Denver Movie Quotes

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To escape the throngs, we decided to see the new Neil Degrasse Tyson planetarium show, Dark Universe. It costs more than two movie tickets and is less than thirty minutes long, but still I want to go back and see it again, preferably as soon as possible. It was more visually stunning than any Hollywood special effect I’d ever seen, making our smallness as individuals both staggering and - strangely - rather comforting. Only five percent of the universe consists of ordinary matter, Neil tells us. That includes all matter - you, and me, and the body of Michael Brown, and Mork’s rainbow suspenders, and the letters I wrote all summer, and the air conditioner I put out on the curb on Christmas Day because I was tired of looking at it and being reminded of the person who had installed it, and my sad dying computer that sounds like a swarm of bees when it gets too hot, and the fields of Point Reyes, and this year’s blossoms which are dust now, and the drafts of my book, and Israeli tanks, and the untaxed cigarettes that Eric Garner sold, and my father’s ill-fitting leg brace that did not accomplish what he’d hoped for in terms of restoring mobility, and the Denver airport, and haunting sperm whales that sleep vertically, and the water they sleep in, and Mars and Jupiter and all of the stars we see and all of the ones we don’t. That’s all regular matter, just five percent. A quarter is “dark matter,” which is invisible and detectable only by gravitational pull, and a whopping 70 percent of the universe is made up of “dark energy,” described as a cosmic antigravity, as yet totally unknowable. It’s basically all mystery out there - all of it, with just this one sliver of knowable, livable, finite light and life. And did I mention the effects were really cool? After seeing something like that it’s hard to stay mad at anyone, even yourself.
Summer Brennan
Praise for THIS TENDER LAND “If you liked Where the Crawdads Sing, you’ll love This Tender Land by best-selling author William Kent Krueger. This story is as big-hearted as they come.” —Parade Magazine “If you’re among the millions who raced through Where the Crawdads Sing this year and are looking for another expansive, atmospheric American saga, look to the latest from Krueger.” —Entertainment Weekly “Rich with graceful writing and endearing characters… this is a book for the ages.” —The Denver Post “There are very few books (or movies, for that matter) that you can describe as ‘epic.’ But This Tender Land is just that.… This story will make you look at the world from a variety of viewpoints, as you watch these lost souls befriend one another in order to form their own unbreakable family unit.” —Suspense Magazine “[The characters’] adventures are heartstirring and their view of our complex nation, in particular the upper Midwest, is encyclopedic, if an encyclopedia could stir your heart as well as your brain.” —Sullivan County Democrat “Reminiscent of Huck and Jim and their trip down the Mississippi, the bedraggled youngsters encounter remarkable characters and learn life lessons as they escape by canoe down the Gilead River in Minnesota.” —Bookpage “Long, sprawling, and utterly captivating, readers will eat up every delicious word of it.” —New York Journal of Books “Krueger has crafted an American saga, epic in scope, a glorious and grand adventure that speaks of the heart and history of this country.” —Addison Independent (Vermont) “More than a simple journey; it is a deeply satisfying odyssey, a quest in search of self and home. Richly imagined and exceptionally well plotted and written, the novel is, most of all, a compelling, often haunting story that will captivate both adult and young adult readers.” —Booklist “Absorbing and wonderfully paced, this fictional narrative set against historical truths mesmerizes the reader with its evocations of compassion, courage, and self-discovery.… This Tender Land is a gripping, poignant tale swathed in both mythical and mystical overtones.” —Bob Drury, New York Times bestselling author of The Heart of Everything That Is “This Tender Land is a moving portrait of a time and place receding from the collective memory, but leaving its mark on the heart of what the nation has become.” —CrimeReads
William Kent Krueger (This Tender Land)
When living in Denver, me and my friend Tony – who’s actually up here now and does amazing photography and helped us with the photoshoot for this collection – we did this funny thing on the anniversary of the stock market crash. It was a protest at a mall in Denver, and we called it “Black Friday is the new Black Monday”. We wanted to make the hipster thing into something else, we wanted to see what potential it had. Because we were fascinated by Paris 68, we made these pamphlets that said stuff like “Real hipsters riot”. We tried to encourage that mythology of the hipster from Sorbonne, Paris. This guy you see in Godard movie. We went into Urban Outfitters, threw a bunch of shit, flipped over things, went outside, shot a bunch of fireworks. That was pretty cool. The IEF was grounded in certain theoretical premises of insurrectionist theory, continental philosophy, and critical theory. It was definitely all over the damn place.
Anonymous
She remembered watching a movie from some years ago, when she’d had nothing else to do while snowed in at a Denver hotel, something with Kellie Martin on The Women’s Network. A detective identified a singer’s killer by studying the audience in concert footage. The killer—a stalker—showed up in every film.
Alexia Gordon (Murder in G Major (Gethsemane Brown Mysteries #1))
When she remembered certain events, they were unconnected and random, a flash of color spilling out of her mother’s body, a broken string on a guitar. They came back to her in waves and then receded for months or even years before they would return. She looked up from her drink and Eric was staring at her, his face calm and radiant. “You were always the best Fang,” he said, “at least I think so.” “There’s no best Fang,” she said, “we’re all exactly the same.” A few weeks earlier, just as the naked pictures fiasco had begun to subside, Annie’s parents had called, ecstatic. Annie was reading a four-page note from Minda, two pages of which were a sestina that used the repeating words Fang, blossom, locomotive, tongue, movie, and bi-curious. She was happy to put the note down. “Excellent news,” her father said, and Annie could hear her mother in the background saying, “Excellent news.” “What’s that?” Annie said. “We got an e-mail from the MCA in Denver. They are very interested in exhibiting one of our pieces.” “That’s great,” Annie said. “Congratulations. Is it new?” “It’s so effing new,” Mr. Fang said, “it’s only just happened.” “Wow,” Annie said. “I know, wow, exactly, wow,” her father said.
Kevin Wilson (The Family Fang)
I remember the first movie I ever saw at a theater. It was The Greatest Show on Earth. I saw it with my mother at the Paramount Theater in Denver in 1952. It was about the circus. I wet my pants.
Carleton Prince
One Newport acquaintance who hadn’t snubbed Jack Astor was Margaret Tobin Brown, the estranged wife of Denver millionaire James J. Brown. She was sympathetic to marital woes and escaped her own by traveling. That winter, in fact, Mrs. Brown had joined the Astors on their excursion to North Africa and Egypt. In her pocket as she sat near the Astor party on the Nomadic was a small Egyptian tomb figure that she had bought in a Cairo market as a good luck talisman. The voyage Margaret Brown was about to take would immortalize her in books, movies, and a Broadway musical as “the unsinkable Molly Brown,” a feisty backwoods girl whose husband’s lucky strike at a Leadville, Colorado, gold mine vaults her into a mansion in Denver, where she is rebuffed by Mile High society.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Republican Arizona congressman Paul Gosar sent Meadows several texts between November and December 2020 warning about “dead voters” and Dominion, the voting machines destined to become a lightning rod in the months to come. (It was a line of inquiry that even Meadows repeatedly indicated he doubted in emails to other associates.) One of Gosar’s texts included a link to a movie about “cyber warfare” and voting machines from an anti-vaccine conspiracy blog called Some Bitch Told Me. Republicans in Washington mined briefings from very dubious sources.
Denver Riggleman (The Breach: The Untold Story of the Investigation into January 6th)
Stevie. Curly hair and amazing ass. Won’t sleep with me, but I hope she changes her mind.”  Scrolling to the Denver tab, she clicks on it. “Stevie. Has an attitude. Likes basketball and is down to eat burgers.” She exits out, finding Washington DC next. “Stevie,” she continues. “Best sex of my life.”  She keeps going to Calgary. “Stevie. Snuck her into my hotel room to watch movies with me all night.” San Jose. “Stevie. Insane blowjob in the shower. Wore my T-shirt to bed.” Next, she finds Vancouver. “Stevie. Came to my game. My favorite person to hang out with.
Liz Tomforde (Mile High (Windy City, #1))