“
The family is like the forest: if you are outside it is dense; if you are inside you see that each tree has its own position.
”
”
Yaa Gyasi (Homegoing)
“
However much you feed a wolf, it always looks to the forest. We are all wolves of the dense forest of Eternity.
”
”
Marina Tsvetaeva
“
A person was like a dense forest thicket, overgrown with a twisting mess of vines, weeds, shrubs, saplings, and flowers. No person was one single emotion; no person had only one desire. They had many, and usually those desires conflicted with one another like two rosebushes fighting for the same patch of ground.
”
”
Brandon Sanderson (The Emperor's Soul)
“
Do not try to save
the whole world
or do anything grandiose.
Instead, create
a clearing
in the dense forest
of your life
and wait there
patiently,
until the song
that is yours alone to sing
falls into your open cupped hands
and you recognize and greet it.
Only then will you know
how to give yourself
to this world so worthy of rescue.
”
”
Martha Postlethwaite
“
I was born in a place humans call central Africa, in a dense rain forest so beautiful, no crayons could ever do it justice.
”
”
Katherine Applegate (The One and Only Ivan (The One and Only, #1))
“
Tulips, I thought, staring at the jumble of letters before me. Had the ancient Greeks known them under a different name, if they’d had tulips at all? The letter psi, in Greek, is shaped like a tulip. All of a sudden, in the dense alphabet forest of the page, little black tulips began to pop up in a quick, random pattern like falling raindrops.
”
”
Donna Tartt (The Secret History)
“
In the hour before a thunderstorm, the color of the forest deepens: the pine needles take on a dense vibrant greenness they possess at no other time, the slender trunks go black, and the leaden sky above sinks lower by the minute.
”
”
Michael McDowell (Cold Moon Over Babylon)
“
If only they let me, I'll go right into the dense forest where you can't find your way. And where the honey-sipping hummingbird rocks himself on the end of the thinnest branch, I will flower out as a champa.
”
”
Rabindranath Tagore (The Post Office)
“
When the world of man collapses in ruin, beauty will take over. The trees shall grow again where there were streets; the flowers will again cover the meadow that is now a dank field of hovels. That shall be the purpose of the Satanic master, to see the wild grass and the dense forest cover up all trace of the once great cities until nothing remains.
”
”
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
“
No genuine book has a first page. Like the rustling of a forest, it is begotten God knows where, and it grows and it rolls, arousing the dense wilds of the forest until suddenly, in the very darkest, most stunned and panicked moment, it rolls to its end and begins to speak with all the treetops at once.
”
”
Boris Pasternak
“
You must be swift as the wind, dense as the forest, rapacious as fire, steadfast like a mountain, mysterious as night and mighty as thunder.
”
”
Sun Tzu (The Art of War)
“
Are we fruit of the same tree? No - Angela is everything I wanted to be and never was. What is she? She's the waves of the sea. While I'm the dense and gloomy forest. I'm in the depths. Angela scatters in sparkling fragments. Angela is my vertigo. Angela is my reverberation.
”
”
Clarice Lispector (A Breath of Life)
“
Luckily, the forest was so dense that the two escaped without injury, though one of the men peed in his pants.
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
It was a though we’d been living for a year in a dense grove of old trees, a cluster of firs, each with its own rhythm and character, from whom our bodies had drawn not just shelter but perhaps even a kind of guidance as we grew into a family.
”
”
David Abram (Becoming Animal: An Earthly Cosmology)
“
Freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close but from outside, from the empty meadow, you see its true limits.
”
”
Colson Whitehead (The Underground Railroad)
“
In temperate countries, where man had succeeded in putting most forms of nature save his own under a reasonable degree of restraint, the status of the triffid was thus made quite clear. But in the tropics, particularly in the dense forest areas, they quickly became a scourge.
”
”
John Wyndham (The Day of the Triffids)
“
Freedom was a thing that shifted as you looked at it, the way a forest is dense with the trees up close but from the outside, from the empty meadow, you see its true limits. Being free had nothing to do with chains or how much space you had. On the plantation, she was not free, but she moved unrestricted on its acres, tasting the air and tracing the summer stars. The place was big in its smallness. Here, she was free of her master but slunk around a warren so tiny she couldn't stand.
”
”
Colson Whitehead (The Underground Railroad)
“
I say “courage,” but it may be something else. Those who have not taken this step, who have not come to terms with themselves, are not necessarily frightened, they are perhaps helpless, disoriented, lost as one is in the middle of a forest that’s too dark or dense or vast.
”
”
Philippe Besson (Lie With Me)
“
THOREAU KNOWS
(The mass of men lead lives of quiet desperation.)
Making sense of things,
Trying to track
Nine pebbles of sadness
To their source.
Sly crows
Stole them a mile back,
But Thoreau knows
I should walk anyway
Under sun-coined trees
Thick with wood-thrush song
Till I reach undergrowth
Dense and itchy with the past
Till the air cools and I am near
Enough to con crow talk
Mouth fulls, stories dark.
”
”
Ken Craft (Reincarnation & Other Stimulants: Life, Death, & In-Between Poems)
“
Every morning, in his extreme loneliness, the Laughing Man stole off (he was as graceful on his feet as a cat) to the dense forest surrounding the bandits' hideout. There he befriended any number and species of animals: dogs, white mice, eagles, lions, boa constrictors, wolves. Moreover, he removed his mask and spoke to them, softly, melodiously, in their own tongues. They did not think him ugly.
”
”
J.D. Salinger (Nine Stories)
“
The fog lying on Myrkvid Forest was dense and had an irregular shape, calling to mind a heap of whipped cream squeezed onto a cake by a lunatic cook.
”
”
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
“
The role of today's educator isn't to clear paths through dense forests, but to nourish and cultivate barren lands.
”
”
Norbertus Krisnu Prabowo
“
Tall and built like a dense forest, Clint's broad shoulders made a girl want to learn how to scale trees. Except me. I wanted to start a forest fire.
”
”
J.C. McKenzie (Beast Coast (Carus, #2))
“
watch as the dense forest shifts from chrome yellow to a translucent saffron and then slowly fades through ocher to umber to gloom.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
Some people believe that they are guided by forces, that the universe cuts paths for them through the dense forest of life, showing them where to go.
”
”
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
“
NVA truck parks, base camps and way stations were hewn from dense forest, and care was taken to remove only a minimal amount of natural foliage.
”
”
John L. Plaster (SOG: The Secret Wars of America's Commandos in Vietnam)
“
This garden was no longer a garden, it was a colossal thicket, that is to say, something as impenetrable as a forest, as densely populated as a city, as tremulous as a nest, as tenebrous as a cathedral, as aromatic as a bouquet, as lonely as a tomb, as much a living thing as a crowd.
”
”
Victor Hugo (Les Misérables)
“
I believe it is customary,” the duke said, his tone low and a bit ominous, “for a guardian to spout vague threats to his ward’s new husband should that husband bring any harm to his new wife.”
James nodded, glancing quickly at the duke’s right boot, where he’d learned a dagger was always sheathed.
“I, however, do not make vague threats.” The duke’s eyes narrowed. “Should you show yourself in any way less than worthy of the trust Daphne has placed in you, you will find yourself swinging from the gibbet at Falstone Castle, taken down regularly to be beaten, then locked in irons in the dungeon and placed in the room I refer to as the Rat’s Nest, where the vermin will be delighted to make your better acquaintance. You will next be invited to join me in my vast, dense forest, where I will leave you for the wolves to chew on.
”
”
Sarah M. Eden (Romancing Daphne (The Lancaster Family, #3))
“
She was the lady of the woods,
Picking up apples without knowing where she stood,
But was not afraid although alone with no men near,
She dared to go into dense forest without fear,
I went after her as my spirit gave in,
She sat under a tree with apple in her hand,
Her love was free as she turned and looked at me as a friend,
We both ate the apple as she accomplished her mission,
Trust me women are nothing but an illusion.
”
”
Mahiraj Jadeja (A Lover's Will)
“
Those who have not taken this step, who have not come to terms with themselves, are not necessarily frightened, they are perhaps helpless, disoriented, lost as one is in the middle of a forest that’s too dark or dense or vast.
”
”
Philippe Besson (Lie With Me)
“
Those who have not taken this step, who have not come to terms with themselves, are not necessarily frightened, they are perhaps helpless, disoriented, lost as one is in the middle of a forest that's too dark or dense or vast.
”
”
Philippe Besson
“
When the jīva, reflected consciousness, has its inert association with the body totally destroyed and ignited by the fire of jñāna, it burns in the huge and extensive cremation ground, the cidākāśa. The vision of this excellent effulgence is similar to the sight of an unbounded conflagration that rages when a vast forest, dense with dried trees, catches fire and spreads in all directions.
”
”
Muruganar (Guru Vachaka Kovai)
“
If you’ve never experienced anxiety, you might find it difficult to understand what that feels like. I can throw any number of clichés and similes at you: it’s like trying to find your way out of a dark and dense forest, only to keep circling back to the same point you started from; it feels like being caught in a washing machine, disorientating and dizzy-making and like you’re always on the precipice of drowning; it’s like a carnival tent full of distorting mirrors, and you’re too terrified to look into any of them because you’re afraid your own reflection might assume a life of its own and start to mock you. It’s like all of these things at once and that’s an easy way to visualise it. But the simple and most universal truth is that anxiety just makes you feel incredibly, desperately alone. I
”
”
Clementine Ford (Fight Like a Girl)
“
But never, among all the cities I have wandered over the years, cities all over the earth, did I feel and smell and sense anything quite like the verb that is Chicago; and always, no matter how many years passed, I could hear and see and touch something inside me that only Chicago has and is, some intricate combination of flat sharp light off the lake grappling with dense light from the plains to the west, the fields to the south, the forests to the north.
”
”
Brian Doyle
“
I think: In the end, he remained hidden all his life. In spite of the great departure, the ambitious effort to forge a new existence, he fell back into all the same traps: shame, the impossibility of sharing a love that endures.
I think of all the men I met in bookstores, men who confided in me about having lied for years and years, before finally resolving to leave everything to start all over again (they will recognize themselves if they read these lines). Thomas never found their courage.
I say “courage,” but it may be something else. Those who have not taken this step, who have not come to terms with themselves, are not necessarily frightened, they are perhaps helpless, disoriented, lost as one is in the middle of a forest that’s too dark or dense or vast.
”
”
Philippe Besson (Lie With Me)
“
I had never felt that Egypt was really Africa, but now that our route had taken us across the Sahara, I could look down from my window seat and see trees, and bushes, rivers and dense forest. It all began here. The jumble of poverty-stricken children sleeping in rat-infested tenements or abandoned cars. The terrifying moan of my grandmother, ‘Bread of Heaven, Bread of Heaven, feed me till I want no more.’ The drugged days and alcoholic nights of men for whom hope had not been born. The loneliness of women who would never know appreciation or a mite’s share of honor. Here, there, along the banks of that river, someone was taken, tied with ropes, shackled with chains, forced to march for weeks carrying the double burden of neck irons and abysmal fear. In that large clump of trees, looking like wood moss from the plane’s great height, boys and girls had been hunted like beasts, caught and tethered together. Sacrificial lambs on the altar of greed. America’s period of orgiastic lynchings had begun on yonder broad savannah.
”
”
Maya Angelou (The Heart of a Woman (Maya Angelou's Autobiography #4))
“
It is always the same forest, always as dense as ever. And so, my son, put aside the branches as best you can, that's all.
”
”
Simone Schwarz-Bart (The Bridge of Beyond)
“
of a runaway? Freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close but from outside, from the
”
”
Colson Whitehead (The Underground Railroad)
“
All writers are like bomb-throwers, whether they attack with dense academic prose or jazzy riffs of stream-of-consciousness writing.
”
”
Betsy Lerner (The Forest for the Trees: An Editor's Advice to Writers)
“
Although the disappearance of the true wildwood [in the British Isles] occurred in the Neolithic period, before humanity began to record its own history, creation myths in almost all cultures look fabulously back to a forested earth. In the ancient Sumerian epic of Gilgamesh, the quest-story which begins world literature, Gilgamesh sets out on his journey from Uruk to the Cedar Mountains, where he has been charged to slay the Huwawa, the guardian of the forest. The Roman empire also defined itself against the forests in which its capital city was first established, and out of which its founders, the wolf-suckled twins, emerged. It was the Roman Empire which would proceed to destroy the dense forests of the ancient world.
”
”
Robert Macfarlane (The Wild Places)
“
Humans are not made for sitting at a desk all day. We have been evolving for millions of years to hunt animals through dense forest and vast plains. To walk huge distances in search of water. To spend hours searching for edible fruit to bring home to our families. The sedentary lifestyle many of us lead these days is no more than a by-product of the last few centuries.
”
”
Alexander Zenon
“
The road goes west out of the village, past open pine woods and gallberry flats. An eagle's nest is a ragged cluster of sticks in a tall tree, and one of the eagles is usually black and silver against the sky. The other perches near the nest, hunched and proud, like a griffon. There is no magic here except the eagles. Yet the four miles to the Creek are stirring, like the bleak, portentous beginning of a good tale. The road curves sharply, the vegetation thickens, and around the bend masses into dense hammock. The hammock breaks, is pushed back on either side of the road, and set down in its brooding heart is the orange grove. Any grove or any wood is a fine thing to see. But the magic here, strangely, is not apparent from the road. It is necessary to leave the impersonal highway, to step inside the rusty gate and close it behind. By this, an act of faith is committed, through which one accepts blindly the communion cup of beauty. One is now inside the grove, out of one world and in the mysterious heart of another. Enchantment lies in different things for each of us. For me, it is in this: to step out of the bright sunlight into the shade of orange trees; to walk under the arched canopy of their jadelike leaves; to see the long aisles of lichened trunks stretch ahead in a geometric rhythm; to feel the mystery of a seclusion that yet has shafts of light striking through it. This is the essence of an ancient and secret magic. It goes back, perhaps, to the fairy tales of childhood, to Hansel and Gretel, to Babes in the Wood, to Alice in Wonderland, to all half-luminous places that pleased the imagination as a child. It may go back still farther, to racial Druid memories, to an atavistic sense of safety and delight in an open forest. And after long years of spiritual homelessness, of nostalgia, here is that mystic loveliness of childhood again. Here is home. An old thread, long tangled, comes straight again.
”
”
Marjorie Kinnan Rawlings (Cross Creek)
“
The second explanation is that by the time Sapiens reached Australia, they had already mastered fire agriculture. Faced with an alien and threatening environment, it seems that they deliberately burned vast areas of impassable thickets and dense forests to create open grasslands, which attracted more easily hunted game, and were better suited to their needs. They thereby completely changed the ecology of large parts of Australia
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Life hasn’t just begun. Art never had a beginning. Always, until the moment of its stopping, it was constantly there. It is infinite. It is here, at this moment, behind me and inside me, and, as if the doors of an Assembly Hall were suddenly flung open, I am immersed in its fresh, headlong omnilocality and omnitemporality, as if an oath of allegiance were to be sworn without delay.
No genuine book has a first page. Like the rustling of a forest, it is begotten God knows where, and it grows and it rolls, arousing the dense wilds of the forest until suddenly, in the very darkest, most stunned and panicked moment, it rolls to its end and begins to speak with all the treetops at once.
”
”
Boris Pasternak
“
Beowulf’s picture was far more elaborate than those of his siblings, and it did need a bit more work coloring in the background, but the gist of it was on full, frightening view. In the sky: a full moon, its eerie glow partially obscured by dark, swirling clouds. In the foreground: the dense, ferny undergrowth of a forest, bordered by a few gnarled tree trunks rising upward. In the center of the page: an old woman, wrapped in a cloak. Her mouth hung open in a leering smile, and her teeth were large and razor sharp, with a prominent set of gleaming white incisors. From the back of her shroudlike garments poked a long, wolfish tail. Cassiopeia and Alexander clapped and barked with admiration, but Penelope’s skin went cold.
”
”
Maryrose Wood (The Hidden Gallery (The Incorrigible Children of Ashton Place, #2))
“
Most of the great cities were gone, but other points of interest had appeared in their places. In Vermont there was a dense forest, built up around a place called ORPHANHENGE; in New Hampshire there was a spot marked THE TREE HOUSE OF THE MIND. A little north of Boston, there was something called LOVECRAFT KEYHOLE; it was a crater in the rough shape of a padlock. In Maine, around the Lewiston/Auburn/Derry area, there was a place called PENNYWISE CIRCUS. A narrow highway titled THE NIGHT ROAD led south, reddening the farther it went, until it was a line of blood trickling into Florida.
”
”
Joe Hill (NOS4A2)
“
In Views of Nature Humboldt showed how nature could have an influence on people’s imagination. Nature, he wrote, was in a mysterious communication with our ‘inner feelings’. A clear blue sky, for example, triggers different emotions than a heavy blanket of dark clouds. Tropical scenery, densely filled with banana and palm trees, has a different effect than an open forest of white-stemmed slender birches. What we might take for granted today – that there is a correlation between the external world and our mood – was a revelation to Humboldt’s readers. Poets had engaged with such ideas but never a scientist.
”
”
Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)
“
What a world it is, Cora thought, that makes a living prison into your only haven. Was she out of bondage or in its web: how to describe the status of a runaway? Freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close but from outside, from the empty meadow, you see its true limits. Being free had nothing to do with chains or how much space you had. On the plantation, she was not free, but she moved unrestricted on its acres, tasting the air and tracing the summer stars. The place was big in its smallness. Here, she was free of her master but slunk around a warren so tiny she couldn't stand.
”
”
Colson Whitehead (The Underground Railroad)
“
Traces of historical associations can long outlast actual contact. In the dense, subtropical forests from India across to the South China Sea, venomous snakes are common, and there is always an advantage in pretending to be something dangerous. The slow loris, a weird, nocturnal primate, has a number of unusual features that, taken together, seem to be mimicking spectacled cobras. They move in a sinuous, serpentine way through the branches, always smooth and slow. When threatened, they raise their arms up behind their head, shiver and hiss, their wide, round eyes closely resembling the markings on the inside of the spectacled cobra’s hood. Even more remarkably, when in this position, the loris has access to glands in its armpit which, when combined with saliva, can produce a venom capable of causing anaphylactic shock in humans. In behaviour, colour and even bite, the primate has come to resemble the snake, a sheep in wolf’s clothing. Today, the ranges of the loris and cobras do not overlap, but climate reconstructions reaching back tens of thousands of years suggest that once they would have been similar. It is possible that the loris is an outdated imitation artist, stuck in an evolutionary rut, compelled by instinct to act out an impression of something neither it nor its audience has ever seen.
”
”
Thomas Halliday (Otherlands: Journeys in Earth's Extinct Ecosystems)
“
Depending on the places we passed, the night around us shaded from ink black to red to purple to a washed-out yellow that hung like gauze in front of the dark, like you could see the dark sitting under the light, and then it would be back to ink black, and the air would change smells from sea salt to pine pulp to ammonia and burning oil. Trees and marshland crowded us and we passed over the Atchafalaya Basin, a long bridge suspended over a liquid murk, and I thought about the dense congestion of vines and forest when I was a kid, how the green and leafy things had seemed so full of shadows, and how it had felt like half the world was hidden in those shadows.
”
”
Nic Pizzolatto (Galveston)
“
...God knew that I had some fine-tuning to do and obstacles to overcome before things could flow. I had to first walk through the forest, which had its periods of dense brush as well as wonderful moments where life filtered beautifully through the trees, before I could get to the meadow where I had a much clearer understanding of God.
”
”
Shelly Morrow Whitenburg
“
They bear down upon Westminster, the ghost-consecrated Abbey, and the history-crammed Hall, through the arches of the bridge with a rush as the tide swelters round them; the city is buried in a dusky gloom save where the lights begin to gleam and trail with lurid reflections past black velvety- looking hulls - a dusky city of golden gleams. St. Paul's looms up like an immense bowl reversed, squat, un-English, and undignified in spite of its great size; they dart within the sombre shadows of the Bridge of Sighs, and pass the Tower of London, with the rising moon making the sky behind it luminous, and the crowd of shipping in front appear like a dense forest of withered pines, and then mooring their boat at the steps beyond, with a shuddering farewell look at the eel-like shadows and the glittering lights of that writhing river, with its burthen seen and invisible, they plunge into the purlieus of Wapping.
("The Phantom Model")
”
”
Hume Nisbet (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
“
Even when he’s packing up his things or taking the kids someplace, even in the middle of this shit storm, there are little moments when I see the Sam I knew. When he says something funny or makes this pensive facial expression I have quietly adored or hums a song we used to dance to. He peeks through the spaces in between the dense forest that has grown between us, shoots through like dappled sunlight. In moments like these, it’s like nothing has happened. No Maggie. No kids even. The way that certain angles of sun and warmth can hit you exactly like they did in your youth; sun that has been untouched by time. Just like he said: he was the sky, and I was the soil, and the weather was his attempt to meet me. This is when the heartbreak hits me hardest. When he reminds me of the people we used to be, when we had so much in front of us. This is when I most want to let him in on things. He transforms back into someone I want to tell my life to. And then something shifts in the atmosphere, and the moment—that person—is gone.
”
”
Katie Yee (Maggie; Or, a Man and a Woman Walk Into a Bar)
“
Was she out of bondage or in its web: how to describe the status of a runaway? Freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close but from outside, from the empty meadow, you see its true limits. Being free had nothing to do with chains or how much space you had. On the plantation, she was not free, but she moved unrestricted on its acres, tasting the air and tracing the summer stars. The place was big in its smallness. Here, she was free of her master but slunk around a warren so tiny she couldn't stand.
”
”
Colson Whitehead (The Underground Railroad)
“
Our house is full of tulips, if you want any,” said Charles inexplicably. “What do you mean?” “I mean, before the snow got too deep, we went outside and brought them in. Everything’s full of them. The water glasses, even.” Tulips, I thought, staring at the jumble of letters before me. Had the ancient Greeks known them under a different name, if they’d had tulips at all? The letter psi, in Greek, is shaped like a tulip. All of a sudden, in the dense alphabet forest of the page, little black tulips began to pop up in a quick, random pattern like falling raindrops.
”
”
Donna Tartt (The Secret History)
“
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
”
”
Becky Chambers (To Be Taught, If Fortunate)
“
For the Cambrian Mountains were once densely forested. The story of what happened to them and – at differing rates – to the uplands of much of Europe is told by a fine-grained pollen core taken from another range of Welsh hills, the Clwydians, some forty miles to the north.3 A pollen core is a tube of soil extracted from a place where sediments have been laid down steadily for a long period, ideally a lake or a bog in which layers of peat have accumulated. Each layer traps the pollen that rains unseen onto the earth, as well as the carbon particles which allow archaeologists to date it.
”
”
George Monbiot (Feral: Searching for Enchantment on the Frontiers of Rewilding)
“
What a world it is, Cora thought, that makes a living prison into your only haven. Was she out of bondage or in its web: how to describe the status of a runaway? Freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close but from outside, from the empty meadow, you see its true limits. Being free had nothing to do with chains or how much space you had. On the plantation, she was not free, but she moved unrestricted on its acres, tasting the air and tracing the summer stars. The place was big in its smallness. Here, she was free of her master but slunk around a warren so tiny she couldn’t stand.
”
”
Colson Whitehead (The Underground Railroad)
“
Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.
”
”
Deeanne Gist (A Bride in the Bargain)
“
Only birds and the chittering and rustling of small animals sounded as I entered the still green western forest. I'd never ridden through these woods on my hunts with Lucien. There was no path here, nothing tame about it. Oaks, elms, and beeches intertwined in a thick weave, almost strangling the trickle of sunlight that crept in through the dense canopy. The moss-covered earth swallowed any sound I made.
Old- this forest was ancient. And alive, in a way that I couldn't describe but could only feel, deep in the marrow of my bones. Perhaps I was the first human in five hundred years to walk beneath those heavy dark branches, to inhale the freshness of spring leaves masking the damp, thick rot.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I’m a lifelong environmentalist. My voice piped at age ten: “I give my pledge as an American to save and faithfully to defend from waste the natural resources of my country—its air, soil, and minerals, its forests, waters, and wildlife.” I got infected by that Conservation Pledge through the magazine Outdoor Life and proceeded to paste it on everything and everyone around me. Since the concept of pledge has long been rendered meaningless by the surreal Pledge of Allegiance that American schoolchildren have to recite, what I meant in 1948—and mean now—is: “I declare my intent to save and defend from waste the world’s natural resources—its air, soil, and minerals, its forests, waters, and wildlife.
”
”
Stewart Brand (Whole Earth Discipline: Why Dense Cities, Nuclear Power, Transgenic Crops, Restored Wildlands, and Geoengineering Are Necessary)
“
almost forty square kilometers of woodland had been killed outright almost immediately. Within ten days, the dense stands of pine lining the main route between Pripyat and the station turned an unusual color, as their foliage changed gradually from deep green to coppery red. The soldiers and scientists who sped down this road had no need to peer from the observation ports of their armored personnel carriers to know they had entered the “Red Forest”; even shielded by armor plate and bulletproof glass, the needles of their radiometers began to swing wildly amid the extraordinary levels of contamination. The forest posed such a threat that it, too, would soon be mown down by combat engineers and buried in concrete-
”
”
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
“
Little heard of, Dakar with a population of over a million people is the capital and largest city of Senegal. Counting the surrounding area, the population would go well over 2,000,000. This would be our last landing for fuel, before our arrival in Liberia. Our DC-6 took a long turn over the Atlantic and made a slow decent to the runway of the “Aéroport international de Dakar” just north of Dakar. The Portuguese founded Dakar in 1444, as a base for the export of slaves. Dakar came under French rule in 1872 and was the capital of the Mali Federation for a year after 1959. On August 20, 1960, it became the capital of Senegal. It is here that the sand dunes of the North African desert, gives way to the dense tropical rain forests of Equatorial Africa.
”
”
Hank Bracker
“
After that, we don't talk much until she brings out a ginger cake from the larder.
"An old family recipe," she says. "I've been experimenting with the quantities of cloves and Jamaica ginger. Tell me what you think." And she pushes a slice toward me. I try not to gobble for it, for I am starving.
"The most important thing with this cake is to beat in every ingredient, one by one, with the back of a wooden spoon," she says. "Simply throwing everything in together and then beating produces a most unsuccessful cake. I know because my first attempt was as heavy as a brick---quite indigestible!" She gives a rueful smile and asks if I think it needs more ginger.
I feel the crumb, dense and dark, melt on my tongue. My mouth floods with warmth and spice and sweetness. As I swallow, something sharp and clean seems to lift through my nose and throat until my head swims.
"I can see you like it." Miss Eliza watches me and smiles.
And then I blurt something out. Something I know Reverend Thorpe and his wife would not like. But it's too late, the words jump from my throat of their own accord. "I can taste an African heaven, a forest full of dark earth and heat."
The smile on Miss Eliza's face stretches a little wider and her eyes grow brighter. And this gives me the courage to ask a question that's nothing to do with my work. "What is the flavor that cuts through it so keenly, so that it sings a high note on my tongue?"
She stares at me with her forget-me-not eyes. "It's the lightly grated rinds of two fresh lemons!
”
”
Annabel Abbs (Miss Eliza's English Kitchen)
“
Dolphins felt top-heavy, that year, most of the time, and wanted to lie down. When their heads weren’t on top they still felt top-heavy, but metaphysically. In public places they felt sad. They went into restrooms, hugged themselves, and quietly went, ‘Eeeee eee eeee.’ Weekends they went to playgrounds alone. They sat in the top of slides—the enclosed part, where it glowed a little because of the colored plastic—and felt very alert and awake but also very sad and immature. Sometimes they fell asleep and a boy’s mother would prod the dolphin with a broom and the dolphin would go down the slide while still asleep. At the bottom they would feel ashamed and go home and lie in bed. They felt so sad that they believed a little that it was their year to be sad, which made them feel better in a devastated, hollowed-out way. Life was too sad and it was beautiful to really feel it for once; to be allowed to feel it, for one year. When dolphins had these thoughts, usually on weekends at night, it was like dreaming, like a pink flower in a soft breeze on a field was lightly dreaming them. The sadness was like a pink forest that got less dense as you went in and then changed into a field, which the dolphins walked into alone. Sometimes the sadness was like a knife against the face. It made the dolphins cry and not want to move. But sometimes a young dolphin would feel very lonely and ugly and it was beautiful how alone it felt, and it would become restless with how perfect and elegant its sadness was and go away for a long time and then return and sit in its room and feel very alone and beautiful.
”
”
Tao Lin (Eeeee Eee Eeee)
“
But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography.
From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate.
We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more.
Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
Archaeological studies have documented how beginning around four thousand years ago, a new culture spread out of the region at the border of Nigeria and Cameroon in west-central Africa. People from this culture lived at the boundary of the forest and expanding savanna and developed a highly productive set of crops that was capable of supporting dense populations.15 By about twenty-five hundred years ago they had spread as far as Lake Victoria in eastern Africa and mastered iron toolmaking technology,16 and by around seventeen hundred years ago they had reached southern Africa.17 The consequence of this expansion is that the great majority of people in eastern, central, and southern Africa speak Bantu languages, which are most diverse today in present-day Cameroon, consistent with the theory that proto-Bantu languages originated there and were spread by the culture that also
”
”
David Reich (Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past)
“
Rice paddies climb the hillsides in wet, verdant staircases, dense woodlands trade space with geometric farmscapes, tiny Shinto shrines sprout like mushrooms in Noto forests. Villages seem to materialize from nowhere- wedged into valleys, perched atop hills, finessed into coastal corners. Pull over, climb out of your car, breathe deep for a taste of the finest air that will ever enter your lungs: green as a high mountain, salty and sweet, with just a whisper of decay in the finish.
Noto gained its reputation as the Kingdom of Fermentation because of this air. For most of its history, Noto was cut off from the rest of Japan, forced into a subsistence model that in many ways endures today. That was possible not only because of the bounty of Noto's fertile environment of trees, grasslands, fresh water, and sea, but because the air is rich with humidity that encourages the growth of healthy bacteria, the building blocks of fermentation.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
He broke off because of an ugly little sucking sound that ended in a tiny plop. In the hazy glow from the nobles’ quarter they saw a horridly supernatural sight: the Mouser’s bloody dagger poised above Gis’s punctured eye socket, supported only by a coiling white tentacle of the fog which had masked their attackers and which had now grown still more dense, as if it had sucked supreme nutriment—as indeed it had—from its dead servitors in their dying. Eldritch dreads woke in the Mouser and Fafhrd: dreads of the lightning that slays from the storm-cloud, of the giant sea-serpent that strikes from the sea, of the shadows that coalesce in the forest to suffocate the mighty man lost, of the black smoke-snake that comes questing from the wizard’s fire to strangle. All around them was a faint clattering of steel against cobble: other fog-tentacles were lifting the four dropped swords and Gis’s knife, while yet others were groping at that dead cutthroat’s belt for his undrawn weapons. It was as if some great ghost squid from the depths of the Inner Sea were arming itself for combat.
”
”
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
“
a forest has grown between us in the first silences, little leaves and shoots grew, still so small that we could crush them if we chose, but we stayed silent, never walking the space between us, never crunching underfoot the buds and the grass that were growing there with every month that passed, our untravelled distance became thorny with the beginnings of a tree that blocked my way, and i didn’t have the courage to travel that space between us. i felt tired thinking of scratching knees on tall thickets when the seasons changed and changed and changed and the hedges and brambles thickened, to walk to you would be to take a chainsaw and fight my way through what time had done to the space between us until one day, the space between us, so solid with life in the middle, so thick with wide trunks and leaves, so green and dense and dark, had closed into a wall and i could no longer see you on the other side to travel that distance between us now would be to risk my life and what if i cleared a path, fought my way through that forest only to find on the other side that you’re not there? m x
”
”
Marianne Cronin (The One Hundred Years of Lenni and Margot)
“
The fact that no one made demands on her knowledge in her special field was lucky for Simochka. Not only she but many of her girlfriends had graduated from the institute without any such knowledge. There were many reasons for this. The young girls had come from high schools with very little grounding in mathematics and physics. They had learned in the upper grades that at faculty council meetings the school director had scolded the teachers for giving out failing marks, and that even if a pupil didn't study at all he received a diploma. In the institute, when they found time to sit down to study, they made their way through the mathematics and radio-technology as through a dense pine forest. But more often there was no time at all. Every fall for a month or more the students were taken to collective farms to harvest potatoes. For this reason, they had to attend lectures for eight and ten hours a day all the rest of the year, leaving no time to study their course work. On Monday evenings there was political indoctrination. Once a week a meeting of some kind was obligatory. Then one had to do socially useful work, too: issue bulletins, organize concerts, and it was also necessary to help at home, to shop, to wash, to dress. And what about the movies? And the theater? And the club? If a girl didn't have some fun and dance a bit during her student years, when would she do so afterward? For their examinations Simochka and her girlfriends wrote many cribs, which they hid in those sections of female clothing denied to males, and at the exams they pulled out the one the needed, smoothed it out, and turned it in as a work sheet. The examiners, of course, could have easily discovered the women students' ignorance, but they themselves were overburdened with committee meetings, assemblies, a variety of plans and reports to the dean's office and to the rector. It was hard on them to have to give an examination a second time. Besides, when their students failed, the examiners were reprimanded as if the failures were spoiled goods in a production process—according to the well-known theory that there are no bad pupils, only bad teachers. Therefore the examiners did not try to trip the students up but, in fact, attempted to get them through the examination with as good results as possible.
”
”
Aleksandr Solzhenitsyn (The First Circle)
“
He plunged into the foliage, and was swept into a humid, wet world of towering trees, animal chirps and thick ferns. After a few steps, he turned, and could barely make out the village. He walked a few more steps. He could see nothing now except for the thick trees and long ferns and grasses that surrounded him. He was enveloped into the confined space between trees, surrounded by the jungle heat and staccato chirps. He turned in the direction of the village, but could only see thick, dense trees. Hoping his sense of direction had not been muddled, he turned back around to the direction of the alleged ocean, and kept walking.
Now the calls he heard sounded more and more strange. How far had he walked by now? The jungle, or rain forest, whatever it was, did not relent, and he kept on weaving into narrow gaps between the sturdy ferns and towering trees, pressing onwards. This continued for a seemingly oppressive amount of time, and he began to doubt his decision. To come to this place. To take a chance with his life, which was going in the right direction. Why couldn’t he be happy with the normal and mundane, he cursed, scolding his own stubbornness
”
”
T.P. Grish (Maldives Malady: A Tropical Adventure)
“
She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life.
All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined.
She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly.
It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.
”
”
Hannah Richell (The Peacock Summer)
“
A beautiful child sat playing in the sand
And finger-writing:
Who? Where from? Where to?
I answered,
O beautiful child, tell me, is
Interrupting me:
I am two children, hand in hand,
I wanted to know:
O beautiful child who finds it so easy to talk,
tell me, where does the grass-tree grow,
where does the grass flower,
the wind and the breath of the wind,
the strawberry, the leaf of grass, the rose?
Again, it broke in:
I am not at one with myself,
I am full of contraries,
I talk about anything, I am a boy and a girl,
one and two,
and you, are you night and day?
I said:
I am a poor robber, a productive consumer
looking for honest labour,
I want to go back to where I was born,
either/or or and/or
the board-panelling of the outside walls either
horizontal or vertical or/or not,
I want to be silent, there.
It shouted:
But first you have to calm down the wind,
the walking wind, the dense tree-growing wind!
And l:
O syntax, that has only a few exceptions.
You, slyness of sincerity,
you rule.
It wanted to know:
Why are you praising the language that rules?
I would like to teach this poem a lesson, I said,
I can' t get rid of it,
this breath has grown trees. . .
I came from there, I took the road through the forest,
but oh, it was stormy weather,
autumn weather...
That child then said:
But, if it gives way
why shouldn't you try to be free,
to walk through the night. and look for someone
whom it would fit, .
that uninhabited breath?
”
”
Paavo Haavikko (Selected poems)
“
Pump changed my own umwelt. Walking through the world with her, watching her reactions, I began to imagine her experience. My enjoyment of a narrow winding path in a shady forest, lined with low bushes and grasses, comes in part from seeing how Pump enjoyed it: the cool of the shade, of course, but also the pathiness, allowing her to zoom along unchecked, stopping only for rousing scents along the sides.
I now see city blocks, and their sidewalks and buildings, with their investigatory sniffing possibilities in mind: a sidewalk along an uninterrupted wall without fences, trees, or variation, is a block I'd never want to walk down. Where I'll choose to sit in the park--which bench, what rock--is based on where a dog at my side would have the best panoramic olfactory view. Pump loved large open lawns--to plop down in, to roll repeatedly in, to sniff endlessly--and high grass or brush--to lope regally through. I came to love large open laws and high grass and brush in anticipation of her enjoyment. (The interest in rolling in unseen smells remains elusive...)
I smell the world more. I love to sit outside on a breezy day.
My day is tilted toward morning. The importance of mornings has always been that if I awoke early enough, we could have a long, off-leash walk together in a relatively unpeopled park or beach. I still have trouble sleeping in.
It is a very small bit comforting to realise how deeply she is in me, even over a year from the day when she was also aside me, willing to submit to a tickle of the dense curls under her chin as she rested it on the ground for the last time.
”
”
Alexandra Horowitz (Inside of a Dog: What Dogs See, Smell, and Know)
“
Two thousand Jews, for example, lived in and around the small town of Tykocin, northwest of Warsaw on the road to Bialystok in eastern Poland, worshiping in a square, fortified synagogue with a turreted tower and a red mansard roof, built in 1642, more than a century after Jewish settlement began in the region. Lush farm country surrounds Tykocin: wheat fields, prosperous villages, cattle in the fields, black-and-white storks brooding wide, flat nests on the chimneys of lucky houses. Each village maintains a forest, a dense oval stand of perhaps forty acres of red-barked pines harvested for firewood and house and barn construction. Inside the forests, even in the heat of summer, the air is cool and heady with pine; wild strawberries, small and sweet, strew the forest floor. Police Battalions 309 and 316, based in Bialystok, invaded Tykocin on 5 August 1941. They drove Jewish men, women and children screaming from their homes, killed laggards in the streets, loaded the living onto trucks and jarred them down a potholed, winding dirt road past the storks and the cattle to the Lopuchowo village forest two miles southwest. In the center of the Lopuchowo forest, men dug pits, piling up the sandy yellow soil, and then Police Battalions 309 and 316, out for the morning on excursion from Bialystok, murdered the Jews of Tykocin, man, woman and child. For months the forest buzzed and stank of death. (Twenty miles northwest of Tykocin in the village of Jedwabne, Polish villagers themselves, with German encouragement, had murdered their Jewish neighbors on 10 July 1941 by driving them into a barn and burning them alive, a massacre examined in Jan T. Gross’s book Neighbors.)
”
”
Richard Rhodes (Masters of Death: The SS-Einsatzgruppen and the Invention of the Holocaust)
“
ASITA AWOKE in the forest thinking about demons. He hadn’t for many years. He could remember glimpsing one or two in the past, on the fringes of a famine or a battle, wherever bodies were being harvested. He knew the misery they caused, but misery was no longer Asita’s
concern. He had been a forest hermit for fifty years. The affairs of the world had been kept far away, and he passed whole days in a hidden cave when he retreated even from the affairs of animals, much less those of men.
Now Asita knelt by a stream and considered. He distinctly saw demons in his mind’s eye. They had first appeared in the dappled sunlight that fell on his eyelids at dawn. Asita slept on boughs strewn over the bare ground, and he liked the play of light and shadow across his eyes in the early morning. His imagination freely saw shapes that reminded him of the market village where he grew up. He could see hawking merchants, women balancing water jugs on
their heads, camels and cara-vans—anything, really—on the screen of his closed eyes.
But never demons, not before this morning. Asita walked into the nearly freezing mountain stream, his body naked except for a loincloth. As an ascetic, he did not wear clothes, not even the robes of a monastic order. Lately he had felt an impulse to travel very high, nearly in sight of the snowcapped peaks on the north-ern border of the Sakya kingdom. Which put him close to other lokas,worlds apart from Earth. Every mortal is confined to the Earth plane, but like the dense air of the jungle tapering gradually into the thin atmosphere of the mountains, the material world ta-pered off into subtler and subtler worlds. Devas had their own lokas, as did the gods and demons. Ancestors dwelt in a loka set apart for spirits in transition from one lifetime to the next.
”
”
Deepak Chopra (Buddha: A Story of Enlightenment)
“
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes.
On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles.
Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour.
Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim.
It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
”
”
Anna Kavan (Ice)
“
I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.'
Heat flared in my cheeks, my neck, my ears, as he silently approached the painting.
'It's the glen- with the pool of starlight,' I said quickly.
'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall.
My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke.
'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified.
I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.'
I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.'
Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac-
Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle.
Tamlin swore. 'You were there when they wrecked your father's leg.'
'Someone had to beg them to stop.'
Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt?
At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.'
'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.'
He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Remarkably, we still have a ‘wild’ Indian’s account of his capture and incarceration. In 1878, when he was an old man, a Kamia called Janitin told an interviewer: I and two of my relatives went down ... to the beach ... we did no harm to anyone on the road, and ... we thought of nothing more than catching and drying clams in order to carry them to our village. While we were doing this, we saw two men on horseback coming rapidly towards us; my relatives were immediately afraid and they fled with all speed, hiding themselves in a very dense willow grove ... As soon as I saw myself alone, I also became afraid ... and ran to the forest ... but already it was too late, because in a moment they overtook me and lassoed and dragged me for a long distance, wounding me much with the branches over which they dragged me, pulling me lassoed as I was with their horses running; after this they roped me with my arms behind and carried me off to the Mission of San Miguel, making me travel almost at a run in order to keep up with their horses, and when I stopped a little to catch my wind, they lashed me with the lariats that they carried, making me understand by signs that I should hurry; after much travelling in this manner, they diminished the pace and lashed me in order that I would always travel at the pace of the horses. When we arrived at the mission, they locked me in a room for a week; the father [a Dominican priest] made me go to his habitation and he talked to me by means of an interpreter, telling me that he would make me a Christian, and he told me many things that I did not understand, and Cunnur, the interpreter, told me that I should do as the father told me, because now I was not going to be set free, and it would go very bad with me if I did not consent in it. They gave me atole de mayz[corn gruel] to eat which I did not like because I was not accustomed to that food; but there was nothing else to eat. One day they threw water on my head and gave me salt to eat, and with this the interpreter told me that I was now Christian and that I was called Jesús: I knew nothing of this, and I tolerated it all because in the end I was a poor Indian and did not have recourse but to conform myself and tolerate the things they did with me. The following day after my baptism, they took me to work with the other Indians, and they put me to cleaning a milpa [cornfield] of maize; since I did not know how to manage the hoe that they gave me, after hoeing a little, I cut my foot and could not continue working with it, but I was put to pulling out the weeds by hand, and in this manner I did not finish the task that they gave me. In the afternoon they lashed me for not finishing the job, and the following day the same thing happened as on the previous day. Every day they lashed me unjustly because I did not finish what I did not know how to do, and thus I existed for many days until I found a way to escape; but I was tracked and they caught me like a fox; there they seized me by lasso as on the first occasion, and they carried me off to the mission torturing me on the road. After we arrived, the father passed along the corridor of the house, and he ordered that they fasten me to the stake and castigate me; they lashed me until I lost consciousness, and I did not regain consciousness for many hours afterwards. For several days I could not raise myself from the floor where they had laid me, and I still have on my shoulders the marks of the lashes which they gave me then.
”
”
James Wilson (The Earth Shall Weep: A History of Native America)
“
My landscape, which I thought was limitless,
Because disassembled and put back together again it gave me the illusion
Of always new most intricate forests
Of dense meadows, ruffled and unexpected,
Now having reached the edge I can see: a closed
Little vegetable garden, walked on and bare,
Suffocating perhaps by too much care. And so
Bare myself I’ll go into the unbroken world, even
Though I fear its crashing noise. Let it spread
Over me, I sweat and feel lost, lost to myself,
A greengrocer to me, what’s the use of that?
”
”
Patrizia Cavalli (My Poems Won't Change the World: Selected Poems (Italian and English Edition))
“
The universe is like a dense forest, full of mysteries. Human beings have cut a small plot inside it. The 'knowldge' you got from home, school, college and society keeps you engaged within this plot. It doesn't let you wonder what lies beyond the plot.
”
”
Shunya
“
For all our needs, it provides,
how would the earth forgive
all we take so ungraciously,
to fill our pockets,
digging & drilling into its rich core, grand mountains, and vast seas so impudently,
it's centuries old lush, dense forests diminishing, thawing glaciers.
It's pristine ocean & rivers now carry waste & muck,
the smoke, dust & billions cars that turn the azure sky gray.
It's groans and trembling man cannot bear;
greedily,
audaciously turns his gaze up to the heavens, to the moon,
and other planets to plunder,
trash & devastate in the name of ambition, progress and development!
”
”
Meeta Ahluwalia
“
One further detail. What would explain the peculiar sudden dips in atmospheric CO 2 between 200 and 600, 1300 and 1400, and 1500 and 1750? Those dates happen to match major human diebacks from pandemics—Roman-era epidemics, the Black Death in Europe, and the devastation of North American native populations by European diseases. Each time, forests grew back rapidly over empty agricultural land and drew down carbon dioxide.
”
”
Stewart Brand (Whole Earth Discipline: Why Dense Cities, Nuclear Power, Transgenic Crops, Restored Wildlands, and Geoengineering Are Necessary)
“
Close your eyes and imagine a vast, open space, perhaps a meadow or a clearing in a forest. In the center of this space stands a young tree, still delicate and small. This tree represents you at the beginning of your smoking journey. Its brown and withered leaves symbolize the harmful effects of smoking on your health and life.
With each cigarette you’ve smoked, the tree has suffered another blow. Its leaves have turned browner, its bark has become more cracked, and its branches more brittle. But then, you make the decision to quit smoking.
As soon as you make this decision, the tree begins to change. With each smoke-free day, new green leaves sprout. Its bark becomes smoother, its branches sturdier. It grows and extends its roots deep into the earth, absorbing nutrients and reaching for the sky. With each passing day, the tree becomes larger, stronger, and more vibrant. Months and years go by, and the tree becomes a monumental testament to your determination and willpower. Its dense foliage offers shelter and shade, and its sturdy trunk withstands the fiercest storms. It is a symbol of health, growth, and longevity.
This tree represents your life without cigarettes. It shows that from a decision, from a first step, powerful change can arise. Every time you feel the urge to smoke, remember your Tree of Life and see how it continues to evolve, bloom, and thrive. Use this image as inspiration and a reminder that you have the power to change yourself and your life for the better.
”
”
Dominik Rainer (Liberate: The Smoke-Free Revolution: Quit Smoking in 30 Days Including Professional Self-Hypnosis Guide)
“
Jane and Noah fell silent as she opened it to the first page, a vibrant watercolor of a forest-green shrub laden with dark purple fruits, with the fruits shown in detail in a separate drawing. 'Aristotelia chilensis--- maqui berries,' said Jane. 'Full of antioxidants and touted as a "superfood" now.'
There was a note in pencil at the bottom of the page. 'Leaves used for brewing chicha,' Noah read. 'Whatever that is. "Sore throats, heals wounds, painkiller",' he continued. 'Extraordinary. I can't believe the condition it's in. It's scarcely aged at all.'
He turned the page to find a painting of a tall, oak-like tree with dark brown bark, oval-shaped green leaves and dense white flowers. 'Quillaja saponaria--- soapbark,' he read. 'Native soap, for the lungs and good health.
”
”
Kayte Nunn (The Botanist's Daughter)
“
Norman slid down a 30 cm (12 inches) wide bench of snow beside the creek on his hip until he reached a rock bowl. At the far side, the stream emptied over an icy waterfall on to sharp rocks 15 m (50 ft) below. Somehow he used cracks to worm his way down from rocky crease to icy blister. The slope wasn’t steep here, but Norman had to traverse giant shale boulders. His stomach was chewing itself and exhaustion tore at him like an animal. He staggered woozily on until looked up and saw the meadow of snow 180 m (600 ft) down slope. But the mountain still wasn’t done with him. Now the enemy was a snarling mass of buckthorn, which lurked below a thin layer of snow. He dropped into it and stuck deep in the well formed by the jagged branches, unable to climb out. A plane passed high above. He yelled and waved. It circled. It had seen him. No. It sailed over the massive ridgeline. ‘I never gave up. My dad taught me to never give up.’ From Crazy for the Storm by Norman Ollestad. With the last ounces of his strength, Norman scrabbled and slithered out of the nest of buckthorn. With a flush of euphoria he found he had made it to the oasis of the snow meadow. It was tempting to sit down and celebrate, but he knew he might never get up again. He had to push on. But how would he get out? The vines wove a dense forest on the other side of the meadow. Then, he found some footprints. They were fresh. Norman followed them. After a few minutes, he realized the boot tracks made a circle. Was he delirious? Panic flooded his system. Then: ‘Hello! Anybody there?’ Norman screamed his lungs out. A teenage boy and his dog appeared out of the thickening gloom. ‘You from the crash?’ ‘Yes.’ ‘Anyone else?
”
”
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
“
Staring into that shadow, that perfect black, Dan thought of an ocean, endless and deep. Not an ocean of water but an ocean of time. Where dense kelp forests of memory and emotion shimmered. Where abstract shapes lay dormant and asleep like bugs that waited a dozen cycles of the seasons before waking. Found you, the broken glass said as it rattled and hummed.
”
”
Andrew Van Wey (Forsaken)
“
She’d had unsettling dreams like this.
'I’m wandering through Miryoku, but it’s not Miryoku. Or it is, but it’s been abandoned and overgrown, like no one’s lived here for decades. It’s become a dense forest with pieces of buildings showing through in spots. I hardly recognize anything. Fae and animals have moved in—there’s a raccoon family looking at me from an apartment window, a cluster of mushroom fae crawling all over a café sign—and it smells like wild plants and earth and flowers. It feels both familiar and unsafe, and it makes me so, so sad.
”
”
Molly Ringle (Ballad for Jasmine Town)
“
The starfield grew dense like a surging tide. The universe contracted and collapsed, until at last everything was annihilated in the creative light of love.
”
”
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
“
Haggard and dishevelled, they marched through the night. The cold winds between the dense trees chilled them to the bone; they were not adequately dressed or prepared for this trek. Owls hooted, crows cawed, and bats flittered between the branches. The only sounds that pierced the cold night were the cracking of sticks and rustling of leaves beneath their feet, interspersed with the breaths of the ten; some light, some heavy, some strained.
”
”
Dan Hanly (The Great Leap: A Dark Medieval Fantasy Novel (Children of Inauron Book 1))
“
ever you have happened on a grove set close with ancient trees grown beyond the common height, the pleaching of their branches one upon the other screening out sight of the sky, that loftiness of forest and solitude of place and sense of wonder at so dense and undisturbed a shade out in the open, will convince you of the presence of a god.
”
”
Caitlín R. Kiernan (The Red Tree)
“
The vegetation grew so dense the road looked like a square slice of cake taken out clean with a knife. Although the wet tropics covers less than one percent of Australia, it contains almost half of our bird species, a third of our mammal species, more than half of our butterfly species, and over seven hundred plant species endemic to the area. The rain forest seemed to inhale and exhale in a sweaty tangle of heaving bio matter.
”
”
Monica Tan (Stranger Country)
“
He looked at her, his expression suddenly softened, and he sighed: “However, you did save my life… If it weren’t for you, I would have died in the Abyss of Cangwu that time.”
She didn’t expect him to say these words, she was stunned for a moment with tears on her face. Five years ago, when she pulled the unconscious Master out of the Cangwu Abyss, she was shocked and frightened, and her face was full of tears like now. The 13-year-old girl was carrying him on her back shivering, running through the deep forest, falling down and getting up again and again. They got lost in the dense forest as he was in a coma the entire time. It took her a month to walk through the Nightmare Forest and drag him back to the Jiuyi Temple, taking care of him as he was dying. It’s hard to say a word about the indescribable hardships she went through, but she, who was so young at that time, never gave up on him, even when she was on the brink of death.
After that, he gifted her the Jade Bone.
”
”
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
“
The Five Tribes not only physically displaced other Indian nations in Indian Territory; they erased the history of southern Plains people and drafted a new history of Indian Territory. For example, in 1955, the Chickasaws built their council house, a sixteen-by-twenty-five-foot log house. Here, the Chickasaws rewrote their constitution and took their first actions as a sovereign legislature, under the first Chickasaw governor, Cyrus Harris. Although the log house was quickly replaced (within the next year or so) by a brick iteration, the log house serves a particular purpose in the pantheon of Chickasaw public history. In 1911, the Wapanucka Press, an Oklahoma-based newspaper, interviewed someone (presumably a representative of the Chickasaw Nation) about the story of the log house’s origins. The paper reported, ‘Slaves of the Chickasaws toiled in the dense oak forests cutting down the finest trees and hewing them into shape…Thick undergrowth was cleared from a knoll…paths were cut from bottom meadows.’ Rough-hewn and surrounded by overgrown foliage, the log house is meant to evoke the idea that the Chickasaws encountered a ‘wilderness’ in early Indian Territory. The reader is meant to believe that, as civilizers, the Chickasaws shaped this wilderness into the modern space that it became. This idea of ‘civilization’ is based on Euro-American colonizer’ ideas of advanced societies. The Cherokee Nation alleges on its website that ‘upon earliest contact with European explorers in the 1500s, Cherokee Nation was identified as one of the most advanced among Native American tribes.’ Although the Cherokees were asserting their longevity as a people and their pride in their culture, here they use a European measurement of their merit.
In the nineteenth century, the Five Tribes succeeded at crafting a perception of difference. The western Indians certainly saw them as settlers. The special agent to the Comanches reported that they were angry that tribes such as the Creeks and Choctaws ‘have extended their occupation and improvements to the country heretofore used by themselves as a hunting ground,’ expressing that they saw the Five tribes as unlawful settlers, just like whites, and themselves as the dispossessed indigenous peoples of the region.
”
”
Alaina E. Roberts (I've Been Here All the While: Black Freedom on Native Land)
“
Opening a path for yourself, with a sword’s blade, in the barrier of pages becomes linked with the thought of how much the word contains and conceals: you cut your way through reading as if through a dense forest.
”
”
Italo Calvino (If on a Winter's Night a Traveler)
“
As increasing human population and fires from the savannah are continuously eating into the forest belt, it seems likely that the distribution of the forest members of the fusca group will continue to retract. In 1912 Simpson described how G. Fusca was found in Sierra Leone along a certain 37-mile stretch of road which ran through thickly wooded country skirting mountains densely clothed in thick forest; in 1946 I visited the area to find no fusca, but bare mountains, grassland, and only a few patches of low secondary thicket.
”
”
T.A.M. Nash (Africa's bane: the tsetse fly)
“
When I look back at my earlier films now, I realise that, although I felt I was out there in the wild, wandering through a pristine natural world, that was an illusion. Those forests and plains and seas were already emptying. Many of the larger animals were already rare. A shifting baseline has distorted our perception of all life on Earth. We have forgotten that once there were temperate forests that would take days to traverse, herds of bison that would take four hours to pass, and flocks of birds so vast and dense that they darkened the skies. Those things were normal only a few lifetimes ago. Not any more. We have become accustomed to an impoverished planet.
”
”
David Attenborough (A Life on Our Planet: My Witness Statement and a Vision for the Future)
“
Since the 1950s, on average, wild animal populations have more than halved. When I look back at my earlier films now, I realise that, although I felt I was out there in the wild, wandering through a pristine natural world, that was an illusion. Those forests and plains and seas were already emptying. Many of the larger animals were already rare. A shifting baseline has distorted our perception of all life on Earth. We have forgotten that once there were temperate forests that would take days to traverse, herds of bison that would take four hours to pass, and flocks of birds so vast and dense that they darkened the skies. Those things were normal only a few lifetimes ago. Not any more. We have become accustomed to an impoverished planet. We have replaced the wild with the tame. We regard the Earth as our planet, run by humankind for humankind. There is little left for the rest of the living world. The truly wild world–that non-human world–has gone. We have overrun the Earth.
”
”
David Attenborough (A Life on Our Planet: My Witness Statement and a Vision for the Future)
“
You like it? Got you a necklace to match.” His hand leaves my leg and, for a split second, I’m longing for him to put it back. He shifts so the glow of a distant pole light catches, and I can see what he’s trying to show me. Below the dense forest of black ink trees sprawling up his forearm, there’s a tattoo along the back of his hand, running from thumb to index finger. Barbed wire. Before I can question what he means, his hand slips around my neck like a collar. A barbed wire necklace. “Fits perfectly, Cass. Looks sexy as hell, too.
”
”
Bailey Hannah (Seeing Red (Wells Ranch, #2))
“
The forest, conversely, is dense with night. At this hour, it must be silently bustling with life, with animals attempting to live a little longer. In bed with T I felt dense with the desire to live longer.
”
”
Billy-Ray Belcourt (Coexistence: Stories)
“
The journey of the heart is like a long, winding path through a forest. There are moments of dense shadow and clear light, and while you may not see the end, every step reveals a new layer of understanding.
”
”
An Marke
“
James Earl Jones was surely one of the finest thespians ever. A sequoia in the dense forests of Hollywood, he acted with superlative deportment, increasing the cadence of histrionics with an uncommon flair. His voice, guttural and distinctive, hung freely on the atmosphere of decorous grace.
”
”
Nkwachukwu Ogbuagu
“
The forest is less a dense accumulation of vegetation and more a collection of eyes upon eyes, ears upon ears.
”
”
Nathan M. Hall (Path of the Moonlit Hedge: Discovering the Magick of Animistic Witchcraft)
“
I want to imagine a whole forest of useless trees, branches densely interwoven, providing an impenetrable habitat for birds, snakes, lizards, squirrels, insects, fungi, and lichen. And eventually, through this generous, shaded, and useless environment might come a weary traveler from the land of usefulness, a carpenter who has laid down his tools. Maybe after a bit of dazed wandering, he might take a cue from the animals and have a seat beneath an oak tree. Maybe, for the first time ever, he’d take a nap.
”
”
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
“
And those who know how to listen with a keen ear will discover a dialogue between sky and earth, a language without words, but dense and immense.
”
”
David Passarelli (Mountain poems: Musings on stone, forest, and snow)
“
Rusya belonged to monsters once. The towns of men were tiny, scattered along waterways. In the endless acres of forest so dense and dark they never saw sunlight, that is where the monsters dwelled. That is where they bred. A thousand demons spawned in the wilds of Rusya, and spread …
”
”
Sophie Lark (Anastasia)
“
Timid, dim witted eyes peer through the dark shadows of the dense forest and blinked, as the rhythm of the steady rain continued to beat down upon them, through the magic of a Grand Master Wizard. The cold mountain air breathed in wet, fresh and crisp, as the two bumblers huddled together in the forest for warmth and in wait. All within the camp seemed tranquil and calm.
Suddenly without warning, the sleeping figures began to glow with the glimmering dust the cagy, old Wizard had deposited around the slumbering camp. The glittering and glimmering powder began to spark and flit all around the army camp with the spirited life of fairy fire bees, or perhaps more to the point, tiny, tormenting furies.
Edgerton/Assassins of Dreamsongs 172
For that is what they quickly became, "tiny, tormenting furies"! Men awoke from the night, shrieking and screaming, as if they had been burned . . . for indeed they had! Where the sparkling dust touched, blankets caught on fire and clothes were engulfed in tiny, tormenting flames. The horizon was lit up, as all of the figures in the camp danced around in torment, against the blackness of the night. Men darted about the camp in panic and agony, screaming in supreme surprise and torment. Confused beyond belief, they ran into each other and became entangled in ridiculous heaps of flesh, cloth and hot armor. The whole army became piles of human clumps of torment, writhing on the ground.
Panic ruled the night and even the small forest creatures stopped their nightly routines, to stare at the odd sight of the ridiculous creatures; arms and legs flailing about.
Two rather comical figures strolled casually into the panic ridden encampment, whistling badly a stale, romantic tune. The two bumblers walked in slow, trembling saunters while whistling and laughing hysterically in fear. They both were as casual, as obvious trembling can allow one to be, when they approached the giant, blond Nobleman chained to the tree. The fairy fire bees bypassed the two bumblers with their tormenting magic. With stuttering steps and downcast eyes, they made their way to the tree and the man who would be King. Garish roared uncontrollably with laughter, at the sight of the writhing army and the two bumblers here for his rescue.
Edgerton/Assassins of Dreamsongs 173
"We've c-c-come to s-s-save you my Lord." Godfrey stammered out the words trembling, nearly swallowing his tongue. Both stiffened in absolute fear, as they watched the turmoil the Wizard had caused around them, expecting discovery at any moment!
Garish finally found his breath. "Well, let's get on with it! The furies can't last forever, although I wish they would!"
"Oh right!" Godfrey fumbled around in his clothes for the magic key Arkin had given him. "The magic key, it must be around here somewhere. Did the Old Man give the key to you Humphrey?"
"No, I thought you had it!" Humphrey scowled, already seeing his head in the guillotine.
"Well, someone's got to have it!" Garish roared.
A brawny guard in agonizing pain turned and caught sight of the fumbling escape. Screaming a battle cry, the burly guard stalked forward, to challenge them.
Garish brought the chains up around the brute's neck and crushed him against the tree, the sparkling furies making him shriek for mercy.
"Ah . . .here it is!" Godfrey exclaimed finding the magic key in his tunic. The key glowed with a golden power all its’ own, as he fished it from his pocket. His fingers trembled beyond that which he could remember, as he fitted the key into the lock. The chains quickly melted to the ground, to his delight and he laughed, as they all turned to flee.
Edgerton/Assassins of Dreamsongs 174
Their escape was immediately hampered by a confrontation with a huge Knight, as he rose from the ground, to challenge them. Garish buried both fists into the giant's stomach, in hammering blows and then bore his powerfully bulk up over his head.
”
”
John Edgerton (ASSASSINS OF DREAMSONGS)
“
Although the Indian government claims that the country’s forest cover has increased by 5,081 square kilometres between 2013 and 2015, beyond the statistics is the stark reality: around 2,510 square kilometres of very dense and moderately dense forests have been wiped out during that very period. And 2,254 square kilometres of moderately dense forest have now turned into non-forest lands.
”
”
Josy Joseph (A Feast of Vultures: The Hidden Business of Democracy in India)
“
Then we left it behind and entered another world. Steep, densely forested slopes closed in around us, plunging us into shadow as the road wound through them. Part of the huge Appalachian Mountains chain, the Smokies covered eight hundred square miles and spanned the border between Tennessee and North Carolina. They'd been declared a National Park, although looking out of the car window I thought that nature was blithely unaware of such distinctions. This was a wilderness that man had even now barely scratched. Coming from a crowded island like the UK, it was impossible not to be humbled by their sheer scale. There
”
”
Simon Beckett (Whispers of the Dead (David Hunter #3))
“
... I arrived at the Coeur d’Alene Airport at about 3:30 AM to fuel and preflight an airplane. My assignment was to land on an unimproved grass strip near Priest Lake at first morning light to pick up an armed special agent. I had to time my night departure out of Coeur d’Alene to land on the strip as early as possible, but the airstrip was unlighted, so I needed just enough natural light to see the runway. The landing area in the forest was a narrow grass strip, which had been cut out in a dense stand of Ponderosa Pine and Douglas Fir, just to the west of the central portion of Lower Priest Lake. The sun hadn’t risen when I arrived at the airstrip, but there was just enough light to pick out the narrow runway carved into the forest below and land.
It all seemed very clandestine as I bumped to a stop in the dim morning light. A shadowy figure dressed in dark-green fatigues emerged from the trees and walked quickly toward the airplane. As he got closer, I saw a holstered pistol on his belt and a gold badge on his chest. He got into the plane with the engine idling and the propeller still turning, and we took off immediately. (Page 355)
”
”
David B. Crawley (Steep Turn: A Physician's Journey from Clinic to Cockpit)
“
Dakar with a population of over a million people is the capital and largest city of Senegal. Counting the surrounding area the population would go well over 2,000,000. This would be our last landing for fuel, before our arrival in Liberia. We took a long turn over the Atlantic and made a slow decent to the runway of the “Aéroport international de Dakar” just north of Dakar. The Portuguese founded Dakar in 1444, as a base for the export of slaves. Dakar came under French rule in 1872 and was the capital of the Mali Federation for a year after 1959. On August 20, 1960, it became the capital of Senegal. It is here that the sand dunes of the North African desert, gives way to the dense tropical rain forests of Equatorial Africa.
On a map of Africa, Liberia is on the western bulge, just 5 degrees north of the equator. This is where, during the blisteringly hot summer months it constantly rains, and just south of where the tropical depressions become the fierce hurricanes that threaten the Caribbean Islands and North America. The impenetrable jungle of Liberia is euphemistically called “The Bush.” This hell hot, humid, Garden of Eden, was to become my home for the next eighteen months.
”
”
Hank Bracker
“
The air was pure and still, and early sunshine sparkled on the heavy dew. In the valley sat cotton candy mist, and the distant hills stood softly, their edges blurred and colors muted by the moist air. Swallows and house martins swooped and dipped, hungry for their breakfasts, catching the first rise of insects of the day. The honeysuckle and roses had not yet warmed to release their scent, so the strongest smell was of wet grass and bracken. Laura smiled, breathing deeply, and walked lightly through the gate into the meadows. She hadn't the courage to head off onto the mountain on her own just yet but could not wait to explore the woods at the end of the fields. By the time she reached the first towering oaks, her feet were washed clean by the dew. She felt wonderfully refreshed and awake. As she wandered among the trees she had the sense of a place where time had stood still. Where man had left only a light footprint. Here were trees older than memory. Trees that had sheltered farmers and walkers for generations. Trees that had been meeting points for lovers and horse dealers. Trees that had provided fuel and food for families and for creatures of the forest with equal grace. As she walked deeper into the woods she noticed the quality of sound around her change. Gone were the open vistas and echoes of the meadows and their mountain backdrop. Here even the tiniest noises were close up, bouncing back off the trunks and branches, kept in by the dense foliage. The colors altered subtly, too. With the trees in full leaf the sunlight was filtered through bright green, giving a curious tinge to the woodland below. White wood anemones were not white at all, but the palest shade of Naples yellow. The silver lichens which grew in abundance bore a hint of olive. Even the miniature violets reflected a suggestion of viridian.
”
”
Paula Brackston (Lamp Black, Wolf Grey)
“
Taking a look around them, with the city behind and the dense forest in front that led to the hills protecting the possible landing zone, he told her, “Unless I’m badly mistaken or the enemy really disappoints me, we may be in for the biggest defeat since Custer got his ass handed to him at the Little Big Horn.” “What?” Steph blurted. Sparks’s comment was totally out of place from
”
”
Michael R. Hicks (First Contact (In Her Name: The Last War, #1))
“
On certain hilltops grew spruce forests, as fine and dense and soft-looking as the pelts of Arctic mammals. When the wind gusted through these, a sound issued from them that was like icy water hurrying over sharp stones. But most of the land was covered with heather, gone scab-colored for the winter. There the wind was silent, except for the raucous buller that it made as it banged around in the porches of Daniel’s ears like a drunk burglar.
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”
Neal Stephenson (The System of the World (The Baroque Cycle, #3))
“
ALADYN and Devno! — those green stretching meadows, those rich dense forests, catching the golden glow of the sunshine of the East — those sloping hill-sides, with the clematis, and acacia, and wild vine clinging to them, and the laughing waters of lake and stream sleeping at their base — who could believe that horrible pestilential vapour stole up from them, like a murderer in the dark, and breathing fever, ague, and dysentery into the tents of a slumbering Army, stabbed the sleepers while they lay, unconscious of the assassin’s hand that was draining away their life and strength!
”
”
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
“
The family is like the forest: if you are outside it is dense; if you are inside you see that each tree has its own position. —AKAN PROVERB
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Yaa Gyasi (Homegoing)
“
DENGUE FEVER (BREAKBONE FEVER) Dengue fever is a viral infection found throughout Central America. In Costa Rica outbreaks involving thousands of people occur every year. Dengue is transmitted by aedes mosquitoes, which often bite during the daytime and are usually found close to human habitations, often indoors. They breed primarily in artificial water containers such as jars, barrels, cans, plastic containers and discarded tires. Dengue is especially common in densely populated, urban environments. Dengue usually causes flulike symptoms including fever, muscle aches, joint pains, headaches, nausea and vomiting, often followed by a rash. Most cases resolve uneventfully in a few days. Severe cases usually occur in children under the age of 15 who are experiencing their second dengue infection. There is no treatment for dengue fever except taking analgesics such as acetaminophen/paracetamol (Tylenol) and drinking plenty of fluids. Severe cases may require hospitalization for intravenous fluids and supportive care. There is no vaccine. The key to prevention is taking insect-protection measures. HEPATITIS A Hepatitis A is the second-most-common travel-related infection (after traveler’s diarrhea). It’s a viral infection of the liver that is usually acquired by ingestion of contaminated water, food or ice, though it may also be acquired by direct contact with infected persons. Symptoms may include fever, malaise, jaundice, nausea, vomiting and abdominal pain. Most cases resolve without complications, though hepatitis A occasionally causes severe liver damage. There is no treatment. The vaccine for hepatitis A is extremely safe and highly effective. You should get vaccinated before you go to Costa Rica. Because the safety of hepatitis A vaccine has not been established for pregnant women or children under the age of two, they should instead be given a gammaglobulin injection. LEISHMANIASIS Leishmaniasis occurs in the mountains and jungles of all Central American countries. The infection is transmitted by sand flies, which are about one-third the size of mosquitoes. Most cases occur in newly cleared forest or areas of secondary growth. The highest incidence is in Puerto Viejo de Talamanca. It causes slow-growing ulcers over exposed parts of the body There is no vaccine. RABIES Rabies is a viral infection of the brain and spinal cord that is almost always fatal. The rabies virus is carried in the saliva of infected animals and is typically transmitted through an animal bite, though contamination of any break in the skin with infected saliva may result in rabies. Rabies occurs in all Central American countries. However, in Costa Rica only two cases have been reported over the last 30 years. TYPHOID Typhoid fever is caused by ingestion of food or water contaminated by a species of salmonella known as Salmonella typhi . Fever occurs in virtually all cases. Other symptoms may include headache, malaise, muscle aches, dizziness, loss of appetite, nausea and abdominal pain. A pretrip vaccination for typoid is recommended, but not required. It’s usually given orally, and is also available as an injection. TRAVELER’S DIARRHEA Tap water is safe and of a high quality in Costa Rica, but when you’re far off the beaten path it’s best to avoid tap water unless it has been boiled, filtered or chemically disinfected (iodine tablets). To prevent diarrhea, be wary of dairy products that might contain unpasteurized milk; and be highly selective when eating food from street vendors.
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Lonely Planet (Discover Costa Rica (Lonely Planet Discover))
“
His friend had the capacity to refer to anything from majestic ghost gum forest in the Snowy Mountains to the sticky, dense rainforest of North Queensland as ‘Bush’. If it wasn’t a desert, a town or a city, then to Gary it was ‘the Bush’.
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”
GP Field
“
Rain comes,” said Eveneye. “Yes,” said Whiteclaw. They fastened the sacs around their necks and began to make their way back home, through the forest. Again, a wolf howled in the distance, closer though. Twigs and branches snapped under the bears’ paws and the wind whipped through their fur. It became harder and harder to see where they were going as the moonlight became obscured by rainclouds. Fortunately, Eveneye and Whiteclaw could have walked the path home with their eyes closed. The two bears had encountered far worse than rain and darkness in these woods. When they were younger, they had been caught in the woods during a blizzard and were forced to take shelter as it passed. They had made a shelter from a couple of fallen trees and huddled underneath them for fifteen hours before the storm had finally gone. When they had emerged again, they recognized nothing of the forest and it had taken them almost two days to find their way home. There had also been a time when human hunters had ambushed the two bears on their trail home. Eveneye and Whiteclaw were fully grown bears and they had dispatched the humans rather quickly, but not before suffering wounds from the humans’ spears. They could spend a night telling tales of their forays into the forest and often did. The woods were dense and had a layer of underbrush, not found in all forests. The canopy was high and wide; it was a very old forest. It was said, in the lore of the bear, that the elder bears did not choose this forest to build their kingdom, but that the forest chose them to be its protectors. This was passed down as birthright to all bears. Respect the forest; protect the forest. It was mother to them all. Lightning flashed, thunder rumbled and it began to rain. Whiteclaw grumbled and Eveneye chuckled. “What’s the matter? We were already wet from the stream.” “That was by choice,” replied Whiteclaw. Both bears laughed heartily as lightning flashed across the night sky. Eveneye stopped laughing and perked his ears. “Do you hear that?” “Hear what? The rain?
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”
Dylan Lee Peters (Everflame (Everflame #1))
“
He runs quickly and quietly through the dense woodland; his breathing is shallow yet steady. Beads of sweat glisten on the translucent skin of his forehead. His intense brown eyes drink in the surroundings of the forest as they flash by. The muscles flex in his arms and legs as he runs, and the sun reflects the contours of his body, showcasing his strong physique. I wake with a start; I can feel the blood pumping
”
”
Siobhan Davis (True Calling (True Calling #1))
“
inferred it, I think. The real Chris and I talked about it over and over. Why was the focus on me?” Michael’s stomach coiled. “Fuck. You didn’t say what happened to Jamie’s brother,” he whispered. “It’s not good, is it?” Chris shut his eyes. “No. It’s not.” “Come on, Chris! Move it!” Daniel begged. “We can’t stop now.” Chris looked like he couldn’t take another step. Daniel had been almost carrying him for several hours. He’d hooked Chris’s arm about his neck and simply dragged. They hadn’t seen water since they’d left the hellhole. And that was yesterday morning. Daniel looked up, trying to judge the time, but he couldn’t see the sun. The forest was too dense. They would never find a way out of the woods. Daniel didn’t care. He’d rather die in the woods than
”
”
Kendra Elliot (Buried (Bone Secrets, #3))
“
A person was like a dense forest thicket, overgrown with a twisting mess of vines, weeds, shrubs, saplings, and flowers. No person was one single emotion; no person had only one desire. They had many, and usually those desires conflicted with one another like two rosebushes fighting for the same patch of ground.
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”
Brandon Sanderson (The Emperor's Soul)
“
An awkward, irregular moon, like a squeezed-out teardrop, or something caught while falling, hung frozen in place over Paulette.
Trees whispered, though she saw none of them stirring. She felt her deeper heart calling....
... Her eyes ceded control, opening to those pulsing glows and darting spheres that had been greeting her recent nights in the woods. ... High noon was for those who could only see “stuff.” Night was for those of a more magical nature. For those who loved mystery. Beyond the world of dense physical forms is a realm that flows everywhere unbroken.
Whatever these lights were, they thrived in that world. One of the glowing forms drew closer now, almost as though taking a look at her. But then almost immediately it moved on again; going about its business, whatever that might have been.
Paulette thought of Mary. Perhaps the only person she had ever truly loved. Can the spirit of someone released too soon from life wander the forest? Is that what these were; were they spirits? Could Mary’s be wandering happy somewhere until her time came and her place in Heaven was ready for her?
If there even was a Heaven.
If there was a God who cared and understood; who let you in even after you had taken your own life.
“Oh God, if you exist,” Paulette prayed in passionate silence, “Please give sweet Mary a rest.”
One tree stirred, and one tree only.
- From "The Gardens of Ailana
”
”
Edward Fahey
“
To the north, Winston Churchill was warning that Hitler wanted to take over the world. The new British prime minister had been saying it for years. No one had listened. Now der Führer was on the march, and France was not ready. Not the people. Not the politicians. Not the press. Not even the generals. In Paris, they said the Germans would never dare to invade France. They said the Nazis could never penetrate the Maginot Line, the twenty-five-kilometer-thick virtual wall of heavily armed and manned guard posts and bunkers and concrete tank barricades and antiaircraft batteries and minefields and all manner of other military fortifications designed to keep the Germans at bay. They’d convinced themselves Hitler would never try to move his panzer divisions through the forests of the Ardennes. Those forests were too thick, too dense, too foreboding for anyone to move tanks and mobile artillery and armored personnel carriers and other mechanized units through.
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”
Joel C. Rosenberg (The Auschwitz Escape)
“
For hundreds of millennia, humans connected tightly to the land and the life forms their survival depended upon, because that was how it had to be. Failure to connect was not an option; if you didn’t know how plants grew, how animals bred, how rivers ran, how the seasons and the weather changed, then you did not survive. In some parts of the world – the Native American tribal lands of West Coast USA, the dense forests of West Papua, the deep valleys and jagged mountains of northern India – these connections remain, and cling on despite the best efforts of those who seek to gain more from the land than ‘mere’ survival. This connection has ebbed away from the majority of humanity, in many cases to the extent that people feel nothing for anything humans have not created themselves. But we cannot eat concrete; we cannot breathe television; we cannot drink money.
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”
Keith Farnish (Time's Up!: An Uncivilized Solution to a Global Crisis)
“
Jack weaves his fingers through mine, grinning curiously, like he's just sprung from a shadow and frightened a ghost back into the dark---one of his favorite pastimes---and we follow the winding path out of the forest, away from the grove of seven trees. I run my fingertips along the dusty pink poppies and vibrant bloodred roses that line the path, and when we finally step free of the dense forest, I peer up at a cloudless sky, shimmering a soft airy pink.
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”
Shea Ernshaw (Long Live the Pumpkin Queen (Pumpkin Queen, #1))
“
The daily thunderstorms had stopped, and without the storms, the elk stopped sheltering in the dense forest. They went up the slopes, and we followed them. We had to leave the lake behind, but it was fine because I had my family, and family was more important than fish.
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”
Teng Rong (Brilliant White Peaks (The Wolf Chronicles, #1))
“
princes continued walking in the forest with the sage. They stopped at a place where the rivers, Saryu and Ganges met. They crossed the river in a boat. After that they reached another dense forest. They could only hear the sounds of animals and birds. The sage said, “The forest is essentially a peaceful area except from the danger of Tadaka and her sons. Suketu, a powerful Yaksha, performed a penance for a son. Pleased with him, Lord Brahma offered him a boon that he would have a child. Suketu brought up Tadaka like a son as she was blessed with the strength of thousand elephants. Since he wanted a son, Tadaka married Sunda and had two sons, Maricha and Subahu. Once, Sunda irked Sage Agastya so the sage cursed him to death. Angered with this, Tadaka and Maricha troubled the sage, who cursed them too that she and Maricha would become demons. Since then, Tadaka, Maricha and Subahu began to destroy the beautiful forest and frightened those who came there.
”
”
Maple Press (Ramayana Tales (Illustrated))
“
The river waters were bright honey, as intensely colored as paint. A faint mist drifted over its surface. The forest massing on either side was so dense it looked black, except where, strangely delicate, a slash of flowers glowed white, or tear-shaped mangoes dripped pale green. Strange smells seeped out of the foliage, savory and disturbing. There was the sense of unknown things hiding beneath that painted-honey water, behind the screen of trees, even below the slowly creaking planks of dock we stood on. Animal noises rumbled together in an ever-present background thunder, but no life was actually visible, apart from a single butterfly tumbling over the water, its wings flickering red as a racing heart.
”
”
Rinsai Rossetti (The Girl with Borrowed Wings)
“
Most other places I know, water is a discrete entity. It is hemmed in by well-defined boundaries: lakeshores, stream banks, the great rocky coastline. You can stand at its edge and say “this is water” and “this is land.” But here in these misty forests those edges seem to blur, with rain so fine and constant as to be indistinguishable from air and cedars wrapped with clouds so dense that only their outlines emerge.
After hours in the penetrating rain, I am suddenly damp and chilled and the path back to the cabin is a temptation. I could so easily retreat to tea and dry clothes, but I cannot pull myself away. However alluring the thought of warmth, there is no substitute for standing in the rain to waken every sense—senses that are muted within four walls, where my attention would be on me instead of all that is more than me. I could not bear the loneliness of being dry in a wet world. Here in the rainforest, I don’t want to just be a bystander to rain, passive and protected; I want to be part of the downpour, to be soaked, along with the dark humus that squishes underfoot.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
I’m reminded of a dream that the aunt of a friend of mine had; the woman’s name is Cleo and she grew up in Kansas during the Great Depression. In the dream, she is lifted to Heaven when just a child. There, she is greeted by an angel who says, “Take my hand and I will show you to your new home.” The angel and Cleo stroll through Heaven’s shining streets, more radiant than anything the small and nervous girl had seen. However, instead of stopping before one of the lovely houses, they keep walking, then walking some more. The lights begin to dim, the houses are smaller now and the streets not so smooth. Finally, they arrive at a tiny hut near the edge of a dense forest with just enough light to see. Cleo asks, “Is this my new home?” The angel replies, “I’m afraid so; you were just barely good enough to get in.
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Madeleine K. Albright
“
The forest belonged to the gods. To the ancients it gave that frisson of the supernatural, even when traditional religion was tending to collapse. 'Faced with an ancient stand of tall trees (. . .) the grandeur of the trees, the mystery of the place, the impressive view of such dense shade (. . .) you are inspired with faith in a divine presence,' wrote Seneca (Ep., 41, 3), who quotes a line of Virgil (Aen., 8, 352) on a sacred grove that formerly crowned the Capitol: 'A god lives there: who? A god, anyway.
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Robert Turcan (The Gods of Ancient Rome: Religion in Everyday Life from Archaic to Imperial Times)
“
Look at this.” She held up the sketchbook to show a densely drawn page of a dark forest—alive with eyes. Eyes in the leaves. Eyes in the trunks. Eyes in the very rocks on the ground. It was terrifying. What was in the forest?
”
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Barbara O'Neal (The Art of Inheriting Secrets)
“
The story was about three women who haunted the forest of Aokigahara. According to legend, the trio had been dropped so deep into the vast, dense forest that they could never find their way out. The only souls they ever stumbled across were those who came there to die, and even those dark souls were so terrified of their hideous faces, they refused to speak with them. For the rest of their days, they were doomed to wander the sea of trees, surrounded by death and sorrow.
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A. Zavarelli (Stealing Cinderella)
“
Arré, let's go further, janaab. There is much to be seen in Pahalgam."
Mushtaq took a long time to understand that I hadn't actually wanted to come to Pahalgam. When we moved forward after having girda and kahwa, I saw a dense deodar forest beside the road. I asked him to park on the side, and we entered the forest.
"There are many such places in Kashmir,' Mushtaq said as he sat on the grassy ground.
"These places are so special.' I could lay bare my Kashmir in front of Mushtaq. There was something about him that put one at ease. I kept touching and looking at the deodar trees. How nice it was to roam with this form of life, hundreds of years old; what all they might have witnessed, and, in spite all that, they stood quietly, emanating so much peace and calm. I lay down under a tree. Mushtaq walked down to the river, washed his hands and sat down at a distance to perform the namaz. There could not be a more pious place than this to pray.
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Manav Kaul (Rooh, A Novel)
“
The forest was dense, and filled with all manner of vines and rank undergrowth; the road was a vague opening, where obstructing trees had been felled, the stumps and rotten trunks remaining. Across actual quags a track of logs and saplings had been laid, but long ago, now rotten and in broken patches. As far as the eye could reach, muddy water, sent back by a south wind from the gulf, extended over the vast flat before us, to a depth of from two to six feet, as per immediate personal measurement. We spurred in.
One foot:
Two feet, with hard bottom:
Belly-deep, hard bottom:
Shoulder-deep, soft bottom:
Shoulder-deep, with a sucking mire:
The same, with a network of roots, in which a part of the legs are entangled, while the rest are plunging. The same, with a middle ground of loose poles; a rotten log, on which we rise dripping, to slip forward next moment, head under, haunches in air. It is evident we have reached one of the spots it would have been better to avoid.
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Frederick Law Olmsted (A Journey through Texas: Or a Saddle-Trip on the Southwestern Frontier)
“
The brisk wind, flowing river, rocky mountains, dense forest, and blue sky all contribute to my deep understanding of life.
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Shree Shambav (Twenty + One - 21 Short Stories)
“
Nothing could be detected; but by stooping down to the earth and peering up towards the sun, a dark shade could sometimes be seen: this was an infuriated savage, and a slight rustle in the dense vegetation meant a spear. A large spear from my right lunged past and almost grazed my back, and stuck firmly into the soil. The two men from whom it came appeared in an opening in the forest only ten yards off and bolted, one looking back over his shoulder as he ran. As they are expert with the spear I don't know how it missed, except that he was too sure of his aim and the good hand of God was upon me.
”
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David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death, Volume II (of 2), 1869-1873 Continued By A Narrative Of His Last ... ... From His Faithful Servants Chuma And Susi)
“
every color Luce's eyes fell on was brilliant, brighter than it had seemed just a moment before. from the crystal blue lake just below them to the dense emerald forest surrounding it.
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Lauren Kate
“
And there, seated at the heart of all that sumptuousness and leaning forward in his chair behind the great desk, was a figure that looked like nothing so much as a dapper but exceedingly despondent frog. The very shape of his head seemed as if it had been altered by a powerful vertical vice, resulting in a symmetrical ovoid with a horizontal polar axis. His complexion was not so much sallow as lightly green. His mouth was unnaturally wide, with thick, tautly stretched lips the color and texture of earthworms. What ears he had were small and circular and somewhat recessed. His nose was broad and rather flat, as if it had been spread on his face unevenly by a butter knife, and had what looked more like nares than full nostrils. The sparse, slick tendrils of his hair were of some murkily nondescript hue and clung unguinously to his scalp. The dense convex lenses of his wire-rimmed spectacles made it seem as if his greenish-gray eyes were peering out at the world from the bottom of a shallow pond, through a thin layer of algae. If he had a jawline, it was not immediately evident where he kept it. His hunched, narrow, rounded shoulders, moreover, amplified the amphibian quality of his appearance. He was, however, dressed in the height of fashion: a high collar and pearl-colored cravat, a waistcoat of forest-green velvet, and a formal coat of lighter, lettuce-green damask with lapels of cream-white satin with pink borders.
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David Bentley Hart (Kenogaia (A Gnostic Tale))
“
Pale rings were from spring growth, whereas dark ones were from late summer. Skinny rings were indicative of drought or other environmental impacts such as insects or too-densely-populated forests. Fat lines told the tale of an abundant growing season. I’d
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Tess Thompson (The School Mistress (Emerson Pass Historicals #1))
“
The whole district of Australia where I lived was just a small plot in the immensity of the huge continent whose fringes only had been explored. Berrima, in fact, was merely a little paddock which had been carved out of the wilderness. Yet even here in the stillness of the early evening I had a feeling that as a human being I was an intruder in the forest. For these dense forests belonged to the pale ghostly trees and to the strange creatures that were hidden in them. Then, suddenly, I would jump as if a gun had been fired close to me, as the silence was rent by the piercing din of the kookaburra, screeching and screeching from the branches of a tree above, until the menacing sound changed to a mocking laugh. The low, hoarse laugh would seem unending. Abruptly it would finish in an obscene, deep-throated chuckle, which had an odd quality of knowingness and familiarity, suggesting an intimate awareness of the stark fear of the man walking through the undergrowth below, and a malicious pleasure at the prospect of some inevitable and terrible doom.
”
”
Robin Maugham (The link: a Victorian mystery)
“
A perfect traveller who, as it flows, overcomes all obstacles. It cuts through the rock, flows through the meadows, crosses the dense forest, clears all the dirt in its path, and sets off on its own wonderful adventure.
”
”
Shree Shambav (Journey of Soul - Karma)
“
if we let ourselves be guided by the atonal musician we walk as it were through a dense forest. The strangest flowers and plants attract our attention by the side of the path. But we do not know where we are going nor whence we have come. The listener is seized by a feeling of being lost, of being at the mercy of the forces of primeval existence. It seems as though the atonal musician had not paid attention to the listener as an independent personality: the listener is faced with an all-powerful world of chaos. But of course it must be admitted that this strikes a chord in the apprehensions of modern man!
”
”
Sam H. Shirakawa (The Devil's Music Master: The Controversial Life and Career of Wilhelm Furtwängler)
“
I limped my way away from the road and lost myself in the forest. I could see the hint of blue amidst the dense trees.
”
”
Sneha Banerjee
“
Soon after the Gordons left, Frank and Joe gave Aunt Gertrude a final hug and set off for the airport with their father. Their route included Toronto, then over a vast, lonely, region, splashed with lakes and carpeted with spruce. The plane landed briefly at Sudbury, where the boys glimpsed the white domes of a radar station standing out against the night sky. Two hours after leaving Toronto, they set down near the rugged mining town of Timmins. They registered at a hotel for the night and arranged by telephone for a bush pilot to fly them on to Lake Okemow. At daybreak the two sleuths were up and breakfasting on a hearty meal of Canadian bacon, eggs, and fried potatoes. Then they taxied off in a four-seater amphibian. The flight proved to be bumpy. Below lay a dense wilderness of black spruce, poplar, birch, and tamarack. Glittering lakes and snakelike streams slashed the forest. Farther north came barren patches, frosted white with snow. Then again they were flying over heavy timber. “Here we are!” the pilot said at last. He brought the plane down to a choppy landing on the not-yet-frozen lake and taxied to a wooden pier. On the shore lay the stout log hunting lodge. Smoke feathered from its chimney.
”
”
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
“
On both sides of them lay a dense forest of towering evergreens. Ice was forming along the banks, which in places were strewn with rugged boulders or rose in steep, rocky upthrusts. As the afternoon wore on, the wind grew stronger and more bitter. Dark clouds closed in from the northwest. René muttered, “The snow, she come soon, I think.
”
”
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
“
Young Hans Reiter also liked to walk, like a diver, but he didn’t like to sing, for divers never sing. Sometimes he would walk east out of town, along a dirt road through the forest, and he would come to the Village of Red Men, where all they did was sell peat. If he walked farther east, there was the Village of Blue Women, in the middle of a lake that dried up in the summer. Both places looked like ghost towns, inhabited by the dead. Beyond the Village of Blue Women was the Town of the Fat. It smelled bad there, like blood and rotting meat, a dense, heavy smell very different from the smell of his own town, which smelled of dirty clothes, sweat clinging to the skin, pissed-upon earth, which is a thin smell, a smell like Chorda filum.
In the Town of the Fat, as was to be expected, there were many animals and several butcher shops. Sometimes, on his way home, moving like a diver, he watched the Town of the Fat citizens wander the streets of the Village of Blue Women or the Village of Red Men and he thought that maybe the villagers, those who were ghosts now, had died at the hands of the inhabitants of the Town of the Fat, who were surely fearsome and relentless practitioners of the art of killing, no matter that they never bothered him, among other reasons because he was a diver, which is to say he didn’t belong to their world, where he came only as an explorer or a visitor.
On other occasions his steps took him west, and he walked down the main street of Egg Village, which each year was farther and farther from the rocks, as if the houses could move on their own and chose to seek a safer place near the dells and forests. It wasn’t far from Egg Village to Pig Village, a village he imagined his father never visited, where there were many pigstys and the happiest herds of pigs for miles around, pigs that seemed to greet the passerby regardless of his social standing or age or marital status, with friendly grunts, almost musical, or in fact entirely musical, while the villagers stood frozen with their hats in their hands or covering their faces, whether out of modesty or shame it wasn’t clear.
And farther on was the Town of Chattering Girls, girls who went to parties and dances in even bigger towns whose names the young Hans Reiter heard and immediately forgot, girls who smoked in the streets and talked about sailors at a big port who served on this or that ship, the names of which the young Hans Reiter immediately forgot, girls who went to the movies and saw the most thrilling films, with actors who were the handsomest men on the planet and actresses who, if one wanted to be fashionable, one had to imitate, and whose names the young Hans Reiter immediately forgot. When he got home, like a night diver, his mother asked him where he’d spent the day and the young Hans Reiter told her the first thing that came to mind, anything but the truth.
Then his mother stared at him with her blue eye and the boy held her gaze with his two blue eyes, and from the corner near the hearth, the one-legged man watched them both with his two blue eyes and for three or four seconds the island of Prussia seemed to rise from the depths.
”
”
Roberto Bolaño (2666)
“
STAR TROTTED THROUGH THE DENSE PINE FOREST, alone. He wanted to practice his flying where the herd couldn’t see him. The sharp screech of a hawk drew his eyes skyward in time to see a band of pegasi pierce the drifting clouds.
”
”
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
“
STAR TROTTED THROUGH THE DENSE PINE FOREST, alone. He wanted to practice his flying where the herd couldn’t see him. The sharp screech of a hawk drew his eyes skyward in time to see a band of pegasi pierce the drifting clouds. They swooped toward land impressively and then circled around, tapping wings as they passed one another in midair. They were Sun Herd yearlings, out with their flight instructor. Star reared, stretching toward them, trying to fly, but his giant wings hung off him like dead tree branches—useless. He sagged against a coarse fir tree, already sweating. It was getting hotter each day, and soon it would be time to migrate to the cooler grasslands in the north. He looked up again and watched the yearlings soar in easy loops. They’d been flying since the day they were born. But he—his wings never worked. If he could just tuck them onto his back, he wouldn’t look so foolish walking amid the Sun Herd steeds in the grasslands. Familiar voices pierced the silence, wafting on the breeze from Feather Lake. Star pricked
”
”
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
“
Distorted, clawed hands hung the bag of precious herbs around the thick, muscular neck of the wolf, and then the animal took off in a dead run, racing the climbing sun as it burned away the thick cloud covering. Fur began to smoke, and blisters rose beneath the thick pelt.
Thunder cracked unexpectedly. Thick black clouds, heavy with rain, blew across the sky, providing Mikhail with dense cover from the sun. The storm rolled in over the forest fast, with wild winds kicking up leaves and swaying branches. A bolt of lightning sizzled across the sky in a fiery whip of dancing light. The sky darkened to an ominous cauldron of boiling clouds. Mikhail bounded into the cave and raced along the narrow maze of passages toward the main chamber, shape-shifting as he ran.
Gregori’s cool silver gaze slid over him as Mikhail relinquished the herbs. “It is a wonder you have been able to tie your shoes without me all of these centuries.”
Mikhail sank down beside his brother, one hand over his burning eyes. “It is more of a wonder you have stayed alive with your ostentatious displays. Remind me to remove my impressionable brother from your disrespectful presence before your winning ways rub off on him.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
How, for example, after liberating themselves from servitude to the religion of God, the creator of the world and of Adam, which alone could hold them within duty and, therefore, within society, did the impious life of those first men from whom the gentile nations arose bring them to disperse in a ferine wandering through the great forest of the earth, grown dense through saturation by the waters of the Flood? And how, constrained to seek food and water and, even more, to save themselves from the wild animals in which the great forest must unfortunately have abounded, with men frequently abandoning their women and mothers their children, and with no way of reuniting, did their descendants gradually come to forget the language of Adam and, without language or any thought other than that of satisfying their hunger, thirst and the foment of their lust, deaden all sense of humanity?
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Giambattista Vico (Vico: The First New Science (Cambridge Texts in the History of Political Thought))
“
In linea di massima sapevo che cosa aspettarmi, eppure rimasi affascinato perchè fu uno degli spettacoli più miracolosi e incredibili che avessi mai visto in tutti i miei anni di osservazioni naturalistiche. In realtà, il piccolo era in tutto e per tutto un embrione, nato in effetti dopo soli trentatrè giorni di gestazione. Era cieco e le zampe posteriori ordinatamente incrociate una sull'altra erano senza forza, eppure era stato messo nel vasto mondo. Come se questo non fosse già un grosso ostacolo, adesso quel coso doveva arrampicarsi su per il peloso petto di Pamela fino a trovare l'ingresso del marsupio. Un'impresa perfettamente paragonabile a quella di un cieco con le gambe rotte che dovesse arrampicarsi attraverso dense foreste fino alla cima del monte Everest, anche perchè il piccolo non riceveva il minimo aiuto da parte della madre.
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Gerald Durrell (Two in the Bush)
“
From that unremarkable gap in dense northern forest, I could finally see clearly that if I hadn’t walked away from school, through devastating beauty alone on the Pacific Crest Trail, met rattlesnakes and bears, fording frigid and remote rivers as deep as I am tall—feeling terror and the gratitude that followed the realization that I’d survived rape—I’d have remained lost, maybe for my whole life. The trail had shown me how to change.
This is the story of how my recklessness became my salvation.
I wrote it.
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”
Aspen Matis (Girl in the Woods: A Memoir)
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In the eyes of my people, in the eyes of God, we are.” There was an implacable resolve, a my-word-is-law, in his voice that set her teeth on edge.
“What about in my eyes, Mikhail? My beliefs? Do they count for nothing?” she demanded belligerently.
“I see the answer in your eyes, feel it in your body. You struggle needlessly, Raven. You know you are mine…”
She stood up quickly, pushed the chair out of her way. “I don’t belong to anyone, least of all you, Mikhail. You can’t just decree what will be in my life and expect me to fall in with your plans.” Raven rushed down the three steps to the path winding into the forest. “I need some air.”
Mikhail laughed softly. “Are you so afraid of yourself?”
“Go to the devil, Mikhail.” Raven set her foot on the path and began walking quickly away before he could charm his way around her. And he could, she knew it. It was his eyes, the shape of his mouth, the little grin he gave her when he was deliberately provoking her.
The fog was very dense, the air wet and heavy with it. With her acute sense of hearing, she could hear every rustling in the bushes, every swaying of the branches, the beat of wings in the sky.
Mikhail paced behind her. “Perhaps I am the devil, little one. I am certain that has crossed your mind.”
She glared at him over her shoulder. “Stop following me.”
“Am I not a gentleman, obligated to see his lady home?”
“If you laugh at me one more time, I swear I won’t be responsible for what I do.” Raven became aware of the slinking figures then, the burning eyes following her. Her heart nearly stopped, then began to pound. “Fine!” She whirled around and glared at him. “This is great! Just great, Mikhail. Call in the wolves to eat me alive. I find the idea so ‘you.’ So logical.”
He bared his white gleaming teeth at her like a hungry predator and laughed softly, teasingly. “It is not the wolves that would find you delicious.
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Christine Feehan (Dark Prince (Dark, #1))
“
He saw what no one else did: that a mantle of despair was settling like fine grey dust on the distant island, clogging the air, blotting out its brilliance and choking its people. And, as the dense rain-forests turned slowly into pockets of ruins, and the last remnants of peace began to vanish, it seemed to those who loved the place that the dazzling colours of paradise would never be seen again.
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Roma Tearne (Bone China)
“
The cross-cultural psychiatrists and anthropologists featured in this book have convinced me that we are living at a remarkable moment in human history. At the same time they’ve been working hard to document the different cultural understandings of mental illness and health, those differences have been disappearing before their eyes. I’ve come to think of them as psychology’s version of botanists in the rain forest, desperate to document the diversity while staying only a few steps ahead of the bulldozers. We should worry about this loss of diversity in the world’s differing conceptions and treatments of mental illness in exactly the same way we worry about the loss of biological diversity in nature. Modes of healing and culturally specific beliefs about how to achieve mental health can be lost to humanity with the grim finality of an animal or plant lapsing into extinction. And like those plants and animals, the diversity in the human understanding of the mind can disappear before we’ve truly comprehended its value. Biologists suggest that within the dense and vital biodiversity of the rain forest are chemical compounds that may someday cure modern plagues. Similarly, within the diversity of different cultural understandings of mental health and illness may exist knowledge that we cannot afford to lose. We erase this diversity at our own peril.
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Ethan Watters (Crazy Like Us: The Globalization of the American Psyche)
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Boris Pasternak described this phenomenon beautifully, when he wrote, “No genuine book has a first page. Like the rustling of the forest, it is begotten God knows where, and it grows and it rolls, arousing the dense wilds of the forest until suddenly . . . it begins to speak with all the treetops at once.
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Elizabeth Gilbert
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Instead of asking what can we add to our roads to make them safer, they began asking, in the counterintuitive style of IDEO, what would a safer road look like? What they discovered astonished them. It turns out conventional wisdom about traffic is wrong. Often, the less you tell motorists how to behave, the more safely they drive. Think about it. Most accidents occur near school gates and crosswalks or around bus and cycle lanes, which all tend to be regulated by a dense forest of signs, lights, and road markings. That barrage of instruction can distract drivers. It can also lull them into a false sense of security, making them more likely to race through without paying attention. Minimize the lights, the signage, the visual cues, and motorists must think for themselves. They have to make eye contact with pedestrians and cyclists, negotiate their passage through the cityscape, plan their next move. Result: traffic flows more freely and safely. Ripping out the signage along Kensington High Street, one of the busiest shopping strips in London, helped slash the accident rate by 47 percent.
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Carl Honoré (The Slow Fix: Solve Problems, Work Smarter, and Live Better In a World Addicted to Speed – A Revolutionary Guide to Sustainable Solutions and Personal Success)
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You are to leave this place and go to safety if the hour becomes too late or you receive warning from us,” Mikhail cautioned his lifemate. “No playing the heroine. On this I will have your word.”
Raven smiled into his eyes, an intimate, tender acknowledgement. She nodded. “I would never endanger our child, my love.”
Mikhail reached out and touched Raven’s face, trailing his fingertips tenderly down her skin even as his form wavered, contorted, began to snap and pop. Fur shimmered along his arms, his back. His powerful frame bent, and he leapt away, landed running, a large black wolf.
Shea’s eyes widened, astonished at the quick change. Seeing the man becoming a wolf was incredible. Her heart was slamming so loudly she was afraid it might burst. She was uncertain whether it was from excitement and awe or from sheer terror. Jacques!
It is all right, my love. To calm her he leaned close, brushed her forehead with his mouth. It is the way of our people to utilize the animals around us. It is natural for us. And it helps to protect our skin and eyes from the sun.
I’m fine now, wild man. It was a shock. Shea breathed deeply to overcome her trembling. She found she was clinging to Raven’s hand and self-consciously dropped it.
Jacques dropped another kiss on her forehead before he deliberately walked off the porch and into the dense forest, making sure he was out of her sight before his body began to change.
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Christine Feehan (Dark Desire (Dark, #2))
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Jacques dropped another kiss on her forehead before he deliberately walked off the porch and into the dense forest, making sure he was out of her sight before his body began to change.
Gregori’s silver eyes moved over both women, then settled on Shea. “The child must be protected. It is no use appealing to Raven for logic, as she has none, and Mikhail is so besotted with her that he does not see his first duty, so it is up to you. For the sake of all of us, you must protect this child. Do you understand?”
Shea felt ensnared by those molten eyes. She might not fully comprehend his reasons, but she felt his genuine urgency. She nodded. “I’ll watch over her, healer.”
“It is not for my sake only, but for humans and Carpathians alike. This child must live, Shea,” he reiterated. “She must.”
Shea clearly felt the warning, the plea from his otherwise damned soul. This child was his only hope. For the first time she believed he was not the vampire, that his fear of turning was great, the child his only chance of survival. She nodded, meeting his eyes steadily so that he could see she comprehended the dangers.
Out of respect for her, Gregori, too walked into the forest out of Shea’s sight before shape-shifting and loping away toward the ruins of Jacque’s old home.
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Christine Feehan (Dark Desire (Dark, #2))
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In the tilled fields around his cities his mastery was disputed by wolves and occasional bears, and beyond those fields began the dense forest realm where Nature held sway undisputed by man and where every journey became an adventure.
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Willy Ley (The Lungfish, the Dodo, and the Unicorn: An Excursion into Romantic Zoology)
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Are we fruit of the same tree? No — Angela is everything I wanted to be and never was. What is she? She’s the waves of the sea. While I’m the dense and gloomy forest. I’m in the depths. Angela scatters in sparkling fragments. Angela is my vertigo.
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Clarice Lispector
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Two sticks that when rubbed together produce a fire are themselves consumed by the blaze. Just so, the dense forest of all conceptual bearings, which posit phenomena as existent and nonexistent, will be totally consumed by the fires of the wisdom of ascertaining that all phenomena are without true existence.
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Jamgon Mipham (The Wisdom Chapter: Jamgön Mipham's Commentary on the Ninth Chapter of The Way of the Bodhisattva)
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At last I came upon the hedge maze. Far from the warm circles of light cast by torch and lamp, the leaves and twigs here were wedged in a silver lacework of starlight and shadow. The entrance was framed by two large trees, their branches still bare of any new growth. In the darkness, they seemed less like garden posts marking the way into the labyrinth than two silent sentinels guarding the doorway to the underworld. Shapes writhed in the shadows beyond the archway of bramble and vine, both inviting and intimidating.
Yet I was not frightened. The hedge maze smelled like the forest outside the inn, a deep green scent of growth and decay, where life and death were intermingled. A familiar scent. A welcoming scent.
The scent of home. Removing my mask, I crossed the threshold, letting darkness swallow me whole.
There were no torches or candles lit upon the paths, and neither moonlight nor starlight penetrated the dense bramble. Yet my footing along these paths was sure, every part of me attuned to the wildness around me. Unlike the maze of Schönbrunn Palace, a meticulously manicured and man-made construction, this labyrinth breathed. Nature creeped in along the edges, reclaiming groomed, orderly, and civilized corridors into a twisting tangle of tunnels and tracks, weeds and wildflowers. Paths grew vague, roots unruly, branches untamed. Somewhere deep in the labyrinth, I could hear the giggles and gasps of illicit encounters in the shrubbery. I was careful of my step, lest I trip over a pair of trysting lovers, but when I came upon no one else, I let myself fall into a meditative state of mind. I wandered the recursive spirals of the hedge maze, turn after turn after turn, feeling a measure of calm for the first time in a long time.
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S. Jae-Jones (Shadowsong (Wintersong, #2))
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It's barely 8:00 a.m., but my train mates waste little time in breaking out the picnic material. But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography.
From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate.
We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy three more.
Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
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Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
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Few modern social infrastructures are natural, however, and in densely populated areas even beaches and forests require careful engineering and management to meet human needs. This means that all social infrastructures require investment, whether for development or upkeep, and when we fail to build and maintain it, the material foundations of our social and civic life erode.
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Eric Klinenberg (Palaces for the People: How Social Infrastructure Can Help Fight Inequality, Polarization, and the Decline of Civic Life)
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Abusua te sε kwaε: sε wo wɔ akyire a wo hunu sε εbom; sε wo bεn ho a na wo hunu sε nnua no bia sisi ne baabi nko. The family is like the forest: if you are outside it is dense; if you are inside you see that each tree has its own position. —AKAN PROVERB
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Yaa Gyasi (Homegoing)
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Vera’s ideas require a re-thinking of the evidence which has been previously interpreted as showing a dense forest. His view is that the open parkland explains why hazel, pedunculate oak and sessile oak (and other light-demanding species) have been well represented in pollen records for thousands of years, along with that of shade-tolerant species such as limes, elms, ash, common beech and hornbeam. In closed-canopy forests and forest reserves where large gaps are not present, oaks tend gradually to diminish because their seedlings, unlike those of the shade-tolerant trees, cannot grow at the low light levels present in the limited gaps which do form. He also contends that a partial explanation for the very high proportion of tree pollen dating from this period is that grazing may have been so efficient that production of grass pollen per unit area was greatly reduced. Svenning (2002) counters this by pointing out in a review of north-west Europe that in many studies non-tree pollen correlates well with other measures of openness such as beetle, snail and plant macrofossils and concludes that forested conditions were the norm with open vegetation being restricted to floodplains or poor soils (sandy or calcareous) and in the continental interior of north-west Europe.
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Peter A. Thomas
“
The countryside around us changed again. Now we were driving through forest. Sørland forests with mountain crags here and there among the trees, hills covered with spruce and oaks, aspen and birch, sporadic dark moorland, sudden meadows, flatland with densely growing pine trees. When I was a boy I used to imagine the sea rising and filling the forest so that the hilltops became islets you could sail between and on which you could bathe. Of all my childhood fantasies this was the one that captivated me most; the thought that you could swim over bus shelters and roofs, perhaps dive down and glide through a door, up a staircase, into a living room. Or just through a forest, with its slopes, cliffs, cairns, and ancient trees. At a certain point in childhood my most exciting game was building dams in streams, watching the water swell and cover the marsh, the roots, the grass, the rocks, the beaten earth path beside the stream. It was hypnotic. Not the mention the cellar we found in an unfinished house filled with shiny, black water we sailed on in two styrofoam boxes, when we were around five years old. Hypnotic. The same applied to winter when we skated along frozen streams in which grass, sticks, twigs, and small plants stood upright in the translucent ice beneath us.
What had been the great attraction? And what had happened to it?
Another fantasy I had at that time was that there were two enormous saw blades sticking out from the side of the car, chopping off everything as we drove past. Trees and streetlamps, houses and outhouses, but also people and animals. If someone was waiting for a bus they would be sliced through the middle, their top half falling like a felled tree, leaving feet and waist standing and the wound bleeding.
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Karl Ove Knausgaard (Min kamp 1 (Min kamp, #1))
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She took another step into the wood, and then another, and as she moved in deeper, she was overwhelmed by the way the forest was attuned to her. Branches lowered themselves down, low enough for her to reach a hand up and stroke the bare bark, low enough for them to tickle the skin of her arms. Soon, her surprise turned into understanding. She knew what this feeling was now. She knew what was happening. It was the same elation she experienced when her garden's roses craned their necks out of concern for her. It was the same tingle that consumed her when the plum tree bent its branches to shade her on sunny days. Only now, in these dense woods, as far from her garden as she'd ever been, it was stronger than ever before. She became part of this forest as soon as she entered it, and it was a part of her. They could communicate. They could be as one, without a single word spoken.
Filled with wonder, Harriet sat beneath the biggest tree in the wood. As she did, she heard a familiar rustling noise. Within seconds, curious tendrils of ivy appeared at her side, wrapped eagerly around her legs, and climbed over her hands. Harriet stayed very still. This ivy was different from the ivy in her garden--- it was more childlike in its embrace, more impatient. There was a kind of discovery in the way the tendrils wrapped around and beneath her that was new to them both. But soon, all foreignness was gone, for Harriet was lifted off the ground to lie on a silken pillow of ivy created just for her. Harriet let herself relax into it. We move because of you, the ivy whispered to her, and the trees hummed in agreement. You are exceptional, the wood told her. The words did not come as a person's voice. They came as the warm, whistling breeze, the rustle of branches, the titters of a bird. A sylvan lullaby.
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Chelsea Iversen (The Peculiar Garden of Harriet Hunt)
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Why do these strange longings possess me? Raindrops and stars, this dense and chilling fusion has roused me, opened the gates of my green and sombre forest, of this forest smelling of an abyss where water flows. And harnessed it to night. Here, beside the window, the atmosphere is more tranquil. Stars, stars, zero. The word cracks between my teeth into fragile splinters. Because no rain falls inside me, I wish to be a star. Purify me a little and I shall acquire the dimensions of those beings who take refuge behind the rain.
Near to the Wild Heart
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Clarise Lispector
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Synchronicities are like markers we happen upon in a dense forest to guide us further along a sometimes dark and winding path.
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Carla Camins Macapinlac (Vade Mecum: An Always-Present Guide to Your Divine Path)
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River folk and river cottages had soon been left behind, replaced by slender willows which gave way in turn to thick, unruly forest with a canopy so dense that only the slimmest rays of daylight reached water.
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Sean Bobby Kerr (A Journey Thrice Begun)
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The last tattered remnants of the afternoon’s cloud cover dissipate through the treetops and color returns to the world. I watch as the dense forest shifts from chrome yellow to a translucent saffron and then slowly fades through ocher to umber to gloom.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Beyond the Destination: Experiencing the Magic of Indian Highways
Highways in India are more than routes; they are the veins of a nation on the move. Among them, India’s best highway infrastructure stands out, providing a seamless journey marked by beauty and precision.
As I embarked on my trip, the first thing I noticed was the flawless design of the road. The surface was impeccably smooth, ensuring a drive free of bumps and jerks. The wide lanes accommodated vehicles of all sizes, creating a balanced and organized traffic flow. Safety measures like guardrails and clear signage at every interval showcased the meticulous planning behind this marvel.
The scenic beauty alongside these highways is breathtaking. On either side, fields stretch endlessly, occasionally broken by quaint villages or dense forests. The rising and setting sun casts a golden glow on the landscape, making the drive feel almost poetic. What’s impressive is the way these highways integrate natural beauty with cutting-edge infrastructure.
The rest areas deserve special mention. Designed to cater to every traveler’s needs, they include clean restrooms, food courts, and even small shopping kiosks. These facilities make long journeys comfortable and stress-free. Additionally, the toll plazas are so well-organized that they feel like part of the smooth highway experience.
Architectural features like overpasses and bridges are more than functional structures; they’re landmarks. Each is built with a focus on durability and design, serving as a reminder of India’s infrastructural brilliance.
India’s highways are not just roads; they are experiences. They’re where the journey becomes as fulfilling as the destination. Driving on them is a celebration of progress, blending engineering excellence with the natural charm of India’s diverse landscapes.
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Abhiblogger
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...Thousands of years ago, one particular lineage got a taste for humans, who had recently started living in densely populated settlements. Drawn to these sites, Aedes aegypti transformed into an urban animal that prefers towns over forests and... is tuned to the distinctive cues of our bodies above all else. This mosquito is now among the planet's most effective hunters of humans, and is extremely picky about anything else.
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Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
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I few to Raipur, drove the ten hours from there to Dantewada through dense fog, and arrived at the Maa Danteshwari Temple on time. I was dressed – disguised – as a God- fearing Hindu pil-grim in a white salwar kameez, a bright yellow dupatta and fat, fake pearl earrings. I have never looked more ridiculous. I was accompanied by my old letter- reader, father- of- the- bride, and now well- known maker of extraordinary long- form documentary flms, Sanjay K. He didn’t know it, but Anjum came along, too.
Neither knew the other was there. They were my consiglieri. We carried what we needed on our backs. We knew that the most dan-gerous part of the expedition would be getting into the forest and getting out. On a previous visit of mine to Dantewada, a senior policeman had pointed out the fat, white sandy banks of the Indra-vati River. ‘Across that river, ma’am, is what we call Pakistan. Out there, my boys shoot to kill.’ We had an international border in the heart of our country.
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Arundhati Roy (Mother Mary Comes to Me)
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The Forest Temple In the heart of a dense forest, there stood an ancient Buddhist temple run by a wise monk named Lao Chen. The temple was renowned throughout the region for its peace and tranquility. One day, a group of curious travelers ventured into the forest and reached the temple, captivated by its aura of serenity. The travelers hailed from different parts of the world and belonged to various cultures and religions. They wanted to know the secret behind the temple's peace. They asked Lao Chen how it was possible for people with such diverse beliefs to coexist peacefully within the temple. Lao Chen smiled and led the travelers to a wide garden filled with colorful flowers. "Look at these flowers," he said. "Each flower has a unique color, shape, and fragrance. Yet, despite their differences, they bloom together in the same soil. So it is with different religions and beliefs. Each has its beauty and uniqueness, but all can peacefully coexist in our minds and hearts." The travelers were struck by Lao Chen's words and asked how they could apply this wisdom in their daily lives, even in situations of conflict. Lao Chen guided them to a small pond in the woods. "Look at the water," he said. "Water is formless, yet it can adapt to any container.
If we want to resolve conflicts, we must be like water, flexible and adaptable, so that we can blend harmoniously even in the most challenging situations." The story tells us… The story underscores the importance of embracing diversity and finding harmony among different beliefs and cultures. The analogy of the flowers in the garden illustrates that, like diverse flowers coexisting peacefully, people from various religions and backgrounds can live harmoniously together.
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Aki yama (60 TIMELESS ZEN STORIES: A relaxing journey towards positive thoughts and true mindfulness)
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Daringbadi | The Hidden Kashmir of Odisha
2 Comments / Off-Beat Places. / By Still Unseen
Daringbadi – The hidden hill station of Odisha which you must see at least once in your life. Which has not been explored much even today.
The Hidden Kashmir of Odisha
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Daringbadi | The Hidden Kashmir of Odisha 2 Comments / Off-Beat Places. / By Still Unseen
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Kolli Hills: Magical Hill Station of Eastern Ghats of Tamil Nadu
If you are looking for a destination where there is no crowd at all, but nature, peace and culture all come together – then Kolli Hills is the perfect place for you, which is located in the southern region of India. Kolli hill station is located in the eastern Ghats of Tamil Nadu, which is considered the hidden gem of the south, Kolli Hills is still made with its real beauty and purity because there is no crowd here.
Kolli Hills is for those who are looking for a more travel-oriented experience than tourist spots and who don’t like being in crowds – where the journey is peaceful, and every turn offers a new view and a magical experience.
Where are Kolli Hills located?
Kolli Hills is located in the Namakkal district of Tamil Nadu, Kolli Hills is situated at an altitude of about 1,300 meters. The place is about 280 km from Chennai and only 120 km from Trichy.
Koli Hills Famous For
You might be thinking that Koli Hills is famous only for trekking, but it is not so. Is there a lot to visit and do in this place? So check out this list:
70 Hairpin Bends – A combination of adventure and sights
The most special feature of Kolli Hills is the thrilling road trip with 70 continuous curves. At every turn, you will get to see a new and unique natural view – lush green valleys, dense forests and sometimes you will even get to see the road passing through the clouds. This ride is like a dream route for driving lovers and bikers. You don’t have to be afraid of driving here, the roads are in great condition – so there is no need to worry about safety and you can enjoy the adventure to the fullest. If you want a thrilling and adventurous route in nature, then this drive will be unforgettable for you.
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Kolli Hills: Magical Hill Station of Eastern Ghats of Tamil Nadu
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human wisdom is at best a dim light in a dense forest on a dark night.
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Allen Levi (The Last Sweet Mile)
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Well, it means that man is the crossroads of two abysses, equally bottomless and equally inaccessible: the outer and inner worlds. And just as the stars, planets, comets, nebula, and other heavenly bodies move according to laws that we understand but poorly, though they are strictly preordained -- are you listening to me, Benedikt? -- so it is that moral law, all our imperfections notwithstanding, is preordained, etched with a diamond blade on the tablets of the conscience! Inscribed in fiery letters in the Book of Being. And even if this book is hidden from our myopic eyes, even if it is hidden in the valley of mists, behind seven gates, even if its pages are mixed up, its alphabet barbaric and indecipherable, it still exists, young man! It shines even at night! Our life, young man, consists of the search for this book. It is a sleepless path through the dense forest, groping our way, an unexpected acquisition!
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Tatyana Tolstaya (The Slynx)
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The Nilambur Promise: Why a Teak Wood Sofa Set is the Ultimate Sustainable Investment
In a world increasingly concerned with fast furniture and disposable goods, the choices we make for our homes carry more weight than ever. We're not just looking for comfort and style; we're seeking longevity, value, and a reduced ecological footprint.
Enter the teak wood sofa set, and specifically, the legacy of Nilambur Teak. More than just a piece of furniture, a Nilambur teak wood sofa is an investment that keeps a powerful promise: the promise of ultimate sustainability.
Nilambur: The Heartland of Teak Quality
The story of your sofa begins in Nilambur, a region in Kerala, India, often called the "Teak Heartland." What makes this teak variety so superior?
A Storied Legacy: Nilambur holds the distinction of having the world's first organized teak plantation, established by the British in 1842. This history underpins a tradition of carefully managed forestry.
The GI Tag: Nilambur Teak is one of the few forest products to be granted a Geographical Indication (GI) tag, legally recognizing its unique quality, which is attributed to the region's rich alluvial soil, tropical climate, and heavy rainfall.
Unrivaled Density and Oils: This environment fosters trees that produce dense, high-quality wood, rich in natural oils and silica. This unique composition is the secret to teak's legendary resilience.
Choosing a sofa made from responsibly sourced Nilambur teak isn't just buying luxury; it's buying into a heritage of quality and sustainable forestry.
The Four Pillars of Teak Sustainability
A teak wood sofa set stands out from all other materials—even other hardwoods—due to four fundamental characteristics that make it a truly sustainable choice:
1. Unmatched Longevity (The Generational Investment)
Forget the 5 to 10-year lifespan of most furniture. High-quality teak wood furniture is known to last for 30 to 50 years, often becoming a family heirloom passed down through generations.
Comparison: Compared to common outdoor woods like cedar (3-5 years) or acacia (10-15 years), teak is in a league of its own. Its decades-long lifespan drastically reduces the need for frequent replacements, saving resources, energy, and minimizing landfill waste. This single factor makes teak inherently eco-friendly.
2. Natural Resistance (No Chemicals Needed)
Teak's natural oils and tight grain structure act as a built-in protective barrier. This means your furniture has a natural defense against:
Water and Decay: The oils repel moisture, preventing the wood from warping, rotting, or cracking, even when exposed to humidity and spills.
Pests and Termites: Teak contains natural substances that are toxic or unappealing to wood-boring insects, effectively eliminating the need for chemical-based treatments or preservatives common with other woods.
This low-maintenance, chemical-free existence reduces environmental impact both during production and throughout the product's life.
3. Low Maintenance, Zero Stress
The true cost of furniture includes the effort and expense of maintenance. With teak, the effort is minimal:
Simple Care: A quick wipe-down with mild soap and water is often all that is required.
A Gracious Aging Process: Teak requires no special finish to maintain its durability. If left untreated, it naturally weathers to a sophisticated, silvery-grey patina over a few years. This desired change is purely aesthetic and does not affect the wood's structural integrity.
4. Responsible Sourcing (FSC and Plantation Teak)
While illegal logging has historically been an issue, the modern teak industry, particularly for high-end furniture, is increasingly focused on certified plantation teak.
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Nilambur Furniture
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The Nilambur Promise: Why a Teak Wood Sofa Set is the Ultimate Sustainable Investment
In a world increasingly concerned with fast furniture and disposable goods, the choices we make for our homes carry more weight than ever. We're not just looking for comfort and style; we're seeking longevity, value, and a reduced ecological footprint.
Enter the teak wood sofa set, and specifically, the legacy of Nilambur Teak. More than just a piece of furniture, a Nilambur teak wood sofa is an investment that keeps a powerful promise: the promise of ultimate sustainability.
Visit us – shop.nilamburfurniture
Nilambur: The Heartland of Teak Quality
The story of your sofa begins in Nilambur, a region in Kerala, India, often called the “Teak Heartland.” What makes this teak variety so superior?
A Storied Legacy: Nilambur holds the distinction of having the world's first organized teak plantation, established by the British in 1842. This history underpins a tradition of carefully managed forestry.
The GI Tag: Nilambur Teak is one of the few forest products to be granted a Geographical Indication (GI) tag, legally recognizing its unique quality, which is attributed to the region's rich alluvial soil, tropical climate, and heavy rainfall.
Unrivaled Density and Oils: This environment fosters trees that produce dense, high-quality wood, rich in natural oils and silica. This unique composition is the secret to teak's legendary resilience.
Choosing a sofa made from responsibly sourced Nilambur teak isn't just buying luxury; it's buying into a heritage of quality and sustainable forestry.
The Four Pillars of Teak Sustainability
A teak wood sofa set stands out from all other materials—even other hardwoods—due to four fundamental characteristics that make it a truly sustainable choice:
Unmatched Longevity (The Generational Investment)
Forget the 5 to 10-year lifespan of most furniture. High-quality teak wood furniture is known to last for 30 to 50 years, often becoming a family heirloom passed down through generations.
Comparison: Compared to common outdoor woods like cedar (3-5 years) or acacia (10-15 years), teak is in a league of its own. Its decades-long lifespan drastically reduces the need for frequent replacements, saving resources, energy, and minimizing landfill waste. This single factor makes teak inherently eco-friendly.
Natural Resistance (No Chemicals Needed)
Teak's natural oils and tight grain structure act as a built-in protective barrier. This means your furniture has a natural defense against:
Water and Decay: The oils repel moisture, preventing the wood from warping, rotting, or cracking, even when exposed to humidity and spills.
Pests and Termites: Teak contains natural substances that are toxic or unappealing to wood-boring insects, effectively eliminating the need for chemical-based treatments or preservatives common with other woods.
This low-maintenance, chemical-free existence reduces environmental impact both during production and throughout the product's life.
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Nilambur Furniture
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The beasts were scattered across the field and around Anklejelly Manor in clusters, most of them beside telltale piles of Fang armor, from which the lizards’ white, dusty remains were blowing away in the steady east wind. Near the forest Janner spied six dead toothy cows as big as Nugget, and around them was a dense cluster of Fang armor and weaponry. A mighty battle had been fought while the Igibys slumbered in the belly of the manor. Now only flies buzzed around the corpses as the sun beat higher and stronger.
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Andrew Peterson (On the Edge of the Dark Sea of Darkness (The Wingfeather Saga, #1))
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Above all, Sibelius's music concerns itself with the relationship between a melancholic yet ebullient mind and the wider world outside it; with the function of emotions, the imagination and the intellect in human life; with how art can survey, scrutinize and give meaning to the strangeness of existence.
“Frequently, therefore, not only do the abstract and the programmatic coalesce in Sibelius; the elemental - fire, earth, air, water - are also attached to the psychological. Nature painting in his music is never mere sonic landscaping but a penetrating examination of human mental processes, as well as insecurity and instability. The dark forests of Tapiola (1926) are the gloomy forests of the mind; the harsh, stark landscapes of the Fourth Symphony (1911) are soundscapes of spiritual, cerebral and ecological anguish; the erotic thrills and dangerous liaisons of Kullervo (1892), Lemminkäinen (1896), and the First Symphony (1899) serve as prophetic warnings not just about psychosexual licentiousness but environmental debauchery too.
“In his extraordinary symphonies and tone poems, Sibelius explores the stimulating forces and shadowy agencies lurking behind the locked doors of nature, the dense layers of myth and the misty windows of the soul. His is a captivating and increasingly pertinent musical mind we would do well to heed.
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David Vernon (Sun Forest Lake: The Symphonies & Tone Poems of Jean Sibelius)
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The name Canaima suddenly took on a darker meaning. According to the Pemón, Kanaima was an evil spirit that lurked in this dense forest. This shapeshifter could possess animals or humans alike, driving them to commit terrible acts. The spirit was blamed for unexplained disappearances, strange illnesses, and sudden deaths.
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Sej Saraiya (Becoming Still: A Tale of Inner Reckoning and Wild Places)
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Chapter 3, The Dark Forest....The sound of flowing water echoed in the distance and then the path converged upon a creek full of fast, rippling, white water cascading over brown and red colored rocks. Moss dangled across the pathway and swung back and forth as the trespassers moved under the green vegetation. Bright yellow fingers of sunlight attempted to filter through the dense tundra to touch the moist earth until finally, the appendages of light disappeared completely. “Come children, this way,” called Mrs. Beetle leading her group over a moldy, moss-laden, wood bridge.
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M.K. McDaniel (Nina Beana and the Owenroake Treasure Hunters)
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Yamanashi is green, dense with red pine and white oak forest and beautifully kept orchards that cut deep into its slopes. Fruit hunters pay to eat as much ripe, seasonal fruit as they like in a short span of time. Say, thirty minutes of thin-skinned peaches, or fat pink grapes, or strawberries, warmed from the sun, dipped into pools of sweetened condensed milk.
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Samin Nosrat (The Best American Food Writing 2019 (The Best American Series))
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The gods of Winterfell kept a different sort of wood. It was a dark, primal place, three acres of old forest untouched for ten thousand years as the gloomy castle rose around it. It smelled of moist earth and decay. No redwoods grew here. This was a wood of stubborn sentinel trees armored in grey-green needles, of mighty oaks, of ironwoods as old as the realm itself. Here thick black trunks crowded close together while twisted branches wove a dense canopy overhead and misshapen roots wrestled beneath the soil. This was a place of deep silence and brooding shadows, and the gods who lived here had no names.
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George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
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A person was like a dense forest thicket
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Brandon Sanderson (The Emperor's Soul)
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Most of the lands around Arton surrendered to forest quickly, but this was especially true of the eastlands. They held evergreen conifers so tall they bruised the sky. Below them algae-cracked boulders lay scattered among the sleeping moss and woody underbrush, the groundcover dense and feral. Its wildness attracted powerful and unusual creatures, and there was a general rule known to those familiar with the area, though it didn’t always help: stick to the road.
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J Cruthe (The Marrowsgate)
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It was surrounded by dense forest of ‘Tarkashan’. Mount Kung pointed at Mount Efildar
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Alex Anderson (Minecraft: Battle of Legends Book 1 (An Unofficial Minecraft Book))