Descendants 2 Quotes

We've searched our database for all the quotes and captions related to Descendants 2. Here they are! All 100 of them:

Tyson, Frank is a descendant of Poseidon." "Brother!" Tyson crushed Frank in a hug. Percy stifled a laugh. "Actually he's more like a great-great-...Oh, never mind. Yeah, he's your brother." "Thanks." Frank mumbled through a mouthful of flannel.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
As Kit's father used to say about various criminals, Julian was the kind of person who could descend into Hell and come out with the devil himself owing him a favor.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
This is the problem with letting your enemies live.” “They’re my parents.” “Your point?” Kaz settled his cane more firmly in his grip and nodded to the cable operator, ready to descend. “A word of advice, from one bastard to another: Sometimes it’s best to let the demon have its day.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Justice does not descend from its own pinnacle.
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
Inej's mother had told her that gifted wire walkers were descended from the People of the Air, that they'd once had wings, and that in the right light, those wings could still be glimpsed on the humans to whom they showed favor.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
This Descender was the princess he had been waiting for - the real Helen.
Josephine Angelini (Dreamless (Starcrossed, #2))
I hope the two of you will descend from your love bubble long enough to learn something today," he sniped cuttingly and the other kids snickered. Embarrassed, I ducked my head to avoid eye contact with them. "It's all right, sir," Xavier replied. "The bubble's been engineered to allow us to learn from within it.
Alexandra Adornetto (Hades (Halo, #2))
Human beings, Isao realized, could descend to communicating their feelings like dogs barking in the distance on a cold night.
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
Footsteps thudded down the stairs, and the flickering figure of Hendry Lowe appeared outside Alistair’s prison bars. “You’re too late,” Alistair told him. “I’ve long descended into madness.” “It’s been fourteen hours.
Amanda Foody (All of Our Demise (All of Us Villains, #2))
Goodness works in mysterious ways. Even in the deepest dark, you’ll find a light to shine your way through.
Melissa de la Cruz (Return to the Isle of the Lost (Descendants, #2))
Variation on the Word Sleep I would like to watch you sleeping, which may not happen. I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head. and walk with you through that lucent wavering forest of bluegreen leaves with its watery sun & three moons towards the cave where you must descend, towards your worst fear I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief at the center of your dream, from the grief at the center. I would like to follow you up the long stairway again & become the boat that would row you back carefully, a flame in two cupped hands to where your body lies beside me, and you enter it as easily as breathing in I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed & that necessary.
Margaret Atwood (Selected Poems 2: 1976 - 1986)
We’re the villains you root for in the story.
Melissa de la Cruz (Return to the Isle of the Lost (Descendants, #2))
Maybe my descendants will make better choices where I failed." "Your descendants? Are you planning on having a lot of descendants?" "One day I'd like a whole army of tiny vigilantes." "A worthy goal.
Jodi Meadows (The Mirror King (The Orphan Queen, #2))
But one must remember that they were all men with systems. Freud, monumentally hipped on sex (for which he personally had little use) and almost ignorant of Nature: Adler, reducing almost everything to the will to power: and Jung, certainly the most humane and gentlest of them, and possibly the greatest, but nevertheless the descendant of parsons and professors, and himself a super-parson and a super-professor. all men of extraordinary character, and they devised systems that are forever stamped with that character.… Davey, did you ever think that these three men who were so splendid at understanding others had first to understand themselves? It was from their self-knowledge they spoke. They did not go trustingly to some doctor and follow his lead because they were too lazy or too scared to make the inward journey alone. They dared heroically. And it should never be forgotten that they made the inward journey while they were working like galley-slaves at their daily tasks, considering other people's troubles, raising families, living full lives. They were heroes, in a sense that no space-explorer can be a hero, because they went into the unknown absolutely alone. Was their heroism simply meant to raise a whole new crop of invalids? Why don't you go home and shoulder your yoke, and be a hero too?
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
It must be that I am dreaming, and that I shall awaken in a moment to see that awful knife descending toward my heart- kiss me, dear, just once before I lose my dream forever." -Jane-
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
You are bound to me in matrimony. If you break it and descend into another plane of existence, I will chase after you and snatch you back.
Chloe Gong (Foul Heart Huntsman (Foul Lady Fortune, #2))
And bow before the…before the last descendent of the most ancient ones, she who carries the blood of the King of the Gods within her. Bow before your new Queen.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I shook again, tasted plum, and suddenly the words were pouring out of me."She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years."I choked and clenched my teeth. "You can say it,"Auri said softly."It's okay if you say it." "I'm never going to see her again,"I choked out. Then I began to cry in earnest. "It's okay,"Auri said softly."I'm here. You're safe.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I will keep constant watch over myself and—most usefully—will put each day up for review. For this is what makes us evil—that none of us looks back upon our own lives. We reflect upon only that which we are about to do. And yet our plans for the future descend from the past.” —SENECA, MORAL LETTERS, 83.2
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
Oh, I believe you. It’s too ridiculous not to be true. It’s just that each time my world gets stranger, I think: Right. We’re at maximum oddness now. At least I know the full extent of it. First, I find out my brother and I are descended from the pharaohs and have magic powers. All right. No problem. Then I find out my dead father has merged his soul with Osiris and Why not? Then my uncle takes over the House of Life and oversees hundreds of magicians around the world. Then my boyfriend turns out to be a hybrid magician boy/immortal god of funerals. And all the while I’m thinking, Of course! Keep calm and carry on! I’ve adjusted! And then you come along on a random Thursday, la-di-da, and say, Oh, by the way, Egyptian gods are just one small part of the cosmic absurdity. We’ve also got the Greeks to worry about! Hooray!
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
CHAPTER 2: INGLOURIOUS BASTERDS ALDO THE APACHE My name is Lt. Aldo Raine and I'm putting together a special team, and I need me 8 soldiers. 8 Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis. Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross 5,000 miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity. Nazi ain't got no humanity. They're the foot soldiers of a Jew-hatin', mass murderin' maniac and they need to be destroyed. That's why any and every every son of a bitch we find wearin' a Nazi uniform, they're gonna die. Now, I'm the direct descendant of the mountain man Jim Bridger. That means I got a little Injun in me. And our battle plan will be that of an Apache resistance. We will be cruel to the Germans, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't not be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the German will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sooounds good?
Quentin Tarantino
It was a BuSab axiom that all power blocs tended toward aristocratic forms, that the descendants of decision makers dominated the power niches.
Frank Herbert (The Dosadi Experiment (ConSentiency Universe, #2))
Human beings were never meant to participate in a worldwide social network comprised of billions of people. We were designed by evolution to be hunter-gatherers, with the mental capacity to interact and socialize with the other members of our tribe—a tribe made up of a few hundred other people at most. Interacting with thousands or even millions of other people on a daily basis was way too much for our ape-descended melons to handle. That was why social media had been gradually driving the entire population of the world insane since it emerged back around the turn of the century.
Ernest Cline (Ready Player Two (Ready Player One #2))
I'll find his grave, and bury you together. You had no descendants, but I'll remember you. And my descendants, and their descendants, will remember you, and pray for you, at the monument I'll build to your names. Go into your next life. Live it, and bear its suffering. Do it again with the life after that, and the next, and with each one find it easier. Until one day, in a thousand years, the force of the universe will bring you and Esen-Temur back together to start afresh.
Shelley Parker-Chan (He Who Drowned the World (The Radiant Emperor, #2))
As darkness descended, fear continued hammering on the cracks of her rational mind. Even the critters had decided to ratchet up the volume. Great. A creepy nature soundtrack for my own personal nightmare. “How about some Tomb Raider music, people!
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
I've heard of such a legend!' I gasped. 'A child descended from a union between Christ and Mary Magdalene!' 'Don't be so fucking stupid,' snorted Mons. 'There's hundreds of those!
Mark Gatiss (The Devil in Amber (Lucifer Box, #2))
He manages to wake me and calm me down. Then he climbs into bed to hold me until I fall back to sleep. After that, I refuse the pills. But every night I let him into my bed. We manage the darkness as we did in the arena, wrapped in each other’s arms, guarding against dangers that can descend at any moment
Suzanne Collins (Catching Fire (The Hunger Games, #2))
We are all in motion, always. Those who are not climbing towards something are descending toward nothing.
Richard Paul Evans (Miles to Go (The Walk, #2))
You have to be a bit of a dreamer to imagine a world where love trumps hate--but I don't think being a dreamer is all that bad. Joel prophesied that God would "pour out [His] Spirit on all people. Your sons and daughters will prophesy, your old men will dream dreams, your young men will see visions" (Joel 2:28). I'm an old man, and this is one of my dreams: that my descendants will one day live in a land where people are quick to confess their wrongdoing and forgive the wrongdoing of others and are eager to build something beautiful together.
John M. Perkins (Dream with Me: Race, Love, and the Struggle We Must Win)
The brevity of a human lifespan tormented them as never before, and their hearts soared above the vault of time to join with their descendants and plunge into blood and fire in the icy cold of space, the eventual meeting place for the souls of all soldiers. *
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
I had no choice but to accept these voices and images as my gift. My ability. Their energy engrossed my music. I played passionately for them. To set them free. They were part of my life now. I didn't chose them, they chose me."...Elizabeth (DESCENDANT– chapter 2)
L.J. Amodeo
We manage the darkness as we did in the arena, wrapped in each other's arms, guarding against dangers that can descend at any moment.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I grabbed at my chest, instinctively, and he grabbed at his. We were both trying to stop the pain, which was the result of his thoughts of ending his pursuit of me.
Mayandree Michel (Sacrifice (The Descendants, #2))
Once upon a time, chimaera descended by the thousands into a cathedral beneath the earth. And never left.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
An hour before dawn they went down to the cove, following the bubble of the stream and the descending combe, with a glowworm here and there green-lit like a jewel in the dark.
Winston Graham (Demelza (Poldark, #2))
But I trust in my faith that we are descendants of rectitude. That each of us, no matter how bad we may think ourselves to be, the core lining of us is threaded in holy fibers.
E.K. Blair (Echo (Black Lotus, #2))
Sturmhond back into the corridors. As their footfalls faded, silence descended. Wylan cleared his throat and the sound bounced around the blue-tiled room like a spring colt let loose in a corral. Genya’s face was bemused. Zoya crossed her arms. “Well?” “Ma’am …” Wylan attempted. “Miss Genya—” Genya smiled, her scars tugging at the corner of her mouth. “Oh, he is sweet.” “You always take to the strays,” said Zoya sourly.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You can speak Parseltongue, Harry,” said Dumbledore calmly, “because Lord Voldemort — who is the last remaining descendant of Salazar Slytherin — can speak Parseltongue. Unless I’m much mistaken, he transferred some of his own powers to you the night he gave you that scar. Not something he intended to do, I’m sure. . . .” “Voldemort put a bit of himself in me?” Harry said, thunderstruck. “It certainly seems so.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I used to think this city I am to inherit was descending into one ruled by hatred,” the girl says into the cold wind. “I used to think that it was our doing, that the blood feud ruined all that was good.” She looks at her cousin. “But it has been hateful for a long time.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Even the gods were impressed. They descended from Olympus and loaded Hercules down with so much swag, it got embarrassing. Hermes
Rick Riordan (Percy Jackson and the Greek Heroes (Percy Jackson's Greek Myths Book 2))
Passage 3.4.2: 'Justice is a muscle. Without faith it weakens. Without use, it decays. Without challenges it does not strengthen.
Joan He (Descendant of the Crane)
Strength didn't have to mean facing danger alone. Strength came from trust, and friendship, and loyalty.
Melissa de la Cruz (Return to the Isle of the Lost (Descendants, #2))
This wasn’t a staircase a person would simply walk down, it was a staircase you would descend. Preferably, in a long, trailing gown.
Jasmine Guillory (By the Book (Meant to Be, #2))
Difficult days are ahead. Sin is on the increase. Paul foresaw that members of the Church would endure persecution (see 2 Timothy 3:1–13; D&C 112:24–26). Peter counseled, ‘If any man suffer as a Christian, let him not be ashamed; but let him glorify God on this behalf’ (1 Peter 4:16). As Jesus descended below all things in order to rise above all things, He expects us to follow His example. Yoked with Him, each of us can rise above all of our challenges, no matter how difficult they may be (see Matthew 11:29–30).
Russell M. Nelson
I see a beautiful city and a brilliant people rising from this abyss. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy. I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.” —CHARLES DICKENS, A TALE OF TWO CITIES
Gena Showalter (Lifeblood (Everlife, #2))
We go to partake of death. And it is in these moments, before the blades are unsheated, before blood wets the ground and screams fill the air, that the futility descends upon us all. Without our armor, we would all weep.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
The assembly fell into a prolonged silence. Ahead of them stretched the leaden road of time, terminating somewhere in the mists of the future, where all they could see were flickering flames and luster of blood. The brevity of a human lifespan tormented them as never before, and their hearts soared above the vault of time to join with their descendants and plunge into blood and fire in the icy cold of space, the eventual meeting place for the souls of all soldiers.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
Before Charlotte could utter a syllable, Tristan picked up her gloved hand and kissed her lightly on the knuckles. “Good day, Charlotte,” he said. “Good day,” she answered. She turned to bid farewell to Lady Rosalind, but she seemed to have disappeared. Numbly, she descended the front steps toward a waiting Rothbury, who only had eyes for the Devines’ front door, looking quite like he wanted to murder someone. “Perfection, dear brother,” Rosalind proclaimed, while peeking out the little window next to the door. “Utter perfection.” Slipping a finger inside his cravat to loosen it a bit, Tristan craned his neck from side to side, easing the building tension. “If he kills me, I’ll see to it that you get hanged for murder as well.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Finally, when young people who “want to help mankind” come to me asking, “What should I do? I want to reduce poverty, save the world,” and similar noble aspirations at the macro-level, my suggestion is: 1) Never engage in virtue signaling; 2) Never engage in rent-seeking; 3) You must start a business. Put yourself on the line, start a business. Yes, take risk, and if you get rich (which is optional), spend your money generously on others. We need people to take (bounded) risks. The entire idea is to move the descendants of Homo sapiens away from the macro, away from abstract universal aims, away from the kind of social engineering that brings tail risks to society. Doing business will always help (because it brings about economic activity without large-scale risky changes in the economy); institutions (like the aid industry) may help, but they are equally likely to harm (I am being optimistic; I am certain that except for a few most do end up harming). Courage (risk taking) is the highest virtue. We need entrepreneurs.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life (Incerto))
There is a massive, irreconcilable conflict between science and religion. Religion was humanity's original cosmology, biology and anthropology. It provided explanations for the origin of the world, life and humans. Science now gives us increasingly complete explanations for those big three. We know the origins of the universe, the physics of the big bang and how the basic chemical elements formed in supernovas. We know that life on this planet originated about 4 billion years ago, and we are all descendants of that original replicating molecule. Thanks to Darwin we know that natural selection is the only workable explanation for the design and variety of all life on this planet. Paleoanthropologists and geneticists have reconstructed much of the human tree of life. We are risen apes, not fallen angels. We are the most successful and last surviving African hominid. Every single person on this Earth, all 7 billion of us, arose 50,000 years ago from small bands of African hunter-gatherers, a total population of somewhere between 600 and 2,000 individuals.
J. Anderson Thomson
She well knew the great architectural secret of decorating her constructions, and never descended to construct a decoration.
Anthony Trollope (Barchester Towers (Chronicles of Barsetshire, #2))
Yen Sid surveyed the young villains in front of him. „What you are about to do is very dangerous.” Carlos perked up. „That's fine, my middle name is–” „Oscar” said Evie. „We know.
Melissa de la Cruz (Return to the Isle of the Lost (Descendants, #2))
Major mutations or changes took place among the descendants of Japheth. This is obvious because of their white skin. In other words, they were black at one time but their skin changed to white. This phenomenon can be understood in view of the total world population. Over two-thirds of the population of the world consists of colored people. That is a ratio of 2-1. Two out of Noah's three sons remained black. We know this to be true because many of the people throughout Africa, Asia, Latin America, and the islands in the Pacific Ocean are yellow, brown or, black.
Rudolph R. Windsor (From Babylon to Timbuktu: A History of the Ancient Black Races Including the Black Hebrews)
Well, she kinda sorta has a few dozen plans on getting out of the city.” Quiet descended. The Protectors had something similar. Only they limited escape routes to five. Apparently little Victoria was hugely paranoid. “Fine,” Wren huffed. “She has fifty-two and a half.” Liam had to bust in then. This was getting too good not to participate. “Fifty-two and a half?” He pushed away from the wall and flopped into a chair across from the irate woman. “Well, fifty-two complete routes and the half is more of a ‘run around in a circle and scream because she’s totally fucked in a bad way’ plan. Somehow it involves the Goodyear blimp and Jolly Ranchers.” The woman grimaced, and he couldn’t restrain his wide smile.
Celia Kyle (Big Bad Vamp (Knight Protectors, #2))
I want you to kiss me all over until there is not a part of my body that you don’t know. I want you to explore me with your tongue and fingers. I want you to make me yours as a man should make his wife. I want you to go slow until I am breathless and begging, and then I want you to go hard. I want to shatter together and fall like the silvery arcs of shooting stars as we descend from heaven of our making.
Elise Kova (A Dance with the Fae Prince (Married to Magic, #2))
Human beings were never meant to participate in a worldwide social network comprised of billions of people. We were designed by evolution to be hunter-gatherers, with the mental capacity to interact and socialize with the other members of our tribe—a tribe made up of a few hundred other people at most. Interacting with thousands or even millions of other people on a daily basis was way too much for our ape-descended melons to handle.
Ernest Cline (Ready Player Two (Ready Player One #2))
In his frenzied thoughts, he couldn’t help thinking of Cinder at the ball. How happy he’d been to see her descending the stairs into the ball room. How innocently amused he’d been at her rain-drenched hair and wrinkled dress, thinking it was a fitting look for the city’s most renowned mechanic. He’d thought she must be immune to society’s whims of fashion and decorum. So comfortable in her own skin that she could come to a royal ball as the emperor’s own guest with messy hair and oil stains on her gloves and keep her head high as she did so.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
I will here give a brief sketch of the progress of opinion on the Origin of Species. Until recently the great majority of naturalists believed that species were immutable productions, and had been separately created. This view has been ably maintained by many authors. Some few naturalists, on the other hand, have believed that species undergo modification, and that the existing forms of life are the descendants by true generation of pre existing forms. Passing over allusions to the subject in the classical writers (Aristotle, in his "Physicae Auscultationes" (lib.2, cap.8, s.2), after remarking that rain does not fall in order to make the corn grow, any more than it falls to spoil the farmer's corn when threshed out of doors, applies the same argument to organisation; and adds (as translated by Mr. Clair Grece, who first pointed out the passage to me), "So what hinders the different parts (of the body) from having this merely accidental relation in nature? as the teeth, for example, grow by necessity, the front ones sharp, adapted for dividing, and the grinders flat, and serviceable for masticating the food; since they were not made for the sake of this, but it was the result of accident. And in like manner as to other parts in which there appears to exist an adaptation to an end. Wheresoever, therefore, all things together (that is all the parts of one whole) happened like as if they were made for the sake of something, these were preserved, having been appropriately constituted by an internal spontaneity; and whatsoever things were not thus constituted, perished and still perish." We here see the principle of natural selection shadowed forth, but how little Aristotle fully comprehended the principle, is shown by his remarks on the formation of the teeth.), the first author who in modern times has treated it in a scientific spirit was Buffon. But as his opinions fluctuated greatly at different periods, and as he does not enter on the causes or means of the transformation of species, I need not here enter on details.
Charles Darwin (The Origin of Species)
The seal of Reason, made impregnable: _ The seal of Truth, immeasurably splendid: The seal of Brotherhood, man's miracle: _ The seal of Peace, and Wisdom heaven-descended: The seal of Bitterness, cast down to Hell: _ The seal of Love, secure, not-to-be-rended: The seventh seal, Equality: that, broken, God sets His thunder and earthquake for a token.
Aleister Crowley (The Works of Aleister Crowley: With Portraits (Collected Works of Aleister Crowley) VOLUME 2)
She looked down at him, smiling with exasperated amusement. *Stubborn, snarly male.* *Stubbornness is a much-maligned quality,* he panted as he climbed toward her. Her silvery, velvet-coated laugh filled the land. Then he finally got a good look at her. He sank to his knees. *I owe you a debt, Lady.* She shook her head. *The debt is mine, not yours.* *I failed you,* he said bitterly, looking at her wasted body. *No, Daemon,* Jaenelle replied softly. *I failed you. You asked me to heal the crystal chalice and return to the living world. And I did. But I don’t think I ever forgave my body for being the instrument that was used to try to destroy me, and I became its cruelest torturer. For that I’m sorry because you treasured that part of me.* *No, I treasured all of you. I love you, Witch. I always will. You’re everything I’d dreamed you would be.* She smiled at him. *And I—* She shuddered, pressed her hand against her chest. *Come. There’s little time left.* She fled through the rocks, out of sight before he could move. He hurried after her, following the glittering trail, gasping as he felt a crushing weight descend on him. *Daemon.* Her voice came back to him, faint and pain-filled. *If the body is going to survive, I can’t stay any longer.* He fought against the weight. *Jaenelle!* *You have to take this in slow stages. Rest there now. Rest, Daemon. I’ll mark the trail for you. Please follow it. I’ll be waiting for you at the end.* *JAENELLE!* A wordless whisper. His name spoken like a caress. Then silence.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
An awkward silence descended between us. Where did that phrase come from? I wonder. Silence descended. Descended from where exactly? Was it hovering over us like the alien spaceship in Independence Day? Maybe it wasn't really silence so much as it was the smothering weight of something unsaid, words we'd kept at bay, kept in the air, by talking about other things.
Jacqueline Carey (Autumn Bones (Agent of Hel, #2))
The two creatures were sexless. But he of Malacandra was masculine (not male); she of Perelandra was feminine (not female). Malacandra seemed to him to have the look of one standing armed, at the ramparts of his own remote archaic world, in ceaseless vigilance, his eyes ever roaming the earth-ward horizon whence his danger came long ago. "A sailor's look," Ransom once said to me; "you know... eyes that are impregnated with distance." But the eyes of Perelandra opened, as it were, inward, as if they were the curtained gateway to a world of waves and murmurings and wandering airs, of life that rocked in winds and splashed on mossy stones and descended as the dew and arose sunward in thin-spun delicacy of mist. On Mars the very forests are of stone; in Venus the lands swim. For now he thought of them no more as Malacandra and Perelandra. He called them by their Tellurian names. With deep wonder he thought to himself, "My eyes have seen Mars and Venus. I have seen Ares and Aphrodite.
C.S. Lewis (Perelandra (The Space Trilogy, #2))
There is no man,’ he began, ‘however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man—so far as it is possible for any of us to be wise—unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grand sons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you are not the result of training at home, by a father, or by masters at school, they have sprung from beginnings of a very different order, by reaction from the influence of everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that the picture of what we once were, in early youth, may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not deny the truth of it, for it is evidence that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups—assuming that one is a painter—extracted something that goes beyond them.
Marcel Proust (Within a Budding Grove, Part 2)
Masses of warring men animated the horizon, crashing into stubborn ranks, churning in melee. The air didn’t so much thunder as hiss with the sound of distant battle, like a sea heard through a conch shell, Martemus thought—an angry sea. Winded, he watched the first of Conphas’s assassins stride up behind Prince Kellhus, raise his short-sword … There was an impossible moment—a sharp intake of breath. The Prophet simply turned and caught the descending blade between his thumb and forefinger. “No,” he said, then swept around, knocking the man to the turf with an unbelievable kick. Somehow the assassin’s sword found its way into his left hand. Still crouched, the Prophet drove it down through the assassin’s throat, nailing him to the turf. A mere heartbeat had passed.
R. Scott Bakker (The Warrior Prophet (The Prince of Nothing, #2))
The Qur’ān is Allah’s greatest blessing for you. It is the fulfilment of His promise to Adam and his descendants: ‘There shall come to you guidance from Me, and whosoever follows My guidance no fear shall be on them, neither shall they sorrow’ (al-Baqarah 2: 38). It is the only weapon to help your frail existence as you struggle against the forces of evil and temptation in this-world. It is the only means to overpower your fear and anxiety. It is the only ‘light’ (nūr), as you grope in the darkness, with which to find your way to success and salvation. It is the only healing (shifā’) for your inner sicknesses, as well as the social ills that may surround you. It is the constant reminder (dhikr) of your true nature and destiny, of your station, your duties, your rewards, your perils. It was brought down by one who is powerful and trustworthy in the heavens – the angel Jibra’īl. Its first abode was that pure and sublime heart, the like of which man has never had – the heart of the Prophet Muhammad, blessings and peace be on him. More than anything, it is the only way to come nearer and closer to your Creator.
Khurram Murad (Way to the Qur'an)
do the chromosomes behave in ontogenesis?3 The growth of an organism is effected by consecutive cell divisions. Such a cell division is called mitosis. It is, in the life of a cell, not such a very frequent event as one might expect, considering the enormous number of cells of which our body is composed. In the beginning the growth is rapid. The egg divides into two ‘daughter cells’ which, at the next step, will produce a generation of four, then of 8, 16, 32, 64, …, etc. The frequency of division will not remain exactly the same in all parts of the growing body, and that will break the regularity of these numbers. But from their rapid increase we infer by an easy computation that on the average as few as 50 or 60 successive divisions suffice to produce the number of cells4 in a grown man – or, say, ten times the number,2 taking into account the exchange of cells during lifetime. Thus, a body cell of mine is, on the average, only the 50th or 60th ‘descendant’ of the egg that was I.
Erwin Schrödinger (What is Life? (Canto Classics))
For a life of the kind you and I have never known and will never know— quiet, peace, the surety of love.” “There is nothing sure about love. Do you think love will protect you when the Fjerdans come to capture the Stormwitch?” She didn’t. But maybe she wanted to believe there was more to life than fear and being feared. She yanked down the shade and tapped the roof. The coach travelled on, up the cramped cart track in slow switchbacks. At last, they rattled to a stop. “Stay here,” she said, hooking his shackles to the seat. She descended from the coach, closing the door behind her. Mal and Alina stood on the sanatorium’s stairs, but when Alina saw Zoya, she smiled and raced down the steps with arms open. Zoya blinked away an embarrassing prickle of tears. She hadn’t known how Alina might greet her, given the circumstances. She let herself be hugged. As always, Ravka’s Saint smelled of paint and pine. “Is he in there?” Alina asked. “He is.” “You bring me the worst gifts.” The tabby had returned from its sojourn and was twining through Misha’s legs. It padded over to Zoya. “Hello, Oncat,” she murmured, hefting the cat into her arms and feeling the comforting rumble of its purr.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I was transformed. Into a vampire." He glanced quickly around the table, but was met with nothing but blank looks. At least, they weren't screaming. Or trying to stab him with the silverware. "Are you sure, dear?" Dorotea asked. "It's true," Maggie said. "Pierce and I are both vampires." Silence descended around the table as everyone stopped eating. Pierce wondered when the screaming would begin. "Ah, well." Dorotea shrugged. "Nobody's perfect." "That's the truth," Aunt Betty muttered. "Pass the potatoes," Uncle Bob said.
Kerrelyn Sparks (A Very Vampy Christmas (Love at Stake, #2.5))
Not one of those worlds will be identical to Earth. A few will be hospitable; most will appear hostile. Many will be achingly beautiful. In some worlds there will be many suns in the daytime sky, many moons in the heavens at night, or great particle ring systems soaring from horizon to horizon. Some moons will be so close that their planet will loom high in the heavens, covering half the sky. And some worlds will look out onto a vast gaseous nebula, the remains of an ordinary star that once was and is no longer. In all those skies, rich in distant and exotic constellations, there will be a faint yellow star—perhaps barely seen by the naked eye, perhaps visible only through the telescope—the home star of the fleet of interstellar transports exploring this tiny region of the great Milky Way Galaxy. The themes of space and time are, as we have seen, intertwined. Worlds and stars, like people, are born, live and die. The lifetime of a human being is measured in decades; the lifetime of the Sun is a hundred million times longer. Compared to a star, we are like mayflies, fleeting ephemeral creatures who live out their whole lives in the course of a single day. From the point of view of a mayfly, human beings are stolid, boring, almost entirely immovable, offering hardly a hint that they ever do anything. From the point of view of a star, a human being is a tiny flash, one of billions of brief lives flickering tenuously on the surface of a strangely cold, anomalously solid, exotically remote sphere of silicate and iron. In all those other worlds in space there are events in progress, occurrences that will determine their futures. And on our small planet, this moment in history is a historical branch point as profound as the confrontation of the Ionian scientists with the mystics 2,500 years ago. What we do with our world in this time will propagate down through the centuries and powerfully determine the destiny of our descendants and their fate, if any, among the stars.
Carl Sagan (Cosmos)
Ready?” she asked. Nina clutched the rope. “To be lowered like a sack of flour into the heart of witchhunter power?” “This was your idea. We can still turn around.” “Do not second-guess the sack of flour. The sack of flour is wise beyond her years.” Hanne rolled her eyes and braced her feet against the edge of the roof, and Nina stepped out into nothing. Hanne released a grunt, but the rope stayed steady. Slowly, she lowered Nina down. The first two windows she tried were locked tight, but the third gave way and she wiggled inside, landing on the carpeted floor with a thud. She was in a stairway. For a moment, she couldn’t orient herself, but she descended another story, and soon she was at the door to Brum’s office. This time, she didn’t have a key. It had been too risky to steal it again, so she would have to pick the lock. It took an embarrassingly long time. She could almost hear Kaz laughing at her. Shut up, Brekker. Talk to me when you’ve done something about that terrible haircut. Maybe he had by now. She hoped so for Inej’s sake.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
They live beyond the quick ghetto. In hovels. In the shantytown.' He smiled. 'And every night, after the sun's descended, they can crawl safely out from their shacks and shuffle into the town. Stick-figures in rags, leaning against the walls. Exhausted and starving, hands outstretched. Begging.' His voice was soft and vicious. 'Begging for the quick to take pity on them. And every so often one of us will acquiesce, and out of pity and contempt, embarrassed by our soft philanthropy, we'll stand in the eaves of a building and offer up our wrists. And you and your kind will open them, all frantic with hunger and fawning with gratitude, and take a few eager swigs, till we decide you've had enough and take back our hands while you weep and beg for more, and maybe spew because you've gone without a hit so long your stomach can't handle what it craves, and we leave you lying in the dirt, blissed by your little fix.
China Miéville (The Scar (New Crobuzon, #2))
There is a paradox about tribulation in Christianity. Blessed are the poor, but by judgement (i.e., social justice) and alms we are to remove poverty wherever possible. Blessed are we when persecuted, but we may avoid persecution by flying city to city, and may pray to be spared it as. Our Lord prayed in Gethsemane. But if suffering is good, ought it not to be pursued rather than avoided? I answer that suffering is not good in itself. What is good in any painful experience is for the sufferer, his submission to the will of God, and for the spectators, the compassion aroused and the acts of mercy to which it leads. In the fallen and partially redeemed universe, we may distinguish (1) the simple good descending from God, (2) the simple evil produced by rebellious creatures, and (3) the exploitation of that evil by God for His redemptive purpose, which produces (4) the complex good out of simple evil does not excuse - though by mercy it may save -- those who do simple evil. And this distinction is central. Offences must come, but woe to those whom they come; sins do cause grace to abound, but we must not make that excuse for continuing to sin. The crucifixion itself is the best, as well as the worst, of all historical events, but the role of Judas remains simply evil... For you will certainly carry out God's purpose, however you act, but it makes a difference to you whether you serve like Judas or like John.
C.S. Lewis (The Problem of Pain)
Karl Jung said this about ‘the Shadow’ in one of his books: ‘It is as evil as we are positive … the more desperately we try to be good and wonderful and perfect, the more the Shadow develops a definite will to be black and evil and destructive. … The fact is that if one tries beyond one’s capacity to be perfect, the Shadow descends to hell and becomes the devil. For it is just as sinful from the standpoint of nature and of truth to be above oneself as to be below oneself.
Haruki Murakami (1Q84 #1-2 (1Q84, #1-2))
The ancient observed, and we also observe, that sometimes things fall to earth, or some things leave the earth, or whatever parts we may be near. Whence, he says, and we may also say if we like, that something has moved either upward or downward, but only with regard to a certain region, or in a certain perspective, something passing from us to the moon would look the opposite to those across from us on the moon; where we would say, something has ascended, those moon people, our anticephali, would say that something has descended. Such motions, therefore, make no distinction between up and down, hither and thither with respect to the infinite universe, but only the finite world in which we are, or within the boundaries of the infinite worlds' horizons, or according to the calculations of the innumerable stars; hence, the same thing, with the same motion, can be regarded differently and called at the same time "rising" and "falling". Determinate bodies, therefore, do not have infinite motion, but finite and determinate calculation within their own limits. But that which is indeterminate and infinite has neither finite nor infinite motion, and knows no differentiation of space or time.
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
None of these men will bring about your death any time sooner, but rather they will teach you how to die. None of them will shorten your lifespan, but each will add the wisdom of his years to yours. In other words, there is nothing dangerous about talking to these people and it won’t cost you a penny. Take from them as much as you wish. It’s up to you to squeeze the most you can from their wisdom. What bliss, what a glorious old age awaits the man who has offered himself as a mate to these intellects! He will have mentors and colleagues from whom he may seek advice on the smallest of matters, companions ever ready with counsel for his daily life, from whom he may hear truth without judgment, praise without flattery, and after whose likeness he may fashion himself. They say ‘you can’t choose your parents,’ that they have been given to us by chance; but the good news is we can choose to be the sons of whomever we desire. There are many respectable fathers scattered across the centuries to choose from. Select a genius and make yourself their adopted son. You could even inherit their name and make claim to be a true descendant and then go forth and share this wealth of knowledge with others. These men will show you the way to immortality, and raise you to heights from which no man can be cast down. This is the only way to extend mortality – truly, by transforming time into immortality. Honors, statues and all other mighty monuments to man’s ambition carved in stone will crumble but the wisdom of the past is indestructible. Age cannot wither nor destroy philosophy which serves all generations. Its vitality is strengthened by each new generation’s contribution to it. The Philosopher alone is unfettered by the confines of humanity. He lives forever, like a god. He embraces memory, utilizes the present and anticipates with relish what is to come. He makes his time on Earth longer by merging past, present and future into one.
Seneca (Stoic Six Pack 2 (Illustrated): Consolations From A Stoic, On The Shortness of Life and More)
Now here is Gardiner, patting a manuscript as if it were the cheek of a plump baby: ‘The king will be pleased to read this. I have called it, Of True Obedience.’ ‘You had better let me see it before it goes to the printer.’ ‘The king himself will expound it to you. It shows why oaths to the papacy are of none effect, yet our oath to the king, as head of the church, is good. It emphasises most strongly that a king’s authority is divine, and descends to him directly from God.’ ‘And not from a pope.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
From Stettin in the Baltic to Trieste in the Adriatic, an iron curtain has descended across the Continent. Behind that line lie all the capitals of the ancient states of Central and Eastern Europe. Warsaw, Berlin, Prague, Vienna, Budapest, Belgrade, Bucharest and Sofia, all these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject in one form or another, not only to Soviet influence but to a very high and, in many cases, increasing measure of control from Moscow.
Winston S. Churchill (The Sinews of Peace)
The first truth about mortals is that none of us wants to die, but all of us are going to. It’s in the name – mortals – the dying ones. If you don’t understand that bit, you won’t understand the rest of it. Here you are, some 5-hundred years old and you haven’t yet figured out something that a 3 year old human is starting to understand. You see, as soon as we can even think, our brains are wrapping themselves around that One Truth, that one offensive, undeniable, irrevocable Truth. The rest of our existence grows up in the shadow of a dead leaning tree, which will at one point in the not unimaginable future fall and crush all that has grown up beneath it… …Rescue them for what? Why from dying! Does that mean they won’t die? No, it just means they won’t die today. At best, we’re talking about delaying the inevitable death sentence laid on our friends. Now how does this particular truth strike you, Mister Immortal…? …And why? Why not merely stand now and fall sooner rather than later? Because there is something precious and sacred about rearguard action. It’s an active retreat that’s been repeated valiantly and ceaselessly from the beginning of mortal time. It just seems wrong to give up. It seems invalid and invalorous. More importantly, it’s indecent to simply lie down and be overrun… …Instead we rage against it and sing our defiance through bloodied teeth. Somehow, in our pointless battle, we find moments for compassion and passion and love. Yes, love. What other reason would a mortal creature have for descending into the Abyss of Gehenna to rescue another mortal soul, sentenced to return in time to that very place, except that that soul is... his beloved, whose very existence is what makes him fight rather than lie down, is what makes him absurdly threaten an immortal creature so beyond him in strength and power and knowledge and years. Love is what makes him hold a hand up to strike an immortal being who will not even feel the blow, but will strike back with lightning fingers rather than fingers of flesh… …If you immortals have so much time, you’d think you could spend some time of it listening to mad mortals rather than always interrupting!
J. Robert King (Abyssal Warriors (Planescape: Blood Wars, #2))
I don’t know how I didn’t see it for so many years of Bible reading, but I didn’t.  Paul didn’t teach the Gentiles not to follow the law, he didn’t teach people not to have their sons circumcised (in fact he himself had Timothy circumcised in Acts 16:3).  And Paul himself kept the law.  Otherwise, James would have been telling Paul to lie about what he was doing.   So we traded Christmas for Sukkot, the true birth of Messiah during the Feast of Tabernacles, which is a shadow picture of Him coming back to reign for a thousand years.  When we keep that feast, we are making a declaration that we believe He was, is, and is coming.  We keep Yom Kippur, which is a declaration that we believe that Yeshua is the salvation of the nation of Israel as a whole, that “all Israel shall be saved.”  We keep Yom Teruah, the day of Trumpets, which occurs on “the day and hour that no man knows” at the sighting of the first sliver of the new moon during the 7th biblical month of Tishri.  We traded Pentecost for Shavuot, the prophetic shadow picture of the spirit being poured out on the assembly, as we see in the book of Acts,  just as the law was given at Mt Sinai to the assembly, which according to Stephen was the true birth of the church (Acts 7:38) – not in Jerusalem, but at Sinai. We also traded Easter for Passover, the shadow picture of Messiah coming to die to restore us to right standing with God, in order to obey Him when He said, “from now on, do this in remembrance of Me.”  We traded Resurrection Sunday for First Fruits, the feast which served as a shadow of Messiah rising up out of the earth and ascending to be presented as a holy offering to the Father.  In Leviticus 23, these are called the Feasts of the LORD, and were to be celebrated by His people Israel forever, not just the Jews, but all those who are in covenant with Him. Just like at Mt Sinai, the descendants of Jacob plus the mixed multitude who came out of Egypt.    We learned from I John 3:4 that sin is defined as transgression of the law.  I John 1:10 says that if we claim we do not sin we are liars, so sin still exists, and that was written long after the death of the other apostles, including Paul.  I read what Peter said about Paul in 2 Peter 3:15-16 – that his writings were hard to understand and easily twisted.  And I began to see that Peter was right because the more I understood what everyone besides Paul was saying, the more I realized that the only way I could justify what I had been doing was with Paul’s writings.  I couldn’t use Yeshua (Jesus), Moses, John, Peter or any of the others to back up any of the doctrines I was taught – I had to ignore Yeshua almost entirely, or take Him out of context.  I decided that Yeshua, and not Paul, died for me, so I had to
Tyler Dawn Rosenquist (The Bridge: Crossing Over Into the Fullness of Covenant Life)
The ascent of the soul through love, which Plato describes in the Phaedrus, is symbolized in the figure of Aphrodite Urania, and this was the Venus painted by Botticelli, who was incidentally an ardent Platonist, and member of the Platonist circle around Pico della Mirandola. Botticelli’s Venus is not erotic: she is a vision of heavenly beauty, a visitation from other and higher spheres, and a call to transcendence. Indeed, she is self-evidently both the ancestor and the descendant of the Virgins of Fra Filippo Lippi: the ancestor in her pre-Christian meaning, the descendant in absorbing all that had been achieved through the artistic representation of the Virgin Mary as the symbol of untainted flesh. The post-Renaissance rehabilitation of sexual desire laid the foundations for a genuinely erotic art, an art that would display the human being as both subject and object of desire, but also as a free individual whose desire is a favour consciously bestowed. But this rehabilitation of sex leads us to raise what has become one of the most important questions confronting art and the criticism of art in our time: that of the difference, if there is one, between erotic art and pornography. Art can be erotic and also beautiful, like a Titian Venus. But it cannot be beautiful and also pornographic—so we believe, at least. And it is important to see why. In distinguishing the erotic and the pornographic we are really distinguishing two kinds of interest: interest in the embodied person and interest in the body—and, in the sense that I intend, these interests are incompatible. (See the discussion in Chapter 2.) Normal desire is an inter-personal emotion. Its aim is a free and mutual surrender, which is also a uniting of two individuals, of you and me—through our bodies, certainly, but not merely as our bodies. Normal desire is a person to person response, one that seeks the selfhood that it gives. Objects can be substituted for each other, subjects not. Subjects, as Kant persuasively argued, are free individuals; their non-substitutability belongs to what they essentially are. Pornography, like slavery, is a denial of the human subject, a way of negating the moral demand that free beings must treat each other as ends in themselves.
Roger Scruton (Beauty: A Very Short Introduction (Very Short Introductions))
Oh, I believe you. It’s too ridiculous not to be true. It’s just that each time my world gets stranger, I think: Right. We’re at maximum oddness now. At least I know the full extent of it. First, I find out my brother and I are descended from the pharaohs and have magic powers. All right. No problem. Then I find out my dead father has merged his soul with Osiris and become the lord of the dead. Brilliant! Why not? Then my uncle takes over the House of Life and oversees hundreds of magicians around the world. Then my boyfriend turns out to be a hybrid magician boy/immortal god of funerals. And all the while I’m thinking, Of course! Keep calm and carry on! I’ve adjusted! And then you come along on a random Thursday, la-di-da, and say: Oh, by the way, Egyptian gods are just one small part of the cosmic absurdity. We’ve also got the Greeks to worry about! Hooray!
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
He fell on his back and lay there, staring stupidly up at the sky. Then he began to tremble with fear. In the blue curve of the sky he saw a great rent, a cleft which, he perceived, was an open, gaping wound. The two irregular edges were jagged as though it had been made with something blunt, something which had first cut and then ripped and torn. Here and there shreds of the flesh, still attached to the edges, stuck out across the wound, obscuring whatever was behind. All that he could see in the suppurating depth of the wound was blood and pus, a glistening, viscous, uneven surface like a marsh. The edges were messy too, fringed all along with blood and yellow matter on which flies were walking. As he stared in horror, the dead body of a rabbit fell out of the wound, but disappeared as it fell. To El-ahrairah’s distraught eyes, the whole gash seemed to be slowly moving, two parted lips descending to close over him and draw him in.
Richard Adams (Tales from Watership Down (Watership Down, #2))
Saying good-bye to Ben is Sarina's least favorite activity. So sad the number of times she's had to do it. Ball games, recitals, the homes of friends, rented shore houses, through car windows after dropping off some forgotten camera to Annie. Goodbye. See you later. Nice seeing you. She has mastered it: A dismissive peck on the cheek. A hug like an afterthought. Telling herself, Do not watch him walk away. Watching him walk away. Watching him drive away. Watching him descend the stairs to the subway. How many times have they said goodbye to each other? Already tonight, twice. He interrupts her before she can get the second goodbye out. "How would you feel," he says, "about missing your train?" Once at the beach, Sarina watched a crane bathing in a gully at dusk. It used its wings to funnel the water over its back, then shook out the excess in a firework of droplets. After several minutes it took off, arcing out over the fretless sea. That felt like this.
Marie-Helene Bertino (2 A.M. at The Cat's Pajamas)
For evolution to be true, there would have been innumerable transitional forms between different types of creatures. Therefore, for every known fossil species, many more must have existed to connect it to its ancestors and descendents [sic]. This is yet another example of evolutionary conclusions coming before the evidence. Really, the claim is an implicit admission that large numbers of transitional forms are predicted, which heightens the difficulty for evolutionists, given how few there are that even they could begin to claim were candidates. . . . Evolutionists believe that mutation provides new information for selection. But no known mutation has ever increased genetic information, although there should be many examples observable today if mutation/selection were truly adequate to explain the goo-to-you theory. . . . Adaptation and natural selection are biological facts; amoeba-to-man evolution is not. Natural selection can only work on the genetic information present in a population of organisms--it cannot create new information. For example, since no known reptiles have genes for feathers, no amount of selection will produce a feathered reptile. Mutations in genes can only modify or eliminate existing structures, not create new ones. If in a certain environment a lizard survives better with smaller legs, or no legs, then varieties with this trait will be selected for. This might more accurately be called devolution, not evolution. . . . Note that even if such a mutation were ever discovered, evolutionists would still need to find hundreds more to give their theory the observational boost it desperately needs.
Jonathan Sarfati (Refuting Evolution 2)
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued. “… have to find St. Vincent…” Marcus was saying. “No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.” “We need privacy.” “I believe there is a small room nearby— more of a vestibule, actually…” But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase. St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust. The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.” Dazedly Lillian murmured, “Marcus, wait—” She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters. White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded. “Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering. “Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The word power has two different meanings. There is power to: strength, gift, skill, art, the mastery of a craft, the authority of knowledge. And there is power over: rule, dominion, supremacy, might, mastery of slaves, authority over others. Ged was offered both kinds of power. Tenar was offered only one. Heroic fantasy descends to us from an archaic world. I hadn’t yet thought much about that archaism. My story took place in the old hierarchy of society, the pyramidal power structure, probably military in origin, in which orders are given from above, with a single figure at the top. This is the world of power over, in which women have always been ranked low. In such a world, I could put a girl at the heart of my story, but I couldn’t give her a man’s freedom, or chances equal to a man’s chances. She couldn’t be a hero in the hero-tale sense. Not even in a fantasy? No. Because to me, fantasy isn’t wishful thinking, but a way of reflecting, and reflecting on reality. After all, even in a democracy, in the second decade of the twenty-first century, after forty years of feminist striving, the reality is that we live in a top-down power structure that was shaped by, and is still dominated by, men. Back in 1969, that reality seemed almost unshakable. So I gave Tenar power over—dominion, even godhead—but it was a gift of which little good could come. The dark side of the world was what she had to learn, as Ged had to learn the darkness in his own heart.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
The longevity genes I work on are called “sirtuins,” named after the yeast SIR2 gene, the first one to be discovered. There are seven sirtuins in mammals, SIRT1 to SIRT7, and they are made by almost every cell in the body. When I started my research, sirtuins were barely on the scientific radar. Now this family of genes is at the forefront of medical research and drug development. Descended from gene B in M. superstes, sirtuins are enzymes that remove acetyl tags from histones and other proteins and, by doing so, change the packaging of the DNA, turning genes off and on when needed. These critical epigenetic regulators sit at the very top of cellular control systems, controlling our reproduction and our DNA repair. After a few billion years of advancement since the days of yeast, they have evolved to control our health, our fitness, and our very survival. They have also evolved to require a molecule called nicotinamide adenine dinucleotide, or NAD. As we will see later, the loss of NAD as we age, and the resulting decline in sirtuin activity, is thought to be a primary reason our bodies develop diseases when we are old but not when we are young.
David A. Sinclair (Lifespan: Why We Age—and Why We Don't Have To)
After every major environmental change, a wave of extinctions has usually followed—but not right away. Extinctions only occur thousands, or millions of years later. Take the last glaciation in North America. The glaciers descended, the climate changed severely, but animals didn’t die. Only after the glaciers receded, when you’d think things would go back to normal, did lots of species become extinct. That’s when giraffes and tigers and mammoths vanished on this continent. And that’s the usual pattern. It’s almost as if species are weakened by the major change, but die off later. It’s a well-recognized phenomenon.” “It’s called Softening Up the Beachhead,” Levine said. “And what’s the explanation for it?” Levine was silent. “There is none,” Malcolm said. “It’s a paleontological mystery. But I believe that complexity theory has a lot to tell us about it. Because if the notion of life at the edge of chaos is true, then major change pushes animals closer to the edge. It destabilizes all sorts of behavior. And when the environment goes back to normal, it’s not really a return to normal. In evolutionary terms, it’s another big change, and it’s just too much to keep up with.
Michael Crichton (The Lost World (Jurassic Park, #2))
NEWT withdraws his head, still leaning against the wall of the dark alleyway, to find a single black glove hanging in the air in front of him. He looks at it, expressionless. It gives a little wave, then points into the far distance. NEWT looks to where it is pointing. High on the dome of St. Paul’s Cathedral, a tiny human figure raises its arm. NEWT looks back at the glove, which makes as though to shake hands. NEWT takes it, and he and the glove Disapparate. EXT. DOME OF ST. PAUL’S—EVENING Apparating beside a dandyesque forty-five-year-old wizard with graying auburn hair and beard. NEWT hands back his glove. NEWT: Dumbledore. (amused) Were the less conspicuous rooftops full, then? DUMBLEDORE (looking out over city): I do enjoy a view. Nebulus. A swirling fog descends over London. They Disapparate.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
behavior is always changing, all the time. Our planet is a dynamic, active environment. Weather is changing. The land is changing. Continents drift. Oceans rise and fall. Mountains thrust up and erode away. All the organisms on the planet are constantly adapting to those changes. The best organisms are the ones that can adapt most rapidly. That’s why it’s hard to see how a catastrophe that produces a large change could cause extinction, since so much change is occurring all the time, anyway.” “In that case,” Thorne said, “what causes extinction?” “Certainly not rapid change alone,” Malcolm said. “The facts tell us that clearly.” “What facts?” “After every major environmental change, a wave of extinctions has usually followed—but not right away. Extinctions only occur thousands, or millions of years later. Take the last glaciation in North America. The glaciers descended, the climate changed severely, but animals didn’t die. Only after the glaciers receded, when you’d think things would go back to normal, did lots of species become extinct. That’s when giraffes and tigers and mammoths vanished on this continent. And that’s the usual pattern. It’s almost as if species are weakened by the major change, but die off later. It’s a well-recognized phenomenon.
Michael Crichton (The Lost World (Jurassic Park, #2))
Descending the stairs from her room, I was tempted to go outside and find out if the shivering gut-wrench I’d felt as I came in really meant what I thought it did. But I stayed in the warmth of the house. I felt like I knew something about myself that I hadn’t before, a bit of knowledge so new that if I became a wolf now, I might lose it and not remember it whenever I became Cole again. I wandered down the main stairs, mindful that her father was somewhere in the house’s depths while Isabel stayed up in her tower alone. What would it be like, growing up in a house that looked like this? If I breathed too hard it would knock some decorative bowl off the wall or cause the perfectly arranged dried flowers to weep petals. Sure, my family had been affluent growing up—successful mad scientists generally are—but it never looked like this. Our lives had looked…lived in.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Kvothe?” Auri said softly. I clenched my teeth against the sobbing and lay still as I could, hoping she would think I was asleep and leave. “Kvothe?” she called again. “I brought you—” There was a moment of silence, then she said, “Oh.” I heard a soft sound behind me. The moonlight showed her tiny shadow on the wall as she climbed through the window. I felt the bed move as she settled onto it. A small, cool hand brushed the side of my face. “It’s okay,” she said quietly. “Come here.” I began to cry quietly, and she gently uncurled the tight knot of me until my head lay in her lap. She murmured, brushing my hair away from my forehead, her hands cool against my hot face. “I know,” she said sadly. “It’s bad sometimes, isn’t it?” She stroked my hair gently, and it only made me cry harder. I could not remember the last time someone had touched me in a loving way. “I know,” she said. “You have a stone in your heart, and some days it’s so heavy there is nothing to be done. But you don’t have to be alone for it. You should have come to me. I understand.” My body clenched and suddenly the taste of plum filled my mouth again. “I miss her,” I said before I realized I was speaking. Then I bit it off before I could say anything else. I clenched my teeth and shook my head furiously, like a horse fighting its reins. “You can say it,” Auri said gently. I shook again, tasted plum, and suddenly the words were pouring out of me. “She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years.” I choked and clenched my teeth. “You can say it,” Auri said softly. “It’s okay if you say it.” “I’m never going to see her again,” I choked out. Then I began to cry in earnest. “It’s okay,” Auri said softly. “I’m here. You’re safe.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Sleep claimed her eventually. She slept heavily, welcoming the escape. But some time later, while it was still very dark, she found herself struggling upward through layers of dreams. Someone or something was in the room. Her first thought was that it might be Beatrix's ferret, who sometimes slipped past the door to collect objects that intrigued him. Rubbing her eyes, Win began to sit up, when there was a movement beside the bed. A large shadow crossed over her. Before bewilderment could give way to fear, she heard a familiar murmur, and felt a man's warm fingers press across her lips. "It's me." Her lips moved soundlessly against his hand. "Kev." Win's stomach constricted with an ache of pleasure, and her heartbeat hammered in her throat. But she was still angry with him, she was done with him, and if he had come here for a midnight talk, he was sadly mistaken. She started to tell him so, but to her astonishment, she felt a thick piece of cloth descend over her mouth, and then he was tying it deftly behind her head. In a few more seconds, he had bound her wrists in front of her. Win was rigid with shock. Merripen would never do something like this. And yet it was him; she would know him if only by the touch of his hands. What did he want? What was going through his mind? His breath was faster than usual as it brushed against her hair. Now that her vision had adjusted to the darkness, she saw that his face was hard and austere. Merripen drew the ruby ring off her finger and set it off the bedside table. Taking her head in his hands, he stared into her wide eyes. He said only two words. But they explained everything he was doing, and everything he intended to do. "You're mine." He picked her up easily, draping her over one powerful shoulder, and he carried her from the room. Win closed her eyes, yielding, trembling. She pressed a few sobs against the gag covering her mouth, not of unhappiness or fear, but of wild relief. This was not an impulsive act. This was ritual. This was an ancient Romany courtship rite, and there would be nothing half-hearted about it. She was going to be kidnapped and ravished. Finally.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
For the first time in months almost no wind blasted the summit, but the snow on the upper mountain was thigh deep, making for slow, exhausting progress. Kropp bulled his way relentlessly upward through the drifts, however, and by two o’clock Thursday afternoon he’d reached 28,700 feet, just below the South Summit. But even though the top was no more than sixty minutes above, he decided to turn around, believing that he would be too tired to descend safely if he climbed any higher. “To turn around that close to the summit …,” Hall mused with a shake of his head on May 6 as Kropp plodded past Camp Two on his way down the mountain. “That showed incredibly good judgment on young Göran’s part. I’m impressed—considerably more impressed, actually, than if he’d continued climbing and made the top.” Over the previous month, Rob had lectured us repeatedly about the importance of having a predetermined turnaround time on our summit day—in our case it would probably be 1:00 P.M., or 2:00 at the very latest—and abiding by it no matter how close we were to the top. “With enough determination, any bloody idiot can get up this hill,” Hall observed. “The trick is to get back down alive.
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke (The Collected Poems)
Dryness and the Dark Night”:2 A certain scientist devoted his life to developing a strain of butterfly that would be the most beautiful combination of colors ever seen on this planet. After years of experimentation, he was certain that he had a cocoon that would produce his genetic masterpiece. On the day that the butterfly was expected to emerge, he gathered together his entire staff. All waited breathlessly as the creature began to work its way out of the cocoon. It disengaged its right wing, its body, and most of its left wing. Just as the staff were ready to cheer and pass the champagne and cigars, they saw with horror that the extremity of the left wing of the butterfly was stuck in the mouth of the cocoon. The creature was desperately flapping its other wing to free itself. As it labored, it grew more and more exhausted. Each new effort seemed more difficult, and the intervals between efforts grew longer. At last the scientist, unable to bear the tension, took a scalpel and cut a tiny section from the mouth of the cocoon. With one final burst of strength, the butterfly fell free onto the laboratory table. Everybody cheered and reached for the cigars and the champagne. Then silence again descended on the room. Although the butterfly was free, it could not fly. . . The struggle to escape from the cocoon is nature’s way of forcing blood to the extremities of a butterfly’s wings so that when it emerges from the cocoon it can enjoy its new life and fly to its heart’s content. In seeking to save the creature’s life, the scientist had truncated its capacity to function. A butterfly that cannot fly is a contradiction in terms. This is a mistake that God is not going to make. The image of God watching Anthony has to be understood. God holds back his infinite mercy from rushing to the rescue when we are in temptation and difficulties. He will not actively intervene because the struggle is opening and preparing every recess of our being for the divine energy of grace. God is transforming us so that we can enjoy the divine life to the full once it has been established. If the divine help comes too soon, before the work of purification and healing has been accomplished, it may frustrate our ultimate ability to live the divine life.
Thomas Keating (Invitation to Love: The Way of Christian Contemplation)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
Someone shakes my shoulder. I jerk awake, my eyes wide and searching, and I see Tobias kneeling over me. He wears a Dauntless traitor jacket, and one side of his head is coated with blood. The blood streams from a wound on his ear--the top of his hear is gone. I wince. “What happened?” I say. “Get up. We have to run.” “It’s too soon. It hasn’t been two weeks.” “I don’t have time to explain. Come on.” “Oh God. Tobias.” I sit up and wrap my arms around him, pressing my face into his neck. His arms tighten around me and squeeze. Warmth courses through me, and comfort. If he is here, that means I’m safe. My tears make his skin slippery. He stands and pulls me to my feet, which makes my wounded shoulder throb. “Reinforcements will be here soon. Come on.” I let him lead me out of the room. We make it down the first hallway without difficulty, but in the second hallway, we encounter two Dauntless guards, one a young man and one a middle-aged woman. Tobias fires twice in a matter of seconds, both hits, one in the head and one in the chest. The woman, who was hit in the chest, slumps against the wall but doesn’t die. We keep moving. One hallway, then another, all of them look the same. Tobias’s grip on my hand never falters. I know that if he can throw a knife so that it hits just the tip of my ear, he can fire accurately at the Dauntless soldiers who ambush us. We step over fallen bodies--the people Tobias killed in the way in, probably--and finally reach a fire exit. Tobias lets go of my hand to open the door, and the fire alarm screeches in my ears, but we keep running. I am gasping for air but I don’t care, not when I’m finally escaping, not when this nightmare is finally over. My vision starts to go black at the edges, so I grab Tobias’s arm and hold on tight, trusting him to lead me safely to the bottom of the stairs. I run out of steps to run down, and I open my eyes. Tobias is about to open the exit door, but I hold him back. “Got to…catch my breath…” He pauses, and I put my hands on my knees, leaning over. My shoulder still throbs. I frown, and look up at him. “Come on, let’s get out of here,” he says insistently. My stomach sinks. I stare into his eyes. They are dark blue, with a patch of light blue on his right iris. I take his chin in hand and pull his lips down to mine, kissing him slowly, sighing as I pull back. “We can’t get out of here,” I say. “Because this is a simulation.” He pulled me to my feet with my right hand. The real Tobias would have remembered the wound in my shoulder. “What?” He scowls at me. “Don’t you think I would know if I was under a simulation?” “You aren’t under a simulation. You are the simulation.” I look up and say in a loud voice, “You’ll have to do better than that, Jeanine.” All I have to do now is wake up, and I know how--I have done it before, in my fear landscape, when I broke a glass tank just by touching my palm to it, or when I made a gun appear in the grass to shoot descending birds. I take a knife from my pocket--a knife that wasn’t there a moment ago--and will my leg to be hard as diamond. I thrust the knife toward my thigh, and the blade bends.
Veronica Roth (Insurgent (Divergent, #2))
HISTORICAL NOTE There are no nuclear power stations in Belarus. Of the functioning stations in the territory of the former USSR, the ones closest to Belarus are of the old Soviet-designed RBMK type. To the north, the Ignalinsk station, to the east, the Smolensk station, and to the south, Chernobyl. On April 26, 1986, at 1:23:58, a series of explosions destroyed the reactor in the building that housed Energy Block #4 of the Chernobyl Nuclear Power Station. The catastrophe at Chernobyl became the largest technological disaster of the twentieth century. For tiny Belarus (population: 10 million), it was a national disaster. During the Second World War, the Nazis destroyed 619 Belarussian villages along with their inhabitants. As a result of Chernobyl, the country lost 485 villages and settlements. Of these, 70 have been forever buried underground. During the war, one out of every four Belarussians was killed; today, one out of every five Belarussians lives on contaminated land. This amounts to 2.1 million people, of whom 700,000 are children. Among the demographic factors responsible for the depopulation of Belarus, radiation is number one. In the Gomel and Mogilev regions, which suffered the most from Chernobyl, mortality rates exceed birth rates by 20%. As a result of the accident, 50 million Ci of radionuclides were released into the atmosphere. Seventy percent of these descended on Belarus; fully 23% of its territory is contaminated by cesium-137 radionuclides with a density of over 1 Ci/km2. Ukraine on the other hand has 4.8% of its territory contaminated, and Russia, 0.5%. The area of arable land with a density of more than 1 Ci/km2 is over 18 million hectares; 2.4 thousand hectares have been taken out of the agricultural economy. Belarus is a land of forests. But 26% of all forests and a large part of all marshes near the rivers Pripyat, Dniepr, and Sozh are considered part of the radioactive zone. As a result of the perpetual presence of small doses of radiation, the number of people with cancer, mental retardation, neurological disorders, and genetic mutations increases with each year. —“Chernobyl.” Belaruskaya entsiklopedia On April 29, 1986, instruments recorded high levels of radiation in Poland, Germany, Austria, and Romania. On April 30, in Switzerland and northern Italy. On May 1 and 2, in France, Belgium, the Netherlands, Great Britain, and northern Greece. On May 3, in Israel, Kuwait, and Turkey. . . . Gaseous airborne particles traveled around the globe: on May 2 they were registered in Japan, on May 5 in India, on May 5 and 6 in the U.S. and Canada. It took less than a week for Chernobyl to become a problem for the entire world. —“The Consequences of the Chernobyl Accident in Belarus.” Minsk, Sakharov International College on Radioecology The fourth reactor, now known as the Cover, still holds about twenty tons of nuclear fuel in its lead-and-metal core. No one knows what is happening with it. The sarcophagus was well made, uniquely constructed, and the design engineers from St. Petersburg should probably be proud. But it was constructed in absentia, the plates were put together with the aid of robots and helicopters, and as a result there are fissures. According to some figures, there are now over 200 square meters of spaces and cracks, and radioactive particles continue to escape through them . . . Might the sarcophagus collapse? No one can answer that question, since it’s still impossible to reach many of the connections and constructions in order to see if they’re sturdy. But everyone knows that if the Cover were to collapse, the consequences would be even more dire than they were in 1986. —Ogonyok magazine, No. 17, April 1996
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)