags and winding through the men, craggy passages and long wadis. The camels groaned as if mortally wounded when they cut their feet, their cries returning in haunted echoes from the rock walls. They shifted themselves in exaggerated motions to favor their feet, sometimes losing their loads altogether or having them slip out of place until their tenders had to stop and ad- just them. In the worst places the men walked, leading their mounts by hand.
David Ball (Empires of Sand by David Ball (2001-03-06))
Are you troubled?" Moussa asked, his voice gentle with concern. "No," she said. "I was only thinking of my mar- riage." It was true, so she didn't understand why she hated herself instantly for saying it. She thought Moussa's head jerked a little at the words. After that he was uncharacteristically quiet and for the first time in nearly four days they rode in a sad unnatural silence that was as suffocating as the desert heat. Suddenly each stride of the camel seemed interminable, and Daia didn't know what to do. One part of her wanted journey to end quickly, wanted to arrive in Abalessa where all the confusion might end. The rest of her, most of her, wanted their journey to last forever.
David Ball (Empires of Sand by David Ball (2001-03-06))
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Much of his material appeared in an article in Psychiatry magazine, November, 1959: “The Culture, Psychiatry, and the Written Word.” Again, it is electric speed that has revealed the lines of force operating from Western technology in the remotest areas of bush, savannah, and desert. One example is the Bedouin with his battery radio on board the camel. Submerging natives with floods of concepts for which nothing has prepared them is the normal action of all our technology. But with electric media Western man himself experiences exactly the same inundation as the remote native.
Marshall McLuhan (Understanding Media: The Extensions of Man)