“
to die tomorrow was no worse than dying on any other day. Every day was there to be lived or to mark one’s departure from this world.
”
”
Paulo Coelho (The Alchemist)
“
Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
We rest; A dream has power to poison sleep.
We rise; One wandering thought pollutes the day.
We feel, conceive, or reason; laugh or weep,
Embrace fond woe, or cast our cares away;
It is the same: for, be it joy or sorrow,
The path of departure still is free.
Man's yesterday may ne'er be like his morrow;
Nought may endure but mutability!
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
We rest; a dream has power to poison sleep.
We rise; one wand'ring thought pollutes the day.
We feel, conceive, or reason; laugh or weep,
Embrace fond woe, or cast our cares away;
It is the same: for, be it joy or sorrow,
The path of its departure still is free.
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability!
”
”
Percy Bysshe Shelley (The Complete Poems)
“
Its really hard to recall the day you became friends with special people.
”
”
Michael Bassey Johnson
“
As well, they used their B-52 bombers to drop thousands of tons of bombs which included napalm and cluster bombs. In a particularly vile attack, they used poisonous chemicals on our base regions of Xuyen Moc, the Minh Dam and the Nui Thi Vai mountains. They sprayed their defoliants over jungle, and productive farmland alike. They even bull-dozed bare, both sides along the communication routes and more than a kilometre into the jungle adjacent to our base areas.
This caused the Ba Ria-Long Khanh Province Unit to send out a directive to D445 and D440 Battalions that as of 01/November/1969, the rations of both battalions would be set at 27 litres of rice per man per month when on operations. And 25 litres when in base or training.
So it was that as the American forces withdrew, their arms and lavish base facilities were transferred across to the RVN. The the forces of the South Vietnamese Government were with thereby more resources but this also created any severe maintenance, logistic and training problems.
The Australian Army felt that a complete Australian withdrawal was desirable with the departure of the Task Force (1ATF), but the conservative government of Australia thought that there were political advantages in keeping a small force in south Vietnam.
Before his election, in 1964, Johnston used a line which promised peace, but also had a policy of war. The very same tactic was used by Nixon. Nixon had as early as 1950 called for direction intervention by American Forces which were to be on the side of the French colonialists.
The defoliants were sprayed upon several millions of hectares, and it can best be described as virtual biocide. According to the figure from the Americans themselves, between the years of 1965 to 1973, ten million Vietnamese people were forced to leave their villages ad move to cities because of what the Americans and their allies had done.
The Americans intensified the bombing of whole regions of Laos which were controlled by Lao patriotic forces. They used up to six hundred sorties per day with many types of aircraft including B52s.
On 07/January/1979, the Vietnamese Army using Russian built T-54 and T-59 tanks, assisted by some Cambodian patriots liberated Phnom Penh while the Pol Pot Government and its agencies fled into the jungle. A new government under Hun Sen was installed and the Khmer Rouge’s navy was sunk nine days later in a battle with the Vietnamese Navy which resulted in twenty-two Kampuchean ships being sunk.
”
”
Michael G. Kramer (A Gracious Enemy)
“
You may ask me, as others have done before, whether it was kindness or cruelty to allow them to meet, so soon before his departure, with so little time to discover each other. Whether the pangs of loss do not invalidate the bliss of love. Especially where war is concerned, and Death runs rampant with his bloody scythe. You may say that it was wicked of me to allow James to find Hazel, and Hazel, James, if three days were all they would have. I don’t call it cruelty. I do not apologize.
”
”
Julie Berry (Lovely War)
“
My life will end someday, but it will end at my convenience.
”
”
Michael Bassey Johnson
“
On the morning appointed for her departure Tess awoke before dawn — at the marginal minute of the dark when the grove is still mute save for one prophetic bird, who sings with a clear-voiced conviction that he at least knows the correct time of day, the rest preserving silence, as if equally convinced that he is mistaken.
”
”
Thomas Hardy
“
What she would need to do in the days before she left and on the morning of her departure was smile, so that they would remember her smiling. *
”
”
Colm Tóibín (Brooklyn)
“
Her departure was a gradual thing, like a watercolor left in the sun, every day fainter until one day the canvas was bare and you had to rely on memory to recapture the image.
”
”
Catherine McKenzie (Hidden)
“
And there will be someone that comes along one day and offers you an entire galaxy when you only expected a single planet
”
”
Noor Shirazie (Into the Wildfire: Mourning Departures)
“
Every day was there to be lived or to mark one's departure from this world.
”
”
Paulo Coelho (The Alchemist)
“
And, ah! his castle. The faery solitude of the place, with its turrets of mistly blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening onto the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day . . . that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and waves, with the melancholy of a mermaiden who perches on her rocks and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
I regard anti-Semitism as ineradicable and as one element of the toxin with which religion has infected us. Perhaps partly for this reason, I have never been able to see Zionism as a cure for it. American and British and French Jews have told me with perfect sincerity that they are always prepared for the day when 'it happens again' and the Jew-baiters take over. (And I don't pretend not to know what they are talking about: I have actually seen the rabid phenomenon at work in modern and sunny Argentina and am unable to forget it.) So then, they seem to think, they will take refuge in the Law of Return, and in Haifa, or for all I know in Hebron. Never mind for now that if all of world Jewry did settle in Palestine, this would actually necessitate further Israeli expansion, expulsion, and colonization, and that their departure under these apocalyptic conditions would leave the new brownshirts and blackshirts in possession of the French and British and American nuclear arsenals. This is ghetto thinking, hardly even fractionally updated to take into account what has changed. The important but delayed realization will have to come: Israeli Jews are a part of the diaspora, not a group that has escaped from it. Why else does Israel daily beseech the often-flourishing Jews of other lands, urging them to help the most endangered Jews of all: the ones who rule Palestine by force of arms? Why else, having supposedly escaped from the need to rely on Gentile goodwill, has Israel come to depend more and more upon it? On this reckoning, Zionism must constitute one of the greatest potential non sequiturs in human history.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!--yet soon
Night closes round, and they are lost for ever;
Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
We rest. -- A dream has power to poison sleep;
We rise. -- One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:
It is the same!--For, be it joy or sorrow,
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
”
”
Percy Bysshe Shelley
“
And, as the camel driver had said, to die tomorrow was no worse than dying on any other day. Every day was there to be lived or to mark one’s departure from this world. Everything depended on one word: “Maktub.
”
”
Paulo Coelho (The Alchemist)
“
For I am already on the paint of being sacrificed; the time of my departure has come. I have fought the good fight, I have finished the race, I have kept the faith. Henceforth there is laid up for me the crown of righteousness, which the Lord, the righteous judge, will award to me on that Day, and not only to me but also to all who have loved his appearing.
”
”
Anonymous
“
Resolved not to waste further time on account of this childish affair, I contemplated departure via the french windows.
”
”
Kazuo Ishiguro (The Remains of the Day)
“
Once, in a three-day taping that included several sadists, the material was so overwhelming that both the film crew and I got sick - I with a sinus infection, and the entire film crew with a flu so severe they had to delay their departure from the motel. Our immune systems had weakened, I believe, from the beating out souls had taken.
”
”
Anna C. Salter (Predators: Pedophiles, Rapists, and Other Sex Offenders)
“
In a few more days I'd anticipated telling Veronika that our injections had cured her heart condition. But in light of her unscheduled departure form Villette my telling that particular lie will not be required. The majority of people who attempt suicide repeat that attempt until they succeed. I took a risk in lying to her about her condition, i decided to test the only remedy i have come to have any faith in: awareness of life. Until she finds out from some other doctor that she is perfectly healthy. She'll consider each day a miracle. Which in my view it is.
”
”
Paulo Coelho (Veronika Decides to Die)
“
DEPARTURE
The horizon slopes away
The days are longer
Trip
A heart hops in a cage
A bird sings
It is going to die
Another door is going to open
At the end of the corridor
Where a star
Begins to shine
A dark-haired woman
The lantern of the departing train
("Departure")
”
”
Pierre Reverdy (The Cubist Poets in Paris: An Anthology (French Modernist Library))
“
And the camel driver had said, to die tomorrow was no worse than dying on any other day. Every day was there to be lived or to mark one's departure from this world.
”
”
Paulo Coelho (The Alchemist)
“
Every day was there to be lived or to mark one’s departure from this world. Everything depended on one word: “Maktub.
”
”
Paulo Coelho (The Alchemist)
“
What is it that wells up so suddenly and menacingly under my heart, swallowing the soft air of melancholy? Are you pleased with us, dark night? What is it you conceal under your mantle, that grabs invisibly and powerfully at my soul? A rich balm drips off your fingers from a bundle of poppies. You raise up the heavy wings of the soul – darkly and inexpressibly we are moved. I see an earnest face startled with joy – softly and reverently it inclines toward me, and under endlessly entangled locks
appears the cherished face of our Mother. How poor and childish the light seems to me now − how welcome and
blessed is the day’s departure.
”
”
Novalis
“
Owen doesn't watch when they place Liz in the River, next to all the other babies who would be born that day. Nor does he watch when the launch nurse pushes Liz away from the shore into the current that leads back to Earth. To the untrained observer, it seems as if Liz's departure has no effect on Owen whatsoever.
Curtis Jest watches Owen before deciding to go over to him.
"Owen," Curtis asks, "do you remember who that was?"
Owen looks up from playing with the boat. He appears to find Curtis's question difficult. "Lizzie?"
"Yes," says Curtis, "that was Lizzie. She was my friend. She was your...your friend, too."
Owen continues playing with the boat. He begins singing Liz's name in the unaffected way children will sometimes sing a name. "Lizzie, Lizzie, Lizzie," he sings. Owen stops singing abruptly and looks up at Curtis. A horrified expression crosses Owen's face. "Is she...gone?"
"Yes," says Curtis.
Owen nods. "Gonegonegonegonegone." Owen begins to cry in an undignified manner, although he isn't entirely sure why he is crying. Curtis takes Owen's hand, leading Owen away from the puddle.
"You know," says Curtis, "you may see her again someday."
"Cool," says Owen, and with that, he stops crying.
”
”
Gabrielle Zevin (Elsewhere)
“
The more we become sensitive to our own journey the more we realize that we are leaving and coming back every day, every hour. Our minds wander away but eventually return; our hearts leave in search of affection and return sometimes broken; our bodies get carried away in their desires then sooner or later return. It's never one dramatic life moment but a constant series of departures and returns.
”
”
Henri J.M. Nouwen (Home Tonight: Further reflections on the parable of the prodigal son)
“
If only I had known how quickly the days would elapse, how small the window of time would be in which I could have told you how much you truly mean to me.
Know it now—
I love you, I love you, I love you.
”
”
Noor Shirazie (Into the Wildfire: Mourning Departures)
“
The idea that she would leave all of this - the rooms of the house once more familiar and warm and comforting - and go back to Brooklyn and not return for a long time again frightened her now. She knew as she sat on the edge of the bed and took her shoes off and then lay back with her arms behind her head that she had spent every day putting off all thought of her departure and what she would meet on her arrival.
”
”
Colm Tóibín (Brooklyn (Eilis Lacey, #1))
“
Some departure from the norm
Will occur as time grows more open about it.
The consensus gradually changed; nobody
Lies about it any more. Rust dark pouring
Over the body, changing it without decay—
People with too many things on their minds, but we live
In the interstices, between a vacant stare and the ceiling,
Our lives remind us. Finally this is consciousness
And the other livers of it get off at the same stop.
How careless. Yet in the end each of us
Is seen to have traveled the same distance—it’s time
That counts, and how deeply you have invested in it,
Crossing the street of an event, as though coming out of it
were
The same as making it happen. You’re not sorry,
Of course, especially if this was the way it had to happen,
Yet would like an exacter share, something about time
That only a clock can tell you: how it feels, not what it
means.
It is a long field, and we know only the far end of it,
Not the part we presumably had to go through to get there.
If it isn’t enough, take the idea
Inherent in the day, armloads of wheat and flowers
Lying around flat on handtrucks, if maybe it means more
In pertaining to you, yet what is is what happens in the end
As though you cared. The event combined with
Beams leading up to it for the look of force adapted to the
wiser
Usages of age, but it’s both there
And not there, like washing or sawdust in the sunlight,
At the back of the mind, where we live now.
”
”
John Ashbery (Houseboat Days)
“
During the prayers of the day, there was one less “amen”.
”
”
Phindiwe Nkosi (Behind the Hospital)
“
I do not believe that God has given us this trial to not purpose. I know that the day will come when we will clearly understand why this persecution with all it's sufferings has been bestowed upon us -- for everything that Our Lord does is for our good. And yet, even as I write these words I feel the oppressive weight in my heart of those last stammering words of Kichijiro in the morning of his departure: "Why has Deus Sama imposed this suffering on us?" and then the resentment in those eyes that he turned upon me. "Father", he had said "what evil have we done?"
I suppose I should simply cast from my mind these meaningless words of the coward; yet why does his plaintive voice pierce my breast with tall the pain of a sharp needle? Why has Our Lord imposed this torture and this persecution on poor Japanese peasants? No, Kichijiro was trying to express something different, something even more sickening. The silence of God. Already twenty years have passed since the persecution broke out; the black soil of Japan has been filled with the lament of so many Christians; the red blood of priests has flowed profusely; the walls of churches have fallen down; and in the face of this terrible and merciless sacrifice offered up to Him, God has remained silent.
”
”
Shūsaku Endō (Silence)
“
With each new day, another piece of my past resurfaces, painfully reminding me of what's missing. Life can feel like an endless procession of losses, from start to finish. Your absence cuts through me like a knife, erasing the memory of the once-familiar contours of your face, leaving behind only the ache of your departure.
”
”
Rolf van der Wind
“
Unable to swim, he had maneuvered to fall off an old-timers’ party yacht in the Hudson River. His departure was not remarked by the revelers. They motored on toward the Atlantic and he bobbed around in the wash. He couldn’t swim. But he did. He learned how. Before he knew it, he was making time and nearing the dock where a small Italian liner sat dead still, white, three stories high. Nobody was around when he pulled up on a stray rope on the wharf and walked erect to the street, where cars were flashing. Day after tomorrow was his seventieth birthday. What a past, he said. I’ve survived. Further, I’m horny and vindictive. Does the fire never stop?
”
”
Barry Hannah (Airships)
“
Gone are the days (if they ever existed) of the American Christian utopia. This is not your father’s “Christian America.” And on top of all this, our nation’s youth are leaving the church at record rates, and feeding this departure is a plethora of unchecked doubts.
”
”
Bobby Conway (Doubting Toward Faith: The Journey to Confident Christianity)
“
You may ask me, as others have done before, whether it was kindness or cruelty to allow them to meet, so soon before his departure, with so little time to discover each other. Whether the pangs of loss do not invalidate the bliss of love. Especially where war is concerned, and Death runs rampant with his bloody scythe. You may say that it was wicked of me to allow James to find Hazel, and Hazel, James, if three days were all they would have. I don’t call it cruelty. I do not apologize.
”
”
Julie Berry (Lovely War)
“
When Union litter-bearers climbed out of their trenches, four days after the assault, they found only two men still alive amongst the piles of stinking corpses. One burial party discovered a dead Yankee with a diary in his pocket, the last entry of which read: “June 3. Cold Harbor. I was killed.
”
”
Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
“
You’re still young and healthy. Maybe that’s why you don’t understand what I am saying. Let me give you an example. Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a comb losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or, then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful—as painful as actually being cut with a knife. You will be turning thirty soon, Mr. Kawana, which means that, from now on, you will gradually enter that twilight portion of life—you will be getting older. You are probably beginning to grasp that painful sense that you are losing something, are you not?
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
You may ask me, as others have done before, whether it was kindness or cruelty to allow them to meet, so soon before his departure with so little time to discover each other. Whether the pangs of loss do not invalidate the bliss of love. Especially where war is concerned, and Death runs rampant with his bloody scythe. You may say that it was wicked of me to allow James to find Hazel, and Hazel, James, if three days were all they would have.
I don't call it cruelty
I do not apologize
”
”
Julie Berry (Lovely War)
“
When I had attained the age of seventeen my parents resolved that I should become a student at the university of Ingolstadt. I had hitherto attended the schools of Geneva, but my father thought it necessary for the completion of my education that I should be made acquainted with other customs than those of my native country. My departure was therefore fixed at an early date, but before the day solved upon could arrive, the first misfortune of my life occurred—an omen, as it were, of my future misery.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
We rest; a dream has power to poison sleep. We rise; one wand’ring thought pollutes the day. We feel, conceive, or reason; laugh, or weep, Embrace fond woe, or cast our cares away; It is the same: for, be it joy or sorrow, The path of its departure still is free. Man’s yesterday may ne’er be like his morrow; Nought may endure but mutability!
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
. If our impulses were confined to hunger, thirst, and desire, we might be nearly free; but now we are moved by every wind that blows and a chance word or scene that that word may convey to us.
We rest; a dream has power to poison sleep. We rise; one wand'ring thought pollutes the day. We feel, conceive, or reason; laugh or weep, Embrace fond woe, or cast our cares away; It is the same: for, be it joy or sorrow, The path of its departure still is free. Man's yesterday may ne'er be like his morrow; Nought may endure but mutability!
”
”
Mary Shelly (Frankenstein)
“
What I liked was the train ride. It took an hour and that was enough for me to be able to lean backwards against the seat with closed eyes, feel the joints in the rails come up and thump through my body and sometimes peer out of the windows and see windswept heathland and imagine I was on the Trans-Siberian Railway. I had read about it, seen pictures in a book and decided that no matter when and how life would turn out, one day I would travel from Moscow to Vladivostok on that train, and I practised saying the names: Omsk, Tomsk, Novosibirsk, Irkutsk, they were difficult to pronounce with all their hard consonants, but ever since the trip to Skagen, every journey I made by train was a potential departure on my own great journey.
”
”
Per Petterson (To Siberia)
“
The day of my departure at length arrived. Clerval spent the last evening with us. He had endeavoured to persuade his father to permit him to accompany me and to become my fellow student, but in vain. His father was a narrow-minded trader, and saw idleness and ruin in the aspirations and ambition of his son. Henry deeply felt the misfortune of being debarred from a liberal education. He said little, but when he spoke I read in his kindling eye and in his animated glance a restrained but firm resolve not to be chained to the miserable details of commerce.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Because what you're really asking when you say I miss the old days, when you say the old you would've done this, or said that, is: Why did you change?
You're saying this isn't the you I want.
”
”
Justin A. Reynolds (Early Departures)
“
Therefore, he sat before his dying fire, sorrowful to think upon
the way by which he had come to that night, yet not strewing poison
on the way by which other men had come to it. That he should have
missed so much, and at his time of life should look so far about
him for any staff to bear him company upon his downward journey and
cheer it, was a just regret. He looked at the fire from which the
blaze departed, from which the afterglow subsided, in which the
ashes turned grey, from which they dropped to dust, and thought,
'How soon I too shall pass through such changes, and be gone!'
To review his life was like descending a green tree in fruit and
flower, and seeing all the branches wither and drop off, one by
one, as he came down towards them.
'From the unhappy suppression of my youngest days, through the
rigid and unloving home that followed them, through my departure,
my long exile, my return, my mother's welcome, my intercourse with
her since, down to the afternoon of this day with poor Flora,' said
Arthur Clennam, 'what have I found!'
His door was softly opened, and these spoken words startled him,
and came as if they were an answer:
'Little Dorrit.
”
”
Charles Dickens (Little Dorrit)
“
The idea that modern labour has an ascetic character is of course not new. Limitation to specialized work, with a renunciation of the Faustian universality of man which it involves, is a condition of any valuable work in the modern world; hence deeds and renunciation inevitably condition each other to-day. This fundamentally ascetic trait of middle-class life, if it attempts to be a way of life at all, and not simply the absence of any, was what Goethe wanted to teach, at the height of his wisdom, in the Wanderjahren, and in the end which he gave to the life of his Faust. For him the realization meant a renunciation, a departure from an age of full and beautiful humanity, which can no more be repeated in the course of our cultural development than can the flower of the Athenian culture of antiquity.
”
”
Max Weber (The Protestant Ethic and the Spirit of Capitalism)
“
Under cover of darkness, not a hundred men but three times that number slipped away from Hawkforte. Saxon and Norse alike, led by the Wolf and the Hawk, they took up position along the road that passed the lodge. By dawn they had so blended into the surrounding forest that as day came, the birds,deer, rabbits,foxes,and all the other denizens of the wood behaved just as they always did, with no awareness of the deadly presence come among them.
Not long after, Dragon and Rycca rode out of Hawkforte.They made no secret of their departure or where they were bound. A spy would have had to be deaf and blind to miss what they were about.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
The TV set shouted, “—duplicates the halcyon days of the pre-Civil War Southern states! Either as body servants or tireless field hands, the custom-tailored humanoid robot—designed specifically for YOUR UNIQUE NEEDS, FOR YOU AND YOU ALONE—given to you on your arrival absolutely free, equipped fully, as specified by you before your departure from Earth; this loyal, trouble-free companion in the greatest, boldest adventure contrived by man in modern history will provide—” It continued on and on.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
The day arrived,when myriad teary rivers flow and the muted wind faintly died in his tears—an altar for the beloved one's departure,for sister-hood is no more,for her to adore!while pangs the beating world in a lamenting voice;their remembering loss of the 'one' they embrace most and when the crepuscule came like a phantom,the mournful,gathered birds swiftly flew in gloom.
”
”
Nithin Purple (Venus and Crepuscule)
“
I have got my leave. Bid me farewell, my brothers! I bow to you all and take my departure.
Here I give back the keys of my door---and I give up all claims to my house. I only ask for last kind words from you.
We were neighbours for long, but I received more than I could give. Now the day has dawned and the lamp that lit my dark corner is out. A summons has come and I am ready for my journey.
”
”
Rabindranath Tagore (Gitanjali)
“
I saved five meal packs for special occasions. I wrote their names on each one. I get to eat 'Departure' the day I leave for Schiaparelli. I'll eat 'Halfway' when I reach the 1600-kilometer mark, and 'Arrival' when I get there.
The fourth one is “Survived Something That Should Have Killed Me” because some fucking thing will happen, I just know it. I don’t know what it’ll be, but it’ll happen. The rover will break down, or I’ll come down with fatal hemorrhoids, or I’ll run into hostile Martians, or some shit. When I do (if I live), I get to eat that meal pack.
The fifth one is reserved for the day I launch. It’s labeled “Last Meal.”
Maybe that’s not such a good name.
”
”
Andy Weir (The Martian)
“
General Garrison assembled all of the men for a memorial service, and captured their feelings of sadness, fear, and resolve with the famous martial speech from Shakespeare’s Henry V: Whoever does not have the stomach for this fight, let him depart. Give him money to speed his departure since we wish not to die in that man’s company. Whoever lives past today and comes home safely will rouse himself every year on this day, show his neighbor his scars, and tell embellished stories of all their great feats of battle. These stories he will teach his son and from this day until the end of the world we shall be remembered. We few, we happy few, we band of brothers; for whoever has shed his blood with me shall be my brother. And those men afraid to go will think themselves lesser men as they hear of how we fought and died together.
”
”
Mark Bowden (Black Hawk Down: A Story of Modern War)
“
His parting would have been solemn but we were too busy to think much of it. We were weaving fourteen hours a day then, with hardly a moment for meals, and I was dizzy with the pattern of the tapestry in front of me even when I wasn't weaving. I fell into bed each night and slept without moving until Madeleine woke me in the morning. There was little time left to think about a man's departure. The night before Nicolas went the
”
”
Tracy Chevalier (The Lady and the Unicorn)
“
With ardent sadness he contemplated the scene of his death for a long time, endlessly revising it like a work of art and surrounding it with images of this world, images that still imbued his thoughts, but that, already slipping away from him in his gradual departure, became vague and beautiful.
”
”
Marcel Proust (Pleasures and Days)
“
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter.
The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself.
Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen!
You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world.
At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972.
A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'?
I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!"
They asked me to play the record over and over again.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
The book which the reader has under his eye at this moment is, from one end to the other, as a whole and in detail, whatever may be its intermittences, exceptions and faults, the march from evil to good, from the unjust to the just, from night to day, from appetite to conscience, from rottenness to life, from hell to heaven, from nothingness to God. Point of departure: matter; point of arrival: the soul. The hydra at the beginning, the angel at the end.
”
”
Victor Hugo (Les Misérables)
“
I admit to a feeling of pride that my father had saved the day yet again, although I also thought that nothing would have been better for me personally than for the mullah to force my father's departure within the hour. Either way, I know now that nothing would have stopped my father from his Jihad. If he could not remain in Afghanistan, he would go to Pakistan. If Pakistan pulled the welcome mat, he would go to Yemen. If Yemen threw him out, he would journey to the middle of the most hostile desert where he would plot against the West. Violent Jihad was my father's life; nothing else really mattered. Nothing.
”
”
Omar bin Laden (Growing Up bin Laden: Osama's Wife and Son Take Us Inside Their Secret World)
“
Speaking generally, we may say that whatever legal enactments are held to be for the interest of various constitutions, all these preserve them. And the great preserving principle is the one which has been repeatedly mentioned- to have a care that the loyal citizen should be stronger than the disloyal. Neither should we forget the mean, which at the present day is lost sight of in perverted forms of government; for many practices which appear to be democratical are the ruin of democracies, and many which appear to be oligarchical are the ruin of oligarchies. Those who think that all virtue is to be found in their own party principles push matters to extremes; they do not consider that disproportion destroys a state. A nose which varies from the ideal of straightness to a hook or snub may still be of good shape and agreeable to the eye; but if the excess be very great, all symmetry is lost, and the nose at last ceases to be a nose at all on account of some excess in one direction or defect in the other; and this is true of every other part of the human body. The same law of proportion equally holds in states. Oligarchy or democracy, although a departure from the most perfect form, may yet be a good enough government, but if any one attempts to push the principles of either to an extreme, he will begin by spoiling the government and end by having none at all. Wherefore the legislator and the statesman ought to know what democratical measures save and what destroy a democracy, and what oligarchical measures save or destroy an oligarchy. For neither the one nor the other can exist or continue to exist unless both rich and poor are included in it. If equality of property is introduced, the state must of necessity take another form; for when by laws carried to excess one or other element in the state is ruined, the constitution is ruined.
”
”
Aristotle (Politics)
“
Some guns were fired to give notice that the departure of the balloon was near. ... Means were used, I am told, to prevent the great balloon's rising so high as might endanger its bursting. Several bags of sand were taken on board before the cord that held it down was cut, and the whole weight being then too much to be lifted, such a quantity was discharged as would permit its rising slowly. Thus it would sooner arrive at that region where it would be in equilibrio with the surrounding air, and by discharging more sand afterwards, it might go higher if desired. Between one and two o'clock, all eyes were gratified with seeing it rise majestically from above the trees, and ascend gradually above the buildings, a most beautiful spectacle. When it was about two hundred feet high, the brave adventurers held out and waved a little white pennant, on both sides of their car, to salute the spectators, who returned loud claps of applause. The wind was very little, so that the object though moving to the northward, continued long in view; and it was a great while before the admiring people began to disperse. The persons embarked were Mr. Charles, professor of experimental philosophy, and a zealous promoter of that science; and one of the Messrs Robert, the very ingenious constructors of the machine.
{While U.S. ambassador to France, writing about witnessing, from his carriage outside the garden of Tuileries, Paris, the first manned balloon ascent using hydrogen gas by Jacques Charles on the afternoon of 1 Dec 1783. A few days earlier, he had watched the first manned ascent in Montgolfier's hot-air balloon, on 21 Nov 1783.}
”
”
Benjamin Franklin (Writings: The Autobiography / Poor Richard’s Almanack / Bagatelles, Pamphlets, Essays & Letters)
“
I am Music. And I am here for the soul of Frankie Presto. Not all of it. Just the rather large part he took from me when he came into this world. However well used, I am a loan, not a possession. You give me back upon departure. I will gather up Frankie’s talent to spread on newborn souls. And I will do the same with yours one day. There is a reason you glance up when you first hear a melody, or tap your foot to the sound of a drum. All humans are musical. Why else would the Lord give you a beating heart?
”
”
Mitch Albom (The Magic Strings of Frankie Presto)
“
Let the Christian world forget or depart from this true gospel salvation; let anything else be trusted but the cross of Christ and the Spirit of Christ; and then, though churches and preachers and prayers and sacraments are everywhere in plenty, nothing can come of them but a Christian kingdom of pagan vices, along with a mouth-professed belief in the Apostles’ Creed and the communion of saints. To this sad truth all Christendom both at home and abroad bears full witness. Who need be told that no corruption or depravity of human nature, no kind of pride, wrath, envy, malice, and self-love; no sort of hypocrisy, falseness, cursing, gossip, perjury, and cheating; no wantonness of lust in every kind of debauchery, foolish jesting, and worldly entertainment, is any less common all over Christendom, both popish and Protestant, than towns and villages. What vanity, then, to count progress in terms of numbers of new and lofty cathedrals, chapels, sanctuaries, mission stations, and multiplied new membership lists, when there is no change in this undeniable departure of men’s hearts from the living God. Yea, let the whole world be converted to Christianity of this kind, and let every citizen be a member of some Protestant or Catholic church and mouth the creed every Lord’s day; and no more would have been accomplished toward bringing the kingdom of God among men than if they had all joined this or that philosophical society or social fraternity.
”
”
William Law (The Power of the Spirit)
“
Neither should we forget the mean, which at the present day is lost sight of in perverted forms of government; for many practices which appear to be democratical are the ruin of democracies, and many which appear to be oligarchical are the ruin of oligarchies. Those who think that all virtue is to be found in their own party principles push matters to extremes; they do not consider that disproportion destroys a state. A nose which varies from the ideal of straightness to a hook or snub may still be of good shape and agreeable to the eye; but if the excess be very great, all symmetry is lost, and the nose at last ceases to be a nose at all on account of some excess in one direction or defect in the other; and this is true of every other part of the human body. The same law of proportion equally holds in states. Oligarchy or democracy, although a departure from the most perfect form, may yet be a good enough government, but if any one attempts to push the principles of either to an extreme, he will begin by spoiling the government and end by having none at all. Wherefore the legislator and the statesman ought to know what democratical measures save and what destroy a democracy, and what oligarchical measures save or destroy an oligarchy. For neither the one nor the other can exist or continue to exist unless both rich and poor are included in it. If equality of property is introduced, the state must of necessity take another form; for when by laws carried to excess one or other element in the state is ruined, the constitution is ruined.
”
”
Aristotle (Politics)
“
Packing up. The nagging worry of departure. Lost keys, unwritten labels, tissue paper lying on the floor. I hate it all. Even now, when I have done so much of it, when I live, as the saying goes, in my boxes. Even to-day, when shutting drawers and flinging wide a hotel wardrobe, or the impersonal shelves of a furnished villa, is a methodical matter of routine, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood.
”
”
Daphne du Maurier (Rebecca)
“
But all of a sudden the scene changed; it was the memory, no longer of old impressions but of an old desire, only recently reawakened by the Fortuny gown in blue and gold, that spread before me another spring, a spring not leafy at all but on the contrary suddenly stripped of its trees and flowers by the name that I had just murmured to myself: “Venice”; a decanted springtime, which is reduced to its own essence and expresses the lengthening, the warming, the gradual unfolding of its days in the progressive fermentation, no longer, now, of an impure soil, but of a blue and virginal water, springlike without bud or blossom, which could answer the call of May only by the gleaming facets fashioned and polished by May, harmonising exactly with it in the radiant, unalterable nakedness of its dusky sapphire. Likewise, too, no more than the seasons to its flowerless creeks, do modern times bring any change to the Gothic city; I knew it, even if I could not imagine it, or rather, imagining it, this was what I longed for with the same desire which long ago, when I was a boy, in the very ardour of departure, had broken and robbed me of the strength to make the journey: to find myself face to face with my Venetian imaginings, to observe how that divided sea enclosed in its meanderings, like the sinuosities of the ocean stream, and urbane and refined civilization, but one that, isolated by their azure girdle, had evolved independently, had had its own schools of painting and architecture, to admire that fabulous garden of fruits and birds in coloured stone, flowering in the midst of the sea which kept it refreshed, lapped the base of the columns with its tide, and, like a somber azure gaze watching in the shadows, kept patches of light perpetually flickering on the bold relief of the capitals.
”
”
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
“
He wondered if other Shifters had the same homing instinct for a teleportation departure point. It never lasted long, maybe a couple of hours, a half day at most, like a subconscious computer memory. It baffled scientists years after they had first examined Lock’s abilities. Nobody had come up with an answer for that ability and Lock was unaware of how he did it. It simply existed, like his other skills.
”
”
J.M. Johnson (The Starbirth Assignment: Shifter (Starbirth, #1))
“
I chose to visit Charles on weekdays, when I knew Kyle would be in Liverpool. Yet, as the days on the calendar dwindled and my departure for London grew imminent, I allowed myself one final Saturday visit. I couldn’t bear to leave without seeing him one more time. But I wasn’t going to let him see me. I took Father’s Kodak from the closet in his library and hid it in the zippered compartment of my handbag
”
”
Camille Di Maio (The Memory of Us)
“
But the biggest news that month was the departure from Apple, yet again, of its cofounder, Steve Wozniak. Wozniak was then quietly working as a midlevel engineer in the Apple II division, serving as a humble mascot of the roots of the company and staying as far away from management and corporate politics as he could. He felt, with justification, that Jobs was not appreciative of the Apple II, which remained the cash cow of the company and accounted for 70% of its sales at Christmas 1984. “People in the Apple II group were being treated as very unimportant by the rest of the company,” he later said. “This was despite the fact that the Apple II was by far the largest-selling product in our company for ages, and would be for years to come.” He even roused himself to do something out of character; he picked up the phone one day and called Sculley, berating him for lavishing so much attention on Jobs and the Macintosh division. Frustrated, Wozniak decided to leave quietly to start a new company that would make a universal remote control device he had invented. It would control your television, stereo, and other electronic devices with a simple set of buttons that you could easily program. He informed the head of engineering at the Apple II division, but he didn’t feel he was important enough to go out of channels and tell Jobs or Markkula. So Jobs first heard about it when the news leaked in the Wall Street Journal. In his earnest way, Wozniak had openly answered the reporter’s questions when he called. Yes, he said, he felt that Apple had been giving short shrift to the Apple II division. “Apple’s direction has been horrendously wrong for five years,” he said.
”
”
Walter Isaacson (Steve Jobs)
“
I would like there to exist spaces that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin:
My birthpalce, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories . . .
Such places don't exist, and it's because they do'nt exist that space becomes a question, ceases to be self-evident, ceases to be incorporated, ceases to be appropriated. Space is a doubt: I have constantly to mark it, to designate it, It is never mine, never given to me, I have to conquer it.
My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer reseble waht was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them. The words 'Phone directory available within' or 'Snacks served at any hour' will no longer be written up in a semi-circle in white porcelain letter on the window of the little café in the Rue Coquillière.
Space melts like sand running through one's fingers. Time bears it away and leaves me only Shapeless shreds:
To write: to try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs.
Paris 1973-1974
”
”
Georges Perec (Species of Spaces and Other Pieces)
“
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
”
”
William Cullen Bryant (Thanatopsis)
“
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater.
"No, mama."
"Excuse me?"
"No, I don't want to wear that sweater, it makes me look fat."
"What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater."
She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less.
The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides.
Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt.
Grace and Bella, will you have any idea how lovely you are when you try?
Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean."
My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
”
”
Kristin Armstrong
“
The book which the reader has under his eye at this moment is, from one end to the other, as a whole and in detail, whatever may be its intermittences, exceptions and faults, the march from evil to good, from the unjust to the just, from night to day, from appetite to conscience, from rottenness to life, from hell to heaven, from nothingness to God. Point of departure: matter; point of arrival: the soul. The hydra at the beginning, the angel at the end.” Volume V, Book I, Chapter XX This
”
”
Victor Hugo (Les Misérables)
“
I would like there to exist places that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthplace, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories… My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer resemble what was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them… Space melts like sand running through one’s fingers. Time bears it away and leaves me only shapeless shreds: To write: To try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs.
”
”
Georges Perec (Species of Spaces and Other Pieces)
“
That Russia would become such a power in the world had been foreseen as long ago as the 1830s by Alexis de Tocqueville, who said, in a famous passage from Democracy in America, that even then, “There are on earth today two great peoples, who, from different points of departure, seem to be advancing toward the same end. They are the Anglo-Americans and the Russians. . . . All the other peoples appear to have attained approximately their natural limits, and to have nothing left but to conserve their positions; but these two are growing. . . . To attain his end, the first depends on the interest of the individual person, and allows the force and intelligence of individuals to act freely, without directing them. The second in some way concentrates all the power of society in one man. The one has liberty as the chief way of doing things; the other servitude. Their points of departure are divergent; nevertheless, each seems summoned by a secret design of providence to hold in his hands, some day, the destinies of half the world.
”
”
Charles L. Mee Jr. (Saving a Continent: The Untold Story of the Marshall Plan)
“
No, of course not. You’re still young and healthy. Maybe that’s why you don’t understand what I am saying. Let me give you an example. Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a comb losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or, then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful—as painful as actually being cut with a knife. You will be turning thirty soon, Mr. Kawana, which means that, from now on, you will gradually enter that twilight portion of life—you will be getting older. You are probably beginning to grasp that painful sense that you are losing something, are you not?
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
He spent long and charming hours reclining and having a tête-à-tête with himself, the only guest he had neglected to ask to supper in his lifetime. He tried to adorn his suffering body, to lean in resignation on the windowsill, gazing at the sea, a melancholy joy. With ardent sadness he contemplated the scene of his death for a long time, endlessly revising it like a work of art and surrounding it with images of this world, images that still imbued his thoughts, but that, already slipping away from him in his gradual departure, became vague and beautiful.
”
”
Marcel Proust (Pleasures and Days)
“
Nor could I fail to recall my friendship with Howard K. Beale, professor of American History at the University of North Carolina. There he was, one day in 1940, standing just outside my room in the men’s dormitory at St. Augustine’s, in his chesterfield topcoat, white silk scarf, and bowler hat, with his calling card in hand, perhaps looking for a silver tray in which to drop it. Paul Buck, whom he knew at Harvard, had told him to look me up. He wanted to invite me to his home in Chapel Hill to have lunch or dinner and to meet his family. From that point on we saw each other regularly.
After I moved to Durham, he invited me each year to give a lecture on “The Negro in American Social Thought” in one of his classes. One day when I was en route to Beale’s class, I encountered one of his colleagues, who greeted me and inquired where I was going. I returned the greeting and told him that I was going to Howard Beale’s class to give a lecture. After I began the lecture I noticed that Howard was called out of the class. He returned shortly, and I did not give it another thought. Some years later, after we both had left North Carolina, Howard told me that he had been called out to answer a long-distance phone call from a trustee of the university who had heard that a Negro was lecturing in his class. The trustee ordered Beale to remove me immediately. In recounting this story, Beale told me that he had said that he was not in the habit of letting trustees plan his courses, and he promptly hung up. Within a few years Howard accepted a professorship at the University of Wisconsin. A favorite comment from Chapel Hill was that upon his departure from North Carolina, blood pressures went down all over the state.
”
”
John Hope Franklin (Mirror to America)
“
Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.
”
”
Pablo Neruda (Residence on Earth (New Directions Paperbook Book 992))
“
Huffy Henry hid the day,
unappeasable Henry sulked.
I see his point,--a trying to put things over.
It was the thought that they thought they could do it made Henry wicked & away.
But he should have come out and talked. All the world like a woolen lover once did seem on Henry's side. Then came a departure.
Thereafter nothing fell out as it might or ought.
I don't see how Henry, pried open for all the world to see, survived.
What he has now to say is a long wonder the world can bear & be.
Once in a sycamore I was glad all at the top, and I sang.
Hard on the land wears the strong sea and empty grows every bed.
”
”
John Berryman
“
Her problem was that she thought too much- “toxic thinking” and so forth- so she tried to stop, but a physical sensation of exertion remained.
Was it her fault that her husband made more money? That it made more sense for her to quit her job than for him to quit his?
Was it her fault that he was always gone, rendering her a de facto single mom for the majority of the week?
Was it her fault that she found playing trains really, really boring? That she longed for even the smallest bit of mental stimulation, for a return to her piles of books, to her long-abandoned closet of half-formed projects, to one entire afternoon of solitude and silence?
Was it her fault that, though she longed for mental stimulation, she still found herself unable to concoct a single, original thought or opinion? She did not actually care about anything anymore. Politics, art, philosophy, film: all boring. She craved gossip and reality TV.
Was it her fault that she hated herself for her preference for reality TV?
Was it her fault that she had bought into the popular societal myth that if a young woman merely secured a top-notch education she could then free herself from the historical constraints of motherhood, that if she simply had a career she could easily return to work after having a baby and sidestep the drudgery of previous generations, even though having a baby did not, in any way, represent a departure from work to which a woman might, theoretically, one day return. It actually, instead, marked an immersion in work, and unimaginable weight of work, a multiplication of work exponential in its scope, staggering, so staggering, both physically and psychically (especially psychically), that even the most mentally well person might be brought to her knees beneath such a load, a load that pitted ambition against biology, careerism against instinct, that bade the modern mother be less of an animal in order to be happy, because- come on, now- we’re evolved and civilized, and, really, what is your problem? Pull it together. This is embarrassing.
”
”
Rachel Yoder (Nightbitch)
“
I am coming to the end; ah, it is only when we begin to long for death that we really desire life, and in me the undermining, the frame-slackening process of an avidity for death goes on, never pausing, as far back as I can remember, clamoring ceaselessly, thus have I always felt it, anxiety for life and anxiety for death together, in these many nights on the threshold of which I have stood, on the strand of nights and more nights that have gushed past me, the awareness of them gushing and swelling, knowledge of separation and farewell that had its beginning with the dusk, and it was dying, every sort of dying, that coursed past me, grazing me with its mounting flood, saturating me, encircling me, coming from without yet born from within me, my own dying: only the dying understand communion, understand love, understand the interrealm, only in the dusk and at farewell do we understand sleep whose darkest communion is without wantoness, not until farewell do we know that our departure will be followed by no return, not until then do we recognize the seed of wantoness which lies embeded in returning and only in returning; ah, my little nightmate, you too will understand this one day, you will wait on the thresholding shore, on the shore of your interrealm, on the shore of farewell and dusk, and your ship too will be ready for flight, for that proud flight which is called awakening, and from which there is no return.
”
”
Hermann Broch (The Death of Virgil)
“
When a woman is leaving her man, when a woman finally decides her departure,
Does she still need to water the plants everyday?
Does she still need to wash his shirts, socks and jeans? Check all his pockets before washing them?
Does she still need to cook food every evening before he comes back? Or just leave everything uncooked in the fridge? Like those days when he was a bachelor?
Does she still need to wash the dishes, and sweep the floor?
Does she still kiss him? When he comes back through the evening door?
Does she still want to make love with hi,?
Does she, or will she cry, when she feels her body needs somebody to cover it and warm it, but not this one, the one lies beside hers?
Does she, or will she say, I am leaving you, on a particular day? Or at a particular time? Or in a particular moment?
Does she, or will she hire a car or a taxi, to take all her things before he understands what is happening?
Does she, or will she cry, cry loudly, when she starts leading her lead to a new life, a life without anybody waiting for her and without anybody lighting a fire for her?
”
”
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
“
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end.
Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction.
It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
”
”
Thomas Wolfe (Look Homeward, Angel)
“
We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted—
”
”
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
“
Man must consider, not only that each day part of his life is spent, and that less and less remains to him, but also that, even if he live longer, it is very uncertain whether his intelligence will suffice as heretofore for the understanding of his affairs, and for grasping that knowledge which aims at comprehending things human and divine. When dotage begins, breath, nourishment, fancy, impulse, and so forth will not fail him. But self-command, accurate appreciation of duty, power to scrutinize what strikes his senses, or even to decide whether he should take his departure, all powers, indeed, which demand a well-trained understanding, must be extinguished in him. Let him be up and doing then, not only because death comes nearer every day, but because understanding and intelligence often leave us before we die.
”
”
Marcus Aurelius (Meditations)
“
would place beside her in my mind’s eye the young competent woman, proud, courageous, and generous, I’d known as a child. I was living with a tragic deterioration brought about because there was now no creative expression for this woman’s talents. Lacking a power for good, she sought power through manipulating her children. The mind that once was engaged in reading every major writer of the day now settled for cheap romances, murder mysteries, and a comfortable fuzz of tranquilizers and brandy at the end of the day. No one had directly willed her decline. It was the outcome of many impersonal forces, which had combined to emphasize her vulnerabilities. The medical fashion of the day decreed that troubled middle-aged women be given tranquilizers and sedatives. She, once a rebel, had acquiesced in settling down to live the life of an affluent woman.
”
”
Jill Ker Conway (The Road from Coorain (Vintage Departures))
“
Before the troops left Rome, the consul Varro made a number of extremely arrogant speeches. The nobles, he complained, were directly responsible for the war on Italian soil, and it would continue to prey upon the country's vitals if there were any more commanders on the Fabian model. He himself, on the contrary, would bring it to an end on the day he first caught sight of the enemy. His colleague Paullus spoke only once before the army marched, and in words which though true were hardly popular. His only harsh criticism of Varro was to express his surprise about how any army commander, while still at Rome, in his civilian clothes, could possibly know what his task on the field of battle would be, before he had become acquainted either with his own troops or the enemy's or had any idea of the lie and nature of the country where he was to operate--or how he could prophesy exactly when a pitched battle would occur. As for himself, he refused to recommend any sort of policy prematurely; for policy was moulded by circumstance, not circumstance by policy. . . . [T]o strengthen [Paullus'] determination Fabius (we are told) spoke to him at his departure in the following words.
'If, Lucius Aemilius, you were like your colleague, or if--which I should much prefer--you had a colleague like yourself, anything I could now say would be superfluous. Two good consuls would serve the country well in virtue of their own sense of honour, without any words from me; and two bad consuls would not accept my advice, nor even listen to me. But as things are, I know your colleague's qualities and I know your own, so it is to you alone I address myself, understanding as I do that all your courage and patriotism will be in vain, if our country must limp on one sound leg and one lame one. With the two of you equal in command, bad counsels will be backed by the same legal authority as good ones; for you are wrong, Paullus, if you think to find less opposition from Varro than from Hannibal. Hannibal is your enemy, Varro your rival, but I hardly know which will prove the more hostile to your designs; with the former you will be contending only on the field of battle, but with the latter everywhere and always. . . .
[I]t is not the enemy who will make it difficult and dangerous for you to tread, but your fellow-countrymen. Your own men will want precisely what the enemy wants; the wishes of Varro, the Roman consul, will play straight into the hands of Hannibal, commander-in-chief of the Carthaginian armies. You will have two generals against you; but you will stand firm against both, if you can steel yourself to ignore the tongues of men who will defame you--if you remain unmoved by the empty glory your colleague seeks and the false infamy he tries to bring upon yourself. . . . Never mind if they call your caution timidity, your wisdom sloth, your generalship weakness; it is better that a wise enemy should fear you than that foolish friends should praise. Hannibal will despise a reckless antagonist, but he will fear a cautious one. Not that I wish you to do nothing--all I want is that your actions should be guided by a reasoned policy, all risks avoided; that the conduct of the war should be controlled by you at all times; that you should neither lay aside your sword nor relax your vigilance but seize the opportunity that offers, while never giving the enemy a chance to take you at a disadvantage. Go slowly, and all will be clear and sure. Haste is always improvident and blind.
”
”
Livy (The History of Rome, Books 21-30: The War with Hannibal)
“
When the day of our departure was approaching, we went to the regular passport control office to get permission to leave the country. Bengt stood first in the line as interpreter. “What is your name?” asked a ceremonious little clerk, looking suspiciously over his spectacles at Bengt’s huge beard. “Bengt Emmerik Danielsson,” Bengt answered respectfully. The man put a long form into his typewriter. “By what boat did you come to Peru?” “Well, you see,” Bengt explained, bending over the mild little man, “I didn’t come by boat. I came to Peru by canoe.” The man looked at Bengt dumb with astonishment and tapped out “canoe” in an open space on the form. “And by what boat are you leaving Peru?” “Well, you see, again,” said Bengt politely, “I’m not leaving Peru by boat. I’m leaving by raft.” “A likely story!” the clerk cried angrily and tore the paper out of the machine. “Will you please answer my questions properly?
”
”
Thor Heyerdahl (Kon-Tiki (Enriched Classics))
“
Mr. Duffy Napp has just transmitted a nine-word e-mail asking that I immediately send a letter of reference to your firm on his behalf; his request has summoned from the basement of my heart a star-spangled constellation of joy, so eager am I to see Mr. Napp well established at Maladin IT.
As for the basis of our acquaintanceship: I am a professor in an English department whose members consult Tech Help—aka Mr. Napp—only in moments of desperation. For example, let us imagine that a computer screen, on the penultimate page of a lengthy document, winks coyly, twice, and before the “save” button can be deployed, adopts a Stygian façade. In such a circumstance one’s only recourse—unpalatable though it may be—is to plead for assistance from a yawning adolescent who will roll his eyes at the prospect of one’s limited capabilities and helpless despair. I often imagine that in olden days people like myself would crawl to the doorway of Tech Help on our knees, bearing baskets of food, offerings of the harvest, the inner organs of neighbors and friends— all in exchange for a tenuous promise from these careless and inattentive gods that the thoughts we entrusted to our computers will be restored unharmed.
Colleagues have warned me that the departure of Mr. Napp, our only remaining Tech Help employee, will leave us in darkness. I am ready. I have girded my loins and dispatched a secular prayer in the hope that, given the abysmal job market, a former mason or carpenter or salesman—someone over the age of twenty-five—is at this very moment being retrained in the subtle art of the computer and will, upon taking over from Mr. Napp, refrain (at least in the presence of anxious faculty seeking his or her help) from sending text messages or videos of costumed dogs to both colleagues and friends. I can almost imagine it: a person who would speak in full sentences—perhaps a person raised by a Hutterite grandparent on a working farm.
”
”
Julie Schumacher (Dear Committee Members)
“
Departure
It's little I care what path I take,
And where it leads it's little I care,
But out of this house, lest my heart break,
I must go, and off somewhere!
It's little I know what's in my heart,
What's in my mind it's little I know,
But there's that in me must up and start,
And it's little I care where my feet go!
I wish I could walk for a day and a night,
And find me at dawn in a desolate place,
With never the rut of a road in sight,
Or the roof of a house, or the eyes of a face.
I wish I could walk till my blood should spout,
And drop me, never to stir again,
On a shore that is wide, for the tide is out,
And the weedy rocks are bare to the rain.
But dump or dock, where the path I take
Brings up, it's little enough I care,
And it's little I'd mind the fuss they'll make,
Huddled dead in a ditch somewhere.
"Is something the matter, dear," she said,
"That you sit at your work so silently?"
"No, mother, no—'twas a knot in my thread.
There goes the kettle—I'll make the tea.
”
”
Edna St. Vincent Millay
“
When a man seats before his eyes the bronze face of his helmet and steps off from the line of departure, he divides himself, as he divides his ‘ticket,’ in two parts. One part he leaves behind. That part which takes delight in his children, which lifts his voice in the chorus, which clasps his wife to him in the sweet darkness of their bed. “That half of him, the best part, a man sets aside and leaves behind. He banishes from his heart all feelings of tenderness and mercy, all compassion and kindness, all thought or concept of the enemy as a man, a human being like himself. He marches into battle bearing only the second portion of himself, the baser measure, that half which knows slaughter and butchery and turns the blind eye to quarter. He could not fight at all if he did not do this.” The men listened, silent and solemn. Leonidas at that time was fifty-five years old. He had fought in more than two score battles, since he was twenty; wounds as ancient as thirty years stood forth, lurid upon his shoulders and calves, on his neck and across his steel-colored beard. “Then this man returns, alive, out of the slaughter. He hears his name called and comes forward to take his ticket. He reclaims that part of himself which he had earlier set aside. “This is a holy moment. A sacramental moment. A moment in which a man feels the gods as close as his own breath. “What unknowable mercy has spared us this day? What clemency of the divine has turned the enemy’s spear one handbreadth from our throat and driven it fatally into the breast of the beloved comrade at our side? Why are we still here above the earth, we who are no better, no braver, who reverenced heaven no more than these our brothers whom the gods have dispatched to hell? “When a man joins the two pieces of his ticket and sees them weld in union together, he feels that part of him, the part that knows love and mercy and compassion, come flooding back over him. This is what unstrings his knees. “What else can a man feel at that moment than the most grave and profound thanksgiving to the gods who, for reasons unknowable, have spared his life this day? Tomorrow their whim may alter. Next week, next year. But this day the sun still shines upon him, he feels its warmth upon his shoulders, he beholds about him the faces of his comrades whom he loves and he rejoices in their deliverance and his own.” Leonidas paused now, in the center of the space left open for him by the troops. “I have ordered pursuit of the foe ceased. I have commanded an end to the slaughter of these whom today we called our enemies. Let them return to their homes. Let them embrace their wives and children. Let them, like us, weep tears of salvation and burn thank-offerings to the gods. “Let no one of us forget or misapprehend the reason we fought other Greeks here today. Not to conquer or enslave them, our brothers, but to make them allies against a greater enemy. By persuasion, we hoped. By coercion, in the event. But no matter, they are our allies now and we will treat them as such from this moment. “The Persian!
”
”
Steven Pressfield (Gates of Fire)
“
Saeed for his part wished he could do something for Nadia, could protect her from what would come, even if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you. He thought she deserved better than this, but he could see no way out, for they had decided not to run, not to play roulette with yet another departure. To flee forever is beyond the capacity of most: at some point even a hunted animal will stop, exhausted, and await its fate, if only for a while.
”
”
Mohsin Hamid (Exit West)
“
Every good man in this world has convictions about right and wrong. They are his soul's riches, his spiritual gold. When his conduct is at variance with these, he knows that it is a departure, a falling; and this is a simple and clear matter. If falling were all that ever happened to a good man, all his days would be a simple matter of striving and repentance. But it is not all. There come to him certain junctures, crises, when life, like a highwayman, springs upon him, demanding that he stand and deliver his convictions in the name of some righteous cause, bidding him do evil that good may come.
”
”
Owen Wister (The Virginian (Scribner Classics))
“
Chaplin left the Keystone studios on a Saturday night in December after cutting his last film, without bidding farewell to any of his erstwhile colleagues; he spent Sunday in his room at the Los Angeles Athletic Club and on the following day he turned up for work at the Essanay Studios in Niles, California. Of course, everyone at Keystone knew about his imminent departure, but he could not bring himself to make a speech or shake hands. He just left. Sennett said later that 'as for Charles Spencer Chaplin, I am not at all sure that we know him'. He had never really been part of the team; he would never become a member of any group.
”
”
Peter Ackroyd (Charlie Chaplin: A Brief Life)
“
Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down. VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.
”
”
Pablo Neruda (Residence on Earth (New Directions Paperbook Book 992))
“
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly.
His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily.
“So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.”
He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective.
She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.”
His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.”
“She likes you. Maybe we could adopt her.”
“Better if our son marries her.”
She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided.
“The same is true for me,” he replied.
She searched his eyes, already facing her departure. She would have to go back to the reservation, home.
He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.”
She was surprised. She didn’t know what to say.
“I love you,” he said. “I never stopped. Forgive me and say yes.”
She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated.
“Your life is so different from mine,” she began.
“Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.”
“There will be parties, benefits…”
He pulled her down into his arms and kissed her tenderly.
“I don’t know much about etiquette,” she tried again.
He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her.
“Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested.
“Arthritis?” he asked.
“Osteoarthritis.”
“Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped.
She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
This reaction to the work was obviously a misunderstanding. It ignores the fact that the future Buddha was also of noble origins, that he was the son of a king and heir to the throne and had been raised with the expectation that one day he would inherit the crown. He had been taught martial arts and the art of government, and having reached the right age, he had married and had a son. All of these things would be more typical of the physical and mental formation of a future samurai than of a seminarian ready to take holy orders. A man like Julius Evola was particularly suitable to dispel such a misconception.
He did so on two fronts in his Doctrine: on the one hand, he did not cease to recall the origins of the Buddha, Prince Siddhartha, who was destined to the throne of Kapilavastu: on the other hand, he attempted to demonstrate that Buddhist asceticism is not a cowardly resignation before life's vicissitudes, but rather a struggle of a spiritual kind, which is not any less heroic than the struggle of a knight on the battlefield. As Buddha himself said (Mahavagga, 2.15): 'It is better to die fighting than to live as one vanquished.' This resolution is in accord with Evola's ideal of overcoming natural resistances in order to achieve the Awakening through meditation; it should he noted, however, that the warrior terminology is contained in the oldest writings of Buddhism, which are those that best reflect the living teaching of the master. Evola works tirelessly in his hook to erase the Western view of a languid and dull doctrine that in fact was originally regarded as aristocratic and reserved for real 'champions.'
After Schopenhauer, the unfounded idea arose in Western culture that Buddhism involved a renunciation of the world and the adoption of a passive attitude: 'Let things go their way; who cares anyway.' Since in this inferior world 'everything is evil,' the wise person is the one who, like Simeon the Stylite, withdraws, if not to the top of a pillar; at least to an isolated place of meditation. Moreover, the most widespread view of Buddhists is that of monks dressed in orange robes, begging for their food; people suppose that the only activity these monks are devoted to is reciting memorized texts, since they shun prayers; thus, their religion appears to an outsider as a form of atheism.
Evola successfully demonstrates that this view is profoundly distorted by a series of prejudices. Passivity? Inaction? On the contrary, Buddha never tired of exhorting his disciples to 'work toward victory'; he himself, at the end of his life, said with pride: katam karaniyam, 'done is what needed to he done!' Pessimism? It is true that Buddha, picking up a formula of Brahmanism, the religion in which he had been raised prior to his departure from Kapilavastu, affirmed that everything on earth is 'suffering.' But he also clarified for us that this is the case because we are always yearning to reap concrete benefits from our actions. For example, warriors risk their lives because they long for the pleasure of victory and for the spoils, and yet in the end they are always disappointed: the pillaging is never enough and what has been gained is quickly squandered. Also, the taste of victory soon fades away. But if one becomes aware of this state of affairs (this is one aspect of the Awakening), the pessimism is dispelled since reality is what it is, neither good nor bad in itself; reality is inscribed in Becoming, which cannot be interrupted. Thus, one must live and act with the awareness that the only thing that matters is each and every moment. Thus, duty (dhamma) is claimed to be the only valid reference point: 'Do your duty,' that is. 'let your every action he totally disinterested.
”
”
Jean Varenne (The Doctrine of Awakening: The Attainment of Self-Mastery According to the Earliest Buddhist Texts)
“
And if she were an honest woman, which she was known to be on occasion, she could readily admit that hearing about his escapades had bothered her on so many levels. And, yes, it affected how she looked at him, how she thought of him.
But not, unfortunately, how she felt about him. Which either made her very generous, or very stupid.
She was also very hungry, despite the ache in her head. So, she climbed out of bed, rang for Heather, and set about getting ready for the day. She told her maid to tell Cook that she would like to take breakfast out on the terrace since it was such a lovely day and she doubted anyone would join her. Her mother had no doubt eaten long ago, and Grey was probably passed out somewhere if his condition of last night had worsened after her departure. She rather fancied him drinking himself blind after she made her grand exit.
Not that she wanted him to be miserable-she simply wanted to think that her words and opinion mattered.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.”
“You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.”
I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop.
“We’re not friends yet. But you’ve thought about it. And you just thanked me.”
“Are you delusional?”
“No. You just said thank you to the faceless Cokyrian soldier who arrested you.”
“Don’t you ever stop?” I demanded, trying in vain to move around him.
“I haven’t even started.”
“What does that mean?”
There was silence as Saadi glanced up and down the street. “I want to know where you got that dagger. Or at least what story you told.”
“Why don’t you ask Commander Narian? The two of you seemed fairly close.”
“Quit making jokes.”
“I haven’t made a single one.”
“Well?”
“It was my father’s,” I said, clinging to the lie Queen Alera had provided, whether by mistake or not.
“Oh.” This seemed to take Saadi aback.
“And now, because of you, I don’t have it anymore.” I knew I was pressing my luck, but I wanted to make him feel bad.
“I’m sorry,” he muttered, seeming sincere enough.
Thinking I had maybe, finally, succeeded in getting him to leave me alone, I stepped around him.
“Shaselle?”
I stopped again, without the slightest idea why.
“Your father--what was he like?”
The question shocked me; I also wasn’t sure I could answer it without crying. But Saadi appeared so genuinely interested that I couldn’t disregard him.
“You have no right to ask me that,” I answered out of principle. “But for your information, he was the strongest, bravest, kindest and best-humored man I ever knew. And none of it was because he took what was handed to him.”
For the second time, I attempted a dramatic departure.
“Shaselle?”
“What now?” I incredulously exclaimed.
“Do you have plans tomorrow?”
“What?”
“I have a day off duty. We could--”
“No!” I shouted. “What is this? You expect me to spend a day with you, a Cokyrian--a Cokyrian I can’t stand?”
“Yes,” he affirmed, despite my outburst.
I laughed in disbelief. “I won’t. This is ridiculous. You’re ridiculous. Enjoy your time off duty with your own kind.”
Turning, I sprinted down the street, and though he called after me yet again, I ignored him. As I neared my house, I glanced behind once or twice to assure myself he wasn’t following. He was nowhere in sight.
I reached the security of my home just in time for dinner, and just in time to cut off Mother’s growing displeasure--the first step in her progression to anger. I smiled at her, hurried to wash, and was a perfect lady throughout the meal. Afterward I retired to my room, picking a book from my shelf to occupy me until my eyes drooped. Instead of words on pages, however, I kept seeing Saadi’s face--his clear blue eyes, that irritating hair, those freckles across his nose that made me lose willpower.
What if I had offended him earlier? He had only asked to spend time with me, and I had mocked him. But he was Cokyrian. It was ludicrous for him to be pursuing my company. It was dangerous for me to be in his. And that, I suddenly realized, was part of the reason I very much wanted to be with him. Saadi aggravated me, confused me, scared me, and yet I could no longer deny that he intrigued me in a way no one else ever had.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is.
It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating.
Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page.
Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien.
There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages.
If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real
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Ayaz mallah