Descriptive Sunrise Quotes

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Expansion History, and you came to the description of the triple sunrises you can see when you're hanging in Lsel Station's Lagrange point, and you thought, At last, there are words for how I feel, and they aren't even in my language―> Yes, Mahit says. Yes, she does. That ache: longing and a violent sort of self-hatred, that only made the longing sharper. We felt that way.
Arkady Martine (A Memory Called Empire (Teixcalaan, #1))
Say to yourself in the kindest possible way, Look, honey, all we’re going to do for now is to write a description of the river at sunrise, or the young child swimming in the pool at the club, or the first time the man sees the woman he will marry. That is all we are going to do for now. We are just going to take this bird by bird. But we are going to finish this one short assignment.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
It’s easy to convince people that children need to learn the alphabet and numbers. . . . How do we help people to realize that what matters even more than the superimposition of adult symbols is how a person’s inner life finally puts together the alphabet and numbers of his outer life? What really matters is whether he uses the alphabet for the declaration of war or the description of a sunrise—his numbers for the final count at Buchenwald or the specifics of a brand-new bridge.
Fred Rogers
The dark has a eased a little. There has been a street-lamp burning, that has lit the threads of the bleached net scarf hung at the window, now it is put out. The light turns filthy pink. The pink gives way to sickly yellow. It creeps, and with it creeps sound - softly at first, then rising in a staggering crescendo: crowning cocks, whistles and bells, dogs, shrieking babies, violent calling, coughing, spitting, the tramp of feet, the endless hollow of beating hooves and the grinding of wheels. Up, up it comes, out of the throat of London. It is six or seven o'clock.
Sarah Waters (Fingersmith)
Before his and Pushkin's advent Russian literature was purblind. What form it perceived was an outline directed by reason: it did not see color for itself but merely used the hackneyed combinations of blind noun and dog-like adjective that Europe had inherited from the ancients. The sky was blue, the dawn red, the foliage green, the eyes of beauty black, the clouds grey, and so on. It was Gogol (and after him Lermontov and Tolstoy) who first saw yellow and violet at all. That the sky could be pale green at sunrise, or the snow a rich blue on a cloudless day, would have sounded like heretical nonsense to your so-called "classical" writer, accustomed as he was to the rigid conventional color-schemes of the Eighteenth Century French school of literature. Thus the development of the art of description throughout the centuries may be profitably treated in terms of vision, the faceted eye becoming a unified and prodigiously complex organ and the dead dim "accepted colors" (in the sense of "idées reçues") yielding gradually their subtle shades and allowing new wonders of application. I doubt whether any writer, and certainly not in Russia, had ever noticed before, to give the most striking instance, the moving pattern of light and shade on the ground under trees or the tricks of color played by sunlight with leaves.
Vladimir Nabokov (Lectures on Russian Literature)
Expansion History, and you came to the description of the triple sunrises you can see when you're hanging in Lsel Station's Lagrange point, and you thought, At last, there are words for how I feel, and they aren't even in my language―> Yes, Mahit says. Yes, she does. That ache: longing and a violent sort of self-hatred, that only made the longing sharper.
Arkady Martine (A Memory Called Empire (Teixcalaan, #1))
What an extraordinary creature," Win heard Dr. Harrow murmur nearby. She followed his gaze to the lady of the house, Mrs. Annabelle Hunt, who was greeting guests. Although Win had never met Mrs. Hunt, she recognized her from descriptions she had heard. Mrs. Hunt was said to be one of the greatest beauties of England, with her beautifully turned figure and heavily lashed blue eyes, and hair that gleamed with rich shades of honey and gold. But it was her luminous, lively expressiveness that made her truly engaging. "That's her husband, standing next to her," Poppy murmured. "He's intimidating, but very nice." "I beg to differ," Leo said. "You don't think he's intimidating?" Win asked. "I don't think he's nice. Whenever I happen to be in the same room as his wife, he looks at me as if he'd like to dismember me." "Well," Poppy said prosaically, "one can't fault his judgment." She leaned toward Win and said, "Mr. Hunt is besotted with his wife. Their marriage is a love match, you see." "How unfashionable," Dr. Harrow commented with a grin. "He even dances with her," Beatrix told Win, "which husbands and wives are never supposed to do. But considering Mr. Hunt's fortune, people find reasons to excuse him for such behavior." "See how small her waist is," Poppy murmured to Win. "And that's after three children- two of them very large boys.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
It’s easy to convince people that children need to learn the alphabet and numbers. . . . How do we help people to realize that what matters even more than the superimposition of adult symbols is how a person’s inner life finally puts together the alphabet and numbers of his outer life? What really matters is whether he uses the alphabet for the declaration of war or the description of a sunrise—his numbers for the final count at Buchenwald or the specifics of a brand-new bridge.
Maxwell King (The Good Neighbor: The Life and Work of Fred Rogers)
This is not a bad line to have taped to the wall of your office. Say to yourself in the kindest possible way, Look, honey, all we’re going to do for now is to write a description of the river at sunrise, or the young child swimming in the pool at the club, or the first time the man sees the woman he will marry. That is all we are going to do for now. We are just going to take this bird by bird. But we are going to finish this one short assignment.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
Say to yourself in the kindest possible way, Look, honey, all we're going to for now is to write a description of the river at sunrise, or the young child swimming in the pool at the club, or the first time the man sees the woman he will marry. That is all we are going to do for now. We are just going to take this bird by bird. But we are going to finish this one short assignment.
Anne Lamott (Bird by Bird)
Early in the evolution of Mister Rogers’ Neighborhood, Rogers offered this definitive observation to a meeting of the American Academy of Child Psychiatry: “It’s easy to convince people that children need to learn the alphabet and numbers. . . . How do we help people to realize that what matters even more than the superimposition of adult symbols is how a person’s inner life finally puts together the alphabet and numbers of his outer life? What really matters is whether he uses the alphabet for the declaration of war or the description of a sunrise—his numbers for the final count at Buchenwald or the specifics of a brand-new bridge.”13
Maxwell King (The Good Neighbor: The Life and Work of Fred Rogers)
...Rogers offered this definitive observation to a meeting of the American Academy of Child Psychiatry: "It's easy to convince people that children need to learn the alphabet and numbers...How do we help people to realize that what matters even more than the superimposition of adult symbols is how a person's inner life finally puts together the alphabet and numbers of his outer life? What really matters is whether he uses the alphabet for the declaration of war or the description of a sunrise--his numbers for the final count at Buchenwald or the specifics of a brand-new bridge.
Maxwell King (The Good Neighbor: The Life and Work of Fred Rogers)
Hops and despair hung in the air. The floodwaters reached three feet and turned my craft brewery into a swamp, the kegs bobbing like tipsy buoys. Amid the ruins damp grain bags, shattered fermentation tanks, I saw the real victim: my hardware wallet, soggy but still, the USB port crusty with dirt. And contained? $275,000 of Bitcoin, my sole chance at redemption. I had jokingly named the wallet "Barley Vault." Now, the joke was on me. Insurance adjusters snapped photos and shrugged. "Acts of God aren't covered," they told me, as if divine intervention equated to a ruptured riverbank and a malfunctioning sump pump. My head brewer, Jess, salvaged what she could a water-damaged recipe book, a warped mash paddle and handed me a business card so soggy, the ink seeped like a watercolor. "Called these people," she said. "FUNDS RECLIAMER COMPANY. They recover crypto disasters. Or at least the internet claims.". I called, half-hoping for a scam. In its place, a voice arrived, as calm as fermenting lager: "Water damage? We've handled worse." They instructed me to mail the remains of the wallet, wrapped in rice like a vile pho ingredient. I restored the brewery through hand pressure-cleaning of mold, re-wiring circuits as Wizard's engineers conjured their own sorcery, for ten days. They disassembled the wallet's rusty interiors, toasting circuit boards in laboratory ovens, coaxing information from charred chips like alchemists breaking down an infested recipe. The call was at dawn. "Your seed phrase made it," the engineer said. "Stashed in a memory chip. Your Bitcoin's safe." I was in the skeleton of the brewery, sunrise glinting off just-installed stainless steel, and logged in. There it was: $275,000, resurrected. I bought three new fermenters that afternoon. FUNDS RECLIAMER COMPANY didn't just recover crypto, they recovered a legacy. Now, the faucets at the brewery flow again, featuring a special stout called "Hardware Wallet Haze." The flavor descriptions? "Roasted resilience, with a dash of existential relief." If your cryptocurrency ever becomes washed out by life's flood waters, skip the freakout. Call a SOS for the Wizards. They will drain the mire dry and restore the treasure to you. Just maybe keep your backups above sea level next time. Email: fundsreclaimer(@) c o n s u l t a n t . c o m OR fundsreclaimercompany@ z o h o m a i l . c o m WhatsApp:+1 (361) 2 5 0- 4 1 1 0 Website: h t t p s :/ / funds reclaimer company . c o m
DON'T LOSE HOPE! CONTACT FUNDS RECLAIMER COMPANY TO RECOVER YOUR LOST CRYPTO
Hops and despair hung in the air. The floodwaters reached three feet and turned my craft brewery into a swamp, the kegs bobbing like tipsy buoys. Amid the ruins damp grain bags, shattered fermentation tanks, I saw the real victim: my hardware wallet, soggy but still, the USB port crusty with dirt. And contained? $275,000 of Bitcoin, my sole chance at redemption. I had jokingly named the wallet "Barley Vault." Now, the joke was on me. Insurance adjusters snapped photos and shrugged. "Acts of God aren't covered," they told me, as if divine intervention equated to a ruptured riverbank and a malfunctioning sump pump. My head brewer, Jess, salvaged what she could a water-damaged recipe book, a warped mash paddle and handed me a business card so soggy, the ink seeped like a watercolor. "Called these people," she said. "FUNDS RECLIAMER COMPANY. They recover crypto disasters. Or at least the internet claims.". I called, half-hoping for a scam. In its place, a voice arrived, as calm as fermenting lager: "Water damage? We've handled worse." They instructed me to mail the remains of the wallet, wrapped in rice like a vile pho ingredient. I restored the brewery through hand pressure-cleaning of mold, re-wiring circuits as Wizard's engineers conjured their own sorcery, for ten days. They disassembled the wallet's rusty interiors, toasting circuit boards in laboratory ovens, coaxing information from charred chips like alchemists breaking down an infested recipe. The call was at dawn. "Your seed phrase made it," the engineer said. "Stashed in a memory chip. Your Bitcoin's safe." I was in the skeleton of the brewery, sunrise glinting off just-installed stainless steel, and logged in. There it was: $275,000, resurrected. I bought three new fermenters that afternoon. FUNDS RECLIAMER COMPANY didn't just recover crypto, they recovered a legacy. Now, the faucets at the brewery flow again, featuring a special stout called "Hardware Wallet Haze." The flavor descriptions? "Roasted resilience, with a dash of existential relief." If your cryptocurrency ever becomes washed out by life's flood waters, skip the freakout. Call a SOS for the Wizards. They will drain the mire dry and restore the treasure to you. Just maybe keep your backups above sea level next time. Email: fundsreclaimer(@) c o n s u l t a n t . c o m OR fundsreclaimercompany@ z o h o m a i l . c o m WhatsApp:+1 (361) 2 5 0- 4 1 1 0 Website: h t t p s :/ / funds reclaimer company . c o m
DON'LOSE HOPE! CONTACT FUNDS RECLAIMER COMPANY TO RECOVER YOUR LOST CRYPTO
It's easy to convince people that children need to learn the alphabet and numbers.... How do we help people to realize that what matters even more than the superimposition of adult symbols is how a person's inner life finally puts together the alphabet and numbers of his outer life? What really matters is whether he uses the alphabet for the declaration of war or the description of a sunrise- his numbers for the final count at Buchenwald or the specifics of a brand-new bridge." -Fred Rogers, in a meeting at the American Academy of Child Psychiatry
Fred Rogers
It's easy to convince people that children need to learn the alphabet and numbers.... How do we help people to realize that what matters even more than the superimposition of adult symbols is how a person's inner life finally puts together the alphabet and numbers of his outer life? What really matters is whether he uses the alphabet for the declaration of war or the description of a sunrise- his numbers for the final count at Buchenwald or the specifics of a brand-new bridge.
Fred Rogers
It's easy to convince people that children need to learn the alphabet and numbers... How do we help people to realize that what matters even more than the superimposition of adult symbols is how a person's inner life finally puts together the alphabet and numbers of his outer life? What really matters is whether he uses the alphabet for the declaration of war or the description of a sunrise- his numbers for the final count at Buchenwald or the specifics of a brand-new bridge.
Fred Rogers
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